Pub Opening Quotes

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At the pub my dad was waiting for me, a black-as-night beer and his open laptop on the table in front of him. I sat down and swiped his beer before he'd had the chance to even look up from typing. 'Oh, my sweet lord,' I sputtered, chocking down a mouthful, 'what is this? Fermented motor oil?' 'Just about,' he said, laughing.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I don’t believe people are looking for the meaning of life as much as they are looking for a pub that stays open after 12.00.
Charles Cutting
Doors opened at seven, the show started at eight. In pubs and clubs and house parties across the galaxy, the viewers at home were drunk by six.
Catherynne M. Valente (Space Opera (Space Opera, #1))
Braith opened her eyes and screamed at what hovered above her, “Gods! Death comes for me!” The horrifying face of death curled its lip at her and growled, “Well, that’s charmin’.” Death sat back in its chair, hands resting on its knees. “This face is not me fault, ya know?” Death looked off, thought a moment. Its finger traced one of the deep gouges across its jaw. “This one actually is kind of me fault.” She pointed at the other side of her face, where part of her chin was missing. “And this one. A bit of barney at the pub.” ... “That was not death,” he whispered. “That was our Great-Aunt Brigida.” “Brigida? Brigida the Foul?” He nodded. “I thought she was dead.” Addolgar shook his head and whispered, “She just won’t die.
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
Some seek the comfort of their therapist’s office, others head for the corner pub and dive into a pint, but I choose running as my therapy. It was the best source of renewal there was. I couldn’t recall a single time that I felt worse after a run than before. What drug could compete? As Lily Tomlin said, “Exercise is for people who can’t handle drugs and alcohol.” I’d also come to recognize that the simplicity of running was quite liberating. Modern man has virtually everything one could desire, but too often we’re still not fulfilled. “Things” don’t bring happiness. Some of my finest moments came while running down the open road, little more than a pair of shoes and shorts to my name. A runner doesn’t need much. Thoreau once said that a man’s riches are based on what he can do without. Perhaps in needing less, you’re actually getting more.
Dean Karnazes (Ultramarathon Man: Confessions of an All-Night Runner)
I wanted you to kiss me, Jack," I say, bereft. It's not as if he isn't aware what I wanted back there; to be coy would be pointless. "I don't like myself for it." He strokes my hair, cups my chin, looks me in the eyes. "If I tell you something, do you promise to never tell another living soul, not even a goldfish?" I swallow, eye to eye with him as I nod, and he takes my face between both of his hands. Whatever he's about to say, I think it's something I'm going to remember forever. "I wanted to kiss you back there in the pub, Laurie, and I want to kiss you even more right now. You're one of the loveliest people I've ever met in my whole life." He looks away, down the length of the deserted street and then back at me again. "You're beautiful and kind, and you make me laugh, and when you look at me like that with your summer hedgerow eyes...only a fucking saint wouldn't kiss you." Then he leans me against the wall with the weight of his body, and because he isn't a fucking saint, he kisses me. Jack O'Mara dips his head and kisses me in the snow, his lips trembling and then hot and sure, and I'm crying and kissing him back, opening my mouth to let his tongue slide over mine as he makes this low, injured animal noise in his throat. I feel the relief of him in every follicle of my hair, and in every cell of my body, and in the blood in my veins. His breathing is as shallow as mine, and it's so much more than I've ever imagined, and trust me, I used to let my imagination run riot where Jack O'Mara was concerned. He holds my face as if I'm precious and then pushes his fingers into my hair, cupping my head in his hands when I tip it back. This is the only time we will ever kiss each other. He knows it, I know it, and it's so achingly melancholy-sexy that I feel tears threaten again.
Josie Silver (One Day in December)
Twilight never lasts long in India, but its advent was like opening time at the pubs our rulers had left behind. The shadows fell and spirits rose; the sharp odour of quinine tonic, invented by lonely planters to drown and justify their solitary gins, mingled with the scent of frangipani from their leafy, insect-ridden gardens, and the soothing clink of ice against glass was only disturbed by the occasional slap of a frustrated palm against a reddening spot just vacated by an anglovorous mosquito.
Shashi Tharoor (The Great Indian Novel)
Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV
Philip Larkin
We sat on the top deck and spent the journey sharing stories from the places we passed. Pubs where I'd died at open mic nights, bars where she'd gone on bad dates. Every road offered another destination of a bad past date.
Dolly Alderton (Good Material)
Your average genre novel is like a high speed car chase ending in a massive crash, with death, destruction, and balls of flame, from which the main characters (usually) emerge mostly unscathed. Everything builds up to the crash, and it’s the anticipation that keeps us turning pages. Anthony Trollope, by contrast, is like a pleasant Sunday afternoon drive through the countryside in an open carriage behind a pair of matched horses. There’s conflict, sure; a herd of sheep blocks the road, two countrymen come to blows outside the pub, the cows in this field are looking daggers at the cows in that field. But the point of the drive is the drive itself, not the destination, because of course you’re just going to end up at home anyway.
Will Duquette
Bullshit,” says Viv. “Did you have your eyes open the other night in the pub? Mabe, I’ve never, ever seen him so happy and the way he was looking at you made even me melt. He’s in love with you.” “No, he isn’t.” “Yes, he is. It’s just unfortunate that he’s a fuckwit as well.
Lily Morton (Promise Me (Beggar's Choice #1))
Near where I grew up in northern England is the town of Saltaire, created by Sir Titus Salt, a Victorian wool magnate who believed so strongly in temperance that the town was built without a single pub. (The principle has been undermined in recent years by the opening of a bar called Don’t Tell Titus.)
Tom Wainwright (Narconomics: How to Run a Drug Cartel)
There are several attitudes towards Christmas, Some of which we may disregard: The social, the torpid, the patently commercial, The rowdy (the pubs being open till midnight), And the childish — which is not that of the child For whom the candle is a star, and the gilded angel Spreading its wings at the summit of the tree Is not only a decoration, but an angel. The child wonders at the Christmas Tree: Let him continue in the spirit of wonder At the Feast as an event not accepted as a pretext; So that the glittering rapture, the amazement Of the first-remembered Christmas Tree, So that the surprises, delight in new possessions (Each one with its peculiar and exciting smell), The expectation of the goose or turkey And the expected awe on its appearance, So that the reverence and the gaiety May not be forgotten in later experience, In the bored habituation, the fatigue, the tedium, The awareness of death, the consciousness of failure, Or in the piety of the convert Which may be tainted with a self-conceit Displeasing to God and disrespectful to children (And here I remember also with gratitude St. Lucy, her carol, and her crown of fire): So that before the end, the eightieth Christmas (By “eightieth” meaning whichever is last) The accumulated memories of annual emotion May be concentrated into a great joy Which shall be also a great fear, as on the occasion When fear came upon every soul: Because the beginning shall remind us of the end And the first coming of the second coming.
T.S. Eliot
Sean's Bar on Main Street, Athlone, on the West Bank of the River Shannon, claims to be the oldest pub in Ireland, dating back to AD 900. The bar holds records of every owner since its opening, including gender-bending pop sensation Boy George (born George Alan O'Dowd to an Irish family), who the premises briefly in 1987
Rashers Tierney (F*ck You, I'm Irish: Why We Irish Are Awesome)
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving. With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling. Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl. “Oh, fuck me, Shawn. You are half pissed.” “More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?” “Get way from there before you poison someone.” Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.” He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass. Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “ What have you done to yourself?” “The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.” “At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy. “Not a bloody thing,” she said cheerfully. “Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?” “An emergency?” Shawn looked glassily around. “Where?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
He had the perfect idea for explaining away every inexplicable weirdness about himself at a stroke, and he whistled as he pushed open the door which had so daunted him last night. “Arthur!!!!” He grinned cheerfully at the boggling eyes that stared at him from all corners of the pub, and told them all what a wonderful time he’d had in Southern California.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
Hiro and Chuck grab the closest thing they can find to a corner table. Hiro buttonholes a waiter and surreptitiously orders a pitcher of Pub Special, mixed half and half with nonalcoholic beer. This way, Chuck ought to remain awake a little longer than he would otherwise. It doesn't take much to make him open up. He's like one of these old guys from a disgraced presidential administration, forced out by scandal, who devotes the rest of his life to finding people who will listen to him.
Neal Stephenson (Snow Crash)
Drunkenness was endemic, as an escape from cold mists and rains, brutalizing poverty, family warfare, political strains, philosophical despair; Pitt and Fox, otherwise so different, agreed in favoring this anesthesia. Taverns were allowed to remain open through Saturday night till 11 A.M. Sunday,47 for Saturday was pay day, and time had to be allowed the “pub” to get its prime cut of the weekly wage. The middle classes drank more moderately; the upper classes drank heavily, but had learned to carry their liquor steadily, like a leaking tub.
Will Durant (The Age of Napoleon: The Story of Civilization, Volume XI)
It’s incredible, really, the amount of pain cricketers are prepared to put themselves through. Say you’re an opening batsman who gets out for a duck in the first over on day one. What compels you to hang around for the rest of the day, let alone turn up the following Saturday for day two? Yet you do, lest 10 blokes who you don’t even like think slightly less of you. You retain a sense of loyalty to the club, to your teammates, even though those same teammates will not hesitate to rate your girlfriend a ‘six out of 10’ in front of your face. During the time I’ve spent watching my teammates bat after getting out cheaply, I could have learned a language by now. I could be speaking Mandarin. Instead, all I’ve got to show for it is a career average of 13.6 and a 10 percent discount at our local pub.
Sam Perry (The Grade Cricketer)
Maybe I'm not telling this part too well. The whole thing was so unexpected and shocking that for a time I deliberately tried not to remember the details. Just then I was feeling much as though it were a nightmare from which I was desperately but vainly seeking the relief of waking myself. As I stepped out into the yard I still half-refused to believe what I had seen. But one thing I was perfectly certain about. Reality or nightmare, I needed a drink as I had seldom needed one before. There was nobody in sight in the little side street outside the yard gates, but almost opposite stood a pub. I can recall its name now - 'The Alamein Arms.' There was a board bearing a reputed likeness of Viscount Montgomery hanging from an iron bracket, and below, one of the doors stood open. I made straight for it.
John Wyndham (The Day of the Triffids)
One story sums up their magical quality. On June 30th 1968, at the height of Apple optimism, Paul McCartney and Derek Taylor were driving back to London from Saltaire, Yorkshire, where they had been recording the Black Dyke Mills Band on a song of Paul’s called ‘Thingummybob’. They were in Bedfordshire. Let’s pick a village on the map and pay it a visit, said Beatle Paul. He found a village called Harrold, which they found quite hilarious, and turned off the A5. Harrold turned out to be a picture-perfect village, with a picture-perfect pub at its heart. The pub was closed, but when the villagers saw there was a Beatle at the door they opened it up. Soon the whole village was in the pub, listening to Paul McCartney on the pub piano playing the as-yet-unreleased ‘Hey Jude’. Every Harrold resident danced and sang along, and the revelry went on until 3 a.m. It was beautiful, perfect, spontaneous and full of love. Harrold. You couldn’t make it up.
Bob Stanley (Yeah Yeah Yeah: The Story of Modern Pop)
A visiting pastor at our church in Plains once told a story about a priest from New Orleans. Father Flanagan’s parish lay in the central part of the city, close to many taverns. One night he was walking down the street and saw a drunk thrown out of a pub. The man landed in the gutter, and Father Flanagan quickly recognized him as one of his parishioners, a fellow named Mike. Father Flanagan shook the dazed man and said, “Mike!” Mike opened his eyes and Father Flanagan said, “You’re in trouble. If there is anything I can do for you, please tell me what it is.ℍ “Well, Father,” Mike replied, “I hope you’ll pray for me.” “Yes,” the priest answered, “I’ll pray for you right now.” He knelt down in the gutter and prayed, “Father, please have mercy on this drunken man.ℍ At this, a startled Mike woke up fully and said, “Father, please don’t tell God I’m drunk.ℍ Sometimes we don’t feel much of a personal relationship between God and ourselves, as though we have a secret life full of failures and sins that God knows nothing about. We want to involve God only when we plan to give thanks or when we’re in trouble and need help. But the rest of our lives, we’d rather keep to ourselves.
Jimmy Carter (Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President)
Small barely described the size of the village. The main strip consisted of five buildings—a tiny café, a post office, a grocery store, a butcher and a pub. And only two of those were open—the café and the pub.
Anni Taylor (Stranger in the Woods)
In the UK, it would not be until 1975 that a woman could open her own bank account, and not until 1982 that she could buy her own drink in a pub.
Jeff Eggers (Leaders: Myth and Reality)
Matthew looked up the street. The pub on the corner was the centre of a mob of people kicking, gouging and biting each other to get to the bar. An upstairs window shattered and a stream of people fell twenty feet to the hard concrete pavement. The courting couple lay in the middle of the junction having loud and enthusiastic sex, the crowd around them either openly masturbating or dropping to the ground in groupings of naked limbs.
Peter Bailey (Kings Of This World)
As soon as the pub opens, I’m going straight there to drink four pints in a row.’ ‘I’ll try to join you once I’ve seen McGuire. That’s if he lets me out again.
Anna Smith (The Hit (Rosie Gilmour #9))
The pub door swings open when a man enters. A window of moonlit sky and sea illuminates the darkened pub, and a surge of cold ocean air charges its way inside. It's as if Cuchulainn's raging soul had passed through the doorway.
Laura Treacy Bentley (The Silver Tattoo)
not required to stay late in the Whitehall area, I used, as a general routine, to come straight back from duty to a nearby pub, dine there, then retire to bed with a book. At that period the seventeenth century particularly occupied me, so that works like Wood's Athenae Oxonienses or Luttrell's Brief Relation opened up vistas of the past, if not necessarily preferable to one's own time, at least appreciably different. These historical readings could be varied with Proust.
Anthony Powell (The Military Philosophers (A Dance of Music and Time))
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
The door of the bar swung open and a tangle of British ‘blokes’ sauntered through, stinking of Ryanair-pre-planned-pub-crawling.
Calla Henkel (Other People’s Clothes)
This one is skewered guts. It's all the guts except the liver." "It's got that unique texture of a gut, with a slightly bitter taste!" "The flavor of the guts tends to seep out when you make soup with it, but this retains all its refreshing original flavor!" "This is a fin skewer. As you can guess from its name, it's the dorsal fin of the eel... ... wrapped around a skewer with ribs and garlic chives." "This is my favorite one!" "They throw these parts away when they make kabayaki." "Ah! I understand why this is your favorite, Yamaoka-san! The eel and the garlic chives create a rich, savory flavor!" "I never thought eel and garlic chives would go so well together!" "The dorsal fin of a left-eyed flounder is called an engawa, and it's considered a delicacy. It's the most active part of the fish's body, so it's fatty and good to eat." "The same goes for the eel." "This one is the collar. It's the meat around the neck, below the eyes... ... which I cut open and skewered after taking the head off. The head bone is very tough, so this is the only part of the eel I throw away." "Hmm, so it's called the "collar" because it's the area around the neck." "It has a complex flavor to it too. It's totally different from the stomach meat, the guts or the dorsal fin!" "It kind of tastes like a mixture of fish and lamb meat! There are so many other skewers, right?!" "Yahata-maki, which is eel meat wrapped around burdock. Tanzaku, where the meat has been cut like strips of paper. Smoked eel. And of course, we can't forget the famous kabayaki.
Tetsu Kariya (Izakaya: Pub Food)
Kabayaki-style means brushed with sauce, skewered on sticks and then grilled over charcoal. For a Tokyo-style eel kabayaki, the eel is split open from its back, grilled without the sauce, steamed and then grilled again with the sauce. For the Kansai-style, the eel is split open from its stomach, and then grilled right away without being steamed.
Tetsu Kariya (Izakaya: Pub Food)
The rose bush I planted in the garden is your birthday present from me. To answer your question you asked me in the car last night; Whenever I walk past a pub, I will always think of spending the night with you under the stars by the open fire listening to the waves and talking together at Poteen Café. I will never forget dancing with you in the street outside the Old Lighthouse Bistro. Finally, I will always remember you standing in the hallway in that blue dress looking at me with those beautiful eyes of yours. Take care of yourself, please." Yours very truly, Brian
Kenan Hudaverdi (Nazar: “Self-Fulling Prophecy Realized”)
Meanwhile, the front door opened. It was something it was very good at. After all, it had been doing it for years. Did it with skill and grace, obviously taking great pride in its work, not even making a squeak. Probably
Patrick Thomas (Murphy's Lore: Tales From Bulfinche's Pub)
you ever wondered why socks disappear in the dryer?”   I nodded, offering, “The spinning of the dryer combined with the intense heat tears open small holes in the fabric of space and time. Occasionally a sock falls through and ends up in the dresser of some dinosaur.” Not everyone agreed with my idea.   “The way I see it is the socks mutate into wire coat hangers which then somehow appear in my closet,” Dion surmised.
Patrick Thomas (Murphy's Lore: Tales From Bulfinche's Pub)
The longing for a repetition of Nazi barbarism, with its racism and contempt for humanity, is being openly expressed on the streets, among cronies in pubs, on the radio and television,” the article observed. Skinhead youths would not be rampaging, it pointed out, “if they did not feel backed by the prejudices and resentments of the silent majority.
Peter Wyden (The Hitler Virus: The Insidious Legacy of Adolph Hitler)
For a month already I was carrying on my affair with him, the whole month behind the closed doors of his office with hot wet kisses, with top secret papers scattered on the floor thrown off the table in haste, Georg rolling his eyes at yet another cancelled meeting and the order not to disturb the Chief of the RSHA, winks and hidden smiles through the half opened door, and the two of us smelling of each other’s perfume. And with every day I was sinking deeper and deeper in that swamp, and didn’t even try to grab the ground that was right next to me. I was disgusted with myself like an alcoholic who wakes up in a pile of dirt, but crawls right back to the pub to fill himself again with the poisonous liquor slowly killing him with every new sip.
Ellie Midwood (Gruppenführer's Mistress (The Girl from Berlin, #2))
There are probably a lot of things in life to ensure you remain part of the living. Threatening the child of a werewolf is not one of those things. Threatening the daughter of Thomas Carpenter is akin to walking into a pub in Liverpool and saying that Manchester United is great. There’s a chance you’re going to make it out alive, but it’s remote, and if you do, you’re going to forever remember the time you had your head inserted up your own ass.
Steve McHugh (Lies Ripped Open (Hellequin Chronicles #5))
The way I see it,” she went on, “our friendship, and our working relationship, were solid foundations we built over time. Now you’re here wanting more, and the way we started that next step was with a kiss. So I feel like we’ve done just about everything two people can do in getting to know each other except…finish that kiss. It seemed to me that the logical next step, the next piece of information we needed to know, was what comes next when we let that kiss go to its natural conclusion.” She did smile then, and her emerald green eyes blazed as she let down a guard he didn’t know she’d still had erected, letting him see for the first time the rest of what she was feeling. “Or at least that was my rationale for finally letting myself have what I fantasized about having, all those months I worked next to you.” He opened his mouth, then shut it again when her words sank in. “I--what did you just say?” Her smile remained, but there was a new light flickering in the depths of her eyes now, one that somehow managed to look bold, excited, and endearingly nervous all at the same time. “You weren’t alone, Cooper, in wanting…what you wanted. At least the physical attraction part anyway. I should have been more forthright about that when you showed up at the pub, or afterward. But at least try to see this from my perspective. Suddenly, out of the blue, the man I lusted after all those months was standing, quite improbably, right in front of me, in his full, Technicolor gorgeousness, looking even better than the guy I was sure I’d exaggerated and romanticized. Right there, in the flesh. And before I could even begin to get a grip on that, you went all going down on bended knee on me, and--it was all so much, too much, to even begin to process.” She let out a short, disbelieving laugh. “Maybe if you’d just dragged me into your arms and not given me a chance to think, I might have surrendered right there on the spot, and the rest of the Cove be damned. But instead you’re all sincere, with your big, beautiful heart hanging on your sleeve, all earnest and lovely, and I so didn’t deserve anything like that, not after the way I left things between me and your entire family. I didn’t have the first clue what to do with that. With you.” Her smile turned decidedly rueful. “So, naturally, I resorted to form. I shut you down, told you to go away. If I couldn’t run away, I was going to make damn sure you did. I mean, it was one thing to leave Cameroo, then insult you and your family by not keeping in touch. It was another thing entirely to do it again, right to your face.” “I hate to interrupt,” he said, trying like hell not to grin, then drag her into his lap to do what he apparently should have done the moment he’d laid eyes on her again. “But I haven’t heard a word you’ve said since that part where you’ve been lusting after me for two years.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
As we started our long drive back to the zoo, we stopped at what could be called a general store. There was a pub attached to the establishment, and the store itself sold a wide variety of goods, groceries, cooking utensils, swags, clothing, shoes, even toys. As we picked up supplies in the shop, we passed the open doorway to the pub. A few of the patrons recognized Steve from television. We could hear them talking about him. The comments weren’t exactly positive. Steve didn’t look happy. “Let’s just get out of here,” I whispered. “Right-o,” he said. One of the pub patrons was louder than the others. “I’m a crocodile hunter too,” he bragged. “Only I’m the real crocodile hunter. The real one, you hear me, mate?” The braggart made his living at the stuffy trade, he informed his audience. A stuffy is a baby crocodile mounted by a taxidermist to be sold as a souvenir. To preserve their skins, hunters killed stuffys in much the same way that the bear poachers in Oregon stabbed their prey. “We drive screwdrivers right through their eyes,” Mister Stuffy boasted, eyeing Steve through the doorway of the pub. “Right through the bloody eye sockets!” He was feeling his beer. We gathered up our purchases and headed out to the Ute. Okay, I said to myself, we’re going to make it. Just two or three more steps… Steve turned around and headed back toward the pub. I’d never seen him like that before. My husband changed into somebody I didn’t know. His eyes glared, his face flushed, and his lower lip trembled. I followed him to the threshold of the pub. “Why don’t you blokes come outside and tell me all about stuffys in the car park here?” he said. I couldn’t see very well in the darkness of the pub interior, but I knew there were six or eight drinkers with Mister Stuffy. I thought, What is going to happen here? There didn’t seem any possible good outcomes. The pub drinkers stood up and filed out to face Steve. A half dozen against one. Steve chose the biggest one, who Mister Stuffy seemed to be hiding behind. “Bring it on, mate,” Steve said. “Or are you only tough enough to take on baby crocs, you son of a bitch?” Then Steve seemed to grow. I can’t explain it. His fury made him tower over a guy who actually had a few inches of height on him and outweighed him with a whole beer gut’s worth of weight. I couldn’t imagine how he appeared to the pub drinkers, but he was scaring me. They backed down. All six of them. Not one wanted to muck with Steve, who was clearly out of his mind with anger. All the world’s croc farms, all the cruelty and ignorance that made animals suffer the world over, came to a head in the car park of the pub that evening. Steve got into the truck. We drove off, and he didn’t say anything for a long time. “I don’t understand,” I finally said in the darkness of the front seat, as the bush landscape rolled by us. “What were they talking about? Were they killing crocs in the wild? Or were they croc farmers?” I heard a small exhalation from Steve’s side of the truck. I couldn’t see his face in the gloom. I realized he was crying. I was astounded. This was the man I had just seen turn into a furious monster. Five minutes earlier I’d been convinced I was about to see him take on a half-dozen blokes bare-fisted. Now he wept in the darkness. All at once, he sat up straight. With his jaw set, he wiped the tears from his face and composed himself. “I’ve known bastards like that all my life,” he said. “Some people don’t just do evil. Some people are evil.” He had told me before, but that night in the truck it hit home: Steve lived for wildlife and he would die for wildlife. He came by his convictions sincerely, from the bottom of his heart. He was more than just my husband that night. He was my hero.
Terri Irwin (Steve & Me)
Syn didn’t even think twice. He made his way to the end of the bar and lifted the top, coming behind the bar. The two girl bartenders looked at him in shock and Syn flashed his badge again. “Where’s Furious?” he asked, using his authoritative cop tone. “He left,” they said in unison, still looking at him strangely. “Damnit,” Syn hissed and raced out of the pub. He looked anxiously up and down the sidewalk and saw Furious sitting on the bench, head hanging low, waiting on the bus. Even though he had a hoodie pulled up and hanging low over his forehead ... Syn knew it was his ma– He’s not my damn man, he’s just a friend. Syn approached his new friend with all the confidence in the world but wasn’t prepared for the angry, haunted eyes that looked up at him when he slowly removed Furious’ hood. Syn sucked in a hard breath and blew it out slowly before finally deciding to speak. “Furious. Are you okay?” No answer. “Are you hurt?” Syn was really concerned. Furious looked detached, closed in on himself. “Bab–” Shit. “Furi,” Syn quickly corrected. “Please answer me. Look my place is right there.” Syn pointed in the direction of his building. “If you want you can come up and talk. I can take you home later.” It was a few long and very intense minutes that Furious didn’t move or say anything. “We’ll just talk, okay?” Syn tried again. Thanks a lot MARTA. Perfect timing. Just Syn’s luck that the bus pulled up to the curb and the air doors swung open. “Furious, I just want to talk.” “No thanks, Detective.” Furious' voice was so deep and angry, it’d felt like Furi had struck him. Syn swallowed a hard gulp.
A.E. Via
Got a hot date tonight, Sarge?” Ro chuckled as he handed Syn the next group of Illustra’s entertainers that were being picked up for questioning. Syn flushed but chose to ignore Ro’s smug grin. “Shut up,” he mumbled, and flipped open the next file. He flinched so hard his neck popped. Syn’s breath caught at the image that stared back at him. “Oh yeah. This is the one I wanted to mention, he might be a prime suspect.” Syn threw his hand up, stopping Ro. This couldn’t be happening. “I thought we’d concluded that the killers were women from that crazy-ass men-bashing group, BTNS?” “Yes, we did. But hear me out; there may be more players in this. Starman was definitely taken out by women but he could’ve been set up by others. This guy's name is Furious Gray Barkley. During questioning, the owner of Illustra, Johnathan Mack said that Furious Barkley, who performs as Furious Styles, was scheduled to do a movie with Sasha Pain but declined. Furious’ replacement was our vic.” Ro rubbed his smooth face and kept talking, oblivious to Syn’s inner turmoil. “Kicker is, although this Furious Gray Barkley has no priors, he’s also known as Furious Gray Nicks. Husband to Patrick Nicks. That image there is a photo that was given to the Charlotte Mecklenburg Police Department when Furious’ husband filed a missing persons on him almost a year ago. Furious is on the run and I want to know why. I contacted the husband but had to leave a message. I already sent Jameson to pick him up. He works at a pub in ... hmmm.” Ro’s eyebrows rose. “In your neighborhood.
A.E. Via
He seemed to be having trouble remembering the steps, for he was pumping my arm and counting under his breath (one, two, three), and his breath smelled like the open maws of the pub cellars that grapes on Whitchurch pavements on delivery day. Beer.
Lorna Sage (Bad Blood)
George Mumford, a Newton-based mindfulness teacher, one such moment took place in 1993, at the Omega Institute, a holistic learning center in Rhinebeck, New York. The center was hosting a retreat devoted to mindfulness meditation, the clear-your-head habit in which participants sit quietly and focus on their breathing. Leading the session: meditation megastar Jon Kabat-Zinn. Originally trained as a molecular biologist at MIT, Kabat-Zinn had gone on to revolutionize the meditation world in the 1970s by creating a more secularized version of the practice, one focused less on Buddhism and more on stress reduction and other health benefits. After dinner one night, Kabat-Zinn was giving a talk about his work, clicking through a slide show to give the audience something to look at. At one point he displayed a slide of Mumford. Mumford had been a star high school basketball player who’d subsequently hit hard times as a heroin addict, Kabat-Zinn explained. By the early 1980s, however, he’d embraced meditation and gotten sober. Now Mumford taught meditation to prison inmates and other unlikely students. Kabat-Zinn explained how they were able to relate to Mumford because of his tough upbringing, his openness about his addiction — and because, like many inmates, he’s African-American. Kabat-Zinn’s description of Mumford didn’t seem to affect most Omega visitors, but one participant immediately took notice: June Jackson, whose husband had just coached the Chicago Bulls to their third consecutive NBA championship. Phil Jackson had spent years studying Buddhism and Native American spirituality and was a devoted meditator. Yet his efforts to get Michael Jordan, Scottie Pippen, and their teammates to embrace mindfulness was meeting with only limited success. “June took one look at George and said, ‘He could totally connect with Phil’s players,’ ’’ Kabat-Zinn recalls. So he provided an introduction. Soon Mumford was in Chicago, gathering some of the world’s most famous athletes in a darkened room and telling them to focus on their breathing. Mumford spent the next five years working with the Bulls, frequently sitting behind the bench, as they won three more championships. In 1999 Mumford followed Phil Jackson to the Los Angeles Lakers, where he helped turn Kobe Bryant into an outspoken adherent of meditation. Last year, as Jackson began rebuilding the moribund New York Knicks as president, Mumford signed on for a third tour of duty. He won’t speak about the specific work he’s doing in New York, but it surely involves helping a new team adjust to Jackson’s sensibilities, his controversial triangle offense, and the particular stress that comes with compiling the worst record in the NBA. Late one April afternoon just as the NBA playoffs are beginning, Mumford is sitting at a table in O’Hara’s, a Newton pub. Sober for more than 30 years, he sips Perrier. It’s Marathon Monday, and as police begin allowing traffic back onto Commonwealth Avenue, early finishers surround us, un-showered and drinking beer. No one recognizes Mumford, but that’s hardly unusual. While most NBA fans are aware that Jackson is serious about meditation — his nickname is the Zen Master — few outside his locker rooms can name the consultant he employs. And Mumford hasn’t done much to change that. He has no office and does no marketing, and his recently launched website, mindfulathlete.org, is mired deep in search-engine results. Mumford has worked with teams that have won six championships, but, one friend jokes, he remains the world’s most famous completely unknown meditation teacher. That may soon change. This month, Mumford published his first book, The Mindful Athlete, which is part memoir and part instruction guide, and he has agreed to give a series of talks and book signings
Anonymous
Suddenly, the man was thrown off her. Darcy looked around, but saw nothing. She rose up on her elbows to see the man climbing to his feet, shaking his head to clear it. His four comrades were looking up to the sky nervously. A huge, dark shape descended from the sky, vanishing quickly. Along with one of her attackers. Darcy was afraid to move and be taken as well. She remained still, her chest heaving. Another shape formed out of the dark sky. She could only stare openmouthed at the dragon coming right for her. Just before he touched down, the dragon shifted, taking the form of a man—a man that left her breathless and awestruck. There was no denying she was looking at a Dragon King. He stood naked, his hands at his sides while his gaze was riveted on the men who accosted her. The shadows kept much of him out of sight, but the streetlamps shed enough light of the hard sinew of his body that she wanted to see more. His lips peeled back in a snarl as he fought the four remaining men. He moved quickly, as if it were as effortless as breathing. The men began to throw huge bubbles of magic at the Dragon King. He dodged many of them. The few that hit him barely made an impact other than to infuriate him, if his bared teeth were any indication. The man—or whatever he was—who had stopped her in the pub was struck down with lethal force by the Dragon King. Darcy almost cheered, but it got lodged in her throat when she saw something out of the corner of her eye. Had she not turned right then, Darcy would never have seen the second dragon swoop from the sky and wrap its talons around another of the men before flying away, crushing him. That left just two of her attackers. They and the Dragon King circled each other on the street. “She’s ours,” one of the red-eyed men said. The Dragon King merely raised a brow. “Think again, Dark.” More globes of magic flew from the two Dark, but the Dragon King was too fast. He came up behind one of the Dark and ripped out his spinal column. The same instant the dragon grabbed the other. Both Dark fell lifeless to the ground a moment later. Darcy hadn’t moved a muscle in the few minutes that had passed. The need that had assaulted her earlier with the Dark was now gone. But she wasn’t alone. The Dragon King’s gaze turned to her. Darcy watched him standing in the glow of the streetlight, completely mesmerized by the dragon tat that ran from the King’s right shoulder, under his armpit, and down his side to the top of his right thigh. The dragon’s head was at the front of the man’s shoulder and had his mouth open as if on a roar. He was rearing with his wings up and out. It was his long tail that stopped at the King’s thigh. The King glistened with sweat that made his muscles gleam in the light. Darcy had the absurd notion to run her hands all over his body, learning the feel of his hard muscles and warm skin. Her gaze traveled down his wide chest to his washboard stomach and narrow waist. Then lower...
Donna Grant (Soul Scorched (Dark Kings, #6))
Back when English was a four-form system, it, too, had a si—a word used specifically to contradict negative statements. That word was “yes.” To affirm positive statements, you used “yea”: Shoot, there aren’t any open pubs in Canterbury at this hour.Yes, there are. Is Chaucer drunk?Yea, and passed out on the table. Similarly, “nay” was used to respond to positive statements or questions, while “no” was reserved for contradicting anything phrased in the negative: Is the Tabard open?Nay, it closed at midnight. Isn’t Chaucer meeting us here?No, he went home to bed. Over time, the distinction withered, “yea” and “nay” became obsolete, and “yes” and “no”—the words that started out as special cases, for responding exclusively to negatives—came to hold their current status. Or, as the case may be, statuses.
Anonymous
The Industrial Revolution turned the timetable and the assembly line into a template for almost all human activities. Shortly after factories imposed their time frames on human behaviour, schools too adopted precise timetables, followed by hospitals, government offices and grocery stores. Even in places devoid of assembly lines and machines, the timetable became king. If the shift at the factory ends at 5 P.M., the local pub had better be open for business by 5:02.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
But then that bubble popped when I found out he was the one who’d taken over the shop space next door.” Thankfully, the holidays had hit shortly after they’d discovered that little detail. She ended up getting slammed with the overflowing winter break pub crowd as a result, and he’d had family things to attend to in addition to all the final preparations getting his chocolate shop ready for its grand opening. Then after nearly a week
Violet Duke (Love, Chocolate, and Beer (Cactus Creek, #1))
She was every bit of everything he remembered about her, all at once and all at the same time. That was Kerry McCrae in a nutshell, he thought. All at once, full on, 100 percent real. No bullshit. She froze on seeing him, and while the wariness in her beautiful green eyes wasn’t a surprise, the vulnerability sure was. “Starfish--” “Don’t call me that,” she said, then immediately, and less stridently, added, “Not here.” She ducked around him before he could react and was down the set of wooden steps leading off the narrow cement loading dock that ran along the back of the pub, heading across the gravel lot. He started after her. He might not have handled any of this even close to how he’d planned, but he wasn’t flying all the way back home without at least a conversation. A private conversation. You might have wanted to lead with that, you yobbo. “Kerry, wait.” “Not here,” she repeated, then opened the driver’s side door to a beat-up old navy blue truck that looked like it was more rust than actual metal. “Get in.” “I’ve got a rental. I’ll be happy to--” She swung her laser green gaze to his. “Get in.” She slammed the door without waiting for a reply, then slammed it a second time to get the handle to catch. He climbed in the passenger side, not all that surprised to find the inside of the cab surprisingly clean and as well maintained as possible, given the thing had one tire, if not two, in the grave. Kerry McCrae had never fussed about how she looked or what she wore, but when it came to property or equipment, whether it be her own or simply entrusted to her care, no matter how old or worn out, she had a dab hand at keeping it clean and neat, all systems go. Her concern was never about appearance, just functionality and getting the job done. It was sexy as hell then, and it was sexy as hell now.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I looked at the tall man through the rearview mirror—newly heroic and cheerfully crushed into my tiny car—and I knew that I loved him. Hot on the heels of this realization was the accompanying acknowledgment that it did not take a great deal for me to fall in love. Being defended, considerateness, a train door held open, making room on a crowded pub bench—these things regularly not only triggered my devotion, they also were watertight assurances of my lifelong happiness with this new stranger. The thing was, I was completely aware of how nuts it was to feel a whole life together on the back of a kind word, but it never stopped me from falling in love. As a truly terrible person I once fell in love with said when I told him I first loved him after he’d given me a lift home: “That’s not just nuts, it’s also crazy.
Minnie Driver (Managing Expectations: A Memoir in Essays)
He wrote an apology letter. After the last time. The worst time. The time I remember most clearly because I wasn’t asleep. I’d just turned off the light. I was full of frozen pizza and a romantic comedy I’d stayed up late to watch. Jacinta was staying with a friend. Mum and Pete were at the pub. I heard the front door open and close and knew it must be him though he wasn’t due a visit until the following Friday. I could have jumped out of bed, put on a pair of jeans and pretended to be on the phone or reading or anything other than sleeping. When I return to that night, I know I stayed still out of a warped curiosity. He tapped on the door and came in. ‘Hey, Dolly,’ he whispered. He wrote a letter to apologise.
Sarah Crossan (Hey, Zoey)
Do you remember the old Jewish quarter?" "As a matter of fact, I came when it had already disappeared...In us all it still lives - the dark corners, the secret alleys, shuttered windows, squalid courtyards, rowdy pubs, and sinister inns. We walk through the broad streets of the newly built town. But our steps and our glances are uncertain. Inside we tremble just as before in the ancient streets of our misery. Our heart knows nothing of the slum clearance which has been achieved. The unhealthy old Jewish town within us is far more real than the new hygienic town around us. With out eyes open we walk through a dream: ourselves only a ghost of a vanished age.
Gustav Janouch (Conversations with Kafka)
They were going to have a hell of a time trying to pull her out of that tunnel after Buster sandwiched her in there tighter than the belt on Lou Costello. The door of the pub opened, and a man in a long brown trench coat sat down beside Duke.
Ron Plante Jr. (The Holy City Express (A Duke Dempsey Mystery, #4))
When Bill Wyman left, in 1991, I got extremely stroppy. I really did have a go at him. I wasn’t very nice. He said he didn’t like to fly anymore. He had been driving to every gig because he’d developed a fear of flying. That’s not an excuse—get outta here! I couldn’t believe it. I’d been in some of the most ramshackle aircraft in the world with that guy and he’d never batted an eyelid. But I guess it’s something that one can develop. Or maybe he did a computer analysis. He was very into that. Bill had one of the first. It satisfied that meticulous mind of his, I suppose. He probably got something out of the computer, like the odds against you after flying so many miles. I don’t know why he’s so worried about dying. It’s not a matter of avoiding it. It’s where and how! But then what did he do? Having freed himself by luck and talent from the constraints of society, that one-in-ten-million chance, he goes back into it, into the retail trade, putting his energy into opening up a pub. Why would you leave the best band in the fucking world to open a fish-and-chip shop called Sticky Fingers? Taking one of our titles with him. It seems to be doing well.
Keith Richards (Life)
When Bill Wyman left, in 1991, I got extremely stroppy. I really did have a go at him. I wasn’t very nice. He said he didn’t like to fly anymore. He had been driving to every gig because he’d developed a fear of flying. That’s not an excuse—get outta here! I couldn’t believe it. I’d been in some of the most ramshackle aircraft in the world with that guy and he’d never batted an eyelid. But I guess it’s something that one can develop. Or maybe he did a computer analysis. He was very into that. Bill had one of the first. It satisfied that meticulous mind of his, I suppose. He probably got something out of the computer, like the odds against you after flying so many miles. I don’t know why he’s so worried about dying. It’s not a matter of avoiding it. It’s where and how! But then what did he do? Having freed himself by luck and talent from the constraints of society, that one-in-ten-million chance, he goes back into it, into the retail trade, putting his energy into opening up a pub. Why would you leave the best band in the fucking world to open a fish-and-chip shop called Sticky Fingers? Taking one of our titles with him. It seems to be doing well. Not so Ronnie’s similarly inexplicable foray into the catering trade, always a nightmare of keeping people’s fingers out of the till. Josephine’s dream was to have a spa. They opened it, it was a disaster, it fell apart and went down in a blaze of insolvency proceedings.
Keith Richards (Life)
Sure,’ Mary said, putting on a smile. ‘I have to get back. But please, feel free to look around as much as you’d like.’ Roper gave her a look that said, we don’t need your permission for that, but Jamie thanked her anyway and let her walk off.  He sucked on his teeth the way he did when he wanted a cigarette, and watched Mary go out of earshot. ‘Find anything?’ he asked, turning to Jamie. She let out a long breath. ‘Don’t know yet. Looks like Grace wasn’t as faithful to Ollie as she made out.’ ‘Lover’s tiff?’ ‘Could be.’ Jamie thought about it. ‘Spurned ex, maybe. Maybe it’s the drugs. Maybe something else entirely.’ She rubbed her eyes. It’d been a long morning and she needed to eat. ‘Come on. Let’s head back to HQ, get this written up. We’ll come back when Grace shows her face.’ Roper nodded without a word and headed for the door, already reaching for his cigarettes. Chapter 6 Jamie zipped up her jacket and dug her hands into her pockets, following Roper out the door. He’d sped on ahead so that he could light up before Jamie told him not to. She didn’t like that fresh stink in her car, and she definitely wouldn’t let him smoke in there anyway. And he definitely wasn’t above running out and doing it before she had time to protest. Her effort to make him quit by forcing him to stand in the cold obviously wasn’t working. He was a seasoned smoker and spent most nights standing outside pubs, come rain or shine, sucking down smoke.  That and the fact that he was far too stubborn to give in to such a weak ploy. It was like those goats that stand on the side of damns to lick the salt off. One missed step and it was guaranteed death. But they were single minded. And so was Roper. If she cared more she might have tried harder, but she knew from experience that when guys like Roper made a decision, they’d stick to it forever. As far as he was concerned, the drinking and the smoking was as much a part of him as his belly button was. It couldn’t be changed, and trying would only invite self-loathing. Guys like him had to hit rock bottom. Only then could they start coming back up. But sometimes they just stayed there, scraping the ground until they gouged a hole deep enough to die in.  She should call her mum. It had been a while. Outside, Roper was already two drags in by the time she reached the steps. A couple of the people outside had moved on and the guy in the sleeping bag had woken up and headed inside, though the urine stain that had seeped into the stone under him still remained. Jamie tried not to breathe through her nose as she hopped down the steps, her shin still throbbing from the morning’s bout with Cake.  She opened her mouth to tell Roper to hurry up when she almost got knocked over. A guy in his forties with an expensive suit and a long lambswool coat was rushing by, his head turned towards the steps. ‘Filthy fucking cretins,’ he almost yelled at the three homeless people still perched on the steps, before colliding with Jamie. He stumbled sideways, down into the roadway, shoving Jamie backwards.  ‘Get off!’ he shouted, flapping his arms. Jamie steadied herself and stared at him. Roper even stopped smoking his cigarette and came forward. ‘Hey!’ he called. ‘You’re not having any!’ the man yelled again, striding forward away from the shelter. ‘You should all be drowned. Wash this goddamn city clean!
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
We spend prolonged periods in pubs and restaurants after all, whiling away the hours with friends, waiting in vain for the weather to ease. Our homes become a natural extension of these convivial spaces: warm and open to guests. Spending so much time indoors with other people, perhaps over an alcoholic drink, encourages conversation, arguments and resolutions. It fills us up with more knowledge - or at least allows us to realise there are other opinions aside from our own.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Living in London, it’s easy to forget that people can talk to each other. I walk my dogs around Wapping past hundreds of people on pavements and in parks and it is very rare a smile is exchanged or the silence broken. I occasionally get ‘Are you Graham Norton?’ ‘Love the show’ or a simple ‘Faggot!’ but for most people making their way through the capital, you soon learn that people generally only speak to you when they are (a) crazy, (b) want money, or (c) both. We quickly learn the rules and for the most part they work. In Ireland it is impossible to imagine not saying hello or commenting on the weather. When I first started going back home again, it would always take me a day or two to stop thinking everyone I met was trying to sell me something or explaining why they needed £2 to get the train. I know this is true of rural communities the world over, but talking seems to be something we in Ireland are especially gifted at. There are nights in the pub when my friends look on in slack-jawed incomprehension as someone opens their mouth and a torrent of words tumble free. Usually they don’t have anything to say. Their gate fell down. Who put it there. The man who fixed it. The general state of gates in the area. I will then remember an ‘interesting’ fact about my own gate. They will know the man who owned the forge where they made it. Are they a relation of the man who delivers the stuff? And so it goes. A seamless gush of phrases and banter as traditional as a sing-song or drink-driving. It is talking for the pure pleasure of it and not to communicate a single thing. It is the human equivalent of barking or birdsong.
Graham Norton (The Life and Loves of a He Devil)
Mother I need answers Is it a curse mother to be a female? Is it a taboo to be female? Don`t we have the same spirit like males? Don’t we have the same flesh like the male? Nights are harsh, nights are haunted hours gushing my tears on my hazel skin mother I‘m torn apart. Mother did my ancient mothers feel the same abuse? Mother did my ancient mothers carry the same burdens like the one I’m carrying? Mother remove your old breast, I want to suckle freedom, mother remove your breast I want some solace and protection from the screams of the world. He comes home smelling the pub, he comes with anger written on his forehead and his eyes magma henna. He opens the door and he starts to shout, vandalize the property and he wrestles me. Do I have some value under this hot sun? Mother I need The disk of the orb breaks down, seeds of tears are planted on the floor. He roughly and vigorously opens my legs and he enjoys the sex whilst I enjoy the pain. Blood flows on my legs, a pool of blood on the floor that needs to be mopped. He is snoring and he dreams of another battle where he is always victorious. Why do man abuse women? Mother I need answers.
Tapiwanaishe Pamacheche (Depth of colour)
Elizabeth yawns, her long day done, and opens her front door. Instantly she can tell something is wrong. Senses that something very bad has happened. This is a sense she has learned to trust. The TV is off, that’s unusual. Stephen will sit and watch all day now. The History Channel. He used to tell her about what he watched, but not so much these days. Sometimes she will watch with him in the evening. It is mainly Nazis and Ancient Egypt. Not bad. She slips off her coat and hangs it on one of the hooks in the hall. It is next to Stephen’s waxed Barbour jacket. The walks they used to take, the two of them. Yomping for hours, then a pub with a fire and a friendly dog, help Stephen with the crossword. Now they try for an hour a day, through the woods. No country fireplaces. Another thing lost, and so little left. She touches the sleeve of the jacket.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
I took her to a place called Malone's, which was a hole in the wall that served beer, a few kinds of pub food, and not much else. It sucked, but it was on the outskirts of town and it was frequented by losers. I knew we wouldn't see anyone we knew. I also knew that it would be open, because just like me, the losers would have nowhere else to go.
Julie Kriss, Make Me Beg
Think of Eric Clapton on that Saturday evening as a repentant sinner who is literally on the road to salvation, like the hero of Pilgrim’s Progress, the seventeenth-century allegory. Suppose that he, too, is journeying toward a Celestial City. While traveling through the open countryside, he can see the city’s far-off golden spires and keeps heading in their direction. This evening he looks ahead and notices a pub, strategically situated at a bend in the road so that it’s directly in front of travelers. From this distance it looks like a small building, and he still keeps his eyes fixed on the grander spires of the Celestial City in the background. But as Eric the Pilgrim approaches the pub, it looms larger, and when he arrives, the building completely blocks his view. He can no longer see the golden spires in the distance. Suddenly the Celestial City seems much less important than this one little building. And thus, verily, our pilgrim’s progress endeth with him passed out on the pub’s floor. That’s the result of hyperbolic discounting: We can ignore temptations when they’re not immediately available, but once they’re right in front of us we lose perspective and forget our distant goals. George Ainslie, a renowned psychiatrist and behavioral economist with the Department of Veterans Affairs, worked out the mathematics of this foible by using some clever variations of the familiar experiments testing long-term and short-term rewards. For instance, if you won a lottery with a choice of prizes, would you prefer $100 to be paid six years from today, or $200 to be paid nine years from today? Most people will choose the $200. But what if the choice were between $100 today and $200 three years from today? A rational discounter would apply the same logic and conclude once again that the extra money is worth the wait, but most people will instead demand the quick $100. Our judgment is so distorted by the temptation of immediate cash that we irrationally
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
Dread flooded Harry at the sound of the words. . . . He turned and looked. There it was, hanging in the sky above the school: the blazing green skull with a serpent tongue, the mark Death Eaters left behind whenever they had entered a building . . . wherever they had murdered. . . . “When did it appear?” asked Dumbledore, and his hand clenched painfully upon Harry’s shoulder as he struggled to his feet. “Must have been minutes ago, it wasn’t there when I put the cat out, but when I got upstairs —” “We need to return to the castle at once,” said Dumbledore. “Rosmerta” — and though he staggered a little, he seemed wholly in command of the situation — “we need transport — brooms —” “I’ve got a couple behind the bar,” she said, looking very frightened. “Shall I run and fetch — ?” “No, Harry can do it.” Harry raised his wand at once. “Accio Rosmerta’s Brooms!” A second later they heard a loud bang as the front door of the pub burst open; two brooms had shot out into the street and were racing each other to Harry’s side, where they stopped dead, quivering slightly at waist height. “Rosmerta, please send a message to the Ministry,” said Dumbledore, as he mounted the broom nearest him. “It might be that nobody within Hogwarts has yet realized anything is wrong. . . . Harry, put on your Invisibility
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
now and had a merry smile on his face. ‘Well, goddammit, boys! If I ain’t just remembered! There’s a whorehouse open all night long just outside Pens’cola! You’re sure you won’t come with me?’ We were sure. He dropped us at the main gate of the station with cheery shouts of farewell and drove off about 1.30 in the morning to ‘round off his evening’. We were soon to learn that certain ‘Southern gentlemen’ dropped in to the local brothel with the easy nonchalance Englishmen pop into their local pub—but without their wives, of course! Generally speaking, it was rare for us to leave the station other than at weekends. Our working hours were long and our leisure hours short; so we had to find our entertainment within the station. However, almost every day we found time to swim in the lagoon which separates the mainland from Santa Rosa Island, where the big flying-boats taxied in and out, the deep rumble of their Pratt and Whitneys music to our ears. We became expert with surf-boards—rectangles of wood about the size of a large tea-tray with a pair of rope reins, towed behind a fast motor-boat. Was it the fore-runner of water-skis? The technique seems to have been virtually the same. But, whatever one’s leisure activities, life
Norman Hanson (Carrier Pilot: A Gripping WWII Pilot's Memoir)
which both players know, but never openly acknowledge, to be utter bollocks.
Pete Brown (Man Walks Into A Pub: A Sociable History of Beer (Fully Updated Second Edition))
That was the thing about signs, they were open for interpretation. Meaning was in the eye of the beholder.
Mary Carter (The Pub Across the Pond)
An open heart didn’t mean every man for himself. It meant doing what was best for the greater good. It meant doing in your heart what you knew to be the right thing to do, even if, maybe especially if, it also meant saying good-bye.
Mary Carter (The Pub Across the Pond)
He sat and smoked deliberately, as if he were finished with his recital. I directed him to tonight’s activities. “Tell me about tonight, Jeff. What happened?” He sat up again and appeared eager to tell me. “Well, Pat, it’s weird. I was out of Halcion, but I still wanted to be with someone warm and alive. I went to the mall downtown and started drinking at a pub on the third floor. I met the guy there; we had a few beers together and talked. I figured that he was a willing prospect, so I offered him fifty bucks to come back to my apartment and let me take some pictures of him in the nude. He agreed. I figured I’d ply him with booze until he passed out and then I would kill him, but this guy could really drink. I was getting drunk and knew that if I wanted him, I would have to try something else. I asked him to let me take some bondage pictures of him, thinking that if I could handcuff him behind his back, he would be mine. Then I could knock him out by hitting him over the head or something, I don’t know. I was drunk and not thinking straight. Anyway, I got one cuff on him but he wouldn’t let me cuff his other hand. I got mad and tried to force his other arm behind his back and into the handcuffs. We began to struggle, nothing big, just some wrestling around on the floor. Even though he was a little guy, I couldn’t get the best of him, so I grabbed the knife to stab him, but he got loose and ran out the door. “I was too drunk to chase him. What else could I do? I don’t really remember what happened next. I think I passed out for a while until I heard a knock at the door. It was two big policemen and they were asking for the handcuff key. I could see the little Black guy behind them. He had the one cuff on and said that he didn’t want to prosecute—he just wanted the cuffs off. I fumbled around but couldn’t find the damn key. The cops were getting impatient waiting at the door, so they entered and began to look around. I think one of them found my Polaroids and said something to his partner. The fat cop walked over to the refrigerator and started to open it, and I knew this was it, so I tried to stop him. I’m not sure what happened next; I just know that I got the shit beat out of me. I tried to fight back but it didn’t seem to faze them, and now here I am with you, Pat.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
What the virus did to us. It has always been unimaginable that this pub could be empty while the music played. I am going to talk about what the virus did to us: Do you remember when we sat under trees fighting over which drink we should… drink? How can you possibly forget? We would wake up and imagine what we were going to be in future. We would open our windows and touch each other like we were keys on a pianoforte Do you remember? When we said we were going to go to London Pose in front of The Louvre And raise our hands to the blinding lights on Time Square. We would lay down on the pale moonlight cry and curse the white men for not giving us visas! Do you remember? We had high hopes. Then the virus came omne autem inuicem We watched it like a car without breaks And when it came windows bolted, The music faded, The city of London lost its light, Cafes in Italy bolted and owners run without knowing where they put their keys Times Square became a ghost town And our very little bar we used to insult —— no longer played music And when at night, We sat down to count who we have lost, It didn’t matter if we cried anymore What mattered was when Others would count our dead bodies Like how they count damaged mangoes In the fruit lane at the market.
J.Y. Frimpong
The girl was smiling as she left the noisy, packed pub, and shouts of laughter were ringing in her ears as she wrestled the heavy door open, letting in an icy blast of cold air. She
Rachel Abbott (Sleep Tight (DCI Tom Douglas, #3))