Proud New Yorker Quotes

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I am a music snob, and proud of it. I'm a New Yorker; smugness is my birthright.
J.J. Howard (That Time I Joined the Circus)
Make the race proud," the elders used to say. But by then, I knew that I wasn't so much bound by a biological race as to a group of people, and these people were not black because of any uniform color or any uniform physical feature. They were bound because they suffered under the weight of the dream, and they were bound by all the beautiful things, all the language and mannerisms, all the food and music, all the literature and philosophy, all the common language that they had fashioned like diamonds under the weight of the dream. ... In other words, I was part of a world. And looking out, I had friends who too were part of other worlds. The world of Jews, or New Yorkers. The world of southerners or gay men. Of immigrants, of Californians, of Native Americans, or a combination of any of these worlds stitched into worlds like tapestry. And though I could never myself be a native of any of these worlds, I knew that nothing so essentialist as race stood between us. I had read too much by then, and my eyes, my beautiful precious eyes, were growing stronger each day. And I saw that what divided me from the world was not anything intrinsic to us, but the actual injury done by people intent on naming us. Intent on believing that what they have named us matters more than anything we could ever actually do. In America, the injury is not in being born with darker skin, with fuller lips, with a broader nose, but in everything that happens after.
Ta-Nehisi Coates
I currently have a home on Long Island and an apartment in Manhattan. So fuck you! I’m a New Yorker any way you cut it and proud of it.
Anthony Cumia (Permanently Suspended: The Rise and Fall... and Rise Again of Radio's Most Notorious Shock Jock)
Americans honored Mazzini; the old-guard Protestants erected a politically charged “Spanish Columbus” on the Mall in 1892 as a rebuke to the Italian-Americans; lovers of poetry (including future assassin John Wilkes Booth) honored Shakespeare—the list goes on and on. After Hitler invaded Poland, the statue of Jagiello, which stood proudly in front of the Poland pavilion at the 1939 World’s Fair, was orphaned. Eventually, it wended its way to the park too, to serve as a symbol of Polish resistance to Nazism.
James Nevius (Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers)
learn that she’s Texan, a fellow 11th arrondissement resident, an author—of the New York Times bestseller Where’s Karl?, a mother, and a proud former New Yorker.
Lindsey Tramuta (The New Parisienne: The Women & Ideas Shaping Paris)
For one thing, they share a willingness to consider New York from a cinematic distance, overlooking the city’s many irritants except insofar as they add grit and drama to their personal story. In day-to-day terms, this manifests as complaining vigorously about subway hardships and bedbug plagues, and then posting Instagram photos of the skyline at sunset. A not insignificant number of the New York lovers I know—especially the twenty-somethings—are actually pretty unhappy day-to-day. I picture the prom king’s date sitting near him at a party, ignored but still kind of proud to be in the room and on his arm—and incredibly offended at the suggestion that she should break up with him for someone who dotes on her more. Oh, how California dotes! Sun yourself. Take the car. Let your guard down. Breathe deeply, and you’ll smell the jasmine and dusty sage. Show up twenty minutes late. (Just text “Sorry—traffic.”) Explore the weirder corners of your spirituality. Describe yourself, without sarcasm, as a writer slash creative entrepreneur. Work from home. Spread out. Wear the comfortable pants. When I describe this sunshine-and-avocado-filled existence to some New Yorkers, they acknowledge that they really like California, too, but could never move here because they’d get too “soft.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
Science writers Po Bronson and Ashley Merryman have found that ethnic pride is an important element of self-esteem for other races but they draw the line at whites: “It’s horrifying to imagine kids being ‘proud to be white’. ” Many intellectuals believe whites are collectively guilty. As James Traub of The New Yorker wrote, when it comes to any discussion about race, whites must acknowledge that they are the offending party: “One’s hand is stayed by the knowledge of innumerable past hurts and misdeeds. The recognition of those wrongs, along with the acceptance of the sense of collective responsibility—guilt—that comes with recognition is a precondition to entering the discussion [about race].” Joe Klein, in New York Magazine, wrote that any conversation about race must begin with a confession: “It’s our fault; we’re racists.” “Black anger and white surrender have become a staple of contemporary racial discourse,” writes another commentator. Most blacks endorse this view. James Baldwin wrote that any real dialogue between the races requires a confession from whites that is nothing less than “a cry for help and healing.” Popular culture casually denigrates whites. Jay Blumenfield, an executive producer for the Showtime cable network, was working in 2004 on a reality program tentatively titled “Make Me Cool,” in which a group of blacks were to give “hipness makeovers” to a series of “desperately dweebie” whites. Why whites? Mr. Blumenfield explained that the purpose of the program was to correct “uncoolness,” and that “the easiest way to express that is they’ll be white.” Gary Bassell, head of an advertising agency that specializes in reaching Hispanics explained that “we’ve been shaped by an American pop culture today that increasingly proves that color is cool and white is washed out.” Miss Gallagher noted above that there are “few things more degrading than being proud to be white.” The United States Patent and Trademark Office (USPTO) agrees. In 2005, it refused to grant a trademark on the phrase “White Pride Country Wide.” It explained that “the ‘white pride’ element of the proposed mark is considered offensive and therefore scandalous.” The USPTO has nevertheless trademarked “Black Power” and “Black Supremacy,” and apparently finds nothing scandalous in “African Pride,” “Native Pride!” “Asian Pride,” “Black Pride,” “Orgullo Hispano” (Hispanic Pride), “Mexican Pride,” and “African Man Pride,” all of which have been trademarked.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)