Ready For Summer Quotes

We've searched our database for all the quotes and captions related to Ready For Summer. Here they are! All 100 of them:

The whole summer lay ahead of us-time to rest, time to wait. And when the future comes-no matter what comes with it-I'll be smarter. I'll be stronger. I'll be ready.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
Time passes too quickly when you're getting ready to do something you don't want to do.
Courtney Summers (Some Girls Are)
It is still summer, but the summer is no longer alive. It has come to a standstill; nothing withers, and fall is not ready to begin. There are no stars yet, just darkness.
Tove Jansson (The Summer Book)
It was hard to feel the right emotions at the right times. They didn’t come at all when you set a place for them, and they sacked when you weren’t ready, when you were just innocently flossing your teeth, for example, or eating a bowl of cereal.
Ann Brashares (The Last Summer of You and Me)
Excellent,” said Lupin, looking up as Tonks and Harry entered. “We’ve got about a minute, I think. We should probably get out into the garden so we’re ready. Harry, I’ve left a letter telling your aunt and uncle not to worry —” “They won’t,” said Harry. “That you’re safe —” “That’ll just depress them.” “— and you’ll see them next summer.” “Do I have to?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can't even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably more accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns into cool and when you briefly wake up, you notice that you're almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it's that reaching, that gesture, that reflex we have to pull what's warm - whether it's something or someone - toward us, that feeling we get when we do that, that feeling of being safe in the world and ready for sleep, that's happiness.
Paul Schmidtberger (Design Flaws of the Human Condition)
Like a view of the sea on a summer day on the most perfect winding road taken in from your car seat window A thing perfect and ready to become a part of the texture of the fabric of Something more ethereal like Mount Olympus where Zeus and Athena and the rest of the immortals play
Lana Del Rey (Violet Bent Backwards Over the Grass)
I kept thinking back to all those nights in Connecticut, when I was out the door as soon as dinner was over, yelling my plans behind me as I headed to my car, ready for my real night to begin—my time with my family just something to get through as quickly as possible. And now that I knew that the time we had together was limited, I was holding on to it, trying to stretch it out, all the while wishing I’d appreciated what I’d had earlier.
Morgan Matson (Second Chance Summer)
Glad you like it." "No. I love it." He grunted. "You ready?" "Ready for what?" "For me to ask you to dinner yet." Her pulse tripped all over itself. Got up. Tripped again. "Did you think you needed to build a pergola to convince me?" "No. I, uh..." He tossed down the rag, shoved his hands into his pockets. "I needed something to keep me busy while I worked up the nerve to ask.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
It's like summer wear the world out, and by October everyone is just ready for a nap
Ta-Nehisi Coates (The Water Dancer)
Get you pretty ass ready and you might as well settle yourself to it. Because you are mine.” His finger pointed imperiously toward her chest. “And you will stay mine.
Lora Leigh (Loving Lies (Men of Summer, #1))
You’re not allowed to get pregnant until you’re at least thirty. I’m not ready to be an uncle.” “Oh my God. Life isn’t always about you!” They stand there bickering as if I’m not bent in half on the marble floor, gasping for air. “I’m not having kids with you,” I wheeze at Summer. “I don’t want to be part of your insane family.” “Oh hush, sweetie. It’s too late. I’ve become attached.
Elle Kennedy (The Chase (Briar U, #1))
It’s a woman’s prerogative to take her time about getting ready for a date,” Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
If you want to mess with me, you'd rather be ready for the consequences.
Francine Pascal (The Boys of Summer (Sweet Valley University, #32))
Things are too full of life in the spring months. In the summer, they're too strong and won't let go. Autumn..." He looked around at the changing leaves on the trees. "Autumn's the time. In autumn everything is tired and ready to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I can dive", Sophia said. "Do you know what it feels like when you dive?" Of course I do," her grandmother said. "You let go of everything and get ready and just dive. You can feel the seaweed against your legs. It's brown, and the water's clear, lighter towards the top, with lots of bubbles. And you glide. You hold your breath and glide and turn and come up, let yourself rise and breathe out. And then you float. Just float." And all the time with your eyes open," Sophia said. Naturally. People don't dive with their eyes shut." Do you believe I can dive without me showing you?" the child asked. Yes, of course", Grandmother said.
Tove Jansson (The Summer Book)
He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.
Markus Zusak (The Book Thief)
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
How lucky country children are in these natural delights that lie ready to their hand! Every season and every plant offers changing joys. As they meander along the lane that leads to our school all kinds of natural toys present themselves for their diversion. The seedpods of stitchwort hang ready for delightful popping between thumb and finger, and later the bladder campion offers a larger, if less crisp, globe to burst. In the autumn, acorns, beechnuts, and conkers bedizen their path, with all their manifold possibilities of fun. In the summer, there is an assortment of honeys to be sucked from bindweed flowers, held fragile and fragrant to hungry lips, and the tiny funnels of honeysuckle and clover blossoms to taste.
Miss Read (Village Diary (Chronicles of Fairacre, #2))
Addie," he breathes, and the sound sends sparks across her skin, and when he kisses her, he tastes like salt, and summer. But it feels too much like a punctuation mark, and she isn't ready for the night to end, so she kisses him back, deeper, turns the period into a question, into an answer.
V.E. Schwab (The Invisible Life of Addie LaRue)
I love you, Tess McGee. I don’t do big funny or heartfelt speeches in front of people at birthday parties, but I’m excellent in private alcoves in beer gardens.” He paused. “Okay, that sounded really bad, what I mean is …” I kissed him into silence. I pressed my forehead against his with a sigh. “I love you, too, Toby. In fact, that’s what I was going to tell you before we walked into the beer garden. Right before the really bad singing started.” Toby chuckled. He let out a sigh of relief. “Ready to reminisce?” I whispered my final word before he closed the distance. “Always.
C.J. Duggan (The Boys of Summer (Summer, #1))
It was your basic Irish summer day, irritatingly coy, all sun and skidding clouds and jackknifing breeze, ready at any second to make an effortless leap into bucketing rain or blazing sun or both.
Tana French (In the Woods (Dublin Murder Squad, #1))
Children," Johanna drawled out. "They're such a joy. When you get married and have a family of your own, you'll understand what I'm saying. You are going to get married someday, aren't you, Keith?" "Aye, m'lady," he answered. "Next summer as a matter of fact. Bridgid MacCoy has agreed to become my wife." "Oh." She couldn't quite hide her disappointment. She turned her gaze down the table and settled on Michael as a possibility. He caught her staring at him. He smiled. She nodded. "Children," she began again. "They're wonderful, aren't they, Michael?" "If you say so, m'lady." "Oh, I do say," she replied. "When you get married, you'll understand. You do plan to marry someday, don't you, Michael?" "Eventually," he answered with a shrug. "Have you anyone in mind?" "Are you matchmaking, m'lady?" Keith asked. "Why would you think that?" "I'll marry Helen when I'm ready," Michael interjected. "I've told her I will, and she agreed to wait." Johanna frowned. The possibilities were becoming a bit limited. She turned to Niall. "Children…" she began. "She is matchmaking," Keith announced. It was as though he'd just shouted the alarm that they were under siege. The soldiers literally jumped from their stools. They bowed to Johanna and left the room in the space of a single minute. She didn't even have enough time to order them back into their seats.
Julie Garwood (Saving Grace)
Writing about the indignities of old age: the daunting stairway to the restaurant restroom, the benefits of a wheelchair in airports and its disadvantages at cocktail parties, giving the user what he described as a child's-eye view of the party and a crotch-level view of the guests. Dying is a matter of slapstick and pratfalls. The aging process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.
John Mortimer (The Summer of a Dormouse)
Dying is a matter of slapstick and pratfalls. The ageing process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.
John Mortimer (The Summer of a Dormouse)
God didn't give us minds to be able to understand everything. That's part of the mystery. Now, you can drive yourself crazy tryin' to understand something you were never meant to figure out down here, or you can just trust Him 'til He's ready to let you in on it. 'Til then, just enjoy the mystery.
Renee Riva (Saving Sailor: A Quirky Girl, A Faithful Dog, and One Unforgettable Summer (A.J., #1))
When I found my dad, I knew things were going to change forever, but sitting next to her, getting ready to see my dad buried, I felt it in a different way. Everything ached. This reminds me of that - how it aches. But it's a better ache, too. I'm hopeful. I can't remember the last time I felt hopeful.
Courtney Summers (Fall for Anything)
It's not easy being the Chosen One. Just ask Buffy Summers. Ask Harry Potter. And ask Zoey Redbird, the latest in this list of "lucky" candidates picked by fate to save the world from darkness- and oh yeah, find romance, keep their friends and maybe not flunk every class. In their spare time of course.
Jeri Smith-Ready (Nyx in the House of Night: Mythology, Folklore and Religion in the PC and Kristin Cast Vampyre Series)
School was finally out and I was standing on a picnic table in our backyard getting ready for a great summer vacation when my mother walked up to me and ruined it.
Jack Gantos (Dead End in Norvelt (Norvelt Series Book 1))
Lots of famous people are late bloomers. My father says it’s an advantage to be a late bloomer. Because when good things start happening, you’re ready for it.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Sometimes the heart tells us things in whispers, and we miss them. When we’re ready, we hear them loud and clear.
Melissa Foster (Seaside Sunsets (Love in Bloom: Seaside Summers, #3))
Parents love bathtime because it means that bedtime is near. To prepare your darling for her bath, put on your full-length poncho, because toddlers don’t bathe, they splash, motherfucker. When toddlers bathe, they act like they’re a junior member of the summer Olympics diving team. Get ready. By the time you’re done, your bathroom floor will have a few inches of standing water. The good news is that wiping up all that water counts as mopping the floor.
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
Sweetness. That was the first surprise. He’d heard so many tart words from these lips . . . but her kiss was sweet. Cool and sweet, with a hint of true decadence beneath. Like a sun-ripened plum at the height of summer. Ready to fall into his hand at the slightest inducement.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
Love and lust aren’t always in sync. You can love someone, but not be ready to have sex with them. Or you can meet someone random and end up jumping in all the way. There’s nothing wrong with either. You’ve waited this long, so wait until you’re really feeling it. If he’s The One, he’ll understand.
Dorota Skrzypek (Sex, Life, & Hannah: Volume 3, Summer Season)
…Henry is tired of winter, & haircuts, & a squeamish comfy ruin-prone proud national mind, & Spring (in the city so called) Henry likes Fall. Hé would be prepared to líve in a world of Fáll for ever, impenitent Henry. But the snows and summers grieve and dream; These fierce & airy occupations, and love, raved away so many of Henry’s years it is a wonder that, with in each hand one of his own mad books and all, ancient fires for eyes, his head full & his heart full, he's making ready to move on.
John Berryman (77 Dream Songs)
What are you afraid of then?' She pondered. He had already noticed that it was her hands which indicated what she was thinking of quite as much as her face and now he watched as she cupped them, making them ready to receive her thoughts. 'Not being able to see, I think,' she said. 'Being blind, you mean?' 'No, not that. That would be terrible hard but Homer managed it and our blind piano tuner is one of the serenest people I know. I mean ... not seeing because you're obsessed by something that blots out the world. Some sort of mania of belief. Or passion. That awful kind of love that makes leaves and birds and cherry blossom invisible because it's not the face on some man.
Eva Ibbotson (A Song for Summer)
If you're not ready I won't force you. But I'm going to spend the entire summer helping you come to the realization that you want me too.
Adriane Leigh (The Mourning After (Mourning, #1))
I felt it a week before we left, every time. And then of course, when the time came, I was never ready to leave. I wanted to stay forever.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
We struggle, we grow weary, we grow tired. We are exhausted, we are distressed, we despair. We give up, we fall down, we let go. We cry, we are empty, we grown calm. We are ready. We wait quietly. A small shy truth arrives. Arrives from without and within. Arrives and is born. Simple, steady, clear. Like a mirror, like a bell, like a flame. Like rain in summer. A precious truth arrives and is born within us. Within our emptiness. We accept it, we observe it, we absorb it. We surrender to our bare truth. We are nourished, we are changed. We are blessed. We rise up. For this we give thanks. "Short NotesS From The Long History Of Happiness
Michael Leunig
I am not ready to forgive him for that, and If I do before it's time, I will be sacrificing myself just to feel his love grace my skin. And that is not the love I want. That is not the love I deserve.
Asha Ashanti Bromfield (Hurricane Summer)
Then after a long time Annie wasn’t a little girl anymore. She was a big girl and I was so much in love with her that I lived in a dream. In the dream my heart seemed to be ready to burst, for it seemed that the whole world was inside it swelling to get out and be the world. But that summer came to an end. Time passed and nothing happened that we had felt so certain at one time would happen.
Robert Penn Warren (All the King's Men)
The pageant of the river bank had marched steadily along, unfolding itself in scene-pictures that succeeded itself in stately procession. Purple loosestrife arrived early, shaking luxuriant locks along the edge of the mirror whence its own face laughed back at it. Willow-herb, tender and wistful, like a pink sunset-cloud was not slow to follow. Comfrey, the purple hand-in-hand with the white, crept forth to take its place in the line; and at last one morning the diffident and delaying dog-rose stepped delicately on the stage, and one knew, as if string music has announced it in stately chords that strayed into a gavotte, that June at last was here. One member of the company was still awaited; the shepherd-boy for the nymphs to woo, the knight for whom the ladies waited at the window, the prince that was to kiss the sleeping summer back to life and love. But when meadow-sweet, debonair and odorous in amber jerkin, moved graciously to his place in the group, then the play was ready to begin.
Kenneth Grahame (The Wind in the Willows)
It’s a blur—dense, raucous, exhausting—feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn’t go anyone’s way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you’ll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
Each morning fog rolls over the bay and caresses the Golden Gate, the most picturesque bridge in the world. In the evenings night descends from heaven like some mystical force of nature, alerting hearts that something wonderful is about to happen. The City by the Bay becomes a moonlit paradise of sounds and sensations. It teems with lights, music, ocean, and pretty girls ready to dance and have fun. San Francisco stretches out her romantic hand, beckoning you to join in all the living going on, all the love being found. And for this reason, night is the loneliest time for those of us who have no one. Oh, we try for love, desperately we make the attempt, gallantly we forge on. But inevitably we fall into a seductive whirlpool of night and garter belts, lipstick and alluring lingerie, darkened hotel rooms and passion devoid of love. Love is the trophy others raise high in happiness, leaving the rest to seek momentary solace in sex bereft of tenderness and meaning, pretending for a few moments, perhaps even a few hours, that it is something more. A hollow consolation prize for losing the romance contest.
Bobby Underwood (Gypsy Summer)
You look so beautiful No one but me knows you're insane I feel so damn pathetic My friends just don't get it Cause you've got me under oath Before you I was in a fucking rut One day you are in the past That night I ask you back It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing You've got me feeling strange Cause I love to hate you so damn much But I can't think of leaving Cause you're what keeps me breathing It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing
Calum Hood
On three. Ready?" Closing my eyes I take a deep breath as he squeezes my hand in time to his counting. I open my eyes on the third and final squeeze. And then we jump
Erin L. Schneider (Summer of Sloane)
I guess I always thought,” Ivy said softly, “that if I was strong enough, if I was formidable enough, if I was successful enough—I could be enough. For you. I thought that if I became this person who could take on the world, then I could take care of you.” She shook her head—at her past self, maybe, or to snap herself out of it. “When I came to Montana that summer, Tess, I thought I was ready. I really did. I was going to give you everything. But Gramps called me out, and he was right, Tessie. I wasn’t doing it for you. You were thriving. You were happy. And I . . .” The words got caught in her throat, but she forced them out. “I was your sister. I was never going to be strong enough or successful enough. There was never going to be a right time to tell you. You were happy. And you deserved to be happy.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
I want all your words. I want to be filled with them so that when I go home, I’ll never forget how I made you feel.” I’m hovering over him, wet and ready when he grips my hips and prevents me from lowering myself onto him. He brushes his lips along my jaw, nipping at my skin. “You are home,” he whispers.
J. Daniels (Where I Belong (Alabama Summer, #1))
It's idiotic, it's crazy. If you die and then you're just nothing, there isn't any point to anything. Why do we live at all if we die and stop being? Father wasn't ready to be stopped. No one's ready to be stopped. We don't have *time* to be ready to be stopped. It's all crazy. . . . Look at my glasses. I can't even see that there are any stars in the sky without them, but it's not the glasses that are doing the seeing, it's me, Madeleine. I don't think Father's eyes are seeing now, but *he* is. And maybe his brain isn't thinking, but a brain's just something to think through, the way my glasses are something to see through.
Madeleine L'Engle (The Summer of the Great-Grandmother (Crosswicks Journal, #2))
My favorite season. World is so beautiful this time of year. There's a kinda peace that just falls on everything, even up here. It's like summer wear the world out, and by October everyone is just ready for a nap.
Ta-Nehisi Coates (The Water Dancer)
You've got to use every moment. Because in the blink of an eye it's past you, and you never get your time again. Forgive me, Grace, Charlotte said smiling, but I think that's rubbish. I believe we meet our times with our full and ready selves at whatever ages we are when the times happen to us. That's what it's all about.
Ali Smith (Summer (Seasonal Quartet, #4))
The photographer from the magazine, Masao Kageyama, would ride along in the van that accompanied me. He’d take pictures as they drove along. It wasn’t a real race, and there weren’t any water stations, so I’d occasionally stop to get water from the van. The Greek summer is truly brutal, and I knew I’d have to be careful not to get dehydrated. “Mr. Murakami,” Mr. Kageyama said, surprised as he saw me getting ready to run, “you’re not really thinking of running the whole route, are you?” “Of course I am. That’s why I came here.” “Really? But when we do these kinds of projects most people don’t go all the way. We just take some photos, and most of them don’t finish the whole route. So you really are going to run the entire thing?” Sometimes the world baffles me. I can’t believe that people would really do things like that.
Haruki Murakami (What I Talk About When I Talk About Running)
Things are too full of life in the spring months. In the summer, they’re too strong and won’t let go. Autumn . . .’” He looked around at the changing leaves on the trees. “‘Autumn’s the time. In autumn everything is tired and ready to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
It’s a cold summer morning with the dawn chorus in full swing. The sun is beginning to rise above still-sleepy London town. People stir in their beds, hoping that it is not yet time to get up, wishing for a few more minutes of peace. They cling onto loved ones, feel their warmth and try to settle back to sleep whilst alarm clocks limber up, getting ready to play their tunes.
Ross Lennon (The Long Weekend)
Happiness in intelligent people is the rarest thing I know.” She wasn’t sure if the women were half as intelligent as they thought they were, but she could tell their cheerfulness was painted on like cheap makeup, ready to run off at the first sprinkle of a summer rain.
Kay Bratt (Wish Me Home)
Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd. "All right, folks," Mr. Summers said. "Let's finish quickly." Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up." Mrs. Dunbar had small stones in both hands, and she said, gasping for breath, "I can't run at all. You'll have to go ahead and I'll catch up with you." The children had stones already, and someone gave little Davy Hutchinson a few pebbles. Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him. "It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.
Shirley Jackson (The Lottery and Other Stories)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
People were talking about SATs and college applications and summer internships. Everything seemed to be speeding up, and everything seemed to be gathering momentum, ready to go shooting off into the future on carefully plotted trajectories, while Gracie was still struggling to get her bearings.
Stephanie Perkins (Summer Days and Summer Nights: Twelve Love Stories)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
My best room, however, my withdrawing room, always ready for company, on whose carpet the sun rarely fell, was the pine wood behind my house. Thither in summer days, when distinguished guests came, I took them, and a priceless domestic swept the floor and dusted the furniture and kept the things in order.
Henry David Thoreau (Walden)
WHAT I MEAN BY RUIN IS… When there’s only condiments left in the fridge and you join a free online dating service so men will buy you dinner. When you’ve shucked the night with the dull blade of indecision and gulped down everything, even the pearls. When some old, left-handed love has left your guitar strung backwards and you can’t find any songs for rain in its frets. When you wake up next to the body of your past and it looks ready to wrinkle and bald. When the last burn of summer is peeling from your breasts and there’s nothing to husk the pale, raw of new flesh. When the woman who wears her hair in the old way quits mumbling about Jesus on the street corner and takes her salvation pamphlets to a pauper’s grave. When you’re too ugly to pray, but pray and the only voice on the drunk subway wails good grief.
Stevie Edwards
The true blessing of the mountains is not that they provide a challenge or a contest, something to be overcome and dominated (although this is how many people have approached them). It is that they offer something gentler and infinitely more powerful: they make us ready to credit marvels - whether it is the dark swirl which water makes beneath a plate of ice, or the feel of the soft pelts of moss which form on the lee sides of boulders and trees. Being in the mountains reignites our astonishment at the simplest transactions of the physical world: a snowflake a millionth of an ounce in weight falling on to one's outstretched palm, water patiently carving a runnel in a face of granite, the apparently motiveless shift of a stone in a scree-filled gully. Tu put a hand down and feel the ridges and score in a rock where a glaciers has passed, to hear how a hillside comes alive with moving water after a rain shower, to see late summer light filling miles of landscape like an inexhaustible liquid - none of these is a trivial experience. Mountains returns to us priceless capacity for wonder which can so insensibly be leached away by modern existence, and they urge us to apply that wonder to our own everyday lives.
Robert Macfarlane (Mountains of the Mind: A History of a Fascination)
Well, I guess that means Beauty is ready to finally become acquainted with The Beast.
Danielle Jamie (Just For The Summer (Chasing Carolina #1))
He’s way too inviting this early in the morning. Slight stubble. Check. Hair sticking up a bit. Check. Vagina awake and ready. Double check.
J. Daniels (Where I Belong (Alabama Summer, #1))
Every year, the bright Scandinavian summer nights fade away without anyone’s noticing. One evening in August you have an errand outdoors, and all of a sudden it’s pitch-black. A great warm, dark silence surrounds the house. It is still summer, but the summer is no longer alive. It has come to a standstill; nothing withers, and fall is not ready to begin. There are no stars yet, just darkness.
Tove Jansson (The Summer Book)
Picnic, Lightning It is possible to be struck by a meteor or a single-engine plane while reading in a chair at home. Safes drop from rooftops and flatten the odd pedestrian mostly within the panels of the comics, but still, we know it is possible, as well as the flash of summer lightning, the thermos toppling over, spilling out on the grass. And we know the message can be delivered from within. The heart, no valentine, decides to quit after lunch, the power shut off like a switch, or a tiny dark ship is unmoored into the flow of the body’s rivers, the brain a monastery, defenseless on the shore. This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
Billy Collins (Picnic, Lightning)
But Amarantha rolled her eyes and slouched in her throne. “Shatter him, Rhysand.” She flicked a hand at the High Lord of the Summer Court. “You may do what you want with the body afterward.” The High Lord of the Summer Court bowed—as if he’d been given a gift—and looked to his subject, who had gone still and calm on the floor, hugging his knees. The male faerie was ready—relieved. Rhys slipped a hand out of his pocket, and it dangled at his side. I could have sworn phantom talons flickered there as his fingers curled slightly. “I’m growing bored, Rhysand,” Amarantha said with a sigh, again fiddling with that bone. She hadn’t looked at me once, too focused on her current prey. Rhysand’s fingers curled into a fist. The faerie male’s eyes went wide—then glazed as he slumped to the side in the puddle of his own waste. Blood leaked from his nose, from his ears, pooling on the floor. That fast—that easily, that irrevocably … he was dead. “I said shatter his mind, not his brain,” Amarantha snapped. The crowd murmured around me, stirring. I wanted nothing more than to fade back into it—to crawl back into my cell and burn this from my mind. Tamlin hadn’t flinched—not a muscle. What horrors had he witnessed in his long life if this hadn’t broken that distant expression, that control? Rhysand shrugged, his hand sliding back into his pocket. “Apologies, my queen.” He turned away without being dismissed, and didn’t look at me as he strode for the back of the throne room. I fell into step beside him, reining in my trembling, trying not to think about the body sprawled behind us, or about Clare—still nailed to the wall. The crowd stayed far, far back as we walked through it. “Whore,” some of them softly hissed at him, out of her earshot; “Amarantha’s whore.” But many offered tentative, appreciative smiles and words—“Good that you killed him; good that you killed the traitor.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
…the matter was new to me, and I had no material for its treatment. But I got books, read up the facts, laboriously constructed a skeleton out of the dry bones of the real, and then clothed them, and tried to breathe into them life, and in this last aim I had pleasure. With me it was a difficult and anxious time till my facts were found, selected, and properly pointed; nor could I rest from research and effort till I was satisfied of correct anatomy; the strength of my inward repugnance to the idea of flaw or falsity sometimes enabled me to shun egregious blunders; but the knowledge was not there in my head, ready and mellow; it had not been down in Spring, grown in Summer, harvested in Autumn, and garnered through Winter; whatever I wanted I must go out and gather fresh; glean of wild herbs my lap full, and shred them green into the pot.
Charlotte Brontë (Villette)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
When they were all ready, Halpern again counted them in, and the lyrical clarinet line floated over the strings and, Max felt, out of the open window and on, out and out over the hot, dusty July city like summer rain.
Lucy Beckett (A Postcard from the Volcano: A Novel of Pre-War Germany)
...Alice kept thinking about that passage from one part of life to another. She kept thinking, Is this it? Will I know if it is? Will I be ready?Will I make it across? Will I chicken out? Will I know when I'm saying goodbye? When I look back, will I still be able to see what I've left behind? She thought she would know when it happened.But now, as she looked around, she wondered if it was really like that at all. Maybe it happened in a million different ways, when you were thinking of it and you weren't. Maybe there was no gap, no jump, no chasm. You didn't forget yourself all at once. Maybe you just looked around one time or another and you thought, Hey. And there you were.
Ann Brashares (The Last Summer of You and Me)
The quiet is eerie, the absence of the living dead. I'm no stranger to this kind of silence and I'm almost ready to believe not seeing the infected is worse than seeing them because at least wherever they are, you know where you shouldn't be.
Courtney Summers (Please Remain Calm (This Is Not a Test, #1.5))
Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I smiled as our hands pressed against one another in midair, as though we were pretending to touch through invisible glass. We managed a long stare before Jack finally blushed, retracting his hands. “How old are you, Jack Patrick?” “I turned fourteen this summer,” he said. I gave an impressed nod, indicating this was no small accomplishment. “Well you’re certainly old enough to know what you like.” Principal Deegan’s first-day speech came back to mind; I had to bite my lip not to jokingly add in, Am I right? “Here, let me give you some examples. Do you like it when girls wear lipstick?” He blushed and nodded. “Yeah.” His voice had an embarrassed tone, like he’d just made a vile confession. “Good—do you like lighter lipstick? Darker lipstick? Red?” I wanted to grab his hand again. It took every ounce of self-control I had not to slide my fingers beneath the desk and touch the bare skin of his leg. “Um,” he said. His hand began to scratch at his scalp. “Wait,” I said. “I have an idea.” I walked up to my desk and grabbed my purse and a box of Kleenex. “So what I’m wearing now is called fuchsia. Kind of a bright pink.” I sat and wiped it off, then took the fuchsia tube of lipstick out of my purse along with two others. “Okay, ready?” He nodded with sudden animation—we were about to play a game.
Alissa Nutting (Tampa)
Sometimes there is a seed in your heart. It might feel like a stone, or like a bud ready to blossom. It might feel like a heavy little egg, and you have no idea what's inside. It might feel like a hard, burning ember. No seed is the same. But if you let that seed, that feeling-sound, take root, then it will grow. Sometimes it grows quickly, or sometimes very slowly, especially if you don't tend it. It could take months or even years to grow up through your throat and out your mouth. But when you do finally speak it, the birds call that a heart-song.
Katherine Catmull (Summer and Bird)
I searched among her crayons for a color that represented autumn and pulled out an orange-toned crayon, never used. It read “Bittersweet,” and I wondered why that particular name. Autumn was my favorite time of year… I was always ready for the change. I guess some people didn’t see it that way. Some people wanted to cling to summer... I loved both seasons, but I thought no one would ever call spring bittersweet, even though it was just another change, another new cycle, an end to one season and a beginning for another in an endless, never-ending spiral.
Janet Rebhan (Finding Tranquility Base)
Meanwhile, Amazon’s treatment of warehouse workers had been making headlines since 2011. That’s when an investigation by the Allentown Morning Call newspaper revealed what were—quite literally—sweatshop conditions. When summer temperatures exceeded 100 degrees inside the company’s Breinigsville, Pennsylvania, warehouse, managers wouldn’t open the loading bay doors for fear of theft. Instead, they hired paramedics to wait outside in ambulances, ready to extract heat-stricken employees on stretchers and in wheelchairs, the investigation found. Workers also said they were pressured to meet ever
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
When I think of New York City, I think of all the girls, the Jewish girls, the Italian girls, the Irish, Polack, Chinese, German, Negro, Spanish, Russian girls, all on parade in the city. I don't know whether it's something special with me or whether every man in the city walks around with the same feeling inside him, but I feel as though I'm at a picnic in this city. I like to sit near the women in the theaters, the famous beauties who've taken six hours to get ready and look it. And the young girls at the football games, with the red cheeks, and when the warm weather comes, the girls in their summer dresses . . .
Irwin Shaw (Short Stories of Irwin Shaw)
The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything's being done. The black box grew shabbier each year: by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained. Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into he black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them in the box, and it was then taken to the safe of Mr. Summers' coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put way, sometimes one place, sometimes another; it had spent one year in Mr. Graves's barn and another year underfoot in the post office. and sometimes it was set on a shelf in the Martin grocery and left there.
Shirley Jackson (The Lottery and Other Stories)
The first time that I entered through the double-locked doors of the psych ward I was terrified, believing for no reason that such places harbored evil souls ready to assault me at any moment. But once inside I found it to be the slowest-moving place on Earth, and I saw that these patients were unique only in that time had stopped inside their wounds, which were seemingly never to heal. The pain was so thick and palpable in the psych ward that a visitor could breathe it like the heavy humidity of summer air, and I soon realized that the challenge would not be to defend myself from patients, but to defend myself against my own increasing indifference toward them.
Hope Jahren (Lab Girl)
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort. The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from? There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
Thomas Pynchon (Gravity's Rainbow)
Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
He’d taken off his wedding ring. After seven years. Piper’s gaze traveled to Brendan’s. He knew she’d seen. And there was some silent communication happening between them, but she didn’t understand the language. Had never spoken it or been around a man who could convey so much without saying a single word. She couldn’t translate what passed between them, or maybe she just wasn’t ready to decipher his meaning. A drop of sweat slid down her spine, and she could suddenly hear her own shallow breaths. No one had ever looked her in the eye this long. It was like he could read her mind, knew everything about her, and liked it all. Wanted some of it for himself. And then she knew, by the determined set of his jaw and his confident energy, that Brendan Taggart did not think of her as a friend.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
[…] everything was going in regular caravans to the summer villas. It seemed as though Petersburg threatened to become a wilderness, so that at last I felt ashamed, mortified and sad that I had nowhere to go for the holidays and no reason to go away. I was ready to go away with every waggon, to drive off with every gentleman of respectable appearance who took a cab; but no one—absolutely no one—invited me
Fyodor Dostoevsky (White Nights)
-Are you ready to return to the outside world, Billy? -No, definitely not, sir. -Well, you can't stay here forever now, can you? -Why not? I'm not bothering anybody, sir. -Because it's not healthy. You're a very special young man, Billy. It's time you found that out on your own, out there. The world may not be as terrible as you think. -I would like to stay here one more month, if I may, sir. -One more month? Why? -Summer will be over, sir. I can't go out there if it's going to be summertime. -And why not? -I wouldn't want to see any young girls playing. I would not want to see any flowers outside. -Why? -Because everything happy right now is going to die. -But Billy... -I would not like to be reminded of anything pretty. -But Billy, of course, anything might... -I would not like to be reminded. -OK, OK. We will se what we can do, Billy.
Joe Meno (The Boy Detective Fails)
Are you ready to go for a sail?" John MacGuire asked his wife. A young, handsome man, he stood on the edge of a wide sandy beach, wearing summer shorts and his favorite T-shirt. He pointed toward the water behind him, to the sailboat that bobbed gently in the quiet bay. "It's the perfect day." "I can't sail. I'm sick. I don't know what happened, but I can't seem to open my eyes." Phoebe MacGuire took a quick breath as panic filled her soul and the sounds and smells of the hospital threatened to pull her out of her dream. "I'm seventy-six years old now, John. How did I get to be so old? I'm scared." "No need to be scared, my darling, not when I'm here.” "But you're not really here," she whispered, knowing his image was nothing but a memory, and her love had been gone for a very long time. "I miss you, Phoebe," he said softly, his voice as gentle as the morning breeze.
Barbara Freethy (Just the Way You Are)
The teacher asked once what did we talk about when we talked about happiness. And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can’t even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably the most accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns cool and when you briefly wake up, you notice that you’re almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it’s that reaching, that gesture, that reflex we have to pull what’s warm- whether it’s something or someone- towards us, that feeling we get when we do that, that feeling of being safe in the world and ready for sleep, that’s happiness.
Paul Schmidtberger (Design Flaws of the Human Condition)
It is not for us to know who does and does not manage to accept forgiveness, but if the love really never stops, if God really does long for every lost soul, then in principle God regards as forgivable a whole load of stuff we really don’t want forgiven, thank you. People who use airliners to murder thousands of office workers, people who strut about Norwegian summer camps stealing the lives of teenagers with careful shots to the head, people who drive over their gay neighbor in their pick-up truck and then reverse and do it again, people who torture children for sexual pleasure: God is apparently ready to rush right in there and give them all a hug, the bastard. We don’t want that. We want justice, dammit, if not in this world then in the next. We want God’s extra-niceness confined to deserving cases such as, for example, us, and a reliable process of judgment put in place which will ensure that the child-murderers are ripped apart with red-hot tongs.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
While he turned and twisted the strips, the thin outer bark fell off in flakes, leaving the soft, white, inside bark. The whip would have been white, except that Almanzo’s hands left a few smudges. He could not finish it before chore-time, and the next day he had to go to school. But he braided his whip every evening by the heater, till the lash was five feet long. Then Father lent him his jack-knife, and Almanzo whittled a wooden handle, and bound the lash to it with strips of moosewood bark. The whip was done. It would be a perfectly good whip until it dried brittle in the hot summer. Almanzo could crack it almost as loudly as Father cracked a blacksnake whip. And he did not finish it a minute too soon, for already he needed it to give the calves their next lesson. Now he had to teach them to turn to the left when he shouted, “Haw!” and to turn to the right when he shouted “Gee!” As soon as the whip was ready, he began. Every Saturday morning he spent in the barnyard, teaching Star and Bright. He never whipped them; he only cracked the whip.
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
The Winter of Listening" No one but me by the fire, my hands burning red in the palms while the night wind carries everything away outside. All this petty worry while the great cloak of the sky grows dark and intense round every living thing. What is precious inside us does not care to be known by the mind in ways that diminish its presence. What we strive for in perfection is not what turns us into the lit angel we desire, what disturbs and then nourishes has everything we need. What we hate in ourselves is what we cannot know in ourselves but what is true to the pattern does not need to be explained. Inside everyone is a great shout of joy waiting to be born. Even with the summer so far off I feel it grown in me now and ready to arrive in the world. All those years listening to those who had nothing to say. All those years forgetting how everything has its own voice to make itself heard. All those years forgetting how easily you can belong to everything simply by listening. And the slow difficulty of remembering how everything is born from an opposite and miraculous otherness. Silence and winter has led me to that otherness. So let this winter of listening be enough for the new life I must call my own.
David Whyte
I worship Life—all of life. The life that burns without shame. The life that dances, smiling, just one step away from the abyss. The life that sips margarita on the beach, surrounded by seagulls. The life that cries tears of blood when it gives everything it can give, but everything is not enough. The life in whose veins flow lightning. The life whose depth hurts. The life moved by the autumn rain and by the summer heat. The life that doesn't wait to continue after the commercial break. The life that sticks its tongue out at Duty. The life that runs in the woods chasing its meal. The life that reveals itself only when you are ready to leave it on the battlefield. Most of all, I worship the life that refuses to regret even one of the days it wasted.
Daniele Bolelli (Create Your Own Religion: A How-To Book Without Instructions)
But you don’t really think wearing a low-cut top to the boys’ party will solve all your problems, do you?” she asked. “Of course not. I think wearing a low-cut top to the boys’ part will show Sean I’m ready for him.” “Lori, no girl is ever ready for a boy like Sean. How were finals?” Clearly she wanted to change the subject to impress upon me that boys were not all there was to a teenage girl’s life. As if. “Finals?” I asked. “Yes, finals. To graduate from the tenth grade? You took them yesterday.” Wow, it was hard to believe I’d played hopscotch with the quadratic equation only twenty-seven hours ago. Thinking back, it seemed like I’d sleepwalked through the past nine months of school, compared with everything that had happened today. Time flew when you were having Sean.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
Korie: Willie and I dated for about eight months, and then I was getting ready to leave for school at Harding University. Willie was still attending seminary school, and I wanted him to go to Harding University with me. But Willie said he wasn’t leaving West Monroe. He wanted me to stay in West Monroe with him. We broke up before I left for school in August, and I’m sure he thought I’d find someone else at college, because that’s what typically happens when you leave home. Willie called me one night in September 1991 after I had been gone a few weeks and said, “Let’s get back together.” I knew I loved him, but I told him I wasn’t sure about it. He was trying to change my life, and it was really his way or no way. I just didn’t know what to do. “Let me think about it,” I said. “I’ll call you back tomorrow.” I was convinced she’d found someone else. I was telling all my buddies that it was over between us, and I was gathering other girls’ phone numbers to prepare myself to move on. I just knew it was over, and I wasn’t waiting to hear it from her the next day. I was convinced she wanted to end our relationship but couldn’t muster the courage to tell me. Korie called me the next day, and I was ready to tell her that I didn’t want to get back together anymore and that our relationship was over. I was certainly going to end it before she ended it. I just knew she already had a new boyfriend at Harding. “I’ve got something I want to tell you,” Korie told me. “What do you want to say?” I asked her, deciding I’d better hear her out first. “Let’s get back together,” she said. My ears started buzzing. I threw all the girls’ phone numbers in the trash can. About a month later, Korie and I decided we were going to get married. Korie: I had turned eighteen in October 1991, so legally I was allowed to do whatever I wanted. But I knew I had to call my parents, Johnny and Chrys, to get their permission. We had had some discussions about my getting married that summer that had not gone so well, so I knew they were not going to be excited about it. I mustered up the courage to make the phone call. “Look, I’m legal, so I’m just going to say it,” I told them. “I’m getting married, and you’re going to have to be behind me or not.” Of course, my parents told me it was the worst idea ever, and they were naturally worried that I was going to leave school and come home. They asked me to at least wait until I’d finished college. I hung up the phone and called Willie immediately. “I just told them and it didn’t go so well,” I blurted out. “They’ve already called me and they’re on their way over here,” he said.
Willie Robertson (The Duck Commander Family)
I’m wondering what it would be like to be kissed by you.” “Let’s not go there,” he said. “I don’t want to mess up our friendship.” “It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.” “Put the wrong chemicals together, and they explode.” She frowned. “Are you saying you don’t think I’d like it? Or that I would?” “It doesn’t matter, because I’m not going to kiss you.” She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?” He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning. One she ignored. She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.” She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice. She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?” His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything. “I’m not going to kiss you, Summer.” He saw the disappointment flash in her eyes. Saw the determination replace it. “All right. I’ll kiss you.” He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs. But he wanted that kiss. “Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her. Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing. He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—” She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.” She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his. His whole body went rigid. “Billy,” she murmured against his lips. “Please. Kiss me back.” “Summer, I don’t—” She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it. “Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none. He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
Joan Johnston (The Texan (Bitter Creek, #2))
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see. “Boo!” A handful of bryozoa rushed up at me from the lake. I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me. I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from. Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top. I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally. Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges. “Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line. But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm. Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)