Pretend To Be A Fool Quotes

We've searched our database for all the quotes and captions related to Pretend To Be A Fool. Here they are! All 100 of them:

Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
I became good at pretending. I became so good that after a while the lines blurred between my truth and fiction. And sometimes, when I did a really good job of pretending, I even fooled myself.
Ruta Sepetys (Salt to the Sea)
Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.
Alex Gaskarth
The man who refuses to judge, who neither agrees nor disagrees, who declares that there are no absolutes and believes that he escapes responsibility, is the man responsible for all the blood that is now spilled in the world. Reality is an absolute, existence is an absolute, a speck of dust is an absolute and so is a human life. Whether you live or die is an absolute. Whether you have a piece of bread or not, is an absolute. Whether you eat your bread or see it vanish into a looter's stomach, is an absolute. There are two sides to every issue: one side is right and the other is wrong, but the middle is always evil. The man who is wrong still retains some respect for truth, if only by accepting the responsibility of choice. But the man in the middle is the knave who blanks out the truth in order to pretend that no choice or values exist, who is willing to sit out the course of any battle, willing to cash in on the blood of the innocent or to crawl on his belly to the guilty, who dispenses justice by condemning both the robber and the robbed to jail, who solves conflicts by ordering the thinker and the fool to meet each other halfway. In any compromise between food and poison, it is only death that can win. In any compromise between good and evil, it is only evil that can profit. In that transfusion of blood which drains the good to feed the evil, the compromise is the transmitting rubber tube.
Ayn Rand (Atlas Shrugged)
That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
Nicole Krauss (The History of Love)
I wish to Heaven I was married," she said resentfully as she attacked the yams with loathing. "I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it... I can't eat another bite.
Margaret Mitchell (Gone with the Wind)
You know what I feel for you. You have known it for years. Let us not, you and I, alone here, pretend that you don’t. You know I love you. I always have. I always will
Robin Hobb (Golden Fool (Tawny Man, #2))
Maybe you really are a poet," I whisper. He smiles softly. "Only a fool for you." "Pretend?" My voice is small, soft like the breeze blowing through my short hair. "Never." "None of it?" I ask quietly. "Darling"-he smiles- "I have never had to pretend to want you.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
Pretend to be good always and even God will be fooled.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
You know why I don’t leave,” he said again to Damon, who wouldn’t look at him. “You can pretend you don’t care. You can fool the whole world. But I know differently.” It would have been kindest at this point to leave Damon alone, but Stefan wasn’t in a kind mood. “You know that girl you picked up, Rachael?” he added. “The hair was all right, but her eyes were the wrong color. Elena’s eyes were blue.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
It will pain me to see you two make fools of yourselves trying to avoid one another." "I barely see him, I won't look foolish." Valgu looked unconvinced. "The times I do see him, I can use one of your aloof expressions that I've been practicing." "Good idea, he'll never see through that." "I'm not going to cry openly, or sit around pining for him. I'll pretend it doesn't hurt, until it really doesn't. I know how to do that.
Andrea Luhman (Missing Wings (Aranysargas, #1))
Your file was empty. Nothing. Not even an immunization record.” He didn’t even pretend to look surprised. He eased back in his seat, eyes gleaming obsidian. “And you’re telling me this because you’re afraid I might cause an outbreak? Measles or mumps?” “I’m telling you this because I want you to know that I know something about you isn’t right. You haven’t fooled everybody. I’m going to find out what you’re up to. I’m going to expose you.” “Looking forward to it.” I flushed, catching the innuendo too late.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Because sometimes when things are going really well, we find the one thing we're pretending we're not looking for.
Susan Mallery (Only Mine (Fool's Gold, #4))
Jace, who had asked Alec to be his parabatai and then always pretended as if he did not need one. Alec was not fooled.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Everybody's strange everywhere. Most of the trick of being a social animal is pretending you're not. But who do you fool? Nobody worth talking to.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
if you'd ever had a grown-up daughter you'd know that by comparison a bucking steer is easy to manage. And as to knowing what goes on inside her - well, it's much better to pretend you're the simple, innocent old fool she almost certainly takes you for.
W. Somerset Maugham
I know you're a fool, Jim Hardy, but for heaven's sake pretend you're not for five minutes.
L.M. Montgomery (Emily Climbs (Emily, #2))
This is what I want and what I've chosen," Alec said. "How dare you tell me it's a tragedy? Magnus pretended he never tried to fool me into thinking it would be easy, but choosing Magnus is one of the easiest things I've ever done.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Suddenly, I don't want to be this person anymore. I don't want to pretend I'm fooling the world when I'm not. I want someone else to have a plan for me, because I'm not doing a very good job myself.
Jodi Picoult
Look at us all -- we are all of us lost and in all of our different ways of pretending, we all fool ourselves into the very same hell. Look at the cross -- we are all of us loved and one God meets us all at the point of our common need and brings to all of us -- all who will let Him -- salvation.
Rich Mullins
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men — friends, coworkers, strangers — giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them.
Gillian Flynn (Gone Girl)
Even if it were possible to cast my horoscope in this one life, and to make an accurate prediction about my future, it would not be possible to 'show' it to me because as soon as I saw it my future would change by definition. This is why Werner Heisenberg's adaptation of the Hays Office—the so-called principle of uncertainty whereby the act of measuring something has the effect of altering the measurement—is of such importance. In my case the difference is often made by publicity. For example, and to boast of one of my few virtues, I used to derive pleasure from giving my time to bright young people who showed promise as writers and who asked for my help. Then some profile of me quoted someone who disclosed that I liked to do this. Then it became something widely said of me, whereupon it became almost impossible for me to go on doing it, because I started to receive far more requests than I could respond to, let alone satisfy. Perception modifies reality: when I abandoned the smoking habit of more than three decades I was given a supposedly helpful pill called Wellbutrin. But as soon as I discovered that this was the brand name for an antidepressant, I tossed the bottle away. There may be successful methods for overcoming the blues but for me they cannot include a capsule that says: 'Fool yourself into happiness, while pretending not to do so.' I should actually want my mind to be strong enough to circumvent such a trick.
Christopher Hitchens (Hitch 22: A Memoir)
For many men value appearances more than reality—thus they violate what’s right. Everyone’s prepared to sigh over some suffering man, though no sorrow really eats their hearts, or they can pretend to join another person’s happiness forcing their faces into smiling masks. But a good man discerns true character— he’s not fooled by eyes feigning loyalty, favouring him with watered-down respect.
Aeschylus (Agamemnon (Oresteia, #1))
Knowing to do the right thing, but playing stupid to oblige to it, is still lying.
Anthony Liccione
The Navy is a master plan designed by geniuses for execution by idiots. If you are not an idiot, but find yourself in the Navy, you can only operate well by pretending to be one. All the shortcuts and economies and common-sense changes that your native intelligence suggests to you are mistakes. Learn to quash them. Constantly ask yourself, "How would I do this if I were a fool?" Throttle down your mind to a crawl. Then you will never go wrong.
Herman Wouk (The Caine Mutiny)
No psychologist should pretend to understand what he does not understand... Only fools and charlatans know everything and understand nothing.
Anton Chekhov
I’m so tired of pretending like my life isn’t perfect and bitchin’ and just winning every second, I’m not perfect, and bitching and just delivering the goods at every fucking turn. Because look what I’m dealing with, man — I’m dealing with fools and trolls. I’m dealing with soft targets.
Charlie Sheen
It's when I'm alone that the doubt sets in. It's been that way for years. As long as there are people around, I can pretend that everything's OK. But I need that audience to pretend for, otherwise it doesn't work. Alone, I'm not that easy to fool.
Cat Clarke (Entangled)
The best way to stay safe is, let them think your insane.
Anthony Liccione
Only a fool takes pride in pretending that a skill he doesn’t possess is worthless.
Bernard Cornwell (Sharpe's Tiger (Sharpe, #1))
These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it no fool ever made a bargain for his soul with the devil. The fool is too much of a fool or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place--and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one or the other.
Joseph Conrad (Heart of Darkness)
And were you being good to yourself? i don’t think so. but, i forgive you, girl, who tallied stretch marks into reasons why no one should get close. i forgive you, silly girl, sweet breath, decent by default. i forgive you for being afraid. did everything betray you? even the rain you love so much made rust out of your jewelry? i forgive you, soft spoken girl speaking with fake brash voice, fooling no one. i see you, tender even on your hardest days. i forgive you, waiting for him to call, i forgive you, the diets and the cruel friends. especially for that one time you said ‘i fucking give up on love, it’s not worth it, i’d rather be alone forever’. you were just pretending, weren’t you? i know you didn’t mean that. your body, your mouth, your heart, made specifically for loving. sometimes the things we love, will kill us, but weren’t we dying anyway? i forgive you for being something that will eventually die. perishable goods, fading out slowly, little human, i wouldn’t want to be in a world where you don’t exist.
Warsan Shire
(Lady Patience) Do you think you can pretend to be dead and vanish from my life for sixteen years and then walk in and then pour yourself some of my good Brandy? Insolence!
Robin Hobb (Fool's Fate (Tawny Man, #3))
When was the last time you were kissed?" he went on easily. "And I'm not talking about the dry, noncommittal, meaningless kiss you forget about as soon as it's over." I scrambled out of my stupor long enough to quip, "Like last night's kiss?" He cocked an eyebrow. "That so? I wonder, then, why you moaned my name after you drifted to sleep." "I did not!" "If only I'd had a video recorder. When was the last time you were really kissed?" he repeated. "You seriously think I'm going to tell you?" "Your ex?" he guessed. "And if he was?" "Was it your ex who taught you to be ashamed and uncomfortable with intimacy? He took from you what he wanted, but never seemed to be around when you wanted something back, isn't that right? What do you want, Britt?" he asked me point-blank. "Do you really want to pretend like last night never happened?" "Whatever happened between me and Calvin isn't your business,” I fired back. "For your information, he was a really great boyfriend. I-I wish I was with him right now!" I exclaimed untruthfully. My careless comment made him flinch, but he recovered quickly. "Does he love you?" "What?" I said, flustered. "If you know him so well, it shouldn't be a hard question. Is he in love with you? Was he ever in love with you?" I tossed my head back haughtily. "I know what you're doing. You're trying to cut him down because you're-you're jealous of him!" "You're damn right I'm jealous,” he growled. "When I kiss a girl, I like to know she's thinking about me, not the fool who gave her up.
Becca Fitzpatrick (Black Ice)
Don’t be afraid to be a fool. Remember, you cannot be both young and wise. Young people who pretend to be wise to the ways of the world are mostly just cynics. Cynicism masquerades as wisdom, but it is the farthest thing from it. Because cynics don’t learn anything. Because cynicism is a self-imposed blindness, a rejection of the world because we are afraid it will hurt us or disappoint us. Cynics always say no. But saying yes begins things. Saying yes is how things grow. Saying yes leads to knowledge. “Yes” is for young people. So for as long as you have the strength to, say yes.
Stephen Colbert
Tuesday I have invented a lie. There is no other day but Monday. It seemed reasonable to pretend that I could change the day like a pair of socks. To tell the truth days are all the same size and words aren't much company. If I were sick, I'd be a child, tucked in under the woolens, sipping my broth. As it is, the days are not worth grabbing or lying about. Nevertheless, you are the only one that I can bother with this matter. Monday It would be pleasant to be drunk: faithless to my tongue and hands, giving up the boundaries for the heroic gin. Dead drunk is the term I think of, insensible, neither cool nor warm, without a head or foot. To be drunk is to be intimate with a fool. I will try it shortly.
Anne Sexton (All My Pretty Ones)
The insistence is on merit, insinuating that any current majority white leadership in any industry has got there through hard work and no outside help, as if whiteness isn’t its own leg-up, as if it doesn’t imply a familiarity that warms an interviewer to a candidate. When each of the sectors I mentioned earlier have such dire racial representation, you’d have to be fooling yourself if you really think that the homogeneous glut of middle-aged white men currently clogging the upper echelons of most professions got there purely through talent alone. We don’t live in a meritocracy, and to pretend that simple hard work will elevate all to success is an exercise in wilful ignorance.
Reni Eddo-Lodge (Why I’m No Longer Talking to White People About Race)
Let me tell you what I think about your fucking rules," he said, his voice dripping with venom as he pushed past Liam. "You sit up in your room and you pretend like you want what's best for everyone, but you don't do any of the work yourself. I can't tell if you're just a spoiled little shit, or if you're too worried about getting your pretty princess hands dirty, but it sucks. You are fucking awful, and you sure as hell don't have me fooled... You talk about us all being equals, like we're one big rainbow of peace and all that bullshit, but you never once believed that yourself, did you? You won't let anyone contact their parents, and you don't care about the kids that are still trapped in camps your father set up. You wouldn't even listen when the Watch kids brought it up. So what I want to know is, why can't we leave?... What's the point of this place, other than for you to get off on how great you are and toy with people and their feelings?
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
For well you know that it's a fool who plays it cool by making his world a little colder...
The Beatles
Give my congratulations to the Prince of Vere,’ she said. ‘But you’re a fool to trust him. He has his own plans.’ ‘He has never pretended otherwise,’ said Damen. He
C.S. Pacat (Kings Rising (Captive Prince, #3))
Our culture's quest to hide death behind a facade of denial has made fools and pretended immortals of us all. Perhaps it would be more helpful and liberating to begin each day by repeating the words of Crazy Horse, "Today is a good day to die.
Richard Paul Evans (A Step of Faith (The Walk, #4))
I recalled my father-in-law's aphorism "To fool a judge, feign fascination, but to bamboozle the whole court, feign boredom..." & I pretended to extract a speck from my eye.
David Mitchell (Cloud Atlas)
A wise man understands, an intelligent man knows, but a fool pretends to know.
Debasish Mridha
...I suppose about the only good in pretending is the fun we get out of fooling ourselves that we fool somebody.
Booth Tarkington (Alice Adams)
FOR HEAVEN'S SAKE, MY HEART! For heaven's sake, my heart, keep secret your love, and hide the secret from those you see and you will have better fortune. He who reveals secrets is considered a fool; silence and secrecy are much better for him who falls in love. For heaven's sake, my heart, if someone asks, "What has happened?", do not answer. If you are asked, "Who is she?"; Say she is in love with another And pretend that it is of no consequence. For heaven's sake, my love, conceal your passion; your sickness is also your medicine because love to the soul is as wine in a glass - what you see is liquid, what is hidden is its spirit. For heaven's sake, my heart, conceal your troubles; then, should the seas roar and the skies fall, you will be safe.
Kahlil Gibran (Mirrors of the Soul)
When there's evil standing in your way, you got to get around it however you can, Natalie. You got to look it in the eye, let it know you see it and that it can't creep up on you. What's dangerous is pretending it isn't there at all and letting it get closer and closer while you're looking someplace else, until suddenly evil's walking alongside you like you were two friends out for a stroll on Sunday. So you look it in the face. You tell it with your eyes that you know what it is, that it don't have you fooled. You tell it you know what GOOD looks like.
Kate Milford (The Boneshaker (The Boneshaker #1))
You know Case, who oversees the dairy? He saw us together in the loft last week. He says I'm the biggest fool who ever lived. I don't think he's right. But, just to be safe, I'll put out the lamp. We'll pretend we're the ancient explorers, and find our way by the stars. Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career. During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer. I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole. p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).
Suzie Burke (Wholeness: My Healing Journey from Ritual Abuse)
The wisdom of peasants shows itself in their ability to pretend that they are fools.
Shūsaku Endō (Silence)
Fools act wise, not wisely.
@Mokokoma Mokhonoana
If you merely pretend that you enjoy God or love Him, He knows. You can't fool Him; don't even try. Instead, tell Him how you feel. Tell Him that He isn't the most important thing in this life to you, and that you're sorry for that. Tell Him that you've been lukewarm, that you've chosen ___________ over Him time and time again. Tell Him that you want Him to change you, that you long to genuinely enjoy Him. Tell Him how you want to experience true satisfaction and pleasure and joy in your relationship with Him. Tell Him you want to love Him more than anything on this earth. Tell Him you want to treasure the kingdom of heaven so much that you'd willingly sell everything in order to get it. Tell Him what you like about Him, what you appreciate, and what brings you joy. 'Jesus, I need to give myself up. I am not strong enough to love You and walk with You on my own. I can't do it, and I need You. I need You deeply and desperately. I believe You are worth it, that You are better than anything else I could have in this life or the next. I want You. And when I don't, I want to want You. Be all in me. Take all of me. Have Your way with me'.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
Since I met you,' he said, 'I've had no eyes and no thought for any other girl. When I was away nothing mattered about my coming back but this. If there was one thing I was sure of, it wasn't what I'd been taught by anyone else to believe, not what I learned from other people was the truth, but the truth that I felt in myself- about you.' 'Don't say any more.' She had gone very white. But for once her frailness did not stop him. It had to come out now. 'It isn't very pretty to have been made a fool of by one's own feelings,' he said. 'To take childish promises and build a-a castle out of them. And yet- even now sometimes I can't believe that all the things we said to each other were so trivial or so immature. Are you sure you felt so little for me as you pretend?
Winston Graham (Ross Poldark (Poldark, #1))
I take it, no fool ever made a bargain for his soul with the devil; the fool is too much of a fool, or the devil too much of a devil — I don’t know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place — and whether to be like this is your loss or your gain I won’t pretend to say. But most of us are neither one nor the other. The earth for us is a place to live in, where we must put up with sights, with sounds, with smells, too, by Jove! — breathe dead hippo, so to speak, and not be contaminated.
Joseph Conrad (Heart of Darkness)
Damn you to Lolth's web!" he said. "Don't you dare pretend if doesn't matter to you!" "Why do you care?" Drizzt growled back at him. "No one who has ever made a difference?" "Do you believe that?" "What do you want from me, son of Baenre?" "Just the truth-your truth. You believe that you have never made a difference?" "Perhaps there is no difference to be made," Drizzt replied. "Do not ever say that," Jarlaxle said to him. "Why do you care?" Drizzzt asked. "Because you were the one who escaped," Jarlaxle replied. "Don't you understand? Jarlaxle went on. "I watched you-we all watched you. Whenever a matron mother, or almost any female of Menzoberranzan was about, we spoke your name with vitriol, promising to avenge Lolth and kill you." "But whenever they were not around, the name of Drizzt Do'Urden was spoken with jealousy, often reverence. You do not understand, do you? You don't even recognize the difference you've made to so many of us in Menzoberranzan." "How? Why?" "Because you were the one who escaped!" "You are here with me!" Drizzt argued. "Are you bound to the City of Spiders by anything more than your own designs? By Bregan D'Aerthe?" "I'm not talking about the city, you obstinate fool," Jarlaxle replied, his voice lowering. Again Drizzt looked at him, at a loss. "The heritage," Jarlaxle explained. "The fate.
R.A. Salvatore (Gauntlgrym (Forgotten Realms: Neverwinter, #1; Legend of Drizzt, #20))
Then Angela turned on Kade, and said, “I meant what I said. It’s sick, how you pretend like you’re something you’re not.” “I was about to say the same thing to you,” said Christopher. “I mean, you always did a pretty good job of pretending to be a decent human being. You had me fooled.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
No, Sully'd decided long ago to abstain from all but the most general forms of regret. He allowed himself the vague wish that things had turned out differently, without blaming himself that they hadn't, any more than he'd blamed himself when his 1-2-3 triple never ran like it should at least once. It didn't pay to second-guess every one of life's decisions, to pretend to wisdom about the past from the safety of the present, the way so many people did when they got older.
Richard Russo (Nobody's Fool (Sully #1))
What is fear but that ‘thing’ that we believed to be as powerful as it pretended to be.
Craig D. Lounsbrough
Feyi fought back a yawn—she hated pretending like she gave a fuck about some random man’s small talk.
Akwaeke Emezi (You Made a Fool of Death with Your Beauty)
There is no way to counterfeit courage; we either have it or we do not
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
It is impossible to live without danger, Ashley explains. The danger is always there, the hazard of wasted lives, of decades bent over a desk, of squalid and lonely deaths in hospital beds. Fools turned their faces away from danger and pretended at immunity, but others went to the fountainhead of life.
Justin Go (The Steady Running of the Hour)
Pretend you are foolish to the foolish, and be yourself when you are alone or with others like you, because if you take the foolish seriously as your friend, you might be a fool yourself.
A Gentlemen
Our evaluations. - All actions may be traced back to evaluations, all evaluations are original or adopted - the latter being by far the most common. Why do we adopt them? From fear - that is to say, we consider it more advisable to pretend they are our own - and accustom ourself to this pretense, so that at length it becomes our own nature. Original evaluation: that is to say, to assess a thing according to the extent to which it pleases or displeases us alone and no one else - something excessively rare! But must our evaluation of another, in which there lies motive for our general availing ourselves of his HIS evaluation, at least not proceed from US, be our OWN determination? Yes, but we arrive at it as children, and rarely learn to change our view; most of us are our whole lives long the fools of the way we acquired in childhood of judging our neighbors (their minds, rank, morality, whether they are exemplary or reprehensible) and of finding it necessary to pay homage to their evaluations.
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
Everybody in this room is bored. The poems drag, the voice and gestures irk. He can't be interrupted or ignored. Poor fools, we came here of our own accord And some of us have paid to hear this jerk. Everybody in the room is bored. The silent cry goes up, 'How long, O Lord?' But nobody will scream or go berserk. He won't be interrupted or ignored. Or hit by eggs, or savaged by a horde Of desperate people maddened by his work. Everybody in the room is bored, Except the poet. We are his reward, Pretending to indulge in his every quirk. He won't be interrupted or ignored. At last it's over. How we all applaud! The poet thanks us with a modest smirk. Everybody in the room was bored. He wasn't interrupted or ignored.
Wendy Cope (If I Don't Know)
Declan Lynch knew he was boring. He'd worked very hard to be that way, after all. It was a magic trick he didn't expect any prize from but survival, even as he looked at other lives and imagined them his. He didn't fool himself. He knew what he was allowed to do and to want and to put in his life. He knew Jordan Hennessy didn't belong. But still, when he came back from the National Gallery of Art to his empty town house, he closed the door behind him and for a moment he just leaned against it, eyes closed, pretending—no, not even pretending. He just didn't think. For one second of one minute of the day, he didn't run the probabilities and worst-case scenarios and possibilities and consequences. For one second of one minute of the day, he just let himself feel. There it was: Happiness.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it.
Margaret Mitchell (Gone With The Wind)
You will never let go of the past by ignoring the most painful thing the person you loved has done to you. When you begin to minimize it, second guess yourself and others, ignore it or even pretend it didn't happen you cheat yourself out of healing. Naturally, your mind would rather believe the lies you are telling it, rather than accept the truth. The soul has a way of protecting itself from trauma, but if left in denial there is no growth or change. Healing requires going to that place you avoid and asking yourself why you are so afraid to accept the reality of what happened to you? Why have you minimized it like this person has wanted you to? What is it about your self esteem that allows you to continue being a doormat?
Shannon L. Alder
The fool says 'I never intended to kill. I meant only to wound.' But I tell you that if you prick a finger with a poisoned thorn you may not claim innocence when the heart dies. Do not plant a weed and pretend surprise when it grows to strangle your garden. For, I tell you that hate is to kill, for from hatred grows death as surely as life grows from love. Therefore do not nurture hatred, but love, even for those who hate you in return. Hatred wins many battles, and yet love will triumph.
Michael Grant (Messenger of Fear (Messenger of Fear, #1))
Reason, truth, innocence" --Royce sat back against the wall and folded his arms--"unicorns, pixies, and dragons; you're not that young to believe in such things. How is it that you fancy yourself a resident of a make-believe world." "I told you. At this point, it's a choice." "It's not. It's fooling yourself. I can decide between eating fish or pork, but I can only pretend to eat unicorn meat. I can't actually eat a unicorn. The world is the world, and you live in it with open eyes or choose to be blind. It's all the same to me, but don't stand there pretending your right.
Michael J. Sullivan (The Disappearance of Winter's Daughter (The Riyria Chronicles, #4))
What great gravity is this that drew my soul towards yours? What great force, that though I went falsely, went kicking, went disguising myself to earn your love, also disguised, to earn your keeping, your resting, your staying, your will fleshed into mine, rasped by a slowly revealed truth, the barter of my soul, the soul that I fear, the soul that I loathe, the soul that: if you will love, I will love. I will redeem you, if you will redeem me? Is this our purpose, you and I together to pacify each other, to lead each other toward the lie that we are good, that we are noble, that we need not redemption, save the one that you and I invented of our own clay? I am not scared of you, my love, I am scared of me. I went looking, I wrote out a list, I drew an image, I bled a poem of you. You were pretty and my friends believed I was worthy of you. You were clever, but I was smarter, perhaps the only one smarter, the only one able to lead you. You see, love, I did not love you, I loved me. And you were only a tool that I used to fix myself, to fool myself, to redeem myself. And though I have taught you to lay your lily hand in mine, I walk alone, for I cannot talk to you, lest you talk it back to me, lest I believe that I am not worthy, not deserving, not redeemed. I want desperately for you to be my friend. But you are not my friend; you have slid up warmly to the man I wanted to be, the man I pretended to be, and I was your Jesus and, you were mine. Should I show you who I am, we may crumble. I am not scared of you my love, I am scared of me. I want to be known and loved anyway. Can you do this? I trust by your easy breathing that your are human like me, that you are fallen like me, that you are lonely, like me. My love, do I know you? What is this great gravity that pulls us so painfully toward each other? Why do we not connect? Will we be forever in fleshing this out? And how will we with words, narrow words, come into the knowing of each other?
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Hive Queen: They never know anything. They don't have enough years in their little lives to come to an understanding of anything at all. And yet they think they understand. From earliest childhood, they delude themselves into thinking they comprehend the world, while all that's really going on is that they've got some primitive assumptions and prejudices. As they get older they learn a more elevated vocabulary in which to express their mindless pseudo- knowledge and bully other people into accepting their prejudices as if they were truth, but it all amounts to the same thing. Individually, human beings are all dolts. Pequenino: While collectively... Hive Queen: Collectively, they're a collection of dolts. But in all their scurrying around and pretending to be wise, throwing out idiotic half-understood theories about this and that, one or two of them will come up with some idea that is just a little bit closer to the truth than what was already known. And in a sort of fumbling trial and error, about half the time the truth actually rises to the top and becomes accepted by people who still don't understand it, who simply adopt it as a new prejudice to be trusted blindly until the next dolt accidentally comes up with an improvement.> Pequenino: So you're saying that no one is ever individually intelligent, and groups are even stupider than individuals-- and yet by keeping so many fools engaged in pretending to be intelligent, they still come up with some of the same results that an intelligent species would come up with. Hive Queen: Exactly.
Orson Scott Card (Xenocide (Ender's Saga, #3))
WHISPERS OF LOVE Lover whispers to my ear, "Better to be a prey than a hunter. Make yourself My fool. Stop trying to be the sun and become a speck! Dwell at My door and be homeless. Don't pretend to be a candle, be a moth, so you may taste the savor of Life and know the power hidden in serving.
Jalal ad-Din Muhammad ar-Rumi
First, let’s pretend for a minute. Let’s say that, as the imposter complex voice tells you, you really do have no idea what you’re doing, you actually are fooling everyone, and it’s true you are in fact a big, giant fraud. Okay, seriously think about what I just said. That would take an immense amount of work. That’s pulling off a major heist, like stealing the Queen of England’s entire hat collection or something.
Andrea Owen (How to Stop Feeling Like Sh*t)
As he went about to the other workrooms he realised that every painting was a self-portrait even when it was a still life or a scene over the roofs of Paris; for no man ever pictured anything but himself, his core, the things that he was basically. With every brush stroke the artist was mercilessly exposed: he could not conceal nothing, he could pretend to be another person, to believe in other values, but in the end he would fool no one.
Irving Stone (The Passionate Journey)
I take it, no fool ever made a bargain for his soul with the devil; the fool is too much of a fool, or the devil too much of a devil—I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place—and whether to be like this is your loss or your gain I won’t pretend to say. But most of us are neither one nor the other.
Joseph Conrad
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
Why didn't you just let me run home?" she asked. "I wanted you here," he said simply. "But why?" she persisted. He shrugged. "I don't know.Punishment, perhaps, for spying on me." "I wasn't-" Sophie's denial was automatic, but she cut herself off halfway through, because of course she'd been spying on him. "Smart girl," he murmured. She scowled at him. She would have liked to have said something utterly droll and witty, but she had a feeling that anything emerging from her mouth just then would have been quite the opposite,so she held her tongue. Better to be a silent fool than a talkative one. "It's very bad to spy on one's host," he said, planting his hands on his hips and somehow managing to look both authoritative and relaxed at the same time. "It as an accident," she grumbled. "Oh,I believe you there," he said. "But even if you didn't intend to spy on me, the fact remains that when the opportunity arose, you took it." "Do you blame me?" He grinned. "Not at all.I would have done precisely the same thing." Her mouth fell open. "Oh,don't pretend to be offended," he said. "I'm not pretending." He leaned a bit closer. "To tell the truth, I'm quite flattered." "It was academic curiosity," she ground out, "I assure you." His smile grew sly. "So you're telling me that you would have spied upon any naked man you'd come across?" "Of course not!" "As I said," he drawled, leaning back against a tree, "I'm flattered.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
She closed her eyes, since he was behind her and couldn’t see her anyway, and seared this last kindness into her memory, this feeling of warmth and safety. For a moment in time she had been a lady, someone who was wanted . . . by the Margrave of Thornbeck, a man who was easy to talk to, even when she was trying not to talk to him, a man who would risk his life to rescue a woman who had made a fool of him and who was only a servant. He would have married her. She was wanted. But
Melanie Dickerson (The Beautiful Pretender (A Medieval Fairy Tale, #2))
I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but who is obviously calm, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to reenter and be riven. An acrobat after spinning through the air in a mockery of flight stands erect on his perch and mockingly takes his bow as if what he is being applauded for was easy for him and cost him nothing, although meanwhile he is covered with sweat and his smile is edged with a relief chilling to think about; he is indulging in a show-business style; he is pretending to be superhuman. I am bored with that and with here it has brought us. I admire the authority of being on one's knees in front of the event. - Innocence, from My Mistress's Sparrow is Dead
Harold Brodkey
Then, however, Mayer thought it fitting to remind her of the most important thing: 'Between the heart and the tongue lies an abyss,' he said. "Remember that. Thoughts must be concealed, particularly since you were born, to your great misfortune, a woman. Think so that they think you are not thinking. Behave in such a way that you mislead others. We all must do this, but women more so. Talmudists know about the strength of women, but they fear it .... But we don't ... because we ourselves are like women. We survive by hiding. We play the fools, pretending to be people we are not. We come home, and then we take off our masks. But we bear the burden of silence: masa duma.
Olga Tokarczuk (The Books of Jacob)
First is our unbreakable rule that every candidate must be a trained trooper, blooded under fire, a veteran of combat drops. No other army in history has stuck to this rule, although some came close. Most great military schools of the past—Saint Cyr, West Point, Sandhurst, Colorado Springs—didn’t even pretend to follow it; they accepted civilian boys, trained them, commissioned them, sent them out with no battle experience to command men . . . and sometimes discovered too late that this smart young ‘officer’ was a fool, a poltroon, or a hysteric.
Robert A. Heinlein (Starship Troopers)
What was I thinking? I thought him sitting across from me would make it easier. Stupid me! Now I have to stare right at the warrior archangel and try to stay focused. I closed my eyes for a minute. Come on, Kells. Focus. Focus. You can do this! “Okay, Ren, there really is something that we need to discuss.” “Alright. Go ahead.” I blew out a breath. “You see, I can’t…reciprocate your feelings. Or your, umm, affections.” He laughed. “What are you talking about?” “Well, what I mean is, I-“ He leaned forward and spoke in a low voice, full of meaning. “Kelsey, I know you reciprocate my feelings. Don’t pretend anymore that you don’t have them.” When did he figure all this out? Maybe when you were kissing him like an idiot, Kells. I’d hoped that I’d fooled him, but he could see right through me. I decided to play dumb and pretend I didn’t know what he was talking about. I waved my hand in the air. “Okay! Yes! I admit that I’m attracted to you.” Who wouldn’t be? “But it won’t work out,” I finished. There, it was out. Ren looked confused. “Why not?” “Because I’m too attracted to you.” “I don’t understand what you’re saying. How can your being attracted to me be a problem? I would think that’s a good thing.” “For normal people…it is,” I stated. “So I’m not normal?” “No. Let me explain it this way. It’s like this…a starving man would gladly eat a radish, right? In fact, a radish would be a feast if that’s all he had. But if he had a buffet in front of him, the radish would never be chosen.” Ren paused a moment. “I don’t get it. What are you saying?” “I’m saying…I’m the radish.” “And what am I? The buffet??” I tried to explain it further. “No…you’re the man. Now…I don’t really want to be the radish. I mean, who does? But I’m grounded enough to know what I am, and I am not a buffet. I mean, you could be having chocolate eclairs, for heaven’s sake.” “But not radishes.” “No.” “What…” Ren paused thoughtfully, “if I like radishes?” “You don’t. You don’t know any better.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
If you want to kill me then go ahead, but remember the unspoken rule between us. You are mine, Liam. You belong to me. Your face, your body, your heart, your soul, you sold it to me and I sold mine to you. So if I die, you die. If you die, I die. As long as there is air in your lungs, there is air in mine. So don’t pretend, Liam. You’re not fooling anyone…not even yourself. So either let me go and kiss me, or kill us all and be done with it.”“If you want to kill me then go ahead, but remember the unspoken rule between us. You are mine, Liam. You belong to me. Your face, your body, your heart, your soul, you sold it to me and I sold mine to you. So if I die, you die. If you die, I die. As long as there is air in your lungs, there is air in mine. So don’t pretend, Liam. You’re not fooling anyone…not even yourself. So either let me go and kiss me, or kill us all and be done with it.
J.J. McAvoy (A Bloody Kingdom (Ruthless People, #4))
People might feel sorry for a man who's fallen on hard times, but when an entire nation is poor, the rest of the world assumes that all its people must be brainless, lazy, dirty, clumsy fools. Instead of pity, the people provoke laughter. It's all a joke: their culture, their customs, their practices. In time the rest of the world may, some of them, begin to feel ashamed for having thought this way, and when they look around and see immigrants from that poor country mopping their floors and doing all the other lowest paying jobs, naturally they worry about what might happen if these workers one day rose up against them. So, to keep things sweet, they start taking an interest in the immigrants' culture and sometimes even pretend they think of them as equals.
Orhan Pamuk
Maybe George was fooling himself. Maybe old people always fooled themselves, pretending that the world was going to hell because it was easier than admitting they were being left behind, that the future was pulling away from the beach and they were standing on their little island bidding it good riddance, knowing in their hearts that there was nothing left for them to do but sit around on the shingle waiting for the big disease to come out of the undergrowth.
Mark Haddon (A Spot of Bother)
You will always be the prey or the plaything of the devils and fools in this world, if you expect to see them going about with horns or jangling their bells. And it should be borne in mind that, in their intercourse with others, people are like the moon: they show you only one of their sides. Every man has an innate talent for . . . making a mask out of his physiognomy, so that he can always look as if he really were what he pretends to be . . . and its effect is extremely deceptive. He dons his mask whenever his object is to flatter himself into some one’s good opinion; and you may pay just as much attention to it as if it were made of wax or cardboard. —Arthur Schopenhauer
Robert Greene (The Laws of Human Nature)
All of life’s unpleasant experiences – when we make fools of ourselves, act thoughtlessly, or lapse in our observance of some virtue – should be regarded as mere external accidents which can’t affect the substance of our soul. We should see them as toothaches or calluses of life, as things that bother us but remain outside us (even though they’re ours), or that only our organic existence need consider and our vital functions worry about. When we achieve this attitude, which in essence is that of the mystics, we’re protected not only from the world but also from ourselves, for we’ve conquered what is foreign in us, contrary and external to us, and therefore our enemy. Horace said* that the just man will remain undaunted, even if the world crumbles all around him. Although the image is absurd, the point is valid. Even if what we pretend to be (because we coexist with others) crumbles around us, we should remain undaunted – not because we’re just, but because we’re ourselves, and to be ourselves means having nothing to do with external things that crumble, even if they crumble right on top of what for them we are. For superior men, life should, life should be a dream that spurns confrontations.
Fernando Pessoa (The Book of Disquiet)
The temporary alliance between the elite and the mob rested largely on this genuine delight with which the former watched the latter destroy respectability. This could be achieved when the German steel barons were forced to deal with and to receive socially Hitler's the housepainter and self-admitted former derelict, as it could be with the crude and vulgar forgeries perpetrated by the totalitarian movements in all fields of intellectual life, insofar as they gathered all the subterranean, nonrespectable elements of European history into one consistent picture. From this viewpoint it was rather gratifying to see that Bolshevism and Nazism began even to eliminate those sources of their own ideologies which had already won some recognition in academic or other official quarters. Not Marx's dialectical materialism, but the conspiracy of 300 families; not the pompous scientificality of Gobineau and Chamberlain, but the "Protocols of the Elders of Zion"; not the traceable influence of the Catholic Church and the role played by anti-clericalism in Latin countries, but the backstairs literature about the Jesuits and the Freemasons became the inspiration for the rewriters of history. The object of the most varied and variable constructions was always to reveal history as a joke, to demonstrate a sphere of secret influences of which the visible, traceable, and known historical reality was only the outward façade erected explicitly to fool the people. To this aversion of the intellectual elite for official historiography, to its conviction that history, which was a forgery anyway, might as well be the playground of crackpots, must be added the terrible, demoralizing fascination in the possibility that gigantic lies and monstrous falsehoods can eventually be established as unquestioned facts, that man may be free to change his own past at will, and that the difference between truth and falsehood may cease to be objective and become a mere matter of power and cleverness, of pressure and infinite repetition. Not Stalin’s and Hitler's skill in the art of lying but the fact that they were able to organize the masses into a collective unit to back up their lies with impressive magnificence, exerted the fascination. Simple forgeries from the viewpoint of scholarship appeared to receive the sanction of history itself when the whole marching reality of the movements stood behind them and pretended to draw from them the necessary inspiration for action.
Hannah Arendt (The Origins of Totalitarianism)
Waste of time," said the leper. "There's a dozen or more beggars who come here every day, pretending to be cripples, hiring themselves out to the holy men. A couple of drachmas and they'll swear they've been crippled or blind for years then stage a bloody miraculous recovery. Holy men? Healers? Don't make me laugh." "But this man is different," said Christ. "I remember him," said the blind man. "Jesus. He come here on the sabbath, like a fool. The priests wouldn't let him heal anyone on sabbath. He should've known that." "But he did heal someone," said the lame man. "Old Hiram. You remember that. He told him to take up his bed and walk." "Bloody rubbish," said the blind man. "Hiram went as far as the temple gate, then he lay down and went on begging. Old Sarah told me. He said what was the use of taking his living away? Begging was the only thing he knew how to do. You and your blether about goodness," he said, turning to Christ, "where's the goodness in throwing an old man out into the street without a trade, without a home, without a penny? Eh? That Jesus is asking too much of people." "But he was good," said the lame man. "I don't care what you say. You could feel it, you could see it in his eyes." "I never saw it," said the blind man.
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out.
Philip Larkin
Everything belonged to him--but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible--it was not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand. How could you?--with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums--how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude--utter solitude without a policeman--by the way of silence, utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion? These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place -- and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one nor the other. The earth for us is a place to live in, where we must put up with sights, with sounds, with smells too, by Jove!-- breathe dead hippo, so to speak, and not be contaminated. And there, don't you see? Your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in--your power of devotion, not to yourself, but to an obscure, back-breaking business. And that's difficult enough. Mind, I am not trying to excuse or even explain--I am trying to account to myself for--for--Mr. Kurtz--for the shade of Mr. Kurtz. This initiated wraith from the back of Nowhere honored me with its amazing confidence before it vanished altogether. This was because it could speak English to me. The original Kurtz had been educated partly in England, and--as he was good enough to say himself--his sympathies were in the right place. His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz.
Joseph Conrad (Heart of Darkness)
The insistence is on merit, insinuating that any current majority white leadership in any industry has got there through hard work and no outside help, as if whiteness isn’t its own leg-up, as if it doesn’t imply a familiarity that warms an interviewer to a candidate. When each of the sectors I mentioned earlier have such dire racial representation, you’d have to be fooling yourself if you really think that the homogeneous glut of middle-aged white men currently clogging the upper echelons of most professions got there purely through talent alone. We don’t live in a meritocracy, and to pretend that simple hard work will elevate all to success is an exercise in wilful ignorance. Opposing positive discrimination based on apprehensions about getting the best person for the job means inadvertently revealing what you think talent looks like, and the kind of person in which you think talent resides. Because if the current system worked correctly, and if hiring practices were successfully recruiting and promoting the right people for the right jobs in all circumstances, I seriously doubt that so many leadership positions would be occupied by white middle-aged men.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
I've stuck like a plaster to the old faith I was born in. Yes; there's this to be said for the Church, a man can belong to the Church and bide in his cheerful old inn, and never trouble or worry his mind about doctrines at all. But to be a meetinger, you must go to chapel in all winds and weathers, and make yerself as frantic as a skit. Not but that chapel members be clever chaps enough in their way. They can lift up beautiful prayers out of their own heads, all about their families and shipwrecks in the newspaper." "They can -- they can," said Mark Clark, with corroborative feeling; "but we Churchmen, you see, must have it all printed aforehand, or, dang it all, we should no more know what to say to a great gaffer like the Lord than babes unborn," "Chapelfolk be more hand-in-glove with them above than we," said Joseph, thoughtfully. "Yes," said Coggan. "We know very well that if anybody do go to heaven, they will. They've worked hard for it, and they deserve to have it, such as 'tis. I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.
Thomas Hardy
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Feelings of a Pimp They think I was a player because I was devoted to the game They thought I worked hard on my offense to break down these women’s defenses just to score They think it’s the body count that made me manipulate them into my arms to get between their legs They think I’m satisfied with a different woman in my bed every night When during the day, even my bed can feel the loneliness They think I love the easy women They think it’s for the cool points that my heart grew cold They think they have me figured out Another dog chasing after every female dog in the streets They think I’m happy with all the texting buddies, but no wife But they don’t know They don’t know how tired I am of this, how tired I am of myself How tired I am of living like this How tired I am of these games, but that’s the only way I can score with a chick They don’t know how after sleeping with these ladies, I wish I had more chemistry with at least one of them to cuddle, to give goodnight kisses and wake up beside They don’t know how loneliness consumes me With a phone filled with women’s numbers, I still feel unwanted and unworthy They don’t know these easy women make it easy for me to feel confident about myself; although it’s the wrong type of confidence I feel validated by them, I feel accomplished, I feel loved although I’m having sex with them, not making love They don’t know how tired I am of chasing fool’s gold Chasing fast women who would sleep with me in a heartbeat Leaving me with the empty feeling I felt before I started the chase The player in me is played out. I just want love, but that’s the only thing I can’t seem to find So, I keep pimping in hope of finding love Her insecurities were beautiful They opened the door for me as an opportunist She was the perfect candidate Oh so sweet, but oh so hurt How smart would I be if I didn’t capitalize? Some fellas get women drunk and have their way with them I was doing nothing wrong but pretending to be prince charming, just to get the same results I became what they needed emotionally I was the shoulder to cry on, the ear to listen to, the one person who understood I was a smooth criminal manipulating the innocent Did not feel an ounce of guilt because I was weak myself I was insecure I couldn’t help preying on vulnerable women In their weakness I found strength I was a coward, a “wannabe” player I was playing the wrong games, winning the wrong prizes The truth is, no strong man takes advantage of a woman’s vulnerability. It is a trait of the weak. Diary of a Weak Man
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
She let her bad mood seethe into the silence of the carriage. Finally, she couldn’t bear the vicious cycle of her thoughts, the way they kept returning to Irex and her stupid decision to humiliate him at Bite and Sting. “Well?” she asked Arin. He sat across from her in the carriage, but didn’t lift his eyes to meet hers. He studied his hands. “Well, what?” “What do you think?” “About?” “About the party. About anything. About the bargain we made that you could at least pretend to uphold.” “You want to gossip about the party.” He seemed tired. “I want you to speak to me.” He looked at her then. She found that she had clenched her silk skirts in a fist. She let go. “For example, I know you overheard about Senator Andrax. Do you think he merits torture? Death?” “He deserves what he gets,” he said, and went quiet again. Kestrel gave up. She sank into her anger. “That isn’t what’s bothering you.” Arin sounded reluctant, almost incredulous, as if he couldn’t believe the words coming from his mouth. Kestrel waited. He said, “That man is an ass.” It was clear whom he meant. It was clear that no slave should ever say that of any Valorian. But it was magic to hear the words out loud. Kestrel breathed a laugh. “And I am a fool.” She pressed chilly hands to her forehead. “I knew what he’s like. I should have never played Bite and Sting with him. Or I should have let him win.” The corner of Arin’s mouth twitched. “I enjoyed watching him lose.” There was silence, and Kestrel, though she felt comforted, knew that Arin’s understanding of the afternoon had been fairly complete. He had waited beyond the laran trees, listening to her and Irex. Would he have continued to do nothing, had something else happened? “Do you know how to play Bite and Sting?” she asked. “Maybe.” “Either you do or you don’t.” “Whether I know or don’t doesn’t matter.” She made an impatient noise. “Because?” His teeth flashed in the late, shifting light. “Because you would not want to play against me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.” He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch. And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration. He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever. “So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected. She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans. But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line… She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision. Or made it too soon. She decided to let Jay have his small talk. For now. “Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.” “You mean when she’s not picking on someone?” “Exactly.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
The Levellers . . . only change and pervert the natural order of things: they load the edifice of society by setting up in the air what the solidity of the structure requires to be on the ground. . . . Far am I from denying in theory, full as far is my heart from withholding in practice (if I were of power to give or to withhold), the real rights of men. In denying their false claims of right, I do not mean to injure those which are real, and are such as their pretended rights would totally destroy. . . . In this partnership all men have equal rights; but not to equal things. . . . Government is a contrivance of human wisdom to provide for human wants. Men have a right that these wants should be provided for by this wisdom. Among these wants is to be reckoned the want, out of civil society, of a sufficient restraint upon their passions. Society requires not only that the passions of individuals should be subjected, but that even in the mass and body, as well as in the individuals, the inclinations of men should frequently be thwarted, their will controlled, and their passions brought into subjection. This can only be done by a power out of themselves, and not, in the exercise of its function, subject to that will and to those passions which it is its office to bridle and subdue. In this sense the restraints on men, as well as their liberties, are to be reckoned among their rights. . . . Society is, indeed, a contract. Subordinate contracts for objects of mere occasional interest may be dissolved at pleasure; but the state ought not to be considered as nothing better than a partnership agreement in a trade of pepper and coffee, calico or tobacco, or some other such low concern, to be taken up for a little temporary interest, and to be dissolved by the fancy of the parties. It is to looked on with other reverence; because it is not a partnership in things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science, a partnership in all art, a partnership in every virtue and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born. . . . You would not cure the evil by resolving that there should be no more monarchs, nor ministers of state, nor of the Gospel— no interpreters of law, no general officers, no public councils. You might change the names: the things in some shape must remain. A certain quantum of power must always exist in the community, in some hands, and under some appellation. Wise men will apply their remedies to vices, not to names— to the causes of evil, which are permanent, not to the occasional organs by which they act, and the transitory modes in which they appear. Otherwise you will be wise historically, a fool in practice. . . . The effects of the incapacity shown by the popular leaders in all the great members of the commonwealth are to be covered with the 'all-atoning name' of Liberty. . . . But what is liberty without wisdom and without virtue? It is the greatest of all possible evils; for it is folly, vice, and madness, without tuition or restraint. Those who know what virtuous liberty is cannot bear to see it disgraced by incapable heads, on account of their having high-sounding words in their mouths. . . . To make a government requires no great prudence. Settle the seat of power, teach obedience, and the work is done. To give freedom is still more easy. It is not necessary to guide; it only requires to let go the rein. But to form a free government, that is to temper together these opposite elements of liberty and restraint in one consistent work, requires much thought, deep reflection, a sagacious, powerful, and combining mind.
Edmund Burke