Pub Quotes

We've searched our database for all the quotes and captions related to Pub. Here they are! All 100 of them:

I hate solitude, but I'm afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls. It's already hard enough to tell the truth to oneself.
Iris Murdoch (Under the Net)
A good local pub has much in common with a church, except that a pub is warmer, and there's more conversation.
William Blake
Some seek the comfort of their therapist's office, other head to the corner pub and dive into a pint, but I chose running as my therapy.
Dean Karnazes (Ultramarathon Man: Confessions of an All-Night Runner)
Potter! There are hundreds of people thundering through my pub!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The less you eat, drink, buy books, go to the theatre or to balls, or to the pub, and the less you think, love, theorize, sing, paint, fence, etc., the more you will be able to save and the greater will become your treasure which neither moth nor rust will corrupt—your capital. The less you are, the less you express your life, the more you have, the greater is your alienated life and the greater is the saving of your alienated being.
Karl Marx (Economic & Philosophic Manuscripts of 1844)
Paris is a woman but London is an independent man puffing his pipe in a pub.
Jack Kerouac (Lonesome Traveler)
Dubh is do?" I was incredulous. It was no wonder I hadn't been able to find the stupid word. "Should I be calling pubs poos?" "Dubh is Gaelic, Ms. Lane. Pub is not.
Karen Marie Moning (Darkfever (Fever, #1))
I really like Matilda and that's not a clever book, is it? It's for children. But she's my favourite main character because she comes from an awful family and likes reading, like I do. Those special powers must've made her life a lot easier, though. She wouldn't be working in a pub at thirty-two.
Sara Pascoe (Weirdo)
Most of us knew in our bones that things with the world weren’t right, long before it became a crisis.
Pernell Plath Meier (In Our Bones)
Monique bit at the side of lip. “He’s pretty active, I don’t want to impose…” Tony stood and scooped up the puppy. “No, seriously, I’d love a little company.
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
In an hour, every person in America will be able to look at a screen and see their First Son and his boyfriend. And, across the Atlantic, almost as many will look up over a beer at a pub or dinner with their family or a quiet night in and see their youngest prince, the most beautiful one, Prince Charming. This is it. October 2, 2020, and the whole world watched, and history remembered.
Casey McQuiston (Red, White & Royal Blue)
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
Dolly Alderton (Everything I Know About Love)
She’d worn anxiety like a thick robe for so long that it was hard for her to take it off.
Pernell Plath Meier (In Our Bones)
The poor man’s face twisted into a grimace and he pounded on the bar, protesting loudly. “Oh, you shush,” Kim demanded as she continued to knead his shoulders, jerking his whole body as she worked. “You’ll like this in a minute.
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
Where did you see him?” Heidi asked. “At the grocery store,” Mildred replied. “He was picking out a cantaloupe. Of course, I had to give him some tips. He was about to pick one that wasn’t anywhere near ripe.” The women tossed each other knowing looks.
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
Embedded in their psyche was the story of what had happened to the world, and the boys felt glorious to be on the other side of the madness
Pernell Plath Meier (In Our Bones)
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
Banksy (Banging Your Head Against a Brick Wall)
I like reading in a pub rather than a library or study, as it's generally much easier to get a drink.
Pete McCarthy (McCarthy's Bar: A Journey of Discovery In Ireland)
The big question was, what all was this society up to? They’d certainly been in and out of his office, as well as accidently running into him all around town. Had he inadvertently missed what this group of ladies knew? And worse yet, had he given himself away?
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
Work. Home. The pub. Meeting girls. Living in the city. Life. Is that all there is?
Neil Gaiman (Neverwhere (London Below, #1))
There’s something wonderful about drinking in the afternoon. A not-too-cold pint, absolutely alone at the bar – even in this fake-ass Irish pub.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
When a white man goes to the pub, he is a socializer; a Brown man in a bar is a drunkard. A white arrogant man is an alpha male; headstrong Indians are pricks. A white man sleeping around is a lover; an Indian on multiple dates is a womanizer. White men make love, we Brown Indians f*ck
Merlin Franco (Saint Richard Parker)
I could sit in a pub and tell you all the things that are written in this book, but you wouldn't fucking listen.
Banksy
Sergeant Colon had had a broad education. He’d been to the School of My Dad Always Said, the College of It Stands to Reason, and was now a postgraduate student at the University of What Some Bloke In the Pub Told Me.
Terry Pratchett (Jingo (Discworld, #21))
This, I soon discovered, was a typical pub. The 'pub' was an invention of humans living in England, designed as compensation for the fact that they were humans living in England.
Matt Haig (The Humans)
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds?
Tana French (Faithful Place (Dublin Murder Squad, #3))
Good puzzle would be cross Dublin without passing a pub.
James Joyce (Ulysses)
Don’t make trouble at the pub tonight, Wayne,” the man intoned in response. “My temper is really short.” “Temper?” Wayne said, passing him. “That’s a funny name for it, mate, but if the ladies like you givin’ silly names to your body parts, I ain’t gonna say nothin’.
Brandon Sanderson (Shadows of Self (Mistborn, #5))
Early this morning, 1 January 2021, three minutes after midnight, the last human being to be born on earth was killed in a pub brawl in a suburb of Buenos Aires, aged twenty-five years, two months and twelve days.
P.D. James (The Children of Men)
In Chicago, you can’t swing a cat without hitting an Irish pub (and angering the cat), but McAnally’s place stands out from the crowd.
Jim Butcher (Cold Days (The Dresden Files, #14))
NIGHTINGALE AND I did what all good coppers do when faced with a spare moment in the middle of the day—we went looking for a pub.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
The prospect of his future life stretched before him like a sentence; not a prison sentence but a long-winded sentence with a lot of unnecessary subordinate clauses, as he was soon in the habit of quipping during Happy Hour pickup time at the local campus bars and pubs. He couldn’t say he was looking forward to it, this rest-of-his-life.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
good morning sinners. vampiric red bull intake in pub smoking compound commenced. day of heavy brain-fingering ahead.
Warren Ellis
Another thing that no one tells you about drinking as you get older is that it isn’t the hangovers that become crippling, but rather the acute paranoia and dread in the sober hours of the following day that became a common feature of my mid-twenties. The gap between who you were on a Saturday night, commandeering an entire pub garden by shouting obnoxiously about how you’ve always felt you had at least three prime-time sitcom scripts in you, and who you are on a Sunday afternoon, thinking about death and worrying if the postman likes you or not, becomes too capacious.
Dolly Alderton (Everything I Know About Love)
Once upon a time there was a woman who was just like all women. And she married a man who was just like all men. And they had some children who were just like all children. And it rained all day. The woman had to skewer the hole in the kitchen sink, when it was blocked up. The man went to the pub every Friday, Saturday, and Sunday. The other nights he mended his broken bicycle, did the pool coupons, and longed for money and power. The woman read love stories and longed for things to be different. The children fought and yelled and played and had scabs on their knees. In the end they all died.
Elizabeth Smart (The Assumption of the Rogues & Rascals)
If You can play Your stuff in a pub, then You´re a good band.
Paul McCartney
And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs, and the countryside will be mostly shopping centers and theme parks. Forgive me. I don't mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small-Town America)
Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it--lunch is on me. Make sure you have pudding--sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
Jenny Downham (Before I Die)
It seems that soccer tournaments create those relationships: people gathered together in pubs and living rooms, a whole country suddenly caring about the same event. A World Cup is the sort of common project that otherwise barely exists in modern societies.
Simon Kuper (Soccernomics: Why England Loses, Why Germany and Brazil Win, and Why the U.S., Japan, Australia, Turkey--and Even Iraq--Are Destined to Become the Kings of the World's Most Popular Sport)
People only know what you tell them.And it was true.People gave out their whole life stories to anyone and everyone without a second's thought.Stand at a bus stop,sit in a strange pub,get banged up,and someone would always give you their life story.It was as if they were trying to prove they existed
Martina Cole (Close)
The trouble with bookshops is that they are as bad as pubs. You start at one and then you drift to another, and before you know where you are you are on a gigantic book-binge. My brief case was full to bursting and I had bundles of books under both arms. I was bowed down by the weight of them.
R.T. Campbell (Bodies in a Bookshop)
I'd like to think...that people in pubs would talk about my poems
Philip Larkin
Contrary to what you think, not all preternatural beings hang out at the local Supernatural Pub looking for humans and dates.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Gavin had glared at Alastair Lowe and his brother from the back of the pub and wondered what it would be like to have someone in his life like that. Someone who knew him. Someone who saw him. Someone who would celebrate when, not if, he came home.
Amanda Foody (All of Us Villains (All of Us Villains, #1))
Ladies, we are at a massive disadvantage in the workplace. Your male peers are flirting with their male bosses constantly. The average workplace is like f*cking Bromancing the Stone. That’s basically what male bonding is. Flirting. They’re flirting with each other playing golf, they’re flirting with each other going to the football, they’re flirting with each other chatting at the urinals – and, sadly, flirting with each other in after-hours visits to strip clubs and pubs. They are bonding with each other over their biological similarities. If the only way you can bond with them is over your biological differences, you go for it. Feel pressurised to actually f*ck them if you do? Then don’t flirt. Find it an easy way to just crack on? Then crack on – and don’t blame other women for doing it.
Caitlin Moran (How to Be a Woman)
And I go out at six in the morning and start my search for you. If I've dreamt a message of a street or a pub or a station I go there. And I wait for you.
Sarah Kane (4.48 Psychosis)
Inside the pub, Richard's friends continued to celebrate his forthcoming departure with an enthusiasm that, to Richard, was beginning to border on the sinister.
Neil Gaiman (Neverwhere (London Below, #1))
I regained consciousness after a big night at the Cock and Bull Inn, or it could’ve been The Weasel’s Way or The Badger’s Breath, who knows with these weird English pub names. Anyway, it was somewhere near The Pig and Whistle. Not far up from the Scotsman’s Kilt.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
What shall I do, today? Visit the pub? Sit down in a garden with a book? A bird flies past. Where is it headed? It's out of sight already. The drunkenness of a bird in the burning azure. The melancholy of a man in the cool shadow of a mosque.
Omar Khayyám (Rubaiyat De Omar Khayyam... (Spanish Edition))
... whichever of my friends was and is sensitive, touchy even, had to choose... emigration... and I emigrated inwardly, here to the pub for example...
Bohumil Hrabal (Total Fears: Selected Letters to Dubenka)
Sadly, very little school maths focuses on how to win free drinks in a pub.
Matt Parker (Things to Make and Do in the Fourth Dimension)
It was as if Tutankhamen or Miss Havisham had wandered into the pub one night and started bitching about the head on the pints.
Tana French (In the Woods (Dublin Murder Squad, #1))
It was Chase who had obtained the information from the girl’s boyfriend during a party in an Irish pub, simply by using his British friendliness and charm.
Stefania Mattana (Cutting Right to the Chase)
My favourite pub game is, of course, snooker. Any game whose rules basically amount to finding a table covered in mess and slowly and methodically putting it all away out of sight is one with which I can empathise emphatically.
Jon Richardson (It's Not Me, It's You)
Two opposing things can be equally true. Counting the days till Christmas doesn't mean we hate Halloween. I go to church on Sundays, and still hold the same faith at the pub on Saturday night. I shamelessly play a steady stream of eighties pop music and likewise have an undying devotion to Chopin. And perhaps most significantly: I love to travel and I love my home.
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
We met when we were both majoring in Space Invaders with a Pub Etiquette minor at the Happy Harbor Campus of UMass/Boston.
Dennis Lehane (A Drink Before the War (Kenzie & Gennaro, #1))
He took her hand again, enjoying the spark of fire that lit through his bloodstream and led her through the fog toward River Street. Seeing the usually bustling area empty was equally beautiful and haunting. It brought back memories of earlier days. Centuries before cell phones and email. Back when his crew would drop anchor in the cloak of night and shanghai new crew members out of the pubs. Lifetimes ago.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
Gus is the Cat at the Theatre Door. His name, as I ought to have told you before, Is really Asparagus. That's such a fuss To pronounce, that we usually call him just Gus. His coat's very shabby, he's thin as a rake, And he suffers from palsy that makes his paw shake. Yet he was, in his youth, quite the smartest of Cats — But no longer a terror to mice or to rats. For he isn't the Cat that he was in his prime; Though his name was quite famous, he says, in his time. And whenever he joins his friends at their club (which takes place at the back of the neighbouring pub) He loves to regale them, if someone else pays, With anecdotes drawn from his palmiest days. For he once was a Star of the highest degree — He has acted with Irving, he's acted with Tree. And he likes to relate his success on the Halls, Where the Gallery once gave him seven cat-calls. But his grandest creation, as he loves to tell, Was Firefrorefiddle, the Fiend of the Fell.
T.S. Eliot (Old Possum's Book of Practical Cats)
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy heard on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
Dolly Alderton
The scarily brilliant Romantic poet and visionary William Blake dared to say what many of us have perhaps thought but kept to ourselves: “A good local pub has much in common with a church, except that a pub is warmer, and there’s more conversation.
Brian D. McLaren (Why Did Jesus, Moses, the Buddha, and Mohammed Cross the Road?: Christian Identity in a Multi-Faith World)
I carried my pint to a corner table and sat just looking at it for a moment: the head of foam, the tiny bubbles ascending through clear gold, the droplets condensing on the sides of the glass, then running down to form a wet circle on the beer mat. Reputations are ruined, marriages destroyed, lifes works forsaken for the beauty of such a sight. There are seven thousand pubs in London.
Poppy Z. Brite
I like it! I liked it when man to man no matter whether he is boss or he is ordinary worker, but in meantime they go to the pub, they drink beer together and call by first name. I like that. After few years, I think that Queensland is the best place in Australia … I am Queenslander! – Alex Sucharsky, Ukranian
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
I'd Better Not-- A man leaned over to a man in a pub And said in a voice ‘I used to be thirty seven but now I’m fifty one’. And that’s how the years go. In handfuls. Like somebody is almost at the end of a bag of crisps And they tip the bag up And it’s as though they’re drinking crisps. That’s how the years go.
Ian McMillan (I Found This Shirt: Poems and Prose from the Centre)
And if our book consumption remains as low as it has been, at least let us admit that it is because reading is a less exciting pastime than going to the dogs, the pictures or the pub, and not because books, whether bought or borrowed, are too expensive.
George Orwell
At the pub my dad was waiting for me, a black-as-night beer and his open laptop on the table in front of him. I sat down and swiped his beer before he'd had the chance to even look up from typing. 'Oh, my sweet lord,' I sputtered, chocking down a mouthful, 'what is this? Fermented motor oil?' 'Just about,' he said, laughing.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Bustopher Jones is not skin and bones — In fact, he's remarkably fat. He doesn't haunt pubs — he has eight or nine clubs, For he's the St. James's Street Cat! He's the Cat we all greet as he walks down the street In his coat of fastidious black: No commonplace mousers have such well-cut trousers Or such an impeccable back. In the whole of St. James's the smartest of names is The name of this Brummell of Cats; And we're all of us proud to be nodded or bowed to By Bustopher Jones in white spats!
T.S. Eliot (Old Possum's Book of Practical Cats)
I don’t need to change my shape to make myself worthy of someone’s love. I don’t need any words or looks or comments from a man to believe I’m visible; to believe I am here. (...) Because I am enough. My heart is enough. The stories and sentences twisting around my mind are enough. My early morning walks and light night baths are enough. My singing in the shower, my double jointed toes and my loud laugh in the pub is enough. I am my own universe. I am the warm up act, the main event and the backing singers. And if this is it, if this is all there is - just me, the trees, the sky and the sea- I know now that that’s enough. I am whole. I am complete. I will never run out.
Dolly Alderton (Everything I Know About Love)
It's that happy-sad feeling, that intense homesick ache. It makes me think of my semester abroad. Not the old cobbled streets or tiny pubs overstuffed with drunk university students, but Sabrina and Cleo FaceTiming me at midnight to sing me "Happy Birthday." The feeling of being so grateful to have something worth missing.
Emily Henry (Happy Place)
You’re no longer sixteen, acushla. If I want to take you down to the floor and peel you out of those jeans and taste what secrets you have hidden between your legs, I will. So either tell me that’s what you’ve come for or get the fuck out of my pub.
V. Theia (Naughty Irish Liar (Naughty Irish Series))
Have you noticed, now, the way people talk so loudly in snackbars and cinemas, how the shelved back gardens shudder with prodigies of talentlessness, drummers, penny-whistlers, vying transistors, the way you see and hear the curses and sign-language of high sexual drama at the bus-stops under ghosts of clouds, how life has come out of doors? And in the soaked pubs the old-timers wince and weather the canned rock. We talk louder to make ourselves heard. We will all be screamers soon.
Martin Amis (Money)
The truth is that Percy has always been important to me, long before I fell so hard for him there was an audible crash. It's only lately that his knee bumping mine under a narrow pub table leaves me fumbling for words. A small shift in the gravity between us and suddenly all my stars are out of alignment, planets knocked from their orbits, and I’m left stumbling, without map or heading, through the bewildering territory of being in love with your best friend.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Equally arresting are British pub names. Other people are content to dub their drinking establishment with pedestrian names like Harry’s Bar and the Greenwood Lounge. But a Briton, when he wants to sup ale, must find his way to the Dog and Duck, the Goose and Firkin, the Flying Spoon, or the Spotted Dog. The names of Britain’s 70,000 or so pubs cover a broad range, running from the inspired to the improbable, from the deft to the daft. Almost any name will do so long as it is at least faintly absurd, unconnected with the name of the owner, and entirely lacking in any suggestion of drinking, conversing, and enjoying oneself. At a minimum the name should puzzle foreigners-this is a basic requirement of most British institutions-and ideally it should excite long and inconclusive debate, defy all logical explanation, and evoke images that border on the surreal.
Bill Bryson (The Mother Tongue: English and How It Got That Way)
I find the treatment of royalty distinctly peculiar. The royal family lives in palaces heavily screened from prying eyes by fences, grounds, gates, guards, all designed to ensure the family absolute privacy. And every newspaper in London carried headlines announcing PRINCESS ANNE HAS OVARIAN CYST REMOVED. I mean you're a young girl reared in heavily guarded seclusion and every beer drinker in every pub knows the precise state of your ovaries.
Helene Hanff (The Duchess of Bloomsbury Street)
The exceptions were two men a little ahead of them, standing just outside the Three Broomsticks. One was very tall and thin; squinting through his rain-washed glasses Harry recognized the barman who worked in the other Hogsmeade pub, the Hog’s Head. As Harry, Ron, and Hermione drew closer, the barman drew his cloak more tightly around his neck and walked away, leaving the shorter man to fumble with something in his arms. They were barely feet from him when Harry realized who the man was. “Mundungus!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colours that it needs but somewhere else, hoist your memory on the ship of State like a pirate's sail, and aim yourself at the tinkly present.
Leonard Cohen (Beautiful Losers)
There is a feeling which persists in England that making a sandwich interesting, attractive, or in any way pleasant to eat is something sinful that only foreigners do. ``Make 'em dry,'' is the instruction buried somewhere in the collective national consciousness, ``make 'em rubbery. If you have to keep the buggers fresh, do it by washing 'em once a week.'' It is by eating sandwiches in pubs on Saturday lunchtimes that the British seek to atone for whatever their national sins have been. They're not altogether clear what those sins are, and don't want to know either. Sins are not the sort of things one wants to know about. But whatever their sins are they are amply atoned for by the sandwiches they make themselves eat.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
All right," said Ford. "How would you react if I said that I'm not from Guildford at all, but from a small planet somewhere in the vicinity of Betelgeuse?" Arthur shrugged in a so-so sort of way. "I don't know," he said, taking a pull of beer. "Why, do you think it's the sort of thing you're likely to say?" Ford gave up. It really wasn't worth bothering at the moment, what with the world being about to end.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Miltons were, on the whole, the most enthusiastic poet followers. A flick through the London telephone directory would yield about four thousand John Miltons, two thousand William Blakes, a thousand or so Samuel Colleridges, five hundred Percy Shelleys, the same of Wordsworth and Keats, and a handful of Drydens. Such mass name-changing could have problems in law enforcement. Following an incident in a pub where the assailant, victim, witness, landlord, arresting officer and judge had all been called Alfred Tennyson, a law had been passed compelling each namesake to carry a registration number tattooed behind the ear. It hadn't been well received--few really practical law-enforcement measures ever are.
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
This is so much like the old days. And, again, I have mixed feelings. In some ways it's good and comfortable to be fitting straight back in like I've never been away, but, on the other hand, I'm getting this constrictive feeling as well. It's the same places - like the bars and pubs on Friday night - the same people, the same conversations, the same arguments and the same attitudes. Five years away and not much seems to have changed. I can't decide if this is good or bad.
Iain Banks (Stonemouth)
Being an adult is only an illusion. When it comes down to it I’m not sure any of us ever really grow up. We simply grow taller and hairier. Sometimes, I still feel amazed that I am allowed to drive a car, or that I have not been found out for drinking in the pub. Beneath the veneer of adulthood, beneath the layers of experience we accrue as the years march stoically onwards, we are all still children, with scraped knees and snotty noses, who need our parents … and our friends.
C.J. Tudor (The Chalk Man)
…Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it—not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouak, and start proselytizing strangers in pubs…
Tana French (In the Woods (Dublin Murder Squad, #1))
But then you walked into the pub and I thought my stomach had just fallen out of my arse.’ He smiled as Ellie stared at him, partly in wonder at why such opposing personalities had been Matched and partly because he was the least pretentious man she’d ever met, let alone been on a date with. ‘Honestly, Ellie, when I saw you come into the pub, I let out the longest fart, I thought I was going to fly across the room like a deflating balloon.’ Ellie
John Marrs (The One)
The woman dies. She dies to provide a plot twist. She dies to develop the narrative. She dies for cathartic effect. She dies because no one could think of what else to do with her. Dies because there weren’t any better story ideas around. Dies because her death was the very best idea that anyone could come up with. ‘I’ve got it! Let’s kill her off!’ ‘Yes! Her death will solve everything!’ ‘Okay! Let’s hit the pub!’ And so, the woman dies. The woman dies so the man can be sad about it. The woman dies so the man can suffer. She dies to give him a destiny. Dies so he can fall to the dark side. Dies so he can lament her death. As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well.
Aoko Matsuda
Braith opened her eyes and screamed at what hovered above her, “Gods! Death comes for me!” The horrifying face of death curled its lip at her and growled, “Well, that’s charmin’.” Death sat back in its chair, hands resting on its knees. “This face is not me fault, ya know?” Death looked off, thought a moment. Its finger traced one of the deep gouges across its jaw. “This one actually is kind of me fault.” She pointed at the other side of her face, where part of her chin was missing. “And this one. A bit of barney at the pub.” ... “That was not death,” he whispered. “That was our Great-Aunt Brigida.” “Brigida? Brigida the Foul?” He nodded. “I thought she was dead.” Addolgar shook his head and whispered, “She just won’t die.
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more. “The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’ “The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’ “The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.
Fisher Amelie (Thomas & January (Sleepless, #2))
When I was in London in 2008, I spent a couple hours hanging out at a pub with a couple of blokes who were drinking away the afternoon in preparation for going to that evening's Arsenal game/riot. Take away their Cockney accents, and these working-class guys might as well have been a couple of Bubbas gearing up for the Alabama-Auburn game. They were, in a phrase, British rednecks. And this is who soccer fans are, everywhere in the world except among the college-educated American elite. In Rio or Rome, the soccer fan is a Regular José or a Regular Giuseppe. [...] By contrast, if an American is that kind of Regular Joe, he doesn't watch soccer. He watches the NFL or bass fishing tournaments or Ultimate Fighting. In an American context, avid soccer fandom is almost exclusively located among two groups of people (a) foreigners—God bless 'em—and (b) pretentious yuppie snobs. Which is to say, conservatives don't hate soccer because we hate brown people. We hate soccer because we hate liberals.
Robert Stacy McCain
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is—just me and the trees and the sky and the seas—I know now that that’s enough.
Dolly Alderton (Everything I Know About Love: A Memoir)
Quantum mechanics. What a repository, a dump, of human aspiration it was, the borderland where mathematical rigor defeated common sense, and reason and fantasy irrationally merged. Here the mystically inclined could find whatever they required and claim science as their proof. And for these ingenious men in their spare time, what ghostly and beautiful music it must be--spectral asymmetry, resonances, entanglement, quantum harmonic oscillators--beguiling ancient airs, the harmony of the spheres that might transmute a lead wall into gold and bring into being the engine that ran on virtually nothing, on virtual particles, that emitted no harm and would power the human enterprise as well as save it. Beard was stirred by the yearnings of these lonely men. And why should he think they were lonely? It was not, or not only, condescension that made him think them so. They did not know enough, but they knew too much to have anyone to talk to. What mate waiting down the pub or in the British Legion, what hard-pressed wife with job and kids and housework, was going to follow them down these warped funnels in the space-time continuum, into the wormhole, the shortcut to a single, final answer to the global problem of energy?
Ian McEwan (Solar)
At that moment the dull sound of a rumbling crash from outside filtered through the low murmur of the pub, through the sound of the jukebox, through the sound of the man next to Ford hiccuping over the whiskey Ford had eventually bought him. Arthur choked on his beer, leaped to his feet. "What's that?" he yelped. "Don't worry," said Ford, "they haven't started yet." "Thank God for that," said Arthur, and relaxed. "It's probably just your house being knocked down," said Ford, downing his last pint. "What?" shouted Arthur. Suddenly Ford's spell was broken. Arthur looked wildly around him and ran to the window. "My God, they are! They're knocking my house down. What the hell am I doing in the pub, Ford?" "It hardly makes any difference at this stage," said Ford, "let them have their fun.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I someties think I want to write a book of my life So that when I meet you - or anyone new - I can hand it over and you can read it Instead of trying to read me. You can take it away and decide whether it's worth giving me your time. You can think about if, the next time we are walking towards each other, you'll smile without slowing down Or cross the street and pretend you haven't seen me Or stop and put an arm round my shoulder, steer me into the nearest pub, and buy me a pint of stout. Because you'll know, having read the book, that stout is what I drink. You see elegance of my proposal. But every time I sit down to write the book, I hit a snag. I could tell so many stories. I could be a poet or a magician or a faild mathematician. I could be happy or soul-sore or lonely. I could start when I was born, when I was twelve, when I left university. And the book would be different for each story I choose. And the book would be true, and untrue, for each. Our pasts are as unfixed as our futures, if you think about it. And I like the freedom I have to tell a different story.
Stephanie Butland (Lost For Words)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
It is easy to think that the Church has a lot of different objects—education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects—military, political, economic, and what not. But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden—that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time. In the same way the Church exists for nothing else but to draw men into Christ, to make them little Christs. If they are not doing that, all the cathedrals, clergy, missions, sermons, even the Bible itself, are simply a waste of time.
C.S. Lewis (Mere Christianity)
/A weekend toward the end of September, the bell above the door rang and there he was in the shop. Same old feeling in my guts. I’ll go if you want me to, he said. I smiled, I was so fucking happy to see him. You’ve only just got here, you twat, I said. Now give us a hand with this, and he took the other end of the trestle table and moved it over to the wall. Pub? I said. He grinned. And before I could say anything else he put his arms around me. And everything he couldn’t say in our room in France was said in that moment. I know, I said. I know. I’d already accepted I wasn’t the key to unlock him. She’d come later. It took a while to acknowledge the repercussions of that time. How the numbness in my fingertips traveled to my heart and I never even knew it. I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I’d no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross. The psychiatrist liked that analogy. I watched him write it down. Chuckle, chuckle, his pen across the page.
Sarah Winman (Tin Man)
I wanted you to kiss me, Jack," I say, bereft. It's not as if he isn't aware what I wanted back there; to be coy would be pointless. "I don't like myself for it." He strokes my hair, cups my chin, looks me in the eyes. "If I tell you something, do you promise to never tell another living soul, not even a goldfish?" I swallow, eye to eye with him as I nod, and he takes my face between both of his hands. Whatever he's about to say, I think it's something I'm going to remember forever. "I wanted to kiss you back there in the pub, Laurie, and I want to kiss you even more right now. You're one of the loveliest people I've ever met in my whole life." He looks away, down the length of the deserted street and then back at me again. "You're beautiful and kind, and you make me laugh, and when you look at me like that with your summer hedgerow eyes...only a fucking saint wouldn't kiss you." Then he leans me against the wall with the weight of his body, and because he isn't a fucking saint, he kisses me. Jack O'Mara dips his head and kisses me in the snow, his lips trembling and then hot and sure, and I'm crying and kissing him back, opening my mouth to let his tongue slide over mine as he makes this low, injured animal noise in his throat. I feel the relief of him in every follicle of my hair, and in every cell of my body, and in the blood in my veins. His breathing is as shallow as mine, and it's so much more than I've ever imagined, and trust me, I used to let my imagination run riot where Jack O'Mara was concerned. He holds my face as if I'm precious and then pushes his fingers into my hair, cupping my head in his hands when I tip it back. This is the only time we will ever kiss each other. He knows it, I know it, and it's so achingly melancholy-sexy that I feel tears threaten again.
Josie Silver (One Day in December)
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Through Jimi Hendrix's music you can almost see the assassinations of President John F. Kennedy and of Martin Luther King Junior, the beginnings of the Berlin Wall, Yuri Gagarin in space, Fidel Castro and Cuba, the debut of Spiderman, Martin Luther King Junior’s ‘I Have a Dream’ speech, Ford Mustang cars, anti-Vietnam protests, Mary Quant designing the mini-skirt, Indira Gandhi becoming the Prime Minister of India, four black students sitting down at a whites-only lunch counter in Greensboro North Carolina, President Johnson pushing the Civil Rights Act, flower children growing their hair long and practicing free love, USA-funded IRA blowing up innocent civilians on the streets and in the pubs of Great Britain, Napalm bombs being dropped on the lush and carpeted fields of Vietnam, a youth-driven cultural revolution in Swinging London, police using tear gas and billy-clubs to break up protests in Chicago, Mods and Rockers battling on Brighton Beach, Native Americans given the right to vote in their own country, the United Kingdom abolishing the death penalty, and the charismatic Argentinean Marxist revolutionary Che Guevara. It’s all in Jimi’s absurd and delirious guitar riffs.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Me contó un montón de cosas que yo no quería oír, cosas que mi madre y mi padre nunca supieron, y que odiarían saber. Lo cabrón que era Billy con ella. Cómo en ocasiones la golpeaba, la humillaba, y la trataba en general como un trozo de mierda excepcionalmente corrompida. "¿Por qué te quedaste con él?" "Era mi chico. Siempre piensas que será diferente, que puedes hacerle cambiar, que tú puedes suponer la diferencia." Eso lo entendía, Pero es un error. Los únicos hijoputas que supusieron alguna vez una diferencia para Billy fueron los Provisionales, y ellos también eran unos cabrones. No tengo ninguna ilusión sobre ellos como luchadores de la libertad. Los muy hijoputas convirtieron a mi hermano en un montón de comida para gatos. Pero ellos sólo tiraron de la palanca. Su muerte fue concebida por esos cabrones anaranjaos que venían por aquí todos los meses de julio con sus fajines y sus flautas, llenando la estúpida cabeza de Billy con insensateces acerca de la corona y la nación y toda esa mierda. Ellos irán a casa felices por el día de hoy. Pueden contarles a todos sus colegas cómo murió asesinado por el IRA uno de la familia mientras defendía el Ulster. Eso alimentará su ira sin objeto, hará que les inviten a copas en los pubs, y consolidará su credibilidad memo-bastarda entre otros tontolabas sectarios.
Irvine Welsh (Trainspotting)
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free. Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
David Simon
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time. 'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency. 'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much. 'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. 'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio. 'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))