“
I am your Prince and you will marry me," Humperdinck said.
Buttercup whispered, "I am your servant and I refuse."
"I am you Prince and you cannot refuse."
"I am your loyal servant and I just did."
"Refusal means death."
"Kill me then.
”
”
William Goldman (The Princess Bride)
“
You think this is a trap then?" the Count asked.
"I always think everything is a trap until proven otherwise," the Prince answered. "Which is why I'm still alive.
”
”
William Goldman (The Princess Bride)
“
She loves you," the Prince cried. "She loves you still and you love her, so think of that--think of this too: in all this world, you might have been happy, genuinely happy. Not one couple in a century has that chance, not really, no matter what the storybooks say, but you could have had it, and so, I would think, no one will ever suffer a loss as great as you.
”
”
William Goldman (The Princess Bride)
“
I played it for my bride, and one day you will play for yours.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
You think I don't know how stories get written- how this story will be written?" Rhys put his hands on his chest, his face more open, more anguished than I'd seen it. "I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince- the hero who will get to keep you as his reward for not dying of stupidity and arrogance.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The Prince found Buttercup waiting unhappily outside his chamber doors.
It's my letter,' she began. 'I cannot make it right.'
Come in, come in,' the Prince said gently. 'Maybe we can help you.' She sat down in the same chair as before. 'All right, I'll close my eyes and listen; read to me.'
Westley, my passion, my sweet, my only my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup.' She looked at Humperdinck. 'Well? Do you think I'm throwing myself at him?
”
”
William Goldman (The Princess Bride)
“
But I will never have a bride.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Always promise less than you can give, for Fates always take more.
Do not make bargains with more than one Fate.
And, above all, never fall in love with a Fate.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Waiting for Prince Charming?"
"Aren't all women? And you're waiting for Cinderella."
"Actually," Jared said slowly, "I'm rather hoping to find the Evil Queen. I think she'd be much more fun.
”
”
Jude Deveraux (True Love (Nantucket Brides, #1))
“
And now I say to you, Yeva Luchcova: will you remain here with the father who tried to sell you, or the prince who hoped to buy you, or the man too weak to solve his riddles for himself? Or will you come with me and be the bride to nothing but the shore?
”
”
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
“
I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince--the hero who will get to keep you as his reward for not dying of stupidity and arrogance.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"
And then my right eye, and then my ears, and shall we get on with it?" the Prince said.
Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears.
”
”
William Goldman (The Princess Bride)
“
I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive."
You are only alive now because you said 'to the pain.' I want that phrase explained."
My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"
And then my right eye, and then my ears, and shall we get on with it?" the Prince said.
Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!"
The sword crashed to the floor.
”
”
William Goldman (The Princess Bride)
“
The only person who fears nothing is one who has nothing to lose.
”
”
Christina Dodd (The Prince Kidnaps a Bride (Lost Princesses, #3))
“
I must court her now,' said the Prince. 'Leave us alone for a minute.' He rode the white expertly down the hill.
Buttercup had never seen such a giant beast. Or such a rider.
'I am your Prince and you will marry me,' Humperdinck said.
Buttercup whispered, 'I am your servant and I refuse.'
'I am your Prince and you cannot refuse.'
'I am your loyal servant and I just did.'
'Refusal means death.'
'Kill me then.'
'I am your Prince and I’m not that bad — how could you rather be dead than married to me?'
'Because,' Buttercup said, 'marriage involves love, and that is not a pastime at which I excel. I tried once, and it went badly, and I am sworn never to love another.'
'Love?' said Prince Humperdinck. 'Who mentioned love? Not me, I can tell you. Look: there must always be a male heir to the throne of Florin. That’s me. Once my father dies, there won’t be an heir, just a king. That’s me again. When that happens, I’ll marry and have children until there is a son. So you can either marry me and be the richest and most powerful woman in a thousand miles and give turkeys away at Christmas and provide me a son, or you can die in terrible pain in the very near future. Make up your own mind.'
'I’ll never love you.'
'I wouldn’t want it if I had it.'
'Then by all means let us marry.
”
”
William Goldman (The Princess Bride)
“
As your general, I should tell you that would be a terrible decision."
[...]
"As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you. [...] I would give you a crown if I could, I would show you the world from the prow of a ship. I would choose you Zoya. As my general, as my friend, as my bride.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Your father is dying."
"Drat!" said the Prince, "That means I shall have to get married.
”
”
William Goldman (The Princess Bride)
“
The dweam of wuv wapped wiffin the gweater dweam of everwasting west. Eternity is our fwiend, wemember that, and wuv wiw fowwow you fowever.
”
”
William Goldman (The Princess Bride)
“
Romance made every woman beautiful, and every man a prince. A woman with romance in her life lived as grandly as a queen, because her heart was treasured.
”
”
Nora Roberts (Bed of Roses (Bride Quartet, #2))
“
Man is like a bride unto God. God is jealous when man veers away from Him.
”
”
Jaachynma N.E. Agu (The Prince and the Pauper)
“
[Prince Humperdinck] was seventy-five minutes away from his first female murder, and he wondered if he could get his fingers to her throat before even the start of a scream. He had been practicing on giant sausages all the afternoon and had the movements down pretty pat, but then, giant sausages weren’t necks and all the wishing in the world wouldn’t make them so.
”
”
William Goldman (The Princess Bride)
“
But some vows are made for good reason, and some are made for pride.
”
”
Christina Dodd (The Prince Kidnaps a Bride (Lost Princesses, #3))
“
I’m no Prince Charming,” he admitted flatly. “I’m big and hard, and so hungry it feels like I haven’t had a woman in years. I wouldn’t court you, Rachel, I’d just take you.
”
”
Fiona Brand (Cullen's Bride)
“
Below is a conversation between Jorg and his new bride.
"The Prince of Arrow has a much bigger army than you," Miana said. No "Your Highness" no "My Lord."
"Yes, he does." I kept waving to the crowd, the big smile on my face.
"He's going to win, isn't he?" she said. She looked twelve but she didn't sound twelve.
"How old are you?" I asked, a quick glance down at her, still waving.
"Twelve."
Damn.
”
”
Mark Lawrence (King of Thorns (The Broken Empire, #2))
“
Wide brimmed and narrow, some tall, some not, some fancy, some colorful, some plaid, some plain. She doted on changing hats at every opportunity. When she met the Prince, she was wearing one hat, when he asked her for a stroll, she excused herself, shortly to return wearing another, equally flattering.
”
”
William Goldman (The Princess Bride)
“
I’ve never believed in fairy tales. One day, the fairies will tell this story. There will be a valiant prince, a part no doubt played in history by the brave Vartan who journeys to rescue his bride from a dragon. There will be fairies. There will be horse-birds and there will be an enchanted blade. But, I will no doubt be stricken from the tale, a cursed blemish on a shining story. Happy endings don’t always happen in the real world.
”
”
T.T. Escurel (The House of Rose (Auronia #1))
“
Wesley: To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose. The next thing you will lose will be your left eye followed by your right.
Prince Humperdink: And then my ears, I understand let's get on with it.
Wesley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever.
”
”
William Goldman (The Princess Bride)
“
Will you remain here with the father who tried to sell you, or the Prince who hoped to buy you, or the man too weak to solve his riddles for himself? Or will you come with me and be bride to nothing but the shore?
”
”
Leigh Bardugo (Folktales from Ravka: Little Knife, The Too-Clever Fox, The Witch of Duva)
“
So you think this is a trap then? the Count said. I think everything is a trap. which is why I am still alive. said the prince
”
”
William Goldman (The Princess Bride)
“
Not so much wonderful as perfect," she replied. "Kind of flawless. More or less magnificent. Without blemish. Rather on the ideal side." She looked at the Prince. "Am I being helpful?"
"I
”
”
William Goldman (The Princess Bride)
“
He knew exactly what was due east and if his parents wanted him to bring a bride back to the castle, then heading towards the fire-breathing dragon was the wrong way to go about it. Any princess daft enough to get herself captured by a dragon was on her own." Prince Aiden on finding a bride.
”
”
L.M. Brown (Let Down Your Hair)
“
God first appeared on the scene of human history in the role of a matchmaker. What a profound and exciting revelation!
Is it too much to suggest that Eve came to Adam on the arm of the Lord Himself in the same way that a bride today walks down the aisle of the church on her father’s arm? What human mind can fathom the depth of love and joy that filled the heart of the great Creator as He united the man and woman in this first marriage ceremony?
Surely this account is one among countless indications that the Bible is not a work of merely human authorship. Moses is generally accepted as the author of the creation record. But apart from supernatural inspiration, he would never have dared to open human history with a scene of such amazing intimacy—first between God and man, and then between man and woman.
”
”
Derek Prince (God Is a Matchmaker)
“
Prince Humperdinck: First things first, to the death.
Westley: No. To the pain.
Prince Humperdinck: I don't think I'm quite familiar with that phrase.
Westley: I'll explain and I'll use small words so that you'll be sure to understand, you warthog faced buffoon.
Prince Humperdinck: That may be the first time in my life a man has dared insult me.
Westley: It won't be the last. To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose.
Prince Humperdinck: And then my tongue I suppose, I killed you too quickly the last time. A mistake I don't mean to duplicate tonight.
Westley: I wasn't finished. The next thing you will lose will be your left eye followed by your right.
Prince Humperdinck: And then my ears, I understand let's get on with it.
Westley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever.
Prince Humperdinck: I think you're bluffing.
Westley: It's possible, Pig, I might be bluffing. It's conceivable, you miserable, vomitous mass, that I'm only lying here because I lack the strength to stand. But, then again... perhaps I have the strength after all.
[slowly rises and points sword directly at the prince]
Westley: DROP... YOUR... SWORD!
”
”
-Princess Bride
“
I'm so confused. How do the two of you even know each other?'
'She's the Fate that poisoned you,' Jacks said.
Lala gave Jacks an impressive glare. 'This is why everyone hates you.'
He laughed in response as if they were flirting. Was this how Fates flirted- with accusations of murder?
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
The truth,’ said Westley, ‘is that you would rather live with your prince than die with your love.’ ‘I would rather live than die, I admit it.’ ‘We are talking of love, madam.’ There was a long pause. Then Buttercup said it: ‘I can live without love.’ And with that she left Westley alone.
”
”
William Goldman (The Princess Bride)
“
The Count was Prince Humperdink's only confidant. His last name was Rugen, but no one needed to use it - he was the only Count in the country, the title having been bestowed by the Prince as a birthday present some years before, the happening taking place, naturally, at one of the Countess' parties.
”
”
William Goldman (The Princess Bride)
“
Within the magical community, most brides are virgins. Do you have any idea how many curses and other horrible things are associated with virginity and virgin bloodshed? For witches, having sex before marriage invites all sorts of evil magic in.
”
”
Elizabeth A. Reeves (How [Not] to Kiss a Prince (Cindy Eller, #2))
“
Westley, my passion, my sweet, my only, my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup." She looked at Humperdinck. "Well? Do you think I'm throwing myself at him?"
"It does seem a bit forward," the Prince admitted.
”
”
William Goldman (The Princess Bride)
“
I think it's your bosoms." Rand Surveyed him critically. "The dress wouldn't be as tight if they weren;t so large. I think your bosoms are too big."
Alexei looked down at his overstuffed chest. "Can bosoms ever be too big?"
Not real bosoms perhaps, but I think in your case..." Rand considered him thoughtfully. "No question about it: they're definately too big"
Are you sure?" Alexei studied his reflection. "I thought they were just the right size for a man of my height.
”
”
Victoria Alexander (The Prince's Bride (Effingtons, #4))
Christine Rimmer (The Prince's Cinderella Bride (The Bravo Royales Book 7))
“
there is always, always happiness on the other side of heartbreak.
”
”
Anastasis Blythe (Bride of the Fae Prince: (Brides of the Fae))
“
You can give me whatever funny courtly names you so desire, but my favorite shall always and ever be husband.
”
”
Anastasis Blythe (Bride of the Fae Prince (Bride of the Fae Prince, #1))
“
It's my letter," she began. "I cannot make it right."
"Come in, come in," the Prince said gently. "Maybe we can help you." She sat down in the same chair as before. "All right, I'll close my eyes and listen; read to me."
" 'Westley, my passion, my sweet, my only, my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup.' " She looked at Humperdinck. "Well? Do you think I'm throwing myself at him?"
"It does seem a bit forward," the Prince admitted. "It doesn't leave him a great deal of room to maneuver.
”
”
William Goldman (The Princess Bride)
“
He sensed that his bride was only a step away from bolting. Fiona's words came back to him — I've yet to meet a lass who could resist a strappin' fellow with a babe in his arms.
In an effort to erase her stricken expression, he thrust his burden into her arms. "My children and I would like to welcome you to Elsinore, my lady."
She eased back the blanket, then stood gazing down at the feathery perfection of the babe's head.
Her eyes were as cool as the ash from yesterday's fire. "No, thank you," she finally said, handing it back to him. "I've already eaten.
”
”
Teresa Medeiros (Charming the Prince (Once Upon a Time, #1))
“
I have always found the rejected stepsisters of Cinderella far more captivating than the story's namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all.
Look how I will carve myself to fit into your life. Who will not do less?
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
Odette, because of you, I laugh, I smile, and I dare to dream of a future that is worthy of poets. The reasons that brought us together weren’t the best or the most romantic, but I am glad for them nevertheless, and I swear to you that from now until the day I die, your dreams are my dreams. Your joy is my joy. Your pain is my pain, and I will never betray you. You are now my body, my mind, my soul, and my heart. You are my sun, my moon, and all of my stars.
”
”
J.J. McAvoy (The Prince’s Bride Part 1 (The Prince's Bride, #1))
“
Daenerys Targaryen loved her captain, but that was the girl in her, not the queen. Prince Rhaegar loved his Lady Lyanna, and thousands died for it. Daemon Blackfyre loved the first Daenerys, and rose in rebellion when denied her. Bittersteel and Bloodraven both loved Shiera Seastar, and the Seven Kingdoms bled. The Prince of Dragonflies loved Jenny of Oldstones so much he cast aside a crown, and Westeros paid the bride price in corpses...Her love for Daario is poison.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Half the Armada had begun to give chase to the great ship Revenge. And the Revenge, alone, was sailing, as it had to do, away. "Surrender," the Prince said.
"It will not happen."
"SURRENDER!" the Prince shouted.
"DEATH FIRST!" Westley roared.
”
”
William Goldman (The Princess Bride)
“
It was only when she sat and the hem of her dress lifted that I noticed the blood pooling in her glass slippers, the fine crack along one side. Indigo removed the shoes carefully. Two of her toes were blue. Later, we would discover they were broken. Later, I would cradle her ankles and tell her I loved her and insist on carrying her up the stairs and all throughout the house. I had always found the rejected stepsisters of Cinderella far more captivating than the story’s namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less? In Indigo’s blue toes and ruined skin, I saw a love letter. Gruesome, yes, but for all that it became in the end, it must be said that it was always true.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
How did I just walk up to your father’s palace and find you?” he breathes between kisses. “How did I marry a stranger—only to discover I’d wed an angel? I’m half afraid the moment I turn around, you’ll have sprouted wings and flown out of my reach.
”
”
Anastasis Blythe (Bride of the Fae Prince (Bride of the Fae Prince, #1))
“
At that moment, in that brief second before she screamed bloody murder, all I could think was, the poets are right. No one will believe me, and many others will think I am insane. But I want the sun to rise with my name on her lips and my hand on her hips.
”
”
J.J. McAvoy (The Prince’s Bride Part 1 (The Prince's Bride, #1))
“
She could not tell him that she protested because she did not believe he loved her enough to become his wife. It was no ordinary man but the Prince of Light who was asking her to be his bride. And, she thought gloomily, what sacrifice might she have disregarded had his gaze been only for her?
”
”
Noriko Ogiwara (Dragon Sword and Wind Child (Tales of the Magatama, #1))
“
So anxious was the tsar to keep the Balkan states faithful to Russia, it was asserted, that he intended ‘to utilize his four daughters, who are not to marry four Russian Grand Dukes, nor even four unorthodox Princes of Europe’. No, the four grand duchesses of Russia, so the rumour went, were to become ‘Queens of the Balkans’, with Olga a bride for Prince George of Serbia; Tatiana for Prince George of Greece; Maria for Prince Carol of Romania and Anastasia set for Prince Boris of Bulgaria – although other press reports had gone so far as to claim that Boris was in fact about to be betrothed to Olga.29
”
”
Helen Rappaport (The Romanov Sisters: The Lost Lives of the Daughters of Nicholas and Alexandra (The Romanov Sisters #2))
“
I thought all you princes wanted was demure virgins you could pluck for the first time."
"Ah, there you have got us all wrong! That seems to be what one is expected to want, especially in a bride. Virginity is overrated. Give me a woman who knows what she wants any day over a simpering and most likely scared innocent.
”
”
Helen Rygh-Pedersen (The Briar Crown)
“
Tell me again.” He pulls me into his lap. “I love you, Briar. “I don’t think I’ll ever get tired of hearing that.” “I’ll never get tired of telling you.” I hug him tight. “I love you, too, Sol. I never thought I’d end up in an actual fairy tale with my very own dragon Prince Charming, but I wouldn’t have it any other way.
”
”
Katee Robert (The Dragon's Bride (A Deal With a Demon, #1))
“
I do trust you more than myself sometimes. I would make you my queen because I want you- I want you all the time. No prince and no power could make me stop wanting you. I would give you a crown if I could. I would choose you, Zoya. As my general, as my friend, as my bride.
I wasn't born to be a bride. I was made to be a weapon.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Then he looked down, and saw that the blood streamed so much from the shoe, that her white stockings were quite red. So he turned his horse and brought her also back again. 'This is not the true bride,' said he to the father; 'have you no other daughters?' 'No,' said he; 'there is only a little dirty Ashputtel here, the child of my first wife; I am sure she cannot be the bride.' The prince told him to send her. But the mother said, 'No, no, she is much too dirty; she will not dare to show herself.' However, the prince would have her come; and she first washed her face and hands, and then went in and curtsied to him, and he reached her the golden slipper. Then she took her clumsy shoe off her left foot, and put on the golden slipper; and it fitted her as if it had been made for her.
”
”
Jacob Grimm (Grimm's Fairy Tales)
“
Leïla, sorcière berbère, nourrie exclusivement au couscous, en passe de se transformer en paquet de semoule, spécialisée dans le désenvoûtement et le retour d'affection, cherche prince charmant pour lui dire qu'elle est belle, lui faire un bon café et lui laver ses jeans. Chômeur accepté, mais travailleur à mi-temps non exclu - les autres si pas trop cultivés, car je suis allergique aux désherbants.
”
”
Karine Bride (La sorcière de la cité)
“
Tradition now dictated that anyone could try and pull the couple apart. Whoever succeeded in separating them at their ribbons would be able to sit beside the couple as they feasted in celebration. The field became a tumble of laughing mates and contestants as males tried to remove males and females tried to remove females.
Jacob grabbed his newly healed bride and floated out of the reach of the would-be renders, a cry of protest rising from below them. Gideon and Legna were left unmolested, Gideon’s imposing reputation having a quelling effect on the nerves of any who might have approached.
He was kissing his bride when he felt a tap on his shoulder. He turned and saw Damien arching a challenging brow at him. Legna laughed, delighted as Gideon gave the Prince a dirty look. Her humor lasted about two seconds. That was when Damien’s partner in crime tapped Legna’s shoulder.
Siena gave the bride a feline grin.
“Oh, you bitch,” Legna choked out, laughing in her shock at the excellent maneuver on the Queen’s part.
“Uh-uh,” the Queen scolded, her collar winking in the firelight. “That’s not very diplomatic of you, Ambassador.”
“You realize this means war,” Legna said archly.
“As if I would settle for anything less,” Siena returned.
Legna and Gideon sighed, looking at each other and rolling their eyes. Husband grabbed hold of wife by their joined arms and then they braced their feet. Legna felt slim, strong arms around her waist and shoulders, and Gideon was seized in a similar hold by the determined Damien.
“Darling?” Legna said.
“Yes, love.”
“Yes?”
“Definitely yes.”
The Vampire and Lycanthrope pulled, and immediately found themselves holding nothing but air.
They both fell over hard into the dirt, dazedly watching a pair of ribbons floating down to the ground.
“Oh look, they won,” Legna remarked from her and Gideon’s new position a few feet away.
“How about that,” Gideon mused. “See you both at dinner. Congratulations on your victory.”
The couple popped off to who knows where, leaving indignant but dubiously victorious royalty behind.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
We did not go about this bride thing right. I do not think women are still used to being stolen as they once were.”
“Some adjustment is to be expected.”
“It is more than that. She keeps asking for things that I do not have—her Earth clothes and something called a cheeseburger, which I recall from the mini shows as being a giant food that women enjoy eating half naked very slowly.” Kyran thought of Eve’s beautiful legs. He would very much enjoy getting her a cheeseburger
”
”
Michelle M. Pillow (Determined Prince (Captured by a Dragon-Shifter, #1))
“
Following the death in 1874 of Prince Hamid ‘Ali, the heir apparent, the title passed to Farid-ud-din Qadr. He was now the eldest surviving son of Wajid ‘Ali Shah, born to Mashuq Mahal in about 1846. He had been first married when he was about six years old, to a daughter of the chief minister, ‘Ali Naqi Khan, who seemed to have an inexhaustible supply of female relatives as brides for the Awadh family. These complicated family intermarriages meant that the king’s second nikah wife, Akhtar Mahal, was also the sister-in-law of Farid-ud-din Qadr.
”
”
Rosie Llewellyn-Jones (The Last King in India: Wajid Ali Shah (1822-87))
“
The dancing was breathtaking, yes, and the story it told was certainly lovely—a legend of a prince seeking to rescue his bride, and the cunning bird he captured to help him to do it—but the music. Had there ever been anything more beautiful, more exquisitely painful? She clenched the arms of the seat, her fingers digging into the velvet as the music hurtled toward its finale, sweeping her away in a flood. With each beat of the drum, each trill of the flute and blare of the horn, she felt all of it along her skin, along her bones. The music broke her apart and put her back together, only to rend her asunder again and again.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
In fighting its war, the Ministry of the Interior has resorted to a novel tactic–
marriage. No Saudi official will admit on the record that the Kingdom’s terrorist problem might boil down to sexual frustration, but if a social system bans hot-blooded young men from contact with the opposite sex in their most hot-blooded years, perhaps it is hardly surprising that some of them channel this frustration into violence. One cornerstone of the extremist rehab program is to get the “beneficiaries,” as they are called, settled down with a wife as soon as possible. The Ministry of the Interior pays each unmarried beneficiary 60,000 riyals (some $18,000), the going rate for a dowry, or bride price. The family arranges a marriage, and whenever he can, Prince Mohammed turns up for the wedding.
When Khaled Al-Hubayshi was released from Al-Haier prison early in 2007, he wasted no time finding himself a bride at government expense.
”
”
Robert Lacey (Inside the Kingdom: Kings, Clerics, Modernists, Terrorists and the Struggle for Saudi Arabia)
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
Westley watched it all. He stood silently at the edge of the Fire Swamp. It was darker now, but the flame spurts behind him outlined his face. He was glazed with fatigue. He had been bitten, cut, gone without rest, had assaulted the Cliffs of Insanity, had saved and taken lives. He had risked his world, and now it was walking away from him, hand in hand with a ruffian prince.
Then Buttercup was gone, out of sight.
Westley took a breath. He was aware of the score of soldiers starting to surround him, and probably he could have made a few of them perspire for their victory.
But for what point?
Westley sagged.
"Come, sir." Count Rugen approached. "We must get you safely to your ship."
"We are both men of action," Westley replied. "Lies do not become us."
"Well spoken," said the Count, and with one sudden swing, he clubbed Westley into insensitivity.
Westley fell like a beaten stone, his last conscious thought being of the Count's right hand; it was six-fingered, and Westley could never quite remember having encountered that deformity before. . . .
”
”
William Goldman (The Princess Bride)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
I'm sorry.'
I blinked. 'What do you possibly have to be sorry for?'
'His hands were shaking- as if in the aftermath of that fury at what Keir had called me, what he'd threatened. Perhaps he'd brought me here before heading home in order to have some privacy before his friends could interrupt. 'I shouldn't have let you go. Let you see that part of us. Of me.' I'd never seen him so raw, so... stumbling.
'I'm fine.' I didn't know what to make of what had been done. Both between us and to Keir. But it had been my choice. To play that role, to wear those clothes. To let him touch me. But... I said slowly, 'We knew what tonight would require of us. Please- please don't start protecting me. Not like that.' He knew what I meant. He'd protected me Under the Mountain, but that primal, male rage he'd just shown Keir... A shattered study splattered in paint flashed through my memory.
Rhys rasped. 'I will never- never lock you up, force you to stay behind. But when he threatened you tonight, when he called you...' Whore. That's what they'd called him. For fifty years, they'd hissed it. I'd listened to Lucien spit the words in his face. Rhys released a jagged breath. 'It's hard to shut down my instincts.'
Instincts. Just like... like someone else had instincts to protect, to hide me away. 'Then you should have prepared yourself better,' I snapped. 'You seemed to be going along just fine with it, until Keir said-'
'I will kill anyone who harms you,' Rhys snarled. 'I will kill them, and take a damn long time doing it.' He panted. 'Go ahead. Hate me- despise me for it.'
'You are my friend,' I said, and my voice broke on the word. I hated the tears that slipped down my face. I didn't even know why I was crying. Perhaps for the fact that it had felt real on that throne with him, even for a moment, and... and it likely hadn't been. Not for him. 'You're my friend- and I understand that you're High Lord. I understand that you will defend your true court, and punish threats against it. But I can't... I don't want you to stop telling me things, inviting me to do things, because of the threats against me.'
Darkness rippled, and wings tore from his back. 'I am not him,' Rhys breathed. 'I will never be him, act like him. He locked you up and let you wither, and die.'
'He tried-'
'Stop comparing. Stop comparing me to him.'
The words cut me short. I blinked.
'You think I don't know how stories get written- how this story will be written?' Rhys put his hands on his chest, his face more open, more anguished than I'd seen it. 'I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince- the hero who will get to keep you as his reward for not dying of stupidity and arrogance.'
The things I love have a tendency to be taken from me. He'd admitted that to me Under the Mountain.
But his words were kindling to my temper, to whatever pit of fear was yawning open inside of me. 'And what about my story?' I hissed. 'What about my reward? What about what I want?'
'What is it that you want, Feyre?'
I had no answer. I didn't know. Not anymore.
'What is it that you want, Feyre?'
I stayed silent.
His laugh was bitter, soft. 'I thought so. Perhaps you should take some time to figure that out one of these days.'
'Perhaps I don't know what I want, but at least I don't hide what I am behind a mask,' I seethed. 'At least I let them see who I am, broken bits and all. Yes- it's to save your people. But what about the other masks, Rhys? What about letting your friends see your real face? But maybe it's easier not to. Because what if you did let someone in? And what if they saw everything, and still walked away? Who could blame them- who would want to bother with that sort of mess?'
He flinched.
The most powerful High Lord in history flinched. And I knew I'd hit hard- and deep.
Too hard. Too deep.
'Rhys,' I said.
”
”
Sarah J. Maas
“
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
”
”
George Eliot (Middlemarch)
“
Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth.
This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size.
There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back.
This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils.
The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations.
It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did.
"We are a king who knows how to be king," said the king.
And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated.
"We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar."
. . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t."
. . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use.
Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you."
The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.
”
”
Hugh Cook (The Wordsmiths and the Warguild)
“
In general, answers poured forth with relish and abandon, candor and hilarity, and a definite, conspiratorial tone.
Most spouse-loving, successfully married wives freely admit that their husbands, at least some of the time, make them absolutely, nail-bitingly, hair-pullingly nuts. They describe wedded bliss as paradoxical between affection and affliction, desire and disgust, friendship and frenzy.
This balance is nothing new. As brides, most of us enter our marriages starry eyed and hopeful, our vision obscured by romantic notions. Sometime after the honeymoon, however, reality begins to set in. To our shock and dismay, we find holes in our beloved’s socks and rust on his armor. We discover, in short, that Prince Charming has flaws.
”
”
Merry Bloch Jones (I Love Him, But . . .)
“
All Hale Kate: Her story is as close to a real-life fairy tale as it gets. Born Catherine Elizabeth Middleton, the quiet, sporty girl next door from the small town of Bucklebury - not quite Cinderella, but certainly a "commoner" by blue bloods' standards - managed to enchant the most eligible bachelor in the world, Prince William, while they were university students 15 years ago. It wasn't long before everyone else fell in love with her, too. We ached for her as she waited patiently for a proposal through 10 years of friendship and romance (and one devastating breakup!), cheered along with about 300 million other TV viewers when she finally became a princess bride in 2011, and watched in awe as she proceeded to graciously but firmly drag the stuffy royal family into the 21st century. And though she never met her mother-in-law, the late, beloved, Princess Diana, Kate is now filling the huge void left not just in her husband's life but in the world's heart when the People's Princess died. The Duchess of Cambridge shares Di's knack for charming world leaders and the general public alike, and the same fierce devotion to her family above all else. She's a busy, modern mom who wears affordable clothes, does her own shopping and cooking, struggles with feelings of insecurity and totes her kids along to work (even if the job happens to involve globe-trotting official state visits) - all while wearing her signature L.K. Bennett 4 inch heels. And one day in the not-too-distance future, this woman who grew up in a modest brick home in the countryside - and seems so very much like on of us- will take on another impossibly huge role: queen of England.
”
”
Kate Middleton Collector's Edition Magazine
“
Is he really so wonderful, this Westley of yours?” “Not so much wonderful as perfect,” she replied. “Kind of flawless. More or less magnificent. Without blemish. Rather on the ideal side.” She looked at the Prince. “Am I being helpful?
”
”
William Goldman (The Princess Bride)
“
Surrender," the Prince said.
"It will not happen."
"SURRENDER!" the Prince shouted.
"DEATH FIRST!
”
”
William Goldman (The Princess Bride)
“
Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.
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Giuseppe Tomasi di Lampedusa (The Leopard)
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Not so much wonderful as perfect," she replied. "Kind of flawless. More or less magnificent. Without blemish. Rather on the ideal side." She looked at the Prince. "Am I being helpful?" "I think emotions are clouding your objectivity just a bit.
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William Goldman (The Princess Bride)
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You don’t have to like your intended bride. You simply have to break her.
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Piper Stone (Cruel Prince (Benedetti Empire #1))
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I will break you, my lovely bride, but not in the way you’re thinking.
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Piper Stone (Cruel Prince (Benedetti Empire #1))
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Mid them Henrique second son, men say, of a Hungarian King, well-known and tried, by sort won Portugal which, in his day, ne prized was ne had fit cause for pride: His strong affection stronger to display the Spanish King decreed a princely bride, his only child, Theresa, to the count; and with her made him Seigneur Paramount.
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Luís de Camões (The Lusiads)
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You were about to murder his only son. A small lie seems far more reasonable, don’t you think?” “I—” “Come, wife, help a husband out.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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You stabbed me.” “Only a little. Don’t be a baby about it.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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Sounds? Like me screaming for mercy while you plow into me?” “Devil’s bones, no! What is wrong with you?” I shrugged. “Those seem like the most likely sounds for a woman forced into a marriage bed.” “No, you should make sounds of pleasure.” “Because you are so damn charming that I fell for you in less than an hour? Won’t that seem a little—far-fetched?” “Women have fallen for me in less time. Men too. I am a prince. That makes me innately desirable.” My jaw dropped. “Men too?” “Would that displease you, if I’d been with men as well?
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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My brain was still circling the phrase “hot little womb” and wondering if I was offended or aroused by it—but when he began listing the things I might want, I stiffened. “How about a training space and some equipment for exercising?” I asked. He quirked an eyebrow. “You want to exercise?” “I enjoy it. It calms me. When I don’t burn enough energy I get a bit savage.” “More savage than last night?” “Much more.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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I bit my lips, fighting against the sound that wanted to escape me, because the friction felt good. It was all I could do not to writhe wildly against him. “Let it out,” he whispered. “Open your mouth.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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You’re a naughty little Princess at heart, aren’t you?” he said softly. Flushed and confused, with a strange liquid heat flaring at my core, I lurched off his lap and stumbled away from him.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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Keep smiling at everyone,” the Prince murmured. “I know looking pleasant is a terrible chore for you, but you must make a greater effort. To be honest, you look rather ill.” “I feel rather ill,” I whispered back. “Nerves.” He nodded so companionably that I wanted to smack him and remind him that we were not friends. “I sometimes have them before a battle.” “You mean you get nervous before you go out to slaughter people and steal their land?” I said sweetly. “You poor darling.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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My life is far less simple and barbaric than you believe, Princess.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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You disgust me.” “Tell me, do you often cuddle all night with people who disgust you?
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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It’s not that I haven’t thought about it. After what he did to you, I actually made three different plans to kill him—if we could somehow eliminate the sorcerers who test his food and drink, check his rooms, examine his clothes, and scrutinize anyone who approaches him.” After what he did to you, I made plans to kill him… There was something wickedly sweet in the Prince’s speech, a dark, murderous romance in his tone that heated my core. But I couldn’t let myself be distracted by that traitorous heat. We needed a practical plan. “So magic is the thing that’s
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
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It’s all right,” he said. “We can be allies who occasionally pleasure each other. No need to reciprocate my feelings.
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Rebecca F. Kenney (Bride to the Fiend Prince (Dark Rulers, #1))
“
Luther said images were tolerable if they were not worshipped. A cobbler undertook to engage Luther in debate, quoting as "scripture" the sentence "I wish my bride to be naked and do not wish for her to be wearing her gown." Apparently he meant that one should approach God directly without the gown of images, but the absurdity of the "quotation" made Luther put his face in his
He quickly changed his mind about the wisdom of a literary debate. When he got back to Wittenberg, he advised the princes to expel Karlstadt from Saxony without delay, and by September 18 Karlstadt was ordered out of the elector's territories. Ronald Sider has summarized the differences between the styles of Luther and Karlstadt. Luther wanted to go slowly; Karlstadt was in a hurry and maintained the activist faith that (in my view) resonates in the great works published by Luther in 1520, that if right doctrines were clearly proclaimed and argued from scripture, preachers could be hold, God would do the rest, and the gospel would take care of itself." In a letter of October 1520 to a friend about the uproar caused by publication of the Babylonian Captivity, Luther wrote confidently of the tumults that must come when the gospel was truly preached.34 That continued to be his opinion at Worms. His attitude in that heady time was clearly to let justice be done though the world fall. But by 1524 Luther was thinking as a tactician; Karlstadt was booming ahead, in expectation not that God would open the skies and do miracles to vindicate him but that God would act through the common folk to make right doctrine prevail. Luther's passion for order was such that he could brook no threat of tumult, and Karlstadt's reliance on the common people was alarming, especially when armed rebellion shouldered its way into German society. Luther could argue for Christian equality in a somewhat abstract form in 1520 when he wrote The Freedom of a Christian and the Babylonian Captivity. In 1524, when it came to flesh-and-blood peasants and other commoners, he changed his mind.
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Richard Marius (Martin Luther: The Christian between God and Death)
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I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince—the hero who will get to keep you as his reward for not dying of stupidity and arrogance.” The things I love have a tendency to be taken from me.
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Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
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This is just a three-page account of Prince Pelias and his bride, Lady Helena. But I didn’t realize that Pelias was actually the high general for a Fae Queen named Theia when they entered this world during the Crossing—and Helena was her daughter. From what it sounds like, Queen Theia was also Starborn, and her daughter possessed the same power. Theia had a younger daughter with the same gift, but only Lady Helena gets mentioned.” Ruhn cleared his throat and read, “Night-haired Helena, from whose golden skin poured starlight and shadows. It seems like Pelias was one of several Fae back then with the Starborn power.
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Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
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her American son became the forefather of many Icelanders. Their American adventure did not change the world – the colonists were too few and the European prizes were too rich. Yet, as a newly discovered Milanese document reveals, knowledge of the continent’s existence was passed down by Nordic sailors.[*16] A Danish king Harthacnut still ruled England, recognizing as his heir the Aethling Edward, son of Aethelred, later celebrated for saintly piety as the Confessor. But on 8 June 1042 Harthacnut, attending a wedding in London, raised a toast to the bride and ‘suddenly fell to the earth with an awful convulsion’. The saintly Edward probably poisoned him. Edward was supported by the prince blinder, mass-scalper and kingmaker Godwin of Wessex, who, married to Canute’s sister-in-law, had helped destroy his father and killed at least one brother. But now they soothed these crimes with marriage: Edward married Godwin’s daughter Edith and raised his son Harold to earl. When Godwin died, Harold, half Anglo-Saxon, half Dane, succeeded as the first potentate of the kingdom, earl of Wessex. Since Edward had no children, who would inherit England? The island was on the edge of Europe, but Canute’s Roman trip showed how this Scando-Britannic empire was now linked by Mediterranean trade routes to Asia. Two coins from a resurgent China have been found in Edward’s England, while in Egypt the Mad Caliph, al-Hakim, had gone much further, contacting the new Chinese emperor.
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Simon Sebag Montefiore (The World: A Family History of Humanity)
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By the way, Zachy, I hope you’re not dead set on a virgin for a bride, because I popped a few cherries last night.” Oliver ignored me, scratching the side of his ass. “Okay, fine. A whole bag of cherries. Those industrial ones you get at Costco.
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L.J. Shen (My Dark Desire (Dark Prince Road, #2))
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It seemed fitting that a cookie-cutter mansion housed my cookie-obsessed bride. With its fresh coat of white paint, black shutters, imperial columns, and bright-red door, the pre-War Colonial could grace the pages of Southern Living.
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Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
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Who kills Prince Humperdinck? At the end, somebody’s got to get him. Is it Fezzik? Who?’ ‘Nobody kills him. He lives.’ ‘You mean he wins, Daddy? Jesus, what did you read me this thing for?
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William Goldman (The Princess Bride)
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is better to trust in the Lord than to put confidence in man,’” she read. “‘It is better to trust in the Lord than to put confidence in princes.’ We do what we can do, but we’re only human. Place your trust in God now, and look to Him.
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Cheryl St. John (The Wedding Journey (Irish Brides, #1))
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Is that all I am to have?" She followed him. "I suppose you consider an apology beneath you."
Rather, he was considering her beneath him, how good she'd felt there, and how he would like that again. He halted. "Madam, I offer my profoundest apology. It shan't happen again." As though his feet moved of their own will, he found himself stepping toward her. "Unless you wish it to."
She backed up. "Not in this life." But her eyes were wary.
Good. He did not wish to frighten her. But keeping her wary could work. And yet the most powerful need to be near her would not leave him. Of course it wouldn't. After two long years he wanted a woman. Among his brother's potential brides was not, however, the place to go searching for one. "That must be to my advantage, then," he said.
She screwed up her brow. "Must it?"
"You wield an impressive pitchfork."
-Ravenna & Vitor
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Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
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Imagine there is a fabulously wealthy king who looks out the window of his castle one day and, in the distance, sees a beautiful Cinderella-type peasant living in the slums. His heart is ravished and he thinks, “This is the perfect bride for my son, the prince.” Unlike other kings—wicked worldly kings—he cannot just abduct her and make her a slave-concubine of his son. He must genuinely invite her to take the hand of his son voluntarily. So, along with his entourage and his son, they make their way out of the palace into the squalor beyond the moat, searching hut to hut and through the markets until they find her. The offer is made: “Young lady,” says the king, “this is my beloved son, the prince of this kingdom and heir to all that is mine. I humbly beseech you to come out of your life of poverty and oppression and to join my son in holy matrimony, enjoying all of the benefits that come with a princess’ life.” The offer seems to be too good to be true. All she needs to do is consent to the proposal. But there’s a hitch. The king continues, “There is a deadline. If you don’t say yes by such-and-such a date, we will arrest you, put you in our dungeon, where torturers will fillet you alive for endless ages, supernaturally keeping you alive such that your torment is never-ending. Moreover, after the deadline, your decision is irrevocable. No repentance is possible. The dishonor of your rejection is too great to warrant any second chance. The consequences of refusal are without mercy and utterly irreversible.” As the king, the prince and their cohort leave, the prince turns and says, “Oh yes, please hurry. And always know that I will love you forever and for always … but only until the deadline.” Is this our gospel? If it were, would it truly be a gospel that preserves the love of God, the freewill of humanity and the mutual consent inherent in and necessary to God’s invitation? I don’t buy it any more. Without going into great detail here, might I suggest that because God, by nature, is the eternally consenting Bridegroom, there are two things he cannot and will not do: He will not ever make you marry his Son, because an irresistible grace would violate your consent. Your part will always and forever be by consent. His consent will never end, because a violent ultimatum would violate your consent. Divine love will always and forever be by consent. Emphasis on forever. “His mercy endures forever” (Psalm 136). “I have loved you with an everlasting love; I have drawn you with unfailing kindness” (Jer. 31:3). I don’t believe the divine courtship involves wearing you down with his love until you give up. It’s simply that he’ll always love you, with a love that even outlasts and overcomes death (Song of Solomon 8). The Bible at least hints (Rev. 21-22) that the prodigal Father will wait for you, invite you and keep the doors open for you until you’re ready to come home. He’ll wait for you forever.
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Bradley Jersak (A More Christlike God: A More Beautiful Gospel)