Pub Night Quotes

We've searched our database for all the quotes and captions related to Pub Night. Here they are! All 100 of them:

Some seek the comfort of their therapist's office, other head to the corner pub and dive into a pint, but I chose running as my therapy.
Dean Karnazes (Ultramarathon Man: Confessions of an All-Night Runner)
In an hour, every person in America will be able to look at a screen and see their First Son and his boyfriend. And, across the Atlantic, almost as many will look up over a beer at a pub or dinner with their family or a quiet night in and see their youngest prince, the most beautiful one, Prince Charming. This is it. October 2, 2020, and the whole world watched, and history remembered.
Casey McQuiston (Red, White & Royal Blue)
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
Dolly Alderton (Everything I Know About Love)
Once upon a time there was a woman who was just like all women. And she married a man who was just like all men. And they had some children who were just like all children. And it rained all day. The woman had to skewer the hole in the kitchen sink, when it was blocked up. The man went to the pub every Friday, Saturday, and Sunday. The other nights he mended his broken bicycle, did the pool coupons, and longed for money and power. The woman read love stories and longed for things to be different. The children fought and yelled and played and had scabs on their knees. In the end they all died.
Elizabeth Smart (The Assumption of the Rogues & Rascals)
Another thing that no one tells you about drinking as you get older is that it isn’t the hangovers that become crippling, but rather the acute paranoia and dread in the sober hours of the following day that became a common feature of my mid-twenties. The gap between who you were on a Saturday night, commandeering an entire pub garden by shouting obnoxiously about how you’ve always felt you had at least three prime-time sitcom scripts in you, and who you are on a Sunday afternoon, thinking about death and worrying if the postman likes you or not, becomes too capacious.
Dolly Alderton (Everything I Know About Love: Now a Major BBC One Series)
I regained consciousness after a big night at the Cock and Bull Inn, or it could’ve been The Weasel’s Way or The Badger’s Breath, who knows with these weird English pub names. Anyway, it was somewhere near The Pig and Whistle. Not far up from the Scotsman’s Kilt.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
It was as if Tutankhamen or Miss Havisham had wandered into the pub one night and started bitching about the head on the pints.
Tana French (In the Woods (Dublin Murder Squad, #1))
Two opposing things can be equally true. Counting the days till Christmas doesn't mean we hate Halloween. I go to church on Sundays, and still hold the same faith at the pub on Saturday night. I shamelessly play a steady stream of eighties pop music and likewise have an undying devotion to Chopin. And perhaps most significantly: I love to travel and I love my home.
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
He took her hand again, enjoying the spark of fire that lit through his bloodstream and led her through the fog toward River Street. Seeing the usually bustling area empty was equally beautiful and haunting. It brought back memories of earlier days. Centuries before cell phones and email. Back when his crew would drop anchor in the cloak of night and shanghai new crew members out of the pubs. Lifetimes ago.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy heard on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
Dolly Alderton
At the pub my dad was waiting for me, a black-as-night beer and his open laptop on the table in front of him. I sat down and swiped his beer before he'd had the chance to even look up from typing. 'Oh, my sweet lord,' I sputtered, chocking down a mouthful, 'what is this? Fermented motor oil?' 'Just about,' he said, laughing.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Group friendships are products of the right time—the chemistry of season, activity, emotion, and random occurrence. They coalesced over a series of long nights at the pub, in rehearsal spaces, cafés, and bedrooms.
Maureen Johnson (Nine Liars (Truly Devious, #5))
The first time they’d met, in this very pub, he’d hit on her using so little finesse, she’d been forced to ask if he was kidding. Granted, they’d both had a few too many drinks that night, but nothing excused the line, “I’m not drunk, I’m just intoxicated by you.” Nothing.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
I don’t need to change my shape to make myself worthy of someone’s love. I don’t need any words or looks or comments from a man to believe I’m visible; to believe I am here. (...) Because I am enough. My heart is enough. The stories and sentences twisting around my mind are enough. My early morning walks and light night baths are enough. My singing in the shower, my double jointed toes and my loud laugh in the pub is enough. I am my own universe. I am the warm up act, the main event and the backing singers. And if this is it, if this is all there is - just me, the trees, the sky and the sea- I know now that that’s enough. I am whole. I am complete. I will never run out.
Dolly Alderton (Everything I Know About Love)
She is more memory than reality. She belongs to a time of teenage crushes, first kisses, crowded lecture halls and smoky pubs. Even if she had lived, we might have had nothing in common except the past.
Michael Robotham (The Night Ferry)
This is so much like the old days. And, again, I have mixed feelings. In some ways it's good and comfortable to be fitting straight back in like I've never been away, but, on the other hand, I'm getting this constrictive feeling as well. It's the same places - like the bars and pubs on Friday night - the same people, the same conversations, the same arguments and the same attitudes. Five years away and not much seems to have changed. I can't decide if this is good or bad.
Iain Banks (Stonemouth)
An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more. “The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’ “The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’ “The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.
Fisher Amelie (Thomas & January (Sleepless, #2))
On evenings like this, when the streets below were filled with couples strolling, and laughing people spilled out of pubs, already planning meals, nights out, trips to clubs, something ached inside me, something primal telling me that I was in the wrong place, that I was missing something. These were the moments when I felt most left behind.
Jojo Moyes (After You (Me Before You, #2))
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is—just me and the trees and the sky and the seas—I know now that that’s enough.
Dolly Alderton (Everything I Know About Love: A Memoir)
Some seek the comfort of their therapist’s office, others head for the corner pub and dive into a pint, but I choose running as my therapy. It was the best source of renewal there was. I couldn’t recall a single time that I felt worse after a run than before. What drug could compete? As Lily Tomlin said, “Exercise is for people who can’t handle drugs and alcohol.” I’d also come to recognize that the simplicity of running was quite liberating. Modern man has virtually everything one could desire, but too often we’re still not fulfilled. “Things” don’t bring happiness. Some of my finest moments came while running down the open road, little more than a pair of shoes and shorts to my name. A runner doesn’t need much. Thoreau once said that a man’s riches are based on what he can do without. Perhaps in needing less, you’re actually getting more.
Dean Karnazes (Ultramarathon Man: Confessions of an All-Night Runner)
They sat at a table in the corner of a pub as night grew through the window behind them. The sounds around were generous and soothing. Men chattered, glasses clinked, jokes coasted and a fire crackled, and now and then someone let out an almighty laugh and it was catching and circled the room like a kid playing tag.
Sarah Winman (A Year of Marvellous Ways)
I’m not entirely sure the Scots realize they lost that one,” I interrupted, sitting up and trying to subdue my hair. “I distinctly heard the barman at that pub last night refer to us as Sassenachs.” “Well, why not?” said Frank equably. “It only means ‘Englishman,’ after all, or at worst, ‘outlander,’ and we’re all of that.
Diana Gabaldon (Outlander (Outlander, #1))
Drop by Bell’s for an Irish Kiss anytime. The best in England
JoAnne Kenrick (Sweet Irish Kiss (Irish Kisses, #1; 1Night Stand))
Screw pride, anyway. At least for another day or two, give me a protective Alpha male that smells like sex in the woods and wants to make me dinner.
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
My, you do like to dominate
JoAnne Kenrick (Sweet Irish Kiss (Irish Kisses, #1; 1Night Stand))
You’ll win her with ya Irish charm and green eyes, so ya will. Now drink up ya coffee and stop whining like a baby. This girl’s gonna have a fantastic night tomorrow. She’s gonna worship da ground ya c**k drags on.
JoAnne Kenrick (Sweet Irish Kiss (Irish Kisses, #1; 1Night Stand))
Louise was an urbanite, she preferred the gut-thrilling sound of an emergency siren slicing through the night to the noise of country birds at dawn. Pub brawls, rackety roadworks, mugged tourists, the badlands on a Saturday night - they all made sense, they were all part of the huge, dirty, torn social fabric. There was a war raging out there in the city and she was part of the fight, but the countryside unsettled her because she didn't know who the enemy was. She had always preferred North and South to Wuthering Heights. All that demented running around the moors, identifying yourself with the scenery, not a good role model for a woman.
Kate Atkinson (When Will There Be Good News? (Jackson Brodie, #3))
I volunteer as tribute. Or born again virgin sacrifice. Does Zeus like virgins? What about younger men who are ready, willing and able to worship at his shrine? Or bend over and call him daddy. Whatever he’s into. I’m easy.
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
I pinned him against the wall, here in the shit-stinking, piss-coated alleyway where he had been stalking young women in the pub across the street. I wasn‘t the young woman he wanted, but I was certainly the one he deserved.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
The woman behind the bar called out: ‘Why do you stand like hypnotized fish? Did you come to drink beer or to eat food?’ ‘Be patient,’ said Gersen. ‘We are making our decision.’ The remark annoyed the woman. Her voice took on a coarse edge. “Be patient,’ you say? All night I pour beer for crapulous men; isn’t that patience enough? Come over here, backwards; I’ll put this spigot somewhere amazing, at full gush, and then we’ll discover who calls for patience!
Jack Vance (The Face (Demon Princes, #4))
We look at a couple of lads as they walk into the pub, Jim Barnes from Slough and someone I don't recognise. A tall bloke with a silver earring who looks knackered with a bruised right eye and cuts along his knuckles. Must've had a good Friday night.
John King (The Football Factory (Movie Tie-in Edition))
Two guys in an English pub, one says ‘From your accent I guess you are Irish’. Second guy says, ‘Yes, from Dublin’. ‘Me too!’ first guy says. ‘I was raised in Drimnagh, went to St. Mary’s school’. ‘Drimnagh? St. Mary’s?’ Second guy can’t believe it. ‘I graduated from St. Mary’s in 1982’. First guy slaps his forehead. ‘Faith and begorah. I graduated from St. Mary’s in 1982 also!’ Bartender says,” Jones paused for breath, “he says to himself ‘This is going to be a long night. The Murphy twins are drunk again’.
Craig Alanson (Black Ops (Expeditionary Force, #4))
He said, "We’ll get the knitting club onto it." "I beg your pardon?" "We've got a dozen vampires with not enough to do, who can go out at night. They can eavesdrop on conversations, get talking to people in pubs late at night. Think of them as your Baker Street irregulars.
Nancy Warren (The Vampire Knitting Club (Vampire Knitting Club, #1))
Bullshit,” says Viv. “Did you have your eyes open the other night in the pub? Mabe, I’ve never, ever seen him so happy and the way he was looking at you made even me melt. He’s in love with you.” “No, he isn’t.” “Yes, he is. It’s just unfortunate that he’s a fuckwit as well.
Lily Morton (Promise Me (Beggar's Choice #1))
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo. (Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.)
Nick Hornby (The Polysyllabic Spree)
He spends almost every night there, and during the day he sits in his rented flat or at the pub with a glass of wine and a journal and he writes about it. Pages and pages of observations, recounting his experiences, mostly so he will not forget them but also to capture something of the circus on paper, something he can hold on to.
Erin Morgenstern (The Night Circus)
This is one of the worst things about being a working mother. Oh, the work’s all right. You can make arrangements for the work. It’s all the other stuff. The drinks after work, the leaving dos, the Friday nights when someone suggests a curry. All the times, in fact, when the important bonding gets done. Ruth has to miss all that, and she’s lost count of the times when she’s been the last to hear about a dig because ‘we discussed it last night in the pub.’ Phil is a great one for networking, he’s always skulking off with a few cronies to plot over pasta but, then again, Phil is only a working father. Having children doesn’t seem to impinge on his professional life at all.
Elly Griffiths (The Outcast Dead (Ruth Galloway, #6))
One beer too many, and a verbal dispute suddenly and unexpectedly explodes into a punching match. Such things happen every night in bars, pubs, and cafés all across the world, but the bloody noses and aching jaws that generally follow from these dustups in Canada, Norway, or France often turn out to be gunshot wounds in the United States.
Paul Auster (Bloodbath Nation)
Suddenly I was in the middle of things. There were late nights staggering home from the pub, days of bumping into my friends in the street and going off for long afternoons of coffee and pool. Parties where I knew everyone. I was kissed up against walls, missed classes because I was in bed with a lanky, dreadlocked boy. We all had our noses pierced.
Kate Holden (In My Skin: A Memoir of Addiction)
He had the perfect idea for explaining away every inexplicable weirdness about himself at a stroke, and he whistled as he pushed open the door which had so daunted him last night. “Arthur!!!!” He grinned cheerfully at the boggling eyes that stared at him from all corners of the pub, and told them all what a wonderful time he’d had in Southern California.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
All last fall in Workshop, they’d side-eye each other if he praised my stories. Because surely they’d seen me leave class with him, walked past us chatting together in the hall, observed us exchanging books and vinyl. Caught us sitting together in cafés or in the basement of the Irish pub, having a drink, another drink, one more for the road, why not? They’d noticed him walk over and talk to me at department functions, sit beside me at readings. Then, in the winter semester, they might have observed how quite suddenly all of this stopped—that he no longer sat next to me at readings or talked to me at parties or met me off campus. And then, of course, in spring, on the night of the end-of-year party, they definitely observed me drunk in the passenger seat of his Subaru.
Mona Awad (Bunny)
People everywhere, enjoying life, smiling, and just slowing down to let the world take care of itself for a few hours. The feeling was contagious. Especially when I stepped into McPherson's Pub to grab a bite of the special and listen to some traditional Irish music. The fiddle made me want to dance with myself, and many did. The drum beat like my very own heart. And some little flute that looked no wider than a pencil reminded me of the Aran Islands floating not too far from Abbeyglen. God was here tonight. In the strings of the guitar and the call of the singer's voice. I realize how often I overlook him back at home. And I know I don't want to do that anymore. The LORD will send His faithful love by day; His song will be with me in the night a prayer to the Gid of my life.
Jenny B. Jones (There You'll Find Me)
I wrote the bulk of this story while in Chicago, working out of various co-working offices; my favorite space was Ampersand in Logan Square. And a few of the ideas in this story were born after a night at The Burke’s Web Pub in Bucktown—what a fabulous place full of fabulous people. Thanks to those places for the creative spaces they provide; and a special thank you to Parliament Co-working.
Peter O'Mahoney (Faith and Justice (Tex Hunter #2))
A popular Chinese essay by an anonymous author carved out an archetype of the young white-collar class, the men and women who sip cappuccino, date online, have a DINK family, take subways and taxis, fly economy, stay in nice hotels, go to pubs, make long phone calls, listen to the blues, work overtime, go out at night, celebrate Christmas, have one-night-stands … keep The Great Gatsby and Pride and Prejudice on their nightstands. They live for love, manners, culture, art, and experience. In
Evan Osnos (Age of Ambition: Chasing Fortune, Truth, and Faith in the New China)
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers.
Dolly Alderton (Everything I Know About Love: A Memoir)
My interview was mostly conducted by Hugo Dyson, an Oxford ‘character’, known for his wit. I always found him alarming. He was like a hyperactive gnome, and stumped around on a walking stick which, when he was seized by one of his paroxysms of laughter, he would beat up and down as if trying to drive it through the floor. It brought to mind Rumpelstiltskin driving his leg into the ground in the fairy tale. He had been one of the ‘Inklings’ – the group of dons, including Tolkien and C. S. Lewis, who met during the 1930s in the Bird and Baby pub opposite St John’s. It was he and Tolkien who, one summer night in 1931, had converted Lewis to Christianity during a stroll along Addison’s Walk. So he was, at least in part, responsible for the Narnia books. I never asked him if he liked them. But it was well known that Tolkien’s Lord of the Rings was not to his taste. Tolkien had been in the habit of favouring the Inklings with readings from it, but one day Dyson, driven to exasperation, interjected, ‘Oh not another fucking elf!’ and after that the readings stopped. On
John Carey (The Unexpected Professor: An Oxford Life in Books)
Drunkenness was endemic, as an escape from cold mists and rains, brutalizing poverty, family warfare, political strains, philosophical despair; Pitt and Fox, otherwise so different, agreed in favoring this anesthesia. Taverns were allowed to remain open through Saturday night till 11 A.M. Sunday,47 for Saturday was pay day, and time had to be allowed the “pub” to get its prime cut of the weekly wage. The middle classes drank more moderately; the upper classes drank heavily, but had learned to carry their liquor steadily, like a leaking tub.
Will Durant (The Age of Napoleon (The Story of Civilization Book 11))
Yeah,’ I said. ‘A place of our own.’ That was what I wanted: a bed where Rosie and I could sleep through the night in each other’s arms, wake up in the morning wrapped together. I would have given anything, anything at all, just for that. Everything else the world had to offer was gravy. I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafés while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? I never once bought Rosie flowers–too hard for her to explain at home–and I never once wondered whether her ankles looked exactly the way they were supposed to. I wanted her, all mine, and I believed she wanted me.
Tana French (Faithful Place (Dublin Murder Squad, #3))
The pub, like pubs all over the world, was a place for debate and discussion, for the exchange of views and opinions, for argument and for the working out of problems. It was a forum, a parliament, a fountain of wisdom and a cesspool of nonsense, it was a centre for the lost and the despairing, where cowards absorbed dutch courage out of small glasses and leaned against the shiny, scratched and polished mahogany counter for support against the crushing burdens of insignificant lives. Where the disillusioned gained temporary hope, where acts of kindness were considered and murders planned.
Alex la Guma (A Walk in the Night and Other Stories)
don’t need to run away from discomfort and into a male eyeline. That’s not where I come alive. Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers.
Dolly Alderton (Everything I Know About Love: A Memoir)
My mother was in charge of language. My father had never really learned to read - he could manage slowly, with his fingers on the line, but he had left school at twelve and gone to work at the Liverpool docks. Before he was twelve, no one had bothered to read to him. His own father had been a drunk who often took his small son to the pub with him, left him outside, staggered out hours later and walked home, and forgot my dad, asleep in a doorway. Dad loved Mrs Winterson reading out loud - and I did too. She always stood up while we two sat down, and it was intimate and impressive all at the same time. She read the Bible every night for half an hour, starting at the beginning, and making her way through all sixty-six books of the Old and New Testaments. When she got to her favourite bit, the Book of Revelation, and the Apocalypse, and everyone being exploded and the Devil in the bottomless pit, she gave us all a week off to think about things. Then she started again, Genesis Chapter One. 'In the beginning God created the heavens and the earth...' It seemed to me to be a lot of work to make a whole planet, a whole universe, and blow it up, but that is one of the problems with the literal-minded versions of Christianity; why look after the planet when you know it is all going to end in pieces?
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
There were eight simple lessons in plain language anybody could understand, and I studied them just a few hours a night, then started practising on the wife. Soon found I could talk right up to the Super and get due credit for all the good work I did. They began to appreciate me and advance me fast, and say, old doggo, what do you think they're paying me now? $6,500 per year! And say, I find I can keep a big audience fascinated, speaking on any topic. As a friend, old boy, I advise you to send for circular (no obligation) and valuable free Art Picture to:— SHORTCUT EDUCATIONAL PUB. CO. Desk WA Sandpit, Iowa. ARE YOU A 100 PERCENTER OR A 10 PERCENTER?
Sinclair Lewis (Babbitt)
There was something very poetic about lying on the hay, beneath the polythene roof. This was how we had spent our first night, on the hay next to the bull in Harry Mann’s barn. During the 18 days in-between we had slept in a posh hotel, a canal boat, a student house, a pub, a tent in a car park, a hitman’s sitting room, an elderly lady’s spare bedroom, a hostel, a bunk house, a farm house, our own self-contained flat, our own house, and now we were back on the hay. We had gone full circle. Out of all of the different types of accommodation, our two nights on the hay were undoubtedly our most comfortable. Next time you hear the nativity story, don’t feel sorry for Mary and Joseph; they had it very lucky indeed.
George Mahood (Free Country: A Penniless Adventure the Length of Britain)
Warm tingles trail under my skin, and I shiver. “Please,” he says, dropping my hands so he can tuck one of his into my hair and tilt my head up to him. “Come with me to the symposium. And then come with me to the pub and the museum, to the park, to the sunset, to the sky.” His cinnamon breath is warm on my lips, and I remember the night on the balcony under the stars when I wanted so badly for him to close the distance between us. “You speak like a poet,” I whisper. When he laughs, I feel the rumble of it where my hands rest against his chest, and my whole body trembles. “Just say yes!” Lucy cries from behind the curtain. “For Artist’s sake, Myra!” “Go to sleep!” I shout back, not taking my eyes from August.
Jessica S. Olson (A Forgery of Roses)
I’d never set foot on the AT, but I’d heard much about it from the guys at Kennedy Meadows. It was the PCT’s closest kin and yet also its opposite in many ways. About two thousand people set out to thru-hike the AT each summer, and though only a couple hundred of them made it all the way, that was far more than the hundred or so who set out on the PCT each year. Hikers on the AT spent most nights camping in or near group shelters that existed along the trail. On the AT, resupply stops were closer together, and more of them were in real towns, unlike those along the PCT, which often consisted of nothing but a post office and a bar or tiny store. I imagined the Australian honeymooners on the AT now, eating cheeseburgers and guzzling beer in a pub a couple of miles from the trail, sleeping by night under a wooden roof. They’d probably been given trail names by their fellow hikers, another practice that was far more common on the AT than on the PCT, though we had a way of naming people too. Half the time that Greg, Matt, and Albert had talked about Brent they’d referred to him as the Kid, though he was only a few years younger than me. Greg had been occasionally called the Statistician because he knew so many facts and figures about the trail and he worked as an accountant. Matt and Albert were the Eagle Scouts, and Doug and Tom the Preppies. I didn’t think I’d been dubbed anything, but I got the sinking feeling that if I had, I didn’t want to know what it was.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
You know you’ve moved on when you find other people beautiful. when you don’t avert your eyes but keep them steady or when you stay the night, the last one at the party, and you don’t feel sorry. or empty. or guilty because whatever, where are you going anyway? ⠀⠀⠀⠀⠀⠀⠀⠀⠀ i used to sit here, in this same pub in this same city 7 years ago, writing another book, like i am now again and i wrote myself out of heartbreak with that book like i am now i guess. in some ways maybe i’ve written myself into heartbreak this time but i’m coming out of it. at least i find other people beautiful again. they make me smile. maybe more than i have before and i have a good feeling about things. You know you’ve moved on when you find other people beautiful.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Like Dick Whittington, who set off with his possessions in a handkerchief and a surprisingly well-trained cat at his side, young ambitious people flock to cities to live a different life from the one they grew up with. They want the construct, just as much as those who dream of a bucolic ideal want theirs. City-dwellers have museums, restaurants, cinemas, theatres: they get everything when it’s new and they can decide whether they like it before anyone else does. They can see artists, hear musicians, buy groceries in the middle of the night and books on their way home from the pub. The city, for all its failings, so carefully enumerated by Juvenal, is still wonderful. So those of us who live in one should enjoy it for what is is, and always has been: a glorious, grubby, industrial, gastronomical, cultural, social mess.
Natalie Haynes (The Ancient Guide to Modern Life)
Ron said nothing. He hadn’t mentioned Viktor Krum since the ball, but Harry had found a miniature arm under his bed on Boxing Day, which had looked very much as though it had been snapped off a small model figure wearing Bulgarian Quidditch robes. Harry kept his eyes skinned for a sign of Hagrid all the way down the slushy High Street, and suggested a visit to the Three Broomsticks once he had ascertained that Hagrid was not in any of the shops. The pub was as crowded as ever, but one quick look around at all the tables told Harry that Hagrid wasn’t there. Heart sinking, he went up to the bar with Ron and Hermione, ordered three butterbeers from Madam Rosmerta, and thought gloomily that he might just as well have stayed behind and listened to the egg wailing after all. “Doesn’t he ever go into the office?” Hermione whispered suddenly. “Look!” She pointed into the mirror behind the bar, and Harry saw Ludo Bagman reflected there, sitting in a shadowy corner with a bunch of goblins. Bagman was talking very fast in a low voice to the goblins, all of whom had their arms crossed and were looking rather menacing. It was indeed odd, Harry thought, that Bagman was here at the Three Broomsticks on a weekend when there was no Triwizard event, and therefore no judging to be done. He watched Bagman in the mirror. He was looking strained again, quite as strained as he had that night in the forest before the Dark Mark had appeared. But just then Bagman glanced over at the bar, saw Harry, and stood up. “In a moment, in a moment!” Harry heard him say brusquely to the goblins, and Bagman hurried through the pub toward Harry, his boyish grin back in place.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Where are you? Have you arrived yet?” she asked eagerly. “I have. I’m here and it’s great. I love it.” “I knew you would!” cried Hannah. “So are you coming down? Help me pull a pint or two?” “Yeah, sure. Give me half an hour or so, and I’ll be there.” “Brilliant. See you soon.” “Bye,” replied Layla, hanging up. No time for eating then, she’d better unpack the car, sort out the bedraggled mess that she was, and get down to the pub. Start learning the ropes. Hauling one of the bags upstairs, she went into her bedroom and plonked it on the bed. Before doing anything else, however, she couldn’t resist peering out of the window again, having to imagine Gull Rock this time as the deepening night had hidden it completely. A year, she thought. That’s all I’ve got, a year. Enough time to get over anyone, surely? Taking in a deep breath then letting it slowly out, she bloody hoped so.
Shani Struthers
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
Fleur listened thoughtfully with his flute in his lap, one hand stroking his German shepherd, when I think how you used to be, Fleur, I really got to wonder, but Mabel couldn’t divert the boy’s gaze from under that overhang of hair, and just as well he thought, so she doesn’t see the anger in his eyes, the rage shaking his body, furious with himself, and though it was a warm autumn and hot at noon, he was glad to retreat deep inside the hoodie that hid his chin but couldn’t stop the piercing words that went straight to the young musician’s heart, Mabel’s voice was like his own, what exactly have you done, Child Prodigy Fleur, not to be that flower crushed in the street, just a raggedy stuffed hoodie, what, what, geez you reek of alcohol, the cocktails your ma serves in the pub by the ocean when the illegal families come out to dance on the beach on Saturday nights and your ma gives them free drinks that knock them out right there, while ever since the divorce, your pa and grandpa stayed on the land, poor land back in Alabama, and haven’t they all just driven you backwards, shrunk you down to their own size, you could have gone to study in Vienna,
Marie-Claire Blais (Nothing for You Here, Young Man)
A visiting pastor at our church in Plains once told a story about a priest from New Orleans. Father Flanagan’s parish lay in the central part of the city, close to many taverns. One night he was walking down the street and saw a drunk thrown out of a pub. The man landed in the gutter, and Father Flanagan quickly recognized him as one of his parishioners, a fellow named Mike. Father Flanagan shook the dazed man and said, “Mike!” Mike opened his eyes and Father Flanagan said, “You’re in trouble. If there is anything I can do for you, please tell me what it is.ℍ “Well, Father,” Mike replied, “I hope you’ll pray for me.” “Yes,” the priest answered, “I’ll pray for you right now.” He knelt down in the gutter and prayed, “Father, please have mercy on this drunken man.ℍ At this, a startled Mike woke up fully and said, “Father, please don’t tell God I’m drunk.ℍ Sometimes we don’t feel much of a personal relationship between God and ourselves, as though we have a secret life full of failures and sins that God knows nothing about. We want to involve God only when we plan to give thanks or when we’re in trouble and need help. But the rest of our lives, we’d rather keep to ourselves.
Jimmy Carter (Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President)
One night, having spent a few days in peaceful solitude with my thoughts, I walked under the stars and along the cobbled streets and an idea crept all over me like arresting, vibrant blooms of wisteria. I don’t need a dazzlingly charismatic musician to write a line about me in a song. I don’t need a guru to tell me things about myself I think I don’t know. I don’t need to cut all my hair off because a boy told me it would suit me. I don’t need to change my shape to make myself worthy of someone’s love. I don’t need any words or looks or comments from a man to believe I’m visible; to believe I’m here. I don’t need to run away from discomfort and into a male eyeline. That’s not where I come alive. Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event and the backing singers. And if this is it, if this is all there is – just me and the trees and the sky and the seas – I know now that that’s enough. I am enough. I am enough.
Dolly Alderton (Everything I Know About Love)
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm. So much for the natural relation between the sexes. But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life. They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
Marilyn French (The Women's Room)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
Oh, ’ello, ’Arry,” said Mundungus Fletcher, with a most unconvincing stab at airiness. “Well, don’t let me keep ya.” And he began scrabbling on the ground to retrieve the contents of his suitcase with every appearance of a man eager to be gone. “Are you selling this stuff?” asked Harry, watching Mundungus grab an assortment of grubby-looking objects from the ground. “Oh, well, gotta scrape a living,” said Mundungus. “Gimme that!” Ron had stooped down and picked up something silver. “Hang on,” Ron said slowly. “This looks familiar —” “Thank you!” said Mundungus, snatching the goblet out of Ron’s hand and stuffing it back into the case. “Well, I’ll see you all — OUCH!” Harry had pinned Mundungus against the wall of the pub by the throat. Holding him fast with one hand, he pulled out his wand. “Harry!” squealed Hermione. “You took that from Sirius’s house,” said Harry, who was almost nose to nose with Mundungus and was breathing in an unpleasant smell of old tobacco and spirits. “That had the Black family crest on it.” “I — no — what — ?” spluttered Mundungus, who was slowly turning purple. “What did you do, go back the night he died and strip the place?” snarled Harry. “I — no —” “Give it to me!” “Harry, you mustn’t!” shrieked Hermione, as Mundungus started to turn blue. There was a bang, and Harry felt his hands fly off Mundungus’s throat. Gasping and spluttering, Mundungus seized his fallen case, then — CRACK — he Disapparated. Harry swore at the top of his voice, spinning on the spot to see where Mundungus had gone. “COME BACK, YOU THIEVING — !” “There’s no point, Harry.” Tonks had appeared out of nowhere, her mousy hair wet with sleet. “Mundungus will probably be in London by now. There’s no point yelling.” “He’s nicked Sirius’s stuff! Nicked it!” “Yes, but still,” said Tonks, who seemed perfectly untroubled by this piece of information. “You should get out of the cold.” She watched them go through the door of the Three Broomsticks. The moment he was inside, Harry burst out, “He was nicking Sirius’s stuff!” “I know, Harry, but please don’t shout, people are staring,” whispered Hermione.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Ya game is fine, but ya booze-eyes are a problem. Not like ya ta drink this much. I reckon ya banjo’d, so ya are.
JoAnne Kenrick (Sweet Irish Kiss (Irish Kisses, #1; 1Night Stand))
All over the world, people wrestle with their spiritual thirst. Some take it to the local pub. Some take it to hedonism and thrill-seeking, while others take it to an endless string of dead-end relationships. I took mine to church—and it worked for a while. A great feeling of personal satisfaction ensues when we are fulfilling the commands of God, and when we practice the principles of Christianity, we will experience positive results. Our relationships will improve if we implement what Jesus said about serving our fellow man. Our businesses will flourish if we practice what the Bible teaches about excellence and stewardship. Our families will be healthier if we follow the biblical principles that govern family dynamics. The principles really do work. The problem with principles, though, is that they are only rules that help us navigate our lives—they aren’t life itself. I love the principles of honor and love and communication that help to keep my marriage to Jessica strong and secure, but I can’t curl up in bed at night with a principle—I need a passionate relationship with a living and breathing person.
Chris Jackson
One night a man is getting very drunk in a pub. He staggers back to the men’s room to take a piss, whipping out his prick as he goes in the door. The problem is, he has wandered into the ladies’ room by mistake, and surprises a woman sitting on the can. “This is for ladies!” she screams. “SO’S THIS,” cries the drunk, waving his dick.
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
As we started our long drive back to the zoo, we stopped at what could be called a general store. There was a pub attached to the establishment, and the store itself sold a wide variety of goods, groceries, cooking utensils, swags, clothing, shoes, even toys. As we picked up supplies in the shop, we passed the open doorway to the pub. A few of the patrons recognized Steve from television. We could hear them talking about him. The comments weren’t exactly positive. Steve didn’t look happy. “Let’s just get out of here,” I whispered. “Right-o,” he said. One of the pub patrons was louder than the others. “I’m a crocodile hunter too,” he bragged. “Only I’m the real crocodile hunter. The real one, you hear me, mate?” The braggart made his living at the stuffy trade, he informed his audience. A stuffy is a baby crocodile mounted by a taxidermist to be sold as a souvenir. To preserve their skins, hunters killed stuffys in much the same way that the bear poachers in Oregon stabbed their prey. “We drive screwdrivers right through their eyes,” Mister Stuffy boasted, eyeing Steve through the doorway of the pub. “Right through the bloody eye sockets!” He was feeling his beer. We gathered up our purchases and headed out to the Ute. Okay, I said to myself, we’re going to make it. Just two or three more steps… Steve turned around and headed back toward the pub. I’d never seen him like that before. My husband changed into somebody I didn’t know. His eyes glared, his face flushed, and his lower lip trembled. I followed him to the threshold of the pub. “Why don’t you blokes come outside and tell me all about stuffys in the car park here?” he said. I couldn’t see very well in the darkness of the pub interior, but I knew there were six or eight drinkers with Mister Stuffy. I thought, What is going to happen here? There didn’t seem any possible good outcomes. The pub drinkers stood up and filed out to face Steve. A half dozen against one. Steve chose the biggest one, who Mister Stuffy seemed to be hiding behind. “Bring it on, mate,” Steve said. “Or are you only tough enough to take on baby crocs, you son of a bitch?” Then Steve seemed to grow. I can’t explain it. His fury made him tower over a guy who actually had a few inches of height on him and outweighed him with a whole beer gut’s worth of weight. I couldn’t imagine how he appeared to the pub drinkers, but he was scaring me. They backed down. All six of them. Not one wanted to muck with Steve, who was clearly out of his mind with anger. All the world’s croc farms, all the cruelty and ignorance that made animals suffer the world over, came to a head in the car park of the pub that evening. Steve got into the truck. We drove off, and he didn’t say anything for a long time. “I don’t understand,” I finally said in the darkness of the front seat, as the bush landscape rolled by us. “What were they talking about? Were they killing crocs in the wild? Or were they croc farmers?” I heard a small exhalation from Steve’s side of the truck. I couldn’t see his face in the gloom. I realized he was crying. I was astounded. This was the man I had just seen turn into a furious monster. Five minutes earlier I’d been convinced I was about to see him take on a half-dozen blokes bare-fisted. Now he wept in the darkness. All at once, he sat up straight. With his jaw set, he wiped the tears from his face and composed himself. “I’ve known bastards like that all my life,” he said. “Some people don’t just do evil. Some people are evil.” He had told me before, but that night in the truck it hit home: Steve lived for wildlife and he would die for wildlife. He came by his convictions sincerely, from the bottom of his heart. He was more than just my husband that night. He was my hero.
Terri Irwin (Steve & Me)
What I told you is the truth.” “Really? You want to keep heading down that path? Because I went to the pub.” Pope drummed his fingers on the tabletop. “They don’t even have a female bartender on staff, and nobody saw you there four nights ago.” “Somebody’s lying.” “So what I’m wondering is...why’d you really come to
Blake Crouch (Pines (Wayward Pines, #1))
I hope you’ll understand if I don’t kiss you good night on the first date. I just don’t want a reputation as that kind of guy. I mean, if you get the milk for free, you won’t buy the cow, and then I won’t have my steaks. I love steak, especially barbequed. Let
Patrick Thomas (Murphy's Lore: Fools' Day: A Tale from Bulfinche's Pub)
Sure,’ Mary said, putting on a smile. ‘I have to get back. But please, feel free to look around as much as you’d like.’ Roper gave her a look that said, we don’t need your permission for that, but Jamie thanked her anyway and let her walk off.  He sucked on his teeth the way he did when he wanted a cigarette, and watched Mary go out of earshot. ‘Find anything?’ he asked, turning to Jamie. She let out a long breath. ‘Don’t know yet. Looks like Grace wasn’t as faithful to Ollie as she made out.’ ‘Lover’s tiff?’ ‘Could be.’ Jamie thought about it. ‘Spurned ex, maybe. Maybe it’s the drugs. Maybe something else entirely.’ She rubbed her eyes. It’d been a long morning and she needed to eat. ‘Come on. Let’s head back to HQ, get this written up. We’ll come back when Grace shows her face.’ Roper nodded without a word and headed for the door, already reaching for his cigarettes. Chapter 6 Jamie zipped up her jacket and dug her hands into her pockets, following Roper out the door. He’d sped on ahead so that he could light up before Jamie told him not to. She didn’t like that fresh stink in her car, and she definitely wouldn’t let him smoke in there anyway. And he definitely wasn’t above running out and doing it before she had time to protest. Her effort to make him quit by forcing him to stand in the cold obviously wasn’t working. He was a seasoned smoker and spent most nights standing outside pubs, come rain or shine, sucking down smoke.  That and the fact that he was far too stubborn to give in to such a weak ploy. It was like those goats that stand on the side of damns to lick the salt off. One missed step and it was guaranteed death. But they were single minded. And so was Roper. If she cared more she might have tried harder, but she knew from experience that when guys like Roper made a decision, they’d stick to it forever. As far as he was concerned, the drinking and the smoking was as much a part of him as his belly button was. It couldn’t be changed, and trying would only invite self-loathing. Guys like him had to hit rock bottom. Only then could they start coming back up. But sometimes they just stayed there, scraping the ground until they gouged a hole deep enough to die in.  She should call her mum. It had been a while. Outside, Roper was already two drags in by the time she reached the steps. A couple of the people outside had moved on and the guy in the sleeping bag had woken up and headed inside, though the urine stain that had seeped into the stone under him still remained. Jamie tried not to breathe through her nose as she hopped down the steps, her shin still throbbing from the morning’s bout with Cake.  She opened her mouth to tell Roper to hurry up when she almost got knocked over. A guy in his forties with an expensive suit and a long lambswool coat was rushing by, his head turned towards the steps. ‘Filthy fucking cretins,’ he almost yelled at the three homeless people still perched on the steps, before colliding with Jamie. He stumbled sideways, down into the roadway, shoving Jamie backwards.  ‘Get off!’ he shouted, flapping his arms. Jamie steadied herself and stared at him. Roper even stopped smoking his cigarette and came forward. ‘Hey!’ he called. ‘You’re not having any!’ the man yelled again, striding forward away from the shelter. ‘You should all be drowned. Wash this goddamn city clean!
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Did you buy Daddy’s new pajamas? Did you? Did you wrap them? No. You wouldn’t even know what bloody size he is. You don’t even know what bloody size your own pants are because I BUY THEM FOR YOU. Did you get up at seven o’clock this morning to buy the bread for the sandwiches because some eejit came back from the pub last night and decided he needed to eat two rounds of toast and left the rest of the loaf out to get stale? No. You sat on your arse reading the sports pages. You gripe away at me for weeks on end because I’ve dared to claim back twenty percent of my life for myself, to try to work out whether there is anything else I can do before I shuffle off this mortal coil, and while I’m still doing your washing, and looking after Granddad, and doing the dishes, you’re there harping on at me about a shop-bought fecking cake. Well, Bernard, you can take the fecking shop-bought cake that is apparently such a sign of neglect and disrespect and you can shove it up your
Jojo Moyes (After You (Me Before You, #2))
He hung up and then turned to the mirror and examined himself for the second time that night, but for the first time in a long time, he actually paid attention. He saw a man who had seemingly aged years in the span of months. A man who could no longer, by anyone - superior or otherwise - be described as a "kid". He wondered when it had happened. When the world had passed him by and he'd become his father, when he'd become "old". People at the pub on the bottom floor of the building he lived in joked about his "old man" Corolla, as if it were some old-school ride and not just an efficient, affordable vehicle. He wondered when he'd stopped thinking of himself as youthful, eager, and driven and instead started thinking of himself as experienced, capable, and bold. Barely forty, he wasn't old by the world's standards, but he wasn't young, either. He was reaching the early years of middle-age, but the career he'd had in both the military and then in law enforcement seemed to tack on a decade or two.
Nick Thacker (The Patriot (Jake Parker #2))
The first night at university, someone told me everyone congregated in this one pub. I went down alone. Grating techno blared from the speakers, and the whole room smelled of perfume and sugar. But there was a thick sense of anticipation int eh air, a sense of the invisible membrane that separated us from our future selves. If you could just worm your way through it, a plentiful and rewarding existence awaited.
Lara Williams (Supper Club)
What the virus did to us. It has always been unimaginable that this pub could be empty while the music played. I am going to talk about what the virus did to us: Do you remember when we sat under trees fighting over which drink we should… drink? How can you possibly forget? We would wake up and imagine what we were going to be in future. We would open our windows and touch each other like we were keys on a pianoforte Do you remember? When we said we were going to go to London Pose in front of The Louvre And raise our hands to the blinding lights on Time Square. We would lay down on the pale moonlight cry and curse the white men for not giving us visas! Do you remember? We had high hopes. Then the virus came omne autem inuicem We watched it like a car without breaks And when it came windows bolted, The music faded, The city of London lost its light, Cafes in Italy bolted and owners run without knowing where they put their keys Times Square became a ghost town And our very little bar we used to insult —— no longer played music And when at night, We sat down to count who we have lost, It didn’t matter if we cried anymore What mattered was when Others would count our dead bodies Like how they count damaged mangoes In the fruit lane at the market.
J.Y. Frimpong
Why can’t life be like a television show? Watchers usually get to know what’s going on well in advance, even if the characters haven’t found out yet. I hate not knowing things.
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
While I’m out working with Tommy Quinn, we get chatting about a session, a few nights previous, in a local pub called The Hill. It gets its name from the plain fact that it sits on top of a hill. The conversation moves on to the state of rural Ireland, and rural everywhere for that matter. He’s lived here in Knockmoyle for all of his life, so his opinions on the subject hold weight with me. He asks me what technology I think had the most dramatic impact on life here when he was growing up. I state what I feel are obvious: the television, the motor car and computers. Or electricity in general. Tommy smiles. The flask, he says. I ask him to explain. When he was growing up in the 1960s, he and his family would go to the bog, along with most of the other families of the parish, to cut turf for fuel for the following winter. They would all help each other out in any way they could, even if they didn’t always fully get on. Cutting turf in the old ways, using a sleán, is hard but convivial work, so each day one family would make a campfire to boil the kettle on. But the campfire had a more significant role than just hydrating the workers. As well as keeping the midges away, it was a focal point that brought folk together during important seasonal events. During the day people would have the craic around it as the tea brewed, and in the evenings food would be cooked on it. By nightfall, with the day’s work behind them, the campfire became the place where music, song and dance would spontaneously happen. Before the night was out, one of the old boys would hide one of the young lads’ wheelbarrows, providing no end of banter the following morning.
Mark Boyle (The Way Home: Tales from a life without technology)
They would start at five in the morning and end around ten at night. No wonder they fell into the pubs and drank themselves silly at the end of it. Boys started in the docks at the age of fifteen, and they were expected to work as hard as any man.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
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But behind all her visions of possible matrimony — and there had been a few — was the comfort of the photo on the mantelpiece. She had loved and lost him and, come what may, there was still consolation in that past romance. He had been a soldier billeted in Swarebridge in 1915. He met her at the Saturday evening concerts at the Sunday School. She had been worth looking at then. So he took her home and afterwards met her, took her for walks along the path by the Sware, and kissed her a time or two. Then off to another place and, unknown to Miss Sleaford, another girl. A few letters which she still kept somewhere safe among a welter of odds and ends and a newspaper cutting telling that he was missing. He turned up after the armistice, but not at Swarebridge. In the heart of Miss Sleaford was enshrined through twenty lonely years, a young man who, still alive and now gross and fat, keeps a little pub in the Walworth Road and beats up his wife every Saturday night.
George Bellairs (Death Stops the Frolic)
Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –
Teresa Driscoll (I Am Watching You)
I was in the pub with my girlfriend last night when she said, “Can I ask you a question?” “Sure, babe,” I replied, stroking her hair. “What is it?” She said, “Why are you with me?” I said, “Because I love you.” She said, “I know, but this is the ladies toilets and I'm trying to have a shit.
Ivor Hugh Jardon (The Best Of Sickipedia: A Collection Of The Sickest, Most Offensive and Politically Incorrect Jokes)
This is a story that begins in Summer, because it is the type of thing that can only happen when the sun is too hot, the nights are too long, and your heart rules everything. Just north of the Black Mountains, there exists a town called Hay-on-Wye. It is a town populated by more books then people. Which is, perhaps why, it was the only place that could have fashioned a modern fairytale such as the one that happened on a summer’s night in August. A girl got drunk at a pub. Trying to forget someone. A boy joined her, matching her drink for drink. Trying to forget responsibility. In a flurry of laughter, false bravado, perfume, and charming smiles they found themselves vacationing in the others world for brief respite. They were a rest from the troubles of their own worlds. Where family, money, obligation, and responsibility tormented the bright, young things like a dementor waiting to suck joy at every step. Neither was certain if it was the booze that made them have stars in their eyes, or if the stars came before. But they shared a moment spurred on by Ed Sheeran playing over pub speakers, messy sheets, and tangled limbs as most modern English love stories are. In the morning, they woke up, sobered, and all that was left was a poem scribbled on a pillow by the girl for the boy. It would have all been forgotten, if not for the stars, and that Ed Sheeran music is designed for soulmates and happy endings. The stars saw how the couple shined for each other that night, and knew they’d make the world shine together. So, the stars did what they do best. They shined down on them, starting their journey back to each other knowing they’d need the light through the dark times to come. -Royals and Rebels: Love and War, book 2 only on Dreame
Cambria Covell
He turned away and began picking up the sheaf of papers he’d dumped on the desk earlier, shuffling them into some sort of order, and Helena watched him, her heart twisting suddenly. For all his bravado, he was definitely hurting. He’d fallen hard for Jasmine, a bright, ambitious medical registrar he’d met while interviewing a stabbing victim at Southmead Hospital, and who he’d been dating for the past year or so; he’d even, when Helena had joined him and some of the other detectives for a rare night in the pub a few months back, confided in her after several vodkas that he was considering proposing, once Jasmine had completed her training
Jackie Kabler (The Perfect Couple)
The blue rain sank against the mullioned windows of the pub. The temperature had dropped. It was a good night to be indoors, drinking warm ale that nourished the throat as it spread its warmth to his toes.
Ausma Zehanat Khan (The Unquiet Dead (Rachel Getty & Esa Khattak #1))
of them are real friends … Unable to face giving Mabel a bottle under their disapproving gaze, Amber makes her excuses and leaves the pub. No doubt they’ll be talking about her now, she thinks as she
Jess Ryder (The Night Away)
On evenings like this, when the streets below were filled with couples strolling, and laughing people spilled out of pubs, already planning meals, nights out, trips to clubs, something ached inside me; something
Jojo Moyes (After You (Me Before You, #2))
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
She was in the back of the pub, delivering another round to the guys playing pool at the table Hardy and Perry had left behind for a rousing game of darts, when a hush fell over the folks crowded around the bar and the front door to the place. A man’s deep, accented voice boomed through the sudden hush. “I was told I might find her here, mate,” the man was saying to someone. “Kerry? Kerry McCrae. Her uncle owns the place, yeah?” If Kerry’s heart had clutched in her chest before, it stopped functioning altogether the moment that voice reached her ears. This is why you don’t let yourself think about him, because then you won’t stop thinking about him. And now you’re hearing things. Even as she thought the words, knowing rationally that there was no way she’d heard his voice, not for real, some small part of her understood that the impossible had actually just happened. She looked up, a fierce expression on her face, one meant to forestall even the remotest possibility that he was indeed right there. In the pub. Her pub. Looking for her. It didn’t work, of course. Because he was there. And she thought her heart might beat right through her chest wall. So much for being fearless. Someone--she didn’t even notice who--took the badly wobbling tray of drinks from her hand as she went toward him, seemingly without even moving her feet. It was like a dream. Maybe it was a dream. Maybe this whole night had been a dream and she was in bed, right now, and would wake up any second and laugh at herself, then swear at herself, for letting him into her dreams. Again. But it sure didn’t feel like she was dreaming.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
He left everything he knew behind. Not because life was too short. But because when you lived it alone, it was too damn long.
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
Tale of woe aside, my dry spell isn’t voluntary. I didn’t make a vow of celibacy as an act of self-flagellation in remembrance of that dill-hole Rod. It just happened. Or didn’t happen. And then it didn’t happen some more. In fact, it’s been not happening for so long I’m worried it might be a permanent condition.
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
God, you’re so cute. I dated a Canadian like you once. Dirty and creative but unbelievably polite.
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
Where one waits for that peremptory, half-melancholy, half-majestic sound of a ship blowing as she silently glides out black in the night, almost through the pub yard, from the docks basin on her voyage.
V.S. Pritchett
A toast — may you live as long as you want, and never want as long as you live.” We each have a sip of our drinks and then Ben says, “I heard that the other night at a crazy little Irish pub.
Whitney Dineen (Text Wars: May the Text be With You ... (An Accidentally in Love Story, #3))
The knot in Kim’s stomach hardens and she turns to Megs and she says, ‘What the fuck is the matter with you? Huh? I mean, what the fuck is the fucking matter with you? Our kids have been missing for three days. Three days! And all you can do is moan and tut and sigh and act like this is all some kind of massive inconvenience. Well, I’m so sorry to drag you out of the pub, out of your back garden, so sorry to keep you from getting on with your day.
Lisa Jewell (The Night She Disappeared)
If she knew I went out again,' he said, 'I could get youth custody.' 'If she shopped you, you mean?' He nodded. 'But... sod it... to cut a foot off a horse...' Perhaps the better nature was somewhere there after all. Stealing cars was OK, maiming racehorses wasn't. He wouldn't have blinded those ponies: he wasn't that sort of lout. 'If I fix it with your aunt, will you tell me?' I asked. 'Make her promise not to tell Archie. He's worse.' 'Er,' I said, 'who is Archie?' 'My uncle. Aunt Betty's brother. He's Establishment, man. He's the flogging classes.' I made no promises. I said, 'Just spill the beans.' 'In three weeks I'll be sixteen.' He looked at me intently for reaction, but all he'd caused in me was puzzlement. I thought the cut-off age for crime to be considered 'juvenile' was two years older. He wouldn't be sent to an adult jail. Jonathan saw my lack of understanding. He said impatiently, 'You can't be underage for sex if you're a man, only if you're a girl.' 'Are you sure?' 'She says so.' 'Your Aunt Betty?' I felt lost. 'No, stupid. The woman in the village.' 'Oh... ah.' 'Her old man's a long-distance truck driver. He's away for nights on end. He'd kill me. Youth custody would be apple pie,' 'Difficult,' I said. 'She wants it, see? I'd never done it before. I bought her a gin in the pub.' Which, at fifteen, was definitely illegal to start with. 'So... um...,' I said, 'last night you were coming back from the village... When, exactly?' 'It was dark. Just before dawn. There had been more moon light earlier, but I'd left it late. I was running. She-Aunt Betty-she wakes with the cocks. She lets the dogs out before six.' His agitation, I thought, was producing what sounded like truth. I thought, and asked, 'Did you see any ramblers?' 'No. It was earlier than them.' I held my breath. I had to ask the next question, and dreaded the answer.
Dick Francis (Come to Grief (Sid Halley, #3))