Psychological Thrillers Movie Quotes

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She was born under the sign of Gemini. And that stands for the good and evil twin. Dr. Jekyll and Mr. Hyde both hiding and residing inside her heart. Her good twin was not bad at all. But her evil twin was even better, and showed up to be way too fatal!
Ana Claudia Antunes (Mysterious Murder of Marilyn Monroe)
Books and movies are like a blueprint…a survival manual disguised as fiction. As folklore. Because the truth hides in plain sight and those that see have to hide and those that can’t see…well, they’re just a part of the plan.' ~ Excerpt from a NYPD Investigation, November, 1951
P.D. Alleva (Golem)
Big budget. Really? If you are in a horror flick, it’s almost certainly alien or satanic in nature. But it’s more likely that you’ve made the common mistake of misdiagnosing a “psychological thriller” as a horror movie. If so, heed this advice: If you’re looking for your child, he/she probably never existed. Also: your husband did it.
Seth Grahame-Smith (How to Survive a Horror Movie: All the Skills to Dodge the Kills (How to Survive))
Everything is going to be alright" we often say to ourselves or to others - when we are faced with problems, before falling asleep, after we have been disappointed. "Things may be unpleasant and difficult at the moment, but in the end everything is going to be alright." As far as the animals are concerned, nothing is going to be alright! Everything is bad, getting worse and the end will be more terrible than all fearful anticipations: on the death transport, on the slaughterhouse floor, on the chair of torture. "Everything is going to be alright!" This pacifying phrase for human beings is not valid for animals, because we have transformed their world into a singular hell. What we invented in horror movies or psychological thrillers to send pleasant shivers down our spine, is what animals are subjected to in reality: everywhere, continuously, in our midst, at this very moment - right now. Everybody knows, everybody remains silent, nobody takes action. Can it go on like this? It must not go on like this! Anyone who feels bound in earnest by any moral principles at all has the absolute duty to stand up against these crimes, which are in utter contradiction to every kind of morality.
Helmut F. Kaplan
His voice reminded her of Christmas: of old movies and cigar smoke, of sweet sherry in cut-glass tumblers and the crackle of a real log fire.
Sanjida Kay (My Mother's Secret)
All those dumb spooky movies like Friday the 13th, they all start in a house or a forest, or an abandoned cabin, or whatever, so you end up thinking you have to be scared of them. But you don’t. Not really. That whispering voice is never in the woods. - S. E. Tolsen, Bunny
S. E. Tolsen
All those dumb spooky movies like Friday the 13th, they all start in a house or a forest, or an abandoned cabin, or whatever, so you end up thinking you have to be scared of them. But you don’t. Not really. That whispering voice is never in the woods.
S. E. Tolsen
All those dumb spooky movies like Friday the 13th, they all start in a house or a forest, or an abandoned cabin, or whatever, so you end up thinking you have to be scared of them. But you don’t. Not really. That whispering voice is never in the woods.
S.E. Tolsen, Bunny
All of a sudden, he felt that palpable, magnetic dread that makes horror-movie heroines look behind the curtains. There she was, a drink in each hand, parting the crowd like somebody who didn’t have to wait in line. He wasn’t a deer in headlights, but there was nowhere to run.
Kat Hausler (What I Know About July)
All of a sudden, he felt that palpable, magnetic dread that makes horror-movie heroines look behind the curtains. There she was, a drink in each hand, parting the crowd like somebody who didn’t have to wait in line. He wasn’t a deer in headlights, but there was nowhere to run.
Kat Hausler (What I Know About July)
Films featuring museums are on the whole, not serious ones. They are mostly comedies, mild thrillers, romances, and horror movies, with a few disaster movies and detective films. Nevertheless, they speak clearly to the popular perception of the museum: a place apart from normal, everyday life; dusty, dark, mysterious, with arcane processes being carried out by strange obsessive curators and naive restorers and scientists. Neither exhibitions nor collections in store are the focus: 'the museum' is a sort of composite of both, and its psychological depiction is of a place where surprising and extraordinary things can happen - a place with hidden depths and many secrets.
Suzanne Keene (Fragments of the World)
What does a sub have to do with cancer? This book—Prayers and Po-Boys: A Cancer Survivor's Journey through Chemotherapy and Beyond by Larry Singleton—【+1||8 00|| 211|| 5032 ]】was yet another that my instinct “told” me to choose from a “lineup.” I went a step further and decided to include it in my Goodreads blog. This time, it wasn’t the cover that piqued my curiosity, even though I found myself trying to make out what looked like a photo of… was that a sandwich or a submarine? Whichever it was, I wondered: what did a sub have to do with cancer? The format I chose was an ebook, so with the cover on a thumbnail, I couldn’t know for sure【+1||8 00|| 211|| 5032 ]】. It was the visual disconnect, or rather, the inappropriateness of the image vis-a-vis the topic of the book that prompted my selection. It didn’t help that the cover looked like a movie poster for a comedy. Ah, maybe it’s a satire【+1||8 00|| 211|| 5032 ]】. As I perused the pages, it became apparent that the cover visual was apropos after all. My earlier misgivings about the image was influenced by what I assumed the term “po-boy” was. I thought it was a diminutive for “poor boys.” In a different context, I was correct. However, the po-boy Larry Singleton, the author, referred to was a specialty sandwich that originated from Louisiana during the Great Depression—1929, to be exact. The filling of the traditional kind was roast beef, but could also be ham or fried seafood. This was encased in French bread with its fluffy interior and crispy crust—a byproduct of New Orleans’ low humidity level. Apparently, there was a union strike that year and ex-streetcar conductors, who owned a local sandwich store, served the striking union workers subs. Those were the original po-boys【+1||8 00|| 211|| 5032 ]】. A slice of history. Wow! Although that came from my own research and not from the book. So that’s one observation I had initially. It would have been better if the author defined the po-boy somewhere: possibly in the intro, chapter one, or a glossary. Not everyone is from New Orleans and would instantly know what it is, regardless of the screaming visual in front of the book. Either that, or it was a tactic by the author to reel in unsuspecting readers. Hook them until the reveal. The latter may well be the truth—a testament to the charming personality of the author, who came across as a Miss Marple/Angela Lansbury-type. (Minus the sleuth background【+1||8 00|| 211|| 5032 ]】.) A delightful aspect of this book is the author’s propensity for funny quips and comebacks. I think his sense of humor was the main reason 【+1||8 00|| 211|| 5032 ]】(apart from faith and gastronomy he was able to survive his ordeal so well. For instance, when the chaplain remarked that he didn’t see many people eat during a chemo session after seeing the author munch on a sandwich, Larry explained, “I’m trying to be the exception to that rule【+1||8 00|| 211|| 5032 ]】.” And when the same guy asked one day why Larry wasn’t clutching a po-boy while receiving a chemo infusion, the author replied, “I go off the reservation sometimes, but I always come back.” The author spoke of dark clouds too. I expected those. One harked back to Room 5, the venue of the dreaded chemotherapy session. It was the equivalent of my Room 101, a metaphor for my psychological torment, which I discussed in my techno-thriller, The Invisible Cyber Bully: What it's like to be watched 24/7. It was a reference to the torture chamber in George Orwell’s dystopian novel, 1984. Orwell’s version was a red zone where the antagonists subjected dissidents to their worst phobias and nightmares to break their resolve until they could no longer think for themselves, paving the way for the government to control their minds【+1||8 00|| 211|| 5032 ]】.).
Baker