Promotion Funny Quotes

#Twitter: proudly promoting ghastly grammar and silly misspelling since 2006.

You get a promotion?" "I got a polite, but firm suggestion to be a team player. [...]" "You got off easy. One of my commanding officers once threw a paperweight at me." "We're a bit more subtle.

Suits obviously had helped to promote bad government and he was as guilty as anyone for wearing them so steadfastly for twenty years. Of late he had become frightened of the government for the first time in his life, the way the structure of democracy had begun debasing people rather than enlivening them in their mutual concern. The structure was no longer concerned with the purpose for which it was designed, and a small part of the cause, Nordstrom thought, was probably that all politicians and bureaucrats wore suits.

And here we go creating great men out of artisans who happened to have stumbled on a way to improve electrical apparatus or pedal through Sweden on a bicycle! And we solicit great men to write books promoting the cult of other great men! It's really very funny, and worth the price of admission! It will all end up with every village having his own great man - a lawyer, a novelist, and a polar explorer of immense stature! And the world will become wonderfully flat and simple and easy to master . . .

Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.

Meg, what I'm about to do - never, ever try this on your own." I felt a bit silly giving this advice to a girl who regulartly fought monsters with golden swords, but I had promised Bill Nye the Science Guy I would always promote safe laboratory practices.

Try to please or impress everyone and you'll fail the person that's most important; YOU. Everyone won't think your funny, smart or that you deserve that promotion. Some will say you are not a good parent, sibling, spouse, partner, friend or child. Just be the best person possible. If you truly love who you are other's opinions won’t even matter.

Why are the super-rich for socialism? Don't they have the most to lose? I take a look at my bank account and compare it with Nelson Rockefeller's and it seems funny that I'm against socialism and he's out promoting it." Or is it funny? In reality, there is a vast difference between what the promoters define as socialism and what it is in actual practice. The idea that socialism is a share-the-wealth program is strictly a confidence game to get the people to surrender their freedom to an all-powerful collectivist government. While the Insiders tell us we are building a paradise on earth, we are actually constructing a jail for ourselves.

If you have time for just three status updates a week, make one promotional, one funny or interesting (containing a picture or video) and one promoting somebody else.

Audiences are tearing down the stereotypes that Hollywood has promoted for so long. You don’t have to be blonde-haired or blue-eyed to be a sex symbol. Black actors can play more than just the funny or stupid characters. Latinas are not just prostitutes or toilet cleaners… you get the point.

But then, a funny thing happens when a woman or a person of color is promoted to the head of the company. White male managers stop collaborating with their coworkers—especially their women coworkers and coworkers of color. Why do white men decrease their level of performance when a woman or person of color becomes CEO? Because suddenly they feel less connected to the company.

I had some good friends - really funny ones. My best friend was a guy called Apolo Nsibambi. We shared an office at the Extra Mural Department at Makerere, and then I got a promotion - became Acting Director - and I was his boss! I used to tease him for calling himself “Doctor” - he had a Ph. D. in political science. I mocked him for wearing a tie and carrying a briefcase and being pompous. I went to his wedding. He came to my wedding. And then I completely lost touch with him. I wonder what happened to him.’ ‘Doctor Nsibambi is the Prime Minister of Uganda.

What is the meaning of life? Why are we here? Philosophers have pondered that question for centuries. I'm afraid the answer is disappointingly simple: Mating. That's it. Christians seem to think that life is a test, and that the goal is to get into Heaven. But that's like saying your job is to get a promotion. No, your job is to work. And then, if you worked hard, then you get promoted. Heaven is supposed to be a reward or promotion, for a job well done. And what's our job? "Be fruitful and multiply." We are here to mate and procreate. That's it. That's all there's to it. That's the meaning of life. Mating.

Oh, lady, there aren’t words for it. I don’t know—it’s the difference between a pair of roller skates and a Ferrari—ah, there aren’t words.’ ‘I think the lady doth protest too much. You wouldn’t promote such blatant lesbian propaganda if you were sure of yourself and your sexual identity.’ ‘Propaganda? I took a few minutes to try to answer a question you asked me. If you want to see blatant propaganda then look at the ads in the subways, magazines, t.v., everywhere. The big pigs use heterosexuality and women’s bodies to sell everything in this country—even violence. Damn, you people are so bad off you got to have computers to match you up these days.’ Polina began to get angry, but then she took some time to think about what I had laid on her. ‘I never thought of it that way, I mean about advertising and all.’ ‘Well, I sure have. You don’t see ads of women kissing to get you to buy Salem cigarettes, do you?’ She laughed. ‘That’s funny, that’s truly funny. Why the entire world must look different to you.’ ‘It does. It looks destructive, diseased, and corroded. People have no selves anymore (maybe they never had them in the first place) so their home base is their sex—their genitals, who they fuck. It’s enough to make a chicken laugh.’ ‘I—are all homosexuals as perceptive as you?

There is a new trend among authors to thank every famous people for inspiration, non-existent assistance, and/or some casual reference to the author’s work. Authors do this to pump themselves up. So, on the off chance that this is helpful, I wish to thank the following people: the Prime Minister of India for promoting literacy; Dr APJ Abdul Kalam, who called me up one day and said, “Hey, you’re a good writer”; Kabir Das, who inspired me to write about love; Shahrukh Khan, who is an awesome actor; and last but not least, President of India, who once waved to me in New Delhi as the convoy moved from the streets to the Rashtrapati Bhavan Building, screwing up traffic for half an hour, thereby forcing me to kill time by thinking of a great plot to write this book.

Recently, I was in New York with most of the Robertson family promoting the season-four premiere of Duck Dynasty. We were staying at the Trump International Hotel, which is a really nice place near Central Park. I was already uncomfortable being in the big city. I don’t like traffic or concrete, and there are a lot of both in New York. After we checked in, we gathered downstairs to go to a Broadway musical show. I know it might seem bizarre for me to be going to a musical, but my very attractive wife can be mightily persuasive, especially when I have nothing else to do. As we were waiting or the others in the lobby, I asked a doorman if there was a nearby bathroom. He gave me directions to the nearest restroom, which included a walk through the hotel restaurant. As I entered the restaurant, a well-dressed staffer offered his assistance. I informed him I was only going to the restroom. But he very nicely continued to offer assistance and took the role of my escort, which I thought was quite courteous and professional. At his direction, we took a quick left turn and walked out of the hotel. Befuddled, I asked him, “Where is the bathroom?” He painted down the street or maybe toward Central Park and said, “Good luck to you, sir. Have a nice day.” I circled back around to the main entrance of the hotel, where I found Missy, who had witnessed the entire episode. “I thought you had to go to the bathroom,” she said. I laughed and told her I had been escorted out of the hotel because of the way I looked. It was no big deal to us, and I laughed about the incident later that night with my family over dinner. I shared the story the next day with Kelly Ripa and Michael Strahan on Live! with Kelly and Michael because I thought it was funny. Well, the story went viral and was all over the news and Internet the next few days. My phone wouldn’t stop ringing and various media outlets were trying to contact me. I’d jokingly labeled the incident “facial profiling” because in my mind that’s exactly what it was. People were surprised that it didn’t bother me, but my family and I have endured those kinds of things our entire lives. I figured the hotel employee was only trying to protect other hotel guests. The incident culminated with a call from Donald Trump’s office. They offered an apology for any inconvenience. I assured them that no apology was needed, and I asked them not to punish my courteous escort.

We wanted Penny to work somewhere that was pedestrian and wonderfully quotidian. Here are these guys who are trying to unravel the secrets of the universe, and Penny introduces herself by saying, “I work at The Cheesecake Factory.” The juxtaposition of scientists working in the quantum field, perhaps changing the world with their work, and “I work at The Cheesecake Factory” seemed to be a funny dichotomy. And the cheesecake is great! I personally really love their chocolate chip cheesecake. And the menu went on for days—it was like a book! There was a lot going for it, and the company was very gracious about letting us use their name. Surprisingly, the California Institute of Technology (abbreviated as Caltech) wasn’t as enthusiastic when it came to establishing Sheldon and Leonard’s workplace. Chuck Lorre: Caltech wasn’t keen on us using their name or likeness early on, so we obliged for a while, and then when the show took off, they communicated with us again and said something along the lines of, “Please feel free to use the word Caltech in your show,” because it was a good promotion for Caltech! [Laughs] Someone over there recognized that being associated with this burgeoning hit show was not going to damage their reputation.

It’s all very clever, all very droll, it may even be true, it may even be deserved, but it’s still criticism. Do you think those folk down there really want to know that the Seven Servants are nothing but a pack of computer-run, money-grabbing, capitalist leftovers from an unhappier age; that the Polytheon is nothing but a jumble of corporate-personality simulation programs that got out of hand; that their beloved Elector is just a crazy athleto who got pulled out of a gym one night and stuck on the Salamander Throne; that the Ministry of Pain is run by professional incompetents who got promoted beyond their natural ability because the Compassionate Society wants everyone to do the job which makes them happiest, irrespective of whether they are any good at it? You think that would make them any happier, no matter how funny you make the faces or the walks or the words?

Many experiments show that when people are put into a good mood (e.g., by giving them candy or showing them a funny movie), they are more creative. For example, they are better at inventing diverse and unusual ways for getting a candle to burn without dripping, or at finding more obscure and remote associations between words and ideas.22 People in good moods are “more cognitively flexible —more able to make associations, to see dimensions, and to see potential relationships among stimuli—than are persons in a neutral state.”23 In other words, they generate more varied ideas and combinations of those ideas, which are crucial aspects of creative work.

Conforming means “don’t make waves” or “don’t rock the boat.” Be a nice gal or a good ol’ boy. This means we have to pretend a lot. From Bradshaw On: The Family: We are taught to be nice and polite. We are taught that these behaviors (most often lies) are better than telling the truth. Our churches, schools and politics are rampant with teaching dishonesty (saying things we don’t mean and pretending to feel ways we don’t feel). We smile when we feel sad, laugh nervously when dealing with grief, laugh at jokes we don’t think are funny, tell people things to be polite that we surely don’t mean. Playing roles and acting are forms of lying. If people act like they really feel and it rocks the boat, they are ostracized. We promote pretense and lying as a cultural way of life. Living this way causes an inner split. It teaches us to hide and cover up our toxic shame. This sends us deeper into isolation and loneliness.

Charlie Chaplin exploited frustrations and fears about rapidly growing automation to make people laugh. It’s ironic that IBM once used his tramp character as an implied advertising testimonial for computers, because Chaplin’s character didn’t promote machines—he ridiculed them.

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

When promoting Grandpa Po’s Originals at Whole Foods Market in West Hollywood, a young man attempted to down the entire sample cup of the crunchy golden nuggets in one gulp and started choking. I leaned in and whispered, “You’re gonna kill my business if you die here. Can you do it over in produce?” He burst out laughing and spit out a hull. I saved his life, and he bought two bags in gratitude.

The easiest way to get a promotion is with knowledge, i.e. if you know a thing or two about your boss.

The funny thing is, they'll all go," said Raffix with a smile. "All the knights and all the squires promoted to replace them. Every last one of them." He smiled ruefully. "Even me." "But why?" said Quint. "I mean, if you doubt Hax..." "Because, my dear chap, this is the Knights Academy," Raffix replied. "We were born to stormchase.

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