Enigmatic Person Quotes

Henry’s a perfectionist, I mean, really-really kind of inhuman — very brilliant, very erratic and enigmatic. He’s a stiff, cold person, Machiavellian, ascetic and he’s made himself what he is by sheer strength of will. His aspiration is to be this Platonic creature of pure rationality and that’s why he’s attracted to the Classics, and particularly to the Greeks — all those high, cold ideas of beauty and perfection.

Let’s not trust those who write in small letters, using cabalistic figures or enigmatic codes, as it frequently comes down to a manipulative strategy, orchestrated by disorientating marketers or cryptic felons, who, for that reason, often deserve to be sued for failing to provide assistance to persons in danger. (“The devil is in the small letters”)

The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.

We wait too long to tell the people we love that they are the very reason that we exist. We assume that our wife, child, other family members, and friends understand our love and affection. We assume that people we care about understand our enigmatic idiosyncrasies and willingly accept the shrouded reasons behind our demonstrable oddities. We assume that other people sense that we struggle valiantly in our blackened landscape. We presume that other people comprehend our struggle to glean meaning amongst the ashes spewed from the absurd circumstances that we operate. Sometimes we need to stop and tell the tenderhearted persons whom we care about that we love them and explain that our awkward strangeness is not a rejection of them.

the hopes that had been cherished there, the bright visions of the future, the flaming passion of youth; the regrets, the disillusion, the weariness, the resignation; so much had been felt in that room, by so many, the whole gamut of human emotion, that it seemed strangely to have acquired a troubling and enigmatic personality of its own.

Fred just shrugged enigmatically. 'What? Just a load of girls going to the toilet? Personally I prefer wildlife videos.

Residual marcionism, the view that God had a personality transplant somewhere between the pages of Malachi and Matthew, is still alive and well in churches today; it is also still a heresy.

It’s much safer, in many congregations, to assure the faithful how our souls are saved through divine grace rather than to suggest that our societies are saved through personal and corporate aid to the poor.

A Coy Aversion ...a flutter too shy to be seen...

She wanted to get to know them: Savage and his easy charm and gorgeous smile. Jehan, with his intriguing past and enigmatic personality.

I snorted, completely unsurprised. “Fair folk are impossible.” “That’s irregular, coming from a human who can’t even eat a raw hare.” Hastening along behind him, trying to keep up with his long strides, I decided not to argue about the hare. I was coming to realize that the Craft was so enigmatic to fair folk I might as well have refused to eat meat unless it had been bathed in widow’s tears under a new moon. Realizing that your own magic held more mystery to fair folk than theirs did to you was a peculiar experience. I felt like some sort of wizard with delicate and arcane indispositions, not an artist and a perfectly ordinary person

Everything about my best friend was misleading to the men of Chicago. She was eccentric and loud, prone to heavy drinking and all-night partying, comfortable with casual hookups, always the funniest and most shocking person in any room, and she posted mostly nude selfies with increasing regularity. She was enigmatic, the closest to the stereotypical male fantasy I’d ever seen outside of a movie, but deep down she was, completely, a romantic.

Don't tell a person about ghosts, and he will never see one. Tell him about it and he will always be haunted by one.

When personal resentment overrides familial and cultural values, we all lose.

You might not be the easiest person, but who is? Besides, easy is overrated compared to you in all your spectacular, mercurial, enigmatic glory.

PREFACE A New Look at the Legacy of Albert Einstein Genius. Absent-minded professor. The father of relativity. The mythical figure of Albert Einstein—hair flaming in the wind, sockless, wearing an oversized sweatshirt, puffing on his pipe, oblivious to his surroundings—is etched indelibly on our minds. “A pop icon on a par with Elvis Presley and Marilyn Monroe, he stares enigmatically from postcards, magazine covers, T-shirts, and larger-than-life posters. A Beverly Hills agent markets his image for television commercials. He would have hated it all,” writes biographer Denis Brian. Einstein is among the greatest scientists of all time, a towering figure who ranks alongside Isaac Newton for his contributions. Not surprisingly, Time magazine voted him the Person of the Century. Many historians have placed him among the hundred most influential people of the last thousand years.

For it is not only lethargy alone which causes human relationships to repeat themselves in the same old way with such unspeakable monotony in instance after instance; it is the fearful shying away from any kind of new, unforseeable experience which we think we may not be equal to. But only someone who is ready for anything and rules nothing out, not even the most enigmatic things, will experience the relationship with another person as a living thing and will himself live his own existence to the full. For imagining an individual's existence as a larger or smaller room reveals to us that most people are only acquainted with one corner of their particular room, a place by the window, a little area to pace up and down. That way, they have a certain security.

For it is not only lethargy alone which causes human relationships to repeat themselves in the same old way with such unspeakable monotony in instance after instance; it is the fearful shying away from any kind of new, unforeseeable experience which we think we may not be equal to. But only someone who is ready for anything and rules nothing out, not even the most enigmatic things, will experience the relationship with another person as a living thing and will himself live his own existence to the full.

Zen Koans The koan is an enigmatic or paradoxical question used to develop a person’s Intuition.  Koans are a valuable tool in your quest for enlightenment, but how do they work and why use them? Koans work by confounding logic and forcing a person out of their normal thinking and into the realm of Intuition. In other words, the inherent meaning is inaccessible to rational understanding, but perhaps accessible to Intuition. This book presents some of the classic koans from traditional Zen, originally written hundreds of years ago in Japanese, and re-interpreted from early English translations into early 21st Century English. The underlying meaning is still there, so they will still work as a koan should, but they are expressed in language more easily understood by people in the 21st Century. Each koan encapsulates a profound truth for reflection. Zen counsels the lessening of the ego, not the strengthening of it as consumer culture would urge. Instead of making a name for ourselves in society, we should listen to the voice of pines and cedars when no wind stirs, in other words become no-thing, entering instead the field of pure being that is behind the phenomenal world.

Once I had found the courage to tell Rebecca about the children in my head, it wasn't so hard in the coming months to tell Roberta. On the train from Huddersfield one day in May I made a roll call of the usual suspects: Baby Alice; Alice 2, who was two years old and liked to suck sticky lollipops; Billy; Samuel; Shirley; Kato; and the enigmatic Eliza. There was boy I would grow particularly fond of named limbo, who was ten, but like Eliza he was still forming. There were others without names or specific behaviour traits. I didn't want to confuse the issue with this crowd of 'others' and just counted off the major players with their names, ages and personalities, which Roberta scribbled down on a pad. Then she looked slightly embarrassed. 'You know, I've met Billy on a few occasions, and Samuel once too,' she said. 'You're joking.' I felt betrayed. 'Why didn't you tell me?' 'I wanted it to come from you, Alice, when you were ready.' For some reason I pulled up my sleeves and showed he my arms. 'That's Kato,' I said, 'or Shirley.' She looked a bit pale as she studied the scars. I had feeling she didn't know what to say. The problem with counsellors is that they are trained to listen, not to give advice or diagnosis. We sat there with my arms extended over the void between us like evidence in court, then I pushed down my sleeves again. 'I'm so sorry, Alice,' she said finally and I shrugged. 'It's not your fault, is it?' Now she shrugged, and we were quiet once more.

Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.

Consider Leonardo da Vinci’s Mona Lisa, celebrated for its beautiful detail, the surreal backdrop, and of course the subject’s enigmatic smile. More visitors have seen the Mona Lisa in person—on display behind bulletproof glass at the Louvre—than any other painting on the planet. But when researchers Jesse Prinz and Angelika Seidel asked subjects to consider a hypothetical scenario in which the Mona Lisa burned to a crisp, 80 percent of them said they’d prefer to see the ashes of the original rather than an indistinguishable replica.31 This should give us pause.

Perhaps some very wicked persons will suspect that the lawgiver is here speaking enigmatically, when he says that the Creator repented of having created man, when he beheld their wickedness; on which account he determined to destroy the whole race. But let those who adopt such opinions as these know, that they are making light of and extenuating the offences of these men of old time, by reason of their own excessive impiety; for what can be a greater act of wickedness than to think that the unchangeable God can be changed?

A writer uses a blend of signs to convey an admixture of thoughts, legendary, mythical, and complex, which enigmatic merger represents ideas launched from a variable consanguinity. Modern essay writing, resembling the prehistoric pictographs painted onto canyon walls by ancient tribal shamans and initiates, plays a medicinal role in the life of the writer and persons whom come along later and see a reflective image that speaks to them swimming amongst the streaked and discolored brush strokes on the benevolent face of Grandfather Rock. The healing powers of writing, painting, and other physical crafts represents the artist’s creative fusion of the physical, intellectual, and the spiritual challenges that characterize living an engaged life.

Humble people are respectful and accepting of our imperfect human nature. Many inexplicable components make up the vast sea of humanity. My own psyche contains enigmatic elements. Through conscientious studying other people and examination of my own unfathomable nature, I hope to gain a better understanding of the mystery of existence. There are limitations of human knowledge. We have a rich stable of resources available to us including the opportunity to read great literature, inspirational books, self-help books, scholarly psychology books, and a growing trove of cognitive sciences books devoted to exploring how the human brain works. Despite the illustrious resources that expound upon the desires, motives, and behaviors of the human species, the hardships of life frequently force us to realize we are the principal subject that we must study and understand in order to mend a broken personality. In order revive a deflated psyche and transcend into a better and sunnier version of the self, I need to know myself.

and many tough life choices, Gwen must decide who or what she will become. Fleet Cadet or Civilian? Friend or lover? Average or extraordinary? Can she make new friends? Can she trust the old ones, such as Logan Sangre, her sexy high school crush and an Earth special operative? Time and time again, Gwen’s uncanny ability to come up with the best answer in a crisis saves her life and others. And now, her unique Logos voice makes her an extremely valuable commodity to the Atlanteans—so much so that her enigmatic commanding officer Aeson Kassiopei, who is also the Imperial Prince of Atlantis, has taken an increasingly personal interest in her. Before the end of the journey, Gwen must convince him that she has what it takes to compete in the deadly Games of the Atlantis Grail. It’s becoming apparent—the life of her family and all of Earth depends on it. COMPETE is the second book in The Atlantis Grail series. Don’t miss another book by Vera Nazarian! Subscribe to the mailing list to be notified when the next books by Vera Nazarian are available. We promise not to spam you or chit-chat, only make occasional book release announcements.

Writing reveals part of the author, customarily the fragment that the writer carefully chooses to hide from people closest to them. Writers place on paper their secret thoughts, cryptic opinions, enigmatic judgments, and uncensored criticisms of themselves.

An examined life, an enigmatic investigation of reality, is required in order for a person to realize a transcendent spiritual journey. A contemplative soul is bound to live life more intensely than someone whom is concerned exclusively with living an external existence.

Human existence is enigmatic journey of improvisation. A meaningful life commences with a precise examination of oneself. A person seeking self-awareness cannot afford inexact observations or vague thoughts.

For me you took on the enigmatic quality that all tyrants have whose rights are based on their person and not on reason. At least so it seemed to me.

He was possibly the only person that I could not figure out like I can with most people. And he was possibly the only one that I had ever wanted to understand.

Another significant factor in sexual attraction is scent. Th e other person’s smell— that is, his or her natural body scent mixed with the lingering smells of the day— plays a major role in drawing people together and finding optimal partners. Some people report that they know right away from his or her smell that a person is the one for them, and of course conversely some conclude that his or her body odor is a “deal-breaker.” (For a discussion of pheromones, see Chapter 3.) Psychologist Rachel Herz, author of the book Th e Scent of Desire: Discovering Our Enigmatic Sense of Smell (2007), states that “body odor is an external manifestation of the immune system and smells we think are attractive come from people who are most genetically compatible with us” (quoted in Svoboda, 2008). Interestingly, from what we discussed above about symmetry, men and women whose body odors are judged to be sexy by others are also more likely to have symmetrical faces. So, it seems that finding a person with a pleasing body odor is essential. People who want to find out their partners’ true scent can go fragrance-free for a few days. Th ey may worry about their own scent, and some people may indeed not like it, but there will always be persons who will be attracted to their natural body odor (Fisher, 2009; Herz, 2007; Martins et al. 2005; Moalem, 2009; Svoboda, 2009).

There ain’t nothin’ you can say about war that ain’t personal. It’s all personal.

The petty terror that reigns there and makes everyone so stiff is not that of the Bolshevik Party. It’s more like that of fashion, that terror which no one exerts in person, but which affects everyone alike. In these milieus, one is afraid of not being radical anymore, just as elsewhere one fears not being fashionable, cool or hip. It doesn’t take much to spoil a reputation. One avoids going to the root of things in favor of a superficial consumption of theories, demos, and relations. The fierce competition between groups and inside them causes them to periodically implode. But there’s always fresh, young, and abused flesh to make up for the departure of the exhausted, the damaged, the disgusted, and the emptied-out. An a posteriori bewilderment overtakes the person who’s deserted these circles: how can anyone submit to such a mutilating pressure for such enigmatic stakes? It’s approximately the same kind of bewilderment that must take hold of any overworked ex-manager turned baker when he looks back on his previous life. The isolation of these milieus is structural: between them and the world they’ve interposed radicality as a standard. They don’t perceive phenomena anymore, just their measure. At a certain point in the autophagy, some will compete for most radical by critiquing the milieu itself, which won’t make the slightest dent in its structure.“It seems to us that what really reduces our freedom,” wrote Malatesta, “and makes intiative impossible, is disempowering isolation

A person could live by a different moral code than society and still be honorable. He could steal all my thongs and still be thoughtful—order me onto my knees and still worship me like a goddess. And if I was honest with myself, I didn’t want some of his parts without the others. Conner was who he was because of his dark complexities, and I adored every enigmatic piece of him.

The audience, surprised at this lack of compassion, would have presumed both that the third person would be an Israelite and that he would help.

Such metaphorical seductions can carry us away, but they are unavoidable with a subject like cancer. In writing this book, I started off by imagining my project as a “history” of cancer. But it felt, inescapably, as if I were writing not about something but about someone. My subject daily morphed into something that resembled an individual—an enigmatic, if somewhat deranged, image in a mirror. This was not so much a medical history of an illness, but something more personal, more visceral: its biography.

Growing up in the South is not for the faint of heart. An enigmatic place at the best of times, it is paradoxical to the core. Finding your way through the various switchbacks and roundabouts that make up the overgrown maze of its personality can be a bewildering experience and one that often takes a lifetime, at least. Just when you think you have it solidly in your sights, it slips around a corner, leaving only the faint fragrance of a fading magnolia hanging in the muggy air. At the very moment you feel confident in its definition, it can, without warning, fashion itself into a creature of myth, sending you back to huddle over your history books and crystal balls, once again in search of the truth about this place you call home. Its a land where heart-stopping beauty and heartrending ugliness flourish in tandem, a land of kindness and hate, of ignorance and wit, of integrity, blindness, and pride.

Each morning she seemed to carry aloft with her this desperate last-minute hope; she took leave with calm, grave dignity, like one about to go down into the grave. Nor did she leave the slightest crumb of personality behind her; she took to the air with all her belongings, with every slightest scrap of evidence which might testify to the fact of her existence. She didn't even leave the breath of a sigh behind, not even a toenail. A clean exit, such as the Devil himself might make for reasons of his own. One was left with a great void on his hands. One was deserted, and not only deserted, but betrayed, inhumanly betrayed. One had no desire to detain her nor to call her back; one was left with a curse on his lips, with a black hatred which darkened the whole day. Later, moving about the city, moving slowly in pedestrian fashion, crawling like the worm, one gathered rumours of her spectacular flight; she had been seen rounding a certain point, she had dipped here or there for what reason no one knew, she had done a tailspin elsewhere, she had passed like a comet, she had written letters of smoke in the sky, and so on and so forth. Everything she had done was enigmatic and exasperating, done apparently without purpose. It was like a symbolic and ironic commentary on human life, on the behaviour of the ant-like creature man, viewed from another dimension.

When witnessing the emotional response of another person, the INTP intensely resists any similar emotion of his own. An example of this is when watching a ‘weepy’ cinema film in which some heart-wrenching scene is being shown. The INTP despises the attempt by the filmmaker to influence his emotions and is more likely to sneer than cry. This response has nothing to do with arrogance, however. Rather it is the INTP defensively avoiding exposing what he knows to be his weak point. Where an INTP may experience his own emotional response during a film is when he has had the chance to consider consequences of a element of the film. Hence, emotional response to media input usually occurs with a certain independence of will, which could appear enigmatic to others.

Prologue “Pain!. Oh, Father of the Dark, how it hurts! My muscles, my bones – every millimeter of my body. Damn locusts! They’re skinning me alive. Do I have any skin left? It seems like it will never end. How many years have passed since I’ve been buried here? One, two, ten? Or maybe, a hundred? Time itself has melded into total dusky looming. A bloody and merciless one. All my thoughts have been mixed up since I’ve been immured in this stone coffin. Without any possibility of escape. Without any chance for freedom. I feel endless agony under the teeny weeny teeth of ghostly beasts. And their small daggers shred my immortal flesh. Time after time, they’re driving me to madness. But I’ll find a way out, or my name is not Rave Eridanus Castro-Firel. And then, I swear, I’ll kill everyone who has taken part in torturing me. Ulfricus, you traitor ass. I hope your soul has never found sanctuary and is being tormented somewhere in the abyss of the Twilight, while I’m decaying here, in immortality. I hope you’re answering for every minute I’ve spent here, in this tomb. Even for every second. And if not, I promise I’ll kill all your relatives. Every person you love. Your wife, your children, your parents, your grandchildren. And your dam cat,...” The man’s interior monologue was interrupted by a restrained growl. “Oh, demons, how it hurts!.. But wait. Someone will surely wander across this damn field again. Someone whom I’ll kill without coming out of the ground. I’ll exhaust the last drop of magic. And, one day, I’ll be able to get out of this trap. Oh, no, who am I kidding? Nobody has appeared here so far. Even animals avoid coming to my field. I don’t sense any living being whose energy I could suck dry and use to appease the burning, even a little... They all sense me. They don’t understand, but they sense that death is there under their feet. Oh, Father of the Dark, I’ll be decomposing here forever! Damn Ulfricus, Banshee take your soul into the Twilight and love it to death.” The internal voice stopped again, and the man stopped short, listening attentively to the sounds of the outer world. “Oh, that just can’t be... Now for the first time since so long ago! A woman. A girl. A very young one. I can almost hear her heart beating... I feel the energy concealed in her blood. Come closer, dear. I don’t have to get out of here to play with you. So sweet... I can practically feel your odor. A strange, unusual smell of blood. What’s wrong with you? You’re a necromancer, for sure. Almost my soulmate. Well, even this won’t save you. Come closer, dear... Yes, this way. Oh Dark! what magic you eradiate! But not black, certainly not. I couldn’t care less. Any energy will suit me...” At this point, somewhere on the surface, somewhere nearby, a woman began singing. The accursed man, chained in the living grave, lay down, having suddenly forgotten the respiratory reflex, which still had not been exterminated through hundreds of years spent under the ground. Without air, without life. “What a pretty voice. A very, very pretty voice. I haven’t heard human voices for so long...” The man’s broad chest rose again. Then, a sequence of dark thoughts continued: “A girl with a ringing voice and strange magic... You’ve come here to the Ash Field in vain. You’re so enigmatic and courageous. You’re alive. But not for long.

Beyond that room is still another, to which one is not admitted, and where one sees glimpses of papa -- an extremely enigmatical person ! Nurse and mamma are comprehensible: they dress Grisha, feed him, and put him to bed, but what papa exists for is unknown. There is another enigmatical person, auntie, who presented Grisha with a drum. She appears and disappears. Where does she disappear to ? Grisha has more than once looked under the bed, behind the trunk, and under the sofa, but she was not there.

We are playwrights scripting our personal reality show and enigmatic fantasy world. Without a questing protagonist and a strong antagonist, the plot is tepid. All heroic conduct requires a journey filled with hardship, adventure, and a personal nemesis to conquer.

The Prince alighted from his gleaming silver-blue jet, his mind firmly on the task at hand: to persuade his close friend to go to war. Prince Bandar bin Sultan bin Abdul Aziz Al-Saud, Saudi Arabia’s ambassador to Washington, was in Crawford, Texas, in August 2002 to visit the President of the United States, his close friend George W. Bush. At the President’s ranch the two men, comfortable in one another’s company, chatted for an hour. The President was in determined mood. Bandar’s exhortation that he should not back off, that he should complete what his father had failed to do, that he should destroy the regime of Saddam Hussein once and for all, gratified the President. Satisfied by their mutual reinforcement, the dapper enigmatic Prince and the cowboy President took lunch with their wives and seven of Bandar’s eight children. A few weeks later, President Bush met the British Prime Minister, Tony Blair, at Camp David. The two leaders declared they had sufficient evidence that Iraq was developing weapons of mass destruction to justify their acting against Saddam, with or without the support of the United Nations. Prince Bandar’s role in Washington and London was unique: diplomat, peacemaker, bagman for covert CIA operations and arms dealer extraordinaire. He constructed a special relationship between Washington, Riyadh and London, and made himself very, very wealthy in the process. The £75m Airbus, painted in the colours of the Prince’s beloved Dallas Cowboys, was a gift from the British arms company BAE Systems. It was a token of gratitude for the Prince’s role, as son of the country’s Defence Minister, in the biggest arms deal the world has seen. The Al Yamamah – ‘the dove’ – deal signed between the United Kingdom and Saudi Arabia in 1985 was worth over £40bn. It was also arguably the most corrupt transaction in trading history. Over £1bn was paid into accounts controlled by Bandar. The Airbus – maintained and operated by BAE at least until 2007 – was a little extra, presented to Bandar on his birthday in 1988. A significant portion of the more than £1bn was paid into personal and Saudi embassy accounts at the venerable Riggs Bank opposite the White House on Pennsylvania Avenue, Washington DC. The bank of choice for Presidents, ambassadors and embassies had close ties to the CIA, with several bank officers holding full agency security clearance. Jonathan Bush, uncle of the President, was a senior executive of the bank at the time. But Riggs and the White House were stunned by the revelation that from 1999 money had inadvertently flowed from the account of Prince Bandar’s wife to two of the fifteen Saudis among the 9/11 hijackers.

My mother was entirely different. She was an enigmatic and arresting personality--more forceful than my father--startlingly original in her ideas, shy and miserably diffident about herself, and at bottom, I think, with a natural melancholy.