Pucker Up Quotes

We've searched our database for all the quotes and captions related to Pucker Up. Here they are! All 100 of them:

Dr. Barney stared at me, his lips puckered. What was he so serious about? Who hasn’t thought about killing themselves, as a kid? How can you grow up in this world and not think about it?
Ned Vizzini (It's Kind of a Funny Story)
And my personal favorite, your lips." He smiled as a pink flush crept up my neck. "Full and sensual, puckered, and always turned down at the corners. They kind of make me want to kiss them until they smile.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
Carolyn Parkhurst (The Dogs of Babel)
As flowerlets drooped and puckered in the night turn up to the returning sun and spread their petals wide on his new warmth and light-just so my wilted spirits rose again and such a heat of zeal surged through my veins that I was born anew.
Dante Alighieri
We've got work to do. Strip." "Strip for what?" "I'm going to measure you for your dress. Strip!" Rachel saved me…sort of. "You can do her measurements with her clothes on, Mamma," she chastised. "Oh, I know I can." She pointed at me. "But look at her face! Ha! I just wanted to see her face pucker up like that.
Shelly Crane (Independence (Significance, #4))
That look says it all. It makes my butt pucker.” “Makes your butt pucker?” 
M. Leighton (Up to Me (The Bad Boys, #2))
When life gives you lemons, you don't make lemonade. That's for pantywaisters. No. You pucker up, suck them dry, then throw the used rinds back in life's face with a giant fuck-you and a gesture for more.
K.L. Kreig (Black Swan Affair)
He touched me with such reverence, his fingertips light and curious as they cruised up my spine while his mouth was bold and knowing, his tongue lavishing taut, puckered skin with deadly precision.
Linda Kage (Price of a Kiss (Forbidden Men, #1))
I've been called promiscuous. Not a pretty word, is it? Makes you think of the gloop that comes out of your nose or what comes up your throat when you're gagging, if you're trying to swallow down something you didn't necessarily mean to swallow. Promiscuous: your face has to pucker when you say it. I prefer to think of myself as an adventurer. Charting the souls of so many of god's creatures, and of the floaty beings that populate the land of notions. It's a job. It's a calling. It takes strong thigh muscles, intelligence, cunning, a good pair of boots. It takes heart, in fact. The heart to stay on. To not be defeated.
Sylvia Brownrigg (Ten Women Who Shook the World)
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Show God what yer made of, man. Pucker up and kiss the cross.
Mary Doria Russell (Children of God (The Sparrow, #2))
His dad’s gruff voice interrupted his pitiful thoughts. “Can I be frank?” “Sure. Can I be beans?” Without even having to look up, Dex knew what his dad was doing. “Stop. You know how I hate when you do that.” “Do what?” Tony grunted. “Do that puckered ass thing with your lips.” “And you know all about puckered asses.” Dex arched an eyebrow at his dad. “You know, at times I wonder who the grown-up is here.” The elevator pinged and they exited into a long white hall with dark gray flooring. “And I wonder if you’ve lost more than a few marbles. Like the entire bag.
Charlie Cochet (Hell & High Water (THIRDS, #1))
My slick finger worked my clit back and forth as my eyes slid shut and I imagined Auric's face. Those hard lips, his strong jaw. My nipples puckered as I pictured him sucking them, those wicked green eyes looking up at me as he nipped my erect nubs.
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
Harrow turned to her for the first time since they left the shuttle, eyes glittering like beetles beneath the veil, mouth puckered up like a cat’s asshole.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
SAY IT. Go ahead, stand before the mirror, look at your mouth, and say it. Blue. See how you pucker up, your lips opening with the consonants into a kiss, and then that final exhalation of vowels? Blue. The word looks like what it is, a syllable blown out into the air, and with the sound and the sight of saying it as one.
William H. Gass (On Being Blue: A Philosophical Inquiry (New York Review Books (Paperback)))
On Neil's right shoulder was a burn scar, courtesy of getting smacked by a hot iron. Andrew put his left hand to it, fingertips lining up perfectly with the raised bumps the iron's holes had left behind. His right thumb found the puckered flesh from a bullet.
Nora Sakavic (The King's Men (All for the Game, #3))
The imagination doesn’t crop annually like a reliable fruit tree. The writer has to gather whatever’s there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he’s been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?
Julian Barnes (Flaubert's Parrot)
All eyes flew to the entrance. A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy. Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority. "Jillian!" he roared. Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love. He urged Occam into the crowd, making his way toward the altar. "Grimm," she whispered.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
Here, I have something for you.” “It had better not be an engagement ring.” He paused, his lips puckering as if the thought hadn’t occurred to him and he was regretting it. “Or gloves,” added Cinder. “That didn’t work out too well last time.” Grinning, Kai took a step closer to her and dropped to one knee. Her eyes widened. “Cinder…” Her heart thumped. “Wait.” “I’ve been waiting a long time to give this to you.” “Kai—” With an expression as serious as politics, he pulled his hand from behind his back. In it was cupped a small metal foot, frayed wires sticking up from the cavity and the joints packed with grease. Cinder
Marissa Meyer (Winter (The Lunar Chronicles, #4))
The puckered-up face of the newly-born child, old as the world, wise as the roots of trees. Sin was there and goodness, love, pity and horror, and even beauty for his eyes were pure violet.
Mervyn Peake (Titus Groan (Gormenghast, #1))
When life hands you lemons, you don’t make lemonade. That’s for pantywaisters. No. You pucker up, suck them dry, then throw the used rinds back in life’s face with a giant fuck-you and a gesture for more.
K.L. Kreig (Black Swan Affair)
When I saw her floating down the aisle toward me, her and her daddy both were giggling like this whole thing was only a dress rehearsal. There I was, serious as four heart attacks and a stroke, but then she looked up at me and puckered her pink-paint lips in a little kiss and I got the joke. She was letting me know that all of this—the little girls holding up the train of her gown, my morning jacket, even the ring in my pocket—was just a show. What was real was the dance of light in her eyes and the quick current of our blood. And then I smiled, too.
Tayari Jones (An American Marriage)
I love that accent you have when you say hello You relocated from New York a month ago That minivan that you drive really gets me going And if it feels like it's right Then it can't be wrong No one understands the chemistry we have And it came out of nowhere Yeah, yeah, yeah, yeah It's not like we planned this, it's getting out of hand And now we're gonna go there Yeah, yeah, yeah, yeah Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away Yeah Not just a neighbour Oh hey there I'll ring your bell Open your door, pucker up And I'll kiss you well My lips are sealed There's nobody that I would tell Your secret's mine, close your eyes And I'll make you melt No one understands the chemistry we have And it came out of nowhere Yeah, yeah, yeah, yeah It's not like we planned this, it's getting out of hand And now we're gonna go there Yeah, yeah, yeah, yeah Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away Oh yeah Na na na na na na na na You know what she like Na na na na na na na na You know what she like Na na na na na na na na Ah you know what she like Na na na na na na na Walk my way Mrs All American Say my name No need to pretend Don't be shy Mrs All American I'll show you why You're not gonna walk away (Walk my way) Oh yeah (Say my name) You're not gonna walk away (Don't be shy) (I'll show you why) You're not gonna walk away
5 Seconds of Summer
Pucker up, Hollywood. By the time I’m finished with you, the neighbors are gonna need a cigarette.
Kate Meader (Sparking the Fire (Hot in Chicago, #3))
She sipped the tonic. Her face puckered again. She gagged, covered her mouth and mumbled in disgust, "Oh my God!" "I said it tasted better, not great." Abby continued to force the sour tonic down in sips. She could taste a hint of vanilla but the potion left a bitter aftertaste that was similar to vinegar. Her stomach gurgled and burned. "Water," she coughed after her last sip of tonic. "No. You'll dilute it," Noel said firmly, relieving her of the glass. Smartly, she rebutted, "Isn't that what you're supposed to do after drinking poison? Or is it throw up?
Devon Ashley (Ordained (The Immortal Archives, #1))
You will remember that every psychological or inner state finds some outer representation via the moving centre—that is, it is represented in some particular muscular movements or contractions, etc. You may have noticed that a state of worry is often reflected by a contracted wrinkling of the forehead or a twisting of the hands. States of joy never have this representation. Negative states, states of worry, or fear, or anxiety, or depression, represent themselves in the muscles by contraction, flexion, being bowed down, etc. (and often, also, by weakness in the muscles), whereas opposite emotional states are reflected into the moving centre as expansion, as standing upright, as extension of the limbs, relaxing of tension, and usually by a feeling of strength. To stop worry, people who worry and thereby frown too much or pucker up and corrugate their foreheads, clench their fists, almost cease breathing, etc., should begin here—by relaxing the muscles expressing the emotional state, and freeing the breath. Relaxing in general has behind it, esoterically speaking, the idea of preventing negative states. Negative states are less able to come when a person is in a state of relaxation. That is why it is said so often that it is necessary to practise relaxing every day, by passing the attention over the body and deliberately relaxing all tense muscles.
Maurice Nicoll (Psychological Commentaries on the Teaching of Gurdjieff and Ouspensky 1)
I’ll do whatever I have to in order to be worthy of her. She’s everything I’ve ever wanted.” “Don’t change for her. She made that mistake with me. She fell in love with you just the way you are. Just be you, Beau. Just be you.” She loved me. Hearing those words sent a shiver of pleasure over me. I’d finally won my girl. “She had Mr. Perfect and she wanted me instead. Doesn’t make any sense,” I said, grinning over at Sawyer. “There’s no accounting for taste,” he chuckled and elbowed me in the ribs. “Go get her, man. She’s convinced she has to step out of our lives so we can fix our relationship. Her heart’s breaking. I could see it in her eyes. She is ready to sacrifice her happiness in order to do what she thinks is best for you. Go put the girl out of her misery.” Step out of my life. Like hell. I slapped Sawyer on the back and headed out to set her straight. But first I was going to feast on those full lips of hers that were all puckered up in a frown.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
The first time Ree kissed a man it was not a man, but Gail acting as a man, and as the kissing progressed and Gail acting as a man pushed her backwards onto a blanket of pine needles in shade and slipped her tongue deep into Ree's mouth, Ree found herself sucking on the wiggling tongue of a man in her mind, sucking that plunging tongue of the man in her mind until she tasted morning coffee and cigars and spit leaked from between her lips and down her chin. She opened her eyes then and smiled, and Gail yet acting the man roughed up her breasts with grabs and pinches, kissed her neck, murmuring and Ree said, "Just like that! I want it to be just like that!" There came three seasons of giggling and practice, puckering readily anytime they were alone, each being the man and the woman, each on top and bottom, pushing for it with grunts or receiving it with signs. The first time Ree kissed a boy who was not a girl his lips were soft and timid on hers, dry and unmoving, until finally she had to say it and did, "Tongue, honey, tongue," and the boy she called honey turned away saying, "Yuck!
Daniel Woodrell (Winter's Bone)
There he was. The infant Titus. His eyes were open but he was quite still. The puckered-up face of the newly-born child, old as the world, wise as the roots of trees. Sin was there and goodness, love, pity and horror, and even beauty for his eyes were pure violet. Earth's passions, earth's griefs, earth's incongruous, ridiculous humours - dormant, yet visible in the wry pippin of a face.
Mervyn Peake (The Gormenghast Novels (Gormenghast, #1-3))
You nervous about doing this on camera?” Chance tilted his head a little, considering. “Well, yeah, of course. You don’t know what you look like when you come—for all I know, I’m hella ugly or something. But at the same time....” He trailed off and shuddered, and his eyes got half-lidded. One hand went unconsciously to his stomach, then slid up to his nipples, which were still pointy and puckered. “It’s sort of cool. It’s making my stomach all jumpy, and....” His other hand slid down under the waistband of his shorts, as he made obvious kneading motions on his groin. “It’s turning you on?” “Mmmm....” “Take the shorts off, Chance, and show us.
Amy Lane (Chase in Shadow (Johnnies, #1))
Pam, my new therapist, who’s like some blissed-out, grown-up, yoga-hippie version of Rain, says that the physical body, the idea of the self, is kind of a scar: a brief puckering of time, a fleeting sewing together of energy and heart, which go beyond the physical form, on and on and on, forever.
Kate Ellison (Notes from Ghost Town)
His hands shift to my shoulders, and his fingers brush over the edge of my bandage. He pulls back with a puckered brow. “Are you hurt?” he asks. “No. It’s another tattoo. It’s healed, I just…wanted to keep it covered up.” “Can I see?” I nod, my throat tight. I pull my sleeve down and slip my shoulder out of it. He stares down at my shoulder for a second, and then runs his fingers over it. They rise and fall with my bones, which stick out farther than I’d like. When he touches me, I feel like everywhere his skin meets mine is changed by the connection. It sends a thrill through my stomach. Not just fear. Something else, too. A wanting. He peels the corner of the bandage away. His eyes roam over the symbol of Abnegation, and he smiles. “I have the same one,” he says, laughing. “On my back.” “Really? Can I see it?” He presses the bandage over the tattoo and pulls my shirt back over my shoulder. “Are you asking me to undress, Tris?” A nervous laugh gurgles from my throat. “Only…partially.
Veronica Roth (Divergent (Divergent, #1))
one of those wild, grotesque songs common among the negroes, in a rich, clear voice, accompanying his singing with many comic evolutions of the hands, feet, and whole body, all in perfect time to the music. “Bravo!” said Haley, throwing him a quarter of an orange. “Now, Jim, walk like old Uncle Cudjoe, when he has the rheumatism,” said his master. Instantly the flexible limbs of the child assumed the appearance of deformity and distortion, as, with his back humped up, and his master’s stick in his hand, he hobbled about the room, his childish face drawn into a doleful pucker, and spitting from right to left, in imitation of an old man. Both gentlemen laughed uproariously.
Harriet Beecher Stowe (Uncle Tom's Cabin: The Original 1852 Unabridged And Complete Edition (A Harriet Beecher Stowe Classics))
George couldn’t help disliking Grandma. She was a selfish grumpy old woman. She had pale brown teeth and a small puckered-up mouth like a dog’s bottom.
Roald Dahl (George's Marvelous Medicine)
I am in the prime of my womanhood, nunga-nungas poised and trembling (attractively). Lips puckered up and in peak condition for a snogging fest.
Louise Rennison (Away Laughing on a Fast Camel (Confessions of Georgia Nicolson, #5))
Jesus, that's close. Like a dinner bell, right? Henry opens his pants and our asses pucker up for a kiss.
M.Q. Barber (Finding Their Balance)
She had a horror of being one of those girls in movies who closes her eyes and puckers up while the boy sits back and smirks.
Anonymous
Looking at a human being or even a picture of a human being is different from looking at an object. Newborn babies, only hours old, copy the expressions of adults. They pucker up, try to grin, look surprised, and stick out their tongues. The photographs of imitating infants are both funny and touching. They do not know they are doing it; this response is in them from the beginning. Later, people learn to suppress the imitation mechanism; it would not be good if we went on forever copying every facial expression we saw. Nevertheless, we human beings love to look at faces because we find ourselves there. When you smile at me, I feel a smile form on my own face before I am aware it is happening, and I smile because I am seeing me in your eyes and know that you like what you see.
Siri Hustvedt (Living, Thinking, Looking: Essays)
Jenny’s admonition had the desired effect. Ned drew a deep breath and thrust his arm gingerly into the bag, his mouth puckered in distaste. The expression on his face flickered from queasy horror to confusion. From there, it flew headlong into outright bafflement. Shaking his head, he pulled his fist from the bag and turned his hand palm up. For a long moment, the two men stared at the offending lump. It was brightly colored. It was round. It was— “An orange?” Lord Blakely rubbed his forehead. “Not quite what I expected.” He scribbled another notation. “We live in enlightened times,” Jenny murmured.
Courtney Milan (Proof by Seduction (Carhart, #1))
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
Stephen King ('Salem's Lot)
Here, I have something for you." "It had better not be an engagement ring." He paused, his lips puckering as if the thought hadn't occurred to him and he was regretting it. "Or gloves," added Cinder. "That didn't work out too well last time." Grinning, Kai took a step closer to her and dropped to one knee. Her eyes widened. "Cinder ..." Her heart thumped. "Wait." "I've been waiting a long time to give this to you." "Kai -" With an expression as serious as politics, he pulled his hand from behind his back. In it was cupped a small metal foot, frayed wires sticking up from the cavity and the joints packed with grease. Cinder released her breath, then started to laugh. "You - ugh." "Are you terribly disappointed, because I'm sure Luna has some great jewelry stores if you wanted me to -" "Shut up," she said, taking the foot. She turned it over in her palms, shaking her head. "I keep trying to get rid of this thing, but somehow it keeps finding its way back to me. What made you keep it?" "It occurred to me that if I could find the cyborg that fits this foot, it must be a sign we were meant to be together." He twisted his lips to one side. "But then I realized it would probably fit an eight-year-old." "Eleven, actually." "Close enough." He hesitated. "Honestly, I guess it was the only thing I had to connect me to you when I thought I'd never see you again." She slid her gaze off the foot. "Why are you still kneeling?" Kai reached for her prosthetic hand and brushed his lips against her newly polished knuckles. "You'll have to get used to people kneeling to you. It kind of comes with the territory." "I'm going to make it a law that the correct way to address your sovereign is by giving a high five." Kai's smile brightened. "That's genus. Me too.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Oh for Christ’s sake, give the ass-kissing a rest, Julian.” K.T. knocked back a slug of wine, then slapped her glass on the table. She actually snapped her fingers at one of the servers so he would deal with the refill. “Even your mouth ought to be tired of puckering up by now.” “We’re having a conversation,” Julian began. “Is that what you call it? You act like you and Marlo are the only ones in this goddamn vid, and the two people you’re trying so hard to mimic are the only ones who count. It’s insulting. So why don’t you give it a fucking rest, set up your threesome with Marlo and Dallas on your own time? Some of us are trying to eat.” In the beat of horrified silence, Eve studied K.T. down the length of the table. “Peabody?” “Yes, sir,” Peabody said, shoulders hunched. “You know how I occasionally mention the possibility of kicking your ass?” “I’d term that as regularly, but yes, sir, I do.” “You may get the chance to watch me kick your fake ass while you sit comfortably on your own. That’s an opportunity that doesn’t come around every day.
J.D. Robb (Celebrity in Death (In Death, #34))
Did he put hands on you?” “Not quite. I think that was going to be next, but O’Brian drew him off. Before that, Clifton got pissy I wasn’t telling him whatever he wanted to know and accused me of being an ass kisser. I responded that I have yet to have the privilege of kissing your ass, which I rate as the best—female variety—in the department.” “That sounds like a pucker-up to me.” Peabody snorted. “It was worth it. He went all puce. Or is it fuchsia? Which is the weird name that means hot pink?” “I have no idea, nor want one.
J.D. Robb (Promises in Death (In Death, #28))
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
Callie Vincent (Monster (Sold to the Don, #1))
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play. "Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders. One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway. Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire." The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest. Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better! Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!" Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
Catherine Marshall (Christy)
In life things often go wrong, and the future rarely happens the way you think it will.
Mark Peter Hughes (Lemonade Mouth Puckers Up)
She kissed me. She kissed me. What I mean is, I was standing there, lips puckered, brain puckered, and she just stepped up and threw her tongue into my mouth. For a moment, I thought maybe she’d tripped on a floorboard and stuck out her tongue as a reflex - but that didn’t seem very likely somehow, and anyway, once she’d got her balance back, wouldn’t she have put her tongue away again? No, she was definitely kissing me.
Hugh Laurie (The Gun Seller)
He was a middle-aged child that had never shed its baby fat, though some gifted tailor had almost succeeded in camouflaging his plump and spankable bottom. There wasn’t a suspicion of bone in his body; his face, a zero filled in with pretty miniature features, had an unused, a virginal quality: it was as if he’d been born, then expanded, his skin remaining unlined as a blown-up balloon, and his mouth, though ready for squalls and tantrums, a spoiled sweet puckering.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
After they buy their tickets, Emma pulls him to the concession line. "Galen, do you mind?" she says, drawing a distracting circle on his arm with her finger, sending fire pretty much everywhere inside him. He recognizes the mischief in her eyes but not the particular game she's playing. "Get whatever you want, Emma," he tells her. With a coy smile, she orders seventy-five dollars worth of candy, soda, and popcorn. By the cashier's expression, seventy-five dollars must be a lot. If the game is to spend all his money, she'll be disappointed. He brought enough cash for five more armfuls of this junk. He helps Emma carry two large fountain drinks, two buckets of popcorn and four boxes of candy to the top row of the half-full theater. When she's situated in her seat, she tears into a box and dumps the contents in her hand. "Look, sweet lips, I got your favorite, Lemonheads!" Sweet lips? What the- Before he can turn away, she forces three of them into his mouth. His instant pucker elicits an evil snicker from her. She pops a straw into one of the cups and hands it to him. "Better drink this," she whispers. "To take the bite out of the candy." He should have known better. The drink is so full of bubbles it turns clear up to his nostrils. Pride keeps him from coughing. Pride, and the Lemonhead lodged in his throat. Several more heaping gulps and he gets it down. After a few minutes, a sample of greasy popcorn, and the rest of the soda, the lights finally dim, giving Galen a reprieve. While Emma is engrossed in what she calls "stupid previews," Galen excuses himself to vomit in the bathroom. Emma wins this round.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
some eight or ten dowagers were drawn up in state in a quavering line; some with palsied heads, others dark and shriveled like mummies; some erect and stiff, others bowed and bent, but all of them tricked out in more or less fantastic costumes as far as possible removed from the fashion of the day, with be-ribboned caps above their curled and powdered ‘heads,’ and old discolored lace. No painter however earnest, no caricature however wild, ever caught the haunting fascination of those aged women; they come back to me in dreams; their puckered faces shape themselves in my memory whenever I meet an old woman who puts me in mind of them by some faint resemblance of dress or feature.
Honoré de Balzac (Works of Honore de Balzac)
His face goes shy, eyes flitting down, then back up to mine. "Yes, Monty," he says, and he smiles on my name. "I love you. And I want to be with you." "And you, Percy," I return, touching my nose to his, "are the great love of my life. Whatever happens from here, I hope that's the one thing that never changes." My hands are upon his face, mirror to the spot where I'll carry red, puckered scars for the rest of my life. In his gaze, they seem to matter less. We are not broken things, neither of us. We are cracked pottery mended with lacquer and flakes of gold, whole as we are, complete unto each other. Complete and worthy and so very loved. "May I kiss you?" I ask. "Abso-bloody-lutely you may," he says. And so I do.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
(1) Inhale a complete breath. (2) Retain the air a few seconds. (3) Pucker up the lips as if for a whistle (but do not swell out the cheeks), then exhale a little air through the opening, with considerable vigor. Then stop for a moment, retaining the air, and then exhale a little more air. Repeat until the air is completely exhaled. Remember that considerable vigor is to be used in exhaling the air through the opening in the lips. This breath will be found quite refreshing when one is tired and generally "used up." A trial will convince the student of its merits. This exercise should be practiced until it can be performed naturally and easily, as it is used to finish up a number of other exercises given in this book, and it should be thoroughly understood
William Walker Atkinson (The Hindu-Yogi Science Of Breath)
You have to leave, " Severus repeats, trying to push the wolf away and only meeting firm shoulder muscles littered with scars. Lupin has lost a cardigan. And a shirt. Severus does not remember removing them but he is currently holding the sleeve of a ripped shirt which he drops, dazedly, lowering his lips to brush against a large, puckered wound across his bicep. Terrible idea. Best fucking idea I have ever had. "Then tell me to," Lupin has a fist full of Severus' hair and yanks his face up. Lupin's pupils are blown wide, dark moons with a ring of amber. There is no regret there. And tomorrow he shall be gone. "I will." Severus pushes the half naked wolf away and brushes past him, grabbing his wrist at the last minute to pull him along to the bedroom. Lupin's thin torso is robed in wounds and marks like an ancient tree with names carved into the bark. Cartography of scars. I shall map every single fucking one. "Later.
elph13 (The Heir to the House of Prince)
No—uh—no, I’m good.” I hold up a sleeve of crackers. “You were right, Paige isn’t feeling well. I thought I’d get her something to eat.” Lame lame lame lame. She’s going to see right through this whole cracker ploy for what it is. Attempts to settle her pregnant daughter’s stomach. Mrs. Nichols lets out an audible sigh as her brow puckers in sympathy. “Poor thing. Those cramps have always been such a nightmare. For that reason alone, I wish she’d remained on the Pill.” For the second time in as many days, everything stops. My breathing. My heart. And I’m pretty sure the couple seconds it takes for her words to register and their meaning to sink in, time grinds to a halt too. Paige’s mother chokes back a laugh as she takes in my expression. “Oh dear, weren’t you supposed to know that I knew my daughter was on the Pill? Or is it me talking about a woman’s cycle that embarrassed you?” she asks, a smile tugging at the corners of her mouth. I
Beverley Kendall (The Trap (Trapped, #0.5))
Guthrie sat in silence for a moment, mulling over Barbara Berlingieri's purposely degrading offer and letting his mind wander a bit: What if he had stepped aside and let the surgeon at the hospital sew up her face instead of doing it himself? And what if the head surgeon, who had never performed plastic surgery before, had tightened the stitching of the muscles in her cheek a bit too much and left her wit ha sneer instead of her natural smile? What if he had sewn the vermilion border straight across, without first making a notch, so that it had a permanent pucker? No. It was better that Bob Guthrie had stepped into the breach. Because now and for the rest of her life, Barbara Berlingieri would look into her mirror upon rising, check her reflection as she passed shop windows, peer into her compact while refreshing her makeup, and in these and a dozen other ways every day confront her image and be reminded of Bob Guthrie's genius and of her own towering ingratitude.
John Berendt (The City of Falling Angels)
Her eyes fluttered down to her hands, and she bit her lip so hard I thought it would bleed. Fuck! My dick twitched, roaring to life. Any blood on her lip should be of my doing. “Little lamb, you have no idea what your limits are. And baiting a man with few might get you more than you bargained for.” Her gaze stayed fixed on her lap as her fingers worried the corner of the cushion. “Look at me when I speak to you,” I demanded. Her eyes shot up to mine, and those stormy irises were now hidden beneath black pools. “If you were mine,” I said, “I’d strip you bare, tie your wrists behind your back with my belt, and bend you over that island.” I glanced toward the kitchen. “I’d have you spreading those sweet cheeks of yours apart. Holding them open for me while I drool over your little pink puckered hole as I pound my cock deep inside your cunt, knowing I’ll be fucking your ass next.” Her eyes were enormous now. Her mouth dropped open. I’d made her pant with my words alone.
Evie James (Eyes on You)
Yup. Still got it.” Shane caps it off with a playful grin. I can’t tell if he’s referring to football or his looks. Yes to both, but he doesn’t need his ego stroked. “Eh.” I shrug, feigning indifference. His jaw drops. “What do you mean, ‘eh’? You saw me play in high school.” “A few times.” He snorts. “Yeah, right. You went to all the games. You’d sit up on the right side, near the announcer booth. It was like it was your spot. For years.” I frown. “You saw me there?” He never told me that. I assumed I didn’t exist to him before that summer we dated. “Of course, I did. You wore this long, red-and-black sweater that you’d hug around your body like you were cold, even when it was seventy degrees out. I always felt like I should run up there and give you a hug.” I did always wear that sweater. It was old and ratty, and I loved it. And my fifteen- and sixteen-year-old self would have died from happiness had Shane Beckett run into the stands to even acknowledge me. “You stopped coming senior year,” he murmurs, more to himself, his brow puckering.
K.A. Tucker (The Player Next Door (Polson Falls, #1))
Obviously there are quite a few factors that determine personality, including a person’s upbringing and experiences,” David continues, “but despite the peace and prosperity that had reigned in this country for nearly a century, it seemed advantageous to our ancestors to reduce the risk of these undesirable qualities showing up in our population by correcting them. In other words, by editing humanity. “That’s how the genetic manipulation experiment was born. It takes several generations for any kind of genetic manipulation to manifest, but people were selected from the general population in large numbers, according to their backgrounds or behavior, and they were given the option to give a gift to our future generations, a genetic alteration that would make their descendants just a little bit better.” I look around at the others. Peter’s mouth is puckered with disdain. Caleb is scowling. Cara’s mouth has fallen open, like she is hungry for answers and intends to eat them form the air. Christina just looks skeptical, one eyebrow raised, and Tobias is staring at his shoes.
Veronica Roth (Allegiant (Divergent, #3))
My beloved. Your body is an entire galaxy; your moles and dimples a sprinkling of stars. I am just a weary desert traveller, my lips parched and searching for refreshment. Each time I am ready to give up, I look up, and there you lay in the stretch of midnight skies. Your hair billows around you and your hands fall away from your chest, revealing your pale, round breasts. At their tips, your nipples point to greet my puckered lips. I kiss them tenderly and feel the shudder of sensation rock through your body, your world. Between your legs, a flower is moistening itself, its lips plump with anticipation. Your body is an entire galaxy of its own accord. I explore you with my lips, grateful for my thirst to be quenched and when I reach your forbidden garden, my thirst becomes your hunger. Your long legs are draped around my neck, your hips thrusting against my mouth. My lips become wet with your dew. I press them inside you and feel the throb of your blood pulsing into your most intimate places. How grateful I am to have my lips against yours in this way, to connect these blushing parts of ourselves together.
Balli Kaur Jaswal (Erotic Stories for Punjabi Widows)
The necessary special effects are not in my possession, but what I’d like for you to imagine is Clementine’s white face coming close to mine, her sleepy eyes closing, her medicine-sweet lips puckering up, and all the other sounds of the world going silent—the rustling of our dresses, her mother counting leg lifts downstairs, the airplane outside making an exclamation mark in the sky—all silent, as Clementine’s highly educated, eight-year-old lips met mine. And then, somewhere below this, my heart reacting. Not a thump exactly. Not even a leap. But a kind of swish, like a frog kicking off from a muddy bank. My heart, that amphibian, moving that moment between two elements: one, excitement; the other, fear. I tried to pay attention. I tried to hold up my end of things. But Clementine was way ahead of me. She swiveled her head back and forth the way actresses did in the movies. I started doing the same, but out of the corner of her mouth she scolded, “You’re the man.” So I stopped. I stood stiffly with arms at my sides. Finally Clementine broke off the kiss. She looked at me blankly a moment, and then responded, “Not bad for your first time.
Jeffrey Eugenides (Middlesex)
Clarisse would have ignored him if it were not for the fact that as she passed, he took something long, white and oddly familiar from his coat and proceeded to chew on it, as on a peppermint stick. Its end devoured, his extraordinary tongue darted within the white confection, sucking out the filling, making contented noises. He was still crunching his goody as she proceeded up the sidewalk to her house, turned the doorknob and walked in. "Darling?" she called, smiling around. "Darling, where are you?" She shut the door, walked down the hall and into the living room. "Darling. . ." She stared at the floor for twenty seconds, trying to understand. She screamed. Outside in the sycamore darkness, the little man pierced a long white stick with intermittent holes; then, softly, sighing, his lips puckered, played a little sad tune upon the improvised instrument to accompany the shrill and awful singing of Clarisse's voice as she stood in the living room. Many times as a little girl Clarisse had run on the beach sands, stepped on a jellyfish and screamed. It was not so bad, finding an intact, gelatin-skinned jellyfish in one's living room. One could step back from it. It was when the jellyfish called you by name . . .
Ray Bradbury (The October Country)
I like a pickle with my grilled cheese,” she explained. Gripping the lid harder, she twisted, but it wouldn’t budge. With a sigh, she stepped up to Darien and offered him the jar. “Here you go, muscles.” Instead of taking the jar from her, he merely gripped the lid and twisted it off with ease, his face darkening with concern. “What is it?” she asked. “Do you want a pickle?” “You should’ve been able to open that on your own.” There was nothing rude in the statement, only concern. She plucked a pickle out of the jar and sucked on it, salt puckering her tongue. “Guess I should start lifting weights then.” “The lid was half-shut, Loren.” “I must’ve loosened it for you.” The frown on his face deepened. “Loren.” “Mmm?” She bit off the end of the pickle. He flipped the sandwiches, barely looking at what he was doing. “Are you sure you’re okay? Should I be worried?” “I’m fine, Darien. I promise.” She offered him a bite of the pickle, and he took one only to appease her, his attention still on her face. “This has been going on for a lot longer than you’ve seen. I’m okay. Trust me.” She squinted up at him. “Do you trust me?” “Of course I trust you.” “Good. Then stop fussing. You have bigger things to worry about than my fights with a pickle jar.
Kayla Edwards (City of Souls and Sinners (House of Devils, #2))
You look pretty, Mommy.” “Thank you, sweetheart,” I say, gazing at her in the reflection of the mirror as she watches me, her expression curious. I pat the counter beside the sink, inviting her to join me, and she climbs up to sit on it as I grab a tube of lip-gloss, strawberry flavored. She puckers up, and I put some on her, smiling as I do it. “You know I love you, right, pretty girl? I love you more than everything. More than the trees and the birds and the sky. More than even pepperoni pizza and Harlequin novels.” “What’s a Harley-Quinn novel?” “Nothing you’ll need to know about for a long, long time,” I say, putting the lip-gloss away. “Just know that I don’t love them nearly as much as I love you.” She kicks her feet, grinning. “I love you, too.” “More than chocolate ice cream and Saturday mornings?” “Uh-huh,” she says. “More than colors and money!” “No way.” “And the Yoo-Hoo drinks and Happy Meal toys.” “Whoa.” “And even more than Breezeo!” Eyes wide, I look at her. That’s some serious commitment coming from my superhero-loving girl. “You know, you can love us the same.” “Nuh-uh,” she says, shaking her head. “You’re my mommy, so I love you more.” I press my pointer finger to the tip of her nose. “Well, I sure appreciate it, but remember that it’s okay if you ever do.
J.M. Darhower (Ghosted)
When we were a few minutes from the LZ, I turned around in my seat to look at the faces of the American soldiers about to go into battle. I did this as part of my plan, hatched months ago, to see the war up close from a helicopter. Although I guess I knew better, what I expected to see were grim, masculine faces with determined, steely eyes and firmly set jaws. The image of GI Joe. But that was not what I saw. I saw pimples and peach fuzz and eyes full of fear. Some of the soldiers were big guys and some were slight, but they all had one thing in common—they were young, really young. I’ll never forget that image. The typical American infantryman was a kid.
James Joyce (Pucker Factor 10: Memoir of a U.S. Army Helicopter Pilot in Vietnam)
You were so good to me.” He took a drink. “Only because you were the daughter of a friend. Were you anyone else I would have plucked you that first season.” Just how much honesty did he owe her? Because surely this was a bit much. She didn’t look nearly as disgusted as she should have. She merely looked…disappointed. That was worse. Necessary, but worse. “But you’re not that man anymore,” she reminded him. Grey smiled, but there was little humor in it. “Who’s to say? I really don’t want to find out. Do you?” She looked away, a frown knitting her delicate brow. He wanted to reach out and smooth that pucker away with his thumb, kiss her flesh smooth again. Hold her and tell her that he could be whatever she wanted him to be. “I understand why you despise society,” she said after a moment’s pause. “I wanted to tell you that.” She drained the rest of her drink and stood. She didn’t quite meet his gaze. “You do?” Color him astonished. He truly hadn’t thought she’d ever see it. She nodded, looking so remote and stiff-not his Rose at all. But she placed her hand on his shoulder as she walked by-a gesture of comfort? “I would avoid it as well if it reviled me as much as it reviles you. Good night, Grey.” And when she left him sitting there, drunk and about to get drunker, what little self-respect he had left got up and went with her.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Where do you even start with Cinderella? Let's ignore Cinderella's victim status and total lack of self-determination and head straight for the prince who was, let's face it, a bit of a jerk. Despite being captivated by Cinderella's radiant beauty for half the night, come the cold light of day he has completely forgotten what she looks like and only has her shoe size to go on. Either he was suffering from some sort of early onset Alzheimer's disease or else he was completely off his face during the big ball. the end result is that he goes trawling through the kingdom in some sort of perverted foot-fetish style quest for someone, anyone, who fits the glass slipper. Just how superficial is this guy? What if Cinderella had turned up at the ball looking exactly like she did only with a mole on her face and that had a couple of twelve-centimetre hairs sticking out of it? What if a bearded troll just happened to have the same shoe size as Cinderella? 'Ah, well. Pucker up, bushy cheeks, it's snog time.' And no one ever bothers to question the sheer impracticality of Cinderella's footwear. Glass might be good for many things but it's not exactly malleable in its cooled state. If everyone turned and gaped when Cinderella made her big entrance into the ball, it's only because she'd have come staggering in like a drunken giraffe on rollerblades. Bit of a head turner.
John Larkin (The Shadow Girl)
Impossible?” she scoffed, lurching to face him. “You have servants who can pull the brains from a calf’s head, but they couldn’ get one little pear out of a bottle? I doubt that. Send for one of your under-butlers—just give a whistle, and—oh, I forgot. You can’t whistle.” She focused on him, her eyes narrowing as she stared at his mouth. “That’s the sillies’ thing I ever heard. Everyone can whistle. I’ll teach you. Right now. Pucker your lips. Like this. Pucker…see?” Marcus caught her in his arms as she swayed before him. Staring down at her adorably pursed lips, he felt an insistent warmth invading his heart, overflowing and spilling past its fretted barriers. God in heaven, he was tired of fighting his desire for her. It was exhausting to struggle against something so overwhelming. Like trying not to breathe. Lillian stared at him earnestly, seeming puzzled by his refusal to comply. “No, no, not like that. Like this.” The bottle dropped to the carpet. She reached up to his mouth and tried to shape his lips with her fingers. “Rest your tongue on the edge of your teeth and…it’s all about the tongue, really. If you’re agile with your tongue, you’ll be a very, very good”—she was temporarily interrupted as he covered her mouth with a brief, ravening kiss—“whistler. My lord, I can’t talk when you—” He fitted his mouth to hers again, devouring the sweet brandied taste of her.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
But, after one quick trace of his tongue between her lips, he abruptly pulled away and stepped back from her. She was leaning into him so hard he had to put his hands on her shoulders to steady her. Catherine’s eyes flew open. Releasing her shoulders, he pointed past her to the books he’d set on the desk. She opened her mouth to protest, but closed it again. As she followed Jim, she caught a glimpse of his profile when he picked up the books and slate. There was a smug grin on his face. He was toying with her, teaching her a lesson—that two could play at heating things up and abruptly cooling them down. Indignation and amusement competed in her as she took her seat beside him and he handed her the paper he’d written. She hadn’t set him any homework. He’d done it on his own, printed a brief description of their picnic in short sentences or single words. It was almost like a poem without rhyme. “Fish swim water. Sky. Trees. Leaves. Eat food. Drink.” She smiled at him. “Very good.” He touched his lips, puckering them in a kiss, and tapped the signing book. “Kiss,” she said and looked up the sign for it. “Fingers touching thumbs as both hands come together,” the text said. Her cheeks flushed as she read, “trembling slightly to indicate the degree of passion.” Catherine made the movement as she repeated the word aloud. “Kiss.” Jim copied the movement, shaping his lips like hers. He pointed to the slate and offered her the chalk so she could spell the word. He studied each letter as she wrote it, before printing them himself: K-i-s-s. Catherine’s cheeks flamed even hotter from seeing it written in glaring white against the black slate. Kiss. Kiss. Somehow there seemed to be no denying or hiding it now that it was written down. She glanced at Jim’s lips and her nipples tightened at the memory of his mouth sucking them.
Bonnie Dee (A Hearing Heart)
At last Angela turned in to the space between the pews. She picked her way around Solembum--who crouched next to the novitiate he had killed, every hair on his body standing on end--and then carefully made her way over the corpses of the three novitiates Eragon had slain. As she approached, the High Priest began to thrash like a hooked fish in an attempt to push itself farther up the pew. At the same time, the pressure on Eragon’s mind lessened, although not enough for him to risk moving. The herbalist stopped when she reached the High Priest, and the High Priest surprised Eragon by giving up its struggle and lying panting on the seat of the bench. For a minute, the hollow-eyed creature and the short, stern-faced woman glared at each other, an invisible battle of wills taking place between them. Then the High Priest flinched, and a smile appeared on Angela’s lips. She dropped her poniard and, from within her dress, drew forth a tiny dagger with a blade the color of a ruddy sunset. Leaning over the High Priest, she whispered, ever so faintly, “You ought to know my name, tongueless one. If you had, you never would have dared oppose us. Here, let me tell it to you… Her voice dropped even lower then, too low for Eragon to hear, but as she spoke, the High Priest blanched, and its puckered mouth opened, forming a round black oval, and an unearthly howl emanated from its throat, and the whole of the cathedral rang with the creature’s baying. “Oh, be quiet!” exclaimed the herbalist, and she buried her sunset-colored dagger in the center of the High Priest’s chest. The blade flashed white-hot and vanished with a sound like a far-off thunderclap. The area around the wound glowed like burning wood; then skin and flesh began to disintegrate into a fine, dark soot that poured into the High Priest’s chest. With a choked gargle, the creature’s howl ceased as abruptly as it had begun. The spell quickly devoured the rest of the High Priest, reducing its body to a pile of black powder, the shape of which matched the outline of the priest’s head and torso. “And good riddance,” said Angela with a firm nod.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.
Karen Witemeyer (Full Steam Ahead)
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
Don't believe that, dear. Don't ever believe that. Nobody's bad just because of the way they look. It's what's inside a person that counts.' 'But, Ma, what's inside a person? When people look different are they different inside, too?' Ma didn't answer, she was looking at her hands now, kneading a ball of dough. Saroj thought she had forgotten her and so she said, 'Ma?' Ma turned her eyes back to Saroj. 'I'll show you in a moment, dear. I'll just finish making these.' Saroj watched the stack of dhal puris grow into a flat round tower and then Ma said she was finished and covered them with a cloth and washed her hands. Then she opened the cupboard where she kept her spare jars and bottles and took out six jars and placed them on the kitchen counter. 'Do you see these jars, Saroj? Are they all the same?' Saroj shook her head. 'No, Ma.' The glasses were all different. There was a short flat one and a tall thin one and a medium-sized one, and other shapes in between. Some were different colours: green or brown or clear. 'All right. Now, just imagine these jars are people. People with different shapes of bodies and colours of skin. Can you do that?' Saroj nodded. 'Right. Well, now the bodies are empty. But look…’ Ma picked up a big glass jug, filled it at the tap and poured water into all the jars. 'See, Saroj? Now all the glasses are filled. All the bodies are alive! They have what we call a spirit. Now, is that spirit the same in all the glasses, or different?' 'It's the same, Ma. So people are —' But Ma broke in. 'Now, can you run into the pantry and get the tin where I keep my dyes? You know it, don't you?' Saroj was back even before Ma had finished speaking. Ma opened the tin and picked up one of the tiny bottles of powdered dye. It was cherry-coloured. Ma held the bottle over one of the jars and tipped a little of the powder into the water. Immediately, the water turned pink-red. Ma returned the cap to the bottle and picked up another one. The water turned lime-green. She did that six times and each time the water turned a different colour so that in the end Ma had six different shaped jars of six different colours. 'So, Saroj, now you answer me. Are these people here all the same inside, or are they all different?' Saroj took her time before answering. She puckered her brow and thought hard. Finally she said, 'Well, Ma, really they're all the same but the colours make them different.' 'Yes, but what is more real, the sameness or the differences?' Saroj thought hard again. Then she said: 'The sameness, Ma. Because the sameness holds up the differences. The differences are only the powders you put in.' 'Exactly. So think of all these people as having a spirit which is the same in each one, and yet each one is also different — that is because each person has a different personality. A personality is made up of thoughts, and everyone has different kinds of thoughts. Some have loving thoughts, some have angry thoughts, some have sad thoughts, some have mean thoughts. Most people have jumbles of thoughts — but everybody's thoughts are different, and so everybody is different. Different outside and different inside. And they see those differences in each other and they squabble and fight, because everyone thinks the way he is, is right. But if they could see through the differences to the oneness beyond, linking them all, then…’ 'Then what, Ma?' 'Then we would all be so wise, Saroj, and so happy!
Sharon Maas (Of Marriageable Age)
What would the ton do without us to feed them scandal broth?” Grey returned her grin. “The lot of them would starve.” They chuckled and as the humor faded, Grey tilted his head to look at her. “You look beautiful tonight.” She flushed, pleasure lighting the dark depths of her eyes. “You don’t have to say such things.” “I know I don’t, but you are my fiancée and it’s perfectly acceptable for me to voice my thoughts aloud. It’s rather refreshing after keeping them to myself for so long.” That got her attention. One of her fine, high brows twitched. “How long?” He grinned. “Since you were old enough for me to think such thoughts without being lecherous.” They stood no more than six inches apart. Close enough that he could see how amazingly flawless her skin was-not a freckle in sight. Close enough that she could see every twist and knot in his scar-and yet she barely glanced at it. Her gaze was riveted on his. She didn’t care that he was disfigured-at least not on the outside. Not on the inside either, so it seemed. “I’ve never been a good man,” he confessed-a little more hoarse than he liked-“but I promise to be a faithful husband.” It was the best he could offer, because as much as he would like to be the man she wanted, it wasn’t going to happen. Her smooth brow puckered. “I haven’t actually consented, you know.” “Rose, we have to marry.” “No.” She raised sparkling eyes to his. “I want you to ask me to marry you-not demand it. I don’t care if it has to be done. I want to feel like I have a choice.” “If you did have a choice, what would it be?” He was on dangerous ground with her, inching into territory better left unexplored for both their sakes. Rose smiled, and everything was right with the world. “Ask me and find out.” His hands came up, seemingly of their own volition, to cup her face. She was so delicate, yet so strong. Her entire world had been turned upside down, and yet she faced him with a teasing glint in her eyes and a soft flush of color in her cheeks. “Rose Danvers, will you do me the extreme honor of becoming my wife?” Were those tears dampening her eyes? And was it joy or sorrow that put them there? “I will.” He knew that they had to marry regardless, but hearing her say those two little words was like someone kicking his heart through his ribs. It hurt, but there was such unfathomable joy that came with it-such terrible happiness that Grey had no idea what to do with it. He’d never felt anything like it before. Holding her face, he lowered his head and hungrily claimed her mouth with his own. Her lips parted for his tongue as her fingers bit into his arms. A trickle of warm wetness brushed against his thumb. She was crying. A sharp gasp came from the open door. “What the devil is going on here?” The kiss and its magic were broken. Rose stepped back, and Grey dropped his hands, but he wasn’t willing to let her go just yet. He placed one arm behind her back, holding her close so that they faced her mother together. Camilla did not look happy. In fact, she looked like any mother would to walk into a room and find her daughter being molested. “Mama,” Rose begun. “It’s not what you think.” “It is exactly what you think,” Grey countered, drawing his friend’s stormy and narrow gaze. “I have asked Rose for her hand in marriage and she has accepted. I regret that you had to find out this way, but I was too overcome with joy to contain my feelings.” He could feel Rose gaping at him. He didn’t look at her, not because the words were a lie, but because they were all too damnably true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The Book of the Grotesque The writer, an old man with a white mustache, had some difficulty in getting into bed. The windows of the house in which he lived were high and he wanted to look at the trees when he awoke in the morning. A carpenter came to fix the bed so that it would be on a level with the window. Quite a fuss was made about the matter. The carpenter, who had been a soldier in the Civil War, came into the writer’s room and sat down to talk of building a platform for the purpose of raising the bed. The writer had cigars lying about and the carpenter smoked. For a time the two men talked of the raising of the bed and then they talked of other things. The soldier got on the subject of the war. The writer, in fact, led him to that subject. The carpenter had once been a prisoner in Andersonville prison and had lost a brother. The brother had died of starvation, and whenever the carpenter got upon that subject he cried. He, like the old writer, had a white mustache, and when he cried he puckered up his lips and the mustache bobbed up and down. The weeping old man with the cigar in his mouth was ludicrous. The plan the writer had for the raising of his bed was forgotten and later the carpenter did it in his own way and the writer, who was past sixty, had to help himself with a chair when he went to bed at night. In his bed the writer rolled over on his side and lay quite still. For years he had been beset with notions concerning his heart. He was a hard smoker and his heart fluttered. The idea had got into his mind that he would some time die unexpectedly and always when he got into bed he thought of that. It did not alarm him. The effect in fact was quite a special thing and not easily explained. It made him more alive, there in bed, than at any other time. Perfectly still he lay and his body was old and not of much use any more, but something inside him was altogether young. He was like a pregnant woman, only that the thing inside him was not a baby but a youth. No, it wasn’t a youth, it was a woman, young, and wearing a coat of mail like a knight. It is absurd, you see, to try to tell what was inside the old writer as he lay on his high bed and listened to the fluttering of his heart. The thing to get at is what the writer, or the young thing within the writer, was thinking about. The old writer, like all of the people in the world, had got, during his long fife, a great many notions in his head. He had once been quite handsome and a number of women had been in love with him. And then, of course, he had known people, many people, known them in a peculiarly intimate way that was different from the way in which you and I know people. At least that is what the writer thought and the thought pleased him. Why quarrel with an old man concerning his thoughts? In the bed the writer had a dream that was not a dream. As he grew somewhat sleepy but was still conscious, figures began to appear before his eyes. He imagined the young indescribable thing within himself was driving a long procession of figures before his eyes. You see the interest in all this lies in the figures that went before the eyes of the writer. They were all grotesques. All of the men and women the writer had ever known had become grotesques. The grotesques were not all horrible. Some were amusing, some almost beautiful, and one, a woman all drawn out of shape, hurt the old man by her grotesqueness. When she passed he made a noise like a small dog whimpering. Had you come into the room you might have supposed the old man had unpleasant dreams or perhaps indigestion. For an hour the procession of grotesques passed before the eyes of the old man, and then, although it was a painful thing to do, he crept out of bed and began to write. Some one of the grotesques had made a deep impression on his mind and he wanted to describe it.
Sherwood Anderson (Winesburg, Ohio)
When he looked at me, my sphincter puckered so far into itself that, if I’d stuck a straw up it, I could have emptied a pail of dandelion and burdock via the back door.
Dennis O'Donnell (The Locked Ward: A humane and revealing account of life on the frontlines of mental health care.)
A few centuries ago, the government of this country became interested in enforcing certain desirable behaviors in its citizens. There had been studies that indicated that violent tendencies could be partially traced to a person’s genes—a gene called ‘the murder gene’ was the first of these, but there were quite a few more, genetic predispositions toward cowardice, dishonesty, low intelligence—all the qualities, in other words, that ultimately contribute to a broken society.” We were taught that the factions were formed to solve a problem, the problem of our flawed natures. Apparently the people David is describing, whoever they were, believed in that problem too. I know so little about genetics—just what I can see passed down from parent to child, in my face and in friends’ faces. I can’t imagine isolating a gene for murder, or cowardice, or dishonesty. Those things seem too nebulous to have a concrete location in a person’s body. But I’m not a scientist. “Obviously there are quite a few factors that determine personality, including a person’s upbringing and experiences,” David continues, “but despite the peace and prosperity that had reigned in this country for nearly a century, it seemed advantageous to our ancestors to reduce the risk of these undesirable qualities showing up in our population by correcting them. In other words, by editing humanity. “That’s how the genetic manipulation experiment was born. It takes several generations for any kind of genetic manipulation to manifest, but people were selected from the general population in large numbers, according to their backgrounds or behavior, and they were given the option to give a gift to our future generations, a genetic alteration that would make their descendants just a little bit better.” I look around at the others. Peter’s mouth is puckered with disdain. Caleb is scowling. Cara’s mouth has fallen open, like she is hungry for answers and intends to eat them from the air. Christina just looks skeptical, one eyebrow raised, and Tobias is staring at his shoes. I feel like I am not hearing anything new—just the same philosophy that spawned the factions, driving people to manipulate their genes instead of separating into virtue-based groups. I understand it. On some level I even agree with it. But I don’t know how it relates to us, here, now.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
There he was. The infant Titus. His eyes were open but he was quite still. The puckered-up face of the newly-born child, old as the world, wise as the roots of trees. Sin was there and goodness, love, pity and horror, and even beauty for his eyes were pure violet. Earth’s passions, earth’s griefs, earth’s incongruous, ridiculous humours – dormant, yet visible in the wry pippin of a face.
Mervyn Peake (The Illustrated Gormenghast Trilogy)
Let’s discuss your cover story. You’re from southern France. Oh, but it won’t be called that. Franks Land, maybe? You came to Camelot for the wedding, to honor the new king, but you have to go home right away. You don’t believe in silly things like equality and gender freedom. You’re the manliest man who ever existed.” “Of course. No codpiece can contain me.” “Your name is Sir Ironfist,” he snapped. Ari snorted. Merlin’s lips puckered. “Well, you try coming up with something formidable and not ridiculous. Go on.
Cori McCarthy & Amy Rose Capetta (Sword in the Stars (Once & Future, #2))
You don’t need a giant wastepaper basket full of popcorn Just get a small one. The large ones are stupidly large. It’s physically impossible to eat that much popcorn because your face can’t cope with that amount of salt. Your mouth starts to pucker and it gets harder and harder to push each kernel through what has become a very restricted opening between your shrivelled up lips. That’s usually the time you put your enormous bucket of popcorn under your seat, promptly forget about it and then kick it over when you get up to leave. It then gets ground into the carpet and the popcorn-stink cycle is complete.
Kitty Flanagan (488 Rules for Life)
When I asked Stephen, age two, for a kiss he would say, “I’ll give you a smooch.” He'd put his hands on each side of his face and pucker up, musing contentedly, “What kind shall I give her? […Grandma Joy’s ducky kisses, butterfly kisses, or….]
Elizabeth P. Fitzgerald (“Do birds know all their letters?”: Funny Book of Quotes)
The dusky-pink pollock roe she removed from its polystyrene packaging gleamed wetly and, for an instant, the image of Kaiji's puckered lips passed through her mind. Leaving its outer skin on, she broke up the roe with a fork and mixed it unfussily into the spaghetti. She sliced off a knob of the Calpis with a knife and perched it on top, then watched as the pale-yellow solid gently began to change color, spreading out to the sides and turning golden, mingling with the fish eggs. The full, milky aroma of the butter married with the salty marine tang of the roe as the scent of the dish went rising up to her face, and she breathed it deeply into her lungs. She garnished the pasta with a scattering of shiso leaves she'd torn up with her fingers, then moved the bowl of pasta over to her cardboard box. There was a rosy-cheeked frankness about the pink of the roe, and in combination with the oozing butter, it looked positively carefree. Rika tool up her fork and wound up the spaghetti, before lifting it to her mouth. Cloaked in a coating of minuscule fish eggs and butter, the spaghetti strands sprang around Rika's tongue as if in excitement. The dish was adequately salted, but there was a relaxed, mellow quality to its taste. What a wonderful combination pollock roe and butter made!
Asako Yuzuki (Butter)
Shay sighs as her only response, and I know I have to bite the bullet. In all honesty, I’m wondering if biting an actual bullet might be less painful. Praying to Jesus internally, I take a bigger sip, rolling the mixture around my tongue like a wine sommelier. Except, this tastes nothing like wine . . . “There’s this,” I wave my hand, all while trying not to gag. “This meaty flavor coming through that wasn’t on your list.” “Oh right, I must have forgotten to mention it.” Uh huh. We know for damn sure she didn’t forget. “It’s bone broth and lima beans–” “Ah, yup.” I nod, placing the glass on the coffee table and hoping the one sip I had doesn’t have the rest of today’s meals coming back up. “That’ll do it.
Swati M.H. (Mother Pucker (The Momcoms, #3))
She knew she should drop the subject, but something inside her wouldn't let go. She snapped her fingers, couldn't resist. "You could go as a moving man." "Damn, woman." He was on her before she had a chance to step back. He slid his big hands into her hair, none too gently. Held her still. "What's with you? I've asked you nicely to stop. Let up or I'll---" "What?" She moved beyond common sense. He kissed her. His punishment was sexual, unexpected, yet effective. He was all hotness, hardness, and sensual appeal. Sparked by anger, he bit her bottom lip. Sensation puckered her nipples. Her belly pulled tight. Her groin pressed his. Their thighs rubbed. The kiss lasted. She had no desire for it to end. His firm mouth softened. He slipped his tongue between her lips with sexy finesse. The man could kiss. He made her want him. Fully into him, she rose on tiptoe and clutched his biceps. His hands rubbed down her back, cupped her butt, and lifted her slightly, until they were sexually aligned.
Kate Angell (The Cottage on Pumpkin and Vine)
Now drink up. Fatigue makes you grouchy." "Not grouchy. Thirsty," she said, uncapping the bottle and drinking deeply, drawing his attention to the elegant length of her neck and the pounding of her carotid pulse. Before he could second-guess the urge, he leaned across and placed his lips over the pulse, giving a little nip that had her half gasping, half choking as she doused him with water. "Are you trying to kill me? I almost choked," she said, elbowing him away, but there was no malice in her tone, and she pressed her fingertip to the pulse, a coy smile playing about her mouth. "It's okay, I'd revive you with CPR." He puckered up and made smooching sounds. "A little mouth-to-mouth, combined with my hands all over your chest, you'd be just fine.
Nicola Marsh (The Man Ban (Late Expectations))
I walk closer and carefully touch her shoulder. “Mom?” She turns her head and looks up at me. “Who are you?” Her thin brows pucker. Her once pretty, oval face is shrouded in leathery wrinkles, a product of too many days in the sun. I look like her, except without the deep wrinkles, although my face is starting to show the passage of time. And so begins the pain of not being remembered. I lower myself onto a rust, vinyl-covered chair by the window. “It’s Enid, Mom. Remember? Your daughter.” Her wrinkles deepen around her eyes, and she squints through her round glasses framed in pearl-pink plastic. “Who?” “Never mind.
Jenny Knipfer (Under the Weeping Willow (Sheltering Trees #2))
Bertie’s lips puckered, and she narrowed her gaze on him. “Tryin’ to outrun pain in this life is useless. It always catches up to you, no matter how far you run. Numbin’ it don’t work either. Seems to me facin’ our fears is the best way to move forward. You wouldn’t want to live with regret.
Michelle Shocklee (Appalachian Song)
Just as she nearly decided that the women of Cassarick led hard, lean lives, two chattering girls passed them going in the other direction. They wore morning dresses and were perhaps going off to call on a friend or to visit the early markets. Their flounced skirts were shorter than those currently worn in Bingtown and showed off their soft brown shoes. They wore lacy little shawls, and their hats were designed to look like large, folded leaves. She turned her head to look after them, and for a moment a familiar envy flooded up to drown her spirits. They looked so cheery busy, chattering away together. When they came to a bridge, they linked arms and clattered across it together, whooping little hoydens when they reached the other side. “What makes you sigh?” Leftrin asked her, and she realized that she was staring after them. She shook her head, smiling tightly at her own foolishness. “I was just thinking that somehow I skipped being that age, and I’ll always regret it. I often feel I went from being a girl to being a settled woman, with none of the giddiness in between.” “You talk like you’re an old woman, with your whole life lived.” A sudden lump rose in her throat. I am, she thought. In a few days, I’ll go home and settle down to what I’ll be for the rest of my life. No adventures ahead, no changes to anticipate. Nothing to anticipate except leading a proper life. She swallowed and by the time she could speak, she had more appropriate words. “Well, I’m a married woman with a settled life. I suppose what I miss is a sense of uncertainty. Of possibility waiting just around the corner.” “And you’re saying you never had that?” She paused because the truth was somehow humiliating. “No. I don’t think I did. I think my life was more or less mapped out from the beginning. Getting married was a surprise for me. I didn’t think I’d ever marry. But once I was a married woman, my life settled into a routine that wasn’t much different from when I was single.” He was silent for longer than was his wont, and when she glanced over at him, his mouth was strangely puckered as if he strove to keep words in. “Just say it,” she suggested, and then wondered if she was brave enough to hear whatever judgement he held back. He grinned at her. “Well, it’s not polite to say, but if I were a man and married to a woman such as you, and she said to another fellow that her life as my wife wasn’t much different from her life when she’d been single, well, I’d wonder what I was doing wrong.” He raised his eyebrows at her and whispered in a ribald tone. “Or not doing at all!” “Captain Leftrin!” she exclaimed, genuinely shocked. Then, when he burst out laughing, she was horrified at joining in. When they both paused for breath, he held up a warning hand. “No. Don’t tell me! Some things a wife should never say about her husband! And here we are, anyway, so our time for chat is over.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
hold up the phone. “Shit, sorry.” “Have a good night. Call me if you need a DD!” “Will do.
Kate Olivia (Pucking Matt (The Honey Badger Puckers #2))
Annabelle said I couldn’t play because I don’t have a dad.’ Granny Rose pauses in mid-air, her lips slightly puckered. She pulls back, considers. ‘Which one is Annabelle again? The one with the bunches?’ I nod.
Laura Pearson (The Day Shelley Woodhouse Woke Up)
The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
What if I want to leave?” “You don’t.” “You seem pretty sure of that.” He kisses me softly on the lips. Smiling, he says, “I like it when I irritate you.” “That’s unfortunate, because I like it when I’m not being irritated.” “Your mouth gets all puckered and your nose wrinkles up. You look like a prissy little old lady.” “Whoa, slow down with the compliments, Romeo! I’ll swoon hard and hit my head on something.” “Know what I just realized?” he whispers, eyes burning.
J.T. Geissinger (Pen Pal)
But it’s okay, it’s fine, because Tara is saying let’s go and dance before it wears off, so they all go and stand in the railway arches in a loose group facing the DJ and the lights, and they dance for a while in the dry ice, grinning and nodding and exchanging that strange puckered frown, eyebrows knitted, but the nodding and grinning are less from elation now, more from a need for reassurance that they’re still having fun, that it isn’t all about to end. Dexter wonders if he should take his shirt off, that sometimes helps, but the moment has passed. Someone nearby shouts ‘tune’ half-heartedly, but no-one’s convinced, there are no tunes. The enemy, self-consciousness, is creeping up on them and Gibbsy or Biggsy is the first to crack, declaring that the music is shit and everyone stops dancing immediately as if a spell has been broken.
David Nicholls (One Day)
J. Edgerton/ The Spirit of Christmas Page 11 Mr. Angel smiled warmly at the vision of the two boys playing in the snow. “All God’s creatures . . . one and all . . . large and small! But some more important than others, in their magnificence. And I’ve found you both . . . at last”. Jonas took off racing through the snow, the cup in his hand. “Come on James!” James scrambled after him, the snow crunching pleasantly beneath his tiny feet. “Jonas wait for me!” The taller Nicholas stopped before a Cinder Vendor. “Two warm Ciders please, with extra spices.” The Cider Vendor raised an eyebrow as he took in the smudged face of the boy and his shabby clothes. “Very well, young Sir. Have you money? I’m not a charity you know!” Jonas quickly fished out coins and showed him the silver. “Oh yes Sir. I know of charities Sir and you’re better off not being one. They’re a cheat!” The Cider Vendor began filling two cups with steaming apple cider. The sweet smell of it made the boy’s mouth water. The burly Cider Vendor handed him the first cup of sweet, steaming, mouth puckering cider. “Many are, young master!” He replied. “I grew up in the system meself and it was a poor boy’s torment. That’ll be 2 cents!” The littlest Nicholas raced up and slid to a halt in the snow beside him. Jonas handed James the cup of cider. Then he paid the vendor with coins from the tin cup. “That’s highway robbery . . . but very well!” The Cider Vendor squinted through one eye, his thick eyebrow nearly obscuring it. “It’s very good cider, with extra spices.” James face lit up with joy as he took a sip. “M-mmm! It is good cider! J. Edgerton/ The Spirit of Christmas Page 12 The Vendor handed Jonas the second cup of steaming cider. “I’ve not had any complaints. I work hard to make my cider. It’s worth the money.” His lips smacking, Jonas sipped in the warm cider. “I’m sure it is Sir.” The angelic faced little one smiled up at him. “It’s yummy!” The Cider Vendor smiled down at him and tipped his hat to him “Yes it tis! Yummy!” Then he chuckled cheerfully with another satisfied customer, no matter how small. “Ummm, good!” Jonas agreed with them. The Cider Vendor took a sip of his own brew himself, his mouth puckering. “It’ll put the spirit of life back in you on a cold day like this, that Cider.” Two men in tall top hats and fine suits halted in front of the Cider Vendor. “Sir, we are collecting for the poor and wondered if a fine fellow such as yourself might have something to contribute.” Jonas glanced up at them in a wizened way. “We’ve a couple coins to contribute but it better get to the poor, understand?” “Of course, my fine fellow! “The taller of the two sharply dressed gentlemen spoke. Smiling a satisfied smile, Jonas dropped two silver coins into the gentleman’s hands. The tall gentleman took them and tipped his hat, smiling down at them both. “Very generous!” He glanced stone faced at the vendor, who immediately forked over several dollars. “A very Merry Christmas to you both!” They trod off through the snow in their finery, to the welcome crunch of the snow drifts beneath their feet. Mr. Angel paused at the Cheese vendor next to them, where a raggedy young girl was staring wide eyed at the rows and rows of cheeses above her.
John Edgerton (The Spirit of Christmas)
Her eyes flashed up at him, then back down at the box. She opened it eagerly. Inside lay the cameo necklace he had seen the new housemaid pawn at a shop in Weavering Street. “You bought it back for me,” she breathed, eyes shining. “You have no idea what this means—it was a gift from my father.” He nodded. “There is more.” She looked inside the box again. Under the cameo lay a piece of thick paper. She extracted it and handed him the box to hold. She turned the paper over, revealing the small watercolor of Lime Tree Lodge. Her brow puckered. “Thank you, but you might have kept it. I wouldn’t have minded.” He tucked his chin as though offended, and insisted, “I spent a great deal of money on it.” “On this?” She raised her fair brows, incredulous. “Not on the painting. On Lime Tree Lodge itself.” She stared at him, stunned. “You didn’t . . .” “I did.” “But . . . my solicitor told me some vicar was very keen on buying it.” “He was. But I was keener.” “How did you . . . Forgive me, but I know you needed every shilling for Fairbourne Hall and to repair your ship.” “True.” “Then, how?” “I sold my ship. The damage did not lower its value as much as I had feared, and it brought a good price. Besides, I have no need of it any longer.
Julie Klassen (The Maid of Fairbourne Hall)
You want to kiss me?” I ask. “More than anything,” he says quickly. I grin and look away from him. “Good.” I open the door to the stairwell and walk through it. “What’s that supposed to mean?” he asks my retreating back. “Nothing,” I toss over my shoulder. My heart feels a lot lighter than it did a few minutes ago, probably because there are about a million butterflies fluttering around in my gut. My belly flips when I meet his gaze. “I’m glad you want to kiss me, is all.” I shrug again. “So can I?” he asks softly. He’s following me to the street and toward my car now. I beep the locks so I can open the door. I start to pull bags out and load him up. “Can you what?” I ask. He grins. “You know what.” I drop my voice down to a whisper. “You might have to spell it out for me, Matt.” “I W-A-N-T T-O K-I-S-S Y-O-U,” he spells out, laughing. I laugh, too. “Good,” I say again. I get out the last of the bags. He’s carrying most of them, so my load is pretty light. I step up onto my tiptoes and kiss him really quickly on the cheek. “Thanks for helping with the bags. And for the pizza. And for rushing over when Seth called you. I’m sorry if he ruined your night.” “You can make it up to me,” he says. He puckers his lips. I can’t keep the smile from my face. “You coming up?” I ask. He holds up the bags like he has no other choice. “Run while you can, Mr. Reed,” I say, and I try to take a bag from him. “I don’t think so,” he says.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Mmmm. Fuck yeah. Syn was so glad to see a glimpse of Furi’s controlling side appear that it had him pumping his hips forcefully into the mattress while he pulled Furi’s smooth cheeks apart and dove in, eating his hole with all the fierce animalistic lust he felt. “Yeah, Syn. Eat that fuckin’ hole,” Furi panted, lifting and rubbing his ass against Syn’s face. Furi tasted better than the rich dessert they’d just consumed. Full of musk with a hint of his body wash. Syn knew he had to get that tight star to loosen up good so his lover wouldn’t experience much discomfort, the same way Furi did for him. Syn didn’t want to rush this, he had to calm down, they had all night. He slowed his energetic nipping to slow circles around Furi’s pucker before dipping inside for his first deep taste. Furi’s flavor was strongest there and it made Syn feel drunk. “Furi.
A.E. Via (Embracing His Syn)
For the moment, Baltsaros’s last suggestion was ricocheting through his mind. As if reading his thoughts, the captain released Jon and went to Tom. “Up,” he said, and Tom lurched to his feet. Baltsaros’s hands stroked down the sculpted muscles of Tom’s chest, lingering at the small silver ring in his nipple. The captain’s brows went up as he tugged at it lightly, obviously pleased with the addition. Sliding his fingers over Tom’s taut stomach, he eased his fingers under the waistband of the first mate’s green pants and tugged forward. Baltsaros kissed Tom roughly as he undid the front of his pants and pushed them down when they were loose enough. Jon watched as Baltsaros grabbed Tom hard by the throat and pushed his gracefully curved lips against the big man’s jaw, just beside his ear. “On your stomach on the bed,” hissed Baltsaros loud enough that Jon could hear. Tom’s cock bobbed in response to the words; its thick length was already a hard curve pointing up toward his stomach. Jon watched in fascination as the muscular young man obediently lay down on his chest on the bed and closed his eyes. Baltsaros knelt beside him and slid two pillows under Tom’s hips and then spat into his hand. Roughly pushing Tom’s legs apart, he smeared the saliva over his puckered opening; Jon watched in a hot daze as Baltsaros slid two fingers inside Tom, readying him, and he realized he was breathing hard from the sight.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Papa suggested you had some options to put before me. What have you to offer besides this lunatic proposal that I should join myself to a man who is not much given to vice and not at all given to stealing kisses?” Now he was watching her mouth. “The only other option I see, Louisa Windham, is for you to marry me.” He braced himself for her to whip away, to laugh, to pucker up with the presumption of it. “Say something, Louisa. I mean you no insult, I hope you know that.” “You think I’d take insult because you raise swine and I am a duke’s daughter?” She still had not moved away, and a distracting olfactory tickle of clove and citrus wended its way into Joseph’s awareness. “There is that salient reality, but it’s also the case that I must have children, Louisa, there being the matter of that da—deuced title. I could not offer you the cordial union you might seek.” “By cordial, you mean unconsummated.” He managed another nod. Merely standing near her, her arm twined with his, their fingers linked—when had that happened?—was wreaking havoc with his composure. She stared past him into the fire, her brows knit. “I like children. They’re honest. They might lie about whether they stole the pie, but they don’t deceive themselves about enjoying every bite. Children love a good story. They don’t twitch their noses at a lively tale because it does not ‘improve the mind.’ Eve and Jenny adore children.” What was she saying? “Louisa, I am offering a marriage in truth, though I am not the better bargain.” This
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Jon pushing the wooden phallus against his puckered opening brought Tom out of his reverie, and he made a small, slightly shaky sound. Jon’s hand stroked the back of his thigh, his palm now warm and slippery with oil. The pressure increased and Tom felt himself begin to open up. He winced as the stretch bordered on painful for a moment, but it was more out of nerves than any real discomfort. “Fuck, Tom,” breathed Jon. “I am so fucking hard right now… watching this… doing this to you. I never thought…” Tom let out a groan at Jon’s words, his arousal rekindling again as he realized that the wooden cock sliding into his ass was not going to be the uncomfortable challenge that he had assumed it would be. Since the thing didn’t actually have a head, being smooth and widening only slightly near the base, he knew he could take it. Tom heard Jon take a shuddering breath and, hearing the rapid sound of skin on skin, came to the conclusion that Jon was jerking himself off as he fucked Tom’s ass with the dildo. Tom’s cock twitched against his stomach in response, almost painfully stiff and so sensitive that when he breathed and it moved against his belly hair, it sent little jolts of pleasure through him. He lifted his head to look at Jon and saw that he was flushed; his eyes had taken on the glazed, rapt look of profound arousal as he stroked himself quickly. Then Jon began pulling the phallus almost all the way out and pushing it back in, slick and hard into Tom’s body. “Oh gods,” murmured Jon. “I think I’m going to cum just looking at you.” Tom arched his head back on the pillow, his breath short and his heart thundering. He let out a gasp a moment later when the dildo left his ass and he heard Jon’s strangled cry as he sent a jet of cum right against Tom’s throbbing pucker. A second volley followed and then Jon pushed his slick cock inside Tom, fucking him quick and hard with a few deep thrusts as he rode out the tail of his climax. Tom felt frantic and desperately aroused when Jon pulled out with a satisfied growl.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
Mr. Grattingly, while we might tarry in the conservatory in plain sight of the open door, the location you’ve chosen—ooph!” “The location I’ve chosen is perfect,” Grattingly said as he mashed his body against Louisa’s. He’d shoved her back against a tree, off the path, into the shadows. “Mr. Grattingly! How dare—” Wet lips landed on Louisa’s jaw, and the scent of wine-soured breath filled her head. “Of course, I dare. You all but begged me to drag you in here. With your tits nigh falling from your bodice, how do you expect a man to act?” He thrust his hand into the neckline of Louisa’s gown and closed his fingers around her breast. Louisa was too stunned for a moment to think, then something more powerful than fear came roaring forward. “You slimy, presuming, stinking, drunken, witless varlet!” She shoved against him hard, but he wasn’t budging, and those thick, wet lips were puckering up abominably. Louisa heard her brother Devlin’s voice in her head, instructing her to use her knee, when Grattingly abruptly shifted off her and landed on his bottom in the dirt. “Excuse me.” Sir Joseph stood not two feet away, casually unbuttoning his evening coat. His expression was as composed as his tone of voice, though even when he dropped his coat around Louisa’s shoulders, he kept his gaze on Grattingly. “I do hope I’m not interrupting.” “You’re not.” Louisa clutched his jacket to her shoulders, finding as much comfort in its cedary scent as she did in the body heat it carried. “Mr. Grattingly was just leaving.” “Who the hell are you,” Grattingly spat as he scrambled to his feet, “to come around and disturb a lady at her pleasures?” Somewhere down the path, a door swung closed. Louisa registered the sound distantly, the way she’d notice when rain had started outside though she was in the middle of a good book. Though this was not a good book. Instinctively Louisa knew she was, without warning or volition, in the middle of something not good at all. “I was not at my pleasures, you oaf.” She’d meant to fire the words off with a load of scathing indignation, but to Louisa’s horror, her voice shook. Her knees were turning unreliable on her, as well, so she sank onto the hard bench. “What’s going on here?” Lionel Honiton stood on the path, three or four other people gathered behind him. “Nothing,” Sir Joseph said. “The lady has developed a megrim and will be departing shortly.” “A megrim!” Grattingly was on his feet, though to Louisa it seemed as if he weaved a bit. “That bitch was about to get something a hell of a lot more—” Sir Joseph, like every other guest, was wearing evening gloves. They should not have made such a loud, distinct sound when thwacked across Grattingly’s jowls. Lionel stepped forth. “Let’s not be hasty. Grattingly, apologize. We can all see you’re a trifle foxed. Nobody takes offense at what’s said when a man’s in his cups, right?” “I’m not drunk, you ass. You—” “That’s not an apology.” Sir Joseph pulled on his gloves. “My seconds will be calling on yours. If some one of the assembled multitude would stop gawping long enough to fetch the lady’s sisters to her, I would appreciate it.” He said nothing more, just treated each member of the small crowd to a gimlet stare, until Lionel ushered them away. Nobody had a word for Grattingly, who stomped off in dirty breeches, muttering Louisa knew not what. Sir
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))