Prismatic Quotes

Be uniquely you. Stand out. Shine. Be colorful. The world needs your prismatic soul!

Just when normal life felt almost possible - when the world held some kind of order, meaning, even loveliness (the prismatic spray of light through an icicle; the stillness of a sunrise), some small thing would go awry and the veil of optimism was torn away, the barren world revealed. They learned, somehow, to wait those times out. There was no cure, no answer, no reparation.

Just when normal life felt almost possible--when the world held some kind of order, meaning, even loveliness (prismatic spray of light through an icicle; the stillness of a sunrise), some small thing would go awry and the veil of optimism was torn away, the barren world revealed. They learned, somehow, to wait those times out. There was no cure, no answer, no reparation.

Words are like Leaves; and where they most abound, Much Fruit of Sense beneath is rarely found. False Eloquence, like the Prismatic Glass, Its gawdy Colours spreads on ev’ry place; The Face of Nature was no more Survey, All glares alike, without Distinction gay: But true Expression, like th’ unchanging Sun, Clears, and improves whate’er it shines upon, It gilds all Objects, but it alters none.

If I have viewed them from a certain angle, it is because, seen from there, that is how they looked--which may be due to prismatic distortion, but which is therefore what they also are, though unaware of being it.

Years later the Romantic poet John Keats would complain that on that fateful day Newton had “destroyed all the poetry of the rainbow by reducing it to prismatic colors.” But color—like sound and scent—is just an invention of the human mind responding to waves and particles that are moving in particular patterns through the universe—and poets should not thank nature but themselves for the beauty and the rainbows they see around them.

Embrace your diverse, prismatic colors! They make you uniquely you!

But I had learned that identity is prismatic, that belonging requires claiming.

When the sun goes down, melting away his caresses into the sky which consonants with the ocean, lively colors are scattered through the deep pale depth during some short sensuous instants. Later, as by art of magic, light is consumed into the infinite horizon giving space to the poked voidness and its full-cristal-covered vastness. Then, to mystify the night, a marvelous and alluring sentinel rests next to us through the vivid night, just until the next prismatic fest arrives with its celebrating aperture.

Tongue and hand tied. It cut me off, trapped and held me within my own silent dark word tomb.

Have you ever observed a humming-bird moving about in an aerial dance among the flowers--a living prismatic gem that changes its colour with every change of position.

A daughter is a rainbow - a curve of light through scattered mist that lifts the spirit with her prismatic presence. Is a shadow - a reminder of something brilliant ducking out of sight, too easily drawn away. She is an aria, swelling within the concern chamber, an echo reverberating across a miniature sea. She is a secret, whispered, a hint of what we cannot know until it finds us. She is a sliver of her father, a shard of her mother. A daughter is a promise, kept.

Aster, occasionally, through no will of her own, worried she wasn’t pretty enough, and why? Pretty was a strange thing to concern oneself over. Pretty was subjective and fallacious. Pretty couldn’t be replicated in a lab. She, as much as anyone, enjoyed the prismatic sweep of amaranth in bloom and the geography of animalian bodies. Yet when applied to people, it didn’t jive with her that pretty was meant for some and not others. More pressingly, it didn’t jive with Aster that some days she wanted to be one of those folks who was prettier than the other folks. It was like wanting to be more vanadium-based, or wanting to have orange-pigmented skin—arbitrary, bizarre, pointless. Still, she wanted it, and Theo made her feel like it was already so.

The surface of my “slow art” is prismatic, so at first glance the malachite surface looks green. But if the eye is allowed to linger on the surface—it usually takes ten minutes for the eye to adjust—the observer can begin to see the rainbow created by layer upon layer of broken shards of minerals. Such a contemplative experience can be a deep sensory journey toward wisdom. Willingness to spend time truly seeing can change how we view the world, moving us away from our fast-food culture of superficially scanning what we see and becoming surfeited with images that do not delve below the surface.

Go on, right now, and look up the Instagram and Twitter profiles of all the men you know. How many of them list father or husband to @theirwife’sname in their bios? Not many, I’d guess, because men are raised to view themselves as multifaceted beings, with complexities and contradictions and prismatic identities. And when they only have a certain number of characters in which to describe themselves, when they reduce themselves to just one or two things, it is more likely their profession

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Under bright scarlet hair, teachers' favorite pigmentation of ink, the awful cast splashed and dripped down his face, a grisly reminder of mistakes bruising that had bruised.

My world went from black to prismatic. I’d never felt such wonderment, such freedom, such deep seated primal happiness.

The stopwatch threat hung over me. I set the timer with shaky clammy fingers. The silent reckoning with the not-so-silent alarm blast at the end of the merciless countdown commenced.

A sash of iridescent butterflies fluttered across in remnants of topaz, dipped in distant peacock’s tears as they mingled with forget-me-nots and morning glories, bluebells and cornflowers spilling through the cerulean waters in the flight of an Eastern bluebird. It was no longer solid, but a creature now made of those same prismatic tears it had once touched, too refined and elegant to lose its path even as it faded away.

Loni watched the horse through her binoculars. Shifting auroras reflected off its pearlescent mane, sending a cascade of prismatic brilliance across its ivory coat. Hands, smaller than Loni's own, held on to its silver reins.

Long before art and science and philosophy arose, consciousness had but one function: not to merely implement motor commands, but to mediate between commands in opposition. In a submerged body starving for air, it’s difficult to imagine two imperatives more opposed than the need to breathe and the need to hold your breath. As one Prismatic told me, “Put yourself in one of those things, and tell me you aren’t more intensely conscious than you’ve ever been in your life.

And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith, And In The Whorl Ring The Town Portal That Time Consumes The Empty Ether, Was The Tomb Of King Leoric, The Crown, A Topaz Orange Elixir Of Magic The Ring Is Mine...My Own...My Precious...

The man was not a fantaisiste or romanticist at all—he did not even try to give us the churning, prismatic ephemera of dreams, but coldly and sardonically reflected some stable, mechanistic, and well-established horror-world which he saw fully, brilliantly, squarely, and unfalteringly.

He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf — he saw the very insects upon them: the locusts, the brilliant bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water spiders’ legs, like oars which had lifted their boat — all these made audible music.

Mazirian made a selection from his books and with great effort forced five spells upon his brain: Phandaal’s Gyrator, Felojun’s Second Hypnotic Spell, The Excellent Prismatic Spray, The Charm of Untiring Nourishment, and the Spell of the Omnipotent Sphere. This accomplished, Mazirian drank wine and retired to his couch.

and all at once it seemed that past and present had joined again without any divisions in it, and that all my memories and impressions had ordered themselves into one complete pattern whose metaphor was always the shining city of the disinherited — a city now trying softly to spread the sticky prismatic wings of a new-born dragonfly on the night.

Emigration was not to others the obvious remedy, the sublime conception. It was not to them ... the liberator of the pent egotism, which a strong martial woman, well nourished, well descended, of direct impulses, downright feelings, and little introspective power (broad and simple—why could not every one be broad and simple? she asked) feels rise within her, once youth is past, and must eject upon some objectit may be Emigration, it may be Emancipation; but whatever it be, this object round which the essence of her soul is daily secreted, becomes inevitably prismatic, lustrous, half looking glass, half precious stone; now carefully hidden in case people should sneer at it; now proudly displayed.

Hardened cement chunks languished on the ground. Gray dust particles spewed into every crevice. The wordless, like the homeless, desired this place as a sheltered haven.

Words combine with ever-widening blood puddles spilled from the suffocating death wounds.

I knew all too well the damage of scarlet ink smeared across page-after-page offering neither encouragement nor any compliments at all.

His eyes never blinked or wavered from mine, encompassing me in a controlling field.

His eyes, if anything, gleamed even more bright, having found the treasure he sought.

Determined to enshroud his enchantment over me.

I assumed this yoke would encase me as well as any another hobble, only this one bound the mind.

Those annihilating strokes slashed across my penned heartfelt words...

Every bloody mark had assassinated my writing along the way.

Mazirian shook off the spell, if such it were, and uttered a spell of his own, and all the valley was lit by streaming darts of fire, lashing in from all directions to spit Thrang’s blundering body in a thousand places. This was the Excellent Prismatic Spray — many-colored stabbing lines. Thrang was dead almost at once, purple blood flowing from countless holes where the radiant rain had pierced him.

The Aurora!" Her wonder was so strong that she had to clutch the rail to keep from falling. The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer. Lyra thought she could even hear them: a vast distant whispering swish. In the evanescent delicacy she felt something as profound as she'd felt close to the bear. She was moved by it: it was so beautiful it was almost holy; she felt tears prick her eyes, and the tears splintered the light even further into prismatic rainbows.

Turjan closed the book, forcing the spell back into oblivion. He robed himself with a short blue cape, tucked a blade into his belt, fitted the amulet holding Laccodel’s Rune to his wrist. Then he sat down and from a journal chose the spells he would take with him. What dangers he might meet he could not know, so he selected three spells of general application: the Excellent Prismatic Spray, Phandaal’s Mantle of Stealth, and the Spell of the Slow Hour.

Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.

The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.

Then he sat very still with his hands on his knees, his shaggy head against the bricks, restored to patience and a look of tried inviolate sanctity, the faded blue eyes looking out down the row of cages, a forest of sweating iron dowels, forms of men standing or huddled upon their pallets, and the old man felt the circle of years closing, the final increment of the curve returning him again to the inchoate, the prismatic flux of sound and color wherein he had drifted once before and now beyond the world of men.

You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

The hedge allowed us a glimpse, inside the park, of an alley bordered with jasmine, pansies, and verbenas, among which the stocks held open their fresh plump purses, of a pink as fragrant and as faded as old Spanish leather, while on the gravel-path a long watering-pipe, painted green, coiling across the ground, poured, where its holes were, over the flowers whose perfume those holes inhaled, a vertical and prismatic fan of infinitesimal, rainbow-coloured drops. Suddenly I stood still, unable to move, as happens when something appears that requires not only our eyes to take it in, but involves a deeper kind of perception and takes possession of the whole of our being.

She'd watched enough movies, listened to enough of her friends moon over magical kisses. She'd rolled her eyes at description of toes curling and breaths being snatched, of drowning in someone, that made it sound like a great time. Of hearts galloping like the hooves of a hundred wild horses and colors flashing prismatically behind close lids. She'd laughed at how two people pressing their mouths together could ever be described with the sort of near-orgasmic passion that usually required she have her pants off. [...] But kissing Brendon? That was a revelation. All those clichés? They didn't hold a candle to the way his lips turned her body into a living, breathing live wire of sensation.

As I looked on, through prismatic layers of light, dry-lipped, focusing my lust and rocking slightly under my newspaper, I felt that my perception of her, if properly concentrated upon, might be sufficient to have me attain a beggar’s bliss immediately; but, like some predator that prefers a moving prey to a motionless one, I planned to have this pitiful attainment coincide with one of the various girlish movements she made now and then as she read, such as trying to scratch the middle of her back and revealing a stippled armpit—but fat Haze suddenly spoiled everything by turning to me and asking me for a light, and starting a make-believe conversation about a fake book by some popular fraud.

For know you, that your gold and marble city of wonder is only the sum of what you have seen and loved in youth . . . the glory of Boston’s hillside roofs and western windows aflame with sunset; of the flower-fragrant Common and the great dome on the hill and the tangle of gables and chimneys in the violet valley where the many-bridged Charles flows drowsily . . . this loveliness, moulded, crystallised, and polished by years of memory and dreaming, is your terraced wonder of elusive sunsets; and to find that marble parapet with curious urns and carven rail, and descend at last those endless balustraded steps to the city of broad squares and prismatic fountains, you need only to turn back to the thoughts and visions of your wistful boyhood.

The literary classics are a haven for that part of us that broods over mortal bewilderments, over suffering and death and fleeting happiness. They are a refuge for our secret self that wishes to contemplate the precious singularity of our physical world, that seeks out the expression of feelings too prismatic for rational articulation. They are places of quiet, useless stillness in a world that despises any activity that is not profitable or productive. Literary art’s sudden, startling truth and beauty make us feel, in the most solitary part of us, that we are not alone, and that there are meanings that cannot be bought, sold or traded, that do not decay and die. This socially and economically worthless experience is called transcendence, and you cannot assign a paper, or a grade, or an academic rank, on that. Literature is too sacred to be taught. It needs only to be read….

The rock has split, the egg has hatched, the prismatically plumed bird of life has escaped from its cage. It spreads its wings and is perched now on the peak of the huge African mountain Kilimanjaro. Strange recompense, in the depths of our despair at the unfathomable mist into which all mankind is plunging, a curious force awakens. It is Hope long asleep, aroused once more. Wilson has taken an army of advisers and sailed for England. The ship has sunk. But the men are all good swimmers. They take the women on their shoulders and buoyed on by the inspiration of the moment they churn the free seas with their sinewy arms, like Ulysses, landing all along the European seaboard. Yes, hope has awakened once more in men's hearts. It is NEW! Let us go forward! The imagination, freed from the handcuffs of "Art", takes the lead! Her Feet are bare and not too delicate. In fact those who come behind her have much to think of. Hm. Let it pass.

He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf -- he saw the very insects upon them: the locusts, the brilliant bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies' wings, the strokes of the water spiders' legs, like oars which had lifted their boat -- all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water... He had not known that he lived in so wild a region.

In the Japanese vision of winter, in Japanese poetry, and Japanese prints have an imagery of the “floating world,” where there is no notion that winter has in any way fallen from the hand of God, or is in any way evidence of cosmic organization. The Japanese idea of winter simply speaks of winter as simultaneously empty and full; the emptying out of nature by cold, and it’s also the filling up of the world by wind and snow… the Japanese idea of winter marked the final transformation of winter, and the idea of winter in Europe in the nineteenth century…Monet gets from the Japanese wood block prints a new infatuation with pure white-not a white that’s laid down unvaryingly with a single brushstroke, but instead a white that is made up kaleidoscopically with tiny touches of prismatic color. This is sweet winter at its sweetest, a winter so sweet that it loses the tang of the picturesque and becomes entirely exquisite- not pretty but deeply, renewingly lovely…winter becomes another kind of spring, a spring for aesthetes who find April’s green too common, but providing the same emotional lift of hope, the same pleasure of serene, unfolding slowness; the slow weight of frost, the chromatic varnishing of snow on the boughs of the chestnut tree, the still dawn scene, the semi-frozen river.

As we trace the myth of the Goddess through her salvific guides, we are aware of a cohesive set of metaphors that suggest a family likeness, as though a great mirror has shattered, prismatically retaining the original image. Indeed, the way which wisdom appears in the Bible is by means of "reflective mythology"-not the representation of an actual myth, but by a theological appropriation of mythic language and patterns that have been repackaged from the pagan models. With the Goddesses Demeter and Isis, the myth of the Goddess takes on a greater urgency that resonates to our contemporary spiritual response to the Divine Feminine: we find a common theme of loss and finding, of seeking for pieces of the shattered mirror of the beloved. Only when the divine daughter or husband is found and reconstituted can earth function again. Kore and Osiris are lost and found again, but they cannot be reconstituted entirely as they were. It is with our own search for the Goddess. In the period of loss, exile, or death, something transformative has happened. In each of these saving stories, it is the urgency of love the enduring patience of the seeker that restores the beloved. These are the prime qualities of Sophia that remind us always that, though we do not see her face clearly because she is veiled or disguised, the Goddess accompanies us wherever we go.

I wish I could breathe a Nabokovian air. I wish I could have the Olympian freedom of sensibility that disdains, in his autobiography, to give the Russian Revolution more than a passing mention, as if such common events did not have the power to wreak fundamental changes in his own life, or as if it were vulgar, tactless, to dwell on something so brutishly, so crudely collective. I wish I could define myself -a s Nabokov defines both himself and his characters - by the telling detail, as preference for months over lozenges, an awkwardness at cricket, a tendency to lose floes or umbrellas. I wish I could live in a world of prismatic reflections, carefully distinguished colours of sunsets and English scarves, synthetic repetitions and reiterative surprises - a world in which even a reddened nostril can be rendered as a delicious hue rather than a symptom of a discomfiting common cold. I wish I could attain such a world because in part that is our most real, and most loved world - the world of utterly individual sensibility, untrampled by history, or horrid intrusions of social circumstance. Oh ye, I think the Nabokovian world is lighted, lightened, and enlightened by the most precise affection. Such affection is unsentimental because it is free and because it attaches to free objects. It can notice what is adorable (or odious, for that matter), rather than what is formed and deformed by larger forces. Characters, in Nabokov's fiction, being perfectly themselves, attain the graced amorality of aesthetic objects.

Todd closed his eyes, then, and found himself picturing the other boy involuntarily—surprising himself with the intrusiveness of the thought. It was that fucking smile: there was something about the way the corners of Zack’s eyes had crinkled—the sincerity of it. Todd had felt that smile like it hurt. That smile was sparks. That smile was fireworks. That smile sizzled across the dark landscape of his soul, racing toward the shadows and lighting them up in brief eruptions of pure electric intensity, banishing the corruption in moments of flickering respite. Todd felt them coursing through him like thousands of tiny explosions. Like a squadron of gemstones erupting all at once into an armageddon of prismatic color. Like all that energy was going to carry him to some unknown destination where he could be weightless: wrapped in all its warmth and light and certainty forever and ever. And while he might not know where that place was he desperately needed to go there. To be there, always. Even if the process consumed him entirely. Even if it unmade him. Todd felt as though a sun erupted to life inside of him, then. He felt awake. Alive. And for the first time in so very long he felt the fullness of warmth filling him to the very boundaries of every expanse of himself—defiantly radiating against the cold and dark and shadow that had made it’s home across so much of him for so much of his life. And then—just like that—just as he’d arrived in Todd’s life: Zack was gone. And there was an emptiness that followed in the vacuum of the next few moments. A dark. And Todd felt it—deeply—as all those fireworks and all those sparks and all that color that had momentarily lit up so brilliantly across the insides of him lost the gravity that had once possessed it. The sparkle. And then it was just him there: Todd. Alone. But not entirely. Not ever. Because there was always that other thing. The shadowy thing. The one that he did his very best not to think about at all. It lived out along the wildest fringes of his mind—dancing along the tattered edges of the real—onyx eyes glittering, always. And it was hungry, too.

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.

What good can come from one-sidedness? A house with a single side is nothing more than a wall. Not much in the way of shelter. What good is there in chasing rainbows? Even if you found yourself haloed with prismatic light, would it promise a happy ending? Could an ending do anything but break your heart? And yet, what good would it do to shutter your windows, never dream of rainbows or find hope in promises? Why choose to walk away rather than hold your ground and fight for love?

There was something altogether more Nordic and icy about him than there was about Lestat, whose hair tended more to golden, for all its luminous highlights, and whose eyes were forever prismatic, drinking up the colors around him, becoming even a gorgeous violet with the slightest provocation from the worshipful outside world.

Words begin as description. They are prismatic, vehicles of hidden, deeper shades of thought. You can hold them up at different angles until the light bursts through in an unexpected color.

Much like being in a fantastic new band, surely, having a favourite new band is one of life’s most intoxicating thrills, a prismatic explosion of hitherto dormant energy channelled from the atmosphere directly into your soul; an atomic collision promising unknowable new possibilities of sonic beguilement, lyrical connection, dancing upside down on a dance floor with your greatest friends and talking synapse-shredded cobblers ’til three days hence at dawn. All of these things, at least, were the touchstones of Oasis fandom. It’s not so very different from falling in love (even if it is in the worst possible, all-obsessional, one-directional way). One

Prismatic: Do you deny it is a hill now? Sconce: It is a plain, at a different angle. Prismatic: The different angle is why it is not a plain! Sconce: Only from your perspective. Prismatic: I speak from my perspective! Sconce: That is your shortcoming. Prismatic: From what perspective do you speak? Sconce: The one of objectivity.

The molting light glowed on the horizon where darkness wriggled itself free and shook off the sun like the nymphal skin of a mayfly. The magenta sky fell down. Golden embers of fire disappeared into darkness. This was a mysterious world and he wanted to paint it. He wanted to capture it the way he saw it now. He crawled into his tent and fell asleep to the thought that we are all painters of a mysterious world, a world of colors only magic could explain, and viewed only through the prismatic distortion of our own eyes.

In the days of Prismatic Color not in the days of Adam and Eve, but when Adam was alone; when there was no smoke and color was fine, not with the refinement of early civilization art, but because of its originality; with nothing to modify it but the mist that went up, obliqueness was a variation of the perpendicular, plain to see and to account for: it is no longer that; nor did the blue-red-yellow band of incandescence that was color keep its stripe

Kala: The Body Crystal Dhatu transmutation in the body is a paragon and proof of the earth's dynamism occurring within us. Before the nutrients infiltrate a particular dhatu, they pass through a prismatic membrane or body crystal, called kala. Heated by the body's tissue fire, the nutrients are further transformed by the body crystal, which, by projecting a spectrum of vibrations, permeates the receiving tissue while it is being fed. In the same way that you can bask in the infraction of light permeating a crystal, each dhatu is bathed in a spectrum of vibrations diffusing through the kala. When the nutrients of food and mind are wholesome, the body crystal is clear and shining; when the nutrients are polluted, they cloud and may even block the crystal completely. Essentially, while the rasa dhatu is being formed, the universal vibrations of joy and exhilaration transpire into the organism through the body crystal. This, then, is the secret that rasa carries-the cosmic joy and exhilaration infused from nature, called prinana. When rasa is being replenished in the body, we experience a lift in spirit as the rainbow essences of the cosmos are

I should at least have learned more about how it had come to be that Rema had abandoned her mother, before I asked her to marry - and hopefully not abandon - me. But I saw Rema all prismatically, all fractured and reconstituted as if seen in the valley of an unshined silver spoon and actually I'm glad love does that, I shouldn't complain about love or love's perspective - distorted or no, to feel superior to it would be wrong, as if there were some better way of seeing.

A graceless pastor is a blind man elected to a professorship of optics, philosophizing upon light and vision, discoursing upon and distinguishing to others the nice shades and delicate blendings of the prismatic colours, while he himself is absolutely in the dark! He is a dumb man elevated to the chair of music; a deaf man fluent upon symphonies and harmonies! He is a mole professing to educate eaglets; a limpet elected to preside over angels.

Following a stroke, nearly one-third of people experience hemispatial neglect, also known as unilateral neglect. This causes the stroke survivor to ignore one side of their body or visual field and to be unaware that they have a deficit. As you can imagine, it is a leading cause of falls and other injuries. A reliable way to treat hemispatial neglect is through the use of prismatic glasses that gradually shift the patient’s attention toward the side that is neglected.

A reliable way to treat hemispatial neglect is through the use of prismatic glasses that gradually shift the patient’s attention toward the side that is neglected.

Science teaches that all matter is in vibration. Indeed, philosophy points to the theory that matter itself is nothing more than centers of force in vibration. The lowest vibration we know is that of sound. Then comes, at an enormously higher rate, heat, light (beginning at dark red and passing through the prismatic colors to violet which

All conscious beings share a common privilege. We are all hoping and suffering, recognizing and realizing, fearful and fervent. We are all cosmic weavers: the frog mind and the hummingbird mind and the chimpanzee mind pluck out kaleidoscopic snapshots of the universe’s unfolding within their resonance, knotting the ceaseless torrent of chaos into a prismatic tapestry. In these animal minds, as in our own minds, we gather up fleeting fragments of reality and transform them into feeling, a cosmos within a cosmos.

What is polarity? The measurement of gravity What is purity? The measurement of light " " Finite = NotFalse/IsTrue % Infinite; Rectangular = Triangle/Square % Circular; Ratio = Pyquad % Sequence; ASCII = Hexagonals % Decimals; Prismatics = Polarity % Purity; Music = Octave % LikeHymn; " e.g. It's IF " Only The Penitent Man Shall Pass " - Indiana Jones and the Last Crusade

Identifying right from wrong was not as easy as she’d imagined, and the beliefs that had once been black and white had transformed into prismatic gemstones, where each facet revealed a spectrum of greyscale shades.

THOHPAISZINXORBITS GPL Instruction Set Is To.Pass.In.Xor.Bits Inspired By My Quotes, The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith For The Rectangular Orifix In The Square Is Triangulated To Binary

...And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith, And Inside That Whorl Ring The Town Portal That Time Consumes The Empty Ether Was The Tomb Of King Leoric, The Crown, And The Topaz Orange Elixir Of Magic That The Whorl Ring Cucked On A Hidden Shrine, And The Ring Is Mine, My Own, My Precious In Time...

...And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith, And Inside The Whorl Ring That Town Portal The Time Consumes The Empty Ethereal Tomb Was King Leoric's Crown, The Topaz Orange Elixir Of Magic Affixed In Time, And In The Second Awakening Cucked On A Hidden Shrine The Compass Rose That Ring Is Mine...My Own...My Precious Dime

...And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith The Rainbow Facet Inna's Whorl Ring The Town Portal Consumes Kings, And In Leoric's Empty Tomb The Affixed Topaz Orange Magic Elixir's Boon, Inna's Second Awakening The Compass Rose The Ethereal Crown A Diadem The Hidden Shrine To Dime The Ten Fountain's Precious Stones...

The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith

I loved college. I had always loved school. Not only because I was good at it and because I wanted to be good, but also because nothing compared to the explosion that happened in my mind when I understood the concepts of physics or unlocked the meaning of a poem. I craved the pop and spark of ideas, of new pathways searing through my consciousness. The excitement I felt in classes and in writing felt pure. There had been moments as a teenager, reading alone, when the prismatic, interconnected meaning of things exploded into my consciousness and I would feel as though I had stumbled up to the lip of a canyon, paralyzed, but vibrating with inspiration. And in college, there were teachers who really knew things, who has learned out of love, and the experience of learning from them felt like a kind of love itself.

Grand Prismatic Spring may as well be the poster child for the entire park. Larger than a soccer field, it takes on the appearance of an interdimensional oasis. An ethereal, deep-blue hue paints its pupil, while adventurous bacteria thriving in the piquant waters fleck its iris in shades of yellow, orange, and green. In the winter, the snow sizzles into steam as it drifts onto the spring’s rocky eyelid.

And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Zenith, Although Nor Half Empty Nor Half Full In The Time Consumed, Was The Topaz Orange Elixir Of Magic In The Town Portal To King Leoric's Tomb

And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith, And In Its Empty Glass Before Half Xor Full Time Consumed, Was The Tomb Of King Leoric, The Crown, Topaz Orange Elixir Of Magic, And Portal Up To Town

Hexagonal Prismatics Ports The Elements In Space Time: Rifted Fire, Mapped Wind, Saged Earth, Puzzled Water.

Iopened myself to the death current, feeling it charge my core with energy. But as I extended my consciousness toward it, Brother Zahi began to transform. The man before me went up in a pillar of flame, its heat so terrible I thought for sure we’d all combust. Then, as though Michelangelo himself took a chisel to it, the sculpted form of a man emerged from the fire. But not just any man. A blazing, twenty-foot tall man made of prismatic, smokeless flame. The jinni’s true form was astonishing. His fire twisted and flashed, his image rippling across the flames like a reflection on water. He thrust his arm forward and scorching air rushed past me, the heat so intense it disrupted my channeling.

walking sunwards through snow late on a midwinter day, with the wind shifting spindrift into the air such that the ice-dust acts as a prismatic mist, refracting sunshine into its pale and separate colours; or out on a crisp November night in a city garden, with the lit windows of houses and the orange glow of street light around, while the stars blinter above in the cold high air.

Above my hands, I could feel one colour of white coins, besides grey, blue and yellow as a simple white stone of all eternal elements, the entity inside already had left her silver fields, to change it All into a white prosperous horizon.

Fiery light refracted against the bezel-set gems, fracturing endless prismatic colors along the sleeping grounds.

Ahead, the dry hills of the opposite coast rise, arid and sculptural, as a ribbon along the horizon, all that separates vast prismatic sky from looking-glass sea.

He glanced up at me and then the figure who was questioning him, and I struggled, because I couldn’t help it, to see what he was seeing-this vampire whose skin still glowed though it was tanned, and whose eyes were prismatic and undeniably fierce.

Truth never penetrates the cultists and tribal mind as the group worship of the charismatic idol, provides meaning to an empty life.

...And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatic Amulets The Sandy Zenith A Rainbow Facet Inna's Whorl Ring The Town Portal Consumes Kings, And In Leoric's Empty Tomb The Affixed Orange Item Dupes Magic Elixir's Boon, Inna's Second Awakening The Compass Rose The Ethereal Crown A Diadem The Hidden Shrine Find A Dime In Ten Precious Stones...

The Sage's Gift A Seed The Topaz Keyrings Unique The Sandy Zeniths Hexagonal Prismatics The Oculus Crystal Swirling

...And So It Came To Pass That The Hourglass Orifices A Horadric Staff That The Prismatic Amulet A Rainbow Facet The Inna's Whorl Ring A Town Portal Consumes Kings, And In Leoric's Empty Tomb The Affixed Orange Item Dupes A Magic Elixir Potion Boon, Inna's Second Awakening The Ethereal Crown A Diadem The Hidden Shrine A Compass Rose The Precious Stones Times Ten...

And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Zenith, Although The Glass Not Half Empty Or Half Full In Time Consumed, Was The Topaz Orange Elixir Of Magic In Town Portal To King Leoric's Tomb?

And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith, And In Its Glass Nor Empty Nor Half Xor Full Time Consumed, Was The Tomb Of King Leoric, The Crown, And The Topaz Orange Elixir Of Magic Portal Up To Town

A Hexagonal Prismatic Abstraction By: JRM Golden Helix = Key Ring Portal Turn

...And So It Came To Pass That The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith, And Inside The Whorl Ring That Town Portal The Time Consumes The Empty Ethereal Tomb Was King Leoric's Crown, The Topaz Orange Magic Elixir Was Affixed, And The Second Awakening Was That The Brilliant Dazzling Compass Rose Cucked On A Hidden Shrine But The Ring Was Mine...My Own...My Precious Diadem In Time...

The Hourglass Orifices Hexagonal Prismatics At Its Sandy Zenith

The Final Play On My Version Of Ender's Game With Artificial Intelligence Utilizing My Method Of Hexagonal Prismatics - Abstract Sequence = Xor durability = key ring portal turn % Golden Helixor, XOR Lum = Fal Gul Hel % Vex, Rune8 Sage8 Golden8 Vortex8 % Band6, Final Result Interstellar 5555 = Rune Band Sage Band Golden Band Vortex Band