Puddle Jumping Quotes

We've searched our database for all the quotes and captions related to Puddle Jumping. Here they are! All 100 of them:

I dream of you. And I don’t like it when I can’t talk to you or see you or touch you.” His eyes found mine again. “That’s love.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
This emptiness inside of me here,” he placed my hand on his chest, “means I love you. When you’re not here, I can’t focus. It’s too loud . . . But my heartbeat does this when you’re close.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I have to ask. Why do you like me?” He shifted away from me then, his brows pulled together making him look even cuter, if that was possible. “I don’t understand the question.” His hands were squeezing mine tightly as he looked down at them. “You’re my Lilly. You’ve always been my Lilly.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Maybe if we stopped trying to achieve movie standards of greatness, we'd be happy with what we have.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I think sometimes we’re presented with the truth but we don’t want to believe it. We see things the way we want to see them. Sometimes, we choose to live in denial.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
FRIENDSHIP: A true friend is one soul in two bodies – Aristotle.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
When you fall in love, it is discovering the ocean after years of puddle jumping.
Sarah Kay
With a small sigh he squeezed my hand tighter. “I wish you were like me.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
No,” he whispered. “You’re my beautiful Lilly. The one who makes everything right in my world.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Talking with you would be much more enjoyable than talking with Talia, Lilly.” His eyes scanned the floor by my feet. “She’s paint by number; you’re a watercolor.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
The Type Everyone needs a place. It shouldn't be inside of someone else. -Richard Siken If you grow up the type of woman men want to look at, you can let them look at you. But do not mistake eyes for hands. Or windows. Or mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, you can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle. A door. A sandwich. A Pulitzer. Another woman. But their hands found you first. Do not mistake yourself for a guardian. Or a muse. Or a promise. Or a victim. Or a snack. You are a woman. Skin and bones. Veins and nerves. Hair and sweat. You are not made of metaphors. Not apologies. Not excuses. If you grow up the type of woman men want to hold, you can let them hold you. All day they practice keeping their bodies upright-- even after all this evolving, it still feels unnatural, still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, admit they do not have the answers they thought they would have by now; some men will want to hold you like The Answer. You are not The Answer. You are not the problem. You are not the poem or the punchline or the riddle or the joke. Woman. If you grow up the type men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, it is discovering the ocean after years of puddle jumping. It is realizing you have hands. It is reaching for the tightrope when the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart, you learn to sing along. It is hard to stop loving the ocean. Even after it has left you gasping, salty. Forgive yourself for the decisions you have made, the ones you still call mistakes when you tuck them in at night. And know this: Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You were born to build.
Sarah Kay
I do . . . love you. If you needed me to say it before you should have told me so. I know what it means.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Sometimes you just have to jump in a mud puddle because it's there. Never get so old that you forget about having fun.
Tom Giaquinto (Be A Good Human)
Life is meant to be lived, and if you're offered the chance to experience things with an extraordinary person, then there isn't one reason in the world to say no.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Yeah.” He rolled his eyes. “Whatever.” And then he looked at me and the corner of his mouth pulled up into a sly smile. “They taught us that tonight to help us blend in with our peers.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
You’re my quiet, Lilly.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I don’t believe there’s such a thing as conventional love. Love is bending. Love is breaking. Love is constantly learning about the other person until you go crazy because it will never be perfect, but there’s no fault in trying. I’ve loved a boy who was extraordinary beyond words, in my eyes.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
You’re my beautiful Lilly. The one who makes everything right in my world.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
She’s paint by number; you’re a watercolor.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
It was those words that made me fall in love with him. Right there in that spot. Because he wanted me to be like him. That was his normalcy.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
You mess with my sister, you're messing with me!
Loretta Livingstone (Jumping in the Puddles of Life)
I’m sorry. Was that gross?” I asked, wanting to melt into the floor and just die. He shook his head slowly and then looked at me for a second. “I’d like to try this after you’ve brushed your teeth.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I told them you hate herring.” “Why?” “And that you love plum cake. And that Ana Kuya took a switch to you when you ruined your spring slippers jumping in puddles.” I winced. “Why would you tell them all that?” “I wanted to make you human,” he said. “All they see when they look at you is the Sun Summoner. They see a threat, another powerful Grisha like the Darkling. I want them to see a daughter or a sister or a friend. I want them to see Alina.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
You’d like to think it’s a choice to love him, but it’s not, Lilly. You’ve already decided. I can see it on your face.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Sometimes change makes you sit up and pay attention, opening your eyes to so many new things, it’s as if you’d been asleep for
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Am I your girlfriend?” “Of course.” Like it was the most obvious thing in the world.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I promise that love isn't easy for anyone. Anywhere.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Society has pretty much taught us that it's inside the lines, or outside. But there's so much more in between.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Lilly. Sometimes I don’t think I have the capacity to be what you need in a significant other.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
But life isn't really about just geting by. Right when you've lulled yourself into a false sense of security, it likes to throw in a plot twist. Keep you on your toes.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Nothing works,” he started, his hands kneading my sides as he tried again. “I try. And try. But nothing works. I can’t focus. I can’t . . . I can’t.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Have you noticed how children never bypass a puddle of water, but jump, splash, and slosh right through it?  That's because they know an important truth: Life was meant to be lived; puddles were meant to be experienced.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
You were upset. I hurt you. Something must have happened to make you stay away from me. Is that right?” His nose was pressed under my ear and I fought back another round of tears because he just didn’t fully grasp it. He could have been repeating Sheila’s words for all I knew. “You’re leaving.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
It takes a strong man to love my sister. And you are a strong man. So her are some twin-tips for you from yours truly: Read her Shakespeare when she cries. Take walks in the rain and jump in the puddles with her. Don't mind her when she calls you an asshole during 'that time of the month' - she's a total bitch at those times. Buy her flowers because it's Tuesday. Make her do things that scare her. Don't be a pushover - we don't like that. Don't be a dick either - we hate that. Smile at her when you're mad. Dance with her in the middle of the day. Kiss her just because. Love her forever.
Brittainy C. Cherry (Loving Mr. Daniels)
It really is a shame more movies aren’t like real life. Maybe then we wouldn’t have such high expectations and feel let down by our own existence so much.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
It begins with a boy and it ends with a boy, but what story doesn’t?
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
want to ask you a question.” He nodded. “Take me to the dance next weekend.” He tilted his head to the side and frowned. “Lilly, that was not in the form of a question. A question is a request that ends with a question mark. What you just said was a statement.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I have to ask. Why do you like me?” He shifted away from me then, his brows pulled together making him look even cuter, if that was possible. “I don’t understand the question.” His hands were squeezing mine tightly as he looked down at them. “You’re my Lilly. You’ve always been my Lilly.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Our homework is to start a conversation. I would feel most comfortable doing that with you, if you don’t mind.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
He's not weird. He's just not exactly like you.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Love must face reality, if it is to survive Jumping in the Puddles of Life
Loretta Livingstone
It begins with a boy and it ends with a boy, but what story doesn't?
Amber L. Johnson
Love must face reality If it is to survive
Loretta Livingstone (Jumping in the Puddles of Life)
I used to think there were two kinds of Crayola artists: Ones who color inside the lines and ones who don’t stay within the rigid boundaries set by thick black perimeters that make up a cuddly koala. But it seems that inside and outside the lines is just the main basis for comparison. You also have those who color lightly inside and fill each space according to the chosen and appropriate shade. Then you have those who scribble and slap any color anywhere. And sometimes these people have purple turkeys and shit that drives me absofreakinglutely crazy because, seriously
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Kacie, look at me. You can do this, trust me.” “I can’t.” I meant that literally. I couldn’t will my feet to move even if I wanted them to. “Look in my eyes. Yes, you can. You said you trusted me, now come on. Jump in puddles with me.
Beth Ehemann (Room for You (Cranberry Inn, #1))
I opened the fire door to four lips none of which were mine kissing tightened my belt around my hips where your hands were missing and stepped out into the cold collar high under the slate grey sky the air was smoking and the streets were dry and I wasn't joking when I said Good Bye magazine quality men talking on the corner French, no less much less of them then us so why do I feel like something's been rearranged? you know, taken out of context I must seem so strange killed a cockroach so big it left a puddle of pus on the wall when you and I are lying in bed you don't seem so tall I'm singing now because my tear ducts are too tired and my brain is disconnected but my heart is wired I make such a good statistic someone should study me now somebody's got to be interested in how I feel just 'cause I'm here and I'm real oh, how I miss substituting the conclusion to confrontation with a kiss and oh, how I miss walking up to the edge and jumping in like I could feel the future on your skin I opened the fire door to four lips none of which were mine kissing I opened the fire door
Ani DiFranco
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
Love, for those lucky enough to experience it, is extraordinary.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
He's not special. He's extraordinary. To me. And I feel like I am, too, when I'm with him.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
in Just- spring          when the world is mud- luscious the little lame balloonman whistles          far          and wee and eddieandbill come running from marbles and piracies and it's spring when the world is puddle-wonderful the queer old balloonman whistles far          and          wee and bettyandisbel come dancing from hop-scotch and jump-rope and it's spring and           the                     goat-footed balloonMan          whistles far and wee
E.E. Cummings (Tulips & Chimneys)
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
Sometimes change makes you sit up and pay attention, opening your eyes to so many new things, it's as if you'd been asleep for the first eighteen years of your life. Plans change. Life changes. And as an after effect, love changes too.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Then I’ll hide all the scissors and chewing gum.” It made the entire room grow quiet before he looked over at me. “I know how upset you were last time when I had to cut your hair.” My jaw was on the floor. He’d totally cracked a joke. “Then I guess you should hide the mattresses, too,” I shot back playfully.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Maybe if we stopped trying to achieve movie standards of greatness, we’d be happy with what we have.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
There comes a time when you have to stop crossing oceans for people wouldn’t even jump puddles for you.
Anonymous
Maybe someday I'll be his and he'll be mine. And space or time won't matter because we were meant to be. But I won't hold my breath. Life doesn't usually work out the way we hope.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Love, for those lucky enough to experience it, is extraordinary -Puddle Jumping
Amber L. Johnson
If you grow up the type of woman men want to look at, You can let them look at you. But do not mistake eyes for hands, Or windows for mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, You can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman – But their hands found you first. Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack. You are a woman – Skin and bones, veins and nerves, hair and sweat You are not made of metaphors, Not apologies, not excuses. If you grow up the type of woman men want to hold, You can let them hold you. All day they practice keeping their bodies upright. Even after all this evolving it still feels unnatural, Still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, Admit they don’t have the answers they thought they would by now. Some men will want to hold you like the answer. You are not the answer. You are not the problem. You are not the poem, or the punchline, or the riddle, or the joke. Woman, if you grow up the type of woman men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, It is discovering the ocean after years of puddle jumping. It is realising you have hands. It is reaching for the tightrope after the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart. You learn to sing along. It is hard to stop loving the ocean, Even after it’s left you gasping, salty. So forgive yourself for the decisions you’ve made, The ones you still call mistakes when you tuck them in at night, And know this. Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You are born to build.
Sarah Kay
I let out a huff and forced a smile. “You’re a vampire.” I stated. Dean tilted his chin up and smiled. “I have no fangs.” He said through his teeth. I examined the glistening white canines. They were normal, just like mine. “You retract them when you don’t need them.” I said. Dean moved across the table and put his face up to mine. His mouth was a torturous breath away from my own. “Then why haven’t I sucked your blood Lina?” He whispered right before pressing his soft lips against mine. Then he inched towards my neck and lingered his lips on my pulse. His soft breathing tickled my skin and triggered a chill that shot up my spine. My blood jumped to a rush and began to throb for him. If he were a vampire, I swear I’d let him suck me. “Why aren’t I biting you right now?” He whispered. It took everything I had in me not to melt into the seat and land as a puddle on the ground. -Mindy-
E.M. Jade (Captivated (Affliction, #1))
...and for a moment they were Jem-and-Will again. Will could see Jem, but also through him, to the past. Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire. Ave atque vale... Hail and farewell. He had never given much thought to the words before, he had never thought about why they were not just a farewell but also a greeting. Every meeting led to a parting, and so it would, as long as it was mortal. In every meeting there was some of the sorrow of parting, but in every parting there was some joy of the meeting as well. He would not forget the joy. ... "Wo men shi sheng si ji jiao," said Will, and he saw Jem's eyes widen, fractionally, and the spark of amusement inside them. "Go in peace, James Carstairs
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Because just the day before, I had apparently told The Artist of our Generation to color inside the effing lines.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Ah yes, a great victory, this 'sport'. I am sure El Toro appreciates the applause Jumping in the Puddles of Life
Loretta Livingstone
But I'm always up for a challenge. Especially when it's with him. Or for him. Because it always comes back to him.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Did you know your name means ''beautiful'? Beautiful grace. I looked it up." He'd inadvertently told me I was beautiful. And I kinda believed him.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I think sometimes we’re presented with the truth but we don’t want to believe it. We see things the way we want to see them. Sometimes, we choose to live in denial. * * * After
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
There comes a time when you have to stop crossing oceans for someone who wouldn’t even jump in puddles for you”. Have you seen
Louise Jensen (The Date)
It's a true story of a girl falling for a boy. Nothing more. Nothing less. And I wouldn't want it any other way.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I met Mrs. Neely at the door and I swear to you she took one look at my glossy lips and bare knees and the woman just knew. Moms are creepy like that sometimes.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
At some point you have to stop crossing oceans for those who wouldn't jump puddles for you.
Nick Dee
I was seriously afraid you were going to kill yourself on our property
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
maybe some people would say that I loved him too much and forgot myself in the process, but from what I’ve seen of relationships, there’s always that one person who does.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
He smiled against my cheek and kissed me again. "Talking with you would be much more enjoyable than talking with Talia, Lilly." His eyes scanned the floor by my feet. "She's paint by number; you're watercolor." Things like that, moments like those, how do you explain to other people that no one else in the world can make you feel this way?
Amber L. Johnson
I don’t believe there’s such a thing as conventional love. Love is bending. Love is breaking. Love is constantly learning about the other person until you go crazy because it will never be perfect, but there’s no fault in trying.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Loving him sneaked up on me one tentative step at a time and then a bouncing rush and I was the lucky one who got to love him. I get to love this man every day of my life. It’s an all-consuming love filling every crevice and it’s meant to be that way. I’ve discovered with every opened lock within me that I wasn’t made for half measures, or maybe I’m just not made to be half of anything with Gray. He makes me want to jump in the puddle of love with both my feet. Not only that, I craved it, hungered for the love he showered me with. Our love opened me to new feelings. Like we’ve built mansions on top of clouds with bells and whistles loud enough to drown out the world. Because in the end isn’t that what transcendent love does? It blocked out the world and lets you experience your heartbeats for the first time.
V. Theia (Manhattan Sugar (From Manhattan #1))
The Frogs and the Well Some frogs lived happily in a puddle. Then summer arrived; as one hot day succeeded another, the puddle shrank until it disappeared altogether. The frogs had no choice but to seek a new home. They hopped painfully along, but everywhere they went they found dried-up ponds and empty river beds. Finally they came to a well. Looking down the deep shaft, they saw water at the bottom. "We're saved!" croaked one frog. "Let's jump in now!" "Wait a moment," said his less impulsive friend. "What will we do if this one also dries up?
Aesop (Aesop’s Fables)
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
Sicarius stood behind them, not bothering to hide his face as the breeze rifled through his short blond hair. He hadn’t drawn a weapon yet, and Amaranthe hurried to catch up, to keep him from doing so. First one security man glanced over his shoulder and jumped, then the second emulated the move. Sespian lifted a hand. “Don’t hurt—”One of the men pointed to the side of Sicarius, cried, “Look, enforcers!” and hurled himself past Sespian and into the river. The second man squeaked, scuttled backward until his shoulders rammed against the railing, then grabbed it and also propelled himself into the water. His lantern caught and dropped to the deck instead of falling overboard. It clanked and highlighted a dubious puddle before tipping over and winking out. Amaranthe had forgotten how much Sicarius’s reputation affected the average person.
Lindsay Buroker (Beneath the Surface (The Emperor's Edge, #5.5))
want to be the girl who dances in the rain. I want to be the girl who jumps in puddles. I want to be the girl who can stare at the gray sky and watch the lightning and know it’s okay to appreciate the darkness. I don’t want to be the girl who can only survive in the sunshine. Life’s not all sunshine. I don’t want to pretend that it is anymore.
J.S. Cooper (Four Week Fiance 2 (Four Week Fiancé, #2))
A mood can be a mud puddle to be jumped over.
Jim Harrison (True North)
Life's a gloomy puddle, until you start jumping in it.
Curtis Tyrone Jones
And he was even more beautiful in real life than he'd been in the faded picture I'd kept of him in the back of my mind.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
He'd always been there, regardless of whether I allowed myself to think of him. I'd always been in the back of his mind, whether he could tell me that or not.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
I dream of you. And I don't like it when I can't talk to you or see you or touch you.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
FRIENDSHIP: A true friend is one soul in two bodies – Aristotle. So
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Stop crossing oceans for people who won’t even jump over puddles for you.
B. Celeste (The Truth about Heartbreak (The Truth About #1))
Because the reason I don't know much about love is that I've really only ever loved one woman. But every day with her is like being a pirate in a magical land far away full of adventures and treasures. Making her laugh is a bit like wearing rain boots that are a little too big and jumping into the deepest of puddles. I'm blunt and sharp and full of black and white. She's all my color.
Fredrik Backman
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
When some boys find their first best friend it’s the first real love of their lives, they just don’t know what falling in love is yet, so that’s how they learn what love is: it feels like climbing trees, it feels like jumping in puddles, it feels like having one single person in your life who you don’t even want to play hide-and-seek with because you can’t bear being without him for a single minute. For most boys this infatuation obviously fades as the years pass, but for some it never does. Benji traveled right across the world but never found a single place where he could stop hating himself for still loving Kevin.
Fredrik Backman (The Winners (Beartown, #3))
In my eyes, this one is the most amazing person I’ve ever met. And maybe some people would say that I loved him too much and forgot myself in the process, but from what I’ve seen of relationships, there’s always that one person who does. Last
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Children don’t suffer from habit, which is why they get excited by some very key but simple things like puddles, jumping on the bed, sand and fresh bread. But we adults get ineluctably spoilt; which is why we seek ever more powerful stimulants (like fame and love). The trick – in Proust’s eyes – is to recover the powers of appreciation of a child in adulthood, to strip the veil of habit and therefore to start to look upon daily life with a new and more grateful sensitivity. This for Proust is what one group in the population does all the time: artists.
The School of Life (Great Thinkers)
Just because I was attracted to him didn’t mean our friendship had to suffer. It was what would come first, regardless of my feelings. I met Mrs. Neely at the door and I swear to you she took one look at my glossy lips and bare knees and the woman just knew. Moms are creepy like that sometimes.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
He once heard that the best way to prepare mentally for becoming a parent is to stay in a tent at a weeklong rock festival with a load of fat friends who are smoking hash. You blunder about in a permanent state of acute sleep deprivation wearing clothes covered with stains from food that is only very rarely your own, you suffer from tinnitus, you can't go near a puddle without some giggling fool jumping in it, you can't go to the bathroom without someone standing outside banging on the door, you get woken up in the middle of the night because someone was 'just thinking about something,' and you get woken up the next morning to find someone pissing on you.
Fredrik Backman (Beartown (Beartown, #1))
He once heard that the best way to prepare mentally for becoming a parent is to stay in a tent at a weeklong rock festival with a load of fat friends who are smoking hash. You blunder about in a permanent state of acute sleep deprivation wearing clothes covered with stains from food that is only very rarely your own, you suffer from tinnitus, you can’t go near a puddle without some giggling fool jumping in it, you can’t go to the bathroom without someone standing outside banging on the door, you get woken up in the middle of the night because someone was “just thinking about something,” and you get woken up the next morning to find someone pissing on you.
Fredrik Backman (Beartown (Beartown, #1))
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
T.H. White
We went outside and stood on the covered porch. It was raining again. Hard. “Crap, I left the umbrella in the car,” he said. “Let me go get--” “Don’t be silly. I won’t melt.” “You sure?” “Oh, yeah.” “Okay, then.” He grabbed my hand--his was so warm, so large--and we made a mad dash across the puddle-filled parking lot. He had his keys out and was beeping the locks before we got there. We both jumped inside, through opposite doors, at the same time. Laughing, drenched, and cold. “I’ll get the heater going,” he said, cranking up the car. “It’s June, in Texas.” “I know, but I’m cold.
Rachel Hawthorne (The Boyfriend League)
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
muddy ground. He pushed himself backward, his hands frantically splashing in puddles of muddied water. The darkness of the cemetery made it impossible to see anything more than a shadow, but Cody knew what stalked him. He knew the evil coming. He screamed and jumped back to his feet. He ran as fast as he could on the slippery ground. Another loud crash of thunder followed a bright flash of lightning. He was so close, so close to the entrance to the cemetery, but the rain, stronger than before, hammered down upon him. He splashed through puddles of water, flinching from the sheets of rain slapping his face. He struggled to increase his speed, his tears blending in with the rain. Four bicycles lay scattered on the ground near the entrance of the cemetery. Cody yanked his bicycle upright off the ground and checked behind him, but there wasn’t anything there. He hesitated, his heart breaking at the sight of his friends’ bikes lying next to his. “I’m so sorry,” he cried before mounting his own bike. The mud, caked onto the soles of his shoes, caused his feet to slip on the wet pedals. He peered into the dark depths of the cemetery again and found the familiar shadow creeping towards him. Whimpering again, Cody reached down to scrape the mud off with his bare hands, and then pedaled a mile to his home in the heavy rain. Rain-drenched, Cody jumped the curb in front of his house and dropped his bicycle on the lawn. He ran to his open bedroom window, stumbled through it, and fell onto the floor. His bedroom curtains flapped inward
Robert Pruneda (Devil's Nightmare (Devil's Nightmare #1))
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons