Prints And Crafts Quotes

One day when no one else was around, I went into the craft room at the back of the ground floor. I touched Gran's collection of fabrics, the shiny bright buttons, the coloured threads. My head and shoulders melted first, followed by my hips and knees. Before long I was a puddle, soaking into the pretty cotton prints. I drenched the quilt she never finished, rusted the metal parts of her sewing machine. I was pure liquid loss...

From earliest childhood I was charmed by the materials of my craft, by pencils and paper and, later, by the typewriter and the entire apparatus of printing. To condense from one's memories and fantasies and small discoveries dark marks on paper which become handsomely reproducible many times over still seems to me, after nearly 30 years concerned with the making of books, a magical act, and a delightful technical process. To distribute oneself thus, as a kind of confetti shower falling upon the heads and shoulders of mankind out of bookstores and the pages of magazines is surely a great privilege and a defiance of the usual earthbound laws whereby human beings make themselves known to one another.

The Author To Her Book Thou ill-formed offspring of my feeble brain, Who after birth did'st by my side remain, Till snatcht from thence by friends, less wise than true, Who thee abroad exposed to public view, Made thee in rags, halting to th' press to trudge, Where errors were not lessened (all may judge). At thy return my blushing was not small, My rambling brat (in print) should mother call. I cast thee by as one unfit for light, The visage was so irksome in my sight, Yet being mine own, at length affection would Thy blemishes amend, if so I could. I washed thy face, but more defects I saw, And rubbing off a spot, still made a flaw. I stretcht thy joints to make thee even feet, Yet still thou run'st more hobbling than is meet. In better dress to trim thee was my mind, But nought save home-spun cloth, i' th' house I find. In this array, 'mongst vulgars may'st thou roam. In critic's hands, beware thou dost not come, And take thy way where yet thou art not known. If for thy father askt, say, thou hadst none; And for thy mother, she alas is poor, Which caused her thus to send thee out of door.

Typographic style is founded not on any one technology of typesetting or printing, but on the primitive yet subtle craft of writing.

its paradox ingredients gave it great strength. This rope is the same, only better!” “Paradox ingredients?” Blitz held up the end of the rope and whistled appreciatively. “He means things that aren’t supposed to exist. Paradox ingredients are very difficult to craft with, very dangerous. Gleipnir contained the footfall of a cat, the spittle of a bird, the breath of a fish, the beard of a woman.” “Dunno if that last one is a paradox,” I said. “Crazy Alice in Chinatown has a pretty good beard.” Junior huffed. “The point is, this rope is even better! I call it Andskoti, the Adversary. It is woven with the most powerful paradoxes in the Nine Worlds—Wi-Fi with no lag, a politician’s sincerity, a printer that prints, healthy deep-fried food, and an interesting grammar lecture!

I was in Christopher Columbus, and sported its blue badge with great pride. It took me many years to understand or truly believe that Columbus was actually Italian. Even to this day I can’t fully accept it. Why would a school in the heart of England choose a foreign hero? Perhaps they were unaware of his nationality themselves. It was common knowledge that the British discovered everything – trains, democracy, television, printing, jets, hover-crafts, the telephone, penicillin, the flush lavatory and Australia, so it was reasonable to assume Christopher Columbus must have been a Briton.

From school desks with inkwells and scratchy nibs on paper to sweaty finger prints on a tablet... technology progression yes... style?

When adding descriptions to your online listings or printed materials, lead with benefits and follow with features.

By the time a book is actually in print, I’ve been over it a dozen times or more, can quote whole passages, and only wish the damned old smelly thing would go away.

In French printer's jargon, cliche (which mimicked the sound of a mold striking molten metal) was a synonym for stereotype, which in turn evolved from the Greek for "solid impression." A stereotype was a printing plate that duplicated typography and that was used by the printer in lieu of the original. So a cliche is a word or phrase used over and over again in lieu of the original.

Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are ‘still’ struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it breathing."

With no small amount of trepidation, we walked alone past a colony of black-faced monkeys we’d been told were extremely dangerous. We avoided eye contact and certainly didn’t take pictures. And dearly wished our old Sherpa bag-carrying matey was nearby. We visited Gandhi’s tomb. We saw saris being printed and hand-knotted carpets being fabricated and negotiated a decent price for a small hand-crafted rug of Mughal design that, as long as we keep the certificate of authenticity safe, should appreciated in value. We witnessed poverty beyond poverty, with ‘untouchables’ so poor that they are actually outside the caste system, and who can’t even afford to live in the unsanitary slums described as 'unfit for human habitation.

Direct marketers, of course, realize that measurement is the key to success. Figure out what works, and do it more! Mass marketers have always resisted this temptation. When my old company approached the head of one of the largest magazine publishers in the world and pitched a technology that would allow advertisers to track who saw their ads and responded to them, he was aghast. He realized that this sort of data could kill his business. He knew that his clients didn’t want the data because then their jobs would get a lot more complex. Measurement means admitting what’s broken so you can fix it. Mass-media advertising, whether it’s on TV or in print, is all about emotion and craft, not about fixing mistakes. One reason the Internet ad boomlet faded so fast is that it forced advertisers to measure – and to admit what was going wrong.

Seventeenth-century Europe was still largely illiterate – even in the cities no more than a third of people could read – so prints with images and just a few key words were the most effective means of mass communication. Even today we all know a well-crafted cartoon can be lethal in public debate.

Movies and television may be influencing writers to write more visually, using immediate scenes with specific points of view to put their stories across. But fiction can always accomplish something that visual media will never be able to match. ... One of the great gifts of literature is that it allows for the expression of unexpressed thoughts: interior monologue.

All communities require sustainable ways to make a living. Economic sustainability involves: Small-scale business, crafts, and services that create maximum diversity of economic base and a rich ecology of financial, income and job opportunities. Possibilities include cottage industries, local services, education, printing and publishing, trading, small-scale manufacturing, consulting, shops and cooperatives.

In the end, Miss Margitan settled for a formal apology and two weeks of detention for the bad boy who had dared call her Maggot in print. It was bad, but what in high school is not? At the time we’re stuck in it, like hostages locked in a Turkish bath, high school seems the most serious business in the world to just about all of us. It’s not until the second or third class reunion that we start realizing how absurd the whole thing was.

Most historical accounts were written by fallible scholars, using incomplete or biased resource materials; written through the scholars' own conscious or unconscious predilections; published by textbook or printing companies that have a stake in maintaining a certain set of beliefs; subtly influenced by entities of government and society — national administrations, state education departments, local school boards, etcetera — that also wish to maintain certain sets of beliefs. To be blunt about it, much of the history of many countries and states is based on delusion, propaganda, misinformation, and omission.

There was no reason whatever to make a wholesale choice between handicraft and machine production: between a single contemporary part of the technological pool and all the other past accumulations. But there was a genuine reason to maintain as many diverse units in this pool as possible, in order to increase the range of both human choices and technological inventiveness. Many of the machines of the nineteenth century, as Kropotkin pointed out, were admirable auxiliaries to handicraft processes, once they could be scaled, like the efficient small electric motor, to the small workshop and the personally controlled operation. William Morris and his colleagues, who almost single-handed salvaged and restored one ancient craft after another, by personally mastering the arts of dyeing, weaving, embroidering, printing, glass-painting, paper-making, book-binding, showed superior technological insight to those who scoffed at their romanticism.

Between my generation and that of my students is an entire cohort of writers in their 30s and 40s. I think they’ve suffered most from the climate I’m describing. They prepared for their trade in the traditional way, by reading literature, learning something about history or foreign countries, training as reporters, and developing the habit of thinking in complexity. And now that they’ve reached their prime, these writers must wonder: Who’s the audience for all this? Where did the broad and persuadable public that I always had in mind go? What’s the point of preparation and knowledge and painstaking craft, when what the internet wants is volume and speed and the loudest voices? Who still reads books? Some give in to the prevailing current, and they might enjoy their reward. Those who don’t are likely to withdraw. The greatest enemy of writing today might be despair. From a speech made in January 2020 on receipt of the 2019 Hitchens Prize, also printed as an essay in The Atlantic.

Newspapers back then still wielded a powerful influence over public opinion, especially their editorial and op-ed pages. I looked up the fifty top newspapers in the United States. Our ten consulates covered the areas in which they were published and distributed. If each consulate submitted an op-ed article to their local papers every few months, we could produce a critical mass of op-eds to influence the senators, members of Congress and other decision makers who read those pages. I set up a small cottage industry in the embassy to prepare and distribute the op-eds. Sharply crafted by writers I recruited, they were signed by Israel’s consuls. I allowed the consuls to insert changes to suit their particular audiences. If they submitted good op-eds on their own, I encouraged that, too. Soon we blanketed the key opinion markets of the United States with a steady stream of pro-Israeli op-eds debunking the vilifications leveled against us. Nothing on this scale had been done in America since my father published his ads during World War II. We started hearing the arguments and ideas we were seeding in print on television. When others repeat your ideas as their own, you are getting traction.

He’d spent months tracking down the book, so tiny it would fit in a doll’s hands, but so precious it had cost him an indecent amount of money. A miniature illuminated manuscript, crafted by the skilled hands of the smallest of the lesser Fae—one of the first printed books in existence. It hadn’t been meant for reading—but he’d figured that someone who adored books as much as Nesta would savor this piece of history. Even if she resented all things Fae. He’d regretted throwing it into the river the moment it had vanished under the ice, but … he’d been foolish that night.

Common Pitfalls and Success Tips Pitfall 1: You don’t take the power of vision seriously. Some people, especially type-A people, think that vision is fluff. Those who think about vision this way tend to leap past the question of purpose and dive into action. The problem is that when the going gets difficult, it is harder to stay committed to the work in the long run because there is no compelling reason, no persuasive why. The behaviors associated with this pitfall are not keeping your vision in front of you, not aligning your plans with it, and not remembering what is in it. Pitfall 2: The vision isn’t meaningful to you. Sometimes we are superficial in crafting our vision. We capture what we think we want—what we think we are supposed to want—rather than capturing what is meaningful to us. Visioning takes time. Keep working on it until you have something that connects emotionally. Pitfall 3: Your vision is too small. A small vision doesn’t call on our best efforts. We don’t have to reach and we don’t sacrifice our comfort. A small vision might be achievable, but we leave our best undelivered. To be most effective, your vision should make you feel uncomfortable and challenge you to do things differently—and do different things. Pitfall 4: You don’t connect your vision to your daily actions. Each day is an opportunity to either make progress on your vision or tread water. If you work from a plan that is aligned with your vision, you can be sure that you are acting on the most important things every day. You’ve crafted your vision and checked to avoid making those common mistakes. Now, here are three important action steps to take to make your vision even more powerful for you: Success Tip 1: Share it with others. Sharing your vision increases your commitment to it. When you tell someone else what you want in life, you feel more responsibility to act. Success Tip 2: Stay in touch with your vision. Print it out and keep it with you. Review it each morning and update it every time that you discover ways to make it more vivid and meaningful to you. Success Tip 3: Live with intention. At the end of each day, take a few minutes to reflect on the progress that you made today. Did it move you forward, or was it filled with activity that wasn’t related to your vision? Resolve to be intentional in your actions to make progress on your vision. What action will you take tomorrow?

FDM (Fused Deposition Modeling) printers There is no hard and fast classification of the FDM 3D printers Cartesian 3D Printers: These are the most common type, operating on a straightforward Cartesian coordinate system with linear rails guiding movement along the X, Y, and Z axes. They are recognized for their simplicity and reliability. Delta 3D Printers: Delta printers employ a triangular configuration of three arms attached to moving carriages at the printer's apex. The print head hangs from these carriages, executing precise movements to craft the intended object. Delta printers excel in speed and consistency, particularly in producing tall items. CoreXY 3D Printers: CoreXY printers utilize a distinctive belt-driven mechanism to maneuver the print head across the X and Y axes. This design separates the print head's motion from that of the build platform, resulting in swifter and more accurate prints. Enthusiasts favor CoreXY printers for their speed and precision. Polar 3D Printers: Polar printers feature a circular build platform and a print head that moves both radially and vertically. This configuration facilitates continuous rotation of the print bed, enabling the creation of objects with intricate geometric shapes. Polar printers are commonly employed for crafting artistic and sculptural pieces. SCARA 3D Printers: SCARA (Selective Compliance Articulated Robot Arm) printers utilize a robotic arm mechanism to navigate the print head in a two-dimensional plane. This design offers rapid and precise movement, making SCARA printers ideal for producing small, intricate objects with exceptional accuracy. Each variant of FDM 3D printer has its own strengths and is tailored to diverse applications, spanning from hobbyist endeavors to industrial-scale manufacturing.

Difference Between SLA and DLP 3D Printing SLA and DLP printing methods differ in various aspects, they share some commonalities. Both processes involve exposing liquid photopolymers to light. They utilize resin tanks and are suitable for crafting intricate small-scale models. Additionally, they can handle a range of materials, including flexible and rigid substances, as well as composites like glass or ceramic blends. However, it's important to note that parts produced by these methods tend to be fragile, susceptible to degradation from sunlight exposure, and prone to warping over time. Stereolithography (SLA), pioneered in 1984, stands out as one of the most precise 3D printing techniques available today. In contrast to DLP, SLA employs laser technology as its light source. The laser beam traverses the resin tank horizontally, solidifying material layer by layer. There are two main types of SLA machines: those with a top-down laser approach, where a plate descends with each new layer, and those employing a bottom-up laser method, with a platform rising incrementally. SLA achieves exceptionally smooth surfaces and offers a layer thickness ranging from 0.05 to 0.01 mm, enabling the production of objects with incredibly fine details.

Read James Thurber, Ogden Nash, Dorothy Parker.  P.G. Wodehouse, Robert Benchley. David Sedaris. My comedy hero Stephen Leacock.

I’ve been in tapings that went seven hours. To quote comedian Rita Rudner about long labors, I don’t even want to do anything I like for seven hours.

If you’re a craftswoman, you should dedicate time to perfecting your craft. You should follow the trends in your industry with at least the enthusiasm you’d give to following juicy celebrity gossip or season 2 of your favorite show. You should understand why your company succeeds and how it fails, even if it’s boring, even if you hate charts. If you’re a creative, you should understand the business side of things, enough so you’re empowered and don’t feel helpless or lost. Learn how to read a P&L statement. Examine the fine print in your contract before you sign, even if it’s making your eyes cross.

Imagine yourself in pre-industrial times and consider how implausible each of these recent advances would have seemed. To an artisan skilled in the crafting of violins, an iPod would seem frankly preposterous. To a worker in a print shop in the seventeenth century, the power and outward simplicity of a desktop printer would be beyond imagining

Drive to the expired home, take a photo. Have a unique letter saved in your computer that you can print out that morning.  This letter will have the home owner’s name at the top of the page with the words “Your listing expired at midnight last night.”  Include a copy of the expired MLS sheet.  Hi-lite the date it expired.  In your letter state they’ll be receiving a box from you in the mail in a few days. Insert this letter into a unique mailing envelope.  I use white bubble wrap envelopes (9x12) and brown craft envelopes (9x12).  Write the owner’s name on the front of the envelope and directly below that write “Confidential”.  That’s all. Don’t write their address on the card. Then, back at the office or your home, enter the owner and address in the SOC contact manager.  Upload photo of home to the SOC system.  Send a custom greeting card with box of cookies or brownies. Follow up 3-5 days after you’ve sent the package with either a phone call, knock at the door or another drop off letter.  They will remember you because they just received a custom card with brownies or cookies.  It turns a cold call into a warm call every time.  It works!

HEART CRAFT By Carolyn R Scheidies Drafting words takes more Than talent or skill or art. It’s the imparting of the message, God has placed upon your heart. From Especially for the Christian Writer for today's media-savvy author or would-be author. Print and Kindle versions

Because of that, just days after taking office as prime minister, Churchill was preparing for the ultimate emergency – the potential loss of most of the British army. The War Minister Anthony Eden had already announced the formation of the Home Guard, and asked able-bodied men to come forward. A huge number did so. Later that same evening (14 May), the BBC had broadcast this announcement: “The Admiralty have made an order directing the owners of self-propelled pleasure craft between thirty and one hundred feet in length to send all particulars to the Admiralty within fourteen days from today, if they have not already been offered or requisitioned. By this day, five days later, retired Rear Admiral Alfred Taylor had been given powers to collect and pay crews of small craft which might be used by navy, and was gathering them at Sheerness in the Thames estuary. The man in charge of finding the ships, H. C. Riggs, was now sleeping at the offices of the Ministry of Shipping in Berkeley Square, one of the administrative heroes of Dunkirk, and was collecting information on small ships that might be available and holding them in port. The clerks at the Admiralty were printing copies of form T124, which signed people up for 90 days short service in the navy.

Style and voice are different. Style is standard conventions of writing. Voice is the distinct way an individual puts words together. All good writers have a near-uniform understanding of style but a voice all their own.

Later he worked with E.P. Thompson at the Centre for the Study of Social History at the University of Warwick to learn the art and craft of ‘people’s remembrancing’ which has taken printed results in Albion’s Fatal Tree, The London Hanged, The Many-Headed Hydra, Magna Carta Manifesto, and Stop, Thief!

At Katherine's Crafts we offer high quality products handcrafted by us. Our products include various cards, digital art prints, paintings, custom digital art and photos. We strive to create products our customers will love and enjoy. We are very passionate about art and thoroughly enjoy creating it, and sharing our art with others. We work very hard to create each product and it means the world to us when people order our products and enjoy them. Check out all our products on our website.

Donj Jewellery was founded in Montreal to offer the wearer an authentic symbol of character that represents the four pillars of a Donj: respect, responsibility, genuinity and style. We craft our jewelry using the highest quality materials. All of our products are GIA certified and lab tested. 3D printing technology allows us to create ultra-finely-detailed jewellery that pushes the upper boundaries of quality. Engagement rings, wedding rings, gold chains, gold pendants, we got it all.

MYTH-1: Handmade items are costly! The items are modest yet the commitment of the craftsmen behind the items we offer is costly The vast majority of the cycles engaged with making the item are finished by the creator – the plan, however, the choice of the materials, the working out of how to cause the materials to go together, gathering the item, capturing the item, advertising the item, planning the bundling, and posting, conveying, or action selling. In spite of this, the items that the fasten organization offers you are truly sensible. Haven't viewed our list? here you go! (click here) Have you ever discovered such wonderful hand-made items at such modest rates?? I GUESS NOT! MYTH-2: HAND-MADE PRODUCTS ARE NOT STYLISH On the off chance that you believe that way, I have an inquiry for you – did your grandmother convey such a shopping pack when went out to get for food supplies or did she have such telephone and individual embellishment sacks? Certainly not. The crafted works are not, at this point unfashionable or old-fashioned. Actually, they are intended for pioneers. Simply being an aspect of the pattern and following it has neither rhyme nor reason. Be the person who sets it MYTH-3: HANDMADE GOODS ARE OF POOR QUALITY I can't envision how individuals have such misguided judgment. The machine-made merchandise is to some degree bargained with quality. In any case, with regards to hand made items, they are taken well consideration of by the craftsmen as referenced above, there is no trade-off with the quality. They are made of cotton and jute which are solid and strong. They are lightweight and simple to deal with. MYTH-4: THEY ARE SAME OLD PATTERNS You can't quit lecturing about the handcrafted items which are extremely extraordinary as it will never be equivalent to some other the explanation being that they are delivered by the hands of a craftsman and not a machine. The sack so made is a result of devotion, love, energy, and the enthusiasm to serve the client. Individuals love block prints due to the strong and straightforward plans that can be made, yet that effortlessness finds a way to accomplish. The strategy is brilliant for pictures with only a couple of tones and fewer subtleties however can be hard to use for pictures with bunches of little content, or extremely fine subtleties that will, in general, sever the square with such a large number of employments. One of the benefits of square printing is that it very well may be done on a surface of practically any size and surface. I print on texture, paper, canvas, wood, and different materials, and you don't need to stress over fitting it through a printer or a press. MYTH-5: HANDMADE PRODUCTS ARE NOT LONG LASTING Recollect the last cowhide sack you had? Which lost its covering not long after getting wet in a downpour or subsequent to utilizing it for 3-4 times. That is not the situation with hand-made cotton packs. They are launderable which makes it look clean with each utilization. No problem with the upkeep.

Sewing is an enjoyable hobby that allows you to be creative and make a variety of items for yourself and others. At Clothingus.com, we offer a range of resources to help you learn how to sew, including easy projects and information about different sewing tools and their uses. Here are some interesting facts about sewing and related materials that may inspire you to try this useful craft: Cotton fabric can last for up to 100 years with proper care. In fact, cotton fabric has been found in many archaeological sites, indicating its longevity. Women's buttons are typically sewn onto the left side of a garment due to historical reasons. In the past, buttons were expensive, and only wealthy women with domestic help could afford them. To make it easier for the help to button up the garments, they were placed on the left side. Zippers were invented in 1893 and were initially used only on shoes and boots to make them easier to put on. Over time, they gained popularity and were used on other garments as well. The term "calico" refers to a type of cotton print that originated in the city of Calcutta, India. These hand-woven printed fabrics were made in the late 18th century and were named after the city. Buttons on sleeves were introduced by Napoleon Bonaparte. He wanted to prevent his soldiers from wiping their noses on their sleeves, so he ordered buttons to be sewn onto the ends of the sleeves. Sewing is believed to be one of the first skills that Homo sapiens learned. Archaeologists have found evidence of people sewing together fur, hide, skin, and bark for clothing dating back to 25,000 years ago. Early sewing needles were made of bone and ivory, with metal needles being developed later in human history. By the 20th century, more than 4000 different types of sewing machines had been invented. However, only those that made sewing simple, fun, and easy survived over time. If you're interested in learning more about sewing, visit Clothingus.com for lessons and projects that can help you build a solid foundation in this skill. Whether you're a beginner or have some experience, we have something for you. Visit Clothingus.com now.

Japanese arts, crafts and culture became a craze after the 1860s. In particular woodblock prints and paintings featuring cherry blossoms, by artists such as Katsushika Hokusai and Utagawa Hiroshige,

Publishers that survive, whether they focus on traditional print or on digital media, will need to become indispensable to the communities they serve.

Stein, Sol, Stein on Writing. Perhaps the best book ever written on the overall craft of fiction. Straightforward, practical, easily absorbed.

New technologies, be it the printed encyclopedia or Wikipedia, are not abstract machines that independently render us stupid or smart. As we saw with Enlightenment reading technologies, knowledge emerges out of complex processes of selection, distinction, and judgment—out of the irreducible interactions of humans and technology. We should resist the false promise that the empty box below the Google logo has come to represent—either unmediated access to pure knowledge or a life of distraction and shallow information. It is a ruse. Knowledge is hard won; it is crafted, created, and organized by humans and their technologies. Google’s search algorithms are only the most recent in a long history of technologies that humans have developed to organize, evaluate, and engage their world.

This is the shape that Renaissance innovation takes, seen from a great (conceptual) distance. Most innovation clusters in the third quadrant: non-market individuals. A handful of outliers are scattered fairly evenly across the other three quadrants. This is the pattern that forms when information networks are slow and unreliable, and entrepreneurial economic conventions are poorly developed. It’s too hard to share ideas when the printing press and the postal system are still novelties, and there’s not enough incentive to commercialize those ideas without a robust marketplace of buyers and investors. And so the era is dominated by solo artists: amateur investigators, usually well-to-do, working on their own private obsessions. Not surprisingly, this period marks the birth of the modern notion of the inventive genius, the rogue visionary who somehow sees beyond the horizon that limits his contemporaries—da Vinci, Copernicus, Galileo. Some of those solo artists (Galileo most famously) worked outside of broader groups because their research posed a significant security threat to the established powers of the day. The few innovations that did emerge out of networks—the portable, spring-loaded watches that first appeared in Nuremberg in 1480, the double-entry bookkeeping system developed by Italian merchants—have their geographic origins in cities, where information networks were more robust. First-quadrant solo entrepreneurs, crafting their products in secret to ensure their eventual payday, turn out to be practically nonexistent. Gutenberg was the exception, not the rule.

True basket weaving was, and remains, the original 3D printing.

Using the Net is easy, but getting your meaning across there is just as hard as it is in print. Perhaps harder, because it appears that a lot of people read more hastily and carelessly on the screen than on the page.

Seibel: What are the techniques that you use there? Print statements? Armstrong: Print statements. The great gods of programming said, “Thou shalt put printf statements in your program at the point where you think it's gone wrong, recompile, and run it.

We make designer fine art prints for inspirational wall decor, motivational wall art, high-resolution art printed on fine paper, canvas, acrylic or metal. AWAKE art is specifically crafted to keep your mind focused on your goals, to engage your spirit, and energize your actions. We've designed our inspirational wall decor for the office, home, or studio that needs an extra boost of prosperity energy.

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