Professional Dissent Quotes

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Not everyone in my industry is supportive of the way I run my funeral home. Some believe a dead body must be embalmed to be safe (untrue) and that a body should be handled only by licensed professionals (also untrue). The dissenters imagine that younger, progressive morticians are “starting to make our profession look like a joke” and wonder if “circus is the right word for what funeral service is becoming.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Market fundamentalism is a harsh accusation. Christian fundamentalists are notorious for their strict biblical literalism, their unlimited willingness to ignore or twist the facts of geology and biology to match their prejudices. For the analogy to be apt, the typical economist would have to believe in the superiority of markets virtually without exception, regardless of the evidence, and dissenters would have to fear excommunication. From this standpoint, the charge of “market fundamentalism” is silly, failing even as a caricature. If you ask the typical economist to name areas where markets work poorly, he gives you a list on the spot: Public goods, externalities, monopoly, imperfect information, and so on. More importantly, almost everything on the list can be traced back to other economists. Market failure is not a concept that has been forced upon a reluctant economics profession from the outside. It is an internal outgrowth of economists’ self-criticism. After stating that markets usually work well, economists feel an urge to identify important counterexamples. Far from facing excommunication for sin against the sanctity of the market, discoverers of novel market failures reap professional rewards. Flip through the leading journals. A high fraction of their articles present theoretical or empirical evidence of market failure.
Bryan Caplan (The Myth of the Rational Voter: Why Democracies Choose Bad Policies)
You are the antidote to any received behaviour. Take a walk when you can. Be alone when you can. Talk to people you care about when you can. We try our best, and somehow it's not enough. We are broken people, the theater shows this. Yet we don't let being inadequate keep us from giving our very best every time. If professionalism has taken the practice of performing to a place where broken human behavior is not acceptable, then it is the medium that is broken, and not the other way around. For at our essence, at our core, we are not professionals. We are amateurs. We are myth, history and advertising, but, still, we exist; we are real, and we are simply beginners. It's how we thrive. We begin and therefore perpetually remain connected to the spark. We ask questions, we thirst, and we learn. And the dissenters complete us, causing us to be better.
Richard Maxwell (Theater for Beginners)
Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
In his writing about communism’s insidiousness, Miłosz referenced a 1932 novel, Insatiability. In it, Polish writer Stanisław Witkiewicz wrote of a near-future dystopia in which the people were culturally exhausted and had fallen into decadence. A Mongol army from the East threatened to overrun them. As part of the plan to take over the nation, people began turning up in the streets selling “the pill of Murti-Bing,” named after a Mongolian philosopher who found a way to embody his “don’t worry, be happy” philosophy in a tablet. Those who took the Pill of Murti-Bing quit worrying about life, even though things were falling apart around them. When the Eastern army arrived, it surrendered happily, its soldiers relieved to have found deliverance from their internal tension and struggles. Only the peace didn’t last. “But since they could not rid themselves completely of their former personalities,” writes Miłosz, “they became schizophrenics.”7 What do you do when the Pill of Murti-Bing stops working and you find yourself living under a dictatorship of official lies in which anyone who contradicts the party line goes to jail? You become an actor, says Miłosz. You learn the practice of ketman. This is the Persian word for the practice of maintaining an outward appearance of Islamic orthodoxy while inwardly dissenting. Ketman was the strategy everyone who wasn’t a true believer in communism had to adopt to stay out of trouble. It is a form of mental self-defense. What is the difference between ketman and plain old hypocrisy? As Miłosz explains, having to be “on” all the time inevitably changes a person. An actor who inhabits his role around the clock eventually becomes the character he plays. Ketman is worse than hypocrisy, because living by it all the time corrupts your character and ultimately everything in society. Miłosz identified eight different types of ketman under communism. For example, “professional ketman” is when you convince yourself that it’s okay to live a lie in the workplace, because that’s what you have to do to have the freedom to do good work. “Metaphysical ketman” is the deepest form of the strategy, a defense against “total degradation.” It consists of convincing yourself that it really is possible for you to be a loyal opponent of the new regime while working with it. Christians who collaborated with communist regimes were guilty of metaphysical ketman. In fact, says Miłosz, it represents the ultimate victory of the Big Lie over the individual’s soul.
Rod Dreher (Live Not by Lies: A Manual for Christian Dissidents)
Others have written about losing their funding and jobs for documenting unfavorable findings to the prevailing ideology (e.g., Watson, Arcona, Antonuccio, & Healy, 2014)2 and being criticized and marginalized within educational programs for dissent (e.g., Hunter, 2015). There have even been instances where researchers were sued by their funding companies for publishing negative results (Bodenheimer & Collins, 2001). It is nearly impossible to get a degree and obtain licensure as a mental health professional without conforming to a strict way of thinking and expressing oneself. Those who question or dare to challenge the status quo are often removed from training, fired from programs, lose or never even receive funding, and/or are not given voice in academic forums (i.e., journals). This suppression of dissent and insistence on conformity is not how science progresses.
Noel Hunter (Trauma and Madness in Mental Health Services)
Much is at stake. In giving Hochschild its Theodore Roosevelt-Woodrow Wilson Award in 2008, the American Historical Association claimed that King Leopold’s Ghost “broke through one of the most impenetrable silences of history” by revealing the “mass death” and “rampant atrocities” in the EIC. Be reminded that the AHA is the representative of professional historians in the United States, not the editorial board of Dissent magazine. The AHA went on to call the book “a key text in the historiography of colonial Africa for college and graduate students.” The AHA and Hochschild are also agreed on the really excellent quality of the 1619 Project, which Hochschild calls (micro-aggression notwithstanding) “masterful.” He has described the writing of history as uncovering “shame.” The AHA, warming to the idea, praised Hochschild’s “humanist agenda” with its mission “to combat inhumanity.” History should have no agenda other than uncovering the truth. It should combat only ignorance about the past. If this is the state of public history in the West, we are in a very bad place indeed.
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
I feel a rush of anger at those grumbling intellectuals and professional dissenters who constantly carp about this great country. Frankly, they can only do it because they are allowed to. And they are allowed to because, for all our imperfections, we are a genuine democracy.
Arundhati Roy (The Ministry of Utmost Happiness)
Discretion: "Responsible diplomats will always be guarded in what they say to each other. They know that the constant application of discretion precludes neither cordial personal relations nor many mutual useful exchanges with competent colleagues. Rather than being put off when they encounter this quality in others, they take it as reassuring evidence that they are dealing with reliable and useful professionals. If this quality is not present, a wise diplomat will be warned off, and will take his dealings elsewhere." — William Macomber, 1975 Dishonesty: "A reputation for trickiness will follow a diplomat around the globe as tenaciously as the dossiers prepared by his diplomatic colleagues pursue him from post to post." — Charles Thayer, 1959 Dissent: There is always a danger that the message will be mistaken for the messenger. Dissent is often taken for insult, as it implicitly condemns the judgment of those with whose policies it takes issue. The ultimate test of an ambassador's persuasiveness is to report and recommend honestly on the lapses and errors of his own country's policies without fatally offending those guilty of them. Dissent: "There are strict limits, dictated by common sense and the realities of the situation, to how far an ambassador can go in opposing a position of his own government. If a compromise is not possible and once the final decision has been made, he must of course loyally and scrupulously implement it even if it goes against what he had recommended. But until the final decision is made an ambassador owes his government the frankest and most unvarnished advice." — François de Laboulaye and Jean Laloy, 1983
Chas W. Freeman Jr. (The Diplomat's Dictionary)