Project Car Quotes

We've searched our database for all the quotes and captions related to Project Car. Here they are! All 100 of them:

My country's main exports are stolen cars and sadness.
Aleksandar Hemon (The Lazarus Project)
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it." I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back." Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?" "You're getting a big laugh out of this, aren't you?" Kieran shrugged. "There's nothing on TV.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
The decision-making part of the brain of an individual who has been using crystal meth is very interesting. When Carly and Andy were in their apartment, they ran out of drugs. They sold every single thing they had except two things: a couch and a blow torch. They had to make a decision because something had to be sold to buy more drugs. A normal person would automatically think, Sell the blow torch. But Andy and Carly sat on the couch, looking at the couch and looking at the blow torch, and the choice brought intense confusion. The couch? The blow torch? I mean, we may not need the blow torch today, but what about tomorrow? If we sell the couch, we can still sit wherever we want. But the blow torch? A blow torch is a very specific item. If you’re doing a project and you need a blow torch, you can’t substitute something else for it. You would have to have a blow torch, right? In the end, they sold the couch.
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
Without ever exactly putting his mind to it, he's come to believe that loss is the standard trajectory. Something new appears in the world-a baby, say, or a car or a house, or an individual shows some special talent-with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, its going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely percieved, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. The war is fucked? Well, duh. Nine-eleven? Slow train coming. They hate our freedoms? Yo, they hate our actual guts! Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity.
Ben Fountain (Billy Lynn's Long Halftime Walk)
If you do not lend your car, your fountain pen or your wife to anyone, that is because these objects, according to the logic of jealously, are narcissistic equivalents of the ego: to lose them, or for them to be damaged, means castration.
Jean Baudrillard
The car was on the FDR drive now and, turning her head, she glanced out at the bleak brown buildings of the projects that stretched for blocks along the drive. Something inside her sank at the sight of all that sameness, and she suddenly felt defeated. She shifted uncomfortably in her seat. In the past year, she'd started experiencing these moments of desperate emptiness, as if nothing really mattered, nothing was ever going to change, there was nothing new; and she could see her life stretching before her--one endless long day after the next, in which every day was essentially the same. Meanwhile, time was marching on, and all that was happening to her was that she was getting older and smaller, and one day she would be no bigger than a dot, and then she would simply disappear. Poof! Like a small leaf burned up under a magnifying glass in the sun. These feelings were shocking to her, because she'd never experienced world-weariness before. She'd never had time. All her life, she'd been striving and striving to become this thing that was herself--the entity that was Nico O'Neilly. And then, one morning, time had caught up with her and she had woken up and realized that she was there. She had arrived at her destination, and she had everything she'd worked so hard for: a stunning career, a loving (well, sort of) husband, whom she respected, and a beautiful eleven-year-old daughter whom she adored. She should have been thrilled. But instead, she felt tired. Like all those things belonged to someone else.
Candace Bushnell (Lipstick Jungle)
At first I hoped that such a technically unsound project would collapse but I soon realized it was doomed to success. Almost anything in software can be implemented, sold, and even used given enough determination. There is nothing a mere scientist can say that will stand against the flood of a hundred million dollars. But there is one quality that cannot be purchased in this way - and that is reliability. The price of reliability is the pursuit of the utmost simplicity. It is a price which the very rich find most hard to pay.
C.A.R. Hoare
drive through hell the people are weary, unhappy and frustrated, the people are bitter and vengeful, the people are deluded and fearful, the people are angry and uninventive and I drive among them on the freeway and they project what is left of themselves in their manner of driving— some more hateful, more thwarted than others— some don’t like to be passed, some attempt to keep others from passing —some attempt to block lane changes —some hate cars of a newer, more expensive model —others in these cars hate the older cars. the freeway is a circus of cheap and petty emotions, it’s humanity on the move, most of them coming from some place they hated and going to another they hate just as much or more. the freeways are a lesson in what we have become and most of the crashes and deaths are the collision of incomplete beings, of pitiful and demented lives. when I drive the freeways I see the soul of humanity of my city and it’s ugly, ugly, ugly: the living have choked the heart away.
Charles Bukowski (You Get So Alone At Times That It Just Makes Sense)
The click of seat belts, the ding of the blinker, the gentle swish of breath past lips -- it all feels like it's being projected through a megaphone, filling my car with deafening sound..
Jessica Pennington (Love Songs & Other Lies)
He started the car, looking irked, as though I had started crying on purpose. Men seem to think that women do this on a regular basis, which is bullshit. Just because you don't feel something, it doesn't mean the other person is faking it. You know who thinks like that? Sociopaths.
Mishell Baker (Borderline (The Arcadia Project, #1))
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
Without ever exactly putting his mind to it, he's come to believe that loss is standard trajectory. Something new appears in the world—a baby, say, or a car or a house, or an individual shows some special talent—with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, it's going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely perceived, hence his contempt for the usual public shock and outrage when a particular situation goes to hell.
Ben Fountain (Billy Lynn's Long Halftime Walk)
THE PROJECTIONIST The projectionist can make you believe whatever she believes. If she believes interest rates are going to fall, and you have a short conversation with the Projectionist, you will too. If she believes that, no, in fact, you didn't signal when you turned left, causing the Projectionist to ram her car into the back of yours, so will you. Her downfall began when she fell in love with the Inverse. She absolutely, 100% fell in love with the Inverse. She projected all this emotion onto him but the Inverse, being the Inverse, simply reflected the opposite of everything she was sending. Strangely, neither the Inverse nor the Projectionist can let go of the relationship.
Andrew Kaufman (All My Friends are Superheroes)
All those summer drives, no matter where I was going, to a person, a project, an adventure, or home, alone in the car with my social life all before and behind me, I was suspended in the beautiful solitude of the open road, in a kind of introspection that only outdoor space generates, for inside and outside are more intertwined than the usual distinctions allow. The emotion stirred by the landscape is piercing, a joy close to pain when the blue is deepest on the horizon or the clouds are doing those spectacular fleeting things so much easier to recall than to describe. Sometimes I thought of my apartment in San Francisco as only a winter camp and home as the whole circuit around the West I travel a few times a year and myself as something of a nomad (nomads, contrary to current popular imagination, have fixed circuits and stable relationships to places; they are far from beign the drifters and dharma bums that the word nomad often connotes nowadays). This meant that it was all home, and certainly the intense emotion that, for example, the sequence of mesas alongside the highway for perhaps fifty miles west of Gallup, N.M., and a hundred miles east has the power even as I write to move me deeply, as do dozens of other places, and I have come to long not to see new places but to return and know the old ones more deeply, to see them again. But if this was home, then I was both possessor of an enchanted vastness and profoundly alienated.
Rebecca Solnit (A Field Guide to Getting Lost)
If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.
Georgia Scott (American Girl: Memories That Made Me)
Kat gushes about Google's projects, all revealed to her now. They are making a 3-D web browser. They are making a car that drives itself. They are making a sushi search engine -- here she pokes a chopstick down at our dinner -- to help people find fish that is sustainable and mercury-free. They are building a time machine. They are developing a form of renewable energy that runs on hubris.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
The challenges of sticking to a plan, the inability to resist a new leather jacket or a new project, the forgetfulness (the car registration, making a phone call, paying a bill) and the cognitive slips (the misestimated bank account balance, the mishandled invitation) all happen because of a shortage of bandwidth. There is one particularly important consequence: it further perpetuates scarcity. It was not a coincidence that Sendhil and Shawn fell into a trap and stayed there. Scarcity creates its own trap.
Sendhil Mullainathan (Scarcity: Why Having Too Little Means So Much)
It was speculated that a car manufacturing company like Ford, or a space or aircraft project like NASA’s Manned Orbiting Laboratory Project, or millionaires like the Rockefellers or Howard Hughes were secretly purchasing the land. One account even suggested the Mafia was buying land to launder ill-gotten gains or dump bodies in the swamps. However,
Jim Korkis (Secret Stories of Walt Disney World: Things You Never Knew You Never Knew)
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Then he placed his hands in his pockets and stood in the middle of the street alone, giving the silent roaring rage inside him time to ease down and out, and after several long minutes he once again became who he was, a solitary middle-aged man in the August of life looking for a few more Aprils, an aging bachelor in a floppy suit standing on a tired, worn Brooklyn street in the shadow of a giant housing project built by a Jewish reformer named Robert Moses who forgot he was a reformer, building projects like this all over, which destroyed neighborhoods, chasing out the working Italians, Irish, and Jews, gutting all the pretty things from them, displacing them with Negroes and Spanish and other desperate souls clambering to climb into the attic of New York life, hoping that the bedroom and kitchen below would open up so they could drop in, and at minimum join the club that to them included this man, an overweight bachelor in an ill-fitting suit, watching a shiny car roaring away, the car driven by a handsome young man who was pretty and drove away as if he were barreling into a bright future, while the dowdy heavyset man watched him jealously, believing the man so pretty and handsome had places to go and women to meet and things to do, and the older heavyset man standing behind eating his fumes on a sorry, dreary, crowded old Brooklyn street of storefronts and tired brownstones had nothing left but the fumes of the pretty sports car in his face.
James McBride (Deacon King Kong)
Dans la vie, l’essentiel est de porter sur tout des jugements à priori. Il apparaît, en effet, que les masses ont tort, et les individus toujours raison. Il faut se garder d’en déduire des règles de conduite : elles ne doivent pas avoir besoin d’être formulées pour qu’on les suive. Il y a seulement deux choses : c’est l’amour, de toutes les façons, avec des jolies filles, et la musique de la Nouvelle-Orléans ou de Duke Ellington. Le reste devrait disparaître, car le reste est laid, et les quelques pages de démonstration qui suivent tirent toute leur force du fait que l’histoire est entièrement vraie, puisque je l’ai imaginée d’un bout à l’autre. Sa réalisation matérielle proprement dite consiste essentiellement en une projection de la réalité, en atmosphère biaise et chauffée, sur un plan de référence irrégulièrement ondulé et présentant de la distorsion. On le voit, c’est un procédé avouable, s’il en fut.
Boris Vian (L'Écume des jours)
What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars. The modern propagandist therefore sets to work to create circumstances which will modify that custom . . . He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition of period music rooms designed by well-known decorators who themselves exert an influence on the buying groups . . . Then, in order to create dramatic interest in the exhibit, he stages an event or ceremony. To this ceremony key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . . The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.
Edward L. Bernays (Propaganda)
My archive project is a multiedged sword. It is something I love doing, but it raises some questions about my motives in doing it. A writer accused me of building my archives just to further my own legend, whatever that is. I hope you don't believe that. What a shallow existence that would be! I remember reading that article saying that about me. It pissed me off. It's my life, and I am a collector. I collect everything: cars, trains, manuscripts, photographs, tape recordings, records, memories and clothes, to name a few. The fact that I want to create a chronological history of my recordings and supporting work is proof positive that I am an incurable collector, confronted with an amazingly detailed array of creations that I have painstakingly rat-holed over the years.
Neil Young (Waging Heavy Peace: A Hippie Dream)
When any new language design project is nearing completion, there is always a mad rush to get new features added before standardization. The rush is mad indeed, because it leads into a trap from which there is no escape. A feature which is omitted can always be added later, when its design and its implications are well understood. A feature which is included before it is fully understood can never be removed later.
C.A.R. Hoare
She didn't have to return to Philly until Sunday, yet from the moment she sat down in the car, Madison was already projecting five days into the future and anticipating the sadness that returning to campus would bring.
Kate Fagan (What Made Maddy Run: The Secret Struggles and Tragic Death of an All-American Teen)
Permaculture is not just about the elements of a system; it is also about the flows and connections among those elements. You can have solar power, an organic garden, an electric car, and a straw bale house and still not live in a permaculture. A project becomes a permaculture only when special attention is paid to the relationships between each element, among the functions of those elements, and among the people who work within the system.
Heather Flores (Food Not Lawns: How to Turn Your Yard into a Garden and Your Neighborhood into a Community)
I have been giving the best of my advice to this project since 1975. At first I was extremely hopeful. The original objectives of the language included reliability, readability of programs, formality of language definition, and even simplicity. Gradually these objectives have been sacrificed in favor of power, supposedly achieved by a plethora of features and notational conventions, many of them unnecessary and some of them, like exception handling, even dangerous. ... It is not too late! I believe that by careful pruning of the ADA language, it is still possible to select a very powerful subset that would be reliable and efficient in implementation and safe and economic in use. The sponsors of the language have declared unequivocally, however, that there shall be no subsets. This is the strangest paradox of the whole strange project. If you want a language with no subsets, you must make it small.
C.A.R. Hoare
Commitment can be expressed in many ways. Traditionally it is solidified through marriage, owning property, having kids or wearing certain types of jewelry, but legal, domestic, or ornamental undertakings are not the only ways to show dedication. In a 2018 talk on solo polyamory at the Boulder Non-Monogamy Talk series, Kim Keane offered the following ways that people practicing nonmonogamy can demonstrate commitment to their partners: - Sharing intimate details (hopes, dreams, fears) and being vulnerable with each other. - Introducing partners to people who are important to you. - Helping your partners with moving, packing, homework, job hunting, shopping, etc. - Having regular time together, both mundane and novel. - Making the person a priority. (I suggest defining what 'being a priority' means to each of you.) - Planning trips together. - Being available to partners when they are sick or in need. - Collaborating on projects together. - Having frequent communication. - Offering physical, logistical or emotional support (e.g. at doctor's appointments or hospital visits or by helping with your partners' family, pets, car, children, taxes, etc.).
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
Programmers are always surrounded by complexity; we cannot avoid it. Our applications are complex because we are ambitious to use our computers in ever more sophisticated ways. Programming is complex because of the large number of conflicting objectives for each of our programming projects. If our basic tool, the language in which we design and code our programs, is also complicated, the language itself becomes part of the problem rather than part of its solution.
C.A.R. Hoare
novel excerpts rarely benefit from group critique. It’s one thing to get all those opinions when you’ve finished, but when you’re still in the middle of a project, it’s like having fifteen people give you conflicting directions as to how best to get to the interstate.) And
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
As you get older, I think the most difficult thing to accept is that there are no more prospects. There are no more big projects, no more goals to attain, no more dreams. The only goal is to delay the inevitable as long as possible and to do it with as much grace as possible.
Zoe Brisby (The Car Share)
We don't just have equipment to set up, we have a whole stage set: TVs tuned to static, a busted old Moog synthesizer (also tuned to static - it basically just sits onstage, drooling, like a demented robot friend), an ironing board we use as a percussion stand, lamps (because we prefer mood lighting to rock-show lighting), various car parts and kitchen utensils (for hitting), a movie screen we project slides onto and a pair of mannequin legs in a gold lamé miniskirt with a TV for a torso. All this may sound arty, but really, it's just overenthusiastic.
Kristin Hersh
That’s why capitalism encourages us to seek immortality, happiness and divinity. There’s a limit to how many shoes we can wear, how many cars we can drive and how many skiing holidays we can enjoy. An economy built on everlasting growth needs endless projects – just like the quests for immortality, bliss and divinity.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
There was no escape: The entire Elliott 503 Mark II software project had to be abandoned, and with it, over thirty man-years of programming effort, equivalent to nearly one man’s active working life, and I was responsible, both as designer and as manager, for wasting it. ... How did we recover from the catastrophe? First, we classified our 503 customers into groups, according to the nature and size of the hardware configurations which they had bought ... We assigned to each group of customers a small team of programmers and told the team leader to visit the customers to find out what they wanted; to select the easiest request to fulfill, and to make plans (but no promises) to implement it. In no case would we consider a request for a feature that would take more than three months to implement and deliver. The project leader would then have to convince me that the customers’ request was reasonable, that the design of the new feature was appropriate, and that the plans and schedules for implementation were realistic. Above all, I did not allow anything to be done which I did not myself understand. It worked! The software requested began to be delivered on the promised dates. With an increase in our confidence and that of our customers, we were able to undertake fulfilling slightly more ambitious requests. Within a year we had recovered from the disaster. Within two years, we even had some moderately satisfied customers.
C.A.R. Hoare
Entrepreneurs who kept their day jobs had 33 percent lower odds of failure than those who quit. If you’re risk averse and have some doubts about the feasibility of your ideas, it’s likely that your business will be built to last. If you’re a freewheeling gambler, your startup is far more fragile. Like the Warby Parker crew, the entrepreneurs whose companies topped Fast Company’s recent most innovative lists typically stayed in their day jobs even after they launched. Former track star Phil Knight started selling running shoes out of the trunk of his car in 1964, yet kept working as an accountant until 1969. After inventing the original Apple I computer, Steve Wozniak started the company with Steve Jobs in 1976 but continued working full time in his engineering job at Hewlett-Packard until 1977. And although Google founders Larry Page and Sergey Brin figured out how to dramatically improve internet searches in 1996, they didn’t go on leave from their graduate studies at Stanford until 1998. “We almost didn’t start Google,” Page says, because we “were too worried about dropping out of our Ph.D. program.” In 1997, concerned that their fledgling search engine was distracting them from their research, they tried to sell Google for less than $2 million in cash and stock. Luckily for them, the potential buyer rejected the offer. This habit of keeping one’s day job isn’t limited to successful entrepreneurs. Many influential creative minds have stayed in full-time employment or education even after earning income from major projects. Selma director Ava DuVernay made her first three films while working in her day job as a publicist, only pursuing filmmaking full time after working at it for four years and winning multiple awards. Brian May was in the middle of doctoral studies in astrophysics when he started playing guitar in a new band, but he didn’t drop out until several years later to go all in with Queen. Soon thereafter he wrote “We Will Rock You.” Grammy winner John Legend released his first album in 2000 but kept working as a management consultant until 2002, preparing PowerPoint presentations by day while performing at night. Thriller master Stephen King worked as a teacher, janitor, and gas station attendant for seven years after writing his first story, only quitting a year after his first novel, Carrie, was published. Dilbert author Scott Adams worked at Pacific Bell for seven years after his first comic strip hit newspapers. Why did all these originals play it safe instead of risking it all?
Adam M. Grant (Originals: How Non-Conformists Move the World)
Before we returned to Harvard, I convinced my parents to take a detour to Niagara Falls. The mood in the car was heavy, and at first I regretted having suggested the diversion, but the moment Dad saw the falls he was transformed, elated. I had a camera. Dad had always hated cameras but when he saw mine his eyes shone with excitement. “Tara! Tara!” he shouted, running ahead of me and Mother. “Get yourself a picture of this angle. Ain’t that pretty!” It was as if he realized we were making a memory, something beautiful we might need later. Or perhaps I’m projecting, because that was how I felt. There are some photos from today that might help me forget the grove, I wrote in my journal. There’s a picture of me and Dad happy, together. Proof that’s possible.
Tara Westover (Educated)
Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they’ll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I’m lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone’s hallway.
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars. The modern propagandist therefore sets to work to create circumstances which will modify that custom. He appeals perhaps to the home instinct which is fundamental. He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition . . . key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . . The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.
Edward L. Bernays (Propaganda)
For the Chrome project, we created a sub-OKR to turbocharge JavaScript. The goal was to make applications on the web work as smoothly as downloads on a desktop. We set a moonshot goal of 10x improvement and named the project “V8,” after the high-performance car engine. We were fortunate to find a Danish programmer named Lars Bak, who’d built virtual machines for Sun Microsystems and held more than a dozen patents. Lars is one of the great artists in his field. He came to us and said, without an ounce of bravado, “I can do something that is much, much faster.” Within four months, he had JavaScript running ten times as fast as it ran on Firefox. Within two years, it was more than twenty times faster—incredible progress. (Sometimes a stretch goal is not as wildly aspirational as it may seem. As Lars later told Steven Levy in In the Plex, “We sort of underestimated what we could do.”)
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
In my book (and this is my book!) magical thinking is the alchemy that you can use to visualize and project yourself into the professional and personal life that you want. I’m not talking about stuff like The Secret self-help book, which basically tells you to tape a picture of a car to the wall and then sit on the couch and wait for someone to drop it off in your driveway. I am talking about visualization that works when we actually get off our asses and do stuff. How totally crazy is that? Each time you make a good decision or do something nice or take care of yourself; each time you show up to work and work hard and do your best at everything you can do, you’re planting seeds for a life that you can only hope will grow beyond your wildest dreams. Take care of the little things—even the little things that you hate—and treat them as promises to your own future. Soon you’ll see that fortune favors the bold who get shit done.
Sophia Amoruso (#Girlboss)
In my book (and this is my book!) magical thinking is the alchemy that you can use to visualize and project yourself into the professional and personal life that you want. I’m not talking about stuff like ”the secret self-help book, which basically tells you to tape a picture of a car to the wall and then sit on the couch and wait for someone to drop it off in your driveway. I am talking about visulatization that works when we actually get off our asses and do stuff. How totally crazy it that? Each time you make a good decision or do something nice or take care of yourself; each time you show up to work and work hard and do your best at everything you can do, you’re planting seeds for a life that you can onlye hope will grow beyond your wildest dreams. Take care of the little things – even the little things you hate- and treat them as promises to your own future. Soon you’ll see that fortune favors thhe bold who get shit done.
Sophia Amoruso (#Girlboss)
Aided by the young George Pullman, who would later make a fortune building railway cars, Chesbrough launched one of the most ambitious engineering projects of the nineteenth century. Building by building, Chicago was lifted by an army of men with jackscrews. As the jackscrews raised the buildings inch by inch, workmen would dig holes under the building foundations and install thick timbers to support them, while masons scrambled to build a new footing under the structure. Sewer lines were inserted beneath buildings with main lines running down the center of streets, which were then buried in landfill that had been dredged out of the Chicago River, raising the entire city almost ten feet on average. Tourists walking around downtown Chicago today regularly marvel at the engineering prowess on display in the city’s spectacular skyline; what they don’t realize is that the ground beneath their feet is also the product of brilliant engineering.
Steven Johnson (How We Got to Now: Six Innovations That Made the Modern World)
It’s how much space exists between the cars. The same is true for the tasks you work on throughout the day. It’s difficult to be productive when you try to cram as much into your day as possible, because you’ll inevitably create a mental logjam as unexpected tasks crop up. By simplifying how much you take on, you create more attentional space around your high-return activities, so you can focus on them much more deeply. Tasks are the cars on the productivity superhighway.*
Chris Bailey (The Productivity Project: Proven Ways to Become More Awesome)
I saw a group of women standing by a station wagon. There were seven of them, pushing cartons and shopping bags over the open tailgate into the rear of the car. Celery stalks and boxes of Gleem stuck out of the bags. I took the camera from my lap, raised it to my eye, leaned out the window a bit, and trained it on the ladies as if I were shooting. One of them saw me and immediately nudged her companion but without taking her eyes off the camera. They waved. One by one the others reacted. They all smiled and waved. They seemed supremely happy. Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity. I pretended to keep shooting, gathering their wasted light, letting their smiles enter the lens and wander the camera-body seeking the magic spool, the gelatin which captures the image, the film which threads through the waiting gate. Sullivan came out of the supermarket and I lowered the camera. I could not help feeling that what I was discovering here was power of a sort.
Don DeLillo (Américana)
the modern economy needs constant and indefinite growth in order to survive. If growth ever stops, the economy won’t settle down to some cosy equilibrium; it will fall to pieces. That’s why capitalism encourages us to seek immortality, happiness and divinity. There’s a limit to how many shoes we can wear, how many cars we can drive and how many skiing holidays we can enjoy. An economy built on everlasting growth needs endless projects – just like the quests for immortality, bliss and divinity.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Secondly, if we somehow succeed in hitting the brakes, our economy will collapse, along with our society. As explained in a later chapter, the modern economy needs constant and indefinite growth in order to survive. If growth ever stops, the economy won’t settle down to some cosy equilibrium; it will fall to pieces. That’s why capitalism encourages us to seek immortality, happiness and divinity. There’s a limit to how many shoes we can wear, how many cars we can drive and how many skiing holidays we can enjoy. An economy built on everlasting growth needs endless projects – just like the quests for immortality, bliss and divinity.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Your reaction was not unexpected. Let me put it this way: Fort Knox is a bank like any other bank. But it is a much bigger bank and its protective devices are correspondingly stronger and more ingenious. To penetrate them will require corresponding strength and ingenuity. That is the only novelty in my project--that it is a big one. Nothing else. Fort Knox is no more impregnable than other fortresses. No doubt we all thought the Brink organization was unbeatable until half a dozen determined men robbed a Brink armored car of a million dollars back in 1950. It is impossible to escape from Sing Sing and yet men have found ways of escaping from it. No, no, gentlemen. Fort Knox is a myth like other myths.
Ian Fleming (Goldfinger (James Bond, #7))
The reason I didn’t have a normal, dad-built tree house is that, as I’ve indicated, I didn’t have anything even approaching that kind of dad. He was, and remains, one of the world’s great indoorsmen, a delegator of all conceivable outdoor tasks—lawn mowing, car washing, gutter cleaning, and tree-house building. By the time I was ten, which was when I’d kicked off my campaign for a tree house in the woods behind our ranch, he didn’t even own the tools needed to build one, having “accidentally” nailed his tool chest behind the walls of a cedar closet he’d tried to build for my mother in the basement. Whether consciously or not, my father had clearly wanted to make sure the cedar closet would be his last do-it-yourself project, and it was.
Michael Pollan (A Place of My Own: The Architecture of Daydreams)
if you do not plan on speaking publicly, this communication secret can help ensure that others are hearing you clearly, and are listening to what you’re saying. It will also help you gain greater respect in your relationships with friends, coworkers, and life partners. In order to get comfortable with the volume of your voice and speaking with conviction, I highly recommend you find a private place to practice, whether in your car during your commute, in the shower, or sitting in your kitchen. Wherever you choose, make sure you are comfortable, and experiment with projecting your voice, concluding sentences with force, and finishing your statements with conviction. The more you practice, the more it will naturally emerge in conversations with others.
Aziz Gazipura (The Solution To Social Anxiety: Break Free From The Shyness That Holds You Back)
Moore’s Law, the rule of thumb in the technology industry, tells us that processor chips—the small circuit boards that form the backbone of every computing device—double in speed every eighteen months. That means a computer in 2025 will be sixty-four times faster than it is in 2013. Another predictive law, this one of photonics (regarding the transmission of information), tells us that the amount of data coming out of fiber-optic cables, the fastest form of connectivity, doubles roughly every nine months. Even if these laws have natural limits, the promise of exponential growth unleashes possibilities in graphics and virtual reality that will make the online experience as real as real life, or perhaps even better. Imagine having the holodeck from the world of Star Trek, which was a fully immersive virtual-reality environment for those aboard a ship, but this one is able to both project a beach landscape and re-create a famous Elvis Presley performance in front of your eyes. Indeed, the next moments in our technological evolution promise to turn a host of popular science-fiction concepts into science facts: driverless cars, thought-controlled robotic motion, artificial intelligence (AI) and fully integrated augmented reality, which promises a visual overlay of digital information onto our physical environment. Such developments will join with and enhance elements of our natural world. This is our future, and these remarkable things are already beginning to take shape. That is what makes working in the technology industry so exciting today. It’s not just because we have a chance to invent and build amazing new devices or because of the scale of technological and intellectual challenges we will try to conquer; it’s because of what these developments will mean for the world.
Eric Schmidt (The New Digital Age: Reshaping the Future of People, Nations and Business)
New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!
Brian Doyle (Mink River: A Novel)
n 1985, Bob Munro volunteered his time to go and serve in the poorest slums of Africa on behalf of the United Nations. He loved football. One day, he was passing through the Mathare slums in Nairobi, Kenya, which happens to be one of the poorest areas in the world, and where more than a quarter million people live in abject poverty and filth. He saw some children playing football, bare feet, in total grime— they weren’t actually playing football, but kicking each other. As he saw one of the children kick the other, he immediately shouted, ‘Foul’, and the game stopped. He got out of his car and being the white man, obviously stood out. As an ardent lover of football, he said, ‘This is not the way to play football.’ He took the ball and told the boys, ‘Tomorrow I will bring another ball and teach you how to play football.’ The next day, 600 children were there to play football. He made a rule that only those children who clean up the place be allowed to play. He started a volunteers’ group for self-help and said, ‘Those who want to play football as part of my team must clean up.’ The children got involved and started cleaning the slums, and out of love for football, slowly the entire area was cleaned. As time went by, he developed teams to play. He developed referees from within. Guess what was the result in four years? The Kenyan football eleven national team emerged from the same Mathare slums. Bob Munro has created thousands of football teams from there, but the rules are very unique. The rules are very clear that every player in those football teams must contribute 60 hours to social work and community service per month. Only then can they play football. They get additional points not for winning a game, but for completing a community service project such as cleaning, counselling and helping others. He has created 8,000 volunteers out of this system of community service through the love of football.
Shiv Khera (You Can Achieve More: Live By Design, Not By Default)
In On Desire, Professor Irvine offers the following thought experiment: Suppose you woke up one morning to discover that you were the last person on earth: during the night, aliens had spirited away everyone but you. Suppose that despite the absence of other people, the world’s buildings, houses, stores, and roads remained as they had been the night before. Cars were where their now-vanished owners had parked them, and gas for these cars was plentiful at now-unattended gas stations. The electricity still worked. It would be a world like this world, except that everyone but you was gone. You would, of course, be very lonely, but let us ignore the emotional aspects of being the last person, and instead focus our attention on the material aspects. In the situation described, you could satisfy many material desires that you can’t satisfy in our actual world. You could have the car of your dreams. You could even have a showroom full of expensive cars. You could have the house of your dreams – or live in a palace. You could wear very expensive clothes. You could acquire not just a big diamond ring but the Hope Diamond itself. The interesting question is this: without people around, would you still want these things? Would the material desires you harbored when the world was full of people still be present in you if other people vanished? Probably not. Without anyone else to impress, why own an expensive car, a palace, fancy clothes, or jewelry? Irvine continues to suggest that, alone in this imagined world, you might try these luxuries for a while but would soon, for example, find a dwelling that was easy to maintain rather than live in a palace, obtain clothes that were comfortable rather than expensive, and would probably lose all interest in your appearance. The thought experiment shows that we choose our lifestyles – our houses, our clothes, our watches – with other people in mind. One way or another, we project a style designed
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
I’ve spent a lot of time trying not to be weak. I’ve spent a lot of time trying to put myself beyond the need for care. I’ve worked hard. I’ve exercised. I’ve earned degrees. I’ve written books. I’ve bought new clothes. I’ve driven new cars. These things aren’t bad in themselves. They can be good. They can, in fact, be done with care. They can be undertaken as acts of love, as means of service. But, as a rule, I haven’t done this. I’ve treated these things more as idols than as occasions for care. I’ve pursued them as props for projecting a fiction of worthiness, independence, and strength. But I am tired—so tired—of pretending not to be weak. I’m tired of pretending I’m not going to die. I’m tired of pretending I don’t need Christ. If I’m serious about Christ, then my only hope is to let these idols die. My only hope is to practice living with as much care and patience and attention as I can. In this sense, care is the work of no longer pretending to be strong. Care depends on finally being honest.
Adam S. Miller (An Early Resurrection: Life in Christ before You Die)
Ominously, food production is beginning to flatten out, both in world grain production and in food harvested from the oceans. The UK government’s chief scientist warned of a perfect storm of exploding population and falling food and energy supplies by 2030. The world will have to produce 70 percent more food by 2050 to feed an extra 2.3 billion people, the UN’s Food and Agriculture Organization has said, or else face disaster. These projections may underestimate the true scope of the problem. With hundreds of millions of people from China and India entering the middle class, they will want to enjoy the same luxuries that they have seen in Hollywood movies—such as two cars, spacious suburban homes, hamburgers and French fries, etc.—and may strain the world’s resources. In fact, Lester Brown, one of the world’s leading environmentalists and founder of the World Watch Institute in Washington, D.C., confided to me that the world may not be able to handle the strain of providing a middle-class lifestyle to so many hundreds of millions of people.
Michio Kaku (Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100)
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Were those pictures really for an art project?” Con asked when they were well away from the office. She turned to take the pieces of her broken camera back from him. “Yeah,” she replied, shoving the bits into her bag. “Are they gone forever?” “No, the memory card should be fine.” “Got any other cameras like that one?” “Nope, that was it.” There was an awkward silence. Well, Dulcie felt awkward. Con looked completely at ease. She was beginning to wonder if anything made him uncomfortable. “Thanks for the help,” he finally said. She shrugged. “You're welcome. Can I ask a question?” “Go for it.” “Why did you set someone's car on fire?” She thought maybe it would rattle him – her thinking he'd actually done it. But of course it didn't. He chuckled, and she was treated to a patented Masters grin. It started at one corner of his mouth and eventually moved to the opposite corner, slowly revealing perfect white teeth and a razor sharp smile. He leaned close to her, and as his lips pressed against her ear, she could've sworn the temperature dropped. “Because I thought it would be fun.
Stylo Fantome (The Bad Ones)
I’ve gotta go,” I say, scowling at my phone. “Now?” Ryder asks, tipping my chin up with one hand so that our eyes meet. “Unfortunately. It’s my mom. Lucy and Morgan are covering for me, but I’ve got to get back. I’m supposed to be at the drugstore.” “What are we going to tell them? Our moms, I mean?” I shake my head. “We can’t tell them anything. At least, not yet. Can you imagine the pressure they’d put on us if they knew? I mean, they already drive us nuts and they think we hate each other.” “You’re right. So…we keep it a secret?” “Not exactly. I’ve got to tell Lucy and Morgan. Just…not our parents, okay? Besides, think how fun it will be, sneaking around.” His eyes light with mischief. “Good point.” “Don’t go getting any naughty ideas,” I tease. “C’mon, walk me to my car.” He takes my hand and falls into step beside me, glancing down at me with a wicked grin. “What?” I ask. “Hey, you’re the one who brought up ‘naughty,’ not me.” I poke him playfully in the ribs. “I’ve got an idea,” he says. “Let’s pretend we’ve got to do a school project together. You know, say that we’ve been paired up against our will. We can make a big fuss about it--complain about having to spend so much time together.” “While we secretly do lots of naughty things?” I offer. He nods. “Exactly.” I shiver, imagining the possibilities. Suddenly, I’m looking forward to those Sunday dinners at Magnolia Landing. And to Christmas and the inevitable Cafferty-Marsden winter vacation. In fact, the rest of the school year looms ahead like a lengthy stretch of opportunities, no longer filled with uncertainty and doubt, but with the knowledge that I’m on the right path now…the perfect path. And like Nan suggested, I’m going to grab it. Embrace it. Hold on to it tightly--just like I’m holding on to this boy beside me. We reach my car way too quickly. I’m not ready to go, to leave him, to begin this necessary charade. I lean against my car’s door with a sigh, drawing Ryder toward me. His entire body is pressed against mine, firing every cell inside me at once. My knees go weak as he kisses me softly, his lips lingering on mine, despite the urgency. “Good night,” I whisper. “Good night,” he whispers back, his breath warm against my cheek. Oh man. It just about kills me to slip inside the car and turn the key in the ignition. I’m grinning to myself as I drive away, watching as Ryder becomes a speck in my rearview mirror before melting into the night.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Obama is also directing the U.S. government to invest billions of dollars in solar and wind energy. In addition, he is using bailout leverage to compel the Detroit auto companies to build small, “green” cars, even though no one in the government has investigated whether consumers are interested in buying small, “green” cars—the Obama administration just believes they should. All these measures, Obama recognizes, are expensive. The cap and trade legislation is estimated to impose an $850 billion burden on the private sector; together with other related measures, the environmental tab will exceed $1 trillion. This would undoubtedly impose a significant financial burden on an already-stressed economy. These measures are billed as necessary to combat global warming. Yet no one really knows if the globe is warming significantly or not, and no one really knows if human beings are the cause of the warming or not. For years people went along with Al Gore’s claim that “the earth has a fever,” a claim illustrated by misleading images of glaciers disappearing, oceans swelling, famines arising, and skies darkening. Apocalypse now! Now we know that the main body of data that provided the basis for these claims appears to have been faked. The Climategate scandal showed that scientists associated with the Intergovernmental Panel on Climate Change were quite willing to manipulate and even suppress data that did not conform to their ideological commitment to global warming.3 The fakers insist that even if you discount the fakery, the data still show.... But who’s in the mood to listen to them now? Independent scientists who have reviewed the facts say that average global temperatures have risen by around 1.3 degrees Fahrenheit in the past 100 years. Lots of things could have caused that. Besides, if you project further back, the record shows quite a bit of variation: periods of warming, followed by periods of cooling. There was a Medieval Warm Period around 1000 A.D., and a Little Ice Age that occurred several hundred years later. In the past century, the earth warmed slightly from 1900 to 1940, then cooled slightly until the late 1970s, and has resumed warming slightly since then. How about in the past decade or so? Well, if you count from 1998, the earth has cooled in the past dozen years. But the statistic is misleading, since 1998 was an especially hot year. If you count from 1999, the earth has warmed in the intervening period. This statistic is equally misleading, because 1999 was a cool year. This doesn’t mean that temperature change is in the eye of the beholder. It means, in the words of Roy Spencer, former senior scientist for climate studies at NASA, that “all this temperature variability on a wide range of time scales reveals that just about the only thing constant in climate is change.”4
Dinesh D'Souza (The Roots of Obama's Rage)
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
Elizabeth Gilbert
L'objectivité, vécue dans ce rêve et dans ces visions, relève de l'individuation accomplie. Elle est détachement des jugements de valeur et de ce que nous désignons par attachement affectif. En général, l'homme attribue une grande importance à cet attachement affectif. Or, celui-ci renferme toujours des projections et ce sont celles-ci qu'il s'agit de retirer et de récupérer, pour parvenir à soi-même et à l'objectivité. Les relations affectives sont des relations de désir et d'exigences, alourdies par des contraintes et des servitudes : on attend quelque chose de l'autre, ce par quoi cet autre et soi-même perdent leur liberté. La connaissance objective se situe au-delà des intrications affectives, elle semble être le mystère central. Elle seule rend possible la véritable conjuctio*. * Ces pensée de Jung soulèvent beaucoup de problèmes et il faut éviter les malentendus, surtout de la part des lecteurs jeunes. La vie affective est d'importance ! Le fin du fin de la sagesse n'est pas du tout une manière d'indifférence, indifférence qui, à des phases plus juvéniles de la vie, caractérise au contraire certaines maladies mentales. C'est à force d'indifférence et d'inaffectivité que le malade schizophrène, par exemple, se trouve coupé de la vie et du monde. Ce que Jung veut dire, c'est qu'il s'agit, après avoir vécu les liens affectifs dans leur plénitude, de les laisser évoluer vers une sérénité, voire un détachement. Car les liens affectifs ayant rempli leurs bons offices d'insertion au monde, et ayant fait leurs temps, comportent pour tous les partenaires, par leur maturité même, d'être dépassés. Jung parle ici en tant qu'homme de grand âge, d'expérience, de sagesse humaine, qui, en tant que tel, s'est détaché de ce que l'affectivité comporte nécessairement de subjectif et de contraignant. Sand doute avait-il atteint, lorsqu'il écrivit ces pages, à travers son individuation à ce que nous appelons pour notre compte la "simplicité de retour". (Dr Roland Cahen) p. 467
C.G. Jung (Memories, Dreams, Reflections)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
You see, I suffer from a disease that you cannot see; a disease that there is no cure for and that keeps the medical community baffled at how to treat and battle this demon, who’s[sic] attacks are relentless. My pain works silently, stealing my joy and replacing it with tears. On the outside we look alike you and I; you won’t see my scars as you would a person who, say, had suffered a car accident. You won’t see my pain in the way you would a person undergoing chemo for cancer; however, my pain is just as real and just as debilitating. And in many ways my pain may be more destructive because people can’t see it and do not understand....” “Please don’t get angry at my seemingly [sic] lack of interest in doing things; I punish myself enough, I assure you. My tears are shed many times when no one is around. My embarrassment is covered by a joke or laughter…” “I have been called unreliable because I am forced to cancel plans I made at the last minute because the burning and pain in my legs or arms is so intense I cannot put my clothes on and I am left in my tears as I miss out on yet another activity I used to love and once participated in with enthusiasm.” “And just because I can do a thing one day, that doesn’t mean I will be able to do the same thing the next day or next week. I may be able to take that walk after dinner on a warm July evening; the next day or even in the next hour I may not be able to walk to the fridge to get a cold drink because my muscles have begun to cramp and lock up or spasm uncontrollably. And there are those who say “But you did that yesterday!” “What is your problem today?” The hurt I experience at those words scars me so deeply that I have let my family down again; and still they don’t understand….” “On a brighter side I want you to know that I still have my sense of humor….I love you and want nothing more than to be a part of your life. And I have found that I can be a strong friend in many ways. Do you have a dream? I am your friend, your supporter and many times I will be the one to do the research for your latest project; many times I will be your biggest fan and the world will know how proud I am at your accomplishments and how honored I am to have you in my life.” “So you see, you and I are not that much different. I too have hopes, dreams, goals… and this demon…. Do you have an unseen demon that assaults you and no one else can see? Have you had to fight a fight that crushes you and brings you to your knees? I will be by your side, win or lose, I promise you that; I will be there in ways that I can. I will give all I can as I can, I promise you that. But I have to do this thing my way. Please understand that I am in such a fight myself and I know that I have little hope of a cure or effective treatments, at least right now. Please understand….
Shelly Bolton (Fibromyalgia: A Guide to Understanding the Journey)
We chose not to discuss a world warmed beyond two degrees out of decency, perhaps; or simple fear; or fear of fearmongering; or technocratic faith, which is really market faith; or deference to partisan debates or even partisan priorities; or skepticism about the environmental Left of the kind I'd always had; or disinterest in the fates of distant ecosystems like I'd also always had. We felt confusion about the science and its many technical terms and hard-to-parse numbers, or at least an intuition that others would e easily confused about the science and its many technical terms and hard-to-parse numbers. we suffered from slowness apprehending the speed of change, or semi-conspiratorial confidence in the responsibility of global elites and their institutions, or obeisance toward those elites and their institutions, whatever we thought of them. Perhaps we felt unable to really trust scarier projections because we'd only just heard about warming, we thought, and things couldn't possibly have gotten that much worse just since the first Inconvenient Truth; or because we liked driving our cars and eating our beef and living as we did in every other way and didn't want to think too hard about that; or because we felt so "postindustrial" we couldn't believe we were still drawing material breaths from fossil fuel furnaces. Perhaps it was because we were so sociopathically good at collating bad news into a sickening evolving sense of what constituted "normal," or because we looked outside and things seemed still okay. Because we were bored with writing, or reading, the same story again and again, because climate was so global and therefore nontribal it suggested only the corniest politics, because we didn't yet appreciate how fully it would ravage our lives, and because, selfishly, we didn't mind destroying the planet for others living elsewhere on it or those not yet born who would inherit it from us, outraged. Because we had too much faith in the teleological shape of history and the arrow of human progress to countenance the idea that the arc of history would bend toward anything but environmental justice, too. Because when we were being really honest with ourselves we already thought of the world as a zero-sum resource competition and believed that whatever happened we were probably going to continue to be the victors, relatively speaking anyway, advantages of class being what they are and our own luck in the natalist lottery being what it was. Perhaps we were too panicked about our own jobs and industries to fret about the future of jobs and industry; or perhaps we were also really afraid of robots or were too busy looking at our new phones; or perhaps, however easy we found the apocalypse reflex in our culture and the path of panic in our politics, we truly had a good-news bias when it came to the big picture; or, really, who knows why-there are so many aspects to the climate kaleidoscope that transforms our intuitions about environmental devastation into n uncanny complacency that it can be hard to pull the whole picture of climate distortion into focus. But we simply wouldn't, or couldn't, or anyway didn't look squarely in the face of science.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
The availability of all this data means that virtually every business or organizational activity can be viewed as a big data problem or initiative. Manufacturing, in which most machines already have one or more microprocessors, is increasingly a big-data environment. Consumer marketing, with myriad customer touchpoints and clickstreams, is already a big data problem. Google has even described its self-driving car as a big-data project.
Thomas H. Davenport (Keeping Up with the Quants: Your Guide to Understanding and Using Analytics)
Association of dissimilar ideas “I had earlier devised an arrangement for beam steering on the two-mile accelerator which reduced the amount of hardware necessary by a factor of two…. Two weeks ago it was pointed out to me that this scheme would steer the beam into the wall and therefore was unacceptable. During the session, I looked at the schematic and asked myself how could we retain the factor of two but avoid steering into the wall. Again a flash of inspiration, in which I thought of the word ‘alternate.’ I followed this to its logical conclusion, which was to alternate polarities sector by sector so the steering bias would not add but cancel. I was extremely impressed with this solution and the way it came to me.” “Most of the insights come by association.” “It was the last idea that I thought was remarkable because of the way in which it developed. This idea was the result of a fantasy that occurred during Wagner…. [The participant had earlier listened to Wagner’s ‘Ride of the Valkyries.’] I put down a line which seemed to embody this…. I later made the handle which my sketches suggested and it had exactly the quality I was looking for…. I was very amused at the ease with which all of this was done.” 10. Heightened motivation to obtain closure “Had tremendous desire to obtain an elegant solution (the most for the least).” “All known constraints about the problem were simultaneously imposed as I hunted for possible solutions. It was like an analog computer whose output could not deviate from what was desired and whose input was continually perturbed with the inclination toward achieving the output.” “It was almost an awareness of the ‘degree of perfection’ of whatever I was doing.” “In what seemed like ten minutes, I had completed the problem, having what I considered (and still consider) a classic solution.” 11. Visualizing the completed solution “I looked at the paper I was to draw on. I was completely blank. I knew that I would work with a property three hundred feet square. I drew the property lines (at a scale of one inch to forty feet), and I looked at the outlines. I was blank…. Suddenly I saw the finished project. [The project was a shopping center specializing in arts and crafts.] I did some quick calculations …it would fit on the property and not only that …it would meet the cost and income requirements …it would park enough cars …it met all the requirements. It was contemporary architecture with the richness of a cultural heritage …it used history and experience but did not copy it.” “I visualized the result I wanted and subsequently brought the variables into play which could bring that result about. I had great visual (mental) perceptibility; I could imagine what was wanted, needed, or not possible with almost no effort. I was amazed at my idealism, my visual perception, and the rapidity with which I could operate.
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
Google’s driverless car was a direct outgrowth of a Defense Advanced Research Projects Agency (DARPA) challenge that offered a one-million-dollar prize for a car that could navigate a specific course without a human driver.
Erik Brynjolfsson (The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies)
Andy Dietz, who is on the staff of a church in the panhandle of Texas, has been coordinating mission trips overseas for many years. On one particular trip with his young people, the project had been finished, and the kids had left for home, but Andy stayed over to visit with missionary friends in the area. He was coming back through a European city on his way home. Having an overnight transit, he went downtown for dinner, found himself in the wrong part of town, and was mugged and kidnapped. After taking all his money, and all he could get from the ATM machine, his captors had him wire his family to ask for $5,000 to secure his release. His family notified us, and we activated a prayer network and contacted our personnel in the city who were not even aware he was there. They notified the police, but before anything could be done, Andy was able to elude his captors and get away while they were eating and drinking. I called him after he got home to talk through the experience and seek to minister to him. I asked him, after such a traumatic experience, if he thought he would go on any more mission trips. He said, “Oh yes. It's the most gratifying thing I do to take these kids overseas.” He continued, “I was negligent and learned that I have got to be more vigilant about where I go.” He described what it was like to be beaten, tied up, put in the trunk of a car, and his life threatened. He said, “They didn't know me. Nobody knew where I was. I meant nothing to them. My life was worthless. I realized they wouldn't think twice about getting rid of me, and no one would know.” He continued, “You can imagine how desperate I was to get away. And all I could think of was God saying, 'Andy, this is how desperate you should be to know Me.'” I held the phone in disbelief. I can only imagine the extent of desperation to escape a situation where your life is threatened. Can you imagine being so desperate to know God in all of His fullness, to have a heart that is so passionate for Him and His holiness? I think that's the only thing that will be a fail-safe deterrent to immoral behavior. We are always vulnerable; Satan will see to that, but in Christ we have been given the capacity to walk in holiness and victory.
Jerry Rankin (Spiritual Warfare: The Battle for God's Glory)
Raised in privilege, Robert Moses was always cushioned from real life; from the age of nine, he slept in a custom-made bed and was served dinner prepared by the family’s cook on fine china. As Parks Commissioner, he swindled Long Island farmers and homeowners out of their land to build his parkways—essentially cattle chutes that skirted the properties of the rich, allowing those well-off enough to own a car to get to beaches disfigured by vast parking lots. He cut the city off from its waterfront with expressways built to the river’s edge, and the parks he built were covered with concrete rather than grass, leaving the city grayer, not greener, than it had been before. The ambient racism of the time hardly excuses his shocking contempt for minorities: of the 255 new playgrounds he built in the 1930s, only one was in Harlem. (Physically separated from the city by wrought-iron monkeys.) In the decade after the Second World War, he caused 320,000 people to be evicted from their homes; his cheap, sterile projects became vertical ghettos that fomented civic decay for decades. If some of his more insane schemes had been realized—a highway through the sixth floor of the Empire State Building, the Lower Manhattan Expressway through today’s SoHo, the Battery Bridge whose approaches would have eliminated Castle Clinton and Battery Park—New York as we know it would be nearly uninhabitable. There is a name for what Robert Moses was engaged in: class warfare, waged not with armored vehicles and napalm, but with bulldozers and concrete.
Taras Grescoe
Videogames use joy infinite line Some options granted If the motion. What direction for the World Wide Web, or at the network level, and now the car is very selective and specific times in the same place forever, never becomes a guide extremely pleasant and very interesting way to detect the end disappointing and demanding this and suddenly everyone. A special and predict profitability and increased consumption of exciting software available in the games online, play video games on the Internet no doubt, does not cost anything, and he noted. If you also have to ask, such as how the games online are of interest, then this article is a problem, and, indeed, there is a special offer on your browser and choose direct fi participating in this direction himself also. All other songs can be determined by known rules of the games, and most importantly, when you start the location is the material. Well, this is the next big thing and the most important thing is that the car is involved in other online games produce games online special right there, even the signing of a control experiment only better, so you can use games like dress up games and special games available to change more information alternatives. The project includes one, is how to take advantage of, and refrain know, incredibly exciting, and only when actively playing, even if it was the end of the truce, the parties concerned, even when luck and management to help them with their skills hidden, perhaps I can heal, you can enjoy online games and also on the issue of blue reflective Moreover, this direction for their own pleasure, and, as a result of the house to enjoy the season. So most video games, such as online games, and I'm a woman how to party, and also encourage their time. For your internet home advantage Moreover, on the other, but you can gain experience and the vehicle is pulling only variables and so the amount of satisfaction provides years of games subnet, including securities and assets of makeup games, and can their improvements in their emotional goals, this is the way in which they can improve their self-esteem by participating in online games, and improve concentration, being, b perhaps in a better position to the end without interruption, in the end. This allows you to identify everyone can find pleasure in the gaming network available online, and games are completely free, and can therefore be able to participate in games and games can increase your interest and to participate in long considered video games more complex and also on-line, you can enjoy the antique furniture and games online. The problem is to make your car to get good online games to enjoy, to what extent are welcome, easily accessible, without participating in the network.
David
The faces we wear at the wheel could be used to make our driving safer. BMW has announced a three-year project with Loughborough University to determine your state of mind from the look on your face. Anger and disgust, for instance, can be read by computer software linked to embedded cameras. These expressions of “emotional stress” indicate your driving is compromised. The vehicle’s computer could then decide to take action. It could limit your speed or stop the car altogether. It could activate passive safety features or maybe a stern verbal warning: “Get a grip, you dick!
Anonymous
If you’re like most people, a string of nerve-racking incidents keeps you in fight-or-flight response—and out of homeostasis—a large part of the time. Maybe the car cutting you off is the only actual life-threatening situation you encounter all day, but the traffic on the way to work, the pressure of preparing for a big presentation, the argument you had with your spouse, the credit-card bill that came in the mail, the crashing of your computer hard drive, and the new gray hair you noticed in the mirror keep the stress hormones circulating in your body on a near-constant basis. Between remembering stressful experiences from the past and anticipating stressful situations coming up in your future, all these repetitive short-term stresses blur together into long-term stress. Welcome to the 21st-century version of living in survival mode. In fight-or-flight mode, life-sustaining energy is mobilized so that the body can either run or fight. But when there isn’t a return to homeostasis (because you keep perceiving a threat), vital energy is lost in the system. You have less energy in your internal environment for cell growth and repair, long-term building projects on a cellular level, and healing when that energy is being channeled elsewhere. The cells shut down, they no longer communicate with one another, and they become “selfish.” It’s not time for routine maintenance (let alone for making improvements); it’s time for defense. It’s every cell for itself, so the collective community of cells working together becomes fractured. The immune and endocrine systems (among others) become weakened as genes in those related cells are compromised when informational signals from outside the cells are turned off. It’s like living in a country where 98 percent of the resources go toward defense, and nothing is left for schools, libraries, road building and repair, communication systems, growing of food, and so on. Roads develop potholes that aren’t fixed. Schools suffer budget cuts, so students wind up learning less. Social welfare programs that took care of the poor and the elderly have to close down. And there’s not enough food to feed the masses. Not surprisingly, then, long-term stress has been linked to anxiety, depression, digestive problems, memory loss, insomnia, hypertension, heart disease, strokes, cancer, ulcers, rheumatoid arthritis, colds, flu, aging acceleration, allergies, body pain, chronic fatigue, infertility, impotence, asthma, hormonal issues, skin rashes, hair loss, muscle spasms, and diabetes, to name just a few conditions (all of which, by the way, are the result of epigenetic changes). No organism in nature is designed to withstand the effects of long-term stress.
Joe Dispenza (You Are the Placebo: Making Your Mind Matter)
Respect: If your son is raised connecting the word respect with the following statements: “I respect the choice you are making to wear your sandals; I will be wearing my rain boots.” “I can see how upset you are, and I love you and respect you too much to fight with you, so I am going to go outside until I cool down and then we can talk about what happened.” “I know you like having the same lunch every day, so I bought you everything you need to make the lunch that you like.” “I can see that the way you organize your clothes really works for you.” “I can feel myself getting angry, so I am going to go cool down and think about how I feel about the situation and then maybe we can find a solution that works for all of us.” “I respect your choice not to work on your science project and I hope you can respect my choice not to get involved in the decision your teacher makes.” “I know your uncle can be very judgmental and in spite of that, you showed respect for his point of view and for the rest of the family by not arguing with him over dinner.” … it is reasonable that you will raise a son who has a healthy concept of what respect looks like, sounds like, and feels like in a relationship with others. Message: Respect is a two-way street and we both participate. Cooperation: If your daughter is raised hearing: “How about you carry the jacket to the car just in case the weather changes? If you decide not to wear it, that’s fine, but at least you will have it with you.” “Would you be willing to help me out at the store and be in charge of crossing things off my list and then paying the cashier while I bag the groceries?” “I am not going to have time tonight to help you with your project, but if you are willing to get up an hour early tomorrow morning I could help you then.” “I promised your brother I would make him a cake and I am wondering if you would like me to teach you so we can make our cakes together from now on.” “I am willing to watch thirty minutes of your show, even though you know it’s not my favorite, before I go to the other room to read.” “We have a lot of camping gear to set up, how do we want to divide up the jobs?” … it is reasonable that you will raise a daughter who has a healthy concept of what cooperation looks like, sounds like, and feels like in a relationship with others. Message: Cooperation is a willingness to work together. Responsibility: If your children are raised hearing: “I trust you can find another pair of mittens to wear today at school.” “Only you can decide how much lunch you will eat.” “I don’t know where you put your soccer shoes. I put mine in the hall closet.” “I’m sorry, but I won’t bring the homework that you left on the counter.” “You told the coach that you would put in the extra time outside of practice; you’ll have to explain to him why that didn’t happen.” “Do you have a plan for replacing the broken window?” “I understand that you are frustrated. I am following through with our agreement.” … it is reasonable that you will raise children who have a healthy concept of what responsibility looks like, sounds like, and feels like in a relationship with others. Message: Responsibility is being able to respond effectively to the situation at hand.
Vicki Hoefle (The Straight Talk on Parenting: A No-Nonsense Approach on How to Grow a Grown-Up)
Over the years, we worked on some promising projects that Hunter could do while never leaving the Farm. One was The Gonzo Book of Etiquette, a radical updating of Emily Post that would instruct modern people on such niceties as how to tell your parents that your significant other is a drug dealer; how to cope with partiers or guests who won't leave when the festivities are over; how to respond, legally and shrewdly, to various forms of police interrogation (the „What Marijuana?“ as we called it); what to wear to a wedding between a rock star and a stripper; how to explain what a Deering grinder full of coke is to your mother-in-law; how to get the car keys away from a drunk without being stranded; using guns safely around drug abusers, and so on. I don't know why he was never able to sell that concept.
Jay Cowan
After running away from the United States government to pursue his antigovernment vision, Roger Ver had chosen to live in a place that was uniquely unreceptive to his brand of antiauthoritarian politics. Japan was a country that was still deeply wedded to traditional hierarchies with an educational system that taught its citizens from a young age to obey authority. This was evident in the country’s rigid business traditions—the bowing and exchanging of cards—and in the spiky-haired punks in Tokyo, who waited patiently for walk signals, even when there were no cars in sight. Roger had picked Japan, not because it would allow him to be around other like-minded people, but because he liked the orderliness of Japanese culture—and the women. He had met his longtime Japanese girlfriend at a gathering in California and even she had almost no interest in politics. As Roger discovered, the deferential culture made Japanese people uniquely skeptical about a project like Bitcoin that aimed to challenge government currencies. Japan was the only place Roger had encountered where people’s response, when he described Bitcoin, was to call it scary—rather than interesting or silly. This was due, Roger believed, to the way in which the virtual currency broke from the government’s mandates about how money should work. One of the only people with whom Roger had gotten any traction in Japan was a local pornography tycoon.
Nathaniel Popper (Digital Gold: Bitcoin and the Inside Story of the Misfits and Millionaires Trying to Reinvent Money)
couple of the guys at Tesla really liked cars and another one had created a series of science fair projects based on technology that the automotive industry considered ridiculous. What’s more, the founding team had no intention of turning to Detroit for advice on how to build a car company. No, Tesla would do what every other Silicon Valley start-up had done before it, which was hire a bunch of young, hungry engineers and figure things out as they went along.
Ashlee Vance (Elon Musk: Inventing the Future)
One broken window—a badly designed piece of code, a poor management decision that the team must live with for the duration of the project—is all it takes to start the decline. If you find yourself working on a project with quite a few broken windows, it's all too easy to slip into the mindset of "All the rest of this code is crap, I'll just follow suit." It doesn't matter if the project has been fine up to this point. In the original experiment leading to the "Broken Window Theory," an abandoned car sat for a week untouched. But once a single window was broken, the car was stripped and turned upside down within hours. By the same token, if you find yourself on a team and a project where the code is pristinely beautiful—cleanly written, well designed, and elegant—you will likely take extra special care not to mess it up, just like the firefighters. Even if there's a fire raging (deadline, release date, trade show demo, etc.), you don't want to be the first one to make a mess.
Andrew Hunt (Pragmatic Programmer, The: From Journeyman to Master)
The attack on 9/11 was a localized event, affecting only a relatively small number of Americans. As indicated earlier, the general threat of terrorism, even factoring in the large death toll on that tragic day, produces a statistically insignificant threat to the average person’s life. People across the country, however, were gripped with fear. And because we are an object-oriented people, most felt the need to project that fear onto something. Some people stopped flying in airplanes, worried about a repeat attack—and for years afterward, air travel always dipped on the anniversary of 9/11.4 Of course, this was and is an irrational fear; it is safer to travel by plane than by car. According to the National Safety Council, in 2010 there were over 22,000 passenger deaths involving automobiles, while no one died in scheduled airline travel that year.5 Nevertheless, Congress responded by rushing through the USA PATRIOT Act six weeks after 9/11—a 240-plus page bill that was previously written, not available to the public prior to the vote, and barely available to the elected officials in Congress, none of whom read it through before casting their votes.6 Two weeks previous to the bill’s passage, President Bush had announced the establishment of the Office of Homeland Security to “develop and coordinate the implementation of a comprehensive national strategy to secure the United States from terrorist threats or attacks.” He explained that “[t]he Office will coordinate the executive branch’s efforts to detect, prepare for, prevent, protect against, respond to, and recover from terrorist attacks within the United States.”7 The office’s efforts culminated in the creation of the Department of Homeland Security (DHS) one year later as a result of the Homeland Security Act of 2002. This law consolidated executive branch organizations related to “homeland security” into a single Cabinet department; twenty-two total agencies became part of this new apparatus. The government, responding to the outcry from a fearful citizenry, was eager to “do something.” All of this (and much, much more), affecting all Americans, because of a localized event materially affecting only a few. But while the event directly impacted only a small percentage of the population, its impact was felt throughout the entire country.
Connor Boyack (Feardom: How Politicians Exploit Your Emotions and What You Can Do to Stop Them)
 1 Sweet notes from my husband make me feel good. A I love my husband’s hugs. E  2 I like to be alone with my husband. B I feel loved when my husband washes my car. D  3 Receiving special gifts from my husband makes me happy. C I enjoy long trips with my husband. B  4 I feel loved when my husband helps with the laundry. D I like it when my husband touches me. E  5 I feel loved when my husband puts his arm around me. E I know my husband loves me because he surprises me with gifts. C  6 I like going most anywhere with my husband. B I like to hold my husband’s hand. E  7 I value the gifts my husband gives to me. C I love to hear my husband say he loves me. A  8 I like for my husband to sit close to me. E My husband tells me I look good, and I like that. A  9 Spending time with my husband makes me happy. B Even the smallest gift from my husband is important to me. C 10 I feel loved when my husband tells me he is proud of me. A When my husband helps clean up after a meal, I know that he loves me. D 11 No matter what we do, I love doing things with my husband. B Supportive comments from my husband make me feel good. A 12 Little things my husband does for me mean more to me than things he says. D I love to hug my husband. E 13 My husband’s praise means a lot to me. A It means a lot to me that my husband gives me gifts I really like. C 14 Just being around my husband makes me feel good. B I love it when my husband gives me a massage. E 15 My husband’s reactions to my accomplishments are so encouraging. A It means a lot to me when my husband helps with something I know he hates. D 16 I never get tired of my husband’s kisses. E I love that my husband shows real interest in things I like to do. B 17 I can count on my husband to help me with projects. D I still get excited when opening a gift from my husband. C 18 I love for my husband to compliment my appearance. A I love that my husband listens to me and respects my ideas. B 19 I can’t help but touch my husband when he’s close by. E My husband sometimes runs errands for me, and I appreciate that. D 20 My husband deserves an award for all the things he does to help me. D I’m sometimes amazed at how thoughtful my husband’s gifts to me are. C 21 I love having my husband’s undivided attention. B I love that my husband helps clean the house. D 22 I look forward to seeing what my husband gives me for my birthday. C I never get tired of hearing my husband tell me that I am important to him. A 23 My husband lets me know he loves me by giving me gifts. C My husband shows his love by helping me without me having to ask. D 24 My husband doesn’t interrupt me when I am talking, and I like that. B I never get tired of receiving gifts from my husband. C 25 My husband is good about asking how he can help when I’m tired. D It doesn’t matter where we go, I just like going places with my husband. B 26 I love cuddling with my husband. E I love surprise gifts from my husband. C 27 My husband’s encouraging words give me confidence. A I love to watch movies with my husband. B 28 I couldn’t ask for any better gifts than the ones my husband gives me. C I love it that my husband can’t keep his hands off me. E 29 It means a lot to me when my husband helps me despite being busy. D It makes me feel really good when my husband tells me he appreciates me. A 30 I love hugging and kissing my husband after we’ve been apart for a while. E I love hearing my husband tell me that he missed me. A A:_____ B:_____ C:_____ D:_____ E:_____   A=Words of Affirmation B=Quality Time C=Receiving Gifts D=Acts of Service E=Physical Touch Interpreting and Using Your Profile Score
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
Actions Summary The following list of new institutions, policies and actions is my best effort at envisaging what is required for Australia to survive the climate emergency. • A National Target and Plan for 95% or more of electricity to be supplied by renewables by 2030. • State plans to electrify all transport, beginning with the swift retirement of non-electric buses and including a plan for 50% of all new car sales to be EVs by 2030. • Implement planned changes to how we work and live so as to minimise unnecessary travel. • A plan for clean hydrogen to replace bunker fuel in shipping. • A plan for the adoption of e-fuels for aviation, with an aim to have all domestic flights running on e-fuel by 2030. • A National Commission for Climate Adaptation, with a Coastal Defence Fund and a Commission for Primary Production operating under its umbrella. • A National Initiative on Drawdown Innovation to provide leadership in early stage research and fund some on-ground projects. • The Federal Government to help convene a Global Working Group on Geoengineering.
Tim Flannery (The Climate Cure: Solving the Climate Emergency in the Era of COVID-19)
You will invariably face jobs that are associated with uncomfortable feelings, ranging from relatively minor annoyance (e.g., taking out the garbage in the rain) to more persistent and recurring feelings of stress and discomfort (e.g., dissertation, organizing income taxes) that activate your procrastination script. Even a minimal degree of stress or inconvenience (what we have come to describe as the feeling of “Ugh”) can be potent enough to make you delay action. Think about some of the mundane examples of procrastination, such as watching a boring television show because the remote control is out of reach (e.g., “It’s ALL THE WAY over there.”) or exercise (e.g., “I’m TOO TIRED to change into my workout clothes.”). The use of capital letters is meant to illustrate the tone of voice of your selftalk, which serves to exaggerate and convince you of the difficulty of what you want to do. You are capable to perform the action, but your thoughts and feelings (including feeling tired or “low energy”) makes you conclude that you are not at your best and therefore cannot and will not follow through (for seemingly justifiable reasons). You might think, “I have to be in the mood to do some things.” But, how often are any of us in the mood to do many of the tasks on which we end up procrastinating? The very fact that we have to plan them indicates that these tasks require some targeted planning and effort. When facing emotional discomfort, ADHD adults are particularly at risk for bolting to pleasant, easy, and yet often unsatisfying activities, such as eating junk food, watching television, social networking, surfing the Internet, etc. In fact, sometimes you may escape from stressful tasks by performing other, lower priority errands or chores. Thus, you rationalize violating your high-priority project plan in order to run out to fill your car with gas. This strategy can be seen as a form of “plea bargaining”—“I will do something productive in order to justify not doing the higher priority but less appealing task.” Moreover, these errands are often more discrete and time limited than the task you are putting off (i.e., “If I start mowing the lawn now, I will be done in 1 hour. I don’t know how long taxes will take me.”), which is often their appeal—even though they are low priority, you are more confident you will get them done. You need not be “in the mood” for a task in order to perform it. A useful reframe is the reminder that you have “enough” energy to get started and recall that once you get started on the first step, you usually feel better and more engaged. Breaking the task down into its discrete steps and setting an end time help you to reframe the plan (e.g., “I’m tired, but I have enough energy to do this task for 15 minutes.”). Rather than setting up the unrealistic expectation that you must be stress-free and 100% energized before you can do tasks, the notion of acceptance of discomfort is a useful mindset to adopt and practice.
J. Russell Ramsay (The Adult ADHD Tool Kit)
The lights changed. She put the car into bottom gear, paused, then let in the clutch. It occurred to her as she did so that it was not only people’s physical reactions to those three colours that had become automatic but their mental ones as well. Red, yellow, green—frustration, hope, joy: a brand-new conditioned reflex. Give it a few more years to get established, and psychiatrists would be using coloured rays, projected in that sequence, for the treatment of melancholia; and to future generations green would no longer suggest envy, but freedom. In such haphazard ways are symbolisms born and reborn.
Jan Struther (Mrs. Miniver)
Mark and Shane, the team leads, were very conscious of not burning everyone out because of their experience on StarCraft. They had both been associate producers on the project and vowed to avoid pushing Team 2 as hard as the StarCraft devs were pushed. StarCraft’s dev cycle was nightmarish in that the goal posts were always moving. Whenever they crossed the finish line, Allen Adham found room for improvement, saying the game wasn’t polished enough, and asked everyone if they could hunker down for a few weeks longer. Whenever the next deadline was reached, another issue would arise and it was extended again, prolonging the crunch of late hours. The light at the end of the StarCraft tunnel always turned out to be a mirage. Each “final” sprint collided directly into another. And then another. Fans camped out in Blizzard’s parking lot and counted the cars, reporting on websites how many people were working at night. StarCraft’s drop-dead due dates were missed again and again until it was over a year later. Shane reminisced how people slept in sleeping bags on the floor. Showers and meals were skipped. To this day, few people who served on the StarCraft team play the game. Both Shane and Mark agreed that people weren’t as productive when exhausted and it just wasn’t worth it. Allen Adham’s nerves had been so worn out he left the company he founded until Blizzard convinced him to help out on WoW years later. In the wake of StarCraft’s quality-of-life costs, Shane and Mark vowed they’d never push a team like that, and their solution was to start the late nights early.
John Staats (The World of Warcraft Diary: A Journal of Computer Game Development)
scientist Krishna Bharat, frustrated by how difficult it was to find news stories online, created Google News in his 20 percent time. The site now receives millions of visitors every day. Former Google engineer Paul Bucheit created Gmail, now one of the world’s most popular e-mail programs, as his 20 percent project. Many other Google products share similar creation stories—among them Orkut (Google’s social networking software), Google Talk (its instant message application), Google Sky (which allows astronomically inclined users to browse pictures of the universe), and Google Translate (its translation software for mobile devices). As Google engineer Alec Proudfoot, whose own 20 percent project aimed at boosting the efficiency of hybrid cars, put it in a television interview: “Just about all the good ideas here at Google have bubbled up from 20 percent time.”9
Daniel H. Pink (Drive: The Surprising Truth About What Motivates Us)
The Secrets Revealed The eye-opening detailing projects explained in this book will take you fearlessly through the processes to achieve classy, professional standard detailing results for your Porsche (or any car for that matter). By following my simple, tried and tested step-by-step guides, you can keep every inch of your ride in gorgeous tiptop condition at a mere fraction of the cost charged by the pro detailers. And you will have the satisfaction of achieving those results yourself and knowing you completed your project correctly. Call us ‘weekend warrior’ or ‘driveway hero’; the outcome is the same for the savvy home detailer.
S.L. Lucas
your job is to build cars, there is little you can do when you’re not on the assembly line. You detach from work and leave your tools in the factory. But if your job is to create a marketing campaign—a thought-based and decision job—your tool is your head, which never leaves you. You might be thinking about your project during your commute, as you’re making dinner, while you put your kids to sleep, and when you wake up stressed at three in the morning. You might be on the clock for fewer hours than you would in 1950. But it feels like you’re working 24/7.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
At my age? That’s a very difficult question to answer. As you get older, I think the most difficult thing to accept is that there are no more prospects. There are no more big projects, no more goals to attain, no more dreams. The only goal is to delay the inevitable as long as possible and to do it with as much grace as possible.” “So that’s your
Zoe Brisby (The Car Share)
Conceptual Games. Dr Nathan pondered the list on his desk-pad. (1) The catalogue of an exhibition of tropical diseases at the Wellcome Museum; (2) chemical and topographical analyses of a young woman’s excrement; (3) diagrams of female orifices: buccal, orbital, anal, urethral, some showing wound areas; (4) the results of a questionnaire in which a volunteer panel of parents were asked to devise ways of killing their own children; (5) an item entitled ‘self-disgust’ - someone’s morbid and hate-filled list of his faults. Dr Nathan inhaled carefully on his gold-tipped cigarette. Were these items in some conceptual game? To Catherine Austin, waiting as ever by the window, he said, ‘Should we warn Miss Novotny?’ Biomorphic Horror. With an effort, Dr Nathan looked away from Catherine Austin as she picked at her finger quicks. Unsure whether she was listening to him, he continued: ‘Travers’s problem is how to come to terms with the violence that has pursued his life - not merely the violence of accident and bereavement, or the horrors of war, but the biomorphic horror of our own bodies. Travers has at last realized that the real significance of these acts of violence lies elsewhere, in what we might term “the death of affect”. Consider our most real and tender pleasures - in the excitements of pain and mutilation; in sex as the perfect arena, like a culture-bed of sterile pus, for all the veronicas of our own perversions, in voyeurism and self-disgust, in our moral freedom to pursue our own psychopathologies as a game, and in our ever greater powers of abstraction. What our children have to fear are not the cars on the freeways of tomorrow, but our own pleasure in calculating the most elegant parameters of their deaths. The only way we can make contact with each other is in terms of conceptualizations. Violence is the conceptualization of pain. By the same token psychopathology is the conceptual system of sex.’ Sink Speeds. During this period, after his return to Karen Novotny’s apartment, Travers was busy with the following projects: a cogent defence of the documentary films of Jacopetti; a contribution to a magazine symposium on the optimum auto-disaster; the preparation, at a former colleague’s invitation, of the forensic notes to the catalogue of an exhibition of imaginary genital organs. Immersed in these topics, Travers moved from art gallery to conference hall. Beside him, Karen Novotny seemed more and more isolated by these excursions. Advertisements of the film of her death had appeared in the movie magazines and on the walls of the underground stations. ‘Games, Karen,’ Travers reassured her. ‘Next they’ll have you filmed masturbating by a cripple in a wheel chair.
J.G. Ballard (The Atrocity Exhibition)
MITI, far from being a uniquely brilliant leader of government/industrial partnership, has been wrong so often that the Japanese themselves will concede that much of their growth derives from industry's rejection of MITI’s guidance. MITI, incredibly, opposed the development of the very areas where Japan has been successful: cars, electronics and cameras. MITI has, moreover, poured vast funds into desperately wasteful projects. Thanks to MITI, Japan has a huge overcapacity in steel - no less than three times the national requirement. This, probably the most expensive mistake Japan ever made in peacetime, was a mistake of genius, because Japan has no natural resources: it has to import everything; the iron ore, the coal, the gas, the limestone and the oil to make its unwanted steel. Undaunted, MITI then invested in giant, loss-making (£400 million losses by 1992) 5th generation supercomputers at the precise moment that the market opened for the small personal computer; and MITI' s attempts at dominating the world's pharmaceutical and telecommunications industries have each failed. Nor is this just anecdote. In a meticulous study of MITI’s interventions into the Japanese economy between 1955 and 1990, Richard Beason of Alberta University and David Weinterin of Harvard showed that, across the 13 major sectors of the economy, surveying hundreds of different companies, Japan's bureaucrats almost invariably picked and supported the losers.
Terence Kealey (The Economic Laws of Scientific Research)
ENCOURAGE BENEFICIAL EXPERIENCES Ask yourself what stands out in a typical day. The car that cut you off, the dish that broke, and the frustrating project at work? Or the pleasure of eating breakfast, the sense of determination as you push through a difficult task, and the beauty of a sunset?
Rick Hanson (Resilient: How to Grow an Unshakable Core of Calm, Strength, and Happiness)
A marine biologist came onstage and was particularly upbeat. He said we had to meet the 1.5-degree target, because that way only 70 to 90 per cent of the coral would disappear, and not all, as the two-degree Celsius rise projected. He spoke like this was a worthy fight. Despite my interest in these matters, I hadn’t been aware of this. Was he telling me, so very directly, that up to 90 per cent of the world’s coral would die out if we reached an almost impossible goal of keeping global warming within 1.5 degrees Celsius? Was that knowledge available when people were deciding whether to aim for the two-degree goal? Was there a group of councillors who approved this on behalf of the Earth’s inhabitants? I thought back through the news from recent years and couldn’t remember television and radio broadcasts being interrupted by this decision. I do not remember an election where a nation mandated the elected government to sacrifice the world’s coral reefs. I didn’t recall coral reefs being used as leverage in negotiations: ‘The car manufacturers’ association celebrates victory.
Andri Snær Magnason (On Time and Water)
Kat gushes about Google’s projects, all revealed to her now. They are making a 3-D web browser. They are making a car that drives itself. They are making a sushi search engine—here she pokes a chopstick down at our dinner—to help people find fish that is sustainable and mercury-free. They are building a time machine. They are developing a form of renewable energy that runs on hubris.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
The credits arrive like a seedy, after-dark bikini lightshow live from an underground car park, the text projected onto belly dancers’ arms, legs and breasts.
John Rain (Thunderbook: The World of Bond According to Smersh Pod)
She was still in the city, her father’s house and her stupid raisins a few miles away, but there was no one opening a front door and flicking on the television, no headlights flashing through the dark on someone’s drive home. It felt like the Flint the newspapers projected someday, when there was no one left in the city but her, canning vegetables for the winter, catching the monstrous carp that finned through the submerged cars in the Flint River. Alone in the city her father had left her.
Kelsey Ronan (Chevy in the Hole)
Fuchs’s transfer of scientific secrets to the Soviet Union between 1941 and 1943 was one of the most concentrated spy hauls in history, some 570 pages of copied reports, calculations, drawings, formulae and diagrams, the designs for uranium enrichment, a step-by-step guide to the fast-moving development of the atomic weapon. Much of this material was too complex and technical to be coded and sent by radio, and so Ursula passed the documents to Sergei through a “brush contact,” a surreptitious handover imperceptible to a casual observer. If Ursula needed to pass on urgent information, or bulky files, she alerted Aptekar by means of an agreed “signal site”: “I had to travel to London and, at a certain time and in a certain place, drop a small piece of chalk and tread on it.” Two days later she would cycle to the rendezvous site, a side road six miles beyond the junction of the A40 and A34 on the road from Oxford to Cheltenham; Aptekar would drive from London in the military attaché’s car and arrive at the pickup site at an appointed time for a swift handover. At one of these meetings, the Soviet officer presented her with a new Minox camera for making microdots and copying documents, and a small but powerful transmitter measuring just six by eight inches, a sixth of the size of her homemade radio and easier to conceal. She dismantled her own equipment, but kept it in reserve “for emergency use.” Fuchs was privy to the innermost workings of the atomic project and he held nothing back. In the first year, he and Peierls wrote no fewer than eleven reports together, including seminal papers on isotope separation and calculating the destructive power of
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
Tarantula sat down in the empty seat next to Skyler. A round plate with a red tangled mess in the center was placed before her. Her nasal slits contracted as repulsive fumes rose from the steaming heap. For some reason, Skyler’s sibling was nudging her arm with a round wooden bowl filled with shreds of green material covered by an oily sheen. Tarantula immediately passed it on to Skyler. How could humans have such problems with obesity? The greasy loaf of sliced bread festering in a basket in the middle of the table required evasive action as well. She pretended to take a sip of her water. “Well, Tula, tell us all about yourself,” Skyler’s mother chirped as she jabbed her fork into the mound on her plate and began twisting away. “My parents died in a car crash and I’m here living with my uncle.” There was a silence around the table. Had she said something wrong? Skyler’s sister raised her eyebrows while staring at her plate. Skyler glared at her mother. “Yes, Skyler shared that with me, I am so sorry for your loss,” her mother said uncomfortably, “but tell me, what are your plans?” “To get my GED.” “Yes, dear, but what are your hopes and dreams?” How satisfying it would be to explain to this prying human the true intentions she harbored for her precious daughter while throwing the contents of her plate across the table and into her face.
L.K. White (The Temptation Project)
A round plate with a red tangled mess in the center was placed before her. Her nasal slits contracted as repulsive fumes rose from the steaming heap. For some reason, Skyler’s sibling was nudging her arm with a round wooden bowl filled with shreds of green material covered by an oily sheen. Tarantula immediately passed it on to Skyler. How could humans have such problems with obesity? The greasy loaf of sliced bread festering in a basket in the middle of the table required evasive action as well. She pretended to take a sip of her water. “Well, Tula, tell us all about yourself,” Skyler’s mother chirped as she jabbed her fork into the mound on her plate and began twisting away. “My parents died in a car crash and I’m here living with my uncle.” There was a silence around the table. Had she said something wrong? Skyler’s sister raised her eyebrows while staring at her plate. Skyler glared at her mother. “Yes, Skyler shared that with me, I am so sorry for your loss,” her mother said uncomfortably, “but tell me, what are your plans?” “To get my GED.” “Yes, dear, but what are your hopes and dreams?” How satisfying it would be to explain to this prying human the true intentions she harbored for her precious daughter while throwing the contents of her plate across the table and into her face.
L.K. White (The Temptation Project)
Digital simulation enabled the second strategy: a radically different approach to construction. Instead of sending materials to a worksite to be measured, cut, shaped, and welded into buildings—the conventional way since the building of the pyramids—the materials were sent to factories, which used the detailed, precise digital specifications sent to them to manufacture components. Then the components were sent to the worksite to be assembled. To the untrained eye, T5 would have looked like a conventional construction site, but it wasn’t; it was an assembly site.[6] The importance of this difference cannot be overstated, and every large construction site will need to follow suit if construction is going to make it into the twenty-first century. This process, called “design for manufacture and assembly,” is how the hyperefficient car industry operates.
Bent Flyvbjerg (How Big Things Get Done: The Surprising Factors That Determine the Fate of Every Project, from Home Renovations to Space Exploration and Everything In Between)