Press On Nail Quotes

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The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
And then what? Said, 'Oh, I'm so sorry, Ms. Lane, I didn't mean to wrinkle your lovely blouse. May I press that for you?' Or perhaps you gouged it with one of your pretty pink nails?" I was really beginning to wonder what his hang-up with pink was, but I didn't resent the sarcasm in his voice.
Karen Marie Moning (Darkfever (Fever, #1))
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing - or should we say "seeing"? there are no tenses in God - the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath's sake, hitched up. If I may dare the biological image, God is a "host" who deliberately creates His own parasites; causes us to be that we may exploit and "take advantage of" Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
C.S. Lewis (The Four Loves)
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
With his long sharp nails he opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight and with the other ceased my neck and pressed my mouth to the wound so that I must either suffocate or swallow... Some of the...Oh my god…my god What have I done?
Bram Stoker
Keeper!" He inhaled slowly, took Azalea's outstretched hand-shudders went through her throat, he felt so solid-and pressed the brooch into her marked palm. "I was only picking it up," he said, quietly. His thumb rubbed the red nail mark on her hand. A smile crossed his lips. "Temper, temper.
Heather Dixon Wallwork (Entwined)
I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping.
Ismail Kadare (Chronicle in Stone)
Did you have one of those days today, like a nail in the foot? Did the pterodactyl corpse dropped by the ghost of your mother from the spectral Hindenburg forever circling the Earth come smashing through the lid of your glass coffin? Did the New York strip steak you attacked at dinner suddenly show a mouth filled with needle-sharp teeth, and did it snap off the end of your fork, the last solid-gold fork from the set Anastasia pressed into your hands as they took her away to be shot? Is the slab under your apartment building moaning that it cannot stand the weight on its back a moment longer, and is the building stretching and creaking? Did a good friend betray you today, or did that good friend merely keep silent and fail to come to your aid? Are you holding the razor at your throat this very instant? Take heart, comfort is at hand. This is the hour that stretches. Djan karet. We are the cavalry. We're here. Put away the pills. We'll get you through this bloody night. Next time, it'll be your turn to help us. "Eidolons" (1988)
Harlan Ellison
don’t be afraid to be this luminous to be so bright so empty the bullets pass right through you thinking they have found the sky as you reach down press a hand to this blood -warm body like a word being nailed to its meaning & lives
Ocean Vuong (Night Sky with Exit Wounds)
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
At the Unitarian Universalist Christmas pageant in Cambridge, Massachusetts, it didn't matter that Mary insisted on keeping her nails painted black or that Joseph had come out of the closet. On December 25 at seven and nine p.m., three wise women would follow the men down the aisle -- one wearing a kimono and another, African garb; instead of myrrh they would bring chicken soup, instead of frankincense they'd play lullabies. The shepherds had a line on protecting the environment and the innkeeper held a foreclosure sign. No one quite believed in God and no one quite didn't -- so they made it about the songs and the candles and the pressing together of bodies on lacquered wooden pews.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
I only saw glimpses of the real world around me. Reality dissolved beneath the press of his lips against mine. I lost myself. In that moment there was We... He enveloped me. I felt his strength. He seemed gigantic to me. And yet gentle. His breath was inside me. I tasted what he tasted like. All the scents of that instant cascaded upon me. His sweet. The roses. The nectar of the feeders. The wood that hat hammered into with nails. The sweet raspberries on his mouth.
Dan Skinner (Memorizing You)
He loved her manner of sleepy acquiescence when they lay on the beach at dusk. He drew solace and sedation from her nearness. He had a craving to touch her always, to remain always in physical communication. He liked to encircle her ankle loosely with his fingers...to lightly and lovingly caress the downy skin of her fair, smooth thigh with the backs of his nails or dreamily, sensuously, almost unconsciously, slide his proprietary, respectful hand up the shell-like ridge of her spine... ...she was puzzled by the convulsive ecstasy men could take from [her body], by the intense and amazing need they had merely to touch it, to reach out urgently and press it, squeeze it, rub it... ...It thrilled Nurse Duckett rapturously that Yossarian could not keep his hand off her when they were together. She loved to look at his wide, long, sinewy back with its bronzed, unblemished skin. She loved to bring him to flame instantly by taking his whole ear in her mouth suddenly and running her hand down his front all the way. She loved to make him burn and suffer till dark, then satisfy him. Then kiss him adoringly because she had brought him such bliss.
Joseph Heller (Catch-22)
Relegated, as he was, to one corner, and sheltered behind the billiard-table, the soldiers whose eyes were fixed on Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat his order: "Take aim!" when all at once, they heard a strong voice shout beside them: "Long live the Republic! I'm one of them." Grantaire had risen. The immense gleam of the whole combat which he had missed, and in which he had had no part, appeared in the brilliant glance of the transfigured drunken man. He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras. "Finish both of us at one blow," said he. And turning gently to Enjolras, he said to him: "Do you permit it?" Enjolras pressed his hand with a smile. This smile was not ended when the report resounded. Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed. Grantaire fell at his feet, as though struck by a thunderbolt.
Victor Hugo
Astrid," Linda called, her feet tucked under herself on the flower-print couch. "If you had a choice between two weeks in Paris France, all expenses paid, or a car —" "Shitty Buick," Debby interjected. "What's wrong with a Buick?" Marvel said. "—which would you take?" Linda picked something out of the corner of her eye with a long press-on nail. I brought their drinks, suppressing the desire to limp theatrically, the deformed servant, and fit all the glasses into hands without spilling. They couldn't be serious. Paris? My Paris? Elegant fruit shops and filterless Gitanes, dark woolen coats, the Bois de Boulogne? "Take the car," I said. "Definitely.
Janet Fitch (White Oleander)
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
A recent landmark global study in population genetics by a team of internationally reputed scientists (as reported in The History and Geography of Human Genes, by Luca CavalliSforza, Paolo Menozzi and Alberta Piazzo, Princeton University Press) reveals that the people who inhabited the Indian subcontinent, including Europe, concludes that all belong to one single race of Caucasian type. This confirms once again that there really is no racial difference between north Indians and south Indian Dravidians.
Stephen Knapp (The Aryan Invasion Theory: The Final Nail in its Coffin)
Emily knew she was going to cry. She tried to avert it with a childhood trick that had sometimes worked before - pressing both thumbnails hard into the tender flesh beneath the nails of her index fingers, so that the self-inflicted pain might be greater than the ache of her swelling throat - but it was no use.
Richard Yates (The Easter Parade)
Honey, have you seen my measuring tape?” “I think it’s in that drawer in the kitchen with the scissors, matches, bobby pins, Scotch tape, nail clippers, barbecue tongs, garlic press, extra buttons, old birthday cards, soy sauce packets thick rubber bands, stack of Christmas napkins, stained take-out menus, old cell-phone chargers, instruction booklet for the VCR, some assorted nickels, an incomplete deck of cards, extra chain links for a watch, a half-finished pack of cough drops, a Scrabble piece I found while vacuuming, dead batteries we aren’t fully sure are dead yet, a couple screws in a tiny plastic bag left over from the bookshelf, that lock with the forgotten combination, a square of carefully folded aluminum foil, and expired pack of gum, a key to our old house, a toaster warranty card, phone numbers for unknown people, used birthday candles, novelty bottle openers, a barbecue lighter, and that one tiny little spoon.” “Thanks, honey.” AWESOME!
Neil Pasricha (The Book of (Even More) Awesome)
I don’t want your babies, Felix. I can assure you I’m not sitting up here like some tragic fallen woman every night dreaming of having your babies.” She began tracing a figure of eight with her fingernail along his stomach. The movement looked idle but the nail pressed in hard. “You realize of course that if it were the other way round there would be a law, there would be an actual law: John versus Jen in the high court. And John would put it to Jen that she did wilfully fuck him for five years, before dumping him without warning in the twilight of his procreative window, and taking up with young Jack-the-lad, only twenty-four years old and with a cock as long as my arm. The court rules in favor of John. Every time. Jen must pay damages. Huge sums. Plus six months in jail. No—nine. Poetic justice.
Zadie Smith (NW)
… Why bother with newspapers, if this is all they offer? Agnew was right. The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
I found myself one evening in the dreams of the night, in that sacred building, the Temple. After a season of prayer and rejoicing, I was informed that I should have the privilege of entering into one of those rooms, to meet a glorious personage, and as I entered the door, I saw, seated on a raised platform, the most glorious Being my eyes have ever beheld, or that I ever conceived existed in all the eternal worlds. As I approached to be introduced, he arose and stepped towards me with extended arms, and he smiled as he softly spoke my name. If I shall live to be a million years old, I shall never forget that smile. He took me into his arms and kissed me, pressed me to His bosom, and blessed me, until the marrow of my bones seemed to melt! When He had finished, I fell at His feet, and as I bathed them with my tears and kisses, I saw the prints of the nails in the feet of the Redeemer of the world. The feeling that I had in the presence of Him who hath all things in His hands, to have His love, His affection, and His blessings was such that if I ever can receive that of which I had but a foretaste, I would give all that I am, all that I ever hope to be, to feel what I then felt (as cited in Bryant S. Hinckley, The Faith of Our Pioneer Fathers, pp. 226-27.)
Melvin J. Ballard
Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that
Carol Ann Duffy (The World's Wife)
I’ll run my nose through your hair, Bite the bottom of your ears, Press your nails across my skin, And hear me through your silence, As I say I love you…
Piyush Rohankar (Narcissistic Romanticism)
He ran his finger over the wood. His nails would not do. A knife would have been ideal, but he’d never carried one. At last, he pulled a fountain pen from his pocket and pressed the tip into the knob. The wood gave purchase. He scratched hard several times to make the cross visible – his fingers ached, and the nib was irreversibly ruined – but at last he left his mark.
R.F. Kuang (Babel)
Do you remember what you told me,” I say, “about your brain?” His hand pauses. “You said it felt like a Ferris wheel,” I say. “Like all your thoughts were constantly circling, and you’d reach out for one, but it was hard to stay on it for too long because they kept spinning.” The lines of his face soften. His fingers curl, the backs of his nails pressing into my skin. “Except with you. You’re like gravity.” I couldn’t have pulled myself away from him then if he’d burst into flames. “Everything keeps spinning,” he says in a low, hoarse voice. “But my mind’s always got one hand on you.
Emily Henry (Happy Place)
​Love yourself more. ​Was that made to be an insult? I did love myself, didn’t I? I showered, I made my bed, I cut my nails and did my hair. My skin was always washed, my clothes neat and pressed. If I didn’t love myself, those chores wouldn’t get done.
Marie-France Léger (A Hue of Blu)
Don’t you have a game?” she finally asks. The reminder of the loss feels less painful when I’m with her. “It was earlier. I came here to study.” She nails me with a skeptical look. “You never study in the library.” “Needed a change of scenery.” I shrug. But she’s right. I prefer the chaotic nature of the house. Libraries were too quiet for me. “So you came to the farthest library on campus?” she presses. “Took me three tries.” “For what?” “To find this one.” “The others didn’t have what you were looking for?” I smile. “Not even close.
Bal Khabra (Collide (Off the Ice, #1))
When the hammer strikes a nail, the extreme force of the blow on the broad head is transmitted without loss to the point. The head of the nail is the whole of eternity and the point of that nail is pressed to the center of the human heart. " [ quoting Simone Weil from memory ]
George Oppen
What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.
Carolyn Forché
Oak puts his hands on my shoulders, pushing my back to the wall. 'Pretend with me,' he whispers. And then he presses his mouth to mine. A soldier kissing one of the serving girls. A bored ex-falcon attempting to amuse himself. Oak hiding our faces, giving us a reason to be overlooked. I understand the game. This is no declaration of desire. And yet, I am rooted in place by the shocking heat of his mouth, the softness of his lips, the way one of his hands goes to the ice wall to brace himself and the other to my waist, and then to the hilt of my knife as they draw closer. He doesn't want me. This doesn't mean he wants me. I repeat that over and over as I let him part my lips with his tongue. I run my hands up his back under his shirt, letting my nails trail over his skin. I have been trained in all the arts of a courtier. Dancing and duelling, kissing and deceiving. Still, I am gratified when he shudders, when the hand he was bracing with lifts to thread through my hair, to cup my head. My mouth slides over his jaw to his throat, then against his shoulder, where I press the points of my teeth. His body stiffens, his fingers gripping me harder, pulling me closer to him. When I bite down, he gasps.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
When they kissed, it was sure and deep, and the more she had, the more Tunuva wanted. Esbar drew her nails all the way down her spine. Tunuva groaned at the flare of smarting pleasure, the fire-tipped arrow it sent to her depths. While Esbar nipped at her ear, her jaw, Tunuva grasped her hair in answer, needing to hold all of her, draw this woman close enough to knit the sinew of their souls. She wanted to make love, slow and tender, and she wanted to be seized in passion - two sacred wants, as pressing as thirst, as radiant as the fruit. Though the war had come for them at last, there was still this. There would always be this.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
Evie…” His shaking hand fumbled for hers, feebly trapping her fingers on his bare chest. Under their joined hands, the wedding band on the chain pressed against his unsteady heartbeat. “Go with Westcliff,” he murmured, his eyes closing. “After.” After what? Evie stared into his face, his gray complexion, and realized that he was referring to his own death. As she felt his hand slide away from hers, she gripped it firmly. His hand had changed…no longer smooth and manicured, but harder, callused, the nails cut ruthlessly short. “No,” she said with soft intensity, “there will be no ‘after.’ I will stay with you every moment. I will keep you with me. I won’t let you go.” Suddenly her breath was coming hard, and she felt the pressure of panic against the inner wall of her chest. Continuing to lean over him, she turned her hand so that their palms matched, their pulses pressed together…one weak, one strong. “If my love can hold you, I’ll keep you with me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Pressing my nails firmly into the bark of the tree, I watch as a silhouette reveals itself in the moonlight. Tall and built, the human frame enters the clearing that I stand in. My eyes are immediately drawn to the breathtaking sight of his face. I am familiar with those deep brown eyes, which draw me gently towards him. I let him pull me into his warm embrace. “Kirano!” I breathe, pressing my head against his regal blue jacket. I can hear his heart beating rapidly with excitement. “Aisha,” Kirano’s voice is as soothing as I remember. Looking up, I see his warm, adoring smile. “I see that you tied your favourite silk scarf to the tree.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
Like I could stop? Don’t you know I dream about this when I’m away?” he asked, nudging me with his nose, exactly where I needed his mouth to be. “You . . . dream about . . . this?” I asked, arching my back. I was so close, so very close. “Fuck, yes, are you kidding?” He flattened his tongue and dragged it across my entire sex, dipping inside and continuing up, closing his mouth now and encircling me with his lips. Releasing me with a groan of his own, he brought one hand down, using his fingers to press into me. “I think about this, and the sounds you make when you come, the way you taste. Mmm . . . sweet Caroline, you drive me crazy.
Alice Clayton (Rusty Nailed (Cocktail, #2))
The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.” ― Hunter S. Thompson, Fear and Loathing in Las Vegas
Hunter S. Thompson
Neely McIntire," I said, clamping a sweaty hand behind her neck. "Friendship be damned!" Hayden yanked me forward. I had time to make a very girly sound before his lips began to move furiously over mine. His touch left behind the tingle of cinnamon gum. One of his hands slowly slid down and pressed into the small of my back. For a second, I thought the sun had washed over me. But this heat cuddled around me, pushing its way through my clothes. "Stmmmmp," I tried to say around his lips. My knees wobbled as he wound his fingers into the curls at my neck, holding my face firmly against his. "No." The hot pressure of his hand increased. A rumbling protest came from his throat when I dug my nails into his collarbones. "Lemme go," I managed to gasp when he kissed the corner of my mouth. "No," he whispered. His voice became a yielding puff of smoke. It slipped into my ears and coaxed something familiar from the broken depths. The urge to fight drained away. This wisp of memory warmed me, relaxed tensed muscles, but tightened other places. My fists uncurled and gripped his shoulders. "Why are you doing this?" "I want you to come back to me, Neely," he said, wrapping his arms around my waist to press our hips together. Fiery lips caressed my face and neck. "I know you're in there somewhere. Come back, come back, come back," he whispered between kisses.
K.D. Wood (Unwilling (Unwilling #1))
When he meets my eyes, his expression is anguished. He cannot help me. I fight as they press me down to the floor. Bite when they try to pry open my mouth. But it's all for nothing. Two soldiers hold my wrists, and a third hooks a barbed instrument through the end of my tongue. He pulls it taut. Then a fourth begins slicing through it with a curved dagger. The sharp, searing pain makes me want to cry out, but I cannot with my tongue nailed in place. My mouth goes from dry from being held open to full of blood. Flooded with it. Gagging. Drowning. I choke as they release me, the scream dying in my throat. Scarlet flows over my chin. When I move, flecks of red fly. The pain swallows me whole so that I barely can concentrate, but I know I am losing too much blood. It spills from between my lips, slicks my neck, stains the collar of my dress. This is going to kill me. I am going to die, here on the ice floor of the Citadel.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Why did you break in Mrs. Casnoff’s desk for?” Information on Archer. After he left. “Ah. You’re welcome, by the way?” For what? She jiggled the nail harder. “For putting him in his place the other night. Working with The Eye,” she scoffed. “Yeah, that’s a brilliant plan.” He’s just trying to think of something,” I said automatically. I wasn’t sure why I was defending him when I’d basically said that idea was the stupidest thing ever to have stupided, but I didn’t like the scorn in her voice. Well, my voice, her words. Elodie paused in trying to open the desk drawer and shoved my hair back with both hands. “What’s it going to take for you to realize that Archer Cross is bad news? He’s an Eye. He’s a liar and a jerk, and he’s not nearly as funny as he thinks he is. And you’re betrothed to Cal. Boys who can heal all wounds and are super hot, to boot? Don’t exactly come around every day.” I don’t think about Cal like that. Pressing the point of the nail back into the lock, Elodie snorted. “Um, hi, I’ve been in your head. You totally think about him like that.” Look,, this isn’t a slumber party, I snapped. Can you please get back to work? “Fine,” she muttered. “Don’t listen to me. But I’m telling you, Cal is the way to go. Heck, if I had a body, I wouldn’t mind-“ I’m going to need you to stop right there. I’m ninety-nine percent sure she wasn’t going to stop right there, but before she could say anything else, the lock on the drawer gave way.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The pressing of my thumbnail against my fingertip had started off as a way of convincing myself that I was real. As a kid, my mom had told me that if you pinch yourself and don't wake up, you can be sure that you're not dreaming; and so every time I thought maybe I wasn't real, I would dig my nail into my fingertip, and I would feel the pain, and for a second I'd think, Of course, I'm real. But the fish can feel pain, is the ting. You can't know whether you're doing the bidding of some parasite, not really.
John Green (Turtles All the Way Down)
He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras. "Finish both of us at one blow," said he. And turning gently to Enjolras, he said to him: "Do you permit it?" Enjolras pressed his hand with a smile. This smile was not ended when the report resounded. Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed. Grantaire fell at his feet, as though struck by a thunderbolt.
Victor Hugo (Complete Works of Victor Hugo)
Yes, we've been spoiled by technology. We can't accept doing without loudspeakers or rotary presses. Handwritten placards and whispered proclamations just don't carry the same weight. Technology has devalued the impact of our own speech and writing. In the old days one man's call to arms was enough to set off an uprising - a few hand-printed leaflets, ninety-five theses nailed to a church door in Wittenberg. But today we need more, we need bigger and better, wider repercussions, mass-produced by machines and multiplied exponentially.
Anonymous (A Woman in Berlin: Eight Weeks in the Conquered City: A Diary)
Then he spoke to me mockingly, 'And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my design! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me, against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born, I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin, my bountiful wine-press for a while, and shall be later on my companion and my helper. You shall be avenged in turn, for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me. Now you shall come to my call. When my brain says "Come!" to you, you shall cross land or sea to do my bidding. And to that end this!' "With that he pulled open his shirt, and with his long sharp nails opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight, and with the other seized my neck and pressed my mouth to the wound, so that I must either suffocate or swallow some to the… Oh, my God! My God! What have I done? What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days. God pity me! Look down on a poor soul in worse than mortal peril. And in mercy pity those to whom she is dear!" Then she began to rub her lips as though to cleanse them from pollution.
Bram Stoker (Dracula)
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
Jean Lorrain (Monsieur de Phocas)
Do you remember what you told me,” I say, “about your brain?” His hand pauses. “You said it felt like a Ferris wheel,” I say. “Like all your thoughts were constantly circling, and you’d reach out for one, but it was hard to stay on it for too long because they kept spinning.” The lines of his face soften. His fingers curl, the backs of his nails pressing into my skin. “Except with you. You’re like gravity.” I couldn’t have pulled myself away from him then if he’d burst into flames. “Everything keeps spinning,” he says in a low, hoarse voice. “But my mind’s always got one hand on you.
Emily Henry (Happy Place)
Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
One looks down from the Brooklyn Bridge on a spot of foam or a little lake of gasoline or a broken splinter or an empty scow; the world goes by upside down with pain and light devouring the innards, the sides of flesh bursting, the spears pressing in against the cartilage, the very armature of the body floating off into nothingness . . . One walks the street at night with the bridge against the sky like a harp and the festered eyes of sleep burn into the shanties, deflower the walls; the stairs collapse in a smudge and the rats scamper across the ceiling; a voice is nailed against the door and long creepy things with furry antennae and thousand legs drop from the pipes like beads of sweat.
Henry Miller
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing—or should we say ‘seeing’? there are no tenses in God—the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath’s sake, hitched up. If I may dare the biological image, God is a ‘host’ who deliberately creates His own parasites; causes us to be that we may exploit and ‘take advantage of’ Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
C.S. Lewis (The Four Loves)
He who had known the ceaseless worship of angels came to be a slave to men. Preaching, teaching, healing the sick, and raising the dead were parts of his ministry, of course, and the parts we might consider ourselves willing to do for God if that is what He asked. He could be seen to be God in those. But Jesus also walked miles in dusty heat. He healed, and people forgot to thank Him. He was pressed and harried by mobs of exigent people, got tired and hungry, was "tailed" and watched and pounced upon by suspicious, jealous, self-righteous religious leaders, and in the end was flogged and spat on and stripped and had nails hammered through His hands. He relinquished the right (or the honour) of being publicly treated as equal with God.
Elisabeth Elliot (Discipline: The Glad Surrender)
He helped me clean out my head in time for floweret sunshine, while I raked dead leaves from underneath the bed of my nails that were waiting to be organized in diaries. As the 'Forbidding Numb' piled up, he laundered my abandoned hope clean. All that I could smell on my hands were the roots of the root words I had diluted with extra letters and slushiness. There isn't a corner that we missed; and, in no time at all, I will forget the wretchedness of this winter. Soon, I will only smell peonies and calla lilies, fresh cotton sheets, and maybe—just maybe— the paperless books that I have written being pressed like petals; yet, no longer incinerators burning perished wood that already pushed up daisies right when autumn left its leaves behind me.
Heather Angelika Dooley (Ink Blot in a Poet's Bloodstream)
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
From a long way off one could distinguish and identify the steeple of Saint-Hilaire inscribing its unforgettable form upon a horizon beneath which Combray had not yet appeared; when from the train which brought us down from Paris at Easter-time my father caught sight of it, as it slipped into every fold of the sky in turn, its little iron cock veering continually in all directions, he would say: “Come, get your wraps together, we are there.” And on one of the longest walks we ever took from Combray there was a spot where the narrow road emerged suddenly on to an immense plain, closed at the horizon by strips of forest over which rose and stood alone the fine point of Saint-Hilaire’s steeple, but so sharpened and so pink that it seemed to be no more than sketched on the sky by the finger-nail of a painter anxious to give to such a landscape, to so pure a piece of ‘nature,’ this little sign of art, this single indication of human existence.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
You are in his car and your words taste like honey. The suns yolk is stretching over the road, with hues of pink and red ribbon pressed against the bruises of the sky. He is talking about mechanics or sugar factories, and you are touching the rings on your fingers. The windows are open and the wind is making a home in your bones. Your jeans are ripped, your perfume smells like lilacs, your nails painted the color of sea weed. You forget about noise. You forget about color. It’s your lungs - I think, it’s your lungs that are morphing into purple butter. You are in his car and you are Mozart composing art, Claude Monet painting Water Lilies, you are Aphrodite, you are Shakespeare. You are in his car and you can’t remember what salt feels like against your tongue. You are in his car and you are ocean, fire - lip, tongue, breath, sweat. You are in his car and you are telling him you love him. You are in his car and he is telling you he loves you back.
Poem 506 by Irynka
He sweeps his fingers over her folds, teasing her entrance. "So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?" Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do." He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?" "Please," Eden shouts. "Please, I want---" "Use your words. Come on, sweetheart. I know you can do it." "I want your cock in me," she whines. "Fuck me like you own me---" A loud moan rips itself from her throat as Shang presses into her. Splits her open. Stretched her to the fullest. It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips. Feral. An animal. A man on a mission. "'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden." "Shang---" "What is it, sweetheart? Don't tell me I'm too much for you." "No, never. I want---" "What? You want what? You close already?" Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight. He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me." "Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy. He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it." Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse. Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
Call him,” Vicky urges one last time, placing my phone on my desk, tapping her nail on the screen before leaving me to it. I stare at my phone and then with shaky fingers I pick it up and press redial on his number. He answers on the first ring. “Tru,” his voice comes deep and sexy down the line. “Hi, Jake.” Silence. “So…” I say, not really knowing what to say. “I’m taking it your boss beat me to it?” he states rather than asks. “She did.” “And?” “And what?” “Will you do it – the bio?” “Do I have a choice?” There’s a really long pause. I can practically feel his tension radiating down the line. “There’s always a choice, Tru.” He sounds a little pissed off. “Sorry,” I recover. “That sounded a little shitty, it’s just a lot of information to process this early in the morning. Especially when I haven’t even had a chance to have a coffee yet.” “You haven’t?” “No, and I don’t function without coffee,” I say in a Spanish accent. I’m actually fluent in Spanish, something my mum insisted on, and it does comes in handy at times – well, mainly holiday’s in Spanish speaking countries. And my crap Spanish accent always used to make Jake laugh when we were kids, so I’m aiming for just that again. He chuckles, deep and throaty down the line. It does incredible things to me. “I see you’re still an idiot.” “I am, and it still takes one to know one.” “That it does … so you’ll do it?” I get the distinct feeling he’s not asking me. And really in what world would I ever say no. “I’ll do it,” I smile. I can practically feel his grin down the phone. “Okay, so as your new boss – well one of them – I order you to go get some coffee as I can’t have you talking in that cute Spanish accent of yours all day. You’ll drive me nuts.” I’ll drive him nuts?! In a good or bad way… “I’m seeing you today?” “Of course. Go get that coffee and I’ll call you back soon.” He hangs up, and I sit staring at the phone in my hand, feeling a little dumbfounded. And somehow a little played. I just haven’t figured out as to how yet.
Samantha Towle (The Mighty Storm (The Storm, #1))
You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
No one knew how to bear other people’s hate like Cyra Noavek. Sometimes she even encouraged it, but that didn’t bother him so much. He understood it. She really just thought people were better off staying away from her. “What?” she said. “I like you, you know,” he said. “I know.” “No, I mean I like you the way you are, I don’t need you to change.” He smiled. “I’ve never thought of you as a monster or a weapon or--what did you call yourself? A rusty--” She caught the word nail in her mouth. Her fingertips were cool, careful as they ran over the scars and bruises he wore, like she was taking them back. She tasted like sendes leaf and hushflower, like saltfruit and like home. He put his hands on her, sighing into her skin. They got bolder, fingers laced with fingers, knotted in hair, taking in fistfuls of shirt. Finding soft places nobody else had ever touched, like the bend in her waist, like the underside of his jaw. Their bodies pressed together, hip bone against stomach, knee against thigh… “Hey!” Teka yelled from across the ship. “Not a private place, you two!” Cyra rocked back on her heels, and glared at Teka. He knew how she felt. He wanted more. He wanted everything.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Doan be scared, bébé,” he rasped with a brief kiss to my lips. “I’m goan to take care of you.” Staring down into my eyes, he began prodding deeper. “I’ve wanted you for so long.” And deeper. “My God, woman!” When he was all the way in, a strangled groan burst from his chest. Pain. I just stifled a wince, far from enamored with this. Voice gone hoarse, he said, “You’re mine now, Evangeline. No one else’s.” He must be right—because Death’s presence had disappeared completely. Jack held himself still, murmuring, “Doan hurt, doan hurt.” “It’s getting better.” “Ready for more?” I nodded. Then regretted it. Pain. Between gritted teeth, he said, “Evie, I got to touch you, got to kiss you. Or you woan like this.” A bead of sweat dropped from his forehead onto my neck, tickling its way down to my collarbone. “O-okay.” Still inside me, he raised himself up on his knees, his damp chest flexing. His hands covered me, cupped, kneaded, his thumbs rubbing. When I started arching my back for more, his body moved. And it was . . . Rapture. “Jack! Yes!” In a strained tone, he said, “God almighty—I am home, Evangeline.” Another thrust had me soaring. “Finally found the place . . . I’m supposed to be.” He leaned down, delivering scorching kisses up my neck and down to my br**sts, bringing me closer and closer to a just-out-of-reach peak. Each time he rocked over me, I sensed a barely harnessed aggression in him. Between panting breaths, I said, “Don’t hold back! You don’t have to with me.” I lightly grazed my nails over his back, spurring him until he was taking me with all his might—growling with need as I moaned. Pleasure built and built . . . broke free . . . wicked bliss seized me, seized him. As I cried out uncontrollably, he yelled, “À moi, Evangeline!” Mine. “Yes, Jack, yes. . . .” Then after-shudders. A final moan. A last groan. As his weight sank heavily over me, I ran my hands up and down his back, wanting him to know how much I loved that. How much I loved him. He raised himself up on his forearms, cheeks flushed, lids heavy with satisfaction. “I knew it would be like this.” His voice was even more hoarse. “I knew from the first moment I saw you.” Stroking my hair, he started kissing my face, pressing his lips to my jaw, my forehead, the tip of my nose. “I am home, Evie Greene,” he repeated between kisses. I never wanted him to stop. He’d been an amazing lover, but his afterplay? He was adoring. “The first priest I find, I’m goan to marry you. I’m all in, peekôn.” His kisses grew more and more heated. Against my lips, he rasped, “How come I can’t ever get enough of you?
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
You're shivering so hard the bed is shaking,' he said. 'My hair is wet,' I said. It wasn't a lie. Rhys went silent, then the mattress groaned, sinking directly behind me as his warmth poured over me. 'No expectations,' he said. 'Just body heat.' I scowled at the laughter in his voice. But his broad hands slid under and over me: one flattening against my stomach and tugging me against the hard warmth of him, the other sliding under my ribs and arms to band around my chest, pressing his front into me. He tangled his legs with mine, and then a heavier, warmer darkness settled over us, smelling of citrus and sea. I lifted a hand toward that darkness, and met with a soft, silky material- his wing, cocooning and warming me. I traced my finger along it, and he shuddered, his arms tightening around me. 'Your finger... is very cold,' he gritted out, the words hot on my neck. I tried not to smile, even as I tilted my neck a bit more, hoping the heat of his breath might caress it again. I dragged my finger along his wing, the nail scraping gently against the smooth surface. Rhys tensed, his hand splaying across his stomach. 'You cruel, wicked thing,' he purred, his nose grazing the exposed bit of neck I'd arched beneath him. 'Didn't anyone ever teach you manners?' 'I never knew Illyrians were such sensitive babies,' I said, sliding another finger down the inside of his wing.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
But Holbrooke brought to every job he ever held a visionary quality that transcended practical considerations. He talked openly about changing the world. “If Richard calls you and asks you for something, just say yes,” Henry Kissinger said. “If you say no, you’ll eventually get to yes, but the journey will be very painful.” We all said yes. By the summer, Holbrooke had assembled his Ocean’s Eleven heist team—about thirty of us, from different disciplines and agencies, with and without government experience. In the Pakistani press, the colorful additions to the team were watched closely, and generally celebrated. Others took a dimmer view. “He got this strange band of characters around him. Don’t attribute that to me,” a senior military leader told me. “His efforts to bring into the State Department representatives from all of the agencies that had a kind of stake or contribution to our efforts, I thought was absolutely brilliant,” Hillary Clinton said, “and everybody else was fighting tooth and nail.” It was only later, when I worked in the wider State Department bureaucracy as Clinton’s director of global youth issues during the Arab Spring, that I realized how singular life was in the Office of the Special Representative for Afghanistan and Pakistan—quickly acronymed, like all things in government, to SRAP. The drab, low-ceilinged office space next to the cafeteria was about as far from the colorful open workspaces of Silicon Valley as you could imagine, but it had the feeling of a start-up.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
Say you want me.” His mouth moved over her throat, closed over her aching breast. Every strong pull sent an answering rush of liquid heat. “You know I do.” She pressed him to her, wound a leg around his. She could barely breathe with her need, clawing at him to get closer, to crawl inside the shelter of his body, his mind, to feel his body in hers, taking possession as he was meant to, to feel his mouth at her breast, dragging her further into his world. “All of it,” he said hoarsely, his fingers probing the nest of tiny curls, stroking, caressing. “Mate with me my way.” She moved in a kind of anguish against his hand. “Yes, Mikhail.” She was frantic for release, frantic to relieve him. She was consumed with the same red haze, not separating love from lust or hunger from need. She was on fire, hurting, aching, body and mind, even her soul in torment, not knowing where his wild, uninhibited emotions left off and hers began. Mikhail lifted her easily with his enormous strength, slid her slowly, erotically down his clenching belly until she was pressed against the broad head of his raging erection. Her heat seared him, beckoned. Raven’s arms slid around his neck, her legs around his hips, opening for him. Slowly he lowered her body over his, impaled her on the thick length of fire so that she surrounded him with such a moist, tight sheath he shuddered, somewhere beyond mere pleasure, a kind of erotic heaven and hell. Her nails dug into his shoulders. “Stop, Mikhail. You’re too big this way.” Alarm spread across her face. “Relax, little one. We belong together, our bodies were made for one another.” He slid in farther, began to move in a long, slow rhythm, his hands caressing, soothing. He shifted his shoulders so that he could see her face, his body claiming hers with deep, sure, possessive strokes. Without conscious thought, the words formed in his mind. Te avio päläfertiilam--You are my lifemate.
Christine Feehan (Dark Prince (Dark, #1))
She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.
Joan Johnston (The Texan (Bitter Creek, #2))
Ryder’s heart beats madly against my ear as we cling to each other, holding on for dear life. Adrenaline races through my veins, making my breath come in short gasps. I can feel Ryder’s fingers in my hair, his nails digging into my scalp as he presses me tightly against his body, his muscles bunched and rigid. I know I’m supposed to hate him, but all I can think right now is how glad I am he’s here--glad that I’m not alone. I’ve never been so scared in all my life, but I know it would be worse without him. It’s over in a matter of seconds. The freight-train roar quiets, the rain returning with a vengeance. I don’t need Jim Cantore to tell me it’s a rain-wrapped tornado. I’ve watched enough Storm Chasers to recognize it, even from my little hidey-hole under the stairs. If we had been outside, we probably wouldn’t have seen it coming, not till it was too late. Ryder releases his grip on my head, and I pull away slightly, peering up at him. His deep brown eyes are slightly wild-looking, but otherwise he looks okay. His face isn’t a shade of green, at least. I lean back against him, my head resting on his shoulder now. We’re still holding hands, our fingers intertwined. Somehow, it doesn’t seem at all weird. It just feels…safe. Neither of us says a word, not till the sirens are silenced a few minutes later. “I guess we should give it a few minutes,” I say, my voice slightly hoarse. “You know, just to make sure that’s it. No point in going out just to climb right back in.” He nods. “Besides, it’s perfectly comfortable in here.” “Well, I wouldn’t go that far.” “Okay, let me rephrase. It’s not uncomfortable.” I swallow hard. “I hope it’s not bad out there. I’m afraid of what we’re going to find.” “No matter how bad it is, we’re fine; the dogs and cats are fine. That’s what matters, Jemma. Anything else is replaceable.” “You sound like my dad, you know that? Have you been studying at the Bradley Cafferty School of Platitudes or something?” “Your dad’s a smart guy,” he says with a shrug.
Kristi Cook (Magnolia (Magnolia Branch, #1))
She squirmed with delight, making him groan. Her wriggling must test him. Some devil made her move again. "Jesus, Grace," he gritted out. "You try my limits." "I hope so," she purred. He felt so wonderful inside her. As if he supplied part of her that she only realized now she'd lacked. She bent her knees and tilted her hips so he went deeper. She ran her hands down the tense muscles of his back. He flexed under her touch. "That felt good," she said breathlessly. "Do it again." "If I start, I won't stop." his voice was rough. "Start." She shifted again and felt him shudder. "Grace," he grated out. He withdrew, then plunged into her. Her nails sank into his back and her womb clenched in welcome. With deliberate slowness, he set the familiar rhythm. Except none of this was familiar. Every time he settled in her body, he forged an emotional connection that nothing could sever. On and on he went. Possession. Release. Possession. Release. Every thrust another link in the chain that bound her to him. Eventually his inhuman control fractured and he drove into her faster, more wildly. With every thrust, her excitement built. It echoed how she'd felt when he kissed her between the legs. That had been wonderful, astounding.But this was more powerful. Because he was with her. He pounded into her as though he meant to crush her. She didn't care. She never wanted this spiraling feeling to end. The storm swirled her higher and higher. Ecstasy poised her on a knife edge. She cried out and rose to meet him. He changed the angle of his penetration and went even deeper. The pleasure edged close to pain. She tensed as he pressed hard inside her. Then her womb opened and she took all of him. Her inner muscles convulsed into spasms of delight and she screamed. Violent rapture flung her against the doors of heaven itself. She was lost in a hot, dark world where nothing existed except Matthew. All she could do was hold him and prayed she survived. Through the tempest that blasted her, he reached his climax. He groaned and convulsed in her arms. For this moment, he was unequivocally hers and she reveled in the possession.
Anna Campbell (Untouched)
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
complement the first. The initial credit line Junior offered for investing in artists was only $100 million, much less than what had been available at Warner, but Morris could see that, sitting on a limitless tap of booze money, there was a lot more where that came from.4 Best of all, Seagram was domiciled in Canada, where the lyrics of popular rap songs were not a pressing political issue. Although Jimmy Iovine and Doug Morris were temporarily estranged as colleagues, they remained best friends and hoped to reunite. Fuchs’ actions had stung them both, and Iovine had raised such a stink after Morris’ sacking that he was no longer permitted in the Time Warner Building. Under normal circumstances, he too would have been fired, but Iovine didn’t actually work for Warner directly—he was an equity partner in a joint venture, and the only way to get rid of him was to sell him back his shares. This was an expensive proposition, as Interscope had diversified beyond rap, signing No Doubt, Nine Inch Nails, and Marilyn Manson. Together, the two came up with a plan. Iovine, the agitator, would make himself unbearable to Fuchs, and push extreme albums like Dogg Food and Antichrist Superstar that made the provocations of The Chronic seem boring by comparison. Morris,
Stephen Witt (How Music Got Free)
My nails were digging into his shoulders and I was glad that he’d cast the silencing spell because I was making enough noise to be heard in the party downstairs. Caleb kissed me again then pulled back, pressing his palms to the table on either side of my head as he looked down at me. I reached out between us, exploring his chest with my hands for a moment before he snatched them into his grasp and pinned them above my head. I writhed beneath him as he smiled darkly and increased his pace, pushing me towards the edge. My body flexed and tightened beneath him, my back arching as he drove me on and I cried out as he wrung a wave of pleasure from my flesh. He slowed down a little as I caught my breath, releasing my wrists and kissing my neck. I panted beneath him for a moment before rearing up and rolling him beneath me so that I could sit on top of him instead. Caleb groaned with desire as he looked up at me and I changed the pace again, riding him towards his climax. One of hands reached out to caress my breast while he pushed his other thumb down on the spot at the apex of my thighs, exactly where I wanted him. I tipped my head back, my hair brushing along my spine as my muscles began to tighten around him again. I could feel him losing control too and I bit my lip as I moved a little faster. Pleasure rode through my body and I cried out just as he came apart beneath me, my name spilling from his lips. I collapsed forward onto his chest and lay panting in his strong arms for several long seconds as he trailed his fingers through my hair. “You don’t know how much I’ve been wanting to do that,” Caleb breathed in my ear and I smiled as I turned to press a brief kiss to his lips. “I think you made it pretty clear,” I teased. I climbed off of him and retrieved my clothes from the floor, pulling them back on again as Caleb followed me and did the same. He kept his eyes on me as he pulled his pants back on and moved forward to retie my dress again for me, his fingertips brushing across my neck and sending a shiver along my sensitised skin. He buckled his belt and located his shirt while I ran my fingers through my hair in an attempt to tame it. Caleb waved a hand through the air and I felt the silencing spell dissolve around us. I pushed my feet back into my stilettos and we stood looking at each other with our clothes back on and a secret between us. “I like playing games with you, Tory,” Caleb said as he moved towards me. “I didn’t entirely hate it,” I admitted. “Sorry I’m not more... horsey,” I added with a smirk, unable to help myself. “That fucking rumour,” he growled, but there wasn’t really any anger in his tone after what we’d just done. “I heard you like it when they shove their horn up your-” “Shut up. I just showed you exactly what I like.” He snorted a laugh. “Mmm... Maybe I’ll let you show me it again some time.” (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Look at that. He looked right at her.” Tom pressed a paint crusted finger against the screen. “Who is he? What are you doing with this man?” The whole situation felt upside down. I was supposed to be the anxious one, Tom the voice of reason. I grabbed him again, this time digging my nails into his arm to make sure he paid attention to me. “Tom, you need to calm down, right now.” He chewed his lip, clearly frustrated, his eyes darting between me and the screen. “Look at me. What’s going on?” Tom winced several times, like he was about to say something, before finally blowing out a hard puff of breath. “I don’t know. That guy, he just feels…wrong.
Jon Cohn (Everything Is Temporary)
I need your wisdom, Athena. What is happening between myself and the girl next door?” The raccoon replies by pressing a sharp claw, a nail like a dagger, right to my heart. Touché.
Jennifer Hartmann (Lotus: Second Chance Love with Romantic Suspense)
Handful by handful, I wind up the hem of your dress. My fingers plunge inside you fro behind, so cold, so shocking. You take a small step to the side to open yourself to them. I know you don't have panties on. The back of your dress is cut too low. You reach for my hand and push it in deeper. Your dormant desire becomes unquenchable. You scoop one leg around the back of my thighs, pulling me in closer, rubbing against my hardness, and I'm pushing and you're rubbing, pushing and rubbing, pushing and rubbing, and my hand is drenched and you're begging for me to push deeper and you can't press close enough into my body, and then, ah, you're digging your nails into my back under my jacket and pulling away from my mouth to muffle your cry against my shoulder." She was no longer looking at him. She had closed her eyes and was moaning as though she had climaxed.
Karen Weinreb (The Summer Kitchen)
There were, of course, plenty of tributes in the popular press, a particularly fine one appearing in the News Chronicle. ‘The hand that killed the Mahatma,’ said this newspaper, ‘is the same hand that nailed the Cross; it is the hand that fired the faggots; it is the hand that through the ages has been growing ever more mightily in war and less sure in the pursuit of peace. It is your hand and mine.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
Gandhi wrote: ‘I seem to have detected a flaw in me which is unworthy of a votary of truth and ahimsa. I am going through a process of self-introspection, the results of which I cannot foresee. I find myself for the first time during the past 50 years in a Slough of Despond.’ One wonders what readers of the press statement made of this decidedly odd interpolation. To them, the cause, manifestation and the precise nature of this flaw was left unelaborated. Gandhi’s close disciples knew the details; and the labours of the editors of his Collected Works have since made them public for us to examine it. Here is what happened. On 14 April 1938, Gandhi awoke with an erection; and despite efforts to contain his excitement, had a masturbatory experience. He was sleeping alone, and it was decades since he had been aroused in such a way. The details of the incident were kept from his ‘political’ followers such as Jawaharlal Nehru, but discussed with the spiritual followers who had stayed with him in Sabarmati and Segaon. To one Gujarati ashramite he wrote that ‘I was in such a wretched and pitiable condition that in spite of my utmost efforts I could not stop the discharge though I was fully awake.... After the event, restlessness has become acute beyond words. Where am I, where is my place, and how can a person subject to passion represent non-violence and truth?’ To Mira, Gandhi wrote in a language even more vivid in its self-abasement: ‘That dirty, degrading, torturing experience of 14th April shook me to bits and made me feel as if I was hurled by God from an imaginary paradise where I had no right to be in my uncleanliness.’ To his other close woman disciple, Amrit Kaur, Gandhi spoke of ‘an unaccountable dissatisfaction with myself’. But he had not lost faith, and was resolved to overcome the memory of his failure. ‘The sexual sense is the hardest to overcome in my case,’ he remarked. ‘It has been an incessant struggle. It is for me a miracle how I have survived it. The one I am engaged in may be, ought to be, the final struggle.’ Gandhi had taken a vow of brahmacharya, as far back as 1906. He thought sex was necessary only for procreation, and rejected the idea that sex might be pleasurable in and of itself. In his writings and speeches, he had often spoken of the importance of the preservation and husbanding of sperm, which he termed ‘the vital fluid’. After this (to him) shocking experience, how could Gandhi best control his passions, best preserve and husband that vital fluid? Several ashramites (Amrit Kaur among them) thought he should avoid close physical contact with women, especially younger women. He should abandon ashram girls as supports while walking (he rested his hands on their shoulders to propel his frail frame along), and discontinue the practice of having his nails cut or his body massaged by women disciples. Gandhi was not convinced of the sagacity of this advice. He had, he reminded one disciple, not ‘advocated total avoidance of innocent contact between the two sexes and I have had a certain measure of success in this’. To Amrit Kaur, he insisted that ‘it is not the woman who is to blame. I am the culprit. I must attain the required purity.’ Gandhi had wanted to write about the experience of 14 April in Harijan, baring to the world his failure and lack of self-control. He discussed this with Rajagopalachari, who was then in Segaon. Rajaji dissuaded him from making his experience public. Afterwards, Rajaji wrote to his son-in-law Devadas, who was also Gandhi’s son. The Mahatma, he said, was deeply worried ‘that he was still unable to overcome the reflex action of his flesh. He discovered, it seems, one day and he was so shocked and felt so unworthy that he was deceiving people and he wrote an article about it for publication in Harijan, which, thank God, I have stopped, after a very quarrelsome hour'.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing - or should we say "seeing ? there are no tenses in God - the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath's sake, hitched up. If I may dare the biological image, God is a "host" who deliberately creates His own parasites; causes us to be that we may exploit and "take advantage of" Him. Herein is love.
C.S. Lewis (The Four Loves)
This book was inspired by these words.” “The young man was a blacksmith in the village, a magnificent white charger horse was brought to him, and he was ordered to put iron shoes onto the horse's hooves. After doing this he took the horse for a ride in the open field, and thereby a Brook he met a fair maiden. He fell madly in love with her instantly, he claimed that he was a decorated knight, but she could see he was poor, and was a blacksmith. His black working hands betrayed him, but she never mentioned this to the young man. After talking, for about fifteen minutes, in perfect harmony and calm, their meeting was broken up when two ladies that were approached the maiden.” “The maiden took out her handkerchief and gave it to him, he took it without taking his eyes off of her. The maiden dashed off running towards the two women, assuring them that she was alright. That evening a guard came from the castle, took the white charger with the new horseshoes and left. The dashing young man got to work instantly. Making himself a beautiful sword like no other. He then made himself a silver shining armour, beautiful as any knight.” “The young man made wooden replicas of men in battle, and he would practice for hours, finding new ways of defeating the enemy. All of this because of a chance meeting in a field, and the handkerchief he kept pressed against his chest. The danger was looming and there was talk of an invasion, from another country. To preserve the dignity and the honour of the village and the castle that employed all the villagers. “ “The king asked for volunteers for the impending battle. The blacksmith went to the castle as one of the volunteers. He showed up on an old brown horse, that would not be able to stand the first charge in battle. Proudly he was dressed in his silver knight's armour, holding his handmade sword. One of the guards came and took away his horse, the young man looked on sadly as others around the courtyard mocked him. Another guard approached him with the white charger that he nailed the shoes to his hooves; “this will be your steed, the guard said and he helped him onto the horse. There was silence around the forecourt, he turned and rode with the knights out to meet the enemy.” “After five hours of battle, they had secured a brave victory. The young man performed above and beyond the call of duty. He was chosen to be knighted. As he entered the great hall in the castle, there were people on both sides of the hall as he walked up to the spot where he was to be knighted. Waiting patiently, to perform the ceremony of knighthood, was none other than the king himself, and next to him, his young daughter, a princess he met by chance in a field, after the ceremony of knighthood, the princess stepped forward and said, thank you for bringing my horse back to me, a young woman who overlooked his poverty, have him her white horse, and encouraged him with giving him her handkerchief, by speaking to him in a field with kindness, her father the king was rewarded with a knight of chivalry and virtue. All because of accidental meeting and events, that encouraged someone ready in life, to step forth, and take control of his dreams, as impossible, as they seemed at the time.
Kenan Hudaverdi (Emotional Rhapsody)
Lance,” she breathed, falling forward and holding onto me. The shadows stopped controlling my body and I gasped, wrapping my arms around her, her slight frame pressing to mine. Her shoulders shuddered and her nails dug into my back in desperation. “Help me,” she sobbed. “Don’t let me go. Let it end here. No more, no more, no more.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
Come back to me,” he says. But Wren is silent and still. Oak let’s go of his power, cursing himself. He glanced up o helplessly at Jude, who looks back at him and shakes her head. “I’m sorry.” It is a very human thing for her to say. He lets his head fall forward until his forehead his touching Wren’s. Gathering her in his arms, he studies the hollowness of her cheeks and the thinness of her skin. Presses a finger to the edge of her mouth. Oak thought his magic was just finding what people wanted to hear and saying it in the way they wanted, but since he’s let himself really use the power, he discovered that he can use it to find truth. And for once, he needs to tell her the truth. “I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me. Come back,” he says again, tears burning the back of his throat. “You want and you want and you want, remember? Well, wake up and take what you want.” He presses his mouth against her forehead. And startles when he hears her drawn in a breath. Her eyes open, and for a moment she stares up at him. “Wren?” Bex says, and smacks Oak on the shoulder. “What did you do?” Then she pulls the prince into her arms and hugs him hard. Jude is staring, hand to her mouth. Bogdana stays back, glowering, perhaps hoping that no one noticed she rent her garments with her nails as she watched and waited. “I’m cold,” Wren whispers, and alarm rings through him like the sound of a bell. She could walk barefoot through the snow and not have it hurt her. He had never heard her complain of even the most frigid temperatures. Oak stands, lifting Wren in his arms. She feels too light, but he is reassured by her breath ghosting across his skin, the rise and fall of her chest. He still cannot, however, hear the beat of her heart. With the storm stopped, it seems that all of Elfhame has forded the distance between Insear and Insmire. There are boats aplenty, and soldiers. Grima Mic’s second-in-command is barking orders. Bex scavenges a blanket from one of the tents, and Oak manages to bundle Wren in it. Then he Carrie’s her to a boat and commandeers it to take him across so he can bring her to the palace. The journey is a blur of panic, of frantic questions, plodding steps. Finally, he carries her into his rooms. By then, her body is shivering, and he tries not to let terror leak into his voice as he speaks to her softly, explaining where they are and how she will be safe. He puts Wren in his bed, then pushes it close by the fire and piles blankets on top of her. It seems to make no difference to her shuddering.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Come back to me,” he says. But Wren is silent and still. Oak lets go of his power, cursing himself. He glances up helplessly at Jude, who looks back at him and shakes her head. “I’m sorry.” It is a very human thing for her to say. He lets his head fall forward until his forehead is touching Wren’s. Gathering her in his arms, he studies the hollowness of her cheeks and the thinness of her skin. Presses a finger to the edge of her mouth. Oak thought his magic was just finding what people wanted to hear and saying it in the way they wanted, but since he’s let himself really use the power, he discovered that he can use it to find truth. And for once, he needs to tell her the truth. “I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me. Come back,” he says again, tears burning the back of his throat. “You want and you want and you want, remember? Well, wake up and take what you want.” He presses his mouth against her forehead. And startles when he hears her drawn in a breath. Her eyes open, and for a moment she stares up at him. “Wren?” Bex says, and smacks Oak on the shoulder. “What did you do?” Then she pulls the prince into her arms and hugs him hard. Jude is staring, hand to her mouth. Bogdana stays back, glowering, perhaps hoping that no one noticed she rent her garments with her nails as she watched and waited. “I’m cold,” Wren whispers, and alarm rings through him like the sound of a bell. She could walk barefoot through the snow and not have it hurt her. He had never heard her complain of even the most frigid temperatures. Oak stands, lifting Wren in his arms. She feels too light, but he is reassured by her breath ghosting across his skin, the rise and fall of her chest. He still cannot, however, hear the beat of her heart. With the storm stopped, it seems that all of Elfhame has forded the distance between Insear and Insmire. There are boats aplenty, and soldiers. Grima Mic’s second-in-command is barking orders. Bex scavenges a blanket from one of the tents, and Oak manages to bundle Wren in it. Then he carries her to a boat and commandeers it to take him across so he can bring her to the palace. The journey is a blur of panic, of frantic questions, plodding steps. Finally, he carries her into his rooms. By then, her body is shivering, and he tries not to let terror leak into his voice as he speaks to her softly, explaining where they are and how she will be safe. He puts Wren in his bed, then pushes it close by the fire and piles blankets on top of her. It seems to make no difference to her shuddering.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
This miserable inn is rather loud,” she said, daring to slide a hand over his bare pectoral, then up to his shoulder. “It’s too bad Aedion could still probably hear through the wall.” She gently scraped her nails across his collarbone, marking him, claiming him, before leaning in to press her mouth to the hollow of his throat. “Aelin,” he groaned. “Too bad,” he murmured against his neck.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
If only one could inoculate against stupid emotions as one could inoculate against a virus. Her brows pulled together. She scraped her nail over the scar, then pressed it slightly. Perhaps one could do that. Could she temper her erratic reactions to nerve-racking encounters with small, deliberate doses of exposure ? Because acting like a thunderstruck cow was costing her both her nerves and her dignity.
Evie Dunmore (The Gentleman's Gambit (A League of Extraordinary Women, #4))
Having pressed the grapes of service, we drink life's sweetest wine —the wine of giving. We are at our best when we are giving. In fact, we are most like God when we are giving.
Max Lucado (He Chose the Nails: What God Did to Win Your Heart)
One by one, Alex’s hand stealthily undid each button down Kaylee’s blouse. Lost in the kiss, Kaylee didn’t take heed until she felt Alex press her warm hand against her bare midriff. The hand explored her body, teasing her hips, softly dragging nails across her tummy, and finally cupping her breast through her bra. Kaylee let a soft moan slip into Alex’s mouth, which relentlessly pressed on. Kaylee’s blouse was pushed off her shoulder, along with the bra strap. Her bare breasts felt the cool air of exposure and responded to the gentle caress of Alex’s hand. With Alex squeezing, teasing, and pinching lightly, Kaylee arched into the ministrations. She realized she was almost bare from the waist up, exposing her feminine
Alex B. Porter (Branding Her, Bundle 1 (Branding Her, #1-3))
Nothing on this earth had ever felt as good as being inside Chloe. He gritted his teeth, hanging on to the last remnants of sanity he possessed, as he tried to calm enough not to take her like some primal beast. The grip of her. The silky heat. He braced his elbow next to her head and their eyes locked. He was fucking Chloe. This was going to change them forever. He experienced a rush of panic that quickly dimmed as her thighs clasped his hips and she arched to meet him, gasping. Her hands fell to his waist, nails digging into his skin. He moved, gripped her wrists, and brought them up over her head. They were touching everywhere, the length of him sliding into her. Her breasts against his chest. Her inner muscles clamped around him and he cursed, thrusting inside her. He'd think later. Much, much later. He covered her mouth with his, his tongue sliding against hers. The air grew thick and humid. Tinged with a desperate, urgent lust. He ripped away and groaned. Pumped harder inside her. Her head pressed into the pillow and her neck arched. He held her wrists tighter, he bit her exposed throat, before soothing the skin with his tongue. She cried out. Her nails dug harder. Her thighs clenched. Their movements deepened. Quickened. He let her go, levered up, and rammed hard inside her, circling his hips. Grinding against her. Thrusting harder. Faster. Deeper. The bed frame banged its frantic beat against the wall. Over and over and over again. Her body rippled down the length of his cock. He jerked, losing what little control he had as he came in a loud shout, just as her orgasm rushed through her, milking him for everything he was worth, his vision dimming as intense pleasure tore through him in endless waves. He had no idea how long they went on like that. Pushing and pulsing together mindlessly, lost in the aftershocks of bone-deep satisfaction. He collapsed on top of her, burying his face in the crook of her neck, inhaling that special scent, unique to Chloe. He licked her skin. Tasting salt and sex.
Kate Angell (The Cottage on Pumpkin and Vine)
Little Lamby might be a snob. Thinks she’s too good to hang out at the Palisades.” “I don’t think that,” I whispered. Tristan’s arm pressed on my chest like an iron bar as his hand inched down to the curve of my breast. My nails dug into my thighs, my mind racing with ideas of how to get out of here. If I could get my voice to work, I’d scream, but my throat was too tight from fear. At the same time Tristan squeezed my breast, the screen door flew open. Helen stood in the doorway like an avenging angel, her hair flowing in the breeze, tapping a bat against her palm. “Knock, knock, boys. I seem to have a problem. I have batting practice, but I don’t have a ball.” Her red lips fell open, and she pointed to each of the guys with her bat. “Oh, wait, I see three pairs of balls my bat would just love to smash. Who volunteers to go first?
Julia Wolf (Burn it Down (The Savage Crew, #3))
The blacksmith was gunsmith, farrier, coppersmith, millwright, machinist, and surgeon general to all broken tools and implements. His forge was a center of social as well as industrial activity. From soft bar iron, nails as well as horse shoes were forged as needed. . . . Chains, reaping hooks, bullet molds, yoke rings, axes, bear and wolf traps, hoes, augers, bells, saws, and the metal parts of looms, spinning wheels, sausage grinders, presses and agricultural implements were a few of the items either manufactured or repaired in his shop.
David McCullough (The Pioneers: The Heroic Story of the Settlers Who Brought the American Ideal West)
Most women want coaching in one particular aspect of life." "What aspect?" "Coitus." Emma pumped her fists and rocked her hips. "Also known as fornication, doing it, getting laid, knocking boots, doing the Devil's dance, shagging, screwing, nailing, banging, or doing squat thrusts in the cucumber patch." Jack swept my hair away and pressed a kiss to the nape of my neck, allowing a wave of heat rippling across my skin. "I have another word," he whispered. "We can try it out tonight.
Sara Desai (To Have and to Heist)
They forget that those tiny little hands in the manger, those tiny little hands embraced by Simeon, those hands were made so that nails might be driven through them.  Those baby feet, not yet able to walk, they were made to walk up Golgotha to be nailed to the cross.  The head of baby Jesus was made so that someday wicked men would press down a crown of thorns into it, drawing his precious blood.  This baby’s soft tummy would someday be violently ripped open by a spear.  So many forget that the manger leads to the cross.  Jesus was born to die and when we speak about that, we find rejection by so many.  When we speak about why he had to die, when we speak about our sin and the wrath of God, people turn off and tune out.   When you see the Messiah in the big picture of our salvation, he is a divisive figure.  He divides people into two groups:  unbelievers and believers.  It was that way in his day and still is today.
Anonymous
There’s a contest going on at Bounce.” Bounce is a local club, and all the Reed brothers have worked there at one point or another as bouncers, so I know he’s familiar with the place. “What kind of contest?” he asks. “A paint contest?” I say. It comes out like a question, even though I didn’t mean for it to. “The fucking body paint contest?” Paul asks, and he slams his hand down on the counter. “Are you entering that?” “I already entered. And I had a model for it, but then she backed out at the last minute. Her grandmother died or something. I don’t know why her grandmother couldn’t have waited until after the contest, but I guess I don’t get any say-so.” He chuckles. “God, you make me laugh,” he says. I glare at him. “So your model backed out and you were going to do what? Paint Garrett?” “Umm, not exactly.” I raise a finger to my lips and start to nibble the nail. “Then what?” He throws up his hands. “I was going to have him paint me.” I look down the hallway. “Maybe Sam could do it. Is he here?” I start in that direction, but Paul grabs my arm and jerks me back. I fall against him. “There is no fucking way any man, even Garrett, is going to paint your naked body. No. Absolutely not.” He folds his arms across his broad chest and stares down at me like I’ve lost my mind. “The entry fee was a hundred dollars and I spent a month working on the design. It’s perfect, and I think I can win. And just when did you become my father?” I ask. I pull back from him. “Trust me,” he says. “The last thing I want to be is your father.” “Then stop acting like one.” He pulls me to him again, and I feel his dick pressed against my lower belly. “Trust me,” he says again. “I don’t feel like a parent when I’m with you.” “Oh,” I breathe. My heart stutters, and I get this little flutter in my belly that only happens with him. “Oh,” he mocks. “I’m acting like a jealous boyfriend because I am one.” I close my eyes and say, “You haven’t even kissed me since I told you about Jacob.” “You told me you needed time,” he cries softly. “I’ve been right here waiting. Patiently, I might add.” He chuckles. “Well, quit being so patient!” He brushes my hair back from my face with gentle fingers and doesn’t say a word. He just stares at me, his eyes soft and full of something I don’t understand. I wish I did. It would make this so much easier. “So about this contest,” he says. “Reagan and Emily are both busy.” “There’s no one else you can get to model?” “There isn’t enough time to teach them the position.” “Position?” He grins. I shove his shoulder. “I’ll paint you.” His eyes bore into mine. “I’ll enjoy the hell out of it.” His dimple grows deeper and even cuter. “No.” I shake my head. “You can’t.” “Why not?” “Because I’ll be naked!” I cry. “I know!” he yells back softly. “That’s why I don’t want anyone else doing it!
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
I took care not to be ostentatious (I detest snobs), but my style kind of dazzled my staff at the office. They were eager to follow my examples. I stressed the importance of making a good appearance, wearing a nicely pressed suit, well-polished shoes, hair combed, and nails cleaned. “Look sharp and act sharp,” I told them. “The first thing you have to sell is yourself. When you do that, it will be easy to sell paper cups.
Ray Kroc (Grinding It Out: The Making of McDonald's)
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
Therian lover were completely different, outside of the obvious. “You won’t like what you hear. He’s not… civil. I think he knew how I felt before I did. Everything I feel, he feels ten times stronger. It can be a little… disturbing.” “Try me.” There was no mistaking the sincerity in Dex’s voice. Sloane pressed his hard body down against Dex’s, his voice low as he tried to keep his grip on his feral half. “He wants me to mark you so that every Therian will know you belong to us.” His finger circled one of the faint lines on Dex’s arm. Dex swallowed hard, his blue eyes moving to his arm in Sloane’s grip. They widened slightly as Sloane’s nails slowly elongated. Sloane hissed at the pain, but he held his feral side at bay. Dex moved his eyes back to Sloane, the lust in them taking Sloane’s breath away. “Do it.” “Dex,
Charlie Cochet (Rise & Fall (THIRDS, #4))
Once we'd balled up our burrito wrappers and tossed them into the trash, Jake and I walked several blocks from El Farolito to the home of Gus, a rescued shepherd mix that I walked a few afternoons each week. Jake sat on the stoop while I ran upstairs. As usual, Gus was waiting for me at the door of his apartment,; I could hear his tail pounding the floor as I turned the key in the lock. Once I got inside, he hopped around me, nipping delicately at my fingers, nails clackety-clacking at the floor, his tail an ecstatic black blur. I knelt down in front of him, pressed his floppy, expressive ears flat back against his head, and planted a kiss on the side of his long, black schnoz. He whined happily, his whole body shimmying. Gus was one of those dogs who had an entirely different personality at home, where his sense of security gave him the confidence to be joyous and goofy. Out on the street, the shelter pup in him came out and he turned skittish and sorrowful, his tan quotation mark eyebrows pressing together to turn his forehead into a series of of anxious wrinkles. Needless to say, I was gaga for Gus and his layered personality. Downstairs, I could see right away that Jake loved dogs as much as I did. I had to warn him not to try too hard with Gus; too much attention from a stranger would only make Gus more nervous out there in the big loud world. Jake managed to restrain himself for half a block, but soon was cooing down to Gus, running his hand down the length of his silky black-and-tan coat, and passing him a little piece of chorizo from a napkin that he'd somehow slipped into his pocket at El Farolito without me noticing. Gus pressed himself against Jack's leg and looked adoringly up at him as he gobbled the meat, his tail for a moment wagging as freely as it did at home.
Meg Donohue (How to Eat a Cupcake)
His own hands were full, sandwich and paper cup, but the small ivory knob on the silver handle was a temptation. Just a few turns and he could fill the car with the sound of the rushing wind. The hair was mussed across the back of his father’s head, the familiar gleam of his white scalp peering through. His father leaned forward to put the china teacup on the dashboard and then, leaning back, placed his hand over his shoulder, kneading the material of his shirt, raising the shoulder toward his neck, like a pitcher on the mound. “Are you all right?” their mother asked, all their voices grown soft and gentle now that they were out of the wind. “An ache is all,” their father said. The wind seemed to come up from under the car, it pressed against the window, muffled, shut out, although they all still felt the sting of it on their cheeks. Michael placed the paper cup, almost empty, between the knees of his jeans and moved his fingers to the ivory knob. His hands were pale, the fingers plump and squared-off, the nails flat and broad, just like his father’s.
Alice McDermott (After This)
Ways to Make use of a Router This article demonstrates how to use a router securely as well as uses some tips to stay secure as well as generate a top quality item of work. When utilizing a router, or any power device, always work out risk-free practices. It is necessary to keep in mind that routers are effective tools as well as could be harmful. When utilizing a router, always stay concentrated on just what you are doing, as well as regard the tool being used. safety and security standards: Constantly utilize a sharp router bit. Plain router bits can not only affect the quality of the work surface but could additionally be really unsafe. Plain router bits put much more stress and anxiety on the router and typically end up melting the wood. Utilizing boring router little bits could also catch the timber as well as trigger the router to bent from your hands. Constantly see to it the work is secured down firmly. Wood secures made particularly for this can be bought. Feed the router from delegated right to ensure that the reducing side meets the timber first. Use superficial passes, going deeper right into the timber with each pass. making to deep of a pass can burn the timber, or perhaps cause the router to twist out of one's hands. Do not ever before push the router. enable the router to relocate through the wood a lot more slowly. feeding the router also quickly could trigger the timber to burn, splinter, or chip. Tips and Tricks Fasten a piece of wood the exact same density of the workpiece to the router table or bench so that it could work as a support for the router. This will prevent the router from wobbling while you make it. Utilize an edge guide whenever feasible. Look for knots warps and nails in the timber you are transmitting. Never ever utilize a router on damp timber. There are various techniques that can be attempted when utilizing a router. Various techniques might work better for various types of router little bits being used as well as various kinds of wanted cuts. Edge Profiles: When transmitting side accounts make certain your workpiece is clamped down safely by using a timber clamp. Relocate the router in a counter-clockwise motion around the beyond the work surface. When cutting the inside of an item, reduced clockwise. (You need to also cut clockwise around the top right corner of the item as well as the lower left corner of the item and afterwards walk around the whole piece counter-clockwise. This will stop splintering at the corners.). Make shallow passes with the Side Bit, going deeper with each pass. It might be a good idea to test the router on an item of scrap wood to see simply how shallow making each pass. Different timbers could chip much easier, and for certain items you may have to take even more shallow passes compared to others. * Remember that when reducing a piece with an edge trim bit, the item needs to be sanded prior to directing. Dado Cuts:. Dado cuts make grooves in timber. Dado cuts could be made in wood utilizing a router with a straight router little bit and a router jig or a t-square. Pick straight router bits that will produce the desired groove size. Test the router bit by using the router on a scrap piece of wood to guarantee it will certainly make the preferred cut. Then secure the t-square to the work piece and also make the wanted cuts. Route on the appropriate side of the t-square or jig so that the router presses against the firmly secured jig rather than away from it. This will certainly make certain straight also dado cuts.
somvabona
Her heart nearly stopped when a hand slid over her mouth and another disarmed her. “I’m Commander Rodgers from the USS Washington, and you’re coming with me now,” an American growled in her ear. From the girth pressing against her back, he was solid—but Olivia could take him. Grinding her teeth, she threw an elbow to his sternum. He blocked—so like a hotshot. Few people were fast enough to react to one of her strikes. But she’d nail him with her second try. Whipping around, she aimed a kick at his groin, but he blocked that, too. At least six-two and faster than an asp, Rodgers stopped her next kick by catching her ankle and giving it a twist—a warning. “Enough. Come.” Jesus Christ, his eyes were the color of a teal lagoon and they drilled into her like daggers. She shook her head. God, she wasn’t about to go anywhere with dagger-eyes. Not without a fight. Suited up in scuba gear, his facemask cocked atop his head, the man had to be daft. “What the fuck, Aquaman?” she whisper-shouted. “If anyone sees you, we’ll both be shot before the first question’s asked.” His eyebrows slanted downward over those damned eyes. “Yeah?” he whisper-shouted back. “Everyone on this boat will be dead in fifteen. If you want to live, you’ll do as I say.” Olivia’s mouth went dry. She blinked, shaking her head. He had to be mistaken. One more day and al-Umari’s ass would be hers. “Are you off your trolley? I’ve put too much into this project to have it blown to smithereens. Call off your dogs before you cock-up the entire op. Now.” “No can do,” he said like her hard-earned cover wasn’t about to become the greatest wipeout in MI6 history. “Sorry to ruin your party, but there’s a bomb attached to the hull. Can’t be killed, can’t be dislodged, and if you stand here arguing with me for one more second, you’ll explode into so many pieces, you won’t make a meal for a goddamned minnow.” Those are my choices? “Christ!” She jammed her finger under his nose. “When this is over, your ass is mine.
Amy Jarecki (Hunt for Evil (ICE #1))
Do you ever want to have kids?” She looked at him levelly. He did not intend to be cruel. No one who presses this question does; it’s just something they desperately need to nail down about you. To know, and put you down as normal or abnormal.
Meg Elison (The Book of the Unnamed Midwife (The Road to Nowhere, #1))
I’m ready to go.” She smiled at St. Just. “Nice to see you, Vicar, and these”—she held out a package of buns—“are for you.” “My thanks.” He took the package then bowed over her hand, pressing a lingering kiss to her bare knuckles. St. Just silently ground his teeth at that shameless display and even let Bothwell hand Emmie up into the gig. As St. Just took the reins, the Kissing Vicar patted Emmie’s hand where it rested in her lap. Except it was more of a stroking pat, St. Just noted, a caress, the filthy bugger. “You’re quiet,” Emmie remarked, lifting her face to the sun. The relief in her expression suggested she hadn’t been interested in lingering in Bothwell’s company. “Is Bothwell pestering you, Emmie?” She glanced over at him, a furtive, assessing glance that he unfortunately caught and comprehended too well: It isn’t bothering if the lady welcomes it. “He is a friend,” she said, lapsing into silence when St. Just said nothing more. He reached over with one hand and gently peeled Emmie’s index finger from her teeth. “No biting your nails. Whatever it is, you have only to ask, and I will help.” “Is it possible to love someone and hate them at the same time?” “It is. I love my father, in a complicated, resentful, admiring sort of way, but when he gets to tormenting my brothers, which he used to do brilliantly, I would rather Bonaparte himself had sired me than that scheming, selfish old man.” Emmie grimaced and looked like she wanted desperately to bite her nail. “That is quite an indictment, especially coming from you.” “He’s
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))