Programmer Sad Quotes

CYRANO: Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! --Cyrano de Bergerac III. 7

After lunch Ruth will still experience that old Sunday afternoon dread—a heady mix of undone homework and uniform drying by the fire, cosy and sad at the same time. She’ll get the Dread even though she doesn’t have to go to work tomorrow. Summer School is over and the holidays have officially started. But as soon as the Sunday evening programmes come on the television—costume dramas, antiques and the countryside—the Dread will descend.

time. Up in the air, above the situation, he asks if it is really the end of the world if he doesn’t get the job. The answer is ‘No, it isn’t’ and although it is very disappointing, he can deal with the disappointment and consequences because he is an adult Human and not a Chimp or child. He also knows logically that he may still be able to do something about the situation and must not allow the Chimp to think catastrophically. Step 5: He now goes into Human mode and asks himself, ‘What can I do about the situation?’ He answers: ‘I can choose the emotions I want and I can choose to act like an adult. Being emotional isn’t going to help anything, least of all me. I can’t think of anything practical to do at this point in time – this I must accept. I can choose to accept the situation rather than keep on saying “what if” or “this shouldn’t have happened” or even worse, “life should be fair”.’ Step 6: Eddie decides to put his Human in charge and decides to actively change his emotional approach to the situation. On a practical point he considers his options to either wait in the hope that another bus appears or to go home and phone the interview organiser. Step 7: Despite his disappointment he might manage a smile and be thankful that the sun will still rise tomorrow. He remains focused on the solution and not the problem. Of course, you may want to react differently or deal with the situation differently if you were in his position. It is just an example of how it might go. Clearly there are endless possibilities. The main point is that he has decided to act as a Human and not as a Chimp and to choose positive emotions despite the setback. Choice despite seriousness The scenario above was not so serious but what happens if a real crisis occurs? Imagine a young man who has had an accident on a motorbike and has been left paralysed from the waist down. Sadly this is not an uncommon event. How does he deal with this type of crisis? This time when he gets up into the helicopter and tries to gain perspective the answer is not so good. His whole life has just changed and not for the better. It would be totally unreasonable for anyone to say to him get a perspective and smile. He will need to go through a grieving process. All of us respond differently to the same situation, so there are no rights or wrongs when responding to a severe crisis. It is about understanding your response and making choices about how you want to manage it. The simple steps described are helpful for minor crises and immediate and transient stress but they need modifying

Thus, N. T. Wright says, “I think it highly unlikely that these verses are a sad commentary on the temporary nature of exorcisms. ... Rather, as Matthew’s closing sentence [v. 45], and Luke's context, seems to indicate, this is a kind of parable about Israel. Here is the link between the exorcisms and the overall mission of Jesus ... the exorcisms themselves were signs that this god wished to deliver Israel herself from the real enemy who is now pitted against her: satan.” Wright then proposes that the ‘house’ in the parable is the Temple and speculates on the nature of the ‘exorcism’: “If specific movements are in mind, we might perhaps think of the Maccabaean revolt, when ‘the house’ was ‘swept and put in order’; or perhaps the Pharisaic movement as a whole, attempting to cleanse the body and soul of Judaism by its zeal for a purity which in some ways reflected that of the Temple; or possibly Herod’s massive rebuilding programme, which produced a ‘house’ that was magnificent but in which (according to Jesus, and probably many of his contemporaries) YHWH [God] had no inclination to make his dwelling. ... Nothing short of a new inhabitation of ‘the house’ would do.” This new habitation of God was eventually understood to be in the Church and in the hearts of the faithful. As St. Paul wrote, “Do you not know that you are the temple of God, and that the Spirit of God dwells in you?” (1 Cor. 3:16).

I find our cities forlorn places in the evening because the canopy of night is obscured by steel and glass condo palaces built on the hubris of speculators' credit. From them a sad luminescence is emitted from the glow of millions of flat-screen televisions that burn reality TV programmes, news updates and sitcoms into our collective consciousness. Their light is like the campfires of ancient men, used to ward off the beasts tha lurked in the shadows.