Puberty Wishes Quotes

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If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent. You burn with hunger for food that does not exist. A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
David Foster Wallace
The lessons of relationship that our primordial ancestors learned are deeply encoded in the genetics of our neurobiological circuits of love. They are present from the moment we are born and activated at puberty by the cocktail of neurochemicals. It’s an elegant synchronized system. At first our brain weighs a potential partner, and if the person fits our ancestral wish list, we get a spike in the release of sex chemicals that makes us dizzy with a rush of unavoidable infatuation. It’s the first step down the primeval path of pair-bonding.
Abhijit Naskar (What is Mind?)
In my land, in the event of a divorce, the mother has the right to retain her children if they are still suckling. But in most cases, a mother maintains custody of daughters until a girl child reaches puberty. In the case of male children, the boy should be allowed to remain with his mother until he is seven. When he reaches his seventh birthday, he is supposed to have the option to choose between his mother or father. Generally it is accepted that the father have his sons at age seven. A son must go with his father at the age of puberty, regardless of the child's wishes. Often, in the case of male children, many fathers will not allow the mother to retain custody of a son, no matter what the age of the child.
Jean Sasson (Princess Sultana's Daughters)
I have no idea what you’re talking about.” I spin to leave. “No fucking way.” It clicks in his mind. “Little Vee?” Here he is. “You’re that girl Finn and I used to…” He doesn’t complete his sentence, but I know all too well what he was going to say. “Annoy? Tease? Torture? Why, yes, that would be me. Did you seriously just figure that out? A bit slow, are we?” I snark. My outburst only seems to amuse him. “Look, in my defense, your mom only ever called you ‘Vee.’ I thought it was short for Vicky or Vivian or something. And it was ten years ago. I can’t even remember what I had for dinner last night.” “Whatever.” I shrug. “Shit, I’ve got to say, Vee.” He gives me a once-over. “Puberty did you a solid.” My cheeks combust. “Wish I could say the same about you,” I lie through my teeth. Xavier smiles at my failed attempt to deny the undeniable. Let’s not pretend like puberty didn’t do every female on earth a solid when Xavier Emery went from “cute” to “sinfully hot” in the span of a summer. “I think you mispronounced thank you.” He flashes a smug grin that makes me want to knee him where it hurts.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.
Angie Sijun Lou (All We Ask is You to be Happy)
By heterosexuals the life after death is imagined as a world of light, where there is no parting. If there is a heaven for homosexuals, which doesn't seem very likely, it will be very poorly lit and full of people they can feel pretty confident they will never have to meet again. It is only partly because they are ashamed of themselves and wish to remain unrecognized that this environment seems so desirable. The chief reason is that it makes possible contacts of astounding physical intimacy without the intervention of personality. To either partner, the other is a phallus garlanded with fantasies, chiefly of masculinity. The homosexual world is a world of spinsters. Most homosexuals over the age of twenty-five will play, on the physical level, an active, passive or unspecified role with the same or a different partner from night to night or even from hour to hour, but emotionally they search perpetually for a real man who desires passionately (as opposed to making do with) another man. This being, if he exists, is so rare that one might as well enter a monastery on reaching puberty. The less drastic alternative is to live a real sex life in a dream world. This can best be done in the dark with strangers.
Quentin Crisp (The Naked Civil Servant)
Ryuuji and Aisaka probably looked despicable right now, attacking the pole together. This was because Ryuuji had an enemy, and this enemy was like a rock getting in the way of his life, and Ryuuji could clearly feel the threat it emanated. Aisaka too had an enemy… sort of. The same enemy that stands between her and her life truly exists. When Aisaka liked someone, or wished to be with someone, this enemy would appear and reveal its weight. Perhaps this enemy can be called “low self-esteem”, or “fate”, or “genetics”, or “environment” or so on, it could even be called “self awareness during puberty” or “something one can’t do alone”. This enemy carries all sorts of names. No matter what, it was impossible to try and defeat this enemy, and they had no idea how many times they would have to do battle with this shapeless enemy in the future. If they did not savagely kick the electric pole now, they probably wouldn’t be able to vent their anger. They could have chosen to take it out on a wall or a bedsheet… but it seemed like this was the electric pole’s unlucky day. Ryuuji decided to help based on that reason alone. No matter how stupid they were, or how foolish they were, or how bored they were, they had now transformed into savage beasts attacking ferociously while howling away in the spring night.
Yuyuko Takemiya (Toradora! Manga, Vol. 1)