Prime Of Miss Jean Brodie Quotes

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To me education is a leading out of what is already there in the pupil's soul.
Muriel Spark (The Prime of Miss Jean Brodie)
Allow me, in conclusion, to congratulate you warmly upon your sexual intercourse, as well as your singing.
Muriel Spark (The Prime of Miss Jean Brodie)
The word "education" comes from the root e from ex, out, and duco, I lead. It means a leading out. To me education is a leading out of what is already there in the pupil's soul.
Muriel Spark (The Prime of Miss Jean Brodie)
For those who like that sort of thing," said Miss Brodie in her best Edinburgh voice, "That is the sort of thing they like.
Muriel Spark (The Prime of Miss Jean Brodie)
It is well, when in difficulties, to say never a word, neither black nor white. Speech is silver but silence is golden.
Muriel Spark (The Prime of Miss Jean Brodie)
Give me a girl at an impressionable age and she is mine for life.
Muriel Spark (The Prime of Miss Jean Brodie)
These years are still the years of my prime. It is important to recognise the years of one's prime, always remember that.
Muriel Spark (The Prime of Miss Jean Brodie)
One’s prime is elusive. You little girls, when you grow up, must be on the alert to recognise your prime at whatever time of your life it may occur. You must then live it to the full.
Muriel Spark (The Prime of Miss Jean Brodie)
It's only possible to betray where loyalty is due
Muriel Spark (The Prime of Miss Jean Brodie)
Phrases like 'the team spirit' are always employed to cut across individualism, love and personal loyalties.
Muriel Spark (The Prime of Miss Jean Brodie)
The word 'education' comes from the root e from ex, out, and duco, I lead. It means a leading out. To me education is a leading out of what is already there in the pupil's soul. To Miss Mackay it is a putting in of something that is not there, and that is not what I call education, I call it intrusion, from the Latin root prefix in meaning in and the stem trudo, I thrust.
Muriel Spark (The Prime of Miss Jean Brodie)
... flattening their scorn underneath the chariot wheels of her superiority.
Muriel Spark (The Prime of Miss Jean Brodie)
4:15. Not 4 not 4:30 but 4:15. She thought to intimidate me with the use of quarter hours.
Muriel Spark (The Prime of Miss Jean Brodie)
The Brodie set did not for a moment doubt that she would prevail. As soon expect Julius Caesar to apply for a job at a crank school as Miss Brodie. She would never resign. If the authorities wanted to get rid of her she would have to be assassinated.
Muriel Spark (The Prime of Miss Jean Brodie)
Miss Brodie was easily the equal of both sisters together, she was the square on the hypotenuse of a right-angled triangle and they were only the squares on the other two sides.
Muriel Spark (The Prime of Miss Jean Brodie)
He found and praised Muriel Spark's The Driver's Seat. I said I found it too schematic and preferred The Prime of Miss Jean Brodie. He nodded, but not in agreement, it seemed, more like a therapist who now understood my problem.
Ian McEwan (Sweet Tooth)
Nothing infuriates people more than their own lack of spiritual insight.
Muriel Spark (The Prime of Miss Jean Brodie)
I'd rather deal with a rogue than a fool.
Muriel Spark (The Prime of Miss Jean Brodie)
One's prime is the moment one was born for. 
Muriel Spark (The Prime of Miss Jean Brodie)
Culture cannot compensate for lack of hard knowledge.
Muriel Spark (The Prime of Miss Jean Brodie)
But those of Miss Brodie's kind were great talkers and feminists and, like most feminists, talked to men as man‐to‐man. 
Muriel Spark (The Prime of Miss Jean Brodie)
I'm not saying anything against the Modern side. Modern and Classical, they are equal, and each provides for a function in life. You must make  your free choice. Not everyone is capable of a Classical education. You must make your choice quite freely.
Muriel Spark (The Prime of Miss Jean Brodie)
I am putting old heads on your young shoulders,' Miss Brodie had told them at the time.
Muriel Spark (The Prime of Miss Jean Brodie)
You girls," said Miss Brodie, "must learn to cultivate an expression of composure. It is one of the best assets of a woman, an expression of composure, come foul, come fair. Regard the Mona Lisa over yonder!
Muriel Spark (The Prime of Miss Jean Brodie)
In this oblique way, she began to sense what went to the makings of Miss Brodie who had elected herself to grace in so particular a way and with more exotic suicidal enchantment than if she had simply taken to drink like other spinsters who couldn't stand it any more.
Muriel Spark (The Prime of Miss Jean Brodie)
But now they were all fifteen, there was a lot they did not tell each other.
Muriel Spark (The Prime of Miss Jean Brodie)
O where shall I find a virtuous woman, for her price is above rubies.
Muriel Spark (The Prime of Miss Jean Brodie)
Mona Lisa in her prime smiled in steady composure even though she had just come from the dentist and her lower jaw was swollen.
Muriel Spark (The Prime of Miss Jean Brodie)
Miss Brodie liked to take her leisure over the unfolding of her plans, most of her joy deriving from the preparation
Muriel Spark (The Prime of Miss Jean Brodie)
Her name and memory, after her death, flitted from mouth to mouth like swallows in summer, and in the winter they were gone.
Muriel Spark (The Prime of Miss Jean Brodie)
Do you know, Sandy dear, all my ambitions are for you and Rose. You have got insight, perhaps not quite spiritual, but you're a deep one, and Rose has got instinct.' 'Perhaps not quite spiritual' said Sandy. 'Yes,' said Miss Brodie, 'you're right. Rose has got a future by virtue of her instinct.' ... 'I ought to know because my prime has brought me instinct and insight, both.
Muriel Spark (The Prime of Miss Jean Brodie)
Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty. 'Little girls,' said Miss Brodie, 'come and observe this.' They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'. 'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me.
Muriel Spark (The Prime of Miss Jean Brodie)
There was a wonderful sunset across the distant sky, reflected in the sea, streaked with blood and puffed with avenging purple and gold as if the end of the world had come without intruding on every-day life.
Muriel Spark (The Prime of Miss Jean Brodie)
You know," Sandy said, "these are supposed to be the happiest days of our lives." "Yes, they are always saying that," Jenny said. "They say, make the most of your schooldays because you never know what lies ahead of you.
Muriel Spark (The Prime of Miss Jean Brodie)
I have frequently told you, and the holidays just past have convinced me, that my prime has truly begun. One’s prime is elusive. You little girls, when you grow up, must be on the alert to recognise your prime at whatever time of your life it may occur.
Muriel Spark (The Prime of Miss Jean Brodie)
If anyone comes along,” said Miss Brodie, “in the course of the following lesson, remember that it is the hour for English grammar. Meantime I will tell you a little of my life when I was younger than I am now, though six years older than the man himself.
Muriel Spark (The Prime of Miss Jean Brodie)
In fact, it was the religion of Calvin of which Sandy felt deprived, or rather a specified recognition of it. She desired this birthright; something definite to reject. It pervaded the place in proportion as it was unacknowledged. In some ways the most real and rooted people whom Sandy knew were Miss Gaunt and the Kerr sisters who made no evasions about their believe that Gold had planned for practically everybody before they were born an nasty surprise when they died. Later, when Sandy read John Calvin, she found that although popular conceptions of Calvinism were sometimes mistaken, in this particular there was no mistake, indeed it was but a mild understanding of the case, he having made it God's pleasure to implant in certain people an erroneous since of joy and salvation, so that their surprise at the end might be the nastier.
Muriel Spark (The Prime of Miss Jean Brodie)
Sandy felt warmly towards Miss Brodie at these times when she saw how she was misled in her idea of Rose. It was then that Miss Brodie looked beautiful and fragile, just as dark heavy Edinburgh itself could suddenly be changed into a floating city when the light was a special pearly white and fell upon one of the gracefully fashioned streets. In the same way Miss Brodie's masterful features became clear and sweet to Sandy when viewed in the curious light of the woman's folly, and she never felt more affection for her in her later years than when she thought upon Miss Brodie silly.
Muriel Spark (The Prime of Miss Jean Brodie)
I have long wanted to know the Greek language, and this scheme will also serve to impress your knowledge on your own minds. John Stuart Mill used to rise at dawn to learn Greek at the age of five, and what John Stuart Mill could do as an infant at dawn, I too can do on a Saturday afternoon in my prime.
Muriel Spark (The Prime of Miss Jean Brodie)
Sandy was fascinated by the economy of Teddy Lloyd's method, as she had been four years earlier by Miss Brodie''s variations on her love story, when she had attached to her first, war-time lover the attributes of the art master and the singing master who had then newly entered her orbit. Teddy Lloyd's method of presentation was similar, it was economical, and it always seemed afterwards to Sandy that where there was a choice of various courses, the most economical was the best, and that the course to be taken was the most expedient and most suitable at the time for all the objects in hand.
Muriel Spark (The Prime of Miss Jean Brodie)
Suggested Reading Nuha al-Radi, Baghdad Diaries Margaret Atwood, The Blind Assassin Jane Austen, Emma, Mansfield Park, and Pride and Prejudice Saul Bellow, The Dean’s December and More Die of Heartbreak Emily Brontë, Wuthering Heights Lewis Carroll, Alice’s Adventures in Wonderland Joseph Conrad, Under Western Eyes Henry Fielding, Shamela and Tom Jones Gustave Flaubert, Madame Bovary Anne Frank, The Diary of Anne Frank Henry James, The Ambassadors, Daisy Miller, and Washington Square Franz Kafka, In the Penal Colony and The Trial Katherine Kressman Taylor, Address Unknown Herman Melville, The Confidence Man Vladimir Nabokov, Lolita, Invitation to a Beheading, and Pnin Sarah Orne Jewett, The Country of the Pointed Firs Iraj Pezeshkzad, My Uncle Napoleon Diane Ravitch, The Language Police Julie Salamon, The Net of Dreams Marjane Satrapi, Persepolis Scheherazade, A Thousand and One Nights F. Scott Fitzgerald, The Great Gatsby W. G. Sebald, The Emigrants Carol Shields, The Stone Diaries Joseph Skvorecky, The Engineer of Human Souls Muriel Spark, Loitering with Intent and The Prime of Miss Jean Brodie Italo Svevo, Confessions of Zeno Peter Taylor, A Summons to Memphis Mark Twain, The Adventures of Huckleberry Finn Anne Tyler, Back When We Were Grownups and St. Maybe Mario Vargas Llosa, Aunt Julia and the Scriptwriter Reading
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
Good mawning,’ she replied, in the corridors, flattening their scorn beneath the chariot wheels of her superiority...
Muriel Spark (The Prime of Miss Jean Brodie)
Even so, most of the stories people told about Amos [Tversky] had less to do with what came out of his mouth than with the unusual way he moved through the world. He kept the hours of a vampire. He went to bed when the sun came up and woke up at happy hour. He ate pickles for breakfast and eggs for dinner. He minimized quotidian tasks he thought a waste of time—he could be found in the middle of the day, having just woken up, driving himself to work while shaving and brushing his teeth in the rearview mirror. “He never knew what time of the day it was,” said his daughter, Dona. “It didn’t matter. He’s living in his own sphere and you just happened to encounter him there.” He didn’t pretend to be interested in whatever others expected him to be interested in—God help anyone who tried to drag him to a museum or a board meeting. “For those who like that sort of thing, that is the sort of thing they like,” Amos liked to say, plucking a line from the Muriel Spark novel The Prime of Miss Jean Brodie. “He just skipped family vacations,” says his daughter. “He’d come if he liked the place. Otherwise he didn’t.” The children didn’t take it personally: They loved their father and knew that he loved them. “He loved people,” said his son Oren. “He just didn’t like social norms. A lot of things that most human beings would never think to do, to Amos simply made sense. For instance, when he wanted to go for a run he . . . went for a run. No stretching, no jogging outfit or, for that matter, jogging: He’d simply strip off his slacks and sprint out his front door in his underpants and run as fast as he could until he couldn’t run anymore. “Amos thought people paid an enormous price to avoid mild embarrassment,” said his friend Avishai Margalit, “and he himself decided very early on it was not worth it.” What all those who came to know Amos eventually realized was that the man had a preternatural gift for doing only precisely what he wanted to do. Varda Liberman recalled visiting him one day and seeing a table with a week’s worth of mail on it. There were tidy little stacks, one for each day, each filled with requests and entreaties and demands upon Amos’s time: job offers, offers of honorary degrees, requests for interviews and lectures, requests for help with some abstruse problem, bills. When the new mail came in Amos opened anything that interested him and left the rest in its daily pile. Each day the new mail arrived and shoved the old mail down the table. When a pile reached the end of the table Amos pushed it, unopened, off the edge into a waiting garbage can. “The nice thing about things that are urgent,” he liked to say, “is that if you wait long enough they aren’t urgent anymore.” “I would say to Amos I have to do this or I have to do that,” recalled his old friend Yeshu Kolodny. “And he would say, ‘No. You don’t.’ And I thought: lucky man!
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
There were legions of her kind during the nineteen-thirties, women from the age of thirty and upward, who crowded into their war-bereaved spinsterhood with voyages of discovery into new ideas and energetic practices in art and social welfare, education or religion.
Muriel Spark (The Prime of Miss Jean Brodie)
[...] there were other people's Edinburghs quite different from hers [...]
Muriel Spark (The Prime of Miss Jean Brodie)
been set here. The Heart of Mid‐Lothian by Sir Walter Scott might satisfy those historians among you. For contemporary novels, you are spoiled for choice. The gritty Trainspotting by Irvine Welsh, 44 Scotland Street by Andrew McColl Smith, The Prime of Miss Jean Brodie by Muriel Spark or one of my favourites One Good Turn Deserves Another by Kate Atkinson and featuring her ex‐detective Jackson Brodie.
Dee Maldon (The Solo Travel Guide: Just Do It)
you will have the benefit of my experiences in Italy.
Muriel Spark (The Prime of Miss Jean Brodie)
After nearly collapsing under the pressures of poverty, loneliness, and an addiction to Dexedrine, Spark sought help for her drug use and began to work seriously on a first novel, The Comforters (1957), partly with the financial and emotional support of the novelist Graham Greene. Though a late fiction writer, Spark began producing novels and stories at a rapid pace. In 1961 she wrote The Prime of Miss Jean Brodie, widely considered her masterpiece. The novel follows a teacher at a girls’ school who carefully and manipulatively cultivates the minds and morals of a select handful of promising pupils. In 1969, it was adapted into an Academy Award–winning film starring Maggie Smith and was a Royal Command Performance.
Muriel Spark (Territorial Rights)
La señorita Mackay lo sigue teniendo en la pared porque ella cree en ese lema: "La seguridad es lo primero". Pero la seguridad no es lo primero. La bondad, la verdad y la belleza sí lo son.
Muriel Spark (The Prime of Miss Jean Brodie)