Psycho Movie Quotes

Da. This is going very well already." Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed. "Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine." "It is like movie," Sanya said, nodding. "Dibs on Legolas." "Are you kidding?" Thomas said. "I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. "Well. He's Boromir and you're clearly Aragorn." "Martin is so dour, he is more like Gimli." Sanya pointed at Susan. "Her sword is much more like Aragorn's." "Aragorn wishes he looked that good," countered Thomas. "What about Karrin?" Sanya asked. "What--for Gimli?" Thomas mused. "She is fairly--" "Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice. "Tough," Thomas said, his expression aggrieved. "I was going to say 'tough.' " As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest-- "Sanya," I said. "Who did I get cast as?" "Sam," Sanya said. I blinked at him. "Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been." Sanya shrugged. "It was no contest. They gave Gandalf to your godmother. You got Sam.

The picture's over. Now I have to go and put it on film.

suddenly I’m seized by a minor anxiety attack. There are too many fucking movies to choose from.

Pinocchio is a movie that resonates very deeply with you?” Ezekiel asks from far behind me, probably cautioned not to get too close so I can’t whammy him with my evil vagina powers.

Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed. "Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine." "It is like movie," Sanya said, nodding. "Dibs on Legolas.

The conversation follows its own rolling accord - no real structure or topic or internal logic or feeling; except, of course, for its own hidden, conspiratorial one. Just words, and like in a movie, but one that has been transcribed improperly, most of it overlaps.

Everyone gets killed in the shower. Don't you go to the movies? Psycho. Dead in shower. The MExican in No country for Old Men. Dead in shower. Michelle Pfeiffer in What Lies Beneath. Almost dead in shower, or in the bath, anyway. But she did that thing with her toe and got out OD. Still the shower, though...Glen Close in Fatal Attraction. Dead in shower. John Travolta in Pulp Fiction. Very dead in shower. But never closets. I can't think of anyone shot in a closet. This is why I hide in closets.

A therapist is a very smart person who wears glasses and can help you with your problems by asking a lot of questions instead of giving you shots, which is really amazing. But a psycho, as everyone knows, is a crazy person in the movies that you never want to run into in real life. So a psychotherapist is a very smart crazy person that you should stay away from for your own good.

I want to keep him.”  “Bruh. Those are thinking thoughts not speaking thoughts,” Noah coached. “You can’t just go around telling strangers you’ve imprinted on them like some werewolf in a Twilight movie. They won’t get it.

This is my reality. Everything outside of this is like some movie I once saw.

and like in a movie I appear in front of the D'Agostino's, sale's clerks beckoning for me to enter, and I'm using an expired coupon for a box of oat-bran cereal and the girl at the checkout counter--black, dumb,slow-- doesn't get it, doesn't notice the expiration date has passed even though it's the only thing I buy, and I get a small but incendiary thrill when I walk out of the store, opening the box, stuffing handfuls of the cereal into my mouth, trying to whistle "Hips to Be Square".

No fugging way. That's how horror movies start. We drop you off, walk into some stranger's house, and five minutes later some psycho's lobbing off my nuts with a machete while his schizophrenic wife makes Colin do push-ups on a bed of hot coals. You're coming with us.

Being poor is something like always being followed around by violins making “tense” movie music. You know that commercial where the band Survivor follows a guy around playing “Eye of the Tiger”? Yeah, it’s like that, but the musicians are invisible and they’re playing the shower scene from Psycho.

At least watching dirty movies can be kind of fascinating if they aren't too horribly strange. And even the horribly strange ones are still more interesting than televised sports.

Like in a movie another bus appears, another poster for Les Misérables replaces the word—not the same bus because someone has written the word DYKE over Eponine’s face.

What is it that Billy Lumos says? ‘Movies don’t create psychos, movies make psychos more creative.

And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully. “Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.

I arrived at Charlie’s apartment building with one objective: smoke a joint, weigh myself, take a bath, eat something small, weigh myself again, and fall asleep watching a black-and-white movie.

But we can’t ignore our social needs either. We have to stop people from abusing the welfare system. We have to provide food and shelter for the homeless and oppose racial discrimination and promote civil rights while also promoting equal rights for women but change the abortion laws to protect the right to life yet still somehow maintain women’s freedom of choice. We also have to control the influx of illegal immigrants. We have to encourage a return to traditional moral values and curb graphic sex and violence on TV, in movies, in popular music, everywhere. Most importantly we have to promote general social concern and less materialism in young people.

I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.

We stare at each other endlessly. I'm convinced she senses I'm about to say something. I've seen this look on someone's face before. Was it in a club? A victim's expression? Had it appeared on a movie screen recently? Or had I seen it in the mirror?

The roots of the slasher movie stretch back to Alfred Hitchcock’s Psycho (1960), based on Robert Bloch’s book of the same name. While Bloch stated many times that his book was based on the real-life crimes of Ed Gein, far more clippings were found in his files regarding Wisconsin’s infamous children’s entertainer and serial poisoner, Floyd Scriltch. When Hitchcock purchased the rights to Bloch’s book, he also optioned the life rights from the sole survivor of Scriltch’s infamous “Easter Bunny Massacre,” Amanda Cohen. Cohen was instrumental in the detection and capture of Scriltch and paid a heavy price for her bravery. This book is dedicated to her memory.

na kept her head down and pulled Lockie out into the street. She hoped he would manage to avoid standing on anything. His bare feet were already filthy but the streets of the Cross held the worst bits of human detritus. Tina didn’t want to have to deal with a piece of glass in Lockie’s foot, or worse. He was walking on tiptoe and more than one adult stopped to look at them. Tina moved quickly, getting Lockie out of sight before the questions had time to form. People tended to ask a lot more questions in the daytime. They saw things more clearly. Tina preferred the dark, where it was easy to hide.She had no idea what she was going to do with the kid after the new clothes and a shower. Maybe if he was warm and fed he would agree to walk into the police station and tell his story. Maybe he just needed a little time. He looked like a thinker. It was possible that she was really fucking up by keeping him. She had no idea what his body had been through. He could drop dead right now or have some kind of psycho meltdown.He looked at the ground as he walked. He held her hand and she guided him around the obstacles. He would not look up.He was locked up inside himself. His body was doing what it needed to do and maybe somewhere in his mind he was trying to find a key. If she got him to go to the police they would bring in a counsellor. Someone with a box of dolls and a soft voice. She had seen a movie about it. Lockie would be able to point to the doll and tell everyone exactly how his childhood had been taken. But would that help? Tina hoped he would be ready to talk to the police soon. If he wasn’t she was really screwed.

Shades of Nightmare on Blood Lake,” Wanda whispered. “Thank the gods we’re not in that flick. Still, we’d be okay,” Lucas said confidently. “None of us have had sex, none of us are naked, and none of us are going to go get a beer. We’re outside the formula!”              “What formula? What in the hell are you talking about?” I asked. “It’s a slasher flick,” Lucas answered. “You could always tell who the psycho killer was going to get next. Anyone who’d just had sex, was naked, or said ‘I’m going to go get a beer’ inevitably died right after.” “That’s the victim profile, idiot,” Wanda said acidly. “We‘re still in the basic plot set up! The whole movie took place at an abandoned campground. We’re doomed!” “Guys, right now, the most dangerous thing out here is the pissed-off sophomore in the back seat with a loaded paintball gun!” I said, voice rising until I was almost yelling. “Now, let me out!

Great horror stories of books and movies have seemingly come from some aspect of real-life events, and human behavior. This is evident as far back as Alfred Hitchcock’s movie, Psycho. The movie was based on a serial killer named, Ed Gein in Wisconsin.

We’re about five steps down when he says, “I feel like we’ve walked into a horror movie. Two teens sneak down to the basement, where the psycho killer lurks in the dark.” “If you’re trying to lighten the mood, it’s not working.” “Don’t worry. The psycho killer always targets teens who are sneaking to the basement in order to make out. But I do wish we had a flashlight.

The first American serial killer of the twentieth century was a strangler—Earle Leonard Nelson, aka the “Gorilla Murderer,” a Bible-quoting psycho who traveled from coast to coast, choking women to death before raping their corpses (Alfred Hitchcock also made a movie loosely inspired by this notorious case: his 1943 masterpiece, Shadow of a Doubt).

mean, Phaethon? In Ancient Greek, that means The Shining. His dad was the sun god, so I guess it makes sense. Still, any kid named after an old movie with Jack Nicholson as a psycho ax-murderer—that kid is not going to have a happy life.

I must’ve missed this part in the parenting handbook. Chapter 12: When fleeing from your mob boss husband, be sure to communicate the details of your escape with your nine-year-old son early and often so that you don’t stunt his psycho-emotional development. Also, always bring snacks to the movies.

IF you live alone, you’d be a fucking masochistic freak to buy an opaque shower curtain. I started thinking about this in the Silver Seahorse, where the shower curtain was white, save a few spots of mold on the bottom. It’s like they were trying to make the rooms feel like Psycho. I thought buying a shower curtain would be the easiest fucking thing in the world but you go to Bed Bath & Beyond and they have like six hundred opaque shower curtains that are obviously not an option. And then you go online and there are thousands to choose from. I didn’t buy a totally clear one because you need something to look at while you’re on the can, but when you think about it, this shower curtain is something you are going to look at Every. Fucking. Day. So I started going through hundreds of options online. Most of the designs are bullshit you could never stomach every day (a map of the world, go fuck yourself, fish, a map of Brooklyn, really go fuck yourself, snowmen, the Eiffel Tower, nautical signs—I mean, I’m not some fucker who buys scarves at Urban Outfitters and rates movies on IMDB).

And then I want a big hug from all of you while we watch that Disney movie with that person who’s stuck working and working and working, and then they realise they can live out their dreams instead.” “Cinderella?” Mateo guessed and I shook my head with a frown. “You know the one. Where they get to go out at night doing all the things they really want to do, but they can’t tell anyone.” “The Incredibles?” Mateo guessed again. “Nooo.” I threw my head back against the cushion behind me with a huff. “Oh, you mean American Psycho,” Niall realised and I perked up. “Yes! That one. With the stabby man living his dreams,” I said with a grin.

a sitting area with a bunch of black couches, each one dotted with purple throw pillows bearing different quotes from classic horror movies. My favorite is Norman Bates’s famous line from Psycho: “We all go a little mad sometimes.

I want to keep him.” “Bruh. Those are thinking thoughts not speaking thoughts,” Noah coached. “You can’t just go around telling strangers you’ve imprinted on them like some werewolf in a Twilight movie. They won’t get it.

Eat- Yō Sandwich (Lunch) It is a foot long; Ha- better than six inches, said Maddie. Karly- Suck on your meatballs… ‘You should know you’ve done both.’ Some girl down the table- said. Let’s talk about books, said Olivia. God just shot me in the head, so I can die, ha- hey see the sped? Nice- book’s- Maddie- ha! Karly- I think movies like Twilight freaking suck, (Throwing both middle fingers in the air making a skilling face.) The sporting actress made fame, what it is. Look at her and the look at that, what is- that, I love Anna Kendrick? Teach walking by saying that a mother-week Barns. Liv- I think she would have made a better Bella, than the girl with no personality, yet that’s the book I read that thing and it was painful. I guess that my assignment in life is over my Karly kiss my ass where it is brown and holy! And that another one, sure it is… Suck my clit. No! Yes, you want to! (Sexy eyes) That's it- you're expelled- Good now I can party and have some fun sleeping and not doing this crap, so you're going to punish me by not being here, freak yeah! The towing sickness of a teacher whose name is Mr. Abdèlaziz Okay smart-ie, in-school suspension, then right. Karly- Freaking-, ho-bag, psycho, b*tch, p*ssy-tart- cunt! Under her breath. (She gets taken out by her hair, by the officer what’s his name, roughly, I might add.) Like who paints a room all black, and faces the desks at the wall, where you could only piss two times… no air to speak of and some fat ass smelling like crap farting up and down the five by thirdly long skinny room, next to you is what… I got six out of seven freaking hours, all week I might add. ~*~ (Flashback) I love bands that are not cool so what do you do here? Freak yeah, at least I made it as one of our dumb ho’s… in a short skirt that shows nothing under it, to think I made it, wow good to think… you think I am good enough to be the same look, and size or whatever, yet you can’t say the N-word or a knotty little swore ward… Yet- yet- teachers can call me every name you can think of… in the urban book of crap, like I cannot even wear a tank… without a bra in the halls, yet, this girl can… do you see all the bouncing, and nipples pointing, at you, I sure do?

They need to give me my money back,” Jane screamed.  “That movie was fake.  That could never, ever happen.  It wasn’t real at all.” “Of course it wasn’t, you psycho,” the owner of the theater shouted.  “You just watched Harry [effing] Potter!

In a few more weeks, the ferry that runs between the island and the mainland would shut down for a couple of months. Then we’d be trapped. Deranged killers and psychos would have a field day before the first thaw. And no one would know until it was too late. Hadn’t I seen that scenario in a movie? I shuddered at the thought. “So why do you think the owners wanted to sell the place?” I asked. “Because it’s haunted.

Harvey didn’t set his phone to beep or buzz or vibrate like a normal person. Harvey’s phone screeched with a string piece from the Hitchcock movie Psycho, the scene with Janet Leigh in the shower, the knife rising and falling, the string section shrieking with short, staccato stabs, the lone violin slashing through the fermata with discordant glissandos, more violins joining the first, violas adding their teeth, mad strings schooling like orchestral sharks at a blood-drunk feast.

The stained-glass window on the front door shatters into tiny pieces behind her as it slams shut when he gets to it at last. It sounds like a musical cadence, heightening some eerie psycho movie score.