During The Storm Quotes

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Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Bob Marley
Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
Anne Lamott (Bird by Bird)
I am not a graceful person. I am not a Sunday morning or a Friday sunset. I am a Tuesday 2 a.m., gunshots muffled by a few city blocks, I am a broken window during February. My bones crack on a nightly basis. I fall from elegance with a dull thud, and I apologize for my awkward sadness. I sometimes believe that I don’t belong around people, that I belong to all the leap days that didn’t happen. The way light and darkness mix under my skin has become a storm. You don’t see the lightning, but you hear the echoes.
Anna Peters
I would kiss you in the middle of the ocean during a lightning storm cuz I'd rather be left for dead than wondering what thunder sounds like.
Andrea Gibson
And if there’s one thing in this world I’ve ever known for sure, it’s that this girl is gonna crush me like a small bug, leave me so fucking broken there’ll be body bags beneath my eyes from nights I cried so hard the stars died. But I’m like, go ahead. I’m all yours. I would kiss you in the middle of the ocean during a lightning storm, cause I’d rather be left for dead than left to wonder what thunder sounds like.
Andrea Gibson
Ang payapang pampang ay para lang sa mga pangahas na sasalunga sa alimpuyo ng mga alon sa panahon ng unos. (Tranquil shores are only for those who boldly oppose raging waves during storms.)
Lualhati Bautista (Dekada '70 (Ang Orihinal at Kumpletong Edisyon))
We are like the little branch that quivers during a storm, doubting our strength and forgetting we are the tree—deeply rooted to withstand all life’s upheavals.
Dodinsky (In the Garden of Thoughts: Be Your Best Self (Inspirational Gift Book for Finding Your Inner Strength))
Sometimes it is difficult to see the goodness in your life when you are in turmoil. Just remember that even during a storm, the sun is shining. You may not see it, but it is always there above the clouds, waiting to warm you again.
Karen Lynch (Refuge (Relentless, #2))
It is only during a storm that a tree knows how strong it is.
Matshona Dhliwayo
No matter what life throws at us, we're going to make great memories together, Quinn. That's a given. But there's also going to be bad days and sad days and days that test our resolve. Those are the days I want you to feel the absolute weight of my love for you. I promise I will love you more during the storms than I will love you during the perfect days. I promise to love you more when you're hurting then when you're happy. I promise to love you more when we're poor than when we're swimming in riches. I promise to love you more when you're crying than when you're laughing. I promise to love you more when you're sick than when you're healthy. I promise to love you more when you hate me than when you love me.
Colleen Hoover (All Your Perfects)
That was the thing about going to sleep. It kind of scrubbed things. Arguments, worries, whatever. You could be scared or upset about something, and you might think sleep was impossible, but at some point it happened, and when you woke up in the morning the feeling was gone for awhile, like a storm passed during the night.
Alex North (The Whisper Man)
Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One's language is frequently imprecise in that manner, I have discovered.
David Markson (Wittgenstein's Mistress)
They say every snowflake is different—but the blizzard, it covers us all the same. A friend in Norway told me a story about a painter who went out during a storm, searching for the right shade of green, and never returned.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I'm not sure I'll ever know the meaning of life or what comes for us after death, but I know it's more than the hysteria people make it out to be. It's about freeing your soul when no one else can; turning thirty and still feeling like you're seventeen. It's about taking chances on a whim, embracing the rain during the storm, and smiling so damn much that you start to cry. It's never regretting, never forgetting, and always being. It's kissing underwater and touching in the dark. Loving even when you think it's emotionally impossible and surviving someway and somehow. It's about living life with a full heart and an overflowing glass. I live life on the edge. I dream, I care, and I belong. I know there's a here and now. I know that I want it.
Nadège Richards (5 Miles (Breathe, #1))
Life teaches us to Bend like the willow during a storm Glide like an eagle Under the sun mighty and warm But to stand together No matter the weather Unity is all for the better
Marie Helen Abramyan
Individuals who have learned to endure and persevere through the storms of hardships are those who can dance in the rain during a storm.
Ellen J. Barrier
She was resilient A brave soldier when life tested her It didn't matter that she did strange things like stand tall under the rain letting the drops kiss her skin thinking the storm was romantic It was hard to quiet her not that you would want to when she spoke, it was captivating Her heart was like a candle warm and delicate just what you needed during darkness Sometimes, she'd go off and explore the world test her limits laugh too much cry when humans were cruel It wasn't hard to see why people envied her You'd come to realize she was a lion and she could not be tamed.
M.J. Abraham
You’re Neptune, right?” she asked. “Lord of the sea who washed up on the beach during the storm? Do you perform miracles? Because I could use a couple of them tonight.
Olivia Cunning (Tie Me (One Night with Sole Regret, #5))
In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself: "It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife". This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond.
Arthur Schopenhauer (Essay on the Freedom of the Will)
It’s like singing on a boat during a terrible storm at sea. You can’t stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
Anne Lamott
During the four days of the storm, I became accustomed to the soft light of lamps and candles and grew to like it. When the power came on again, I discovered that I was actually disappointed. The electric lights seemed cold and impersonal; they revealed too much.
Damon Knight (One Side Laughing: Stories Unlike Other Stories)
You may be going through a storm right now, but understand that the sun will shine again. It is during the storm that you learn the lesson. You can either let it make you or break you. Take this time to reflect on your choices in life. Many times we create our own storms by the choices we make. Right now while you are in the midst, decide to not go backwards, move forward with more positivity.
Amaka Imani Nkosazana (Sweet Destiny)
The cliffs are gorgeous. Breath-stealing, really. But not in the soft endearing way of a sunset or a wobbly new lamb. They're gorgeous like a storm is gorgeous —one of those raw, tempestuous ones that leave you feeling awed and scared at the same time. Ever been trapped in a car during a particularly brutal thunderstorm? The cliffs are that kind of beautiful. Think drama, rage, and peace all packed up into one stunning package.
Jenna Evans Welch (Love & Luck (Love & Gelato, #2))
You may be going through a storm right now, but understand that the sun will shine again. It is during the storm that you learn the lesson. You can either let it make you or break you. Take this time to reflect on your choices in life. Many times we create our own storms by the choices we make. Right now while you are in the midst, decide to not go backwards, move forward with more positivity.” 
Amaka Imani Nkosazana
True love is a forever love. It is tested and tried all the time. It's sometimes broken, but it always, always heals itself. It stands strong during the storms, even when it feels like it is about to fall apart. Love's roots grow stronger and deeper after the storm. That's true love. There are ups and downs. You just weather them.
Kelly Elliott (Without You (Love Wanted in Texas, #1))
God will shout during your storms, whisper during your sunshine and sing during the rarest rainbows you will encounter.
Shannon L. Alder
Those are the days I want you to feel the absolute weight of my love for you. I promise that I will love you more during the storms than I will love you during the perfect days. I promise to love you more when you’re hurting than when you’re happy. I promise to love you more when we’re poor than when we’re swimming in riches. I promise to love you more when you’re crying than when you’re laughing. I promise to love you more when you’re sick than when you’re healthy. I promise to love you more when you hate me than when you love me. And I promise . . . I swear . . . that I love you more as you read this letter than I did when I wrote it. I can’t wait to spend the rest of my life with you. I can’t wait to shine light on all your perfects.
Colleen Hoover (All Your Perfects)
Let no one steal your light with their lies or their cruelty. Shine on, through it all. Shine in spite of their hatred. In spite of the hurt they give. Let them all choke on your light until it blinds them and washes away whatever meanness they’re intent to spew. Tomorrow, no one will remember what cruel thing they said, but they will remember how you held your head high during the storms. They will remember the brightness of your smile and the way you laughed while they tried to bring you down. Let your laughter be the beacon that warms the world.
Sherrilyn Kenyon (Intensity (Chronicles of Nick, #8))
With the right ears even a lesser creature can hear the song. It is sung constantly, from the heart of each atom and star. The galaxies hum of shape and form in their essence. That is their secret. The particles whisper of the nature of proper interactions. That is their game. And during a storm, in the forest, on the right night, it is no secret that the leaves all sing of God.
Exurb1a (The Fifth Science)
This has been her life for the past fifty years, this striving to help save the world a little bit, to push it just a bit farther into the right. This action was the only thing that sustained her during the hard times [when] only her purposeful life propped her up from total collapse, and she thought how strange that she had taught the morality play Everyman all those years but didn’t fully understand its central lesson or how true it was: We are our good deeds, and they alone will come with us into the afterlife.
Ray Smith (The Magnolia That Bloomed Unseen)
When listening to the lightning storms in your area on a standard AM radio, you will hear a sound like bacon frying and this is the electromagnetic energy that the storm is generating. Plants react to this energy and may show vigorous growth during lightning seasons.
Steven Magee (Electrical Forensics)
When I look back at those days I have no doubt that Providence guided us, not only across those snowfields, but across the storm-white sea that separated Elephant Island from our landing-place on South Georgia. I know that during that long and racking march of thirty-six hours over the unnamed mountains and glaciers of South Georgia it seemed to me often that we were four, not three. I said nothing to my companions on the point, but afterwards Worsley said to me, ‘Boss, I had a curious feeling on the march that there was another person with us.’ Crean confessed to the same idea. One feels ‘the dearth of human words, the roughness of mortal speech’ in trying to describe things intangible, but a record of our journeys would be incomplete without a reference to a subject very near to our hearts.
Ernest Shackleton (South: The last Antarctic expedition of Shackleton and the Endurance (Adlard Coles Maritime Classics))
what we love should inspire us who we love should inspire our strength but you have fallen for hands not worthy of your skin you have fallen for a mind that will never understand your value you have fallen for a heart incapable of loving you the way you need what we love what you love should feel like paradise during the storm the person you love should feel like stillness during an earthquake
R.H. Sin (I hope this reaches her in time)
Reeds are strong, you know, Ulean whispered to me. They bend during storms, rather than break. I blinked. Yes, but reeds won’t hold up a house. They make a good raft, so don’t write them off so fast.
Yasmine Galenorn (Night Myst (Indigo Court, #1))
The Darkling appeared to me almost every day, usually in his chambers or the aisles of the library, sometimes in the war room during council meetings or as I walked back from the Grand Palace at dusk. “Why won’t you leave me alone?” I whispered one night as he hovered behind me while I tried to work at my desk. Long minutes passed. I didn’t think he would answer. I even had time to hope he might have gone, until I felt his hand on my shoulder. “Then I’d be alone, too,” he said, and he stayed the whole night through, till the lamps burned down to nothing.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Environment affects me a great deal. A lot of the songs were written after the sun went down. And I like storms, I like to stay up during a storm. I get very meditative sometimes, and this one phrase was going through my head: `Work while the day lasts, because the night of death cometh when no man can work.' I don't recall where I heard it. I like preaching, I hear a lot of preaching, and I probably just heard it somewhere. Maybe it's in Psalms, it beats me. But it wouldn't let me go. I was, like, what does that phrase mean? But it was at the forefront of my mind, for a long period of time...
Bob Dylan
You know what his power was? Calling lightning. Try handling that when you live in water. He accidentally killed his entire family one night during a big storm.
Terah Edun (Red Madrassa (Algardis, #1))
The Good Book tells us He’ll never leave or forsake us.” Prescott stared at the spiderweb of scars on his right hand. “He’s with us even during the hard times, and I think we’re reminded of that when a bird sings after a storm, a hare hops through the snow during a harsh winter, and when the first ray of sun breaks through a barrier of clouds.” A Tender Heart by Madisyn Carlin
Madisyn Carlin (Seize the Love)
Like most policemen, Landsman sails double-hulled against tragedy, stabilized against heave and storm. It's the shallows he has to worry about, the hairline fissures, the little freaks of torque. The memory of that summer, for example, or the thought that he had long since exhausted the patience of a kid who once would have waited a thousand years to spend an hour with him shooting cans off a fence with an air rifle. The sight of the Longhouse breaks some small, as yet unbroken facet of Landman's heart. All of the things they made, during their minute in this corner of the map, dissolved in brambles of salmonberry and oblivion.
Michael Chabon (The Yiddish Policemen's Union)
I promise that I will love you more during the storms than I will love you during the perfect days. I promise to love you more when you’re hurting than when you’re happy. I promise to love you more when we’re poor than when we’re swimming in riches. I promise to love you more when you’re crying than when you’re laughing. I promise to love you more when you’re sick than when you’re healthy. I promise to love you more when you hate me than when you love me.
Colleen Hoover (All Your Perfects)
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A grim expression came over Syah’s face. “The colt you speak of lost its mother during a storm. If this stallion was that colt, it is not just wild, it is insane. That horse will break your bones.” “And that will be a worthy end, a prince struck down by such a noble steed.” Fasime pushed himself off the support of the fence, but Oman grabbed his arm. “It’s not worth it, Brother.” “I can tame him.” “What will we tell Mother and Father if he kills you?” Oman questioned. “Tell them I gave my life with pride. Do not punish him if he kills me. Release him back into the wild, and my spirit will ride him into the mist.
D.M. Raver (Brother Betrayed)
He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest. Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it. Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.
Leo Tolstoy (Anna Karenina)
Some of my pleasantest hours were during the long rain-storms in the spring or fall, which confined me to the house for the afternoon as well as the forenoon, soothed by their ceaseless roar and pelting; when an early twilight ushered in a long evening in which many thoughts had time to take root and unfold themselves. In those driving northeast rains which tried the village houses so, when the maids stood ready with mop and pail in front entries to keep the deluge out, I sat behind my door in my little house, which was all entry, and thoroughly enjoyed its protection.
Henry David Thoreau
Think of your attacks as the ocean during a storm. Waves come and crash. They beat on the sand over and over. Slamming into anything on its way. But then, the storm retreats. The water is calm and the waves slowly come and go. Every attack rises and falls. You either have to hold on," he squeezes my shoulders, "or stop it before the storm comes.
Lindsay Paige (Don't Panic)
our tragedy begins humid. in a humid classroom. with a humid text book. breaking into us. stealing us from ourselves. one poem. at a time. it begins with shakespeare. the hot wash. the cool acid. of dead white men and women. people. each one a storm. crashing. into our young houses. making us islands. easy isolations. until we are so beleaguered and swollen with a definition of poetry that is white skin and not us. that we tuck our scalding. our soreness. behind ourselves and learn poetry. as trauma. as violence. as erasure. another place we do not exist. another form of exile where we should praise. honor. our own starvation. the little bits of langston. phyllis wheatley. and angelou during black history month. are the crumbs. are the minor boats. that give us slight rest. to be waterdrugged into rejecting the nuances of my own bursting extraordinary self. and to have this be called education. to take my name out of my name. out of where my native poetry lives. in me. and replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. auden. thoreau. chaucer. thomas. raliegh. marlowe. burns. shelley. carroll. elliot… (what is the necessity of a black child being this high off of whiteness.) and so. we are here. brown babies. worshipping. feeding. the glutton that is white literature. even after it dies. (years later. the conclusion: shakespeare is relative. white literature is relative. that we are force fed the meat of an animal that our bodies will not recognize. as inherent nutrition. is not relative. is inert.)
Nayyirah Waheed (Nejma)
Maatsuyker, the wild island south of Tasmania where it rained most days of the year and the chickens blew into the sea during storms.
M.L. Stedman (The Light Between Oceans)
Just remember that even during a storm, the sun is shining. You may not see it, but it is always there above the clouds, waiting to warm you again.” I
Karen Lynch (Refuge (Relentless, #2))
Most inspirational writers were born as driftwood and will say they have been beaten against every shoreline during their life. We understand storms. We understand drowning. We understand being devalued. We understand being stranded alone on a beach. God made us this way so we would know where every lighthouse can be found and tell others how to find them. We were never meant to stand on the beach with you because every rescue we do rescues ourselves. We always go back to the sea because that is where driftwood belongs--forever searching for answers to our endless questions and sharing what we learned...(2012, Writer’s Conference)
Shannon L. Alder
It was monks who first taught the art of reading in silence. During the Dark Ages. Augustine, perhaps, was first. And silence was a tongue Elena understood. Silence was her idiom for support and caring. Silence was permissive and contemplative and nonconfrontational and there was melody to it. It was both earth and ether.
Rick Moody (The Ice Storm)
Lottie, trust me when I say you’re not imposing. I want you in my house, in my room, in my bed. I want you on my couch, holding my hand while watching a show you’ve forced me to reluctantly binge. I want you in my pool, skinny-dipping like you enjoy so much. I want you on my roof, feeling the rain bounce off you during a storm. I want you at my dining room table, eating dinner next to me, giving me a hard time for whatever reason you come up with that day.” He lifts my knuckles to his lips and places a soft kiss to them. “I want you, okay?
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
The Goatherd and the Wild Goats A GOATHERD, driving his flock from their pasture at eventide, found some Wild Goats mingled among them, and shut them up together with his own for the night. The next day it snowed very hard, so that he could not take the herd to their usual feeding places, but was obliged to keep them in the fold. He gave his own goats just sufficient food to keep them alive, but fed the strangers more abundantly in the hope of enticing them to stay with him and of making them his own. When the thaw set in, he led them all out to feed, and the Wild Goats scampered away as fast as they could to the mountains. The Goatherd scolded them for their ingratitude in leaving him, when during the storm he had taken more care of them than of his own herd. One of them, turning about, said to him: “That is the very reason why we are so cautious; for if you yesterday treated us better than the Goats you have had so long, it is plain also that if others came after us, you would in the same manner prefer them to ourselves.” Old friends cannot with impunity be sacrificed for new ones.
Aesop (Aesop's Fables)
Bye-bye. Nice knowing you. But if you are waiting for that perfect idea to strike like lightning during a dust storm (I live in New Mexico), you could be waiting a long time. Ideas are everywhere. EVERYWHERE. I can’t walk to the bathroom without being hit with another idea. It’s what you DO with that idea that matters. Here is your mantra: BICHOK, BICHOK, BICHOK Translation: Butt in chair, hands on keys. Just write. Every stinking day.
Darynda Jones
Shit," he said. "I don't know why you're feeling sorry for yourself because you ain't had to fight a war. You're lucky. Shit, all you had was that damn Desert Storm. Should have called it Dessert Storm because it just made the fat cats get fatter. It was all sugar and whipped cream with a cherry on top. And besides that, you didn't even have to fight in it. All you lost during that was was sleep because you stayed up all night watching CNN.
Sherman Alexie
Sometime during the party, the storm had passed over. The sky was clear and quiet, stars peering curiously down at us from a wide dome of indigo. The water, too, was still, and I thought, what liars they are, the sky and the water. Still and calm and clear, like everything was fine. It wasn't fine, and really, it never would be again.
M.L. Rio (If We Were Villains)
Good fear protects you from getting hurt. Don't put your hand on a hot stove. Avoid dark alleys. Stay away from high, open places and trees during a lightning storm! Bad fear, though. It makes you think twice about taking the kind of risk that might turn out to be good for you. Applying for a job. Telling someone you love them. Writing the great American novel. Bad fear protects you from life. Keeps you from really living! You listen bad fear, you may as well just disappear.
Jocelyn Davies (The Odds of Lightning)
On the second and the third night there was again a ball -- this time in mid-ocean, during a furious storm sweeping over the ocean, which roared like a funeral mass and rolled up mountainous seas fringed with mourning silvery foam. The Devil, who from the rocks of Gibraltar, the stony gateway of two worlds, watched the ship vanish into night and storm, could hardly distinguish from behind the snow the innumerable fiery eyes of the ship. The Devil was as huge as a cliff, but the ship was even bigger, a many-storied, many-stacked giant, created by the arrogance of the New Man with his ancient heart.
Ivan Alekseyevich Bunin (The Gentleman from San Francisco and Other Stories)
We seldom question the purpose of life when our world is sunny and bright. This question tends to hide itself during pleasant sailing, only rearing its face during the deepest and darkest travails, when the gales of storm weather have fallen.
Donald L. Hicks (The Divinity Factor)
How, then, can terrorists hope to achieve much? Following an act of terrorism, the enemy continues to have the same number of soldiers, tanks and ships as before. The enemy’s communication network, roads and railways are largely intact. His factories, ports and bases are hardly touched. However, the terrorists hope that even though they can barely dent the enemy’s material power, fear and confusion will cause the enemy to misuse his intact strength and overreact. Terrorists calculate that when the enraged enemy uses his massive power against them, he will raise a much more violent military and political storm than the terrorists themselves could ever create. During every storm, many unforeseen things happen. Mistakes are made, atrocities are committed, public opinion wavers, neutrals change their stance, and the balance of power shifts.
Yuval Noah Harari (21 Lessons for the 21st Century)
During our storms, you and I have the same God with us that the disciples had with them; we can trust that He is in the boat. He may or may not calm the storm immediately—we may have to endure great suffering—but He will not leave us (p. 141).
Trillia J. Newbell (Fear and Faith: Finding the Peace Your Heart Craves)
Dr. Morris soon recognized that the difference between successful and unsuccessful marriages can often be traced to how well couples are able to "bond" during the courtship period. By bonding he referred to the process by which a man and woman become cemented together emotionally. It describes the chemistry that permits two previous strangers to become intensely valuable to one another. It helps them weather the storms of life and remain committed in sickness and health, for richer or poorer, for better or worse, forsaking all others until they are parted in death. It is a phenomenal experience that almost defies description.
James C. Dobson
Our lives can be filled with a series of trials. Some would say “You’re either in one, coming out of one or one is on the way.” During these times a flood of emotions can creep into our lives like a dark unrelenting storm. I’m comforted by what God says. “Weeping may endure for a night, but joy cometh in the morning. (Psalms 30:5)” So please take heart, this too shall pass. ~Jason Versey
Jason Versey (A Walk with Prudence)
During dinner a sea turtle stopped by for a visit. At three or four feet in length... the turtle swam alongside for about twenty minutes, its head bobbing just above the surface of the water. Then with laughing eyes the turtle passed me..being left behind by a turtle pricked up my competitive nature. I pulled harder trying to keep up, but I couldn't catch the turtle. Soon I was reduced to laughter. " I am in the North Atlantic in a rowboat, racing a turtle...and loosing. Okay, so they can swim thirty miles an hour. Out here, I am the tortoise and it's the hare.
Tori Murden McClure (A Pearl in the Storm: How I Found My Heart in the Middle of the Ocean)
More than I need my next breath. More than I need a drink in the middle of an Iraqi sand storm. More than I wanted sleep during Hell Week,” I whispered, looking deeply into her eyes. “More than absolutely anything. More than my own happiness. More than my own life. That’s how much I love you.
Lani Lynn Vale (Double Tap (Code 11-KPD SWAT, #2))
In 1973, Jan Erik Olsson walked into a small bank in Stockholm, Sweden, brandishing a gun, wounding a police officer, and taking three women and one man hostage. During negotiations, Olsson demanded money, a getaway vehicle, and that his friend Clark Olofsson, a man with a long criminal history, be brought to the bank. The police allowed Olofsson to join his friend and together they held the four hostages captive in a bank vault for six days. During their captivity, the hostages at times were attached to snare traps around their necks, likely to kill them in the event that the police attempted to storm the bank. The hostages grew increasingly afraid and hostile toward the authorities trying to win their release and even actively resisted various rescue attempts. Afterward they refused to testify against their captors, and several continued to stay in contact with the hostage takers, who were sent to prison. Their resistance to outside help and their loyalty toward their captors was puzzling, and psychologists began to study the phenomenon in this and other hostage situations. The expression of positive feelings toward the captor and negative feelings toward those on the outside trying to win their release became known as Stockholm syndrome.
Rachel Lloyd
In their infinite wisdom, the Admiralty approved Alek's medal for bravery in the air on the very same day the United States entered the war. The timing seemed suspicious to Deryn, and of course the medal wasn't for anything useful, like shutting down Tesla's weapon to save the Leviathan. Instead Alek was to be decorated for blundering about on the ship's topside during a storm, and for his great skill in falling over and knocking himself silly. That was the Admiralty for you.
Scott Westerfeld (Goliath (Leviathan, #3))
The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3 Under ordinary circumstances the two sides of the brain work together more or less smoothly, even in people who might be said to favor one side over the other. However, having one side or the other shut down, even temporarily, or having one side cut off entirely (as sometimes happened in early brain surgery) is disabling. Deactivation of the left hemisphere has a direct impact on the capacity to organize experience into logical sequences and to translate our shifting feelings and perceptions into words. (Broca’s area, which blacks out during flashbacks, is on the left side.) Without sequencing we can’t identify cause and effect, grasp the long-term effects of our actions, or create coherent plans for the future. People who are very upset sometimes say they are “losing their minds.” In technical terms they are experiencing the loss of executive functioning. When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past—they are just furious, terrified, enraged, ashamed, or frozen. After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did way because you were ten minutes late, or because you burned the potatoes, or because you “never listen to me.” Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Paranormal experiences are just energy manifesting itself in some way: a flashlight flickering on when you haven’t pressed the button; a vision during an electrical storm; your cell phone ringing, and no one on the other end of the line. A surge of energy pulsed through networks to give me a message—I just can’t tell who’s sent it.
Jodi Picoult (Leaving Time)
So,” Ben says, tapping his fingers against his thighs, “Ryder’s going to watch out for you during the storm, I guess. Keep an eye on your place and everything?” “I promised her dad I would,” Ryder says. Because God knows that’s the only reason he’d do something nice for me. I can’t help but roll my eyes. “Well, it’s not like I’m right down the road like Ryder is, but if you need anything, just let me know, okay? I don’t mind coming out there.” “Thanks, Ben,” I say, patting his shoulder. “That’s sweet.” And then Ryder leans over and turns on the radio, blasting a country music station loud enough to make conversation impossible. I guess that means we’re done talking, which is fine by me.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Then she tells me that Jesus is still here because Jesus was once here. And parts of Jesus are still floating in the air. She tells me Jesus' DNA is part of the collective DNA. She tells we are all part of Jesus, we are all Jesus in part. She tells me to breathe deep during all our storms because you can sometimes taste Jesus in a good, hard rain.
Sherman Alexie
The sky above Belgrade is expansive and high, shifting yet always beautiful; clear with its chill splendour during the winter; turning into a single downcast cloud during summer storms, driven by the crazy winds and bearing rain mixed with the dust of the Pannonian plain; seeming to flower along with the ground during spring; and growing heavy with roils of autumnal stars during fall. Always beautiful and bountiful, it is a reward to this odd township for all that is missing and a comfort for everything that should not be.
Ivo Andrić (Beogradske priče)
When you look at a tree in a storm, you see that the top of the tree is very unstable and vulnerable. The wind can break the smaller branches at any time. But when you look down to the trunk of the tree, you have a different impression. You see that the tree is very solid and still, and you know that it will be able to withstand the storm. We are also like a tree. Our head is like the top of the tree during a tempest of a strong emotion, so we have to bring our attention down to the level of our navel. We begin to practice mindful breathing. We concentrate just on our breathing and on the rise and fall of our abdomen. It is a very important practice because it helps us to see that, although an emotion may be very strong, it will stay only for a while and then go; it cannot last forever. If you train yourself to practice like this during difficult times, you will survive these storms. You have to be aware that your emotion is just an emotion. It comes, stays for some time, and then goes away. Why should someone die because of an emotion? You are more than your emotions. It is important to remember this. During a crisis, when you breathe in and out, maintain the awareness that your emotion will go away if you continue to practice. After you have succeeded a few times, you will have confidence in yourself and in the practice. Let us not get caught by our thoughts and feelings. Let us bring our attention down to our belly and breathe in and out. This storm will go away, so don’t be afraid.
Thich Nhat Hanh (Anger)
Outside the walls of the Crimson Cabaret was a world of rain and darkness. At intervals, whenever someone entered or exited through the front door of the club, one could actually see the steady rain and was allowed a brief glimpse of the darkness. Inside it was all amber light, tobacco smoke, and the sound of the raindrops hitting the windows, which were all painted black. On such nights, as I sat at one of the tables in that drab little place, I was always filled with an infernal merriment, as if I were waiting out the apocalypse and could not care less about it. I also liked to imagine that I was in the cabin of an old ship during a really vicious storm at sea or in the club car of a luxury passenger train that was being rocked on its rails by ferocious winds and hammered by a demonic rain. Sometimes, when I was sitting in the Crimson Cabaret on a rainy night, I thought of myself as occupying a waiting room for the abyss (which of course was exactly what I was doing) and between sips from my glass of wine or cup of coffee I smiled sadly and touched the front pocket of my coat where I kept my imaginary ticket to oblivion.
Thomas Ligotti (The Nightmare Factory)
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.
Don DeLillo
The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful. From the time he met Tereza, no woman had the right to leave the slightest impression on that part of his brain. Tereza occupied his poetic memory like a despot and exterminated all other trace of other women. That was unfair, because the young woman he made love to on the rug during the storm was not a bit less worthy of poetry than Tereza. She shouted, ‘Close your eyes! Squeeze my hips! Hold me tight!; she could not stand it that when Tomas made love he kept his eyes open, focused and observant, his body ever so slightly arched above her, never pressing against her skin. She did now want him to study her. She wanted to draw him into the magic stream that may be entered only with closed eyes. [..] She wanted to merge with him. [..] 'It’s not sensual pleasure I’m after,’ she would say, 'it’s happiness. And pleasure without happiness is not pleasure.’ In other words, she was pounding on the gate of his poetic memory. But the gate was shut. There was no room for her in his poetic memory. There was room for her only on the rug.
Milan Kundera (The Unbearable Lightness of Being)
I think about the parable of the little girl and the starfish told to me by a grandparent, though I can’t remember which. A young girl walks along a beach on which thousands of starfish have washed up during a terrible storm. She begins picking up the starfish, one by one, and throwing them back into the sea. An old man walks down to the beach and asks the young girl, “Why are you doing this? Look at how many starfish there are. You cannot possibly begin to make a difference.” The girl pays the man no mind and picks up another starfish and throws it back into the waves. Then she says to the old man, “It made a difference to that one.
Isaac Fitzgerald (Dirtbag, Massachusetts: A Confessional)
Storms of all sorts, were facts of our lives. Those images shown on the news of fellow citizens drowned, abandoned, and calling for help were not news to us, but still further evidence of what we long ago. I knew, for example, that we lived in an unequal, masquerading world when I was eight and crossing the dangerous Chef Menteur Highway with Alvin. I knew it at Livingston Middle School when I did not learn because no one was teaching me. I knew it in 1994, when we were petrified, afraid, the law might kill us—knew it before, during, and after the Water. Katrina's postscript—the physical wasteland—was only a manifestation of all that ailed me and my family in mind and spirit.
Sarah M. Broom (The Yellow House)
In the same way it may be said that a man endowed with great mental gifts leads, apart from the individual life common to all, a second life, purely of the intellect. He devotes himself to the constant increase, rectification and extension, not of mere learning, but of real systematic knowledge and insight; and remains untouched by the fate that overtakes him personally, so long as it does not disturb him in his work. It is thus a life which raises a man and sets him above fate and its changes. Always thinking, learning, experimenting, practicing his knowledge, the man soon comes to look upon this second life as the chief mode of existence, and his merely personal life as something subordinate, serving only to advance ends higher than itself. An example of this independent, separate existence is furnished by Geothe. During the war in the Champagne, and amid all the bustle of the camp, he made observations for his theory of color; and as soon as the numberless calamities of that war allowed of his retiring for a short time to the fortress of Luxembourg, he took up the manuscript of his Farbenlehre. This is an example which we, the salt of the earth, should endeavor to follow, by never letting anything disturb us in the pursuit of our intellectual life, however much the storm of the world may invade and agitate our personal environment; always remembering that we are the songs, not of the bondwoman, but of the free.
Arthur Schopenhauer
You really know how to stir up the hornets’ nest with the women, do you not? Mikhail demanded, even though he understood Gregori completely and felt him justified. Gregori did not look at him but stared out into the storm. The child she carries if my lifemate. It is female and belongs to me. There was an unmistakable warning note, an actual threat. In all their centuries together, such a thing had never happened. In all their centuries together, such a thing had never happened. Mikhail immediately closed his mind to Raven. She could never hope to understand how Gregori felt. Without a lifemate, the healer had no choice but to eventually destroy himself or become the very epitome of evil. The vampire. The walking dead. Gregori had spent endless centuries waiting for his lifemate, holding on when those younger than he had given in. Gregori had defended their people, living a solitary existence so that he might keep race safe. He was far more alone than the others of his kind, and far more susceptible to the call of power as he had to hunt and kill often. Mikhail could not blame his oldest friend for his possessive, protective streak toward the unborn child. He spoke calmly and firmly, hoping to avoid a confrontation. Gregori had held on for so long, this promise of a lifemate could send him careening over the edge into the dark madness if he felt there was a danger to the female child. Raven is not like Carpathian women. You have always known and accepted that. She will not remain in seclusion during this time. She would wither and die. Gregori actually snarled, a menacing rumble that froze Shea in place, put Jacques into a crouch, and had Mikhail shifting position for a better defense.
Christine Feehan (Dark Desire (Dark, #2))
If creation is impossible during wars and revolutions, then we shall have no creative artists, for war and revolution are our lot. The myth of unlimited production brings war in its train as inevitably as clouds announce a storm. Wars lay waste to the West and kill the flower of a generation. Hardly has it arisen from the ruins when the bourgeois system sees the revolutionary system advancing upon it. Genius has not even had time to be reborn; the war that threatens us will kill all those who perhaps might have been geniuses.
Albert Camus (The Rebel)
Fortunately, however, during times of comparative ease, periods before or after acute experiences of suffering, we can reflect on suffering, seeking to develop an understanding of its meaning. And the time and effort we spend searching for meaning in suffering will pay great rewards when bad things begin to strike. But in order to reap those rewards, we must begin our search for meaning when things are going well. A tree with strong roots can withstand the most violent storm, but the tree can’t grow roots just as the storm appears on the horizon. So
Dalai Lama XIV (The Art of Happiness: A Handbook for Living)
Normal memory gradually fades into the past. Traumatic and repressed memories have a tendency to linger around. They are splintered into fragments during overwhelming events experienced as a child. Images, sensations, emotions, and beliefs are torn apart. These disconnected pieces can later erupt into consciousness as separate "memories." These fragments may surface in the form of explicit memories, which are frighteningly vivid snapshot or video-like images of traumatic experiences; or they may surface as implicit memories, which include physical sensations, emotions, or beliefs that were part of the original traumatic experiences. When implicit fragments emerge into the present without an accompanying visually explicit memory, it is very hard to discern that these feelings of anxiety, fear, shame, rage, numbness, and loneliness are related to prior trauma.
Connie A. Lofgreen (The Storm of Sex Addiction: Rescue and Recovery)
One night, during a storm, an engineer named W. W. Bradfield was sitting at the Wimereux transmitter, when suddenly the door to the room crashed open. In the portal stood a man disheveled by the storm and apparently experiencing some form of internal agony. He blamed the transmissions and shouted that they must stop. The revolver in his hand imparted a certain added gravity. Bradfield responded with the calm of a watchmaker. He told the intruder he understood his problem and that his experience was not unusual. He was in luck, however, Bradfield said, for he had “come to the only man alive who could cure him.” This would require an “electrical inoculation,” after which, Bradfield promised, he “would be immune to electro-magnetic waves for the rest of his life.” The man consented. Bradfield instructed him that for his own safety he must first remove from his person anything made of metal, including coins, timepieces, and of course the revolver in his hand. The intruder obliged, at which point Bradfield gave him a potent electrical shock, not so powerful as to kill him, but certainly enough to command his attention. The man left, convinced that he was indeed cured.
Erik Larson (Thunderstruck)
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
At the bakery it's just me. It's a small place. Just me and the raspberry horns and the tourtiere pies and my cigarette going in the ashtray near the black sink. Every once in a while a car passes through the dark street outside the storefont windows, but that's pretty much all I see of people while I'm there, until the end of my shift at eight when Monica shows up to open the store for the day. A solid twelve hours by myself, nothing but the radio to keep me company, and I like it just fine, being alone. It's even better in the winter, during a storm, when the snow piles up outside and no cars come by at all. Inside the bakery it's warm and there's plenty to keep my hands busy. Times like that, for all I can tell I'm the only person left on earth. I could go on making pies and watching the snow pile up until the end of time, so long as there was enough coffee on hand. I don't need company like some people seem to.
Ron Currie Jr. (Everything Matters!)
Don't you know that the less you tell someone, the more they want to know? You're better off to make something up than to say nothing at all." "I'm the youngest of twelve children of two South African missionaries," he said with such ease,she very nearly believed him. "When I was six,I wandered into the jungle and was taken in by a pride of lions.I still have a pechant for zebra meat.Then when I was eightteen,I was captured by hunters and sold to a circus.For five years I was the star of the sideshow." "The Lion Boy," Gennie put in. "Naturally.One night during a storm the tent caught fire.In the confusion I escaped.Living off the land, I wandered the country-stealing a few chickens now and again.Eventually an old hermit took me in after I'd saved him from a grizzly." "With your bare hands," Gennie added. "I'm telling the story," he reminded her. "He taught me to read and write. On his deathbead he told me where he'd buried his life savings-a quarter million in gold bullion. After giving him the Viking funeral he'd requested, I had to decide whether to be a stockbroker or go back to the wilderness." "So you decided against Wall Street, came here, and began to collect stamps." "That's about it." "Well," Gennie said after a moment. "With a boring story like that, I can see why you keep it to yourself." "You asked," Grant pointed out. "You might have made something up." "No imagination." She laughed then and leaned her head on his shoulder. "No,I can see you have a very literal mind.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
But instead of letting me see any ray of hope, God afflicted me with a most grievous martyrdom which lasted for three days. It brought sharply home to me the bitter grief felt by the Blessed Virgin and St. Joseph as they searched for the Child Jesus. I was alone in a desert waste — or rather, my soul was like a fragile skiff tossing without a pilot in a stormy sea. I knew that Jesus was there, asleep in my craft, but the night was too black for me to see Him. All was darkness. Not even a flash of lightning pierced the clouds. There’s nothing reassuring about lightning, but, at least, if the storm had burst, I should have been able to glimpse Jesus. But it was night, the dark night of the soul. Like Jesus during His Agony in the Garden, I felt myself abandoned and there was no help for me on earth or in heaven. God had abandoned me. Nature herself seemed to share my misery. The sun never shone once during those three days and the rain fell in torrents. I have noticed that, at all the important moments of my life, nature has mirrored my soul. When I wept the sky wept with me, and when I was happy the sun shone without a cloud in the sky.
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The marketing techniques were getting refined. There had been a trend away from conventional political consultants and the traditional campaign philosophy of “getting our message out to the people.” Surveys showed the people were allergic to messages and refused to listen, even if the president was on TV saying the water supply was radioactive and giant spiders were running the government. The strategy shifted from “the message” to brand recognition after it was learned that most campaigns were decided during the selection of color scheme, typeface and logo. Campaigns began aggressively headhunting at Coca-Cola and Procter & Gamble. They spent heavily on focus groups and test markets. Conference rooms full of average citizens ate potato chips and pickle spears while campaign workers auditioned fonts and swatches.
Tim Dorsey (Orange Crush (Serge Storms #3))
The reason these diatribes are heard by more than just the occasional potted plant or captured hero is this: sparks quite frequently find themselves surrounded by people whether they want to be or not. We are not just talking about the stereotypical traveler whose cart breaks down during a storm and thus must seek shelter at the lone castle glimpsed through the trees and so finds himself at a timely ringside seat for the revelation of the latest abomination of science (although there is no denying this happens far more than is statistically probable). No, your seriously steeped-in-madness dabbler in the esoteric sciences usually finds themself taxed with a rag-tag collection of hangers-on, typically consisting of minions, constructs, adventurers, and those unique, unclassifiable, individuals whose raison d’être appears to be to remind us of what a strange world it is. Even more interestingly, it appears that the greater the spark, the more of these individuals they spontaneously accumulate.
Phil Foglio (Agatha H. and the Siege of Mechanicsburg (Girl Genius #4))
I remember a spring night in a school auditorium, during the rehearsal of a play. I am thirteen. I am weary of the farce, weary of the silliness of the cast, of our endless horseplay, mindlessness. A scene in which I have no part is being rehearsed; I stand in an open door at the rear of the dark and empty hall. A storm is under way. The door is on the lee of the building, and I step out under the overhang. The rain swirls and beats. Lightning reveals a familiar schoolyard in a ghostly light. I feel a sudden poignancy. Images strike my mind. The wind is the scream of a lost spirit, searching the earth and finding no good, recalling old bereavements, lashing the land with tears. Consciousness leaves my body, moves out in time and space. I undergo an expanding awareness of self, of separateness, of time flowing through me, bearing me on, knowing I have a chance, the one chance all of us have, the chance of a life, knowing a time will come when nothing lies ahead and everything lies behind, and hoping I can then look back and feel it well spent. How, in the light of fixed stars, should one live?
Allen Wheelis (The Way We Are)
Imagine a single survivor, a lonely fugitive at large on mainland Mauritius at the end of the seventeenth century. Imagine this fugitive as a female. She would have been bulky and flightless and befuddled—but resourceful enough to have escaped and endured when the other birds didn’t. Or else she was lucky. Maybe she had spent all her years in the Bambous Mountains along the southeastern coast, where the various forms of human-brought menace were slow to penetrate. Or she might have lurked in a creek drainage of the Black River Gorges. Time and trouble had finally caught up with her. Imagine that her last hatchling had been snarfed by a [invasive] feral pig. That her last fertile egg had been eaten by a [invasive] monkey. That her mate was dead, clubbed by a hungry Dutch sailor, and that she had no hope of finding another. During the past halfdozen years, longer than a bird could remember, she had not even set eyes on a member of her own species. Raphus cucullatus had become rare unto death. But this one flesh-and-blood individual still lived. Imagine that she was thirty years old, or thirty-five, an ancient age for most sorts of bird but not impossible for a member of such a large-bodied species. She no longer ran, she waddled. Lately she was going blind. Her digestive system was balky. In the dark of an early morning in 1667, say, during a rainstorm, she took cover beneath a cold stone ledge at the base of one of the Black River cliffs. She drew her head down against her body, fluffed her feathers for warmth, squinted in patient misery. She waited. She didn't know it, nor did anyone else, but she was the only dodo on Earth. When the storm passed, she never opened her eyes. This is extinction.
David Quammen (The Song of the Dodo: Island Biogeography in an Age of Extinctions)
Never, not in her wildest dreams, had she dared to imagine that she'd be that important to someone. As if she was air and without her, he couldn't breathe. "I love you too," she whispered. "And I forgive future Sailor for being a dumbass." Linking her arms around his neck, she spoke through the storm inside her. "In fact, I think future Sailor is going to be an incredible man I'll adore more with each and every day." "Yeah?" His lips kicked up in that familiar smile, but there was a question in his eyes, a quiet hunger. "What's he going to do?" Ísa knew what he was asking her, what he needed her to tell him. "He's going to be a man who works hard but who has time for the people he loves. And he definitely has time to get up to wicked things with a certain redhead." "I like this guy's priorities already." "He's also the kind of father who takes a turn doing the school run because he enjoys spending time with his child." It was scary doing this, laying out her dreams, but Sailor had given her everything. Ísa would be brave enough to give him the same back. "He has time to play with his baby, and to kiss his wife, and even if he forgets things now and then, or if he gets a little busy for a while, it's all right because his wife and child and all the members of his family know they're loved beyond measure." Perfection had never been what Ísa wanted. "Because when it matters, he's there. He sees the people who love him." Demon-blue eyes solemn, Sailor said, "I can do that." It was a vow. "I can be that guy." "You already are." Ísa whispered. "You're my dream, Sailor." But Sailor shook his head. "You ain't seen nothing yet, spitfire. I'm going to court the hell out of you." After a meditative pause, he added, "Nakedness during said courting is optional but highly encouraged." He was wonderful. And he was hers.
Nalini Singh (Cherish Hard (Hard Play, #1))
Astounding, really, that Michel could consider psychology any kind of science at all. So much of it consisted of throwing together. Of thinking of the mind as a steam engine, the mechanical analogy most ready to hand during the birth of modern psychology. People had always done that when they thought about the mind: clockwork for Descartes, geological changes for the early Victorians, computers or holography for the twentieth century, AIs for the twenty-first…and for the Freudian traditionalists, steam engines. Application of heat, pressure buildup, pressure displacement, venting, all shifted into repression, sublimation, the return of the repressed. Sax thought it unlikely steam engines were an adequate model for the human mind. The mind was more like—what?—an ecology—a fellfield—or else a jungle, populated by all manner of strange beasts. Or a universe, filled with stars and quasars and black holes. Well—a bit grandiose, that—really it was more like a complex collection of synapses and axons, chemical energies surging hither and yon, like weather in an atmosphere. That was better—weather—storm fronts of thought, high-pressure zones, low-pressure cells, hurricanes—the jet streams of biological desires, always making their swift powerful rounds…life in the wind. Well. Throwing together. In fact the mind was poorly understood.
Kim Stanley Robinson (Blue Mars (Mars Trilogy, #3))
The first few lines of the third chapter run as follows: All significant concepts of the modern theory of the state are secularized theological concepts not only because of their historical development—in which they were transferred from theology to the theory of the state, whereby, for example, the omnipotent God became the omnipotent lawgiver—but also because of their systematic structure, the recognition of which is necessary for a sociological consideration of these concepts. The state of exception in jurisprudence is analogous to the miracle in theology. Only by being aware of this analogy can we appreciate the manner in which the philosophical idea of the state developed over the last few centuries. I had quickly come to see Carl Schmitt as an incarnation of Dostoevsky’s Grand Inquisitor. During a stormy conversation at Plettenberg in 1980, Carl Schmitt told me that anyone who failed to see that the Grand Inquisitor was right about the sentimentality of Jesuitical piety had grasped neither what a Church was for, nor what Dostoevsky—contrary to his own conviction—had “really conveyed, compelled by the sheer force of the way in which he posed the problem.” I always read Carl Schmitt with interest, often captivated by his intellectual brilliance and pithy style. But in every word I sensed something alien to me, the kind of fear and anxiety one has before a storm, an anxiety that lies concealed in the secularized messianic dart of Marxism. Carl Schmitt seemed to me to be the Grand Inquisitor of all heretics.
Jacob Taubes (To Carl Schmitt: Letters and Reflections (Insurrections: Critical Studies in Religion, Politics, and Culture))
The proper attitude toward human activity and climate is expressed in the 1957 novel Atlas Shrugged by Ayn Rand. Consider the following passage, where industrialist-philosopher Francisco d’Anconia remarks to steel magnate Hank Rearden how dangerous the climate is, absent massive industrial development. The conversation takes place indoors at an elegant party during a severe storm (in the era before all severe storms were blamed on fossil fuels). There was only a faint tinge of red left on the edge of the earth, just enough to outline the scraps of clouds ripped by the tortured battle of the storm in the sky. Dim shapes kept sweeping through space and vanishing, shapes which were branches, but looked as if they were the fury of the wind made visible. “It’s a terrible night for any animal caught unprotected on that plain,” said Francisco d’Anconia. “This is when one should appreciate the meaning of being a man.” Rearden did not answer for a moment; then he said, as if in answer to himself, a tone of wonder in his voice, “Funny . . .” “What?” “You told me what I was thinking just a while ago . . .” “You were?” “. . . only I didn’t have the words for it.” “Shall I tell you the rest of the words?” “Go ahead.” “You stood here and watched the storm with the greatest pride one can ever feel—because you are able to have summer flowers and half-naked women in your house on a night like this, in demonstration of your victory over that storm. And if it weren’t for you, most of those who are here would be left helpless at the mercy of that wind in the middle of some such plain.
Alex Epstein (The Moral Case for Fossil Fuels)
When the dress for Irex’s dinner party arrived wrapped in muslin and tied with twine, it was Arin who brought the package to Kestrel. She hadn’t seen him since the first green storm. She didn’t like to think about that day. It was her grief, she decided, that she didn’t want to remember. She was learning to live around it. She had returned to her music, and let that outings and lessons flow around the fact of Enai’s death, smoothing its jagged edges. She spent little time at the villa. She sent no invitations to Arin for Bite and Sting. If she went into society, she chose other escorts. When Arin stepped into her sitting room that was really a writing room, Kestrel set her book next to her on the divan and turned its spine so that he wouldn’t see the title. “Hmm,” Arin said, turning the packaged dress over in his hands. “What could this be?” “I am sure you know.” He pressed it between his fingers. “A very soft kind of weapon, I think.” “Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured. Arin set the package on the divan where she sat. “A new dress means an event on the horizon.” “Yes, a dinner party. Lord Irex is hosting.” He frowned. “And you’re going?” She shrugged. “Do you need an escort?” Kestrel intended to say no, but became distracted by the determined set to Arin’s mouth. He looked almost…protective. She was surprised that he should look that way. She was confused, and perhaps this made her say, “To be honest, I would be glad for your company.” His eyes held hers. Then his gaze fell to the book by Kestrel’s side. Before she could stop him, he took it with a nimble hand and read the title. It was a Valorian history of its empire and wars. Arin’s face changed. He returned the book and left.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
You’re good at this,” said Ronan. “What?” He leaned to touch the baby’s head. “Being a mother.” “What is that supposed to mean?” Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.” Kestrel set the baby on the grass next to Faris. “You cannot take it back.” “Just this once,” he said, echoing her earlier words during the game. She stood and walked away. He followed. “Come, Kestrel. I spoke only the truth.” They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall. “It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan. Visibly relieved, he said, “Good. The empire needs new life.” It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier. “It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--” He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.” “I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?” “You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.” “Benix, of course.” She laughed. “Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor. Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth. If it was true, what then?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
During Bill Clinton’s presidency, the Palestinian terrorist Yasser Arafat was invited to spend more time in the White House than any other foreign leader—thirteen invitations.303 Clinton was dead set on helping the Israelis and Palestinians achieve a lasting peace. He pushed the Israelis to grant ever-greater concessions until the Israelis were willing to grant the Palestinians up to 98 percent of all the territory they requested. And what was the Palestinian response? They walked away from the bargaining table and launched the wave of suicide bombings and other terrorist attacks known as the Second Intifada. And what of Osama bin Laden? Even while America was granting concessions to Palestinians—and thereby theoretically easing the conditions that provided much of the pretext for Muslim terror—bin Laden was bombing U.S. embassies in Africa, almost sank the USS Cole in Yemen, and was well into the planning stages of the catastrophic attacks of September 11, 2001. After President George W. Bush ordered U.S. forces to invade Afghanistan and Iraq in 2001 and 2003, respectively, bringing American troops into direct ground combat with jihadists half a world away, many Americans quickly forgot the recent past and blamed American acts of self-defense for “inflaming” jihad. One of those Americans was Barack Obama. Soon after his election, Obama traveled to Cairo, Egypt, where he delivered a now-infamous speech that signaled America’s massive policy shifts. The United States pulled entirely out of Iraq despite the pleas of “all the major Iraqi parties.”304 In Egypt, the United States actually backed the Muslim Brotherhood government, going so far as agreeing to give it advanced F-16 fighters and M1 Abrams main battle tanks, even as the Muslim Brotherhood government was violating its peace treaty with Israel and persecuting Egypt’s ancient Coptic Christian community. The Obama administration continued supporting the Brotherhood, even when it stood aside and allowed jihadists to storm the American embassy, raising the black flag of jihad over an American diplomatic facility. In Libya, the United States persuaded its allies to come to the aid of a motley group of rebels, including jihadists. Then many of these same jihadists promptly turned their anger on the United States, attacking our diplomatic compound in Benghazi the afternoon and evening of September 11, 2012—killing the American ambassador and three more brave Americans. Compounding this disaster, the administration had steadfastly refused to reinforce the American security presence in spite of a deteriorating security situation, afraid that it would anger the local population. This naïve and foolish administration decision cost American lives.
Jay Sekulow (Rise of ISIS: A Threat We Can't Ignore)