“
Then we are living in a place abandoned by God," I said, disheartened.
"Have you found any places where God would have felt at home?" William asked me, looking down from his great height.
”
”
Umberto Eco (The Name of the Rose)
“
So we find that the three possible solutions of the great problem of increasing human energy are answered by the three words: food, peace, work. Many a year I have thought and pondered, lost myself in speculations and theories, considering man as a mass moved by a force, viewing his inexplicable movement in the light of a mechanical one, and applying the simple principles of mechanics to the analysis of the same until I arrived at these solutions, only to realize that they were taught to me in my early childhood. These three words sound the key-notes of the Christian religion. Their scientific meaning and purpose now clear to me: food to increase the mass, peace to diminish the retarding force, and work to increase the force accelerating human movement. These are the only three solutions which are possible of that great problem, and all of them have one object, one end, namely, to increase human energy. When we recognize this, we cannot help wondering how profoundly wise and scientific and how immensely practical the Christian religion is, and in what a marked contrast it stands in this respect to other religions. It is unmistakably the result of practical experiment and scientific observation which have extended through the ages, while other religions seem to be the outcome of merely abstract reasoning. Work, untiring effort, useful and accumulative, with periods of rest and recuperation aiming at higher efficiency, is its chief and ever-recurring command. Thus we are inspired both by Christianity and Science to do our utmost toward increasing the performance of mankind. This most important of human problems I shall now specifically consider.
”
”
Nikola Tesla
“
..by honouring the demands of our bleeding, our blood gives us something in return. The crazed bitch from irritation hell recedes. In her place arises a side of ourselves with whom we may not-at first- be comfortable. She is a vulnerable, highly perceptive genius who can ponder a given issue and take her world by storm. When we're quiet and bleeding, we stumble upon solutions to dilemmas that've been bugging us all month. Inspiration hits and moments of epiphany rumba 'cross de tundra of our senses. In this mode of existence one does not feel antipathy towards a bodily ritual that so profoundly and reinforces our cuntpower.
”
”
Inga Muscio (Cunt: A Declaration of Independence)
“
In the absence of a formally agreed, worldwide dictionary definition of 'Quotography' (in 2016), here are my two cents worth: 'Quotography is the art of pairing unique quotations with complementary images in order to express thought-provoking ideas, challenging concepts, profound sentiments'.
”
”
Alex Morritt (Lines & Lenses)
“
I guess when you'd lived as long, and pondered as much, as Old Tom had...a game of hopscotch could be more profound than village politics or gossip.
”
”
Linda Medley (Castle Waiting, Vol. 2 (Castle Waiting Omnibus Collection, #2))
“
I just think of people," she continued, "whether they seem right where they are and fit into the picture. I don't mind if they don't do anything. I don't see why they should; in fact it always astonishes me when anybody does anything." "You don't want to do anything?" "I want to sleep." -Gloria Gilbert
"Once upon a time all the men of mind and genius in the world became of one belief--that is to say, of no belief. But it wearied them to think that within a few years after their death many cults and systems and prognostications would be ascribed to them which they had never meditated nor intended. So they said to one another: "'Let's join together and make a great book that will last forever to mock the credulity of man. Let's persuade our more erotic poets to write about the delights of the flesh, and induce some of our robust journalists to contribute stories of famous amours. We'll include all the most preposterous old wives' tales now current. We'll choose the keenest satirist alive to compile a deity from all the deities worshipped by mankind, a deity who will be more magnificent than any of them, and yet so weakly human that he'll become a byword for laughter the world over--and we'll ascribe to him all sorts of jokes and vanities and rages, in which he'll be supposed to indulge for his own diversion, so that the people will read our book and ponder it, and there'll be no more nonsense in the world. "'Finally, let us take care that the book possesses all the virtues of style, so that it may last forever as a witness to our profound scepticism and our universal irony.' "So the men did, and they died. "But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible."
-Maury Noble
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
My brothers and sisters of America, there is not the least shadow of hope that India can ever be Christianised. After two hundred years of vain efforts and of spending millions of dollars with the prestige of the conqueror and backed by British bayonets, Christianity is not supported by the converts themselves. Every bit of Protestant Christianity in India is maintained partly by the money flowing from England and America, and partly by taxes imposed upon the Hindus against their will, which must be paid although the people starve.
The people of India as a whole are saturated with religious and philosophical thought. They think and ponder on spiritual matters from childhood to death. Even the street-sweeper is frequently more profoundly versed in subtle metaphysics and divine wisdom than the missionary sent to convert him.
”
”
Virchand Gandhi (The Monist)
“
Already the people murmur that I am your enemy
because they say that in verse I give the world your me.
They lie, Julia de Burgos. They lie, Julia de Burgos.
Who rises in my verses is not your voice. It is my voice
because you are the dressing and the essence is me;
and the most profound abyss is spread between us.
You are the cold doll of social lies,
and me, the virile starburst of the human truth.
You, honey of courtesan hypocrisies; not me;
in all my poems I undress my heart.
You are like your world, selfish; not me
who gambles everything betting on what I am.
You are only the ponderous lady very lady;
not me; I am life, strength, woman.
You belong to your husband, your master; not me;
I belong to nobody, or all, because to all, to all
I give myself in my clean feeling and in my thought.
You curl your hair and paint yourself; not me;
the wind curls my hair, the sun paints me.
You are a housewife, resigned, submissive,
tied to the prejudices of men; not me;
unbridled, I am a runaway Rocinante
snorting horizons of God's justice.
You in yourself have no say; everyone governs you;
your husband, your parents, your family,
the priest, the dressmaker, the theatre, the dance hall,
the auto, the fine furnishings, the feast, champagne,
heaven and hell, and the social, "what will they say."
Not in me, in me only my heart governs,
only my thought; who governs in me is me.
You, flower of aristocracy; and me, flower of the people.
You in you have everything and you owe it to everyone,
while me, my nothing I owe to nobody.
You nailed to the static ancestral dividend,
and me, a one in the numerical social divider,
we are the duel to death who fatally approaches.
When the multitudes run rioting
leaving behind ashes of burned injustices,
and with the torch of the seven virtues,
the multitudes run after the seven sins,
against you and against everything unjust and inhuman,
I will be in their midst with the torch in my hand.
”
”
Julia de Burgos Jack Agüero Translator
“
God or no god, this barely ponderable and impossible-to-understand system of complexity and beauty is profound enough to feel like a miracle. Consciousness feels like a miracle. The constellation of these impulses that we call love feels like a miracle. The miracles do not cancel out evil, but I accept evil in order to participate in the miraculous.
”
”
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
“
Once upon a time all the men of mind and genius in the world became of one belief—that is to say, of no belief. But it wearied them to think that within a few years after their death many cults and systems and prognostications would be ascribed to them which they had never meditated nor intended. So they said to one another: "'Let's join together and make a great book that will last forever to mock the credulity of man. Let's persuade our more erotic poets to write about the delights of the flesh, and induce some of our robust journalists to contribute stories of famous amours. We'll include all the most preposterous old wives' tales now current. We'll choose the keenest satirist alive to compile a deity from all the deities worshipped by mankind, a deity who will be more magnificent than any of them, and yet so weakly human that he'll become a byword for laughter the world over—and we'll ascribe to him all sorts of jokes and vanities and rages, in which he'll be supposed to indulge for his own diversion, so that the people will read our book and ponder it, and there'll be no more nonsense in the world. "'Finally, let us take care that the book possesses all the virtues of style, so that it may last forever as a witness to our profound scepticism and our universal irony.' "So the men did, and they died. "But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Eugene Peterson reminds us that “because we learned language so early in our lives we have no memory of the process” and would therefore imagine that it was we who took the initiative to learn how to speak. However, that is not the case. “Language is spoken into us; we learn language only as we are spoken to. We are plunged at birth into a sea of language. . . . Then slowly syllable by syllable we acquire the capacity to answer: mama, papa, bottle, blanket, yes, no. Not one of these words was a first word. . . . All speech is answering speech. We were all spoken to before we spoke.”109 In the years since Peterson wrote, studies have shown that children’s ability to understand and communicate is profoundly affected by the number of words and the breadth of vocabulary to which they are exposed as infants and toddlers. We speak only to the degree we are spoken to. It is therefore essential to the practice of prayer to recognize what Peterson calls the “overwhelming previousness of God’s speech to our prayers.”110 This theological principle has practical consequences. It means that our prayers should arise out of immersion in the Scripture. We should “plunge ourselves into the sea” of God’s language, the Bible. We should listen, study, think, reflect, and ponder the Scriptures until there is an answering response in our hearts and minds. It may be one of shame or of joy or of confusion or of appeal—but that response to God’s speech is then truly prayer and should be given to God. If the goal of prayer is a real, personal connection with God, then it is only by immersion in the language of the Bible that we will learn to pray, perhaps just as slowly as a child learns to speak.
”
”
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
“
But Mary treasured up all these things and pondered them in her heart. Luke 2:19 Mary focused on caring for her baby while she stored all she’d seen and done “like a secret treasure in her heart” (NIrV). Some women like to talk their way through experiences; others prefer the Mary approach: “weighing and pondering” (AMP), “mulling them over” (CJB), and “trying to understand them” (ERV). Sometimes the Lord does such a profound work in us and through us that sharing it with others would sound like bragging. Even if we say, “Look what God has done,” others may perceive it as “Look what I’ve done” or “Look how special I am!” God, as always, knows best. The shepherds were noisy, yet the mother of Jesus was quiet.
”
”
Liz Curtis Higgs (The Women of Christmas: Experience the Season Afresh with Elizabeth, Mary, and Anna)
“
It takes a lot of time, focus and energy to realize the enormity of being the ocean with your very own tide every month. However, by honoring the demands of bleeding, our blood gives something in return. The crazed bitch from irritation hell recedes. In her place arises a side of ourselves with whom we may not—at first—be comfortable. She is a vulnerable, highly perceptive genius who can ponder a given issue and take her world by storm. When we’re quiet and bleeding, we stumble upon the solutions to dilemmas that’ve been bugging us all month. Inspiration hits and moments of epiphany rumba ‘across de tundra of our senses. In this mode of existence one does not feel antipathy towards a bodily ritual so profoundly and routinely reinforces our cuntpower.
”
”
Inga Muscio (Cunt: A Declaration of Independence)
“
I account him no common, shallow being, inasmuch as it is an undisputed fact that he is never found on soundings, or near shores; all other whales sometimes are. He is both ponderous and profound. And I am convinced that from the heads of all ponderous profound beings, such as Plato, Pyrrho, the Devil, Jupiter, Dante, and so on, there always goes up a certain semi-visible steam, while in the act of thinking deep thoughts. While composing a little treatise on Eternity, I had the curiosity to place a mirror before me; and ere long saw reflected there, a curious involved worming and undulation in the atmosphere over my head. The invariable moisture of my hair, while plunged in deep thought, after six cups of hot tea in my thin shingled attic, of an August noon;
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
We have rendered ourselves independent, outside its (the church's) control. We have stepped out onto our own path. For some reason this scares people senseless. It terrified me just pondering it. Women grow afraid at this moment because it means giving up a world where everything is neat and safe. In that world we feel secure, taken care of; we know where we're going. Then we wake up and find the old way doesn't work., that it no longer fits our identity, that by clinging to it, we're cutting ourselves off from something profound. But we cling anyway because it's all we've got. We call our desire for security loyalty. We yearn for the something we've lost as women, but it's so unknown, so unbearably unknown. And then one day it all comes down to this: Can we trust ourselves, our inmost selves, our feminine wisdom?
”
”
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
“
Now I stand on the edge of a new world, a new life; pondering what type of fortunes and catastrophes await me. Bring it on, I’ve handled a generous amount of profound and weird shit in my lifetime that the universe could sling at me and I have always walked away more seasoned. Through blunder and mishap I’ve grown wise and callused, and I’ve risen from the aftermath as a warrior, a grandmaster, a champion of bad virtues and noble intentions.
”
”
J.C. Wickhart (Inappropriate)
“
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it.
“You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.”
“To forget it!”
“You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”
“But the Solar System!” I protested.
“What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.”
I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way—
SHERLOCK HOLMES—his limits.
1. Knowledge of Literature.—Nil.
2. Philosophy.—Nil.
3. Astronomy.—Nil.
4. Politics.—Feeble.
5. Botany.—Variable. Well up in belladonna,
opium, and poisons generally.
Knows nothing of practical gardening.
6. Geology.—Practical, but limited.
Tells at a glance different soils
from each other. After walks has
shown me splashes upon his trousers,
and told me by their colour and
consistence in what part of London
he had received them.
7. Chemistry.—Profound.
8. Anatomy.—Accurate, but unsystematic.
9. Sensational Literature.—Immense. He appears
to know every detail of every horror
perpetrated in the century.
10. Plays the violin well.
11. Is an expert singlestick player, boxer, and swordsman.
12. Has a good practical knowledge of British law.
”
”
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
“
In the field of education, it seems ‘normal’ to run stories about class sizes, teachers’ pay, the country’s performance in international league tables and the right balance between the roles of the private and state sectors. But we would risk seeming distinctly odd, even demented, if we asked whether the curriculum actually made sense; whether it really equipped students with the emotional and psychological resources that are central to the pursuit of good lives. When it comes to housing, the news urges us to worry about how to get construction companies working, how to make purchasing a home easier for first-time buyers and how to balance the claims of nature against those of jobs and businesses. But it doesn’t tend to find time to ask primordial, eccentric-sounding questions like: ‘Why are our cities so ugly?’ In discussions of economics, our energy is channelled towards pondering what the right level of taxation should be and how best to combat inflation. But we are discouraged by mainstream news from posing the more peculiar, outlying questions about the ends of labour, the nature of justice and the proper role of markets. News stories tend to frame issues in such a way as to reduce our will or even capacity to imagine them in profoundly other ways. Through its intimidating power, news numbs. Without anyone particularly rooting for this outcome, more tentative but potentially important private thoughts get crushed.
”
”
Alain de Botton (The News: A User's Manual)
“
In truth, no matter what we think we know, we are probably wrong, and no matter what anyone else thinks they know, they are probably wrong. No one knows what’s going on in any fundamental sense. Nothing about this life is simple or clear, and from the perspective of the stars, nothing down here on earth—including us—matters all that much to anything beyond itself. Paradoxically, in this, we find great opportunity for wisdom, humility, exploration, and profound experience in our lives. “Nobody ever figures out what life is all about, and it doesn’t matter. Explore the world. Nearly everything is really interesting if you go into it deeply enough,” said renowned theoretical physicist Richard Feynman. In even the most common and mundane things, there is complexity and strangeness. We don’t even know why we sleep or dream. We don’t know how most of our brain works or what consciousness is. We don’t know if time is real in any physical sense. We don’t know what gravity is or why it is. We don’t know if there are infinite other universes or dimensions around us. We don’t know why energy or matter even came to be in the first place—or why it was followed by a perfect sequence of colliding, combining, exploding, and emerging, all to put us here, right now, able to ask why. At the base of almost everything, the resulting truth is this: we don’t know. When we disregard this unknowingness, we can easily become disinterested, uninspired, and worn out of this life. We can put great stress on things that perhaps don’t matter all that much and neglect experiences and things that do. We can feel the pressure and anxiety of chasing perfection and certainty, which do not exist. We should look to the universe often, not solely for answers but for perspective; for a helpful adjustment and an aerial consideration of our daily life. With this practice, the little things in life become more striking, the mistakes and the annoyances become less significant, the calm comes more easily, and the everyday activities of our lives that we so often view as wasteful and tedious reveal themselves to be wonderfully strange and curious parts of our existence that we should make effort to ponder and appreciate as often as we can. As if to say, I’d love to marvel at and enjoy this work of art I’ve created, the universe gave itself humanity. “Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence,” said twentieth-century American-British philosopher Alan Watts. What a shame it would be to waste this experience by failing to appreciate the glory and magnificence found in the unknown. We must try to remember as often as we can that the unknown permeates everything. Its wonder is always above us, below us, around us, and inside us, whenever we need
”
”
Robert Pantano (The Art of Living a Meaningless Existence: Ideas from Philosophy That Change the Way You Think)
“
Yoel Goldenberg makes exhibitions, photographs, models and media craftsmanship. His works are an examination of ideas, for example, validness and objectivity by utilizing an exhaustive methodology and semi exploratory exactness and by referencing documentaries, 'actuality fiction' and prominent experimental reciprocals. Yoel Goldenberg as of now lives and works in Brooklyn.
By challenging the division between the domain of memory and the domain of experience, Goldenberg formalizes the circumstantial and underlines the procedure of synthesis that is behind the apparently arbitrary works. The manners of thinking, which are probably private, profoundly subjective and unfiltered in their references to dream universes, are much of the time uncovered as collections. His practice gives a valuable arrangement of metaphorical instruments for moving with a pseudo-moderate approach in the realm of execution: these fastidiously arranged works reverberate and resound with pictures winnowed from the fantastical domain of creative energy. By trying different things with aleatoric procedures, Yoel Goldenberg makes work in which an interest with the clarity of substance and an uncompromising demeanor towards calculated and insignificant workmanship can be found. The work is detached and deliberate and a cool and unbiased symbolism is utilized.
His works are highlighting unplanned, unintentional and sudden associations which make it conceivable to overhaul craftsmanship history and, far and away superior, to supplement it. Consolidating random viewpoints lead to astounding analogies. With a theoretical methodology, he ponders the firmly related subjects of file and memory. This regularly brings about an examination of both the human requirement for "definitive" stories and the inquiry whether tales "fictionalize" history. His gathered, changed and own exhibitions are being faced as stylishly versatile, specifically interrelated material for memory and projection. The conceivable appears to be genuine and reality exists, yet it has numerous countenances, as Hanna Arendt refers to from Franz Kafka. By exploring dialect on a meta-level, he tries to approach a wide size of subjects in a multi-layered route, likes to include the viewer in a way that is here and there physical and has faith in the thought of capacity taking after structure in a work.
Goldenberg’s works are straightforwardly a reaction to the encompassing environment and uses regular encounters from the craftsman as a beginning stage. Regularly these are confined occasions that would go unnoticed in their unique connection. By utilizing a regularly developing file of discovered archives to make self-ruling works of art, he retains the convention of recognition workmanship into every day hone. This individual subsequent and recovery of a past custom is vital as a demonstration of reflection. Yoel’s works concentrate on the powerlessness of correspondence which is utilized to picture reality, the endeavor of dialog, the disharmony in the middle of structure and content and the dysfunctions of dialect. To put it plainly, the absence of clear references is key components in the work. With an unobtrusive moderate methodology, he tries to handle dialect. Changed into craftsmanship, dialect turns into an adornment. Right then and there, loads of ambiguities and indistinctnesses, which are intrinsic to the sensation, rise up to the top
”
”
Herbert Goldenberg
“
I pondered the significance of my personal annihilation for the next several months, facing down an existentialist abyss of oblivion and meaningless within me. Eventually, through some unconscious process of recalibration, I returned to my basic attitude that all is as it should be. There is no other way I can describe it: no mountaintop conversion or flash of deep insight, but a sentiment that suffuses my life. I wake up each morning to find myself in a world full of mystery and beauty. And I'm profoundly thankful for the wonder of it all.
Here I am, a highly organized pattern of mass and energy, one of seven billion, insignificant in any objective accounting of the world. And in short while I will case to exist. What am I to the universe? Practically nothing. Yet the certainty of my death makes my life more significant. My joy in life, in my children, my love to dogs, running and climbing, books and music, the cobalt blue sky, are meaningful because I will come to an end. And that is as it should be. I do not know what will come afterward, if there is an afterward in the usual sense of the world, but whatever it is, I know in my bones that everything is for the best.
”
”
Christof Koch (Consciousness: Confessions of a Romantic Reductionist)
“
I was left to ponder over the power of a simple apology. A taming of one’s ego, an admission of being fallible… the effect that these things could have on a relationship was profound. I couldn’t help but feel that if more people were ready to apologize in the world, it would be a brighter, happier place.
”
”
Bella Forrest (A Bridge of Stars (A Shade of Vampire, #24))
“
These world-class performers don’t have superpowers. The rules they’ve crafted for themselves allow the bending of reality to such an extent that it may seem that way, but they’ve learned how to do this, and so can you. These “rules” are often uncommon habits and bigger questions. In a surprising number of cases, the power is in the absurd. The more absurd, the more “impossible” the question, the more profound the answers. Take, for instance, a question that serial billionaire Peter Thiel likes to ask himself and others: “If you have a 10-year plan of how to get [somewhere], you should ask: Why can’t you do this in 6 months?” For purposes of illustration here, I might reword that to: “What might you do to accomplish your 10-year goals in the next 6 months, if you had a gun against your head?” Now, let’s pause. Do I expect you to take 10 seconds to ponder this and then magically accomplish 10 years’ worth of dreams in the next few months? No, I don’t. But I do expect that the question will productively break your mind, like a butterfly shattering a chrysalis to emerge with new capabilities. The “normal” systems you have in place, the social rules you’ve forced upon yourself, the standard frameworks—they don’t work when answering a question like this. You are forced to shed artificial constraints, like shedding a skin, to realize that you had the ability to renegotiate your reality all along. It just takes practice. My suggestion is that you spend real time with the questions you find most ridiculous in this book. Thirty minutes of stream-of-consciousness journaling (page 224) could change your life. On top of that, while the world is a gold mine, you need to go digging in other people’s heads to unearth riches. Questions are your pickaxes and competitive advantage. This book will give you an arsenal to choose from.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
The more absurd, the more “impossible” the question, the more profound the answers. Take, for instance, a question that serial billionaire Peter Thiel likes to ask himself and others: “If you have a 10-year plan of how to get [somewhere], you should ask: Why can’t you do this in 6 months?” For purposes of illustration here, I might reword that to: “What might you do to accomplish your 10-year goals in the next 6 months, if you had a gun against your head?” Now, let’s pause. Do I expect you to take 10 seconds to ponder this and then magically accomplish 10 years’ worth of dreams in the next few months? No, I don’t. But I do expect that the question will productively break your mind, like a butterfly shattering a chrysalis to emerge with new capabilities. The “normal” systems you have in place, the social rules you’ve forced upon yourself, the standard frameworks—they don’t work when answering a question like this. You are forced to shed artificial constraints, like shedding a skin, to realize that you had the ability to renegotiate your reality all along. It just takes practice.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Power is in many ways a game of appearances, and when you say less than necessary, you inevitably appear greater and more powerful than you are. Your silence will make other people uncomfortable. Humans are machines of interpretation and explanation; they have to know what you are thinking. When you carefully control what you reveal, they cannot pierce your intentions or your meaning. Your short answers and silences will put them on the defensive, and they will jump in, nervously filling the silence with all kinds of comments that will reveal valuable information about them and their weaknesses. They will leave a meeting with you feeling as if they had been robbed, and they will go home and ponder your every word. This extra attention to your brief comments will only add to your power. Saying less than necessary is not for kings and statesmen only. In most areas of life, the less you say, the more profound and mysterious you appear.
”
”
Robert Greene (The 48 Laws of Power)
“
stop and ponder. Just how much of our lives did the average person spend in some form of confrontation with something or someone over what they thought was right either mentally or emotionally? And most of it, she knew, being an anthropologist, were the same arguments. The same worries and bickering that thousands of generations had before us. The same fears. The same controversies. The same disagreements. In many cases humans had fought over the very same resources. A perpetual argument. An endless cycle running repeatedly in a world that had not and would not change unless something interrupted the pattern. Something so meaningful and profound that it would make every person stop and reassess what the world meant to them and what life meant to them. To make them remember that our individual flashes in time were precious, never to repeat. Never to remember what we had done or learned even between the bickering. Because this was it. Once we were gone, our lessons and memories were lost forever.
”
”
Michael C. Grumley (The Desert of Glass (Monument #2))
“
People say things move more slowly in situations like this, and they’re right. My mind watched the action in the microseconds that followed as if it were watching a movie in slow motion. The instant I saw the pilot chute, my arms flew to my sides and I straightened my body into a head dive, bending ever so slightly at the hips. The verticality gave me increased speed, and the bend allowed my body to add first a little, then a blast of horizontal motion as my body became an efficient wing, sending me zipping past Chuck just in front of his colorful blossoming Para-Commander parachute. I passed him going at over 150 miles per hour, or 220 feet per second. Given that speed, I doubt he saw the expression on my face. But if he had, he would have seen a look of sheer astonishment. Somehow I had reacted in microseconds to a situation that, had I actually had time to think about it, would have been much too complex for me to deal with. And yet . . . I had dealt with it, and we both landed safely. It was as if, presented with a situation that required more than its usual ability to respond, my brain had become, for a moment, superpowered. How had I done it? Over the course of my twenty-plus-year career in academic neurosurgery—of studying the brain, observing how it works, and operating on it—I have had plenty of opportunities to ponder this very question. I finally chalked it up to the fact that the brain is truly an extraordinary device: more extraordinary than we can even guess. I realize now that the real answer to that question is much more profound. But I had to go through a complete metamorphosis of my life and worldview to glimpse that answer. This book is about the events that changed my mind on the matter. They convinced me that, as marvelous a mechanism as the brain is, it was not my brain that saved my life that day at all. What sprang into action the second Chuck’s chute started to open was another, much deeper part of me. A part that could move so fast because it was not stuck in time at all, the way the brain and body are.
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Eben Alexander (Proof of Heaven: A Neurosurgeon's Journey into the Afterlife)
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The gospel is both wonderfully simple and complex. It is simple enough for a child to grasp and profound enough that we will spend eternity pondering its beauty and its implications.
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Jonathan K. Dodson (The Unbelievable Gospel: Say Something Worth Believing)
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Amid increasing chaos, here lay the potential dominants. Much action and the play of forces even on a huge scale and with enormous material effects is often irrelevant, and counts for little or nothing in the final result: but along the chain of commanding causation even the smallest events are vital. It is these which should be studied and pondered over; for in them is revealed the profound significance of human choice and the sublime responsibility of men. No one can tell that he may not some day set a stone rolling or take or neglect some ordinary step which in its consequences will alter the history of the world.
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Winston S. Churchill (The World Crisis Vol 2: 1915)
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I acknowledge the pervasive void that permeates existence—a relentless survival instinct devoid of inherent purpose. Once vibrant with hope and vitality, the core of my being now lies in tatters, tainted by the harrowing spectacle of human suffering and the apathy of those duty-bound to offer comfort. My thoughts, an intricate maze haunted by past attachments, reveal the futility of ephemeral distractions that provide temporary solace but ultimately lead to unabashed sorrow and deep regret.
Recent misfortunes, and cruel twists of fate, have stripped away the facade of resilience, unveiling a fragile and dispirited core. The whimsical cruelty of the world seems determined to obliterate any remnant of hope. Witnessing the agony of fellow akathisia sufferers mirrors the profound void within me, and I lament in eloquent existential despair.
In this quietude, I find myself estranged from my own identity—a spectral figure wandering amidst the ruins of unfulfilled dreams. Has the world transformed, or have I been tainted by the inherent malevolence of human nature? Perhaps it’s both, intricately woven in a cosmic farce that compels me to face existential dread. Amid this fusion of sorrow and acceptance, I ponder the fundamental essence of existence, time dilation, and the incomprehensible diversion of transcendence.
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Jonathan Harnisch (Second Alibi: The Banality of Life)
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We are living in dark times indeed, but let us never forget that “the light shines in the darkness, and the darkness has not overcome it” (John 1:5). We are people of hope, and the Bridegroom is preparing a great springtime for his bride (see Song 2:11–13). How do we pass over from this winter to the promised springtime? If we can recognize in the above the diagnosis of what ails the modern world, we can also recognize the cure. Here it is: We must recover a sense of primordial wonder at the divinely inspired beauty of the human body. We must come to recognize in the human body the revelation of the human person whose dignity demands that he or she never be used, exploited, manipulated, or discarded. We must rediscover the treasure of human sexuality and gender as a stupendous sign of the divine image in our humanity and as an invitation to use our freedom to live this divine image through the sincere gift of one’s life in marriage or in celibacy for the kingdom. And we can do all of the above precisely by pondering the profound understanding of masculinity and femininity found in the Bible, found in God’s Word made flesh in Jesus, the Christ.
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Christopher West (Our Bodies Tell God's Story: Discovering the Divine Plan for Love, Sex, and Gender)
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My hope is that evidence for the exquisite fine-tuning observed at all astronomical levels, from the farthest reaches of the cosmos to the ground beneath our feet, arouses a profound sense of awe and wonder. My greater hope is that this awe and wonder will inspire readers to ponder the deep questions raised by a close-up glimpse of nature's unfolding story.
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Hugh Ross (Designed to the Core)
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How?
How do you pull the sun from her sky?
Watch her spiral into darkness as planets shake and cry
How do you separate a star from her moon?
And ponder why nights are restless, blackened skies filled with an eerie doom
How do you contain the rain that aches to pour and play?
A summer’s day is lesser than she is because you took her rain away
How?
How can lovers so profound end in such shock and dismay,
Ripped from each other,
Just as love felt she'd found the one to stay,
How?
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Christine Evangelou (The Stars In Our Scars: A Collection of Unique, Healing and Inspirational Poetry)
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Revelation is a highly political, but also deeply theological, text. It offers us a profound way to think about evil as something found in structures and systems, and to ponder what an ethical response to such evil might be.
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Robyn J. Whitaker (Revelation for Normal People: A Guide to the Strangest and Most Dangerous Book in the Bible (The Bible for Normal People))
“
Why is there something rather than nothing? Ultimately, this question may be no more significant or profound than asking why some flowers are red and some are blue. ‘Something’ may always come from nothing. It may be required, independent of the underlying nature of reality. Or perhaps ‘something’ may not be very special or even very common in the multiverse. Either way, what is really useful is not pondering this question, but rather participating in the exciting voyage of discovery that may reveal specifically how the universe in which we lived evolved and is evolving and the processes that ultimately operationally govern our existence. That is why we have science. We may supplement this understanding with reflection and call that philosophy. But only via continuing to probe every nook and cranny of the universe that is accessible to us will we truly build a useful appreciation of our own place in the universe.
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Lawrence M. Krauss (A Universe from Nothing: Why There Is Something Rather Than Nothing)
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The extreme teachings of religion kill the intellect required to ponder over profound questions about creation and reality.
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Rajesh` (Random Cosmos)
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Whale music had a weight to it, a ponderous, profound theme. The deeper notes resonated in his tissue and filled him with sweet nostalgia. A stuttering creak swept through—the slow rocking of a porch swing, a patio door caught in a summer draft. Then, the soft groan of settling into freshly laundered sheets for a long, long sleep.
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Erinn L. Kemper (The Song)
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The most profound property of time is that nothing lasts forever. At the same time, time itself is probably eternal. Now, isn’t that a paradox to ponder over?
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Rajesh` (Random Cosmos)
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As our Blessed Mother pondered these words of her Son, over and over in her heart, she would have come to understand that Jesus’ interior suffering, His experience of isolation and spiritual loss of the Father, was a gift to the world. Her perfect faith would have led her to understand that Jesus was entering into the experience of sin itself. Though perfect and sinless in every way, He was allowing Himself to be drawn into the human experience that results from sin: separation from the Father. Though Jesus was never separated from the Father, He entered into the human experience of this separation so as to restore fallen humanity to the Father of Mercies in Heaven. As we ponder this cry of pain coming forth from our Lord, we must all seek to experience it as our own. Our cry, unlike our Lord’s, is a result of our sins. When we sin, we turn in on ourselves and enter into isolation and despair. Jesus came to destroy these effects and to restore us to the Father in Heaven. Reflect, today, upon the profound love our Lord had for all of us in that He was willing to experience the consequences of our sins. Our Blessed Mother, as the most perfect mother, was with her Son every step of the way, sharing His pain and interior sufferings. She felt what He felt and it was her love, more than anything else, that expressed, and stood in for, the steadfast and unwavering presence of the Father in Heaven. The Father’s love was made manifest through her heart as she gazed with love at her suffering Son. My most loving Mother, your heart was pierced with pain as you shared in your Son’s interior suffering. His cry of abandonment was one that expressed His perfect love. His words revealed that He was entering into the effects of sin itself and allowing His human nature to experience it and redeem it. Dear Mother, stand by me as I go through life and feel the effects of my own sin. Though your Son was perfect, I am not. My sin leaves me isolated and sorrowful. May your motherly presence in my life always remind me that the Father never leaves me and is always inviting me to turn to His merciful Heart.
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John Paul Thomas (40 Days at the Foot of the Cross: A Gaze of Love from the Heart of Our Blessed Mother)
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Initially, she responded by turning inward, pondering questions about the meaning of life and her place in the world. This led her to the study of philosophy in college and graduate school, and it was there that she discovered Hegel and the dialectic method. Dialectics gave her a way to connect her inward struggles around social identity and her place in the world with outward struggles revolving around social conflicts and political contestation. More broadly, dialectics offered her a framework—one that was intellectual but also profoundly personal—with which to understand and resolve the contradictory realities she observed around her. Rather than avoid contradictions, she learned to accept them as productive and necessary. This set an enduring foundation: she would make the practice of embracing contradictions and dialectical thinking hallmarks of her intellectual and political activities for the rest of her life.
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Stephen M. Ward
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**Exploring the Rich Wisdom of kannada gadegalu books **
The Kannada language, known for its lyrical beauty and rich literary heritage, possesses a unique treasure trove of wisdom in the form of "Gadegalu" or proverbs. These time-honored sayings encapsulate the essence of Kannada culture, tradition, and the daily lives of its people. For those wishing to delve deep into the cultural fabric of Karnataka, kannada gadegalu books offer an enlightening journey through words that reflect age-old wisdom and insights.
Gadegalu serve as a compass for navigating life's complexities, imparting lessons that have been passed down through generations. They present a blend of humor, pragmatism, and philosophical musings, making them a mirror of the societal values cherished by Kannada speakers. Each proverb tells a story, conveys an emotion, or illustrates a moral lesson, allowing readers to connect with the community's rich heritage.
For anyone intrigued by the depth of human experience, , kannada gadegalu books are invaluable. These collections often feature proverbs categorized by themes, making it easier for readers to find relevant sayings applicable to specific situations. Whether it is for personal reflection, enhancing one's understanding of the culture, or sharing wisdom with others, these books open a window to the timeless truths that guide everyday interactions.
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In a society increasingly influenced by technology and rapid change, they hark back to simpler times, encouraging readers to appreciate the present moment and the wisdom of past generations. Each proverb makes one ponder over age-old principles that are still relevant today, enabling a meaningful dialogue between the past and the present.
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Find the best kannada novels that captivate readers with their rich narratives, cultural depth, and timeless themes. The ideal choices for readers!
Explore the Finest Kannada Novels: An Adventure in Storytelling
Kannada literature boasts a colorful history that mirrors the culture, heritage, and varied tales of the Kannada-speaking community in India. As literary trends evolve, numerous novels shine for their engaging narratives, cultural richness, and enduring themes. For literature lovers and those eager to delve into the best kannada novels , here’s a thoughtfully selected list of must-read works.
1. 'Mandra' by Chandrasekar Kambar
Renowned author and playwright, Chandrasekar Kambar’s 'Mandra' is an insightful examination of the intricacies of human experience intertwined with folklore. The novel weaves together themes of love, betrayal, and the ongoing conflict between tradition and modernity, all set against Karnataka's picturesque landscapes. Kambar’s skill in creating complex characters and vivid imagery makes this a gripping read for anyone interested in the convergence of culture and narrative.
2. 'Akkayya' by K.P. Poornachandra Tejaswi
K.P. Poornachandra Tejaswi is celebrated for his connections to nature and the rural life of Karnataka. In 'Akkayya,' he narrates a story centered on the struggles of rural communities amidst modernization. His use of earthy humor and folklore, coupled with profound insights on life, positions 'Akkayya' as a vital work in Kannada literature. Readers will find a deep connection with both the characters and the vibrant settings depicted.
3. 'Chennabasavanna' by G. S. Shivarudrappa
This brilliant work by G. S. Shivarudrappa draws inspiration from the life of the 12th-century philosopher and poet, Basavanna. The novel explores themes such as spirituality, social change, and philosophical reflection. Shivarudrappa's lyrical yet accessible writing invites readers to ponder significant questions about existence and ethics, turning 'Chennabasavanna' into a profound philosophical journey.
4. 'The Last Wish' by K. S. Narasimhaswamy
K. S. Narasimhaswamy’s 'The Last Wish' provides insight into the minds of its characters, presenting a nuanced depiction of human feelings, dreams, and regrets. The novel’s unconventional structure, which shifts between different narratives and timelines, encourages readers to contemplate the fragility of life and the importance of one’s final aspirations. Narasimhaswamy's compelling storytelling and character development create a timeless read that speaks to audiences across ages.
5. 'Bhagya Daatri' by Indra S. Rao
In 'Bhagya Daatri', Indra S. Rao crafts a modern tale that addresses social issues, gender, and the expectations placed on women. The protagonist's path to self-discovery and empowerment is portrayed with sincerity and empathy. Rao's writing vividly captures the challenges faced by contemporary women while celebrating their strength. This novel resonates with those who appreciate stories that illuminate social issues and personal transformation.
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