Puffy Eyes Quotes

We've searched our database for all the quotes and captions related to Puffy Eyes. Here they are! All 100 of them:

Lena's hair was sticking out in about fifteen directions, and her eyes were all small and puffy from crying. So this was what girls looked like in the morning. I had never seen one, not up close.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
You might think being the target of an international terrorist organization, an amnesiac, and a girl with hair dyed in the middle of the night by Macey McHenry would make people stare at you. Well, try walking into the Grand Hall with seriously puffy eyes while holding hands. With a boy.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.
Jeffrey Eugenides (The Virgin Suicides)
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else. … “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.” I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Her eyes were puffy from crying , but she managed to say "he was the bravest friend I've ever had. He..." Then she saw me. Her face went blood red. "He's right there!
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Izzy, are you—” he began. His eyes flew wide, and he backed up fast enough to smack his head into the wall behind him. “What is he doing here?” Isabelle tugged her tank top back down and glared at her brother. “You don’t knock now?” “It—It’s my bedroom!” Alec spluttered. He seemed to be deliberately trying not to look at Izzy and Simon, who were indeed in a very compromising position. Simon rolled quickly off Isabelle, who sat up, brushing herself off as if for lint. Simon sat up more slowly, trying to hold the torn edges of his shirt together. “Why are all my clothes on the floor?” Alec said. “I was trying to find something for Simon to wear,” Isabelle explained. “Maureen put him in leather pants and a puffy shirt because he was being her romance-novel slave.” “He was being her what?” “Her romance-novel slave,” Isabelle repeated, as if Alec were being particularly dense. Alec shook his head as if he were having a bad dream. “You know what? Don’t explain. Just—put your clothes on, both of you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The best thing about taking a shower is that there’s no proof of crying. Red puffy face? Hot water. I’m trembling? Must be dehydrated. Blood-shot eyes? Darn shampoo.
Gray Marie Cox (Shower Thoughts)
I cannot afford to get upset, to leave this room with puffy eyes and a red nose. Crying is not an option.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
She hated colds. There was nothing romantic about them. Fainting spells were dramatic, life-threatening illnesses were interesting, and a handsome prince could always rescue you in the case of a twisted ankle, but all colds produced were puffy eyes and a red nose.
Hayden Wand (Hidden Pearls)
He mopped her face and thought how beautiful she was -- hair in a glorious tangle, a pink nose and puffy eyes, and swathed in a shapeless dressing gown only fit for the dustbin. The thought struck him with some force that he had fallen in love at last -- that, indeed, he had been in love for some time.
Betty Neels (Marrying Mary)
I kissed her.  I kissed her so that she could feel my regret, my desire to do right, the way that she had a piece of me now and I wasn’t letting go.  I kissed her because I had to and kissing her made me feel better.  When I lifted my head her mouth looked puffy and damp and her eyes were glassy with banked passion. I missed you too.
Jay Crownover (Rule (Marked Men, #1))
And sure enough,the youth in question was not his usual dapper self. His face was puffy, his eyes red and wild; his shirt(distressingly unbuttoned)hung over his trousers in sloppy fashion. All very out of charactar: Mandrake was normally defined by his rigid self-control. Somthing seemed to have stripped all that away. Well, the poor lad was emotionally brittle.He needed sympathetic handling. "You're a mess," I sneered "You've lost it big time. What's happened? All the guilt and self-loathing suddenly get to you? It can't just be that someone else called me, surly?
Jonathan Stroud (The Bartimaeus Trilogy Boxed Set (Bartimaeus, #1-3))
He smiled down at the baby, and kissed him on the head. "I give you my blessing, Leo. First male great-grandchild! I have a feeling you are special, like Hazel was. You are more than a regular baby, eh? You will carry on for me. You will see her someday. Tell her hello for me." "Bisabuelo," Ezperanza said, a little more insistently. "yes, yes." Sammy chuckled. "El viejo loco rambles on. I am tired, Ezperanza. You are right. But I'll rest soon. It's been a good life. Raise him well, nieta." The scene faded. Leo was standing on the deck of the Argo II, holding Hazel's hand. The sun had gone down, and the ship was lit only by bronze lanterns. Hazel's eyes were puffy from crying. What they'd seen was too much. The whole ocean heaved under them, and now for the first time Leo felt as if they were totally adrift. "Hello, Hazel Levesque," he said, his voice gravelly.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
She looked up at me, eyes puffy, nose running. Real crying is like real sex. If you really do it, it isn't pretty.
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
After a horribly long day, I needed a mental break. I threw on my parka, with the raccoon fur around the hood, and I went to see a movie. But what to see? Something sweet and stupid and harmless. At the movie theater on Second Avenue and Twelfth, a title caught my eye. I thought, 'That seems good. Jodie Foster and a puffy, friendly farm animal, a butterfly.' I unzipped my jacket and headed inside to see a movie I'd heard the name of but knew nothing about. It was called Silence Of The Lambs.
Augusten Burroughs (Magical Thinking: True Stories)
I got a demerit, professor." There was a kind of naughty amusement in her eyes that I found myself really liking. I smiled slowly. "Why did you do, Miss Dearly?" "She henpecked Elpinoy in a most spectacular fashion," Renfield offered. "I think at one point she was actually hanging on his back." Nora made a sound of annoyance. "Alas, I was looking at a computer screen with Dr. Samedi at the time, and thus I'm afraid that neither of us can vouch for this with certainty." The laughter bubbled out of me before I could hold it back. "Were you?" I asked her. "Define 'hanging.'" "Bra,." Elpinoy appeared in one of the lab doorways. He gestured to the exterior doors. "Take her out. Now. Never in my life have I encountered such a little-" "Lady?" I asked, trying to keep a straight face. "Out." "'Phone call,'" Nora said, affecting his tone of voice and looking right at him. "'Let-ter.'" "Not until Wolfe orders it!" Elpinoy marched into his lab again and slammed the door behind him. Nora stood up, her skirt bouncing a bit atop its puffy petticoat. "That man is an infuriating ponce." "And you're an excellent judge of character.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
ALONE One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard. I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing. After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
What is depression? Its like a tornado, theres nothing you can do but sit and wait, and finally when the storm is over ... you are left with the destruction. The scars on your body, the puffy eyes from crying, the exhaustion from fighting a losing battle. It's consuming.
Matt Haig (Reasons to Stay Alive)
I needed to not be at work today. I needed to sit around my house without a bra, my hair in a weird bun, watching reruns of Schitt’s Creek. My eyes were still puffy, and I was a soft breeze away from losing it again—and I got my period. I get to bleed for a week without the sweet release of death.
Abby Jimenez (Yours Truly (Part of Your World, #2))
Ben didn't disappoint. "See? You lost it and lived to tell about it." His voice dropped to a conspiratorial whisper. "You even survived a man hug." He rounded his eyes in feigned astonishment. Wiping at his puffy eyes with his fingers, a watery laugh escaped him. "You always were an affectionate little shit.
Kaylea Cross (Relentless (Suspense Series, #4))
Everything is melting in nature. We think we see objects, but our eyes are slow and partial. Nature is blooming and withering in long puffy respirations, rising and falling in oceanic wave-motion. A mind that opened itself fully to nature without sentimental preconception would be glutted by nature’s coarse materialism, its relentless superfluity. An apple tree laden with fruit: how peaceful, how picturesque. But remove the rosy filter of humanism from our gaze and look again. See nature spuming and frothing, its mad spermatic bubbles endlessly spilling out and smashing in that inhuman round of waste, rot, and carnage. From the jammed glassy cells of sea roe to the feathery spores poured into the air from bursting green pods, nature is a festering hornet’s nest of aggression and overkill. This is the chthonian black magic with which we are infected as sexual beings; this is the daemonic identity that Christianity so inadequately defines as original sin and thinks it can cleanse us of. Procreative woman is the most troublesome obstacle to Christianity’s claim to catholicity, testified by its wishful doctrines of Immaculate Conception and Virgin Birth. The procreativeness of chthonian nature is an obstacle to all of western metaphysics and to each man in his quest for identity against his mother. Nature is the seething excess of being.
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
Your eyes are puffy. I made you cry.
Brittainy C. Cherry (Loving Mr. Daniels)
Everyone looked like a broken-down movie extra, a withered starlet; disenchanted stunt-men, midget auto-racers, poignant California characters with their end-of-the-continent sadness, handsome, decadent, Casanova-ish men, puffy-eyed motel blondes, hustlers, pimps, whores, masseurs, bellhops-- a lemon lot, and how's a man going to make a living with a gang like that?
Jack Kerouac (On the Road)
The town itself had been swallowed, strangled, and buried. In a very real sense there was no Augustam and there were no more fat ladies, or pretty girls, or pompous men, or wet-crotched children waving puffy clouds of cotton candy. There was no bustling Italian man here to throw slices of watermelon. Only Crowd, a creature with no body, no head, no mind. Crowd was nothing but a Voice and an Eye, and it was not surprising that Crowd was both God and Mammon. Garraty felt it. He knew the others were feeling it. It was like walking between giants electrical pylons, feeling the tingles and shocks stand every hair on end, making the tongue jitter nuttily in the mouth, making the eyes seem to crackle and shoot of sparks as they rolled in their beds of moisture. Crowd was to be pleased. Crowd was to be worshiped and feared. Ultimately, Crowd was to be made sacrifice unto.
Richard Bachman (The Long Walk)
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
Huntley Fitzpatrick (My Life Next Door)
Her hands moved to his chest, stroking over his shoulders. “So I’ve made my big, dramatic scene. Isn’t this the part where you kiss me, Lieutenant?” “I can’t kiss you right now.” “Why not?” His chest rose and fell with a shudder underneath her hands. “I’m looking at you sitting there all puffy-eyed from crying over me. If I kiss you right now, I’ll never stop.” Her heart pounded a wild beat. “Just one little kiss?” Derek groaned. “God, this is how it’s going to be with you, isn’t it? When I can’t make love to you properly, you’ll beg me for it? I think you’re trying to kill me.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
In Oakland, he saw two slum children sword fighting on a slag heap. In Palo Alto, a puffy fop in bursting jodhpurs shouted from the door of a luxurious stable, "My horse is soiled!" While one chilly evening in Union Square he listened to a wild-eyed young woman declaim that she had seen delicate grandmothers raped by Kiwanis zombies, that she had seen Rotarian blackguards bludgeoning Easter bunnies in a coal cellar, that she had seen Irving Berlin buying an Orange Julius in Queens.
Thomas McGuane (The Bushwhacked Piano)
The most direct path to Party was raising pigs. The company had several dozen of these and they occupied an unequaled place in the hearts of the soldiers; officers and men alike would hang around the pigsty, observing, commenting, and willing the animals to grow. If the pigs were doing well, the swine herds were the darlings of the company, and there were many contestants for this profession. Xiao-her became a full-time swineherd. It was hard, filthy work, not to mention the psychological pressure. Every night he and his colleagues took turns to get up in the small hours to give the pigs an extra feed. When a sow produced piglets they kept watch night after night in case she crushed them. Precious soybeans were carefully picked, washed, ground, strained, made into 'soybean milk," and lovingly fed to the mother to stimulate her milk. Life in the air force was very unlike what Xiao-her had imagined. Producing food took up more than a third of the entire time he was in the military. At the end of a year's arduous pig raising, Xiao-her was accepted into the Party. Like many others, he put his feet up and began to take it easy. After membership in the Party, everyone's ambition was to become an officer; whatever advantage the former brought, the latter doubled it. Getting to be an officer depended on being picked by one's superiors, so the key was never to displease them. One day Xiao-her was summoned to see one of the college's political commissars. Xiao-her was on tenterhooks, not knowing whether he was in for some unexpected good fortune or total disaster. The commissar, a plump man in his fifties with puffy eyes and a loud, commanding voice, looked exceedingly benign as he lit up a cigarette and asked Xiao-her about his family background, age, and state of health. He also asked whether he had a fiance to which Xiao-her replied that he did not. It struck Xiao-her as a good sign that the man was being so personal. The commissar went on to praise him: "You have studied Marxism-Leninism-Mao Zedong Thought conscientiously. You have worked hard. The masses have a good impression of you. Of course, you must keep on being modest; modesty makes you progress," and so on. By the time the commissar stubbed out his cigarette, Xiao-her thought his promotion was in his pocket.
Jung Chang (Wild Swans: Three Daughters of China)
You okay?" his sleep-rough voice reached out to me from across the room, sending an unexpected shiver across my skin. My head snapped in his direction of its own mind and he had already kicked in the leg rest. His feet were on the ground, spread wide. His leather cut was gone, leaving him just in jeans and the tight black tee. His elbows were on his knees, his back curled forward, his sleep-puffy eyes on me. "Fine," I strangled out, fighting the urge to put my hand over where my heart was slamming in my chest. "Don't lie," he chastened quietly, shaking his head at me. "Don't wanna talk, don't." He paused. "But don't lie." Well then. I kind of liked that. Everyone else wanted to pry. Everyone thought they had the right to demand I spill all my dark secrets. It was really refreshing to come across someone who acknowledged my right to keep my private feelings private.
Jessica Gadziala (Wolf (The Henchmen MC, #3))
Nick looked for his coat on the rack.I snagged mine and shrugged it on without stopping.I swung open the front door of the restaurant.The frigid night wind blew snow into my eyes. "Hayden," Nick called me. "Close the door," hollered the couples in the booths nearest us. I let go of the door handle, then turned to Nick in the warm room. When he just stood there,staring down at me,I walked back to him. "On second thought,"he said, "I don't know about this." I was not going to get dissed again.I said brightly, "Oh,don't be scared.It's easy!" I jerked his puffy parka down from the rack and held it open for him. "Try one arm at a time." Glaring at me,he took the coat and shrugged it on. "Close the door!" shouted the couples around us as we walked outside.
Jennifer Echols (The Ex Games)
I turned toward her with red, puffy eyes. Her own eyes widened with concern, and she froze as she watched me walk into the kitchen, like she was waiting for me to crumple onto the floor and shatter into pieces. “I’m fine,” I said. “It’s an emotional book. I’m just getting a glass of water.” I reached for the tequila. She got up and followed me into the kitchen. “That’s not water.” “And?” “It’s ten a.m.” “And?” “You look like you’ve been crying for an hour straight . . . and you’re hitting the hard stuff at—and I repeat—ten a.m.” “Cara, you have the most amazing powers of perception.” I looked at the bottle in one hand and the glass in the other, shrugged, set the glass down, and headed back to my room with the bottle only. “I’m worried about you,” Cara called out as I walked away. “I’m fine. Just gonna sit in here, read, and have myself a little mental health day.” I turned and smiled and then locked myself in my room. “Mental health days don’t usually involve tequila at ten a.m.!” she yelled through the door. “I’m fine!
Renee Carlino (Swear on This Life)
Experiments in attachment. My friend has just had his PC wired for broadband. I meet him in the cafe; he looks terrible - his face puffy and pale, his eyes bloodshot... He tells me he is now detained, night and day, in downloading every album he ever owned, lost, desired, or was casually intrigued by; he has now stopped even listening to them, and spends his time sleeplessly monitoring a progress bar... He says it's like all my birthdays have come at once, by which I can see he means, precisely, that he feels he is going to die.
Don Paterson (The Blind Eye: A Book of Late Advice)
My eyes were still puffy, and I was a soft breeze away from losing it again—and I got my period. I get to bleed for a week without the sweet release of death.
Abby Jimenez (Yours Truly (Part of Your World, #2))
Your assumptions about the lives of others are in direct relation to your naïve pomposity. Many people you believe to be rich are not rich. Many people you think have it easy worked hard for what they got. Many people who seem to be gliding right along have suffered and are suffering. Many people who appear to you to be old and stupidly saddled down with kids and cars and houses were once every bit as hip and pompous as you. When you meet a man in the doorway of a Mexican restaurant who later kisses you while explaining that this kiss doesn’t ‘mean anything’ because, much as he likes you, he is not interested in having a relationship with you or anyone right now, just laugh and kiss him back. Your daughter will have his sense of humor. Your son will have his eyes. The useless days will add up to something. The shitty waitressing jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels and dead people’s diaries and wondering about sex and God and whether you should shave under your arms or not. These things are your becoming. One Christmas at the very beginning of your twenties when your mother gives you a warm coat that she saved for months to buy, don’t look at her skeptically after she tells you she thought the coat was perfect for you. Don’t hold it up and say it’s longer than you like your coats to be and too puffy and possibly even too warm. Your mother will be dead by spring. That coat will be the last gift she gave you. You will regret the small thing you didn’t say for the rest of your life. Say thank you.
Cheryl Strayed
Jimi on the box, thirty stories up, everything immediate, yet distanced. Jimi's chords locked in aerial dogfights, gliding, riding, sliding, hiding, belligerent bursts, hallucinogenic, a head-warping face-wiping mind melt, chords live dive bombers screaming in for the kill, scintillating, serrated chords shot through with arc-light shrieks of staccato mayhem, as immediate and horrific as the firefight racketing away this very second below our red and puffy eyes; chords that hang in the air like the retinal reflection of an eerie afterburn, the stars displaced and the smell of a world that burned. Overhead, night birds flying, Huey, Apache, Chinook, whooshing with murderous potential. And over everything - every apocalyptic bang, boom, and rattle - Jimi, bleating like Braxton and bonding with the bombast.
Roger Steffens
Do you know, to this day, I cannot stand the smell of gin? It was her favorite, and any time I get a whiff of that herby, medicinal scent, I think of Mama, swaying in her bedroom door, her face puffy, eyes red.
Rachel Hawkins (The Heiress)
had strange features. It was as if baking soda had been added in the womb. His skin was smooth, but his face was puffy with oversize, rubbery lips and fleshy, hooded eyes, and his nose had a bulbous quality. He
Robert Bryndza (Nine Elms (Kate Marshall, #1))
Good morning!’ Mom was standing in front of the stove, making bacon. ‘Annemarie, I called your dad last night, and he told me that you have a thing for bacon omelettes.’ ‘Yum!’ Annemarie said. ‘That smells great. No wonder I’m so hungry.’ I was staring. Mom had serious bed head and her eyes were puffy with sleep. But she was up at seven-thirty in the morning, making us bacon omelettes. I wanted to hug her. But didn’t.
Rebecca Stead (When You Reach Me)
Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
... no one could say, looking at her lined, pale and puffy face, the shapeless garish sack she had double-pinned around her, or the misfocusing eyes and slack wet mouth, that she had led the right life, and she knew it, not even with Freud's fist could she repress that...
William H. Gass (The Tunnel)
She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’ ('Left from Dhakeshwari')
Kunal Sen
An older boy pointed. “Look,” he told his friend. “It’s Violet Beauregarde!” That was the bratty girl in Willy Wonka and the Chocolate Factory who turned blue and ballooned into a huge ball. I was puffy because they’d pumped me up with steroids to get me ready for surgery. I ran to Mom, who was sitting on the edge. I stuffed my face in her breasts. “What is it, Bee?” “They called me it,” I squeaked. “It?” Mom’s eyes were across from mine. “Violet Beauregarde,” I managed to say, then burst into fresh tears. The mean boys huddled nearby, looking over, hoping my mom wouldn’t rat them out to their moms. Mom called to them, “That’s really original, I wish I’d thought of that.” I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn’t fall, because Mom was in the world.
Maria Semple (Where'd You Go, Bernadette)
Ben padded over and turned the knob. Jack was unlacing his boots while Hazel brushed the leaves out of her hair, her eyes red and a little puffy. They both froze. “It’s just me,” Ben said. “We weren’t—I mean, not really—” Jack started, making gestures toward the bed that Ben thought meant “I am not trying to dishonor your sister, although it is possible that I am hoping to have sex with her,” at the same time Hazel began apologizing for ditching Ben. He held up his hand to stop them from talking. “I need one of you—ideally Hazel—to explain what’s actually been going on, and I need that to happen right now, starting with where you were last night.
Holly Black (The Darkest Part of the Forest)
In the first few days after the funeral, our interest in the Lisbon girls only increased. Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid stride, look down, and shake their heads as though disagreeing with life.
Jeffrey Eugenides (The Virgin Suicides)
Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You’d all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that’s the last thing those assholes want, a world run by people like you and me.” I laughed, my eyes still puffy and tired from crying.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Ninety-seven. Ninety-eight. Two more and I’ve won. I hear the same girl—she must be standing close by—whisper, “Come on.” On the ninety-ninth push-up, Reznik shoves me down with his heel. I fall hard on my chest, roll my cheek against the asphalt, and there’s his puffy face and tiny pale eyes an inch from mine. Ninety-nine; one short. The bastard.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Jake looked up at her. His eyes were puffy, he hadn’t been sleeping well lately. Neither had Rennie, as far as that went, but every time she mentioned it it turned out he’d slept even worse than she had. They were competing for each other’s pity, which was too bad because neither of them seemed to have a lot of it lying around, they’d been using it up on themselves.
Margaret Atwood (Bodily Harm)
The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth.
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
My ward had arisen. She had slept so hard her eyes looked puffy, but she had acquainted herself with the equipment in my stainless steel galley, and she wore a pretty cotton dress, which hung just a little loosely on her, and she had taken two generous steaks out of the locker and set them out to thaw. She seemed a little more aware of the situation, shyly aware that she might be a nuisance.
John D. MacDonald (The Deep Blue Good-By)
Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.
H.P. Lovecraft
I was awakened at dawn to the sound of Marlboro Man knocking on the front door. A rancher through and through, he’d made good on his promise to show up at six. I should have known. He’d probably gotten fewer than five hours of sleep. I stumbled down the stairs, trying in vain to steady myself so I’d look like I’d been awake for longer than seven seconds. When I opened the door he was there, in his Wranglers, looking impossibly appealing for someone so profoundly sleep-deprived. The sweetness of his gentle grin was matched only by his adorably puffy eyes, which made him look like a little boy despite the steel gray hair on his head. My stomach fluttered; I wondered if there’d ever be a time when it would stop. “Good morning,” he said, stepping inside the door and nuzzling his face into my neck. A thousand tiny feathers tickled my skin.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I just look at her. I can't believe I'm allowed to do this. I can just stare at her face without it being creepy. I want to memorize every single inch of this Abby - the shine of her cheekbones and the brightness of her eyes. There are tears in her lashes, and her lips are sort of puffy. I don't know how this girl can go from laughing to crying to kissing and back, and still come out of it looking like an actual moonbeam.
Becky Albertalli (Leah on the Offbeat (Simonverse, #3))
But ignorance manufactures denial. So though my eyes were sometimes black or swollen, my lips puffy or busted, though I often intentionally wore clothes that would hide the black and blue bruises scattered all over my body, or grit my teeth through the pain in an effort to walk so I could look as if nothing were wrong—when in fact my entire body was sore—I believed that as long as he didn’t break any bones, it wasn’t really violence.
Cupcake Brown (A Piece of Cake)
Connoisseurs of Russian beauty could have foretold with certainty that this fresh, still youthful beauty would lose its harmony by the age of thirty, would “spread”; that the face would become puffy, and that wrinkles would very soon appear upon her forehead and round the eyes; the complexion would grow coarse and red perhaps—in fact, that it was the beauty of the moment, the fleeting beauty which is so often met with in Russian women.
Fyodor Dostoevsky (The Brothers Karamazov)
I blotted the tiny wound with the corner of a towel dipped in the vinegar solution. To my surprise, the leeches had worked; the swelling was substantially reduced, and the eye was at least partially open, though the lid was still puffy. Mrs. Fitz examined it critically and decided against the use of another leech. “Ye’ll be a sight tomorrow, lad, and no mistake,” she said, shaking her head, “but at least ye’ll be able to see oot o’ that eye.
Diana Gabaldon (Outlander (Outlander, #1))
We wandered around, carrying our bundles of rags in the narrow romantic streets. Everybody looked like a broken-down movie extra, a withered starlet; disenchanted stunt-men, midget auto-racers, poignant California characters with their end-of-the-continent sadness, handsome, decadent, Casanova-ish men, puffy-eyed motel blondes, hustlers, pimps, whores, masseurs, bellhops—a lemon lot, and how’s a man going to make a living with a gang like that?
Jack Kerouac (On the Road)
He wet his hair and combed it back. He brushed his teeth. Then he washed the last traces of the soap and the toothpaste from his face with lukewarm water. Stared back at his reflection: clean-shaven, but his eyes were still red and puffy. He looked older than he remembered. He wondered what Laura would say when she saw him, and then he remembered that Laura wouldn’t say anything ever again and he saw his face, in the mirror, tremble, but only for a moment
Neil Gaiman (American Gods)
In the mirror, my eyes looked red and puffy from crying. That was as expected. But I was surprised to notice that I looked older than I should be. I didn't expect to be dressed up for work. I looked down at my shoes and feet, and they didn't look like mine. Alarmed, I splashed my face with cold water and looked again. The reflection didn't show who I thought I was. As I washed my hands, they didn't look like mine either. They looked too big. I was wearing rings. It was all very startling and confusing. I felt a little panicky and didn't want to think about it too hard. Disoriented, I banged into the doorway on my way out of the restroom and thought, Why is this door so small? Why am I taking up so much space in this hall? Whose hands are those? Whose eyes and face was I seeing? My thoughts began to race and I started having trouble catching my breath. Then I felt the fuzziness in my head, followed by calmness, and finally numbness.
Olga Trujillo (The Sum of My Parts: A Survivor's Story of Dissociative Identity Disorder)
She heard a clip-clop, clip-clop sound coming from around the corner, and suddenly she found herself face to face with one of the massive athletes. It was his wooden sandals that were making the racket. The enormous man was dressed only in a thin silk robe, his long black hair pulled up into a tight topknot. His dark brown eyes shifted to Heather’s face, only for a split second, his puffy features showing no expression whatsoever, and he continued on. It was like watching a barge sail by.
Mike Wells (Passion, Power & Sin - Book 1)
Dex, what if Ash doesn’t make it?” Cael’s voice was quiet, as if saying the words alone might make it so. “Ash is a fighter. You know if death comes knocking, he will beat the shit out of it.” And Dex believed that. Ash was the hardest, toughest, meanest son of a bitch Dex knew. The guy wouldn’t go down without a fight. “What if he can’t?” Cael pulled away, his eyes puffy and red. “I need to be there with him. I need him to know I’m not pissed off with him. That I understand why he did what he did.” Just
Charlie Cochet (Rack & Ruin (THIRDS, #3))
His gaze slid over Valerie, noting that her hair was nearly dry and now fell in soft, golden waves around her face. Her clean face, he noted. Anders hadn’t seen Valerie since delivering her to the Enforcer house. The dirt that had covered her then had hidden what he now saw were very fine features. The woman had incredible eyes: wide, almost emerald green, with long thick lashes surrounding them. She had a pert nose and lips that were lovely: full and puffy like tiny perfect, pale, rose pillows that needed kissing. Beautiful.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
Kristen Callihan (Make It Sweet)
sit on the tarmac, waiting for the plane to take off. Bailey stares out the window. She looks exhausted—her eyes dark and puffy, her skin a splotchy red. She looks exhausted and she looks scared. I haven’t told her everything yet. But she understands enough. She understands enough that I’m not surprised she is scared. I’d be surprised if she weren’t. “They’ll come visit,” I say. “Nicholas and Charlie. They can bring your cousins if you want. I think that would be a nice thing. I think your cousins really want to meet you.” “They won’t stay with us or anything?” she says.
Laura Dave (The Last Thing He Told Me)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She cleared her throat but still her voice came out much too huskily. “Are you all right? I didn’t see you there. I didn’t mean to kick you.” He was looking at her, examining her, and he smiled crookedly. “You look good in the morning, Al.” Her hair was stringy, her eyes were tired and puffy, and she had on absolutely no makeup. “I look like hell.” “Whoa, that’s pretty harsh language for you.” “You look like hell, too.” “Hell is an improvement for me,” he told her. “In fact, I consider it a compliment. See, shit’s my usual look. On really bad days, I look like total shit. So, yeah, hell is a big step up for me.” His smile made his eyes crinkle. “So, thank you very much.” Alessandra couldn’t keep from smiling back.
Suzanne Brockmann (Bodyguard)
Marie Antoinette would have loved this place!" Piper Donovan stood agape, her green eyes opened wide, as she took in the magical space. Crystal chandeliers, dripping with glittering prisms, hung from the mirrored ceiling. Gilded moldings crowned the pale pink walls. Gleaming glass cases displayed vibrant fruit tarts, puffy éclairs, and powdered beignets. Exquisitely decorated cakes of all flavors and sizes rested on pedestals alongside trays of pastel meringues and luscious napoleons. Cupcakes, cookies, croissants, and cream-filled pastries dusted with sugar or drizzled with chocolate beckoned from the shelves. "It's unbelievable," she whispered. "I feel like I've walked into a jewel box---one made of confectioners' sugar but a jewel box nonetheless.
Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
I hated Big. I hated everything about him and this story line. First of all, it didn’t make any sense that he was getting out of the car to tell her he would marry her and never once said that when she’s throwing the flowers at him. I wanted Big dead. I wanted to take the fork that was sitting in my bathroom and stab him in the eyes, right where he has those big puffy circles under them. Stupid-ass shitstain motherfucker. Then Carrie wastes all of her energy being mad at Miranda when the real problem was and always will be Charlotte. Forget what Miranda told Big about getting married. How about being mad at Charlotte for being so stupid? The only decent thing Charlotte’s ever done on the show or in the movie is shit her pants, and that does not make up for years of Type 1 retardation. My
Chelsea Handler (Chelsea Chelsea Bang Bang)
I hope Peter’s still out there. I don’t want to lose my nerve. So I quicken my pace and that’s when I spot him, alone in the hot tub, his head tipped back with his eyes closed. “Hi,” I say, and my voice echoes into the woods. His eyes fly open. Nervously, he looks over my shoulder. “Lara Jean! What are you doing out here?” “I came to see you,” I say, and my breath comes out in white puffs. I start taking off my boots and socks. My hands are shaking, and not because I’m cold. I’m nervous. “Uh…what are you doing?” Peter’s looking at me like I’m crazy. “I’m getting in!” Shivering, I unzip my puffy coat and set it on the bench. Steam is rising out of the water. I dip my feet in and sit down on the ledge of the hot tub. It’s hotter than a bath, but it feels nice. Peter’s still watching me warily. My heart is racing out of control and it’s difficult to look him in the eyes. I’ve never been so scared in my life. “That thing you brought up earlier…you caught me off guard, so I didn’t know what to say. But…well, I like you too.” It comes out so fumbly and uncertain, and I wish I could start over and say it smoothly and confidently. I try again, louder. “I like you, Peter.” Peter blinks, and he looks so young all of a sudden. “I don’t understand you girls. I think I have you figured out, and then…and then…” “And then?” I hold my breath as I wait for him to speak. I’m so nervous; I keep swallowing, and it sounds loud to my ears. Even my breathing sounds loud, even my heartbeat. His pupils are dilated he’s looking at me so hard. He’s staring at me like he’s never seen me before. “And then I don’t know.” I think I stop breathing when I hear him say “I don’t know.” Did I screw things up that badly that now he doesn’t know? It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Roebuck and Chapman stand behind a seated woman wearing a hospital gown and the bulky steel apparatus on her head. She is pale and crying. The front of her gown is dark with a brownish vomit stain. The skin around her eyes is similarly dark as well as puffy. The eyes themselves appear haunted. Behind her, the men grin. Roebuck pops a champagne bottle and pours Chapman a splash in a Dixie cup. He leans to pour a little for the woman, which stays untouched on the table in front of her. He takes his own swig directly from the bottle. Gloria Flick walks on-screen holding up a sign on which she scrawled WE DID IT! The seated woman stops crying. Eyes glassy and deranged, she looks directly into the camera lens while the researchers go on celebrating. Her face shines with madness as it stretches into a broad, lunatic grin.
Craig DiLouie (Episode Thirteen)
I open the closest piece of folded construction paper to see it’s a drawing. At the bottom of the page is a label in a teacher’s handwriting, Title—My Family—Dominic King—Age six. A lemon-yellow sun sits at the top right of the page finishing off a dark blue sky. Inside of one of the puffy clouds dead center is two stick figures labeled Maman, Papa. Below stands Tobias and Dominic in the middle of light-brown colored mountains. Tobias is much, much larger in size. He might as well be a giant compared to the way Dominic drew himself. They’re holding stick hands, and I can clearly see the dynamic in the relationship—so much trust, love, and adoration. Dominic spent more time on Tobias’s details than he did on any other aspect of the drawing. And it’s because he loved him, idolized him, because Tobias was his world, his brother, his teacher, his mentor, and in essence, his father. Eyes stinging, I gaze on at the clear picture of devotion of one brother for another.
Kate Stewart (The Finish Line (The Ravenhood, #3))
Daughter One word but for us it's our entire world the happiest moment of life, when you came I remember the day when we gave you name I heard the word Blessing of God realized, what it is at the time when you were sent to us by God he created you in his special way Puffy cheeks, cute hands, the cutest thing it's your little anger on your sweet Nose and the miracle is, your so innocent eyes but if you know, you are so naughty when with the brother you fight your forehead where God has written all our happiness you are the light in our darkness Your smile is a perfect medicine on wounds Which gives deep relax to heart without a sound Your voice is the best music which echoes in our home in form of a daughter you are the shadow of God in our home We are fortunate we have you I kiss your forehead and wish you my life too Someday if you ask me what is the meaning of happiness to me I will say just one line O Daughter happiness mean to me it's just you, it's just you.
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
He meant business; I could hear it in his voice. Marlboro Man was talking about Chicago, about my imminent move. I’d told him my plans the first time we’d ever spoken on the phone, and he’d mentioned it once or twice during our two wonderful weeks together. But the more time we’d spent together, the less it had come up. Leaving was the last thing I wanted to talk about while I was with him. I couldn’t respond. I had no idea what to say. “You there?” Marlboro Man asked. “Yeah,” I said. “I’m here.” That was all I could manage. “Well…I just wanted to say good night,” he said quietly. “I’m glad you did,” I replied. I was an idiot. “Good night,” he whispered. “Good night.” I woke up the next morning with puffy, swollen eyes. I’d slept like a rock, having dreamed about Marlboro Man all night long. They’d been vivid dreams, crazy dreams, dreams of us talking and playing chess and shooting each other with Silly String. He’d already become such a permanent fixture in my consciousness, I dreamed about him nightly…effortlessly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
his unhappiness was our fault. My mother and I got on his nerves. It was because of us he had a job he couldn’t stand. Everything we did was irritating. He particularly didn’t enjoy being around me, not that he often was: in the mornings, as I got ready for school, he sat puffy-eyed and silent over his coffee with the Wall Street Journal in front of him, his bathrobe open and his hair standing up in cowlicks, and sometimes he was so shaky that the cup sloshed as he brought it to his mouth. Warily he eyed me when I came in, nostrils flaring if I made too much noise with the silverware or the cereal bowl. Apart from this daily awkwardness, I didn’t see him much. He didn’t eat dinner with us or attend school functions; he didn’t play with me or talk to me a lot when he was at home; in fact, he was seldom home at all until after my bedtime, and some days—paydays, especially, every other Friday—he didn’t come clattering in until three or four in the morning: banging the door, dropping his briefcase, crashing and bumping around so erratically that
Donna Tartt (The Goldfinch)
1. Start with your base. Bases come in convenient stick form, but I prefer a liquid one. A sallow skin need a pinkish tone. For a ruddy complexion, beige is flattering. Smooth the base right up to the hairline (you can always wipe spots off the hair with a tissue later) and blend it around the ears, on the earlobe, and down over the neck. 2. If your face is very round, smooth a darker shade at the sides, below the cheekbone, to narrow it. If your nose is too long, put the darker shade at the tip, and at the sides of the nostrils,. There are a number of possibilities depending on your bone structure. 3. A lighter shade will bring out receding features. [...]Use pale pink just under the brow and under the brow and under the eyes to bring out deep-set eyes. I don't use white under my brows because my bone structure doesn't lend itself to that. [...] I hate to see girls with TOO much white under the brow - or too much eye makeup of any kind, for that matter. If the forehead protrudes they shouldn't use the white under the brows at all. It exaggerates it. And if they have a tendency to be puffy - and everybody has puffy days - they look worse with great white blobs under the eyes. 4. The important thing about shading and contouring is to blend so carefully that you can never see where one shade ends and the other begins. 5. So start with three shades of base for the redesigning, plus white if you need it. Add a blusher that you brush on with a large soft brush made for the purpose. I like a brownish shade. It matches my natural complexion and I brush it on under my cheekbones to accent my bone structure. But a very fair skin could use a bluish pink blusher... 5. Translucent powder goes on next. It must be translucent or your careful job of shading will be covered over. And not too much. Just light dusting of it to cover the shine... 6. After powdering, take a tissue and BLOT. Then clothes won't get soiled. 7. I put on the lipstick and smooth it over with my finger - I never rub my lips together. Then I outline the lips carefully with a lipstick pencil. I never use a brush. Then BLOT. There's nothing uglier than lipstick on the teeth.
Joan Crawford (My Way of Life)
You look terrible,” was Ron’s greeting as he entered the room to wake Harry. “Not for long,” said Harry, yawning. They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag, “Polyjuice Potion . . . Invisbility Cloak . . . Decoy Detonators . . . You should each take a couple just in case. . . . Puking Pastilles, Nosebleed Nougat, Extendable Ears . . .” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.” They made their way onto the front step with immense caution: They could see a couple of puffy-eyed Death Eaters watching the house from across the misty square. Hermione Disapparated with Ron first, then came back for Harry. After the usual brief spell of darkness and near suffocation, Harry found himself in the tiny alleyway where the first phase of their plan was scheduled to take place. It was as yet deserted, except for a couple of large bins; the first Ministry workers did not usually appear here until at least eight o’clock. “Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her—” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back—” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again—” “—and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Before them were soups and stews filled with various tubers, roasted venison, long hot loaves of sourdough bread, and rows of honeycakes dripped with raspberry preserve. In a bed of greens lay filleted trout garnished with parsley, and on the side, pickled eel stared forlornly at an urn of cheese, as if hoping to somehow escape back into a river. A swan sat on each table, surrounded by a flock of stuffed partridges, geese, and ducks. Mushrooms were everywhere: broiled in juicy strips, placed atop a bird’s head like a bonnet, or carved in the shape of castles amid moats of gravy. An incredible variety was on display, from puffy white mushrooms the size of Eragon’s fist, to ones he could have mistaken for gnarled bark, to delicate toadstools sliced neatly in half to showcase their blue flesh. Then the centerpiece of the feast was revealed: a gigantic roasted boar, glistening with sauce. At least Eragon thought it was a boar, for the carcass was as large as Snowfire and took six dwarves to carry. The tusks were longer than his forearms, the snout as wide as his head. And the smell, it overwhelmed all others in pungent waves that made his eyes water from their strength.
Christopher Paolini (Eldest (Inheritance, #2))
Tell me more about Peter. Please, it’ll make me feel better.” She lies back down, and I put the spoons back on her eyes. “Well, tonight at first he was very cool with me, very blasé blasé--” “No, go all the way back to the beginning.” So I go back further: I tell her about our pretend relationship, the hot tub, everything. She keeps taking the spoons off so she can look at me as I tell her. But before long her eyes do look less puffy. And I feel lighter--giddy, even. I’ve kept all these things secret from her for months, and now she knows everything that’s happened since she’s been gone, and I feel so close to her again. You can’t be close to someone, not truly, with secrets in between you. Margot clears her throat. She hesitates and then asks, “So, how does he kiss?” I’m blushing. I tap my fingers on my lips before I say, “He kisses like…like it could be his job.” Margot giggles and lifts the spoons off her eyes. “Like a male prostitute?” I grab one of the spoons and tap her on the forehead with it like a gong. “Ow!” She snatches for the other spoon, but I’m too quick and I’ve got them both. We’re both laughing like crazy as I try to get in another gong on her forehead.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
For her part, Patricia was looking at Laurence and feeling a kind of ache deeper than mere sexual desire, although there was that, too. All of her life, she felt like she had been telling people, “It doesn’t have to be like this,” which is the close cousin to “It can be better than this.” Or even, “We can be better than this.” As a little girl, getting pressed into the dirt by her schoolmates or padlocked in a foul old spice crate by Roberta, she’d tried to say that with tears in her eyes, but she didn’t have the words back then and nobody would have understood anyway. As the outcast freak in junior high, with everybody wanting to burn her alive, she’d given up on even trying to find a way to say, “It can be more than this.” But she’d never let go of that feeling, and it came back now, in the form of hope. She gazed at Laurence’s face (which looked squarer and more handsome without a big shirt collar framing it), his surprisingly puffy and suckable-looking nipples, his shaved pubes, and the way the leg and stomach hair erupted in a heart-shaped ring around the depilated zone. And she felt like they, the two of them, right here, right now, could make something that defied tragedy.
Charlie Jane Anders (All the Birds in the Sky)
Malina.” He tugged her back against him and searched her face. She raised her gaze to his and his gut kicked with the sight of her puffy left eye. Her cheek was pink, the skin tight and swollen. He lowered his cheek to hers, overtaken by an impulse to comfort her. “I’m so sorry,” he said as the heat from Hamish’s abuse seared his whiskered skin. “Can ye forgive me, lass?” She pulled back to look him full in the face. How it pained him to see just one green gem sparkling at him; the other nearly obscured by swelling. “Sorry? You’re apologizing to me? Darcy, I’m the one who’s sorry. I’ve—I’ve ruined your life, haven’t I?” She ducked her face and heaved an agonized sob. “I’m so sorry. So sorry for everything.” He lifted her chin with a finger, hoping only to meet her gaze and tell her she had no cause to apologize, but before he got the words out, she pulled him down to her and pressed a lingering kiss to his lips. His eyes flew wide in surprise, then drifted closed with bliss. Her lips were soft and cool as the most delicate rose petals. Her hand on his neck swept down his arm, her fingers leaving a tingling trail along his skin until they sought the valley of his palm. He closed his hand around hers, so cool and tiny. So fragile. Mine to protect, his heart decreed.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
Hannah Richell (The Peacock Summer)
Bring the mind back. Try again. Don’t look away. What do I spy now? Heavy bags under my eyes, saggy, slightly puffy, baggage from my dad. I first started noticing them in my late thirties and they horrified me. I didn’t want to look like my dad. Didn’t want to see his reproachful, drooping, disappointing gaze staring back at me every time I looked in the mirror. But there was nothing I could do about it. The bags were there. They were the most conspicuous part of my face. It’s possible no one else noticed them but I couldn’t look at my face and not see them. I think I started wearing thick-frame glasses around then. Twenty-four minutes, thirty-two seconds. Strange. I just realized I haven’t paid much attention to the bags for several years now. I mean, I see them when I look, but I don’t obsess about them anymore. What’s changed? Certainly not the bags themselves. If anything, they’ve only gotten worse. Have I just gotten used to them? Or is it that my feelings about my dad have changed? He’s been dead for more than fifteen years now. The grief and anguish I felt at his death have softened. And when I see his eyes in mine, I don’t see reproach or disappointment anymore. Instead of judgment, I see concern, watchfulness, maybe even a kind of compassionate discernment. So, this is better, an improvement. I don’t mind meeting him here in the mirror. It’s kinda nice. Hey, dad, how you doing?
Ruth Ozeki (Timecode of a Face)
When my lips touched her face, my grandmother’s hands quivered and a long shudder ran through her whole body – possibly an automatic reflex, or perhaps it is that certain forms of affection are hypersensitive enough to recognize through the veil of unconsciousness what they scarcely need the senses to enable them to love. Suddenly my grandmother started up, made a violent effort, like someone struggling to hold on to her life. Françoise was unable to offer any resistance to the sight of this and burst out sobbing. Remembering what the doctor had said, I tried to make her leave the room. At that moment my grandmother opened her eyes. I hurriedly thrust myself in front of Françoise to hide her tears while my parents were speaking to the dying woman. The hissing drone of oxygen had stopped; the doctor moved away from the bedside. My grandmother was dead. A few hours later, Françoise was able for the last time, and without causing pain, to comb that beautiful hair which was only slightly greying and had thus far seemed much younger than my grandmother herself. But this was now reversed: the hair was the only feature to set the crown of age on a face grown young again, free of the wrinkles, the shrinkage, the puffiness, the tensions, the sagging flesh which pain had brought to it for so long. As in the distant days when her parents had chosen a husband for her, her features were delicately traced by purity and submission, her cheeks glowed with a chaste expectation, a dream of happiness, an innocent gaiety even, which the years had gradually destroyed. As it ebbed from her, life had borne away its disillusions. A smile seemed to hover on my grandmother’s lips. On that funeral couch, death, like a sculptor of the Middle Ages, had laid her to rest with the face of a young girl.
Marcel Proust (The Guermantes Way)
A Mediterranean flatbread, the pita is baked at a high temperature so that puffy pockets form in the middle, which can then be stuffed with meat or beans. He did the same thing that Secretary Girl did with her turtle burger bun... ... picking something that would keep the meat juices from dripping out the bottom! Hmm. You used a handmade Tzatziki sauce to ameliorate the smelliness of the kebab meat and to create a mild base to make the spices stand out. And the burger patty... ... is kofta! A Middle Eastern meatloaf of ground beef and lamb mixed with onions and plentiful spices, its highly fragrant aroma hits the nose hard! Its scent and umami flavor are powerful enough to bring tears to the eyes!" W-what is going on here?! How could they eat all that greasy, heavy meat so quickly and easily?! "Here. Let me give you a lesson. Four things are required for a good burger. A bun, a patty, some kind of sauce and... ...pickles. The sharp smell and tart flavor of pickles is what highlights the meaty umami of the patty. Pickles are a hidden but key component of the best burgers! From what I could tell, you used ginger sticks as your pickle analogue... ... but that was a weak choice." "What?! Then what did you choose that's so much better?!" "The pickle type that I picked for my burger... ...is achaar." "Achaar?" "What kind of pickle is that?" ACHAAR South Asian in origin, achaar consists of fruits or vegetables pickled in mustard oil or brine, and then mixed with a variety of spices. Sometimes called Indian pickles, achaar is strongly tart and spicy. This is achaar I made with onions. The spicy scent of the mustard oil makes the meaty umami of the kofta patty really stands out. For the tartness, I used amchoor- also known as mango powder- a citrusy powder made from dried unripe mangoes. But that's just the base. I added lemon juice to bolster the citrusy flavor of the amchoor... ... and then some garlic, ginger and chili peppers to give it an aroma that tickles the nose. Cloves. Cumin seeds. Black pepper. Paprika. I even added a dab of honey to give it a hint of sweetness.
Yūto Tsukuda (食戟のソーマ 10 [Shokugeki no Souma 10] (Food Wars: Shokugeki no Soma, #10))
So he could talk to Jane and find out what had happened between her and Blakeborough after he left. He could finally get an answer to his marriage proposal. Proposal? Jane would probably call it a marriage command. He groaned. Perhaps it wouldn’t be a bad idea to talk to her while he waited. He could always pack her off in another hackney before it was time for Meredith to return home. Yes, that would be best. Climbing inside the hackney, he doffed his hat and shrugged out of his box coat. But all of his perfectly logical reasons for being there went right out of his head the moment he saw her looking so luscious and lovely in her sunny gown. Because he desired only one thing. Jane. In his arms. Now. She must have seen the feral need flare in his face, for her eyes went wide. That was the only reaction she had time for, however, before he dragged her into his embrace so he could take her mouth in a hard, urgent kiss. God, he wanted her. He would never stop wanting her. Fisting his hands in her puffy sleeves to hold her still, he plundered her mouth the way he ached to plunder her body. Suddenly she shoved him back. “What are you doing? That’s not why--” He clasped her head in his hands, dislodging her bonnet, which tumbled to the floor. Then he kissed her again, demanding her to kiss him back, to need him back. It took her a moment, but then she moaned low in her throat and melted against him. And he exulted. She was soft, so wonderfully soft, his Jane. So wonderfully giving. Surely she wouldn’t be responding to him this way if she had cemented her engagement to Blakeborough. But then, he’d thought that last night. He jerked back, gratified to see from her flushed cheeks, reddened lips, and bright eyes that she was now as eager and aroused as he. Indeed, she was already looping her arms about his neck to draw him close once more. Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.
Kristi Cook (Magnolia (Magnolia Branch, #1))
He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back. "First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly. "What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?" The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!" "But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips. "THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!" The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily. Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!" Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet. "Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?" He turned his attention back to Jake, still smiling his TV game-show host smile. "All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.
Stephen King (The Waste Lands (The Dark Tower, #3))
Don’t look so grim. When you get home, I’m sure Randall will buy you all the rings you want. One for every day of the week,” Oscar said, thick with sarcasm, as they walked back toward the harbor. “I don’t care about the ring!” Camille shouted. She stopped walking and turned to Oscar. “I’m sorry, it’s just that…” Oscar patiently waited for her to finish her sentence. Camille looked away, embarrassed. She had scraped Randall’s skin with the ring, too. It had been one of their rare moments alone. He’d run his fingers down her back, nibbled on her neck, and she’d waited for her legs to turn to warm butter. She’d waited to feel the desire to kiss him. But the feelings hadn’t come. Camille had swept her hand up to stop him, and the ring had left a puffy red scratch on his arm. Oscar watched her fumble for words, his expression one of concern. “Never mind,” she said quickly and stepped up onto a raised sidewalk, out of the mud. “Never mind what?” “It’s private.” He continued walking in the street, his head level with hers. “Private between who?” “Between me and Randall. You wouldn’t understand,” she said and lifted her skirt as she descended back down into the muddy street where the sidewalk ran out. “And why is that?” he asked, sounding put off. Daphne’s place came into view. The air smelled of bitter salt water and of wood smoke curling up from the kitchen chimney. “Oh, Oscar, you’re a man of the sea. What could you possibly know about relationships?” He’d never courted a woman as far as Camille knew. She slowed her pace. Or had he? Oscar stopped in the middle of the cobblestoned walkway leading to Daphne’s front door. His eyes blazed with hurt and resentment. “I do apologize, Miss Rowen, I forgot mere sailors aren’t worthy of marriage. Isn’t that what your father always said?” Camille’s cheeks seared with heat. It was a stance her father had never parted from, but she hadn’t known he’d also impressed it upon Oscar. She fidgeted with her hands and fumbled for an apology. “No, that’s not what I meant. You’re a bachelor, that’s all.” Oscar shook his head, unable to meet her eyes. She’d sounded so patronizing. Oscar was handsome, young, and single, and for a man of his class, he made a decent living. Enough to attract an equally decent amount of attention from women, she supposed. Why hadn’t she ever thought of that? He retreated to the street. “I’m going for a walk.” “Oscar, wait-“ He pivoted on his heel. “You know, you’re wrong, Camille. And your father was wrong, too.” Oscar turned and disappeared behind the boxwood hedges. Camille clenched two fistfuls of her skirt and stomped up the steps, aggravated over her careless words. She’d been pompous and arrogant, and she hated that she’d hurt him. She cringed at the wounded way he’d looked at her.
Angie Frazier (Everlasting (Everlasting, #1))
always close my books with my 10 Commandments for Looking Young and Feeling Great. 1. Thou shalt love thyself. Self-love is essential to survival. There is no successful, authentic relationship with others without self-love. We cannot water the land from a dry well. Self-love is not selfish or self-indulgent. We have to take care of our needs first so we can give to others from abundance. 2. Thou shalt take responsibility for thine own health and well-being. If you want to be healthy, have more energy, and feel great, you must take the time to learn what is involved and apply it to your own life. You have to watch what goes into your mouth, how much exercise and physical activity you get, and what thoughts you’re thinking throughout the day. 3. Thou shalt sleep. Sleep and rest is the body’s way of recharging the system. Sleep is the easiest yet most underrated activity for healing the body. Lack of sleep definitely saps your glow and instantly ages you, giving you puffy red eyes with dark circles under them. 4.Thou shalt detoxify and cleanse the body. Detoxifying the body means ridding the body of wastes and toxins so that you can speed up weight loss and restore great health. Releasing toxins releases weight. 5. Thou shalt remember that a healthy body is a sexy body. Real women’s bodies look beautiful! A healthy body is a beautiful body. It’s about getting healthy and having style and confidence and wearing clothes that match your body type. 6. Thou shalt eat healthy, natural, whole foods. Healthy eating can turn back the hands of time and return the body to a more youthful state. When you eat natural foods, you simply look and feel better. You keep the body clean at the cellular level and look radiant despite your age. Eating healthy should be part of your “beauty regimen.” 7. Thou shalt embrace healthy aging. The goal is not to stop the aging process but to embrace it. Healthy aging is staying healthy as you age, which is looking and feeling great despite your age. 8. Thou shalt commit to a lifestyle change. Losing weight permanently requires a commitment to changes . . . in your thinking, your lifestyle, your mind-set. It requires gaining knowledge and making permanent changes in your life for the better! 9. Thou shalt embrace the journey. This is a journey that will change your life; it’s not a diet but a lifestyle! Be kind and supportive to yourself. Learn to applaud yourself for the smallest accomplishment. And when you slip up sometimes, know that it is okay; it is called being human. 10. Thou shalt live, love, and laugh. Laughter is still good for the soul. Live your life with passion! Never give up on your dreams! And most important . . . love! Remember that love never fails! Now that you have experienced the power of healthy living, be sure to share your success story with others and help them to reclaim their health and vitality.
J.J. Smith (Green Smoothies for Life)
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
When in doubt, give a character big, blown-up eyes and puffy lips.
Stephan Pastis
Can we listen to some Rush?” he said without looking up. The Yes tape was Kimmy’s but she had all kinds of different music so she started digging through her gigantic purse to try to find something else to play. In her purse, tape shells clacked against one another while she dug; you could hear them scraping against each other, against keys, against pens and compacts, the sounds muffled in the purse’s puffy vinyl folds. To me it sounded like somebody shaking up dry bones. I closed my eyes and thought about those old bones in some girl’s purse and then I let my mind go: if you wanted to fit bones into your purse they’d have to be broken into pieces; you couldn’t fit a whole arm bone or a leg bone or a skull in there, just teeth, toes, and fingers; maybe kneecaps; but my imagination told me teeth would make a high sound, like pieces of glass, and toes would sound dull, like old crushed cans. That left fingers. I remembered biology class when we did anatomy. Distal phalanges, proximal phalanges, metacarpals. To walk around with a bag full of bones in the normal world would require a stone constitution. You could be a thief. You could be an actor, probably. Actors die young in ancient Rome, though. If it’s the present day and you’re Kimmy, and you’re carrying someone’s bones around in your purse, then I have a lot of questions for you, and I’ll probably never ask them, and you’ll have a secret that only I have guessed.
John Darnielle (Wolf in White Van)
Madre Carmela brought the covered bowl over to Rosalia. A subtle, sweet aroma reached Rosalia's nose. Her mouth watered in anticipation of whatever culinary surprise Madre Carmela had for her today. Instead of waiting for the sister to unfold the napkin, Rosalia pulled it back herself and almost gasped when she saw what delights were in store for her. Puffy clusters of dough in vanilla and chocolate were piled one on top of the other to form a misshapen pyramid. Chocolate and vanilla cream oozed from a few of the pastries. "Ha-ha! I see you couldn't wait," Madre Carmela gently teased Rosalia, who quickly looked up, her cheeks turning the same hot pink hue as the sugar roses the nuns had painstakingly created this morning for a wedding cake. "That's all right, my child. I'm happy to see you are feeling more comfortable here. Go ahead. Have as many as you like." Rosalia wondered which one she should try first- the chocolate or the vanilla. She'd always loved anything vanilla, so she opted for one of those first. Instead of taking a small, tentative bite out of the pastry, as she would have done her first few weeks at the convent, she popped the whole sweet at once into her mouth, eliciting another hearty laugh from Madre Carmela. But this time, Rosalia wasn't embarrassed. She closed her eyes, savoring the pastry's airy, flaky crust and the rich sweetness of the vanilla cream.
Rosanna Chiofalo (Rosalia's Bittersweet Pastry Shop)
thin glasses that seemed to get lost on his wide red face. His balding forehead glared in the overhead lights. He reminded Bryan a little of that Muppet—the puffy-faced science guy with glasses but no eyeballs on his melon head. “For example, the next time that bell rings, all of you will immediately forget everything I’ve told you. You will scramble for your backpacks, and you will rush out that door without so much as a simple thank-you for all the mind-blowing knowledge I bestowed upon you today. You will do so mindlessly, as you have for the last several weeks of school, because it is a conditioned response. The bell is a stimulus and you are conditioned to act a certain way when you hear it.” Like ducking behind someone taller as soon as you spot Tank Wattly coming down the hall, Bryan thought. Or losing your ability to say anything witty or intelligent whenever this one girl in particular so much as looks at you. “We are all conditioned by our environment. We are all creatures of instinct, driven by our need to survive, but capable of learning through experience. In that way we are actually no different,” Tomlins said, reaching beneath him and pulling up a wire cage from under the table, “from mice.” Susan Onesacker screamed, but the rest of the class bent forward to get a better look at the tufts of white fur huddled against one another in the cage. There had to be at least a dozen of them in there. Beady little red eyes. Twitching noses. Some of the mice lifted their snouts to the air. Others started clawing to find an exit. They didn’t
John David Anderson (Insert Coin to Continue)
Mel eventually gave up trying to talk to him and just sat there looking at him. There was not likely to be much to look at, apart from the red, puffy eyes, runny nose and the rest of the mess that was Kyle French. Certainly not the once good-looking young student that Mel had developed a crush on.
Pamela Harju (The Truth about Tomorrow)
How they eat: Remember the last time you had dinner with your naturally skinny friend? “I’m starving!” she exclaimed, poring over the menu. For you: The (boring) garden salad, of course. Low-fat vinaigrette, on the side. For her: The spinach ravioli in lemon cream sauce. “How can you stand to eat that rabbit food?!” she asked incredulously, eyeing your plate. Which did look pretty sad next to her puffy pasta pillows of ricotta, swimming in creamy, lemon-y deliciousness. While you resigned yourself to your salad, she dove in. “This is so good!” she declared. And then a few minutes later, after just twelve bites, she did the unthinkable—she stopped eating. Because she was full.
Josie Spinardi (Thin Side Out: How to Have Your Cake and Your Skinny Jeans Too: Stop Binge Eating, Overeating and Dieting For Good Get the Naturally Thin Body You Crave From the Inside Out (Thinside Out))
The teenager brought us a small white plate with a square slab of white cheese doused in a clear liquor. He used a lighter and after several tries flames leapt up, surely singeing the hair on his fingers, then died down to a cool, stovetop blue before going out, leaving the cheese prettily browned and crisp. I wrote, Saganaki---scary but fun. "Oh!" I said. "I forgot about the booze, Charlotte. That was insensitive of me." "It's all burned off," she said. "Besides, if I'm going to blow thirty-two years of sobriety and get drunk, it won't be on flaming Greek cheese!" We scooped it onto warm, puffy pita bread. "If I closed my eyes, I could be in Patmos right now," said Belinda. A bowl of cunning little meatballs appeared with its snow-white yogurt and fish-egg dip. Another plate held three plump, golden triangular spinach pies.
Michelle Huneven (Search)
I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))