Parts Unknown Best Quotes

Don’t let the best parts of life pass you by because you’re too scared of the unknown.

Always choose to be smart There are two types of people in the world, the seekers of riches and the wise thinkers, those who believe that the important thing is money, and those who know that knowledge is the true treasure. I, for my part, choose the second option, Though I could have everything I want I prefer to be an intelligent person, and never live in a game of vain appearances. Knowledge can take you far far beyond what you imagine, It can open doors and opportunities for you. and make you see the world with different eyes. But in this eagerness to be "wise", There is a task that is a great challenge. It is facing the fear of the unknown, and see the horrors around every corner. It's easy to be brave when you're sure, away from dangers and imminent risks, but when death threatens you close, "wisdom" is not enough to protect you. Because, even if you are smart and cunning, death sometimes comes without mercy, lurking in the darkest shadows, and there is no way to escape. That is why the Greek philosophers, They told us about the moment I died, an idea we should still take, to understand that death is a reality. Wealth can't save you of the inevitable arrival of the end, and just as a hoarder loses his treasures, we also lose what we have gained. So, if we have to choose between two things, that is between being cunning or rich, Always choose the second option because while the money disappears, wisdom helps us face dangers. Do not fear death, my friend, but embrace your intelligence, learn all you can in this life, and maybe you can beat time and death for that simple reason always choose to be smart. Maybe death is inevitable But that doesn't mean you should be afraid because intelligence and knowledge They will help you face any situation and know what to do. No matter what fate has in store, wisdom will always be your best ally, to live a life full of satisfaction, and bravely face any situation. So don't settle for what you have and always look for ways to learn more, because in the end, true wealth It is not in material goods, but in knowledge. Always choose to be smart, Well, that will be the best investment. that will lead you on the right path, and it will make you a better version of yourself.

no disease suffered by a live man can be known, for every living person has his own peculiarities and always has his own peculiar, personal, novel, complicated disease, unknown to medicine -- not a disease of the lungs, liver, skin, heart, nerves, and so on mentioned in medical books, but a disease consisting of one of the innumerable combinations of the maladies of those organs. This simple thought could not occur to the doctors (as it cannot occur to a wizard that he is unable to work his charms) because the business of their lives was to cure, and they received money for it and had spent the best years of their lives on that business. But above all that thought was kept out of their minds by the fact that they saw they were really useful [...] Their usefulness did not depend on making the patient swallow substances for the most part harmful (the harm was scarcely perceptible because they were given in small doses) but they were useful, necessary, and indispensable because they satisfied a mental need of the invalid and those who loved her -- and that is why there are, and always will be, pseudo-healers, wise women, homoeopaths, and allopaths. They satisfied that eternal human need for hope of relief, for sympathy, and that something should be done, which is felt by those who are suffering.

Every decision I have made - from changing jobs, to changing partners, to changing homes - has been taken with trepidation. I have not ceased being fearful, but I have ceased to let fear control me. I have accepted fear as a part of life, specifically the fear of change, the fear of the unknown, and I have gone ahead despite the pounding in the heart that says: turn back, turn back, you'll die if you venture too far... In the past several years I have learned, in short, to trust myself. Not to eradicate fear but to go on in spite of fear. Not to become insensitive to distinguished critics but to follow my own writer's instinct. My job is not to paralyze myself by anticipating judgment but to do the best that I can and let judgment fall where it may. The difference between the woman who is writing this essay and the college girl sitting in her creative writing class in 1961 is mostly a matter of nerve and daring - the nerve to trust my own instincts and the daring to be a fool. No one ever found wisdom without being a fool.

Unclaimed To make love with a stranger is the best. There is no riddle and there is no test. – To lie and love, not aching to make sense Of this night in the mesh of reference. To touch, unclaimed by fear of imminent day, And understand, as only strangers may. To feel the beat of foreign heart to heart Preferring neither to prolong nor part. To rest within the unknown arms and know That this is all there is; that this is so.

Don't let the best parts of life pass you by because you are too scared of the unknown.

It is customary for adults to forget how hard and dull school is. The learning by memory all the basic things one must know is the most incredible and unending effort. Learning to read is probably the most difficult and revolutionary thing that happens to the human brain and if you don't believe that watch an illiterate adult try to do it. School is not so easy and it is not for the most part very fun, but then, if you are very lucky, you may find a teacher. Three real teachers in a lifetime is the very best of luck. I have come to believe that a great teacher is a great artist and that there are as few as there are any other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit. My three had these things in common. They all loved what they were doing. They did not tell - they catalyzed a burning desire to know. Under their influence, the horizons sprung wide and fear went away and the unknown became knowable. But most important of all, the truth, that dangerous stuff, became beautiful and precious.

I guess the best part of music is that there's not much unknown. Especially in country, because it's always someone leaving or dying or drinking or fighting or loving the United States or talking about God, and the music's simple mostly.

Don’t let the best parts of life pass you by because you’re too scared of the unknown.” One last wink. “Be cautiously reckless.

Welcome true believers, this is Stan Lee. We’re about to embark the exploration of a fantastic new universe and the best part is that you are gonna create it with me. You may know me as a storyteller, but hey on this journey consider me your guide. I provide the widy and wonderful worlds and you create the sights, sounds and adventures. All you need to take part is your brain. So take a listen and think big, no bigger, we make it an epic. Remember when I created characters like the Fantastic Four and the X-Men? We were fascinated by science and awed by the mysteries of the great beyond. Today we consider a nearer deeper unknown one inside ourselves. […] we asked: What is more real? A world that we are born into or the one we create ourselves. As we begin this story, we find humanity lost within is own techno bubble. With each citizen the star of their own digital fantasy. […] But the real conundrum is, just because we have the ability to recreated ourselves, should we? […] Excelsior!” 

How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?

Best of all, of course, religion solves the problem of death, which no living individuals can solve, no matter how they would support us. Religion, then, gives the possibility of heroic victory in freedom and solves the problem of human dignity at it highest level. The two ontological motives of the human condition are both met: the need to surrender oneself in full to the the rest of nature, to become a part of it by laying down one's whole existence to some higher meaning; and the need to expand oneself as an individual heroic personality. Finally, religion alone gives hope, because it holds open the dimension of the unknown and the unknowable, the fantastic mystery of creation that the human mind cannot even begin to approach, the possibility of a multidimensionality of spheres of existence, of heavens and possible embodiments that make a mockery of earthly logic-and in doing so, it relieves the absurdity of earthly life, all the impossible limitations and frustrations of living matter. In religious terms, to "see God" is to die, because the creature is too small and finite to be able to bear the higher meanings of creation. Religion takes one's very creatureliness, one's insignificance, and makes it a condition of hope. Full transcendence of the human condition means limitless possibility unimaginable to us.

The more I think I know, I realize, the more that is left unknown and that's the best part.

Don’t let the best parts of life pass you by because you’re too scared of the unknown.... Be cautiously reckless.

We've been dead for thousands and thousands of years. Dead or sleeping, depends on how you feel about it at any given moment. But that's okay. The trouble starts when you are born, then everything becomes taxing and temporary. When they pulled us into awareness, they killed us. Then we get saddled with a seven minute relay, at best. A soft limbo that's only palliative and comforting in theory. A momentary respite that's a cosmic joke of course and still resented by the divine. A petty haggling of which we weren't even a part of. When forced into an existence, we turned into the ward of all that breathes, subjected to the known universe, and though always partial to the unknown, which wasn't really found and never understood, is lost to us.

I compared what was really known about the stars with the account of creation as told in Genesis. I found that the writer of the inspired book had no knowledge of astronomy -- that he was as ignorant as a Choctaw chief -- as an Eskimo driver of dogs. Does any one imagine that the author of Genesis knew anything about the sun -- its size? that he was acquainted with Sirius, the North Star, with Capella, or that he knew anything of the clusters of stars so far away that their light, now visiting our eyes, has been traveling for two million years? If he had known these facts would he have said that Jehovah worked nearly six days to make this world, and only a part of the afternoon of the fourth day to make the sun and moon and all the stars? Yet millions of people insist that the writer of Genesis was inspired by the Creator of all worlds. Now, intelligent men, who are not frightened, whose brains have not been paralyzed by fear, know that the sacred story of creation was written by an ignorant savage. The story is inconsistent with all known facts, and every star shining in the heavens testifies that its author was an uninspired barbarian. I admit that this unknown writer was sincere, that he wrote what he believed to be true -- that he did the best he could. He did not claim to be inspired -- did not pretend that the story had been told to him by Jehovah. He simply stated the "facts" as he understood them. After I had learned a little about the stars I concluded that this writer, this "inspired" scribe, had been misled by myth and legend, and that he knew no more about creation than the average theologian of my day. In other words, that he knew absolutely nothing. And here, allow me to say that the ministers who are answering me are turning their guns in the wrong direction. These reverend gentlemen should attack the astronomers. They should malign and vilify Kepler, Copernicus, Newton, Herschel and Laplace. These men were the real destroyers of the sacred story. Then, after having disposed of them, they can wage a war against the stars, and against Jehovah himself for having furnished evidence against the truthfulness of his book.

There is a misconception held by many Egyptian professionals, especially engineers, that informal housing is haphazardly constructed and liable to collapse. However, such precarious housing is almost unknown in informal areas. Since informal housing is overwhelmingly owner-built without use of formal contractors, it is in the owner’s own best interest to ensure that care is taken in construction. In fact, one of the main features of informal housing construction is its high structural quality, reflecting the substantial financial resources and tremendous efforts that owners devote to these buildings. It is worth noting that in the 1992 earthquake in Cairo, practically all building collapses and the resulting fatalities occurred not in informal areas, but either in dilapidated historic parts of the city or informal areas…where apartment blocks had been constructed by (sometimes) unscrupulous developers and contractors.

The three conditions without which healthy growth does not take place can be taken for granted in the matrix of the womb: nutrition, a physically secure environment and the unbroken relationship with a safe, ever-present maternal organism. The word matrix is derived from the Latin for “womb,” itself derived from the word for “mother.” The womb is mother, and in many respects the mother remains the womb, even following birth. In the womb environment, no action or reaction on the developing infant’s part is required for the provision of any of his needs. Life in the womb is surely the prototype of life in the Garden of Eden where nothing can possibly be lacking, nothing has to be worked for. If there is no consciousness — we have not yet eaten of the Tree of Knowledge — there is also no deprivation or anxiety. Except in conditions of extreme poverty unusual in the industrialized world, although not unknown, the nutritional needs and shelter requirements of infants are more or less satisfied. The third prime requirement, a secure, safe and not overly stressed emotional atmosphere, is the one most likely to be disrupted in Western societies. The human infant lacks the capacity to follow or cling to the parent soon after being born, and is neurologically and biochemically underdeveloped in many other ways. The first nine months or so of extrauterine life seem to have been intended by nature as the second part of gestation. The anthropologist Ashley Montagu has called this phase exterogestation, gestation outside the maternal body. During this period, the security of the womb must be provided by the parenting environment. To allow for the maturation of the brain and nervous system that in other species occurs in the uterus, the attachment that was until birth directly physical now needs to be continued on both physical and emotional levels. Physically and psychologically, the parenting environment must contain and hold the infant as securely as she was held in the womb. For the second nine months of gestation, nature does provide a near-substitute for the direct umbilical connection: breast-feeding. Apart from its irreplaceable nutritional value and the immune protection it gives the infant, breast-feeding serves as a transitional stage from unbroken physical attachment to complete separation from the mother’s body. Now outside the matrix of the womb, the infant is nevertheless held close to the warmth of the maternal body from which nourishment continues to flow. Breast-feeding also deepens the mother’s feeling of connectedness to the baby, enhancing the emotionally symbiotic bonding relationship. No doubt the decline of breast-feeding, particularly accelerated in North America, has contributed to the emotional insecurities so prevalent in industrialized countries. Even more than breast-feeding, healthy brain development requires emotional security and warmth in the infant’s environment. This security is more than the love and best possible intentions of the parents. It depends also on a less controllable variable: their freedom from stresses that can undermine their psychological equilibrium. A calm and consistent emotional milieu throughout infancy is an essential requirement for the wiring of the neurophysiological circuits of self-regulation. When interfered with, as it often is in our society, brain development is adversely affected.

Whoever denies the existence of the unconscious is in fact assuming that our present knowledge of the psyche is total. And this belief is clearly just as false as the assumption that we know all there is to be known about the natural universe. Our psyche is part of nature, and its enigma is as limitless. Thus we cannot define either the psyche or nature. We can merely state what we believe them to be and describe, as best we can, how they function. Quite apart, therefore, from the evidence that medical research has accumulated, there are strong grounds of logic for rejecting statements like “There is no unconscious.” Those who say such things merely express an age-old “misoneism”—a fear of the new and the unknown.

She flipped through the notebook. In most places, Murphy’s large, crooked handwriting ate up the pages greedily, as if she couldn’t write large enough to get her point across. Occasionally Birdie’s more graceful handwriting appeared, adding asides or participating with Murphy in some kind of list she had thrown together, like favorite Leeda moments, or most unknown things about Leeda, or Leeda’s top five best articles of clothing. Mostly, though, it was all Murphy. Listing albums Leeda had to own before she died, like Janis Joplin’s Pearl. Copied scraps of her favorite poetry: about nature and despair and cities and even one or two about love that Murphy had annotated with words like Sickening, but she’s good and Horrible but worth reading. Dried leaves---pecan, magnolia, and, of course, the thin slivered shape of the peach leaf---taped in messy crisscrosses. A cider label Birdie had once kissed. A diagram of Leeda---outlined sloppily with colored-in blond hair, with words on the outside pointing to different parts of her: brainy pointing to her head, good posture pointing to her back, hot gams pointing to her legs, impenetrable (ha ha) pointing to her heart.

Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable

For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.

Traveling to the past inside one’s home universe is impossible. Traveling to a precise multiverse spacetime coordinate inside an adjacent reality is possible, if you possess a Device. Their inventor remains unknown. The trip utterly destroys every atom in your body, but a new copy of you arrives safely on the other side. It’s best if you don’t think about that part.

Steve didn’t fear death. Maybe that was part of his secret for being so gifted with wildlife. He had such perfect love for every animal, and especially crocodiles, that there didn’t seem to be any room left over for fear. But this didn’t mean that Steve didn’t have his share of close calls. One day I was feeding Cookie, Wes was feeding Mary, and our crew member Jan was backing up Wes. Steve talked to the zoo visitors about our big male, Agro, partially submerged in the water near Steve. Steve was so intent on getting his message across about crocodiles that he might have been a bit distracted. It had poured rain that day, leaving the grass wet and slippery. Agro took full advantage when Steve’s back was to the water. He powered forward like a missile, out of the water and halfway up the bank. As he came out, Wes yelled. Agro had Steve backed against the fence. Steve couldn’t move. I looked across the enclosure and saw the look on Steve’s face--it wasn’t fear, it was resolve. A big male saltwater croc was about to grab him. But for some unknown reason, Agro hesitated for a split second. Maybe he just couldn’t believe his luck. Or he was distracted by Wes, running over to save his best friend. Steve darted sideways and ran down the fence line. He was safe. The audience erupted in excited chatter. “Nothing short of a miracle,” a crowd member said about Steve’s escape. Was it? Was it his sixth sense? Was it his mate, Wes? That night we lay in bed and I stroked his face, tracing the lines that were starting to form around the corners of his eyes, waiting for his breathing to become more regular as he fell asleep. “I thought for a minute there he had me,” Steve said softly in the dark. Steve was never one to panic, and that kind of levelheaded thinking allowed him to return the favor to Wes in a much closer call during cyclone season in March 2001.

Been incarcerated in the halls of education. Okay, just channel the weirdest, the most eccentric parts of myself, the ones the universe needs now. My very best—including all of my eccentricities to set sail straight into the wonderful wide unknown. I just want more. “Lulu Wu, would you care to answer this question?

UNSAFE Human Foods Below is a list of harmful foods for dogs. This is not a complete list, but a common list of foods known to be harmful to our canine friends. If you are unsure of a food that you wish to add to your dog’s diet, please consult a veterinarian or expert on dog nutrition. Onions: Both onions and garlic contain the toxic ingredient thiosulphate. However, onions are more dangerous than garlic because of this toxin. Many dog biscuits contain trace amounts of garlic, and because of this small amount, there is no threat to the health of your dog. This poison can be toxic in one large dose, or with repeated consumption that builds to the toxic level in the dog’s blood. Chocolate: Contains theobromine, a compound that is a cardiac stimulant and a diuretic. This can be fatal to dogs. Grapes: Contains an unknown toxin that can affect kidney, and in large enough amounts can cause acute kidney failure. Raisins: (Same as above) Most Fruit Pits and Seeds: Contains cyanogenic glycosides, which if consumed can cause cyanide poisoning. The fruits by themselves are okay to consume. Macadamia Nuts: Contains an unknown toxin that can be fatal to dogs. Most Bones: Should not be given (especially chicken bones) because they can splinter and cause a laceration of the digestive system or pose a choking hazard because of the possibility for them to become lodged in your pet’s throat. Potato Peelings and Green Potatoes: Contains oxalates, which can affect the digestive, nervous, and urinary systems. Rhubarb leaves: Contains high amount of oxalates. Broccoli: Broccoli should be avoided, though it is only dangerous in large amounts. Green parts of tomatoes: Contains oxalates, which can affect the digestive, nervous, and urinary systems. Yeast dough: Can produce gas and swell in your pet’s stomach and intestines, possibly leading to a rupture of the digestive system. Coffee and tea: (due to the caffeine) Alcoholic Beverages: Alcohol is very toxic to dogs and can lead to coma or even death. Human Vitamins: Vitamins containing iron are especially dangerous. These vitamins can cause damage to the lining of the digestive system, the kidneys, and liver. Moldy or spoiled foods: There are many possible harmful outcomes from spoiled foods. Persimmons: These can cause intestinal blockage. Raw Eggs: Potential for salmonella. Salt: In large doses can cause an electrolyte imbalance. Mushrooms: Can cause liver and kidney damage. Avocados: Avocado leaves; fruit, seeds, and bark contain a toxin known as persin. The Guatemalan variety that is commonly found in stores appears to be the most problematic. Avocados are known to cause respiratory distress in other animals, but causes less harmful problems in dogs. It is best to avoid feeding them to your dog. Xylitol: This artificial sweetener is not healthy for dogs.

It all called to mind the British physicist Sir Arthur Eddington’s memorable explanation of how the universe works: “Something unknown is doing we don’t know what.” But the best part is: I don’t need to know what.

Even in darkness, if you close your eyes and try to walk, a serenade of light guides you. And it is not just blank philosophy, it's absolutely true and something that we actually know in the deepest corner of our heart, if only our minds let us look deep enough. And at this time when the world is seeped in a cloud of uncertainty, a shade of darkness that is so dense that an unknown fear clutch us and we fall deep inside that pit of fire, I hope we do not forget that often fire is the most potent element in this Earth to purify us, and even from the ashes one can rise provided we hold on to that Hope, that is the very wings of Faith. This time, this quarantine as they call it, or this Solitude as I call it is making us realize so much and each time I come across a post breathing with life be it music, art, introspective words, I know that this time is letting some of us sink deep in the realm of spiritual growth, even if the outer countenance of that is limited to a shape. The paintings, the songs, the dance and act performances, the cooking dishes, the motivating words, the happiness of spending time with family, the mirth and laughter, even in the frugalities showing the battles of survival, and actually in every littlest post, all I can see is how everyone is getting hold of their inner light and delving into something that gives them the fuel to this light. Sometimes a wreck of clouds bring in a burst of rainfall that perhaps had been long due and yet a silver lining often lurks around as a surprising gift of that grey canopy of clouds. The rain might jolt on the fields of harvest but brings in the promise of a better harvest, and soothes the earth with the harmony of tranquil serenity. The sky shines with a rainbow that we embrace in our hearts through that belief in our abilities and the joy of love, the complete invincible love for ourselves with each and every particle of our soul, and there we rise in compassion and shine in gratitude. I believe, I always believe that anything that we practice often, again and again and yet again, becomes a part of us and sometimes all of us. And perhaps the best practice that we can all indulge in at the moment is the practice of mindfulness, of knowing what truly we want not what we are programmed to want but what lies deep dormant in the innermost vicinity of our hearts where we as souls reside because once we know that, we would know how silence speaks in the sharpest tongue beckoning us again and again onto the path of love, where a serenade of light leads us even through the darkest of gloom.

For decades I’ve had an intense interest in the history and mythology of the Silk Road, I think in part because an aspect of me loves the resonance of long distance travel as a theme or anchor, if you will, for narrative. The ways that cultures rise and fade across centuries, the ways cultures connect and conflict, absorb and reject, transform or remain static: As a writer this is thematic content that never gets old for me. A million million stories rise out of the endless back and forth of cultural contact in all its best and worst aspects, and everything in between. Weave that within a story of adventure or empire or a journey into unknown spaces and I’m in writer and reader hog heaven.

there was times ,every year,days and nights .looked towards people who could be real supports . they did not show up . may be circumstances ,did not allow them . in deep water knowledge without swimming ,I tried to cross as possible at safe place on river bank . came up alone ,unknown events, accidents ,obligations, social dirt and here I am . is it wrong if I take a side seat not to face them as they want to feel good if I am around ? is it wrong _ if I do not want to know about them at all ? simply _no . as they reminds me ,their suggestion could be great help and I could continue the best ,which I messed up trying to learn swimming in river of life. I want to stay away . but those parts want to be with me now everyday .silly . if I give them place to seats ,it will be their place ,if I don't allow that would be my extra more energy to learn swimming further successfully. past never leaves ,when you are doing well at present .what you must ensure_ your own peace of present .

The Zookeeper’s Wife is the story of Jan and Antonina Zabinski, Polish Christian zookeepers who, horrified by Nazi racism, managed to save more than three hundred people. Author Diane Ackerman writes movingly about Polish émigré Eva Hoffman’s psychic earthquake of having to shed her name in order to save her life: “Nothing much has happened, except a small, seismic mental shift. The twist in our names takes them a tiny distance from us—but it is a gap into which the infinite hobgoblin of abstraction enters.” Suddenly Eva Hoffman’s given name, and that of her sister, no longer exists even though “they were as surely us as our eyes or hands.” The new names were actually “identification tags, disembodied signs pointing to objects that happen to be my sister and myself. We walk to our seats, into a roomful of unknown faces, with names that make us strangers to ourselves.” DISCOVERING WHO YOU ARE Our names, our identities, our figuring out “This is who I am” are a huge part of discovering our dreams. And haven’t many of us said, “I’ll start dreaming once I wrap up with X, Y, or Z project.” At the same time, we are asking ourselves, “Why do I keep putting things off? There’s so much to do but I can’t get anything done.” Perhaps we have it backwards. Perhaps having goals for ourselves is not something to do after we’ve wrapped up X, Y, and Z projects. Perhaps daring to dream is a goal we need to pursue now, because it’s key to getting those X, Y, and Z projects done. Psychologist Timothy Pychyl writes in an article titled “Teenagers, Identity Crises, and Procrastination” that if we can’t answer the questions “Who am I?” and “What am I?” we’re more likely to procrastinate. In other words, the more people know who they are, the less likely they are to procrastinate. Pychyl explains the interconnectedness between identity and agency as follows: “Identity is that knowledge of who we are. . . . Agency is the belief that we are in control of our decisions and responsible for our outcomes. . . . It means we make a difference, we make things happen, we act on the world. Thus, being an active agent depends on identity, or knowing who we are.” Perhaps, then, the best thing we can do is to put our busyness to the side, and instead focus on our identity and our dreams—or, as management consultant Robin Dickinson said after he read Pychyl’s study, “Focus on your To-Be List, before the To-Do List.” When we return to that to-do list we might just find we’re actually beginning to get things done.

When my father interviewed kids for Candid Camera, his favorite part of his work, he had a challenge. How could he quickly break through the intimidation felt by a little child toward a big unknown adult? He did so by lighting a match and feigning difficulty in blowing it out. Balanced on the edge of a preschool-size chair, he would huff and puff with theatrical overacting, turning finally to the youngster and saying, “Can you help me?” And they would. Moments later, my dad and his new friend would be chatting about guardian angels, the wonders of spaghetti, money, and a host of other delightful topics. The gap my father was closing is called the “power distance,” a concept developed by Professor Geert Hofstede. This phenomenon can cause people to avoid or defer to those they feel are more powerful and, in doing so, to shut down channels of honest communication. By asking for help, my father broke the power distance and opened a gateway to closeness with each and every match blower. If you lead at least a few people, this section is for you. And in order to develop the closeness needed to build a white space team, you’ll need to address the same lopsided dynamics as my father. You must ask for help, step out of having all the answers, and truly enlist a wide spectrum of input to move toward the changes you want. Speak to people about their needs, desires, and enthusiasms. And make it more than a gesture, authentically being open to using the ideas that spring from these conversations. The following steps will show you how.

The more I shared with him, the more my vulnerability grew. Not many people really see me like that. I do a good job at keeping that part of me tucked away and wrapped up safely. I have a lot of friends, but very few see the real me, stripped down, as someone who’s not always smiling, someone who doubts, questions, and demands the best of herself no matter the cost. Timothy was beginning to understand what made me tick, and he saw the inner turmoil I was experiencing as I battled my old self, and my self-imposed expectations, with the discovery of my new self, accepting the unknown and the changes that came with it.

From Introduction to The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): It may well be asked how, from so many thieves, kidnappers, pirates, slavers and assassins within and beyond the Pale, one can isolate five individuals and identify them as ‘Demon Princes’. The author, while conceding to a certain degree of arbitrariness, can nevertheless in good conscience define the criteria which in his mind establish the Five as arch-fiends and overlords of evil. First: the Demon Princes are typified by grandeur. Consider the manner in which Kokor Hekkus gained his cognomen ‘The Killing Machine’, or Attel Malagate’s ‘plantation’ on Grabhorne Planet (a civilization of his own definition), or Lens Larque’s astounding monument to himself, or Viole Falushe’s Palace of Love. Certainly these are not the works of ordinary men, nor the results of ordinary vices (though Viole Falushe is said to be physically vain and in certain exploits of Kokor Hekkus there is the quaintly horrid quality of a small boy’s experiments with an insect). Secondly: these men are constructive geniuses, motivated not by malice, perversity, greed, or misanthropy, but by violent inner purposes, which are for the most part shrouded and obscure. Why does Howard Alan Treesong glory in chaos? What are the goals of the inscrutable Attel Malagate, or that fascinating flamboyant Kokor Hekkus? Thirdly: each of the Demon Princes is a mystery; each insists on anonymity and facelessness. Even to close associates these men are unknown; each is friendless, loveless (we can safely discount the self-indulgences of the sybaritical Viole Falushe). Fourthly: and obverse to the above, is a quality best to be described as absolute pride, absolute self-sufficiency. Each considers the relationship between himself and the balance of humanity as no more than a confrontation of equals. Fifthly: and ample in itself, I cite the historic conclave of 1500 at Smade’s Tavern (to be discussed in Chapter One) where the five acknowledged themselves, grudgingly perhaps, as peers, and defined their various areas of interest. Ipsi dixerunt!

One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)

An Ode to The Occupants of The Titan Sub In the depths where everything is dark, Nothing exists and one tends to lose every mark, Of the reality that lies above, And the memories of the ones you love, Appear to float by like voluptuous sirens, And you think of the benevolent Titans, Then as the pressure mounts you hear a creaking sound, Slowly building up inside the hollow chamber where now only fear does abound, Then as your heart races and it does frantically pound, You feel you are to an unknown and impending doom bound, And you summon all your Gods in the form of your fears, And you gauge the ferocity of all the snares, Building from above, bottom, left and right, It is then you hold your equally fearful companion’s hand tight, And you remember all that you loved and those you still love, But they are far up and above, and you are here in the abyss now, Where darkness spreads endlessly and the creaking sound becomes louder, And all of a sudden you feel you are hit by a titanic sized aqueous boulder, Everything implodes, but only your heart and your memories explode, As they surface on the horizon of perception and your loved ones rush to the abode, Of the Gods where castles of prayers are erected, Prayers rising from the heart that gods have not defected, There they rush, and implore, But the Titans become quieter and they think Gods too ignore, The cries of the lamenting and remorseful heart, But little do they know praying is not an art, It is a feeling sublime and serene that arises from within, And when expressed with sincerity in the universe its resonance does deepen, And then Gods respond with care, And they always say, “darling, there is nothing to fear.” This sounds assuaging for many reasons, known and unknown, And your kin and kith experience the familiarity in these consolations offered by the unknown, And to the five departed adventurers of the deep sea, I hope in their Heavenward journey, now they shall new wonders see, And be the part of a greater adventure, That I call the God’s enterprising venture, As for the wonder of the abyss, There shall always be someone who for its thrill would miss, Anything and everything else, Because if he/she doesn't, then he/she will be someone else, That is why they dare to take on the Gods of the dark and deep, Because human passion is something that into the soul does seep, And unless tasted and confronted, this adventurer residing within the soul does not let him/her to sleep, So let me wish the 5 adventurers all the best on their new journey, Where there is no need for submersibles for in that world one attains natural buoyancy, and this too is one hell of a journey! As for those woe struck loved ones still residing in the realm of gravity, I hope they find assuaging moments in their thoughtful proclivity, Where they notice the universe flowing through their departed and loved one, Because every adventure is an expression of belief in love for someone, That someone who does not fear the abyss, That someone who dares to be the one, and never miss, The adventures that await him/her in those unknown realms, Where even the Titans sometimes bear signs of qualms, There let us go and seek the knowledge that awaits to reveal itself, Only if the adventurer believes in himself/herself, And I think that is where all 5 adventurers can always be found, In the realm of the Titans where knowledge does abound, where knowledge does abound!

With young boys wearing frilly dresses, how can the gender of an unknown child be determined? The answer is in the hair: as a rule, a girl’s hair was parted in the middle and a boy’s hair was parted on the side. Complicating the matter is the fact that thick bangs were seen on both girls and boys, but at least on the issue of parts the rules were clear.

The only lovers! When you seek nothing, When the world seems still and silent, When the Sun shines bright yet darkness is lurking behind everything, When there is stillness with no movement, Then let me confess, “I love you Irma for all known and unknown reasons” And as we gradually progress, Let me admit, “I would love you the same in life’s all seasons!” In the fears of today, in the uncertainties of tomorrow, You will be the certain joy of everyday, In the moments of joy and during the times of sorrow, To strengthen our faith and feelings of love, I shall always invent a new way, Then as we flow being a part of river of life, Everything will be stationary while we shall have attained a happy flow, And in this paramount moment of my, and your life, Like the sparkling atoms of joy we shall now over the surface of the river of life glow! And as we pour ourselves into the sea of naked feelings, We shall drift as waves always chasing each other, To end our journeys at the shore of our naked feelings, And sink deep into the sand as a single feeling of love, where now you are my and I am your only lover!

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The sea and the albatross Far away in the deep sea, An albatross flew every day and sometimes looked at me, It sometimes flapped its wings rigorously, And then glided so calmly, Over the waves of wind and the ocean of air, It looked majestic and I wondered what was its affair, That compelled it to bear long flights everyday, Because it only returned when the evening lights had invaded the day, And to find out its secret there was no way, Yet I hoped I shall know it someway, It was a rough day and the sea had turned violent, My boat was being tossed everywhere in this torrent, The wind howled, the sea roared and everything appeared agitated, And to venture into such a rough sea even the valour of the mariners like me hesitated, So I stayed at the shore, While the albatross flew through this violent uproar, It swung its wings up and down with great effort, As if from this toil of mind and muscle, it gained some unknown comfort, After few moments it was far away, that I could no longer see it, But everyone could hear the beating of his wings, only if you had the mariner’s heart to feel it, And looking at the albatross, I too ventured into the sea, And I recalled the mariner’s only oath, “whatever shall be shall be!” The wind played with me and my boat like a finless fish caught in the tempest, And it overpowered us inpsite of our efforts best, For a moment I thought it was asinine on my part to have felt brave like an albatross, Who sometimes sits on the hull of my boat where I have erected a cross, I looked at it and used all my force left in me, And my heart and mind said together, “let us see how strong the sea can be!” And then the sea turned rougher, the waves rose higher, But I too worked with the muscle of will and mind, with conviction stronger, It was evening now and I stood in the middle of the rough sea where they said everything sinks, I saw the albatross caught in the discarded net, and it was struggling to free itself from these nylon links, Maybe I was courageous today not to catch fish but to rescue the master of the skies, And it shall be a shame for all mariners and our oath of courage, if today in this discarded net the albatross dies,

Her sensation There I was inspecting the landscape of my emotions, Most of them appeared to be conduit sensations, With layers of feelings that definitely were a part of me, And in this place for a moment I wanted to be, For it reminded me of her, The feelings made me miss her, The emotions made me once again fall in love with her, And it was only in this landscape that I felt I was with her, Although it sometimes begot me sensations unknown, They never prevented me from recreating her beauty so fresh and so well known, It was a world where her beauty’s precision filled every void, The only place where to throb and then feel, my heart never toiled, Because here everything brought me closer to her, The feelings, the emotions, all reminded me of her, And my memories too, because they all carried a part of her, Here no time existed, no present, no past, no beginning and no end, because everything had converged into her, Her landscape of beautiful smiles, Her feelings that stretched for million miles, It was she who ruled this universe, And it was only here my heart with her mind whispered and could easily converse, Nothing could be as beautiful as her, All summer flowers, all the blue skies, seem to emerge from her, When you look at her, you realise everything belongs to her, So why shouldn't I too belong to her and love her? These inviolable feelings possess me gradually, And I take my last glance at this landscape lovingly, For now I too have become a part of it, And now the vision is clear, sensations aren't conduit, Because the landscape that represents her, I am a part of it now as I keep seeping deeper into her, Into her permeable heart, into the world that exists only because of her, And as my last cell sinks into her, I now feel the sensation that belongs to her, The landscape may have vanished now forever, But my love for her has experienced no sort of waiver, Because I love her for no reasons, for no interests, I love her for who she is, And in this long disappeared landscape I still find her there, because that is where my heart is, Even if it is a credulity that my mind suffers from, but as long as it is about her, My heart shall derive from it intelligible strings, just to love her, Because then nothing feels like this sensation, the sensation that belongs to her, Her name mabe Irma, but I love the woman in her, that beautiful sensation in her!

Her sensation There I was inspecting the landscape of my emotions, Most of them appeared to be conduit sensations, With layers of feelings that definitely were a part of me, And in this place for a moment I wanted to be, For it reminded me of her, The feelings made me miss her, The emotions made me once again fall in love with her, And it was only in this landscape that I felt I was with her, Although it sometimes begot me sensations unknown, They never prevented me from recreating her beauty so fresh and so well known, It was a world where her beauty’s precision filled every void, The only place where to throb and then feel, my heart never toiled, Because here everything brought me closer to her, The feelings, the emotions, all reminded me of her, And my memories too, because they all carried a part of her, Here no time existed, no present, no past, no beginning and no end, because everything had converged into her, Her landscape of beautiful smiles, Her feelings that stretched for million miles, It was she who ruled this universe, And it was only here my heart with her mind whispered and could easily converse, Nothing could be as beautiful as her, All summer flowers, all the blue skies, seem to emerge from her, When you look at her, you realise everything belongs to her, So why shouldn't I too belong to her and love her? These inviolable feelings possess me gradually, And I take my last glance at this landscape lovingly, For now I too have become a part of it, And now the vision is clear, sensations aren't conduit, Because the landscape that represents her, I am a part of it now as I keep seeping deeper into her, Into her permeable heart, into the world that exists only because of her, And as my last cell sinks into her, I now feel the sensation that belongs to her, The landscape may have vanished now forever, But my love for her has experienced no sort of waiver, Because I love her for no reasons, for no interests, I love her for who she is, And in this long disappeared landscape I still find her there, because that is where my heart is, Even if it is a credulity that my mind suffers from, but as long as it is about her, My heart shall derive from it intelligible strings, just to love her, Because then nothing feels like this sensation, the sensation that belongs to her, Her name may be Irma, but I love the woman in her, that beautiful sensation in her!

All real scientists exist on the frontier. Even the least ambitious among them deal with the unknown, if only one step beyond the known. The best among them move deep into a wilderness region where they know almost nothing, where the very tools and techniques needed to clear the wilderness, to bring order to it, do not exist. There they probe in a disciplined way. There a single step can take them through the looking glass into a world that seems entirely different, and if they are at least partly correct their probing acts like a crystal to precipitate an order out of chaos, to create form, structure, and direction. A single step can also take one off a cliff.

Nennius tells us, what Gildas omits, the name of the British soldier who won the crowning mercy of Mount Badon, and that name takes us out of the mist of dimly remembered history into the daylight of romance. There looms, large, uncertain, dim but glittering, the legend of King Arthur and the Knights of the Round Table. Somewhere in the Island a great captain gathered the forces of Roman Britain and fought the barbarian invaders to the death. Around him, around his name and his deeds, shine all that romance and poetry can bestow. Twelve battles, all located in scenes untraceable, with foes unknown, except that they were heathen, are punctiliously set forth in the Latin of Nennius. Other authorities say, “No Arthur; at least, no proof of any Arthur.” It was only when Geoffrey of Monmouth six hundred years later was praising the splendours of feudalism and martial aristocracy that chivalry, honour, the Christian faith, knights in steel and ladies bewitching, are enshrined in a glorious circle lit by victory. Later these tales would be retold and embellished by the genius of Mallory, Spenser, and Tennyson. True or false, they have gained an immortal hold upon the thoughts of men. It is difficult to believe it was all an invention of a Welsh writer. If it was he must have been a marvellous inventor. Modern research has not accepted the annihilation of Arthur. Timidly but resolutely the latest and best-informed writers unite to proclaim his reality. They cannot tell when in this dark period he lived, or where he held sway and fought his battles. They are ready to believe however that there was a great British warrior, who kept the light of civilisation burning against all the storms that beat, and that behind his sword there sheltered a faithful following of which the memory did not fail. All four groups of the Celtic tribes which dwelt in the tilted uplands of Britain cheered themselves with the Arthurian legend, and each claimed their own region as the scene of his exploits. From Cornwall to Cumberland a search for Arthur’s realm or sphere has been pursued.The reserve of modern assertions is sometimes pushed to extremes, in which the fear of being contradicted leads the writer to strip himself of almost all sense and meaning. One specimen of this method will suffice: "It is reasonably certain that a petty chieftain named Arthur did exist, probably in South Wales. It is possible that he may have held some military command uniting the tribal forces of the Celtic or highland zone or part of it against raiders and invaders (not all of them necessarily Teutonic). It is also possible that he may have engaged in all or some of the battles attributed to him; on the other hand, this attribution may belong to a later date." This is not much to show after so much toil and learning. Nonetheless, to have established a basis of fact for the story of Arthur is a service which should be respected. In this account we prefer to believe that the story with which Geoffrey delighted the fiction-loving Europe of the twelfth century is not all fancy. If we could see exactly what happened we should find ourselves in the presence of a theme as well founded, as inspired, and as inalienable from the inheritance of mankind as the Odyssey or the Old Testament. It is all true, or it ought to be; and more and better besides. And wherever men are fighting against barbarism, tyranny, and massacre, for freedom, law, and honour, let them remember that the fame of their deeds, even though they themselves be exterminated, may perhaps be celebrated as long as the world rolls round. Let us then declare that King Arthur and his noble knights, guarding the Sacred Flame of Christianity and the theme of a world order, sustained by valour, physical strength, and good horses and armour, slaughtered innumerable hosts of foul barbarians and set decent folk an example for all time.

Part of the ambiguity that students need to learn to deal with in the course of their preparation to serve and be served by the present society is that it is a high form of art to ask the right questions. But it is also unrealistic to expect that someone else has answers for them. I said at the outset that many of the questions students have asked me during these days I regard as unanswerable except as one ventures into some experience and learns to respond, in the situation, to the immediate problems one confronts. And to do this one must have learned how to open one’s awareness to receive insight, inspiration, in the moment of need. One must accept that only venturing into uncertainty with faith that if one is adequately prepared to deal with the ambiguity, in the situation, the answer to the questions will come. The certainty one needs to face the demanding situations of life does not lie in having answers neatly catalogued in advance of the experience. That, in fact, is a formula for failure—one is surprised, sometimes demoralized, by the unexpected. Dependable certainty (which we all need a lot of) lies in confidence that one’s preparation is adequate so that one may venture into the experience without pre-set answers but with assurance that creative insight will emerge in the situation when needed, and that it will be right for the situation because it is an answer generated in the situation. A liberal education provides the best context I know of for preparing inexperienced people to venture into the unknown, to face the inexactitude and the wildness, with assurance. But, having said that the conventional liberal arts curriculum is the best context for such preparation, I must also say that it usually does not contain the preparation—and it should.

Which left me with nothing but a dazzled heart and the sense that I live in a most remarkable world, thick with mysteries. It all called to mind the British physicist Sir Arthur Eddington’s memorable explanation of how the universe works: “Something unknown is doing we don’t know what.” But the best part is: I don’t need to know what.

Little idea about my teacher: 1. First and foremost My Parents (Both are equal). 2. Next to all my respected teachers who taught me subjective as well practical knowledge, and help me to shape up as a responsible person. 3. Next to all my seniors and elder people who guided me in the path of progress time to time throughout my journey. 4. Next to all my beloved family and friends who are always stood along with me, no matter the time what it was? 5. Next to those entire know-unknown persons who has passed through journey and taught few lessons, tips. 6. Next is the nature, just see it, feel it & learn it. 7. Last but not least kids/children’s- a lot of things, no worry, smiles, happiness, this is the best part of this journey. So it’s time to Salute the Real Commanders of our Life HAPPY TEACHERS DAY Original from: Amit Gupta

The war in Vietnam is undoubtedly the best example of this. Why is it that after more than thirty years of clandestine and overt involvement in Indochina, no one had been able to make a logical case for what we had been doing there and to explain adequately why we had become involved; and what our real and valid objectives in that part of the world were? The mystery behind all of this lies in the area we know as “Clandestine activity,”“intelligence operations,”“secrecy,” and “cover stories,” used on a national and international scale. It is the object of this book to bring reality and understanding into this vast unknown area.

The more I think I know I realize, the more that is left unknown and that's the best part.

Your consciousness is the source of God within all life. If you notice, that is an aspect of you that cannot be harmed. It has existed since the beginning of time and it will always exist. When you fear something it is because a part of you is not informed. We naturally fear the unknown. Source fears nothing because it is completely informed about everything. The best advice I can give is to bring your awareness into the middle of your fear and observe like scientist observing the energy system for the first time. No judgements, no labels just seeing what is there. Start naming the qualities of that energy of that fear. Do you notice how much strength is there when you are able to de-label it enough to look at the energy system? Do you notice the vitality that is in that strength? What memories come up? How old are you? What does that child need to feel safe and secure? Observe and be compassionate. Your heart will guide you. Nothing exists but you. All angels, devils and everything in between are emanations of you. It is all you, it has always been you.

Now, analysis, the breaking of the wholes into parts, is fundamental to science, but for judging works of art, the procedure is more uncertain: what are the natural parts of a story, a sonnet, a painting? The maker's aim is to project his vision by creating not a machine made up of parts but the impression of seamless unity that belongs to a living thing. Looking at an early example of systematic criticism by analysis -- say, Dante's comments on his sonnet sequence La Vita Nuova -- one sees that the best he can do is to tell again in prose what the first two lines mean, then the next three, and so on in little chunks through the entire work. We may understand somewhat better his intention here and there, but at the same time we vaguely feel that the exercise was superfluous and inappropriate. Reflection tells us why: those notations taken together do not add up to the meaning of the several poems. In three words: analysis is reductive. Since its patent success in natural sciences, analysis has become a universal mode of dealing not merely with what is unknown or difficult, but also with all interesting things as if they were difficult. Accordingly, analysis is a theme. Depending on the particulars of its effect, it can also be designated reductivism.

Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.

Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood.

Implicit in wonder is humility. To surrender to what is larger and unknown, to that vast, mysterious universe of which you are a tiny dot. I was not allowed to be a tiny part of anything. I had to be above, the best, on top.