Protect Her Quotes

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Dimitri: "She might be wild and disrespectful, but if she has potential—" Rose: "Wild and disrespecful? Who the hell are you anyway? Oursourced help?" Kirova: "Guardian Belikov is the Princess Lissa's guardian now, her sanctioned guardian." Rose: "You got cheap foreign labor to protect Lissa?
Richelle Mead (Vampire Academy (Vampire Academy, #1))
By the way, my name's Rose Hathaway. I'm seventeen years old, training to protect and kill vampires, in love with a completely unsuitable guy, and have a best friend whose weird magic could drive her crazy. Hey, no one said high school was easy.
Richelle Mead (Frostbite (Vampire Academy, #2))
I ask people why they have deer heads on their walls. They always say because it's such a beautiful animal. There you go. I think my mother is attractive, but I have photographs of her.
Ellen DeGeneres
My name is Ashallyn'darkmyr Tallyn, third son of the Unseelie Court...Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?" His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together." "Then why did you lie to me?" We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help. "Why did you lie?" I murmured again. Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer. "Because we can't be together." "Because of the age thing, right?" I asked. "Because you're my mentor?" His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Yeah, well," I say, "I left Abnegation because I wasn't selfless enough, no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me-that selfless girl, that's not you?"... "You've been paying close attention, haven't you?" "I like to observe people/" "Maybe you were cut out for Candor, Four, because you're a terrible liar.
Veronica Roth (Divergent (Divergent, #1))
Est unus ex nobis. Nos defendat eius." She is one of us. We protect her.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit." - Ash
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Lorcan reached out, grasping her chin and forcing her to look at him. Hopeless, bleak eyes met his. He brushed away a stray tear with his thumb. “I made a promise to protect you. I will not break it, Elide.” “I will always find you,” he swore to her. Her throat bobbed. Lorcan whispered, “I promise.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Guardian Belikov is the princess's guardian now," said Kirova, "Her sanctioned guardian." "You got cheap foreign labour to protect Lissa?
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Don't touch her," he growled. There was a note in his voice that would of scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions,and Dimitri began dispatching them with the same deadly grace that had once made people call him a god.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
You promised you would protect her Nico said. He might as well have stabbed me with a rusty dagger.It would've hurt less than reminding me of my promise.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
It'll be impossible to protect Brittany for the rest of her life from all the other guys who want to be near her, to see her as I've seen her. Touch her as I've touch her. Man, I never want to let her go.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Iz," Alec said tiredly. "It's not like it's one big bad thing. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if that's because I'm young or if it's because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now." He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec's. "It's not like a stab wound you can protect me from. It's a million little paper cuts every day.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I'm her protection! I don't care if it's in this world or the next. Just show me how to get where she is, and I'll be there for her. ~Stark
P.C. Cast (Burned (House of Night, #7))
I can feel that photo of Anna staring at me from sixty years ago, and I can’t help myself from wanting to protect her, wanting to save her from becoming what she already is.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
From this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor and my life. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own life be forfeit.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
All you have to do is speak up. Tell him straight up: "I need you here to protect and provide for us, to give us security in our lives, to help raise these children, to set an example for this boy, who needs to see what real men do, and for this girl, who needs to know what a real man is so she can find one of her own someday. I need you to be the head of this family." Lay it out like this, and your requirements will trump his mother's every time.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
He wanted to run to her, wrap her in his arms. Protect her. But it was Jem’s place to do those things, not his. Not his.” -Will Herondale
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
He considered her seriously. "Well. And that's easy," he said. "My Grace will protect me from him, And I'll protect you. You'll be safe with me, Katsa.
Kristin Cashore (Graceling (Graceling Realm, #1))
You want to know what it feels like to be castrated? Try having your nine-year-old brother protect you from your ex-girlfriend after you've told her you're in love with a man.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Lies, it sounds demented to want a woman’s lies. But, Olivia loves you with her lies. She lies about how she’s feeling, how she’s hurting, how she wants you when she tells you she doesn’t. She lies to protect you and herself.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Felicity ignores us. She walks out to them, an apparition in white and blue velvet, her head held high as they stare in awe at her, the goddess. I don't know yet what power feels like. But this is surely what it looks like, and I think I'm beginning to understand why those ancient women had to hide in caves. Why our parents and suitors want us to behave properly and predictably. It's not that they want to protect us; it's that they fear us.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
How true, how true" said the Sour Kangaroo, "And from now on, you know what I'm gonna do? I'm going to protect them with you!" And the Young Kangaroo in her pouch said "Me too!
Dr. Seuss
She knew the years of isolation had altered her behavior until she was different from others, but it wasn't her fault she'd been alone. Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would.
Delia Owens (Where the Crawdads Sing)
Be your own place of safety, she told herself, straightening. No crossbar in the world could protect her from what lay ahead, and neither could a tiny knife ticked in her boot - though there her tiny knife would most certainly remain - and neither could a man, not even Akiva. She had to be her own strength, complete unto herself.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Trust in someone means that we no longer have to protect ourselves. We believe we will not be hurt or harmed by the other, at least not deliberately. We trust his or her good intentions, though we know we might be hurt by the way circumstances play out between us. We might say that hurt happens; it’s a given of life. Harm is inflicted; it’s a choice some people make.
David Richo
I take my time because I love how it feels to carry her, the way she needs me, the way I need to protect her.
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
I'm not going to lose you again." "SHE IS RIGHT." We looked up. Ironhorse stood on the other side of the glass, watching us. His eyes glowed red in the darkness. "IT IS TOO DANGEROUS. FOR YOU." I frowned. "What are you talking-" "PRINCESS." Abruptly, he bowed. "IT HAS BEEN AN HONOR. WERE THINGS DIFFERENT, I WOULD GLADLY SERVE YOU UNTIL THE END OF TIME." He looked at Ash and nodded, as it suddenly dawned on me what he was implying. "SHE THINKS THE WORLD OF YOU, PRINCE. PROTECT HER WITH YOUR LIFE.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Words define us,' Mom continued, as I struggled to make my clumsy marks look like her elegant script. 'We must protect our knowledge and pass it on whenever we can. If we are ever to become a society again, we must teach others how to remain human.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
You, Mad Dog, are exactly what I came here to protect her from. But you know what? We're all broken some way or another. Even with your epic fuckup, you just might be exactly what she needs. You get one more chance
Jamie McGuire (Walking Disaster (Beautiful, #2))
His eyes shone when he looked at her, green as spring grass. He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you. Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
You’re strong enough to protect your heart and mine, and your heart from mine. I’ll give you everything I have because from the day I met you, it’s belonged to you.”I kiss her then I roll on top of her. And that’s it. Our hearts are married. 
Tarryn Fisher (Thief (Love Me with Lies, #3))
He has sincerely wanted to die, but he has never sincerely wanted Marianne to forget about him. That’s the only part of himself he wants to protect, the part that exists inside her. 
Sally Rooney (Normal People)
Sometimes I remember that I can't always protect those I love." Under his fingers, her hair was soft and silky. She didn't try to tell him that he wasn't God, that he couldn't protect everyone. He knew that. But knowing and believing were two different things. What she did say succeeded in stopping his heart. "I wish you'd love me." "Why?" "Because then maybe you could protect me, too." Haunting sorrow whispered through her tone.
Nalini Singh (Slave to Sensation (Psy-Changeling, #1))
But more than any of that, I was thankful for the possibility he'd shown me: that a man really could love a woman enough that he'd do anything to protect her. That's how much Tod loved Addy. That's how much I wanted Nash to love me.
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies-- it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it.
Zadie Smith (On Beauty)
Dimitri: "Were you really going to attack all of us? Doing that...protecting her like that—it was very brave. Stupid, but still brave. Why did you even try it?” Rose: "Because I'm her guardian.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
He buried his face in her hair. She felt his lips move against her ear when he said, “I never want to see you like this again.” “Do you mean the dress or the cell?” A laugh shook him. “Definitely the cell.” Then he cupped her face in his hands. “Jer molle pe oonet. Enel mörd je nej afva trohem verretn.” Nina swallowed hard. She remembered those words and what they truly meant. I have been made to protect you. Only in death will I be kept from this oath. It was the vow of the drüskelle to Fjerda. And now it was Matthias’ promise to her. She knew she should say something profound, something beautiful in response. Instead, she spoke the truth. “If we make it out of here alive, I’m going to kiss you unconscious.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You're my sister," he said finally. "My sister, my blood, my family. I should want to protect you"—he laughed soundlessly without any humor—"to protect you from the sort of boys who want to do with you exactly what I want to do." Clary's breath caught. "You said you just wanted to be my brother from now on." "I lied," he said. "Demons lie, Clary. You know, there are some kinds of wounds you can get when you're a Shadowhunter—internal injuries from demon poison. You don't even know what's wrong with you, but you're bleeding to death slowly inside. That's what it's like, just being your brother." "But Aline—" "I had to try. And I did." His voice was lifeless. "But God knows, I don't want anyone but you. I don't even want to want anyone but you." He reached out, trailed his fingers lightly through her hair, fingertips brushing her cheek. "Now at least I know why." Clary's voice had sunk to a whisper. "I don't want anyone but you, either.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered.
Aprilynne Pike (Wings (Wings, #1))
But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." "I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
At first I was protecting you two because I promised. Now even if I hadn't promised, I would. You two are like kittens to me. I won't fail you again." I'll admit I got a lump in my throat. I'd never been called someone's kitten before. Sadie sniffled. She brushed something from under her eye. "You're not going to wash us, are you?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I might have been a fuckup and a failure and a disappointment, but I wasn’t a liar. I did lie to Belly, though. Just that one time in that crappy motel. I did it to protect her. That’s what I kept telling myself. Still, if there was one moment in my life I could redo, one moment out of all the shitty moments, that was the one I’d pick. When I thought back to the look on her face—the way it just crumpled, how she’d sucked in her lips and wrinkled her nose to keep the hurt from showing—it killed me. God, if I could, I’d go back to that moment and say all the right things, I’d tell her I loved her, I’d make it so that she never look that way again.
Jenny Han (We'll Always Have Summer (Summer #3))
No problem," Gale replies. "I wake up ten times a night anyway." "To make sure Katniss is still here?" asks Peeta. "Something like that,"... "That was funny, what Tigris said. About no one knowing what to do with her." "Well, WE never have,"... "She loves you, you know," says Peeta. "She as good as told me after they whipped you." "Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that." "It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice. "No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then." "You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life." ... "I wonder how she'll make up her mind." "Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Just so you know, Penellaphe doesn’t need protection. She is more than capable of handling things herself. But that is my future you are walking away with. Guard her well. Your life depends on it.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
You're to be my wife." Catching up to her in two strides, I reached out to grab her arm, but stopped short of touching her. "That means you'll obey me." "Does it?" She raised her brows, still grinning. " I suppose that means you'll honor and protect me, then? If we're adhering to the dusty old roles of your patriarchy?" I shortened my pace to match hers. "Yes." She clapped her hands together. "Excellent. At least this will be entertaining. I have many enemies.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
Just before the light completely vanished, I saw Dimitri's face join Lissa's. I wanted to smile. I decided then that if the two people I loved most were safe, I could leave this world. The dead could finally have me. And I'd fulfilled my purpose, right? To protect? I'd done it. I'd saved Lissa, just like I'd sworn I'd always do. I was dying in battle. No appointment books for me. Lissa's face shown with tears, and I hoped that mine could convey how much I loved her. With the last spark of life that I had left, I tried to speak, tried to let Dimitri know I loved him too and that he had to protect her now. I don't think he understood, but the words of the guardian mantra were my last conscious thought. They come first.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
To his children, Will showed the same love he had always shown to her, fierce and unyielding. And the same protectiveness he had only ever showed to one other person: the person James had been named after. Will’s parabatai, Jem.
Cassandra Clare (The Whitechapel Fiend (Tales from the Shadowhunter Academy, #3))
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
...repeated trauma in childhood forms and deforms the personality. The child trapped in an abusive environment is faced with formidable tasks of adaptation. She must find a way to preserve a sense of trust in people who are untrustworthy, safety in a situation that is unsafe, control in a situation that is terrifyingly unpredictable, power in a situation of helplessness. Unable to care for or protect herself, she must compensate for the failures of adult care and protection with the only means at her disposal, an immature system of psychological defenses.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
How could I not love him, after that? That is not to say that I approved of all he did, or much enjoyed the company of the man that he became... but every little girl needs a big brother to protect her. Tywin was big even when he was little.” She gave a sigh. “Who will protect us now?” Jaime kissed her cheek. “He left a son.” “Aye, he did. That is what I fear the most, in truth.” That was a queer remark. “Why should you fear?” “Jaime,” she said, tugging on his ear, “sweetling, I have known you since you were a babe at Joanna’s breast. You smile like Gerion and fight like Tyg, and there’s some of Kevan in you, else you would not wear that cloak... but Tyrion is Tywin’s son, not you. I said so once to your father’s face, and he would not speak to me for half a year. Men are such thundering great fools. Even the sort who come along once in a thousand years.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
I had no one before Rose. No true friends. No family, not really. Now I have her. I have people I care about. People that I want to protect. Now I have everything. The only thing about having everything is that you can lose it all.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
I comma square bracket recruit's name square bracket comma do solemnly swear by square bracket recruit's deity of choice square bracket to uphold the Laws and Ordinances of the City of Ankh-Morpork comma serve the public truƒt comma and defend the ƒubjects of his ƒtroke her bracket delete whichever is inappropriate bracket Majeƒty bracket name of reigning monarch bracket without fear comma favour comma or thought of perƒonal ƒafety semi-colon to purƒue evildoers and protect the innocent comma comma laying down my life if neceƒsary in the cauƒe of said duty comma so help me bracket aforeƒaid deity bracket full stop Gods Save the King stroke Queen bracket delete whichever is inappropriate bracket full stop.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Everything we need to know is locked up in your head, under those pretty red curls." Clary reached up to touch her hair protectively. "I dont think-" "So what are you going to do?" Simon asked sharply. "Cut her head open to get at it?
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Much stronger boys in her class soon learned that it could be quite unpleasant to fight with that skinny girl. Unlike other girls in the class, she never backed down, and she would not for a second hesitate to use her fists or any weapon at hand to protect herself. She went around with the attitude that she would rather be beaten to death than take any shit.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
She tossed her towel on her dresser and turned to the bed where shed left her PJs. Only it wasn't just her PJs on the bed anymore. Lucas, eyes wide, sat on the foot of her bed, about four feet from where she stood completely naked. She squealed. He laughed. She dashed for the towel. Once she had it around her, she glared from a still grinning Lucas to the door. "I'm killing Della!" He laughed again. "I'm afraid I might have to protect her for this one.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
When a woman submits to a man, it's the most precious gift she can give. Herself. Unreservedly. The man has to respect and honor that gift above all else. Even if he respects nothing else in the world, he must respect the woman in his care. It's his sworn duty to protect, honor and cherish his submissive. To take care of her and provide a safe haven. Someone who would put his own needs above his woman's is no man.
Maya Banks (Sweet Addiction (Sweet, #6))
Need-love says of a woman, "I cannot live without her"; Gift-love longs to give her happiness, comfort, protection...appreciative love gazes and holds its breath and is silent, rejoices that such a wonder should exist even if not for him, will not be wholly dejected by losing her, would rather have it so than never to have seen her at all.
C.S. Lewis
Not being assaulted is not a privilege to be earned through the judicious application of personal safety strategies. A woman should be able to walk down the street at 4 in the morning in nothing but her socks, blind drunk, without being assaulted, and I, for one, am not going to do anything to imply that she is in any way responsible for her own assault if she fails to Adequately Protect Herself. Men aren’t helpless dick-driven maniacs who can’t help raping a vulnerable woman. It disrespects EVERYONE.
Emily Nagoski
I have been made to protect you. Even in death, I will find a way.” He clasped her hand tighter. “Bury me so I can go to Djel. Bury me so I can take root and follow the water north.” “I promise, Matthias. I’ll take you home.” “Nina,” he said, pressing her hand to his heart. “I am already home.” The light vanished from his eyes. His chest stilled beneath her hands. Nina screamed, a howl that tore from the black space where her heart had beat only moments before.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The worst part about loving someone, Merripen, is that there will al­ways be things you can't protect her from. Things be­yond your control. You finally realize there is something worse than dying... and that is having something hap­pen to her. You have to live with that fear always. But you have to take the bad part, if you want the good part." Kev looked at him bleakly. "What's the good part?" A smile touched Cam's lips. "All the rest of it is the good part," he said, and went.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Lady of the silver moon Enchantress of the night Protect me and mine within this circle fairly cast. Earth Mother, mother of the sleeping earth, Keep safe all who gather here Within the protective shelter of your arms. By the earth that is Her body, By the air that is Her breath, By the fire that is Her bright spirit, And by the living waters of Her womb, Our circle is cast, None shall come to harm here, From any forces, On any level. As we will, So shall it be done. As we will, So mote it be.
Madelyn Alt (A Charmed Death (A Bewitching Mystery, #2))
This hand says you spend the rest of your life with me," he said, holding out his left hand, "and this one says I spend the rest of my life with you. Choose." She bit her lip, tears welling in her eyes. She took both of his hands in hers and he shuddered. "I will die protecting you," he says. There was a look of dismay on her face. "Just like a man of this kingdom, Finnikin. Talking of death, yours or mine, is not a good way to begin a-" Isaboe gave a small gasp when he leaned forward, his lips an inch away from hers. "I will die for you," he whispered. She cupped his face in her hands. "But promise me you'll live first. Because nothing we are about to do is going to be easy and I need you by my side.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Not one fuckin’ thing gentlemanly about protecting what’s yours. Looks like you’re gonna lose it, you do everything you can to stop that from happening.” Max looked back to Niles. “And you didn’t do that. She was a week away from me, she walked into a room I was in holdin’ another man’s hand, I’d lose my fuckin’ mind. Not at her. Wonderin’ where I lost my way and I’d talk to her about how to find my way back.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The fact that Ridge has been honest in his conversations with me is not something he did wrong. The fact that he has feelings for me also isn’t wrong, when you know exactly how much he’s fought those feelings. People can’t control matters of the heart, Warren. They can only control their actions, which is exactly what Ridge did. He lost control once for ten seconds, but after that, every single time temptation reared its ugly head, he walked in the other direction. The only thing Ridge has done wrong is fail to delete his messages, because by doing so, he failed to protect Maggie. He failed to protect her from the harsh truth that people don’t get to choose who they fall in love with. They only get to choose who they stay in love with.” I look up at the ceiling and blink back tears. “He was choosing to stay in love with her, Warren. Why can’t she see that? This will kill him so much more than it’s killing her.
Colleen Hoover (Maybe Someday (Maybe, #1))
The frailest woman will become a heroine when the life of her own child is at stake. And only the will to save the race and native land or the State, which offers protection to the race, has in all ages been the urge which has forced men to face the weapons of their enemies.
Adolf Hitler (Mein Kampf)
We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Cathy's lies were never innocent. Their purpose was to escape punishment, or work, or responsibility, and they were used for profit. Most liars are tripped up either because they forget what they have told or because the lie is suddenly faced with an incontrovertible truth. But Cathy did not forget her lies, and she developed the most effective method of lying. She stayed close enough to the truth so that one could never be sure. She knew two other methods also -- either to interlard her lies with truth or to tell a truth as though it were a lie. If one is accused of a lie and it turns out to be the truth, there is a backlog that will last a long time and protect a number of untruths.
John Steinbeck (East of Eden)
Because I love her!” I slammed my hands on the table. “There, happy? I love her so much I would rather give her up than hurt her. But if you think I’m letting her go to another country alone, with no protection, you’ve got another think coming. Now give me her fucking flight info.
Ana Huang (Twisted Love (Twisted, #1))
Your body is yours to protect and to enjoy.” She raises both eyebrows at me meaningfully. “Whoever you should choose to partake in that enjoyment, that is your choice, and choose wisely. Every man that ever got to touch me was afforded an honor. A privilege.” Stormy waves her hand over me. “All this? It’s a privilege to worship at this temple, do you understand my meaning? Not just any young fool can approach the throne. Remember my words, Lara Jean. You decide who, how far, and how often, if ever.” “I had no idea you were such a feminist,” I say. “Feminist?” Stormy makes a disgusted sound in her throat. “I’m no feminist. Really, Lara Jean!” “Stormy, don’t get worked up about it. All it means is that you believe men and women are equal, and should have equal rights.” “I don’t think any man is my equal. Women are far superior, and don’t you forget it. Don’t forget any of the things I just told you.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
...I've made it my business to observe fathers and daughters. And I've seen some incredible, beautiful things. Like the little girl who's not very cute - her teeth are funny, and her hair doesn't grow right, and she's got on thick glasses - but her father holds her hand and walks with her like she's a tiny angel that no one can touch. He gives her the best gift a woman can get in this world: protection. And the little girl learns to trust the man in her life. And all the things that the world expects from women - to be beautiful, to soothe the troubled spirit, heal the sick, care for the dying, send the greeting card, bake the cake - allof those things become the way we pay the father back for protecting us...
Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
She adjusted her body weight and caught his eyes, her gaze shiny and with a tinge of sadness. “My grandmother told me once that the world is filled with ghosts. The longer we live the more ghosts will haunt us.” She paused glancing at her palms. “But they’re here to remind us we are alive. That our hearts beat, blood runs through our veins, we breath air into our lungs.
Simon W. Clark (The Russian Ink (Jake Armitage Thriller Book #1))
A part of a healthy conscience is being able to confront consciencelessness. When you teach your daughter, explicitly or by passive rejection, that she must ignore her outrage, that she must be kind and accepting to the point of not defending herself or other people, that she must not rock the boat for any reason, you are NOT strengthening her prosocial sense, you are damaging it--and the first person she will stop protecting is herself.
Martha Stout (The Sociopath Next Door)
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt. God, our knees touching isn't enough. I need more. She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life. I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand. She doesn't seem fazed so I move closer. And closer. When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails. I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus. When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one. With a slight shift of my hand, I lace my fingers through hers. I'm holding hands. With Maggie Armstrong. I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them? The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.
Kiera Cass (The Selection (The Selection, #1))
Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex
Cecelia Ahern (Love, Rosie)
You think I don’t know pain?” Puck shook his head at me. “Or loss? I’ve been around a lot longer than you, prince! I know what love is, and I’ve lost my fair share, too. Just because we have a different way of handling it, doesn’t mean I don’t have scars of my own.” “Name one,” I scoffed. “Give me one instance where you haven’t—” “Meghan Chase!” Puck roared, startling me into silence. I blinked, and he sneered at me. “Yeah, your highness. I know what loss is. I’ve loved that girl since before she knew me. But I waited. I waited because I didn’t want to lie about who I was. I wanted her to know the truth before anything else. So I waited, and I did my job. For years, I protected her, biding my time, until the day she went into the Nevernever after her brother. And then you came along. And I saw how she looked at you. And for the first time, I wanted to kill you as much as you wanted to kill me.
Julie Kagawa
We'll earn it all back today," I say, and we both plow into our plates. Even cold, it's one of the things I've ever tasted. I abandon my fork and scrape up the last dabs of gravy with my fingers. "I can feel Effie trinket shuddering at my manners." "Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate his plate clean with his tongue making loud, satisfied sounds. Then he blows a kiss to her in general, and calls, "We miss you, Effie!" I cover his hand with my mouth. But I am laughing. "Stop! Cato could be right outside our cave." He grabs my hand away."What do I care. I've got you to protect me now," says Peeta, pulling me to him. "Come on," I say in exasperation, extricating myself from his grasp but not before he gets another kiss.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
Usually, when we think of power, we think of external power. And we think of powerful people as those who have made it in the world. A powerful woman isn’t necessarily someone who has money, but we think of her as someone with a boldness or a spark that makes her manifest in a dramatic way. When we think of a powerful man, we think of his ability to manifest abundance, usually money, in the world. Most people say that a powerful woman does best with a powerful man, that she needs someone who understands the bigness of her situation, a man who can meet her at the same or even greater level of power in the world. Now this is true, if power is defined as material abundance. A woman often faces cultural prejudice when she makes more money than a man, as does he. A woman who defines power by worldly standards can rarely feel totally relaxed in the arms of a man who doesn’t have it. If power is seen as an internal matter, then the situation changes drastically. Internal power has less to do with money and worldly position, and more to do than with emotional expansiveness, spirituality and conscious living… I used to think I needed a powerful man, someone who could protect me from the harshness and evils of the world. What I have come to realize is that…the powerful man I was looking for would be foremost, someone who supported me in keeping myself on track spiritually, and in so maintaining clarity within myself, that life would present fewer problems. When it did get rough, he would help me forgive. I no longer wanted somebody who would say to me, “Don’t worry honey, if they’re mean to you I’ll beat them up or buy them out.” Instead, I want someone who prays and meditates with me regularly so that fewer monsters from the outer world disturb me, and who when they do, helps me look within my own consciousness for answers, instead of looking to false power to combat false power. There’s a big difference between a gentle man and a weak man. Weak men make us nervous. Gentle men make us calm.
Marianne Williamson
Then he snarled at her. “You are not leaving me.” It was an order, and she didn’t have to follow anyone’s orders. That was part of being Omega instead of a regular werewolf – who might have had a snowball’s chance in hell of being a proper mate. “You need someone stronger,” Anna told him again. “So you wouldn’t have to hide when you’re hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding.” She hated crying. Tears were weaknesses that could be exploited and they never solved a damned thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. “I need to go,” she said to his chest. “I need–” His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. “Me,” Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth, his eyes a bright gold. “You need me.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
I once knew a woman who liked to imagine Love in the guise of a sturdy dog, one that would always chase down the stick after it was thrown and return with his ears flopping around happily. Completely loyal, completely unconditional. And I laughed at her, because even I knew that love is not like that. Love is a delicate thing that needs to be cosseted and protected. Love is not robust and love is not unyeilding. Love can crumble under a few harsh words, or be tossed away with a handful of careless actions. Love isn't a steadfast dog at all; love is more like a pygmy mouse lemur.
Andrew Davidson (The Gargoyle)
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
She said no, okay?" All the eyes that had been on me suddenly jerked toward Adrian. He leaned forward, fixing his gaze on Sonya and Dimitri, and I saw something in those pretty eyes I'd never seen before: anger. They were like emerald fire. "How many times does she have to refuse?" Adrian demanded. "If she doesn't want to, then that's all there's to it. This has nothing to do with her. This is our science project. She's here to protect Jill and has plenty to do there. So stop harassing her already!"" "Harassing is kind of a strong word," Dimitri said, calm in the face of Adrian's outburst. "Not when you keep pushing someone who wants to be left alone," countered Adrian. He shot me a concerned look before fixing his anger back on Sonya and Dimitri. "Stop ganging up on her." Sonya glanced uncertainly between us. She looked legitimately hurt. As astute as she was, I don't think she'd realized how much this bothered me. "Adrian... Sydney... we aren't trying to upset anyone. We just really want to get to the bottom of this. I thought all of you did too. Sydney's always been so supportive. "It doesn't matter," growled Adrian. "Take Eddie's blood. Take Belikov's blood. Take your own for all I care. But if she doesn't want to give hers, then that's all there is to it. She said no. This conversation is done.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Objectification is a critical reason why an abuser tends to get worse over time. As his conscience adapts to one level of cruelty—or violence—he builds to the next. By depersonalizing his partner, the abuser protects himself from the natural human emotions of guilt and empathy, so that he can sleep at night with a clear conscience. He distances himself so far from her humanity that her feelings no longer count, or simply cease to exist. These walls tend to grow over time, so that after a few years in a relationship my clients can reach a point where they feel no more guilt over degrading or threatening their partners than you or I would feel after angrily kicking a stone in the driveway.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
A student once asked anthropologist Margaret Mead, “What is the earliest sign of civilization?” The student expected her to say a clay pot, a grinding stone, or maybe a weapon. Margaret Mead thought for a moment, then she said, “A healed femur.” A femur is the longest bone in the body, linking hip to knee. In societies without the benefits of modern medicine, it takes about six weeks of rest for a fractured femur to heal. A healed femur shows that someone cared for the injured person, did their hunting and gathering, stayed with them, and offered physical protection and human companionship until the injury could mend. Mead explained that where the law of the jungle—the survival of the fittest—rules, no healed femurs are found. The first sign of civilization is compassion, seen in a healed femur.
Ira Byock
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
Everyone needed to have the opportunity to catch a long langorous glimpse of my disgrace. "This looks so much like you," she said to Noah pressing her body against his. "My girl is talented," Noah said. My heart stopped beating. Anna's heart stopped beating. Everyone's heart stopped beating. The buzzing of a solitary gnat would have sounded obscene in the stillness. "Bullshit," Anna whispered finally, but it was loud enough for everyone to hear. She hadn't moved an inch. Noah shrugged. "Im a vein bastard, and Mara indulges me." After a pause, he added, "Im just glad you didnt get your greedy little claws on the other sketchbook. That would have been embarrasing." His lips curved into a sly smile as he slid from the picnic table he'd been sitting on. "Now, get the fuck off me," he said calmly to a dumbfounded speechless Anna as he pushed past her, plucking the sketchbook roughly from her hands. And walked over to me. "Lets go," Noah ordered gently, once he was at my side. His body brushed the line of my shoulder and arm protectively. And then he held out his hand. I wanted to take it and i wanted to spit in Anna's face and i wanted to kiss him and i wanted to knee Aiden Davis in the groin. Civilization won out, and i willed each individual nerve to respond to the signal i sent with my brain and placed my fingers in his. A current traveled from my fingertips through to the hollow where my stomach used to be. And just like that i was completely, utterly and entirely, his.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Traumatic events destroy the sustaining bonds between individual and community. Those who have survived learn that their sense of self, of worth, of humanity, depends upon a feeling of connection with others. The solidarity of a group provides the strongest protection against terror and despair, and the strongest antidote to traumatic experience. Trauma isolates; the group re-creates a sense of belonging. Trauma shames and stigmatizes; the group bears witness and affirms. Trauma degrades the victim; the group exalts her. Trauma dehumanizes the victim; the group restores her humanity. Repeatedly in the testimony of survivors there comes a moment when a sense of connection is restored by another person’s unaffected display of generosity. Something in herself that the victim believes to be irretrievably destroyed---faith, decency, courage---is reawakened by an example of common altruism. Mirrored in the actions of others, the survivor recognizes and reclaims a lost part of herself. At that moment, the survivor begins to rejoin the human commonality...
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force." "Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?" The man who'd spoken arched an eyebrow. "I wasn't talking to him." "You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics? "What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now. The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands. My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—" That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home. [...] Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away. Dimitri. "Don't touch her," he growled. There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me. "Stay back," he ordered me. "They aren't laying a hand on you.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Babies need not to be taught a trade, but to be introduced to a world. To put the matter shortly, woman is generally shut up in a house with a human being at the time when he asks all the questions that there are, and some that there aren't. It would be odd if she retained any of the narrowness of a specialist. Now if anyone says that this duty of general enlightenment (even when freed from modern rules and hours, and exercised more spontaneously by a more protected person) is in itself too exacting and oppressive, I can understand the view. I can only answer that our race has thought it worth while to cast this burden on women in order to keep common-sense in the world. But when people begin to talk about this domestic duty as not merely difficult but trivial and dreary, I simply give up the question. For I cannot with the utmost energy of imagination conceive what they mean. When domesticity, for instance, is called drudgery, all the difficulty arises from a double meaning in the word. If drudgery only means dreadfully hard work, I admit the woman drudges in the home, as a man might drudge at the Cathedral of Amiens or drudge behind a gun at Trafalgar. But if it means that the hard work is more heavy because it is trifling, colorless and of small import to the soul, then as I say, I give it up; I do not know what the words mean. To be Queen Elizabeth within a definite area, deciding sales, banquets, labors and holidays; to be Whiteley within a certain area, providing toys, boots, sheets, cakes. and books, to be Aristotle within a certain area, teaching morals, manners, theology, and hygiene; I can understand how this might exhaust the mind, but I cannot imagine how it could narrow it. How can it be a large career to tell other people's children about the Rule of Three, and a small career to tell one's own children about the universe? How can it be broad to be the same thing to everyone, and narrow to be everything to someone? No; a woman's function is laborious, but because it is gigantic, not because it is minute. I will pity Mrs. Jones for the hugeness of her task; I will never pity her for its smallness.
G.K. Chesterton (What's Wrong with the World)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)