Programmer Wall Quotes

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Real programmers can write assembly code in any language.
Larry Wall
Talking to a programmer type about the trading business was a bit like talking to the house plumber at work in the basement about the card game the Mafia don was running upstairs.
Michael Lewis (Flash Boys: A Wall Street Revolt)
Did you know that on one of the islands of Orkney, in the North of Scotland, there are some runes that when translated turned out to be Viking graffiti? Eight feet up a wall it says "A tall Viking wrote this." You gotta love that.
Barbara Sher (What Do I Do When I Want to Do Everything?: A Revolutionary Programme for Doing Everything That You)
The three chief virtues of a programmer are: Laziness, Impatience and Hubris
Larry Wall (Programming Perl)
There is a simple marketing trick that helps teams communicate as one: generate a brand. When you start a project, come up with a name for it, ideally something off-the-wall. (In the past, we've named projects after things such as killer parrots that prey on sheep, optical illusions, and mythical cities.) ...Use your team's name liberally when talking with people. It sounds silly, but it gives your team an identity to build on, and the world something memorable to associate with your work.
Andrew Hunt (The Pragmatic Programmer: From Journeyman to Master)
Russians had a reputation for being the best programmers on Wall Street, and Serge thought he knew why: They had been forced to learn to program computers without the luxury of endless computer time. Many years later, when he had plenty of computer time, Serge still wrote out new programs on paper before typing them into the machine. “In Russia, time on the computer was measured in minutes,” he said. “When you write a program, you are given a tiny time slot to make it work.
Michael Lewis (Flash Boys)
Larry Wall's classic Programming Perl described the three programmer's virtues: hubris, laziness, and impatience.
C.J.S. Hayward (Firestorm 2034: The Axe is Laid at the Root of the Tree (Chamber of Horrors Book 3))
Modernism was based on a kind of arrogance ... and led designers to believe that if they thought of something cool, it must be considered universally cool. That is, if something's worth doing, it's worth driving into the ground to the exclusion of all other approaches. Look at the use of parentheses in Lisp or the use of white space as syntax in Python. Or the mandatory use of objects in many languages, including Java. All of these are ways of taking freedom away from the end user "for their own good". They're just versions of Orwell's Newspeak, in which it's impossible to think bad thoughts. We escaped from the fashion police in the 1970s, but many programmers are still slaves of the cyber police.
Larry Wall
forward to it, and Cooper, coatless and chilly in the desert evening, was thinking that the radio man was an asshole. He’d chased Vasquez for nine days now. Someone had warned the programmer just before Cooper got to the Boston walk-up, a brick rectangle where the only light had been a window onto an airshaft and the glowing red eyes of power indicators on computers and routers and surge protectors. The desk chair had been against the far wall as if someone had leaped out of it, and steam still rose from an abandoned bowl of ramen. Vasquez had run, and
Marcus Sakey (Brilliance (Brilliance Saga, #1))
Think about two young adults who go to college. One is brilliant, a genius who floats above her colleagues like a cirrus cloud, the other is merely a plodder: dogged, determined, competent. Throughout their education, the genius has always been able to leap obstacles as though they’re not there while the plodder has, through necessity, learned patiently to climb walls. One day, say in the second year of their Ph.D. programme, that genius will come across a wall so high even she can’t jump it. But she doesn’t know how to climb. The plodder, on the other hand, rubs his hands, checks his equipment, and starts hammering in the first piton. Who do you think will reach the top first?
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
For when one thinks of Guiana one thinks of a country whose inadequate resources are strained in every way, a country whose geography imposes on it an administration and a programme of public works out of all proportion to its revenue and population. One thinks of the sea-wall, forever being breached and repaired; the dikes made of mud for want of money; the dirt roads and their occasional experimental surfacing; the roads that are necessary but not yet made; the decadent railways ('Three-fourths of the passenger rolling stock,' says a matter-of-fact little note in the government paper on the Development Programme, 'is old and nearing the point beyond which further repairs will be impossible'); the three overworked Dakotas and two Grumman seaplanes of British Guiana Airways. And one thinks of the streets of Albouystown, as crowded with children as a schoolyard during recess.
V.S. Naipaul (The Middle Passage: The Caribbean Revisited)
Think of the many articles one can find every year in the Wall Street Journal describing some entrepreneur or businessman as being a "pioneer" or a "maverick" or a "cowboy." Think of the many times these ambitious modern men are described as "staking their claim" or boldly pushing themselves "beyond the frontier" or even "riding into the sunset." We still use this nineteenth-century lexicon to describe our boldest citizens, but it's really a code now, because these guys aren't actually pioneers; they are talented computer programmers, biogenetic researchers, politicians, or media monguls making a big splash in a fast modern economy. But when Eustace Conway talks about staking a claim, the guy is literally staking a goddamn claim. Other frontier expressions that the rest of us use as metaphors, Eustace uses literally. He does sit tall in the saddle; he does keep his powder dry; he is carving out a homestead. When he talks about reining in horses or calling off the dogs or mending fences, you can be sure that there are real horses, real dogs or real fences in the picture. And when Eustace goes in for the kill, he's not talking about a hostile takeover of a rival company; he's talking about really killing something.
Elizabeth Gilbert (The Last American Man)
These are programmers who believed themselves highly productive in their former test-not lives but who have crashed into the test-first wall and stumbled to a halt.
Anonymous
He’d been surprised to find that in at least one way he fit in: More than half the programmers at Goldman were Russians. Russians had a reputation for being the best programmers on Wall Street, and Serge thought he knew why: They had been forced to learn to program computers without the luxury of endless computer time. Many years later, when he had plenty of computer time, Serge still wrote out new programs on paper before typing them into the machine. “In Russia, time on the computer was measured in minutes,” he said. “When you write a program, you are given a tiny time slot to make it work. Consequently we learned to write the code in ways that minimized the amount of debugging. And so you had to think about it a lot before you committed it to paper. The ready availability of computer time creates this mode of working where you just have an idea and type it and maybe erase it ten times. Good Russian programmers, they tend to have had that one experience at some time in the past—the experience of limited access to computer time.
Michael Lewis (Flash Boys)
Alexis Tsipras, the Syriza leader, has in recent weeks abandoned his pledge to “tear up” the country’s bailout agreement with international creditors and is emphasising more moderate steps to address Greece’s debt load as well as his deep commitment to the euro. Krishna Guha, of Evercore ISI, warned that — at a minimum — investors now faced “a four-week period of elevated uncertainty in which eurozone risk assets will struggle to perform”. Yet Mr Guha added: “We believe that Tsipras will prove more pragmatic than past Syriza rhetoric suggests. He has opened back channels to Berlin, Paris and Frankfurt, and has every incentive to try to negotiate relatively cosmetic changes to Greece’s programme and ride the early-stage Greek recovery rather than derail it.” Nick Wall, a portfolio manager at Invesco, also noted Mr Tsipras’ recent attempt to tack to the political centre. “They are going to need private sector investors, particularly if they are going to start running deficits again.
Anonymous
Computer security was only as good as the programmer. The one who had fire walled this database has been good ---but not great. - Robert Puller
David Baldacci (The Escape (John Puller, #3))
Am Abend berichtet der Nachrichtensprecher des Fernsehens von einer UNO-Resolution, die den Einmarsch sowjetischer Truppen in Afghanistan al seine Einmischung in die inneren Angelegenheiten dieses Landes verurteilt. Im Bild werden Kolonnen russischer Panzer gezeigt, die durch die Haupstadt rollen. Der Nachrichtensprecher weist darauf hin, daß diese Bilder seit Wochen nicht in den Ostmedien zu sehen sind. Kurz danach wechsele ich das Programm. Wieder sitzt ein Nachrichtensprecher vor einer Weltkarte und verliest Nachrichten. Er trägt dieselbe Krawatte, denselben Sakko, hat dieselben Haarecken und spricht dieselbe Sprache wie der Sprecher im anderen Programm. Er zitiert einen Kommentar der Prawda, der die UNO-Resolution als Einmischung in die inneren Angelegenheiten Afghanistans verurteilt. Im Bild sind amerikanische und chinesische Waffen zu sehen, die von afghanischen Soldaten erbeutet wurden. Der Sprecher weist darauf hin, daß diese Bilder in den Westmedien nicht gezeigt werden. Wie ich den Fernseher abschalte, sehe ich für den Bruchteil einer Sekunde den Schatten des Kollegen vom Westprogramm; dann wird dis Mattscheibe grau.
Peter Schneider (The Wall Jumper: A Berlin Story)
He’d chased Vasquez for nine days now. Someone had warned the programmer just before Cooper got to the Boston walk-up, a brick rectangle where the only light had been a window onto an airshaft and the glowing red eyes of power indicators on computers and routers and surge protectors. The desk chair had been against the far wall as if someone had leaped out of it, and steam still rose from an abandoned bowl of ramen.
Marcus Sakey (Brilliance (Brilliance Saga, #1))
Pharmaceutical companies became very interested in using siRNAs as potential new drugs. Theoretically, siRNA molecules could be used to knock down expression of any protein that was believed to be harmful in a disease. In the same year that Fire and Mello were awarded their Nobel Prize, the giant pharmaceutical company Merck paid over one billion US dollars for a siRNA company in California called Sirna Therapeutics. Other large pharmaceutical companies have also invested heavily. But in 2010 a bit of a chill breeze began to drift through the pharmaceutical industry. Roche, the giant Swiss company, announced that it was stopping its siRNA programmes, despite having spent more than $500 million on them over three years. Its neighbouring Swiss corporation, Novartis, pulled out of a collaboration with a siRNA company called Alnylam in Massachusetts. There are still plenty of other companies who have stayed in this particular game, but it would probably be fair to say there’s a bit more nervousness around this technology than in the past. One of the major problems with using this kind of approach therapeutically may sound rather mundane. Nucleic acids, such as DNA and RNA, are just difficult to turn into good drugs. Most good existing drugs – ibuprofen, Viagra, anti-histamines – have certain characteristics in common. You can swallow them, they get across your gut wall, they get distributed around your body, they don’t get destroyed too quickly by your liver, they get taken up by cells, and they work their effects on the molecules in or on the cells. Those all sound like really simple things, but they’re often the most difficult things to get right when developing a new drug. Companies will spend tens of millions of dollars – at least – getting this bit right, and it is still a surprisingly hit-and-miss process. It’s so much worse when trying to create drugs around nucleic acids. This is partly because of their size. An average siRNA molecule is over 50 times larger than a drug like ibuprofen. When creating drugs (especially ones to be taken orally rather than injected) the general rule is, the smaller the better. The larger a drug is, the greater the problems with getting high enough doses into patients, and keeping them in the body for long enough. This may be why a company like Roche has decided it can spend its money more effectively elsewhere. This doesn’t mean that siRNA won’t ever work in the treatment of illnesses, it’s just quite high risk as a business venture.
Nessa Carey (The Epigenetics Revolution: How Modern Biology is Rewriting our Understanding of Genetics, Disease and Inheritance)
answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and
Stan Barstow (The Likes of Us: Stories of Five Decades)
Professional developers do not prevent others from working in the code. They do not build walls of ownership around code. Rather, they work with each other on as much of the system as they can. They learn from each other by working with each other on other parts of the system.
Robert C. Martin (Clean Coder, The: A Code of Conduct for Professional Programmers (Robert C. Martin Series))
étaler /etale/ I. vtr 1. (déployer) to spread out [carte, document, drap]; to lay [nappe, moquette]; to spread [tapis]; (Culin) to roll [sth] out [pâte]; (Jeux) to lay down [cartes] 2. (éparpiller) to scatter [papiers, affaires, livres] 3. (répandre) to spread [beurre, pâté, colle]; to apply [peinture, maquillage, pommade] 4. (échelonner) to spread [travaux, réformes, remboursements] (sur "over"); to stagger [départs, horaires, vacances] (sur "over") 5. (exhiber) to flaunt [richesse, pouvoir, succès]; to show off [savoir, charmes]; to parade [misère] • ~ au grand jour | to bring [sth] out into the open [divergences, vie privée] 6. (montrer) to display [articles, marchandise] 7. ○(faire tomber) to lay [sb] out (familier) [personne] II. vpr 1. (se répandre) [beurre, peinture] to spread • peinture qui s'étale difficilement | paint which does not spread very well 2. (s'échelonner) [programme, paiement, embouteillage] to be spread (sur "over"); [horaires, départs] to be staggered (sur "over") 3. (s'exhiber) [richesse] to be flaunted • s'~ (au grand jour) | [corruption, lâcheté] to be plain for all to see • une photo/un titre qui s'étale en première page d'un journal | a photo/a headline that is splashed all over the front page of a newspaper • une affiche qui s'étale sur tous les murs de la ville | a poster that is splashed all over the walls in town 4. (s'étendre) [paysage] to spread out; [ville] to spread out, to sprawl • s'~ jusqu'à la mer | to spread out as far as the sea 5. (se vautrer) [personne] to sprawl; (prendre de la place) [personne] to spread out • s'~ sur le divan | to sprawl on the couch 6. ○(tomber) to go sprawling (familier) • s'~ de tout son long | to fall flat on one's face 7. ○(échouer) to fail • s'~ or se faire ~ à un examen | to fail ou flunk (familier) an exam
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Today’s equivalent is probably ‘get an engineering degree’, but it will not necessarily be as lucrative. A third of Americans who graduated in STEM subjects (science, technology, engineering and maths) are in jobs that do not require any such qualification.52 They must still pay off their student debts. Up and down America there are programmers working as office temps and even fast-food servers. In the age of artificial intelligence, more and more will drift into obsolescence. On the evidence so far, this latest technological revolution is different in its dynamics from earlier ones. In contrast to earlier disruptions, which affected particular sectors of the economy, the effects of today’s revolution are general-purpose. From janitors to surgeons, virtually no jobs will be immune. Whether you are training to be an airline pilot, a retail assistant, a lawyer or a financial trader, labour-saving technology is whittling down your numbers – in some cases drastically so. In 2000, financial services employed 150,000 people in New York. By 2013 that had dropped to 100,000. Over the same period, Wall Street’s profits have soared. Up to 70 per cent of all equity trades are now executed by algorithms.53 Or take social media. In 2006, Google bought YouTube for $1.65 billion. It had sixty-five employees, so the price amounted to $25 million per employee. In 2012 Facebook bought Instagram, which had thirteen employees, for $1 billion. That came to $77 million per employee. In 2014, it bought WhatsApp, with fifty-five employees, for $19 billion, at a staggering $345 million per employee.54 Such riches are little comfort to the thousands of engineers who cannot find work. Facebook’s data servers are now managed by Cyborg, a software program. It requires one human technician for every twenty thousand computers.
Edward Luce (The Retreat of Western Liberalism)
I have identified seven elements essential to Apple’s software success: Inspiration: Thinking big ideas and imagining what might be possible Collaboration: Working together well with other people and seeking to combine your complementary strengths Craft: Applying skill to achieve high-quality results and always striving to do better Diligence: Doing the necessary grunt work and never resorting to shortcuts or half measures Decisiveness: Making tough choices and refusing to delay or procrastinate Taste: Developing a refined sense of judgment and finding the balance that produces a pleasing and integrated whole Empathy: Trying to see the world from other people’s perspectives and creating work that fits into their lives and adapts to their needs There weren’t any company handbooks describing these elements. Nobody outlined this list in a new-employee orientation. There weren’t any signs affixed to the walls of our Cupertino campus exhorting us to “Collaborate!” On the contrary, we felt, on an instinctive level, that imposing a fixed methodology might snuff out the innovation we were seeking. Therefore, our approach flowed from the work. This happened from the top down, stemming from the unquestioned authority and uncompromising vision of Steve Jobs, and it happened from the ground up, through the daily efforts of designers and programmers you’ve never heard of, people like me and my colleagues, some of whom I’ll tell you about.
Ken Kocienda (Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs)
Many years later, when he had plenty of computer time, Serge still wrote out new programs on paper before typing them into the machine. “In Russia, time on the computer was measured in minutes,” he said. “When you write a program, you are given a tiny time slot to make it work. Consequently we learned to write the code in ways that minimized the amount of debugging. And so you had to think about it a lot before you committed it to paper. . . . The ready availability of computer time creates this mode of working where you just have an idea and type it and maybe erase it ten times. Good Russian programmers, they tend to have had that one experience at some time in the past—the experience of limited access to computer time.
Michael Lewis (Flash Boys: A Wall Street Revolt)
More than half the programmers at Goldman were Russians. Russians had a reputation for being the best programmers on Wall Street, and Serge thought he knew why: They had been forced to learn to program computers without the luxury of endless computer time. Many years later, when he had plenty of computer time, Serge still wrote out new programs on paper before typing them into the machine. “In Russia, time on the computer was measured in minutes,” he said. “When you write a program, you are given a tiny time slot to make it work. Consequently we learned to write the code in ways that minimized the amount of debugging. And so you had to think about it a lot before you committed it to paper. . . . The ready availability of computer time creates this mode of working where you just have an idea and type it and maybe erase it ten times. Good Russian programmers, they tend to have had that one experience at some time in the past—the experience of limited access to computer time.
Michael Lewis (Flash Boys: A Wall Street Revolt)