Projects Funny Quotes

We've searched our database for all the quotes and captions related to Projects Funny. Here they are! All 100 of them:

I suppose it’s not a social norm, and not a manly thing to do — to feel, discuss feelings. So that’s what I’m giving the finger to. Social norms and stuff…what good are social norms, really? I think all they do is project a limited and harmful image of people. It thus impedes a broader social acceptance of what someone, or a group of people, might actually be like.
Jess C. Scott (New Order)
Restaurants are minefields for the socially inept
Graeme Simsion (The Rosie Project (Don Tillman, #1))
You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.
Ray Bradbury (Fahrenheit 451)
Fifteen minutes later, a meeting was called. "Okay, look." Deb's face was dead serious. "I know I just joined this project, and I don't want to offend anyone. But I'm going to be honest. I think you've been going about this all wrong." "I'm offended," Dave told her flatly.
Sarah Dessen (What Happened to Goodbye)
Chase had looked at the apartment—online—talked to the real estate agent—online—obtained references—online. Now, standing in the hallway, it was obvious he’d gotten fucked—online.
Adrienne Wilder (Seven (The Others Project #1))
Adjust orbit while stupid. Good plan.' I snicker. 'New word: "sarcasm." You say opposite of true meaning to make point. Sarcasm.
Andy Weir (Project Hail Mary)
Light is a funny thing. Its wavelength defines what it can and can’t interact with. Anything smaller than the wavelength is functionally nonexistent to that photon. That’s why there’s a mesh over the window of a microwave. The holes in the mesh are too small for microwaves to pass through. But visible light, with a much shorter wavelength, can go through freely. So you get to watch your food cook without melting your face off.
Andy Weir (Project Hail Mary)
Jesus, Martin, what the hell do I pay you for?” “My good looks, the occasional blow job, and my constant supply of Jim Beam.” “You’ve never given me a blow job.” “True, but you’ve fantasized about it.
Adrienne Wilder (Seven (The Others Project #1))
I was only off by one percent,' I grumble. 'You talk to you, question?' 'Yes! I'm talking to me.' 'Humans are unusual.' 'Yes,' I say.
Andy Weir (Project Hail Mary)
Broken Wind believed that we are traumatized as babies by intestinal gas or colic. The great shaman invented a technique called "gastral projection" to help release these traumas. His philosophy was simple: "To air is human ... but to really cut one loose is divine.
Beyondananda
What?” Richardson snarled. “No smart retort, Mr. Gautier? Cat swallow your tongue?” Nick gave her a charming grin he didn’t really feel. “No, ma’am. A gator named Sense Formerly Known as Common.” Sneering at him, she tottered her way to her desk so that she could insult someone else and ruin their day. Caleb let out an annoyed breath. -Great,- he projected to Nick. -Now I have to get detention, too. I really hate you, Gautier.- Nick batted his eyelashes at Caleb. -But I wubs you, Caliboo.- That succeeded in wringing a groan out of Caleb. “What was that, Mr. Malphas?” Richardson asked. “Severe intestinal woe caused by an external hemorrhoid that seems to be growing on my right-hand side.” He cast a meaningful glower toward Nick. The class erupted into laughter as Richardson shot to her feet. “Enough!” She slammed her hands on her desk. “For that, Mr. Malphas, you can join Mr. Gautier in after-school detention.” Caleb let out an irritated sigh. --More quality time with my hemorrhoid. Just what I wanted for Christmas. Yippee ki-yay.--
Sherrilyn Kenyon (Instinct (Chronicles of Nick, #6))
Besides,’ continued Julian, ‘you can slam down a phone like that. You can’t slam down a mobile. Imagine, a whole generation who’ll never know the joy of slamming down a phone.
Clare Pooley (The Authenticity Project)
I'm all wired up, but if I don't go to sleep soon, Rocky will start hassling me. Sheesh- you almost ruin a mission one time and all of a sudden you have an alien-enforced bedtime.
Andy Weir (Project Hail Mary)
Light is a funny thing. Its wavelength defines what it can and can’t interact with. Anything smaller than the wavelength is functionally nonexistent to that photon. That’s why there’s a mesh over the window of a microwave. The holes in the mesh are too small for microwaves to pass through. But visible light, with a much shorter wavelength, can go through freely.
Andy Weir (Project Hail Mary)
The Restaurant at the End of the Universe is one of the most extraordinary ventures in the entire history of catering. It is built on the fragmented remains of an eventually ruined planet which is (wioll haven be) enclosed in a vast time bubble and projected forward in time to the precise moment of the End of the Universe. This is, many would say, impossible. In it, guests take (willan on-take) their places at table and eat (willan on eat) sumptuous meals while watching (willing watchen) the whole of creation explode around them. This, many would say, is equally impossible. You can arrive (mayan arrivan on-when) for any sitting you like without prior (late fore-when) reservation because you can book retrospectively, as it were, when you return to your own time (you can have on-book haventa forewhen presooning returningwenta retrohome). This is, many would now insist, absolutely impossible. At the Restaurant you can meet and dine with (mayan meetan con with dinan on when) a fascinating cross-section of the entire population of space and time. This, it can be explained patiently, is also impossible. You can visit it as many times as you like (mayan on-visit re onvisiting ... and so on – for further tense correction consult Dr. Streetmentioner's book) and be sure of never meeting yourself, because of the embarrassment this usually causes.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
And how did you know about that?” Seven looked at his watch. Chase held up a hand. “Let me guess, in two minutes and thirty seconds, I was going to tell you Martin called.” “No.” “No?” “Six minutes and fifteen seconds. You had a couple of false starts. Then you were going to apologize because he wouldn’t help you by putting you in touch with his contacts in Washington.” “Something tells me you’re going to be no fun come Christmas.
Adrienne Wilder (Seven (The Others Project #1))
Rocky cocks his carapace. 'Hey, your face is leaking! I haven't seen that in a long-ass time! Remind me- does that mean you're happy or sad? 'Cause it can mean either one, right?' 'I'm happy, of course!' I sob. 'Yeah. I thought so. Just checking.' He holds a balled claw against the xenonite. 'Is this a fist-bump situation?' I press my knuckles to the xenonite as well. 'This is a monumentally epic fist-bump situation.
Andy Weir (Project Hail Mary)
His heart beat so rapidly it might burst; he kept telling himself everything was fine so long as he remained a giraffe.
Andrew Sturm (The Kirkwood Project)
You told me not to talk about that in polite company.' 'I'm not polite company, my friend!
Andy Weir (Project Hail Mary)
Settled.' He puts his claw against the divider. 'Fist my bump.' I laugh and put my knuckles against the xenonite. 'Fist-bump. It's just "fist-bump."' 'Understand.
Andy Weir (Project Hail Mary)
I don't have time for this. I have an alien thingy to catch.
Andy Weir (Project Hail Mary)
Chase said, “It was a crazy idea.” An impossible idea. “Nothing is impossible, Chase, only improbable. And when you can see into the future and manipulate people into the right places, you can accomplish amazing things.” “I think I liked the idea better when it was in my head.
Adrienne Wilder (Seven (The Others Project #1))
Project: Potential was a separate class that the gifted students went to for an hour each day. The name was supposed to make it exciting, like Code Name: Cursive or Mission: State Capitals.
Adam Rex (Cold Cereal (The Cold Cereal Saga, #1))
Oh thank God. I can't imagine explaining "sleep" to someone who has never heard of it. Hey, I'm going to fall unconscious and hallucinate for a while. By the way, I spend a third of my time doing this. And if I can't do it for a while, I go insane and eventually die. No need for concern.
Andy Weir (Project Hail Mary)
I don't want to look dumb in front of the aliens. Because they're surely watching me right now. Probably counting my limbs, noting my size, figuring out what part they should eat first. Whatever.
Andy Weir (Project Hail Mary)
I don’t know. We have everything we need to be happy, but we’re not happy. Something’s missing. I looked around. The only thing I positively knew was gone was the books I’d burned in ten or twelve years. So I thought books might help.” “You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the "parlour families” today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget.
Ray Bradbury (Fahrenheit 451)
There’s just something about him that gets me. He’s a mass of contradictions. He’s a terrible grouch, but then he’s funny and endearing. He dresses like a rock star and acts like a recluse. He ignores me for days on end and then every now and then he is so, so incredible that he knocks the breath out of me.
Kat French (The Piano Man Project)
Your jokes aren't even funny. What is this thing, anyway?' 'That's the beauty of it!' Oliver crows. 'It's nothing‒just some piece of junk from he supply closet. But you're freaking out because it could be anything.' 'Which it isn't,' I remind him. 'Exactly! The nothing becomes something because of how you react to it!
Gordon Korman (The Superteacher Project)
His appearance projected danger and reinforced the common knowledge that one did not want to piss off a demon, especially this one.
Kiersten Fay (Demon Possession (Shadow Quest, #1))
I’m going to strip my way through plumber’s school. What do you think of the stage name Fine-Ass Frankie?
Rebecca Murphy (Plucking Cupid's Bow (The Cupid Project, #1))
Love's a funny thing, especially with a man who gets paid to put junk in other people's slots. (The Mail Man)
Andrew Sturm (The Kirkwood Project)
It is easy to launch a project if you have no clue about the cost and schedule.
Gerry Geek (Ice Breakers for Project Managers: Jokes, Quotes, and Brainteasers)
So even if you got it loaded it could not be anything more than a study in still-life until you took the jacks away, and then the scrap metal wouldn't be funny.
Paul Brickhill (The Dam Busters)
Knock-knock-knock. No, that's not creepy at all. Being in a spaceship twelve light-years from home and having someone knock on the door is totally normal.
Andy Weir (Project Hail Mary)
I feel like Sherlock Holmes. All I saw was "nothing," and I drew a bunch of conclusions! Conclusions that are widely speculative and with nothing to prove them, but conclusions!
Andy Weir (Project Hail Mary)
- “Are all Russians crazy?” - “Yes,” he said with a smile “It is the only way to be Russian and happy at the same time.
Andy Weir (Project Hail Mary)
You have a language!' I say. 'How do you have a language? You don't have a mouth!' '
Andy Weir (Project Hail Mary)
I do a wiggly little dance in my chair. It's not easy in zero g but I give it my all.
Andy Weir (Project Hail Mary)
Finn Is God She takes a different strategy to torture us. Julie Seagle Really? I have more in common with her than my own mother. Finn Is God That’s a horrible thing to say about yourself. Appearances are not everything. Case in point: One summer when I was at day camp, I made her an art project. She spent weeks saying how weird it was that I’d made her a woodcarving that said “WOW.” Julie Seagle ??? Julie Seagle Oh, wait a minute…! Finn Is God Yeah. She had it upside down. It was supposed to read “MOM.” Julie Seagle I’m sorry, but that IS funny! Finn Is God That’s my mother for you. I think she still has it. And is probably still under the wrong impression. Julie Seagle Oh, my. Sort of sweet in a tragic way. Finn
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
When we got together we would start projects: an alarm clock torn apart and distributed over a wall, a stop-motion video of Lego people having sex, a Web site for pictures of toilets.
Ned Vizzini (It's Kind of a Funny Story)
Mechanical suffocation, it’s called. It’s how boa constrictors kill their prey. What an odd thing to think as my last thought. Sorry, Earth, I think. There. Much better last thought.
Andy Weir (Project Hail Mary)
Sample device radio signal strong.' Rocky says. 'Getting closer. Be ready.' 'I'm ready.' 'Be very ready.' 'I am very ready. Be calm.' 'Am calm. You be calm.' 'No, you be cal- wait. I see the sampler!
Andy Weir (Project Hail Mary)
I had time to finish my sandwich while Ganymede circulated through the cafeteria, refilling the students’ drinks without asking permission. Some kids looked at him funny, but most didn’t even notice. This was weird, since Ganymede was wearing a Greek chiton and strap-up sandals and not much else. Thank the Mist for obscuring mortal minds, I guess, or maybe the students just figured he was doing a project for drama class
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
Light is a funny thing. Its wavelength defines what it can and can’t interact with. Anything smaller than the wavelength is functionally nonexistent to that photon. That’s why there’s a mesh over the window of a microwave. The holes in the mesh are too small for microwaves to pass through. But visible light, with a much shorter wavelength, can go through freely. So you get to watch your food cook without melting your face
Andy Weir (Project Hail Mary)
Okay, so the Krebs cycle in Astrophage has a variant—wait. Do you call her Dr. Shapiro while having sex?” “Of course. That’s her name.” “I kind of like it,” she said. “I’m sorry I asked,” I said. “Now, the Krebs cycle…
Andy Weir (Project Hail Mary)
Hey. What's your ship's name, anyway?' 'Blip-A.' 'No, I mean. What do you call it?' 'Ship.' 'Your ship has no name?' 'Why would ship have name, question?' 'I shrugged. 'Ships have names.' He points to my pilot's seat. 'What is name of you chair, question?' 'It doesn't have a name.' 'Why does ship have name but chair no have name, question?' 'Never mind. Your ship is the Blip-A.' 'That is what I said. Flash in ten seconds.' 'Copy.
Andy Weir (Project Hail Mary)
Kai whirled around and his face was sadowed by the angle of the sun. Still, she knew his tone. Anger. “What’s so funny? That our project has been set back several says? That we’re stuck here longer? That you take a little spill from a horse and everyone wants to rearrange the world so you don’t suffer a moment of inconvenience?” “No,” she said, and her voice was even. “That I would wait a month in agony just to hear you insult me. I’m a miserable girl indeed, don’t you think?
Diana Peterfreund
,,, It's been a hard day. Night. Whatever. A hard day's night.' I lie back in the bunk, and pull the blanket over me. 'That sentence make no sense.' 'It's an Earth saying. From a song.' I close my eyes and mumble. '...and I've been working like a dog...
Andy Weir (Project Hail Mary)
It was funny, I thought, the way women let men think they ruled the world. That was the bargain they made: you take the world, and we’ll take life and death. Sure, fight wars. Make up countries. Call them whatever you want. Make up laws. It all sounds good. But that was only to distract them so that they wouldn’t try to participate in the women’s work, which was the pulling of souls out from the darkness and the projection of light into the future." Dear Fang, with love Rufi Thorpe --(as a midwife this quote really hit home for me)
Rufi Thorpe (Dear Fang, With Love)
How did you do it? what killed it?" "I penetrated the outer cell membrane with a nanosyringe." "You poked it with a stick?" "No!" I said. "Well. Yes. But it was a scientific poke with a very scientific stick." "It took you two days to think of poking it with a stick." "You ... be quiet.
Andy Weir (Project Hail Mary)
When describing me, Tracy often refers to a well-known concept of physics: “inertia.” As Newton avers in his first law: An object that is not moving will not move until a force acts upon it. An object that is moving will not change its velocity until a net force acts upon it. In other words, depending on what’s happening in my life at any given moment, I can either be the laziest human being on the planet, or the busiest. I’m perfectly content to do absolutely nothing until I’m catalyzed by some person or project, and then I go nonstop until some countervailing force acts upon me, and I revert back to static mode.
Michael J. Fox (A Funny Thing Happened on the Way to the Future...: Twists and Turns and Lessons Learned)
About a month before I gave birth, Colin moved to LA full-time. Once Rudy arrived, Colin settled happily into his new role, returning to architecture when an interesting project cropped up. Pretty amazing, right? Unless you reverse the gender, and then it's what women who have the choice to stay home do 95 percent of the time.
Nell Scovell (Just the Funny Parts: ... And a Few Hard Truths About Sneaking Into the Hollywood Boys' Club)
You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for!
Ray Bradbury (Fahrenheit 451)
He waves to me with a free arm. He knows one human greeting and by golly he plans to use it. I wave back. He waves again. I shake my head. No more waving. He pivots his "shoulders" to rotate his carapace back and forth. He "shook his head" inasmuch as he could. I wonder how we're going to break out of this game of "Eridian See Eridian Do," but he takes care of that for me.
Andy Weir (Project Hail Mary)
99 Problems is almost a deliberate provocation to simpleminded listeners. If that sounds crazy, you have to understand: Being misunderstood is almost a badge of honor in rap. Growing up as a black kid from the projects, you can spend your whole life being misunderstood, followed around department stores, looked at funny, accused of crimes you didn't commit, accused of motivations you don't have, dehumanized -- until you realize, one day, it's not about you. It's the perceptions people had long before you even walked onto the scene. The joke's on them because they're really just fighting phantoms of their own creation. Once you realize that, things get interesting. It's like when we were kids. You'd start bopping hard and throwing the ice grill when you step into Macy's and laugh to yourself when security guards got nervous and started shadowing you. You might have a knot of cash in your pocket, but you boost something anyway, just for the sport of it. Fuck 'em. Sometimes the mask is to hide and sometimes it's to play at being something you're not so you can watch the reactions of people who believe the mask is real. Because that's when they reveal themselves. So many people can't see that every great rapper is a not just a documentarian, but a trickster -- that every great rapper has a little bit of Chuck and a little bit of Flav in them -- but that's not our problem, it's their failure: the failure, or unwillingness, to treat rap like art, instead of acting like it's a bunch of niggas reading out of their diaries. Art elevates and refines and transforms experience. And sometimes it just fucks with you for the fun of it.
Jay-Z
I shouldn't be doing this. I shouldn't be here. I shouldn't be an NBA player. This is all some fantasy world that I have no right to live in. I was just a kid from the projects who was always too skinny or too funny looking to be taken seriously. I was the kid they called the "Worm" because of the way I wiggled when I played pinball. Me, living this life, with women and money and attention everywhere? It didn't seem real.
Dennis Rodman (Bad as I Wanna Be)
That's an alien. I just saw an alien. Not just an alien ship. An alien being. I mean- just his claw- er... hand. But yeah. Well, I say "his hand", but maybe it's her hand. Or some other pronoun I don't have a word for. They might have seventeen biological sexes, for all I know. Or none. No one ever talks about the really hard parts of first contact with intelligent alien life: pronouns. I'm going to go with "he" for now, because it just seems rude to call a thinking being "it." Also, until I hear otherwise, his name is Rocky.
Andy Weir (Project Hail Mary)
These include denial (“the truth is not so bad”), reaction formation (“I really, really, really love my mother”), displacement (“the boss yells at me, I yell at my wife, my wife yells at the baby, the baby bites the cat”), identification (“I am bullied, so I am motivated to be a bully”), rationalization (a self-serving explanation for a low-quality action), intellectualization (a favorite of the early, funny, neurotic Woody Allen), sublimation (“I can always paint nude women”), and projection (“I am not touchy; you are just annoying”).
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
Rocky admonished me for leaving the sample at (human) room temperature for so long. He had a lot to say on that subject, actually. We had to add “reckless,” “idiot,” “foolish,” and “irresponsible” to our shared vocabulary just so he could fully express his opinion on the matter. There was another word he threw around a lot, but he declined to tell me what it meant. Three days off the painkillers and I'm a lot smarter than I was. At least he understands that much- I wasn't just some stupid human. I was a human with enhanced stupidity.
Andy Weir (Project Hail Mary)
Good good. Enough talk. Check breeder tanks, please.' 'Yeah, yeah. Let me get some water first.' He bounces and skitters down his tube to the lab. 'Why humans need water so much, question? Inefficient life-forms!' ... 'Eiridians need water too, you know.' 'We keep inside. Closed system. Some inefficiencies inside, but we get all water we need from food. Humans leak! Gross!' I laugh as I float in to the lab where Rocky is waiting. 'On Earth, we have a scary, deadly creature called a spider. You look like one of those, just so you know.' 'Good. Proud. I am scary space monster. You are leaky space blob.
Andy Weir (Project Hail Mary)
You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them, at all. The magic is only in what books say,
Ray Bradbury (Fahrenheit 451)
Brooding is more something I do when I'm working. I know so much more about sitting around worrying about a work project than I do about worrying about kids. This could just be a fact of life for older moms. We've worked and worked and worked and if we are lucky enough to finally have a child or two, we find ourselves suddenly catapulted into a most alien kind of chaos. Work is so much easier. Anyone will tell you that. To have a desk, where you have everything all lined up, and a schedule you more or less get to agree to. Work. I am a worker. This is so funny because I never really think of my work as work. I certainly never though of myself as having a career. Writing, work, this is just who I am. I am a person who sits at a desk and makes phone calls and taps at a computer keyboard and sips coffee and calls her mom at five. That I am anything better or smaller than that has come as sudden news to me. Brand new. News.
Jeanne Marie Laskas (Growing Girls: The Mother of All Adventures)
This is waste of time. Also waste of my food.' 'I need to know if I can eat your food.' 'Eat your own food.' 'I've only got a few months of real food left. You have enough aboard your ship to feed a crew of twenty-three Eridians for years. Erid life and Earth life use the same proteins. Maybe I can eat your food.' 'Why you say "real food", question? What is non-real food, question?' I checked the readout again. Why does Eridian food have so many heavy metals in it? 'Real food is food that tastes good. Food that's fun to eat.' 'You have not-fun food, question?' 'Yeah. Coma slurry. The ship fed it to me during the trip here. I have enough to last me almost four years.' 'Eat that.' 'It tastes bad.' 'Food experience not that important.' 'Hey,' I point at him. 'To humans, food experience is very important.' 'Humans strange.' I point at the spectrometer readout screen. 'Why does Eridian food have thallium in it?' 'Healthy.' 'Thallium kills humans!' 'Then eat human food.' 'Ugh.
Andy Weir (Project Hail Mary)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
This is happy! Your face opening is in sad mode. Why, question?' 'Going to be a long trip and I'll be all alone.' ... 'You will miss me, question? I will miss you. You are friend.' 'Yeah. I'm going to miss you.' I take another swig of vodka. 'You're my friend. Heck, you're my best friend. And pretty soon we're going to say goodbye forever.' He two tapped gloved claws together. They made a muffled sound instead of the usual click that comes along with the dismissive gesture. 'Not forever. We save planets. Then we have Astrophage technology. Visit each other.' I give a wry smile. 'Can we do all that within fifty Earth years? 'Probably not. Why so fast, question?' 'I only have fifty years or so left to live. Human's don't'- I hiccup- 'don't live long, remember?' 'Oh.' He's quiet for a moment. 'So we enjoy remaining time together, then go save planets. Then we are heroes!' 'Yeah!' I straighten up. I'm a little dizzy now. I've never been much of a drinker, and I'm hitting this vodka harder than I should. 'We're the moss imporn't people in the gal'xy! We're awesome!' He grabs a nearby wrench and raises it in one of his hands. 'To us!' I raise the vodka. 'To ush!
Andy Weir (Project Hail Mary)
Jude never loved Locke.” My face feels hot, but my shame is an excellent cover to hide behind. “She loved someone else. He’s the one she’d want dead.” I am pleased to see Cardan flinch. “Enough,” he says before I can go on. “I have heard all I care to on this subject—” “No!” Nicasia interrupts, causing everyone under the hill to stir a little. It is immense presumption to interrupt the High King. Even for a princess. Especially for an ambassador. A moment after she speaks, she seems to realize it, but she goes on anyway. “Taryn could have a charm on her, something that makes her resistant to glamours.” Cardan gives Nicasia a scathing look. He does not like her undermining his authority. And yet, after a moment, his anger gives way to something else. He gives me one of his most awful smiles. “I suppose she’ll have to be searched.” Nicasia’s mouth curves to match his. It feels like being back at lessons on the palace grounds, conspired against by the children of the Gentry. I recall the more recent humiliation of being crowned the Queen of Mirth, stripped in front of revelers. If they take my gown now, they will see the bandages on my arms, the fresh slashes on my skin for which I have no good explanation. They will guess I am not Taryn. I can’t let that happen. I summon all the dignity I can muster, trying to imitate my stepmother, Oriana, and the way she projects authority. “My husband was murdered,” I say. “And whether or not you believe me, I do mourn him. I will not make a spectacle of myself for the Court’s amusement when his body is barely cold.” Unfortunately, the High King’s smile only grows. “As you wish. Then I suppose I will have to examine you alone in my chambers.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Trump’s shortcomings stood out particularly during emergencies. I remember briefing the president in the Oval Office on the projected storm track of an Atlantic hurricane. At first, he seemed to grasp the devastating magnitude of the Category 4 superstorm, until he opened his mouth. “Is that the direction they always spin?” the president asked me. “I’m sorry sir,” I responded, “I don’t understand.” “Hurricanes. Do they always spin like that?” He made a swirl in the air with his finger. “Counterclockwise?” I asked. He nodded. “Yes, Mr. President. It’s called the Coriolis effect. It’s the same reason toilet water spins the other direction in the Southern Hemisphere.” “Incredible,” Trump replied, squinting his eyes to look at the foam board presentation. We needed him to urge residents to evacuate from the Carolinas, where it looked like the storm would make landfall, but the president mused about another potential response. “You know, I was watching TV, and they interviewed a guy in a parking lot,” Trump leaned back and recounted. “He was wearing a red hat, a MAGA hat, and he said he was going to ‘ride it out.’ Isn’t that something? That’s what Trump supporters do. They’re tough. They ride it out. I think that’s what I’ll tell them to do.” Sometimes his irreverence could be funny, even charming. That day it wasn’t. Worried looks filled the room. A clever communications aide piped up. “Mr. President, I wouldn’t take that chance. This is going to be a pretty bad storm, and you don’t want to lose supporters in the Carolinas before the 2020 election.” The president thought about it for a moment. “That’s such a good point. We should urge the evacuations.” You couldn’t write such a stupid scene in a movie, but it always got a little worse.
Miles Taylor (Blowback A Warning to Save Democracy from the Next Trump)
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Two assistants typed at keyboards projected onto antique desks, and their screens were polarized monoglass so thin that from the side, they vanished entirely. A funny juxtaposition of the old and the new
Anonymous
You aren’t allowed back until you’ve learned to willingly suspend disbelief.
Rebecca Murphy (Plucking Cupid's Bow (The Cupid Project, #1))
What's the weirdest thing you've pierced?" "Earlobes," he plainly stated. "Earlobes?" "Yeah," he said. "Once you've held a couple dozen penises in your hand, earlobes are just weird.
Sean Aiken (The One-Week Job Project: One Man, One Year, 52 Jobs)
It doesn't matter what your boss thinks as long as he doesn't cry.
Gerry Geek
Do billboard salesmen record their sales on charts? If so, who's at the top of the billboard charts for billboard sales?
Ryan Lilly
More you know, better advice you give. Less you know, more advice you give.
Gerry Geek (Ice Breakers for Project Managers: Jokes, Quotes, and Brainteasers)
I don’t believe my own press anymore – I don’t mean written: my own self-manufactured definition of my motivations, my intention. I realise even that’s dressed up: ‘Oh, well I did that for love of God or did that for love of neighbour.’ Well, Richard, maybe… Once you stop believing your own press – the normal phrase we use for that is ‘to stop taking yourself seriously’ – then I do believe your true self, even your true enneagram self, can rise. Can show itself. Which is really rather good… I’ve never been humorous my whole life and yet in the last year more and more people tell me I’m funny. I still don’t think I am but … I think that’s the showing of it, that I am taking myself less seriously. Once you do that the virtue of sincere caring or compassion can show itself. Because you’re not constrained by this self-analysis and this self-critique which keeps you self-absorbed. And now I don’t care so much whether I’m good or bad or right or wrong. I know that sounds immoral. It actually isn’t. I don’t think. I don’t think, yeah. So… I was too moral. Although it wasn’t moral at all, you follow me? It was always moral by my definition . And in most cases, ended up being my worst faults. That I could only see in time my over-moralising about ‘This is the right thing to do. Therefore: he’s right, she’s wrong’. The payoff was just not worth it. Because you’ve projected it onto everybody else, you know… Even identity issues like American, Christian, Catholic, uh, the three vows of religious life… All the things that I guided my life on, made me critical of people who weren’t that way. ‘Well, he’s sleeping around all the time, every day. So he isn’t as good as me.’ It’s just, who cares? I couldn’t hold that any longer and be a loving person. By making my moral decisions the criteria of judgement or of analysis. So I had to let go of it and I found myself much wiser and I think much happier. So why not trust that?
Richard Rohr
I'm a project. I manage myself. I'm a project manager.
Mitta Xinindlu
Clue After a night of reflection, a thorough look at all of Lien’s notes and carefully plotted data, Paul had doubts about his reasoning ability.  He concluded that while at one time he had been competent enough as both a surgeon and teacher, much of that skill and knowledge had eroded with time—the objective to their research project eluded him.   Funny,
James Gerard (Divisions)
People may feel that I am materialistic, ideal, idiot, cool, funny. Its not their perception but my projection and I always have my own reasons for my being.
Giridhar Alwar (My Quest For Happy Life)
Jamie is a funny mix. He has a sardonic side that can make him seem distant and almost harsh to people who don’t know him well, but he’s also very tender-hearted. (A
Gretchen Rubin (The Happiness Project (Revised Edition): Or, Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun)
Habana Eva" released in 2010, Habana Eva is a funny Romantic comedy. Eva works as a seamstress in a sweatshop where she dreams of becoming a fashion designer with her own a room. Her love is her longtime partner Angel, a charming yet lazy islander. Her dream of marrying Angel fades when she meets Jorge, a handsome and wealthy Cuban raised in Venezuela who returns to Cuba, with a more ambitious project than taking photos of Eva for a book. Eva who has been living with her aunts falls for him and has to decide which of the two men she will want to marry. Directed by Fina Torres, starring Prakriti Maduro as Eva and Juan Carlos García as Jorge and Carlos Enrique Almirante as Angel. Venezuelan produced and filmed in La Habana, Cuba. Habana Eva film won the Best Picture award at the New York International Latino Film Festival on August 2, 2010.
Hank Bracker
Count down starts now and ends by April 2 2022, before April 2 2022, I will have decided which Institution, so after April 2 I need to prepare things to be done, like entrance preparation, loan arrangements if required, project proposal planning, Required skills updates, Further plans on biological research with SDGs that focuses on society benefits, acclimatization and extreme fitness for astronaut dream and etc. And April 2 is special day too, 10 years before April 2 2012, I made a wrong decision - Right decision on wrong time - 23 April 2 2011, I made a love proposal to one of my professors and got funny reactions from her, April 2 2010, someone knocked me out Just memories
Ganapathy K Siddharth Vijayaraghavan
Imposter syndrome is a funny little liar, designed to keep you safe, but terrible at making you strong.
Ash Ambirge (The Middle Finger Project: Trash Your Imposter Syndrome and Live the Unf*ckwithable Life You Deserve)
The good thing about carrying on a conversation with a phantom voice projected by some fragment of your shattered subconscious is, you can brush your teeth at the same time.
Eddie Robson (Drunk on All Your Strange New Words)
be funny nor attempt to deal analytically with social ills.4 Even the original title (Gangway!) and the original setting (warring Catholics and Jews in a modern-day Romeo and Juliet story) held little promise for commercial or artistic success. In addition, the show would feature no stars, and the cast—consisting primarily of dancers—might be inexperienced kids pulled from the streets of New York (if the New York press was to be believed), not from dance rehearsal halls. The score, written by a classical music conductor, would be dissonant and fiendishly difficult to play and sing and would include—of all things—a fugue. The teenagers, whose dialogue was written by a middle-aged Jewish playwright, would speak in an invented street slang, uttering lines like “womb to tomb” and “cracko Jacko.” The backers’ meetings continually and repeatedly failed to attract investors for producer Cheryl Crawford, who finally dumped the project shortly before rehearsals were to begin. It is no surprise that no one thought this show would succeed.
Elizabeth A. Wells (West Side Story: Cultural Perspectives on an American Musical)
[The biologist Richard] Dawkins defined memes as ideas that spread from brain to brain—a cultural analogue to genes that replicate and spread. The concept is mostly used now to describe funny or irreverent images that go viral online and then are altered to keep the joke or idea alive as it ricochets around the internet. But in a digital age, when attackers can upload their own words and deeds to social media rather than relying on TV to achieve notoriety, it has a darker connotation….Mass shooters are unique only in that they don’t want to live in the glory of their newly achieved social status and visibility. They want notoriety, to become legends in their deaths.
Jillian Peterson (The Violence Project: How to Stop a Mass Shooting Epidemic)
This is the part where we should have exchanged glances (from what I had gathered from my limited literature recollection, it added dramatic flair), but I was too intrigued by the staircase, and where it led, to look anywhere else.
Finn Eccleston (The Community (Project M Book 1))
Seatbelts?” I said. She clicked hers in. “Yes, old man.” “Hey, safety first.
Finn Eccleston (The Community (Project M Book 1))
Marg muttered something under her breath. It was either “Who does he think he is?” or “I hope he has no kids.” Weird that I’d mix the two of those up. You’re right. It was probably the sec…first one. First one.
Finn Eccleston (The Community (Project M Book 1))
He turned to me. “All he needs is you buddy.” I nodded, steeling myself. “Sometimes what you need is not what you should want.” A lopsided grin was my response. “You can philosophize, or you can come with me.
Finn Eccleston (The Community (Project M Book 1))
You know, it’s crazy what a little perspective can do to your life. For example…cotton candy is not as great as everyone makes it out to be. It’s better.
Finn Eccleston (The Community (Project M Book 1))
I was so caught up in my thoughts I did not notice the wire till I got caught up in it. Right. Of course. Tomato patch. Those poor fruits. Or vegetables. Those poor fruitables. Those poor veguits. I have too much time on my hands.
Finn Eccleston (The Community (Project M Book 1))
The Council requests your presence.” “Well I require breakfast.
Finn Eccleston (The Community (Project M Book 1))
Seriously man, shut it.” “Alright, alright. You’re the driver,” He raised his chip bag in toast, “My life is in your hands.
Finn Eccleston (The Community (Project M Book 1))
It has been said that I write with some of the best reasoning to ever grace the all-encompassing page that is mankind. Who said that, you ask? I did, of course.
Finn Eccleston (The Community (Project M Book 1))
Jay?” I was shaken out of my memory. I think my dignified response went something like “Mmfh?
Finn Eccleston (The Community (Project M Book 1))
Let’s just pause there for a moment. Ever seen a movie where everything moves in slow motion during an action scene? As if, for the character, it actually feels that way? Gives them time to think, to act, to look cool. Take my situation, take what I just told you, and the exact opposite is true. It moved really fast. I did not think. I probably didn’t look very cool.
Finn Eccleston (The Community (Project M Book 1))
Choose a dojo. There’s Ross Jeffries and the school of Speed Seduction, where subliminal language patterns are used to get a girl aroused. Or Mystery and the Mystery Method, in which social dynamics are manipulated to snag the most desirable woman in a club. Or David DeAngelo and Double Your Dating, in which he advocates keeping the upper hand over a woman through a combination of humor and arrogance that he calls cocky funny. Or Gunwitch and Gunwitch Method, in which the only thing students have to do is project animalistic sexuality and escalate physical contact until the woman stops them. His crude motto: “Make the ho say no.” Or there’s David X, David Shade, Rick H., Major Mark, and Juggler—the newest guru on the scene, who appeared online one day claiming he could pick up women better and faster than any other PUA simply by reading his grocery list. Then there are the inner-circle teachers, like Steve P. and Rasputin, who reveal their techniques only to those they deem worthy. Yes, there are plenty of mentors to choose from, each with his own methods and disciples, each operating under the belief that his way is the way. And the giants do battle constantly
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
He was convinced he had lead poisoning the other day from chewing a pencil. Pencils don’t even have lead anymore.” “He like a hundred years old. He worry.” “He went to the hospital, Sasha. He didn’t even have symptoms.” “So? Mind your own business.” “Um, excuse me, it very much was my business because all his drama always happens in the middle of a big project.” Sasha ignored him. Jason shook his head sadly. “I can’t believe you’re on his side.” “There is no side. You make side. Shut up and help me choose.” “Maybe we should get him a lead-detection kit.” “I said shut up.” “You said to help!” “Yes. You not helping, you shut up.” “This is harassment.” “You are harassment.
Marina Vivancos (Crybaby)
I consider this book as my first. I have released many other projects before. But I didn't have full control in the revenue process. So, if I were a hip-hop artist, everything else I have released before would be my mix-tape.
Mitta Xinindlu (Lessons from Toddlers)
First time fucking driving and I fucking crash,” I muttered. "Good thing is, it’s a minor dent,” piped the helpful back seat, “Mum probably won’t even notice it, her eyes as they are and all.” “Thanks man. Makes me feel good about myself, taking advantage of your blind mom.
Finn Eccleston (The Community (Project M Book 1))