Press On Nail Quotes

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The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
And then what? Said, 'Oh, I'm so sorry, Ms. Lane, I didn't mean to wrinkle your lovely blouse. May I press that for you?' Or perhaps you gouged it with one of your pretty pink nails?" I was really beginning to wonder what his hang-up with pink was, but I didn't resent the sarcasm in his voice.
Karen Marie Moning (Darkfever (Fever, #1))
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing - or should we say "seeing"? there are no tenses in God - the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath's sake, hitched up. If I may dare the biological image, God is a "host" who deliberately creates His own parasites; causes us to be that we may exploit and "take advantage of" Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
C.S. Lewis (The Four Loves)
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
With his long sharp nails he opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight and with the other ceased my neck and pressed my mouth to the wound so that I must either suffocate or swallow... Some of the...Oh my god…my god What have I done?
Bram Stoker
Keeper!" He inhaled slowly, took Azalea's outstretched hand-shudders went through her throat, he felt so solid-and pressed the brooch into her marked palm. "I was only picking it up," he said, quietly. His thumb rubbed the red nail mark on her hand. A smile crossed his lips. "Temper, temper.
Heather Dixon Wallwork (Entwined)
I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping.
Ismail Kadare (Chronicle in Stone)
don’t be afraid to be this luminous to be so bright so empty the bullets pass right through you thinking they have found the sky as you reach down press a hand to this blood -warm body like a word being nailed to its meaning & lives
Ocean Vuong (Night Sky with Exit Wounds)
Did you have one of those days today, like a nail in the foot? Did the pterodactyl corpse dropped by the ghost of your mother from the spectral Hindenburg forever circling the Earth come smashing through the lid of your glass coffin? Did the New York strip steak you attacked at dinner suddenly show a mouth filled with needle-sharp teeth, and did it snap off the end of your fork, the last solid-gold fork from the set Anastasia pressed into your hands as they took her away to be shot? Is the slab under your apartment building moaning that it cannot stand the weight on its back a moment longer, and is the building stretching and creaking? Did a good friend betray you today, or did that good friend merely keep silent and fail to come to your aid? Are you holding the razor at your throat this very instant? Take heart, comfort is at hand. This is the hour that stretches. Djan karet. We are the cavalry. We're here. Put away the pills. We'll get you through this bloody night. Next time, it'll be your turn to help us. "Eidolons" (1988)
Harlan Ellison
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
At the Unitarian Universalist Christmas pageant in Cambridge, Massachusetts, it didn't matter that Mary insisted on keeping her nails painted black or that Joseph had come out of the closet. On December 25 at seven and nine p.m., three wise women would follow the men down the aisle -- one wearing a kimono and another, African garb; instead of myrrh they would bring chicken soup, instead of frankincense they'd play lullabies. The shepherds had a line on protecting the environment and the innkeeper held a foreclosure sign. No one quite believed in God and no one quite didn't -- so they made it about the songs and the candles and the pressing together of bodies on lacquered wooden pews.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
I only saw glimpses of the real world around me. Reality dissolved beneath the press of his lips against mine. I lost myself. In that moment there was We... He enveloped me. I felt his strength. He seemed gigantic to me. And yet gentle. His breath was inside me. I tasted what he tasted like. All the scents of that instant cascaded upon me. His sweet. The roses. The nectar of the feeders. The wood that hat hammered into with nails. The sweet raspberries on his mouth.
Dan Skinner (Memorizing You)
He loved her manner of sleepy acquiescence when they lay on the beach at dusk. He drew solace and sedation from her nearness. He had a craving to touch her always, to remain always in physical communication. He liked to encircle her ankle loosely with his fingers...to lightly and lovingly caress the downy skin of her fair, smooth thigh with the backs of his nails or dreamily, sensuously, almost unconsciously, slide his proprietary, respectful hand up the shell-like ridge of her spine... ...she was puzzled by the convulsive ecstasy men could take from [her body], by the intense and amazing need they had merely to touch it, to reach out urgently and press it, squeeze it, rub it... ...It thrilled Nurse Duckett rapturously that Yossarian could not keep his hand off her when they were together. She loved to look at his wide, long, sinewy back with its bronzed, unblemished skin. She loved to bring him to flame instantly by taking his whole ear in her mouth suddenly and running her hand down his front all the way. She loved to make him burn and suffer till dark, then satisfy him. Then kiss him adoringly because she had brought him such bliss.
Joseph Heller (Catch-22)
Relegated, as he was, to one corner, and sheltered behind the billiard-table, the soldiers whose eyes were fixed on Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat his order: "Take aim!" when all at once, they heard a strong voice shout beside them: "Long live the Republic! I'm one of them." Grantaire had risen. The immense gleam of the whole combat which he had missed, and in which he had had no part, appeared in the brilliant glance of the transfigured drunken man. He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras. "Finish both of us at one blow," said he. And turning gently to Enjolras, he said to him: "Do you permit it?" Enjolras pressed his hand with a smile. This smile was not ended when the report resounded. Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed. Grantaire fell at his feet, as though struck by a thunderbolt.
Victor Hugo
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
A recent landmark global study in population genetics by a team of internationally reputed scientists (as reported in The History and Geography of Human Genes, by Luca CavalliSforza, Paolo Menozzi and Alberta Piazzo, Princeton University Press) reveals that the people who inhabited the Indian subcontinent, including Europe, concludes that all belong to one single race of Caucasian type. This confirms once again that there really is no racial difference between north Indians and south Indian Dravidians.
Stephen Knapp (The Aryan Invasion Theory: The Final Nail in its Coffin)
Honey, have you seen my measuring tape?” “I think it’s in that drawer in the kitchen with the scissors, matches, bobby pins, Scotch tape, nail clippers, barbecue tongs, garlic press, extra buttons, old birthday cards, soy sauce packets thick rubber bands, stack of Christmas napkins, stained take-out menus, old cell-phone chargers, instruction booklet for the VCR, some assorted nickels, an incomplete deck of cards, extra chain links for a watch, a half-finished pack of cough drops, a Scrabble piece I found while vacuuming, dead batteries we aren’t fully sure are dead yet, a couple screws in a tiny plastic bag left over from the bookshelf, that lock with the forgotten combination, a square of carefully folded aluminum foil, and expired pack of gum, a key to our old house, a toaster warranty card, phone numbers for unknown people, used birthday candles, novelty bottle openers, a barbecue lighter, and that one tiny little spoon.” “Thanks, honey.” AWESOME!
Neil Pasricha (The Book of (Even More) Awesome)
Astrid," Linda called, her feet tucked under herself on the flower-print couch. "If you had a choice between two weeks in Paris France, all expenses paid, or a car —" "Shitty Buick," Debby interjected. "What's wrong with a Buick?" Marvel said. "—which would you take?" Linda picked something out of the corner of her eye with a long press-on nail. I brought their drinks, suppressing the desire to limp theatrically, the deformed servant, and fit all the glasses into hands without spilling. They couldn't be serious. Paris? My Paris? Elegant fruit shops and filterless Gitanes, dark woolen coats, the Bois de Boulogne? "Take the car," I said. "Definitely.
Janet Fitch (White Oleander)
I don’t want your babies, Felix. I can assure you I’m not sitting up here like some tragic fallen woman every night dreaming of having your babies.” She began tracing a figure of eight with her fingernail along his stomach. The movement looked idle but the nail pressed in hard. “You realize of course that if it were the other way round there would be a law, there would be an actual law: John versus Jen in the high court. And John would put it to Jen that she did wilfully fuck him for five years, before dumping him without warning in the twilight of his procreative window, and taking up with young Jack-the-lad, only twenty-four years old and with a cock as long as my arm. The court rules in favor of John. Every time. Jen must pay damages. Huge sums. Plus six months in jail. No—nine. Poetic justice.
Zadie Smith (NW)
Emily knew she was going to cry. She tried to avert it with a childhood trick that had sometimes worked before - pressing both thumbnails hard into the tender flesh beneath the nails of her index fingers, so that the self-inflicted pain might be greater than the ache of her swelling throat - but it was no use.
Richard Yates (The Easter Parade)
I found myself one evening in the dreams of the night, in that sacred building, the Temple. After a season of prayer and rejoicing, I was informed that I should have the privilege of entering into one of those rooms, to meet a glorious personage, and as I entered the door, I saw, seated on a raised platform, the most glorious Being my eyes have ever beheld, or that I ever conceived existed in all the eternal worlds. As I approached to be introduced, he arose and stepped towards me with extended arms, and he smiled as he softly spoke my name. If I shall live to be a million years old, I shall never forget that smile. He took me into his arms and kissed me, pressed me to His bosom, and blessed me, until the marrow of my bones seemed to melt! When He had finished, I fell at His feet, and as I bathed them with my tears and kisses, I saw the prints of the nails in the feet of the Redeemer of the world. The feeling that I had in the presence of Him who hath all things in His hands, to have His love, His affection, and His blessings was such that if I ever can receive that of which I had but a foretaste, I would give all that I am, all that I ever hope to be, to feel what I then felt (as cited in Bryant S. Hinckley, The Faith of Our Pioneer Fathers, pp. 226-27.)
Melvin J. Ballard
Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that
Carol Ann Duffy (The World's Wife)
I’ll run my nose through your hair, Bite the bottom of your ears, Press your nails across my skin, And hear me through your silence, As I say I love you…
Piyush Rohankar (Narcissistic Romanticism)
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
When the hammer strikes a nail, the extreme force of the blow on the broad head is transmitted without loss to the point. The head of the nail is the whole of eternity and the point of that nail is pressed to the center of the human heart. " [ quoting Simone Weil from memory ]
George Oppen
What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.
Carolyn Forché
Oak puts his hands on my shoulders, pushing my back to the wall. 'Pretend with me,' he whispers. And then he presses his mouth to mine. A soldier kissing one of the serving girls. A bored ex-falcon attempting to amuse himself. Oak hiding our faces, giving us a reason to be overlooked. I understand the game. This is no declaration of desire. And yet, I am rooted in place by the shocking heat of his mouth, the softness of his lips, the way one of his hands goes to the ice wall to brace himself and the other to my waist, and then to the hilt of my knife as they draw closer. He doesn't want me. This doesn't mean he wants me. I repeat that over and over as I let him part my lips with his tongue. I run my hands up his back under his shirt, letting my nails trail over his skin. I have been trained in all the arts of a courtier. Dancing and duelling, kissing and deceiving. Still, I am gratified when he shudders, when the hand he was bracing with lifts to thread through my hair, to cup my head. My mouth slides over his jaw to his throat, then against his shoulder, where I press the points of my teeth. His body stiffens, his fingers gripping me harder, pulling me closer to him. When I bite down, he gasps.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
Evie…” His shaking hand fumbled for hers, feebly trapping her fingers on his bare chest. Under their joined hands, the wedding band on the chain pressed against his unsteady heartbeat. “Go with Westcliff,” he murmured, his eyes closing. “After.” After what? Evie stared into his face, his gray complexion, and realized that he was referring to his own death. As she felt his hand slide away from hers, she gripped it firmly. His hand had changed…no longer smooth and manicured, but harder, callused, the nails cut ruthlessly short. “No,” she said with soft intensity, “there will be no ‘after.’ I will stay with you every moment. I will keep you with me. I won’t let you go.” Suddenly her breath was coming hard, and she felt the pressure of panic against the inner wall of her chest. Continuing to lean over him, she turned her hand so that their palms matched, their pulses pressed together…one weak, one strong. “If my love can hold you, I’ll keep you with me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Pressing my nails firmly into the bark of the tree, I watch as a silhouette reveals itself in the moonlight. Tall and built, the human frame enters the clearing that I stand in. My eyes are immediately drawn to the breathtaking sight of his face. I am familiar with those deep brown eyes, which draw me gently towards him. I let him pull me into his warm embrace. “Kirano!” I breathe, pressing my head against his regal blue jacket. I can hear his heart beating rapidly with excitement. “Aisha,” Kirano’s voice is as soothing as I remember. Looking up, I see his warm, adoring smile. “I see that you tied your favourite silk scarf to the tree.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
Like I could stop? Don’t you know I dream about this when I’m away?” he asked, nudging me with his nose, exactly where I needed his mouth to be. “You . . . dream about . . . this?” I asked, arching my back. I was so close, so very close. “Fuck, yes, are you kidding?” He flattened his tongue and dragged it across my entire sex, dipping inside and continuing up, closing his mouth now and encircling me with his lips. Releasing me with a groan of his own, he brought one hand down, using his fingers to press into me. “I think about this, and the sounds you make when you come, the way you taste. Mmm . . . sweet Caroline, you drive me crazy.
Alice Clayton (Rusty Nailed (Cocktail, #2))
He ran his finger over the wood. His nails would not do. A knife would have been ideal, but he’d never carried one. At last, he pulled a fountain pen from his pocket and pressed the tip into the knob. The wood gave purchase. He scratched hard several times to make the cross visible – his fingers ached, and the nib was irreversibly ruined – but at last he left his mark.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.” ― Hunter S. Thompson, Fear and Loathing in Las Vegas
Hunter S. Thompson
… Why bother with newspapers, if this is all they offer? Agnew was right. The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Neely McIntire," I said, clamping a sweaty hand behind her neck. "Friendship be damned!" Hayden yanked me forward. I had time to make a very girly sound before his lips began to move furiously over mine. His touch left behind the tingle of cinnamon gum. One of his hands slowly slid down and pressed into the small of my back. For a second, I thought the sun had washed over me. But this heat cuddled around me, pushing its way through my clothes. "Stmmmmp," I tried to say around his lips. My knees wobbled as he wound his fingers into the curls at my neck, holding my face firmly against his. "No." The hot pressure of his hand increased. A rumbling protest came from his throat when I dug my nails into his collarbones. "Lemme go," I managed to gasp when he kissed the corner of my mouth. "No," he whispered. His voice became a yielding puff of smoke. It slipped into my ears and coaxed something familiar from the broken depths. The urge to fight drained away. This wisp of memory warmed me, relaxed tensed muscles, but tightened other places. My fists uncurled and gripped his shoulders. "Why are you doing this?" "I want you to come back to me, Neely," he said, wrapping his arms around my waist to press our hips together. Fiery lips caressed my face and neck. "I know you're in there somewhere. Come back, come back, come back," he whispered between kisses.
K.D. Wood (Unwilling (Unwilling #1))
When he meets my eyes, his expression is anguished. He cannot help me. I fight as they press me down to the floor. Bite when they try to pry open my mouth. But it's all for nothing. Two soldiers hold my wrists, and a third hooks a barbed instrument through the end of my tongue. He pulls it taut. Then a fourth begins slicing through it with a curved dagger. The sharp, searing pain makes me want to cry out, but I cannot with my tongue nailed in place. My mouth goes from dry from being held open to full of blood. Flooded with it. Gagging. Drowning. I choke as they release me, the scream dying in my throat. Scarlet flows over my chin. When I move, flecks of red fly. The pain swallows me whole so that I barely can concentrate, but I know I am losing too much blood. It spills from between my lips, slicks my neck, stains the collar of my dress. This is going to kill me. I am going to die, here on the ice floor of the Citadel.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Why did you break in Mrs. Casnoff’s desk for?” Information on Archer. After he left. “Ah. You’re welcome, by the way?” For what? She jiggled the nail harder. “For putting him in his place the other night. Working with The Eye,” she scoffed. “Yeah, that’s a brilliant plan.” He’s just trying to think of something,” I said automatically. I wasn’t sure why I was defending him when I’d basically said that idea was the stupidest thing ever to have stupided, but I didn’t like the scorn in her voice. Well, my voice, her words. Elodie paused in trying to open the desk drawer and shoved my hair back with both hands. “What’s it going to take for you to realize that Archer Cross is bad news? He’s an Eye. He’s a liar and a jerk, and he’s not nearly as funny as he thinks he is. And you’re betrothed to Cal. Boys who can heal all wounds and are super hot, to boot? Don’t exactly come around every day.” I don’t think about Cal like that. Pressing the point of the nail back into the lock, Elodie snorted. “Um, hi, I’ve been in your head. You totally think about him like that.” Look,, this isn’t a slumber party, I snapped. Can you please get back to work? “Fine,” she muttered. “Don’t listen to me. But I’m telling you, Cal is the way to go. Heck, if I had a body, I wouldn’t mind-“ I’m going to need you to stop right there. I’m ninety-nine percent sure she wasn’t going to stop right there, but before she could say anything else, the lock on the drawer gave way.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The pressing of my thumbnail against my fingertip had started off as a way of convincing myself that I was real. As a kid, my mom had told me that if you pinch yourself and don't wake up, you can be sure that you're not dreaming; and so every time I thought maybe I wasn't real, I would dig my nail into my fingertip, and I would feel the pain, and for a second I'd think, Of course, I'm real. But the fish can feel pain, is the ting. You can't know whether you're doing the bidding of some parasite, not really.
John Green (Turtles All the Way Down)
He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras. "Finish both of us at one blow," said he. And turning gently to Enjolras, he said to him: "Do you permit it?" Enjolras pressed his hand with a smile. This smile was not ended when the report resounded. Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed. Grantaire fell at his feet, as though struck by a thunderbolt.
Victor Hugo (Complete Works of Victor Hugo)
Yes, we've been spoiled by technology. We can't accept doing without loudspeakers or rotary presses. Handwritten placards and whispered proclamations just don't carry the same weight. Technology has devalued the impact of our own speech and writing. In the old days one man's call to arms was enough to set off an uprising - a few hand-printed leaflets, ninety-five theses nailed to a church door in Wittenberg. But today we need more, we need bigger and better, wider repercussions, mass-produced by machines and multiplied exponentially.
Anonymous (A Woman in Berlin: Eight Weeks in the Conquered City: A Diary)
Then he spoke to me mockingly, 'And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my design! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me, against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born, I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin, my bountiful wine-press for a while, and shall be later on my companion and my helper. You shall be avenged in turn, for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me. Now you shall come to my call. When my brain says "Come!" to you, you shall cross land or sea to do my bidding. And to that end this!' "With that he pulled open his shirt, and with his long sharp nails opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight, and with the other seized my neck and pressed my mouth to the wound, so that I must either suffocate or swallow some to the… Oh, my God! My God! What have I done? What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days. God pity me! Look down on a poor soul in worse than mortal peril. And in mercy pity those to whom she is dear!" Then she began to rub her lips as though to cleanse them from pollution.
Bram Stoker (Dracula)
Do you remember what you told me,” I say, “about your brain?” His hand pauses. “You said it felt like a Ferris wheel,” I say. “Like all your thoughts were constantly circling, and you’d reach out for one, but it was hard to stay on it for too long because they kept spinning.” The lines of his face soften. His fingers curl, the backs of his nails pressing into my skin. “Except with you. You’re like gravity.” I couldn’t have pulled myself away from him then if he’d burst into flames. “Everything keeps spinning,” he says in a low, hoarse voice. “But my mind’s always got one hand on you.
Emily Henry (Happy Place)
Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
When they kissed, it was sure and deep, and the more she had, the more Tunuva wanted. Esbar drew her nails all the way down her spine. Tunuva groaned at the flare of smarting pleasure, the fire-tipped arrow it sent to her depths. While Esbar nipped at her ear, her jaw, Tunuva grasped her hair in answer, needing to hold all of her, draw this woman close enough to knit the sinew of their souls. She wanted to make love, slow and tender, and she wanted to be seized in passion - two sacred wants, as pressing as thirst, as radiant as the fruit. Though the war had come for them at last, there was still this. There would always be this.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
Jean Lorrain (Monsieur De Phocas)
One looks down from the Brooklyn Bridge on a spot of foam or a little lake of gasoline or a broken splinter or an empty scow; the world goes by upside down with pain and light devouring the innards, the sides of flesh bursting, the spears pressing in against the cartilage, the very armature of the body floating off into nothingness . . . One walks the street at night with the bridge against the sky like a harp and the festered eyes of sleep burn into the shanties, deflower the walls; the stairs collapse in a smudge and the rats scamper across the ceiling; a voice is nailed against the door and long creepy things with furry antennae and thousand legs drop from the pipes like beads of sweat.
Henry Miller
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing—or should we say ‘seeing’? there are no tenses in God—the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath’s sake, hitched up. If I may dare the biological image, God is a ‘host’ who deliberately creates His own parasites; causes us to be that we may exploit and ‘take advantage of’ Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
C.S. Lewis (The Four Loves)
He who had known the ceaseless worship of angels came to be a slave to men. Preaching, teaching, healing the sick, and raising the dead were parts of his ministry, of course, and the parts we might consider ourselves willing to do for God if that is what He asked. He could be seen to be God in those. But Jesus also walked miles in dusty heat. He healed, and people forgot to thank Him. He was pressed and harried by mobs of exigent people, got tired and hungry, was "tailed" and watched and pounced upon by suspicious, jealous, self-righteous religious leaders, and in the end was flogged and spat on and stripped and had nails hammered through His hands. He relinquished the right (or the honour) of being publicly treated as equal with God.
Elisabeth Elliot (Discipline: The Glad Surrender)
He helped me clean out my head in time for floweret sunshine, while I raked dead leaves from underneath the bed of my nails that were waiting to be organized in diaries. As the 'Forbidding Numb' piled up, he laundered my abandoned hope clean. All that I could smell on my hands were the roots of the root words I had diluted with extra letters and slushiness. There isn't a corner that we missed; and, in no time at all, I will forget the wretchedness of this winter. Soon, I will only smell peonies and calla lilies, fresh cotton sheets, and maybe—just maybe— the paperless books that I have written being pressed like petals; yet, no longer incinerators burning perished wood that already pushed up daisies right when autumn left its leaves behind me.
Heather Angelika Dooley (Ink Blot in a Poet's Bloodstream)
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
From a long way off one could distinguish and identify the steeple of Saint-Hilaire inscribing its unforgettable form upon a horizon beneath which Combray had not yet appeared; when from the train which brought us down from Paris at Easter-time my father caught sight of it, as it slipped into every fold of the sky in turn, its little iron cock veering continually in all directions, he would say: “Come, get your wraps together, we are there.” And on one of the longest walks we ever took from Combray there was a spot where the narrow road emerged suddenly on to an immense plain, closed at the horizon by strips of forest over which rose and stood alone the fine point of Saint-Hilaire’s steeple, but so sharpened and so pink that it seemed to be no more than sketched on the sky by the finger-nail of a painter anxious to give to such a landscape, to so pure a piece of ‘nature,’ this little sign of art, this single indication of human existence.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
You are in his car and your words taste like honey. The suns yolk is stretching over the road, with hues of pink and red ribbon pressed against the bruises of the sky. He is talking about mechanics or sugar factories, and you are touching the rings on your fingers. The windows are open and the wind is making a home in your bones. Your jeans are ripped, your perfume smells like lilacs, your nails painted the color of sea weed. You forget about noise. You forget about color. It’s your lungs - I think, it’s your lungs that are morphing into purple butter. You are in his car and you are Mozart composing art, Claude Monet painting Water Lilies, you are Aphrodite, you are Shakespeare. You are in his car and you can’t remember what salt feels like against your tongue. You are in his car and you are ocean, fire - lip, tongue, breath, sweat. You are in his car and you are telling him you love him. You are in his car and he is telling you he loves you back.
Poem 506 by Irynka
Call him,” Vicky urges one last time, placing my phone on my desk, tapping her nail on the screen before leaving me to it. I stare at my phone and then with shaky fingers I pick it up and press redial on his number. He answers on the first ring. “Tru,” his voice comes deep and sexy down the line. “Hi, Jake.” Silence. “So…” I say, not really knowing what to say. “I’m taking it your boss beat me to it?” he states rather than asks. “She did.” “And?” “And what?” “Will you do it – the bio?” “Do I have a choice?” There’s a really long pause. I can practically feel his tension radiating down the line. “There’s always a choice, Tru.” He sounds a little pissed off. “Sorry,” I recover. “That sounded a little shitty, it’s just a lot of information to process this early in the morning. Especially when I haven’t even had a chance to have a coffee yet.” “You haven’t?” “No, and I don’t function without coffee,” I say in a Spanish accent. I’m actually fluent in Spanish, something my mum insisted on, and it does comes in handy at times – well, mainly holiday’s in Spanish speaking countries. And my crap Spanish accent always used to make Jake laugh when we were kids, so I’m aiming for just that again. He chuckles, deep and throaty down the line. It does incredible things to me. “I see you’re still an idiot.” “I am, and it still takes one to know one.” “That it does … so you’ll do it?” I get the distinct feeling he’s not asking me. And really in what world would I ever say no. “I’ll do it,” I smile. I can practically feel his grin down the phone. “Okay, so as your new boss – well one of them – I order you to go get some coffee as I can’t have you talking in that cute Spanish accent of yours all day. You’ll drive me nuts.” I’ll drive him nuts?! In a good or bad way… “I’m seeing you today?” “Of course. Go get that coffee and I’ll call you back soon.” He hangs up, and I sit staring at the phone in my hand, feeling a little dumbfounded. And somehow a little played. I just haven’t figured out as to how yet.
Samantha Towle (The Mighty Storm (The Storm, #1))
You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
No one knew how to bear other people’s hate like Cyra Noavek. Sometimes she even encouraged it, but that didn’t bother him so much. He understood it. She really just thought people were better off staying away from her. “What?” she said. “I like you, you know,” he said. “I know.” “No, I mean I like you the way you are, I don’t need you to change.” He smiled. “I’ve never thought of you as a monster or a weapon or--what did you call yourself? A rusty--” She caught the word nail in her mouth. Her fingertips were cool, careful as they ran over the scars and bruises he wore, like she was taking them back. She tasted like sendes leaf and hushflower, like saltfruit and like home. He put his hands on her, sighing into her skin. They got bolder, fingers laced with fingers, knotted in hair, taking in fistfuls of shirt. Finding soft places nobody else had ever touched, like the bend in her waist, like the underside of his jaw. Their bodies pressed together, hip bone against stomach, knee against thigh… “Hey!” Teka yelled from across the ship. “Not a private place, you two!” Cyra rocked back on her heels, and glared at Teka. He knew how she felt. He wanted more. He wanted everything.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Doan be scared, bébé,” he rasped with a brief kiss to my lips. “I’m goan to take care of you.” Staring down into my eyes, he began prodding deeper. “I’ve wanted you for so long.” And deeper. “My God, woman!” When he was all the way in, a strangled groan burst from his chest. Pain. I just stifled a wince, far from enamored with this. Voice gone hoarse, he said, “You’re mine now, Evangeline. No one else’s.” He must be right—because Death’s presence had disappeared completely. Jack held himself still, murmuring, “Doan hurt, doan hurt.” “It’s getting better.” “Ready for more?” I nodded. Then regretted it. Pain. Between gritted teeth, he said, “Evie, I got to touch you, got to kiss you. Or you woan like this.” A bead of sweat dropped from his forehead onto my neck, tickling its way down to my collarbone. “O-okay.” Still inside me, he raised himself up on his knees, his damp chest flexing. His hands covered me, cupped, kneaded, his thumbs rubbing. When I started arching my back for more, his body moved. And it was . . . Rapture. “Jack! Yes!” In a strained tone, he said, “God almighty—I am home, Evangeline.” Another thrust had me soaring. “Finally found the place . . . I’m supposed to be.” He leaned down, delivering scorching kisses up my neck and down to my br**sts, bringing me closer and closer to a just-out-of-reach peak. Each time he rocked over me, I sensed a barely harnessed aggression in him. Between panting breaths, I said, “Don’t hold back! You don’t have to with me.” I lightly grazed my nails over his back, spurring him until he was taking me with all his might—growling with need as I moaned. Pleasure built and built . . . broke free . . . wicked bliss seized me, seized him. As I cried out uncontrollably, he yelled, “À moi, Evangeline!” Mine. “Yes, Jack, yes. . . .” Then after-shudders. A final moan. A last groan. As his weight sank heavily over me, I ran my hands up and down his back, wanting him to know how much I loved that. How much I loved him. He raised himself up on his forearms, cheeks flushed, lids heavy with satisfaction. “I knew it would be like this.” His voice was even more hoarse. “I knew from the first moment I saw you.” Stroking my hair, he started kissing my face, pressing his lips to my jaw, my forehead, the tip of my nose. “I am home, Evie Greene,” he repeated between kisses. I never wanted him to stop. He’d been an amazing lover, but his afterplay? He was adoring. “The first priest I find, I’m goan to marry you. I’m all in, peekôn.” His kisses grew more and more heated. Against my lips, he rasped, “How come I can’t ever get enough of you?
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
But Holbrooke brought to every job he ever held a visionary quality that transcended practical considerations. He talked openly about changing the world. “If Richard calls you and asks you for something, just say yes,” Henry Kissinger said. “If you say no, you’ll eventually get to yes, but the journey will be very painful.” We all said yes. By the summer, Holbrooke had assembled his Ocean’s Eleven heist team—about thirty of us, from different disciplines and agencies, with and without government experience. In the Pakistani press, the colorful additions to the team were watched closely, and generally celebrated. Others took a dimmer view. “He got this strange band of characters around him. Don’t attribute that to me,” a senior military leader told me. “His efforts to bring into the State Department representatives from all of the agencies that had a kind of stake or contribution to our efforts, I thought was absolutely brilliant,” Hillary Clinton said, “and everybody else was fighting tooth and nail.” It was only later, when I worked in the wider State Department bureaucracy as Clinton’s director of global youth issues during the Arab Spring, that I realized how singular life was in the Office of the Special Representative for Afghanistan and Pakistan—quickly acronymed, like all things in government, to SRAP. The drab, low-ceilinged office space next to the cafeteria was about as far from the colorful open workspaces of Silicon Valley as you could imagine, but it had the feeling of a start-up.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
Say you want me.” His mouth moved over her throat, closed over her aching breast. Every strong pull sent an answering rush of liquid heat. “You know I do.” She pressed him to her, wound a leg around his. She could barely breathe with her need, clawing at him to get closer, to crawl inside the shelter of his body, his mind, to feel his body in hers, taking possession as he was meant to, to feel his mouth at her breast, dragging her further into his world. “All of it,” he said hoarsely, his fingers probing the nest of tiny curls, stroking, caressing. “Mate with me my way.” She moved in a kind of anguish against his hand. “Yes, Mikhail.” She was frantic for release, frantic to relieve him. She was consumed with the same red haze, not separating love from lust or hunger from need. She was on fire, hurting, aching, body and mind, even her soul in torment, not knowing where his wild, uninhibited emotions left off and hers began. Mikhail lifted her easily with his enormous strength, slid her slowly, erotically down his clenching belly until she was pressed against the broad head of his raging erection. Her heat seared him, beckoned. Raven’s arms slid around his neck, her legs around his hips, opening for him. Slowly he lowered her body over his, impaled her on the thick length of fire so that she surrounded him with such a moist, tight sheath he shuddered, somewhere beyond mere pleasure, a kind of erotic heaven and hell. Her nails dug into his shoulders. “Stop, Mikhail. You’re too big this way.” Alarm spread across her face. “Relax, little one. We belong together, our bodies were made for one another.” He slid in farther, began to move in a long, slow rhythm, his hands caressing, soothing. He shifted his shoulders so that he could see her face, his body claiming hers with deep, sure, possessive strokes. Without conscious thought, the words formed in his mind. Te avio päläfertiilam--You are my lifemate.
Christine Feehan (Dark Prince (Dark, #1))
She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.
Joan Johnston (The Texan (Bitter Creek, #2))
Ryder’s heart beats madly against my ear as we cling to each other, holding on for dear life. Adrenaline races through my veins, making my breath come in short gasps. I can feel Ryder’s fingers in my hair, his nails digging into my scalp as he presses me tightly against his body, his muscles bunched and rigid. I know I’m supposed to hate him, but all I can think right now is how glad I am he’s here--glad that I’m not alone. I’ve never been so scared in all my life, but I know it would be worse without him. It’s over in a matter of seconds. The freight-train roar quiets, the rain returning with a vengeance. I don’t need Jim Cantore to tell me it’s a rain-wrapped tornado. I’ve watched enough Storm Chasers to recognize it, even from my little hidey-hole under the stairs. If we had been outside, we probably wouldn’t have seen it coming, not till it was too late. Ryder releases his grip on my head, and I pull away slightly, peering up at him. His deep brown eyes are slightly wild-looking, but otherwise he looks okay. His face isn’t a shade of green, at least. I lean back against him, my head resting on his shoulder now. We’re still holding hands, our fingers intertwined. Somehow, it doesn’t seem at all weird. It just feels…safe. Neither of us says a word, not till the sirens are silenced a few minutes later. “I guess we should give it a few minutes,” I say, my voice slightly hoarse. “You know, just to make sure that’s it. No point in going out just to climb right back in.” He nods. “Besides, it’s perfectly comfortable in here.” “Well, I wouldn’t go that far.” “Okay, let me rephrase. It’s not uncomfortable.” I swallow hard. “I hope it’s not bad out there. I’m afraid of what we’re going to find.” “No matter how bad it is, we’re fine; the dogs and cats are fine. That’s what matters, Jemma. Anything else is replaceable.” “You sound like my dad, you know that? Have you been studying at the Bradley Cafferty School of Platitudes or something?” “Your dad’s a smart guy,” he says with a shrug.
Kristi Cook (Magnolia (Magnolia Branch, #1))
He sweeps his fingers over her folds, teasing her entrance. "So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?" Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do." He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?" "Please," Eden shouts. "Please, I want---" "Use your words. Come on, sweetheart. I know you can do it." "I want your cock in me," she whines. "Fuck me like you own me---" A loud moan rips itself from her throat as Shang presses into her. Splits her open. Stretched her to the fullest. It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips. Feral. An animal. A man on a mission. "'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden." "Shang---" "What is it, sweetheart? Don't tell me I'm too much for you." "No, never. I want---" "What? You want what? You close already?" Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight. He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me." "Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy. He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it." Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse. Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
I thought, Hell, that’s pretty quick for a woman with Lee press-on nails.
Tiffanie DeBartolo (God Shaped Hole)
They forget that those tiny little hands in the manger, those tiny little hands embraced by Simeon, those hands were made so that nails might be driven through them.  Those baby feet, not yet able to walk, they were made to walk up Golgotha to be nailed to the cross.  The head of baby Jesus was made so that someday wicked men would press down a crown of thorns into it, drawing his precious blood.  This baby’s soft tummy would someday be violently ripped open by a spear.  So many forget that the manger leads to the cross.  Jesus was born to die and when we speak about that, we find rejection by so many.  When we speak about why he had to die, when we speak about our sin and the wrath of God, people turn off and tune out.   When you see the Messiah in the big picture of our salvation, he is a divisive figure.  He divides people into two groups:  unbelievers and believers.  It was that way in his day and still is today.
Anonymous
He crossed to the small guard station and foraged through its drawers until he found the first-aid box. He threw bottles over his shoulder and they shattered on the ground behind him. When he came to the procaine hydrochloride vial, he stopped. The Maingate physician had insisted it be present in case emergency oral surgery were ever necessary for the guards; in addition to being a contained security unit, the Tower had to be a self-sufficient medical station. Allander withdrew a needle from the small packet and fit it gently into a plastic syringe. He punched the needle through the rubber top of the vial and withdrew some of the liquid, then cleared the air from the syringe. A few drops squirted through, onto the floor. Taking a deep breath, Allander inserted the needle into the tip of the ring finger on his left hand. He waited for the numbness to spread and settle. After a few minutes, he removed a scalpel from its sterile package and dipped it in the container of alcohol. Then he made a neat incision, cutting diagonally through his fingerprint. Since the anesthetic had not fully taken effect, he felt a painful tingling in the pad of his finger, but feeling suddenly rushed for time, he continued. Using tweezers, he pried underneath the skin, grimacing as he saw his flesh rise along the straight line of the cut. The blood came and washed over the end of the tweezers until it obscured his view. Once, he felt the tweezers close on something hard and he pulled gently, but when the tweezers emerged from the bloody gash, they held only fleshy material that looked like gristle. Allander hadn’t anticipated that numbing the finger would have made it difficult for him to distinguish the location sensor from his own senseless tissue. Beginning to lose patience, he pressed the tweezers in until they hit the bone. He applied too much pressure and they slid around the side of his finger next to his nail, pulling the flesh around and stretching the cut open. He heard a soft, metallic clink as the tweezers struck something distinctly alien, and he bit his lip in a mixture of pain and delight. Finally, working the tweezers around the metal, he withdrew the sensor, which was the size of a large pea. The flesh around the cut strained and whitened at the edges as he pulled the bloody orb through. After pressing gauze to his wound, Allander wrapped it with medical tape, bandaging it thoroughly. Then he used the tape to affix the location sensor to the side of the Hole. It was close enough to its assigned location that the difference in position would not be detected from the mainland.
Gregg Andrew Hurwitz (The Tower)
He straightened and crossed his arms. He wanted her to forget: forget about her family and what she’d left behind. He wanted her sass, not her sorrow. And he wasn’t above baiting her to get it. He fixed a stern expression on his face and jutted a chin at the car. “Get busy, little girl. As much as I’d love to clean out this garbage pit of a car, I don’t have a Dumpster available. Trash bags alone won’t get the job done.” She shot up, planting her hands on her hips. “What did you say?” Yes, there it was: the fire she hid under those layers of Catholic guilt. He cocked a brow. “What’s your objection? That I called you little girl, or messy?” She threw her shoulders back, thrusting out breasts that were almost lost in Gracie’s too-big T-shirt. “Both!” “I call it like I see it.” He shrugged a shoulder. “What are you going to do about it?” Her mouth fell open, and her eyes flashed all sorts of interesting variations of green. She stepped forward and poked him in the center of his chest. “You . . . you . . . ,” she sputtered. He leaned in close, sucking in the scent of lavender, breathing in her hint of wildness. Jesus, he wanted her. He needed every ounce of control to not take her mouth in a hard, brutal fuck-you-where-you-stand kiss. Instead he whispered, “You what?” With another hard jab of her sharp, white-tipped nail, she stomped a foot, temper riled. “You, you jerk!” “Come on, you can do better than that, can’t you?” He paused, waiting one delicious beat that made her lean in closer. “Little girl?” “You arrogant, egotistical . . .” With a strangled scream, she hauled back and punched him in the chest, hard enough that some of the air in his lungs whooshed out. Before she could strike again, he snagged her wrist, caught her around the waist with his free hand, and pulled her close. Her cheeks were flushed a pretty pink. Body rigid, she met his gaze with fiery defiance. He searched her face and found what he was looking for under her righteous, indignant temper: excitement. Hunger. He tightened his hold, pressing along her spine to force her the last couple of inches she needed to be flush against him. He needed one taste of that mouth. But before he could give in to the impulse that was riding him hard, a police cruiser pulled into the parking lot and flashed its lights. “Ah, fuck.” He dropped his hold. Impeccable timing.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
His arms came around her, he pulled her against his chest, and his mouth touched hers, more gently than she had kissed him, but with a hunger even she could feel. His lips were warm and soft, then demanding. She curled her fingers in the open laces of his shirt, grazed the skin of his chest with her nails, felt the beat of his heart. He ran his tongue over the seam of her lips, and when she gasped, he invaded her open mouth. The sensation of his tongue against hers, the whisky taste of him, sent a thrill coursing through her. She made a sound of amazement, kissed him back, following his lead. He smelled of wool and sea wind. She slid her hands around his neck, wove them into his thick, soft hair, stood on her toes, and pressed herself closer against the hard length of his body, wanting more. He made a small sound in his throat and deepened the kiss, sliding his hands up the curve of her back to pull her nearer still, cupping her head while he plundered her mouth like a pirate, It was how she dreamed a kiss would be - hot, sweet, tingly, and utterly overwhelming. She couldn't think, couldn't stop.
Lecia Cornwall (Beauty and the Highland Beast (Highland Fairy Tales #1))
GOAT HOUR GOSPEL (SUCH SALVAGE) BY MARK WAGENAAR   Just as the evening’s about to move on, they appear, not as the apparitional deer— here, & gone in the next moment, without a sound—but one by one, bumbling through briar, chewing through poison ivy, sniffing at trees. A slow procession walking beneath elms & birches that hold up the last light. And you’re alone with the traces of things, the news in front of you: the crooked skeleton of Richard III was dug up from a parking lot, humpbacked, once buried in his boots & battlefield wounds. Nearby a lost river has been uncovered, & coughed up its mouthful of Roman skulls. No relic is safe, it seems, from an invisible tide that presses them upward. Sometimes it’s not the loss that hurts but the indignities of the discovery. And yet beside the diggers & builders of new things is this mangy congregation, pushing through the scrub without a trail or blueprint or direction. Their dirty white fur shines a little in this late, lost hour. They bleat as they shamble & piss on each other without warning, or maybe as a warning, or in greeting. They’ll eat anything—tin can, T-shirt, canvas sack, bones of animals & kings, & carry them awhile. And so do we: each night, across the country, people turn up at hospitals unable to speak, for the needle or nail lodged in their throats. They’re unable to explain why, but we know— that desperate mix of need & panic that can drive us to keep something safe for good. These dearest items take your words & leave them luminous, radiolucent, shining on the X-ray, like this swallowed ring: a ghostly eclipse. Small comfort to share an appetite with these goats, this dishevelled lot. But a comfort, too, to know that some things will be saved from the soil, rescued from time’s indignities, if only for a little while, & by these scruffy reliquaries, on the other side of the valley now, flickering slightly as they near the vanishing point of the timberline. And we might call such salvage mercy . And it must be even for the undeserving, for those of us who didn’t live right, or live best. Whatever that means. Mercy will find us, even when we fail to recognize it, when we least expect it.
Anonymous
Henry,” reaching out to shake him awake but my hand lands on top of the sheets. “Henry!” I say, looking around the room. The face cocks his head, the paper around his eyes pinches together. Blood pulsing, the man crawls onto the bed. His head wrapped in paper, words etching it, and nausea swirls in the pit of my stomach. “Not again,” I rasp. Fisting my hands in the sheets, he slinks closer. “No.” Leaning over me, pressing my back to the bed, he breathes in deeply against my neck. The incubus moves his hand down my curves, resting it on my hip. Pressing down, a pain flares in the area and the remembrance of hitting my hip against the counter this morning comes forth. A small groan escapes me. Trailing my hand to my thigh, I dig my nails in till I break skin. Wake up, I think as I squeeze my eyes shut. His breath tickles my collarbone, down to my breasts. Wake up, I scream as blood trickles from my open wounds.
Diane Ehlers (Needs of an Incubus (Annabelle's Erotic Nightmare #2))
Can I help?” “Hold this.” She handed him the wreath as she climbed the ladder. It wobbled on the hardwood floor. “I guess the floor’s not level.” “Part of the old house charm.” At the top she stretched high, reaching for the bottom of the picture hanging on the wall, then handed it down to him. The ladder wobbled as they swapped pieces. She grabbed onto the sides, but it wobbled again. When she looked down at Murphy, he wore a roguish smile, and his eyes held a mischievous sparkle. “Stop that,” she said. “What?” “It was you.” “I don’t know what you’re talking about.” She spared him a look and climbed to the highest safe rung, hoping he had the good sense not to fool with the ladder anymore. The wreath wasn’t heavy, but it was awkward. She tried to hook it on the nail that had held the picture. Missed. She rose on her toes. Just out of reach. She breathed a laugh. “Sheesh.” After another try, she lowered her arms for a rest. The ladder moved. “Stop it.” She steadied herself, then realized the ladder wasn’t wobbling. It was vibrating as Murphy climbed up behind her. “What are you doing?” “Helping.” She tightened her grip. “Get down. It isn’t safe.” “This is the heaviest-duty ladder I sell. Since neither of us weighs three hundred pounds, it’ll be fine.” He stopped behind her, the ladder stilling. The warmth of his chest pressed against her back. The clean, musky scent of his soap teased her nose. Her throat went dry. Her heart flittered around her chest like flurries in a snowstorm. He took the wreath, leaning closer, reaching higher. His thighs pressed against hers. His breath stirred the hairs at her temple. A shiver skated down her spine. Her legs trembled, and she braced a hand against the wall. This is Murphy, Layla. Remember? The guy who practically threw Jessica at Jack? The guy who didn’t bother mentioning that your fiancé was hooking up with your cousin? Even as the thought surfaced, Beckett’s words came back to her. Had she blown Murphy’s role out of proportion? Her thoughts tangled into a snarly knot. Murphy settled the wreath against the wall and leaned back infinitesimally. “That where you want it?” His lips were inches from her ear. If she turned her head just a bit— What the heck, Layla? She gave the wreath a cursory glance. “Yeah.” She didn’t care if it was upside down, backward, and flourishing with a moldy infestation. “Can you get down already?” “You seem a little tense.” His tone teased. Did he know the effect he was having on her? “You’re shaking the ladder, and your weight is straining the capacity.” Her fingers pressed against the wall, going white against the oak paneling. “Have it your way.” He leaned in, his lips close enough to brush her hair. “Let me know if you need any more help.
Denise Hunter (A December Bride (A Year of Weddings #1))
He didn’t know how he got in the box.  Everything was foggy and numb like the bad end of a heavy dose.  He tried to blink himself clear, but couldn’t focus his mind.  This wasn’t heroin. He knew the difference.  His throat folded over on itself as he tried to swallow. When was the last time he drank something? When was the last time he remembered doing anything? And why the hell was he in a box? His hands were bound and he could feel the roughly cut end of a zip-tie digging into the skin on his leg where his wrists had been resting.  It felt like wood under his fingernails in the dark and he could feel the corners around him — he was hunched over, his knees to his chest. There were air holes the size of his fingers drilled through the plywood. He remembered the feeling of the layers from that time he’d been made to help his dad build that bookcase that fit in the nook under the stairs.  Mum had wanted to have one made, but dad had said it was way too expensive, and that he would build one — with Ollie’s help.  Why the hell was he in this box?  His arm was itching, the track marks enraged and fresh.  Ollie kicked out, his bare heels catching splinters as he thumped against the sides, listening to the noise ring in the room around him. He couldn’t see anything, couldn’t hear anything except his own heart in his ears. He could smell fresh sawdust, damp earth, something sharp and synthetic, like bleach, and his own breath, hot against his cheeks as he pressed his eye to the hole above him. He tried to calm himself, replaying the last things he remembered over and over in his head. It was all fog. There were streets, people he knew but whose faces he couldn’t see, then there was someone he didn’t recognise, someone alien to him, and then nothing.  His fingers traced the seams, looking for a gap. There wasn’t one.  Tears burned hot on his face, his eyes stinging in the dust.  He kept searching, the rough skin under his chewed nails discovering the hard protrusion of an angled nail. The tip was sticking out through the wood on his right side — hammered through the lid at an odd angle. God, how couldn’t he remember being nailed inside a damn coffin?  He pulled at it, hands still bound, and felt his fingernails pull back.  He wept more, digging into the wood around it, focused solely on it. The only weak point in the box. His only chance. There was no one else around and he had to escape. That was all he knew.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
I back-crawl up the bed, every part of me aching for every part of him. A predator, he follows me, and uses his weight to press me down on the mattress. I graze my nails down his back, over thick cords of muscle and newly healed scars. I cup his taus ass, and he notices the grin I can’t hide. “What’s with the smile?” I squeeze his cheeks. “You have a nice butt.” “Thanks. Squats. You got nice everything.” He grins himself against me, a wicked gleam in his dangerously dark eyes. “I’m going to light you up.
Renee Rocco (Wraith (Masters of Mayhem #1))
complement the first. The initial credit line Junior offered for investing in artists was only $100 million, much less than what had been available at Warner, but Morris could see that, sitting on a limitless tap of booze money, there was a lot more where that came from.4 Best of all, Seagram was domiciled in Canada, where the lyrics of popular rap songs were not a pressing political issue. Although Jimmy Iovine and Doug Morris were temporarily estranged as colleagues, they remained best friends and hoped to reunite. Fuchs’ actions had stung them both, and Iovine had raised such a stink after Morris’ sacking that he was no longer permitted in the Time Warner Building. Under normal circumstances, he too would have been fired, but Iovine didn’t actually work for Warner directly—he was an equity partner in a joint venture, and the only way to get rid of him was to sell him back his shares. This was an expensive proposition, as Interscope had diversified beyond rap, signing No Doubt, Nine Inch Nails, and Marilyn Manson. Together, the two came up with a plan. Iovine, the agitator, would make himself unbearable to Fuchs, and push extreme albums like Dogg Food and Antichrist Superstar that made the provocations of The Chronic seem boring by comparison. Morris,
Stephen Witt (How Music Got Free: What happens when an entire generation commits the same crime?)
As Jesus presses up against the nails to catch his breath, his raw back scraping against the wood, the teachers and elders scream at him to do a sign. They tell him that if he will jump from the cross, then they will believe him. But Jesus will have none of it. He will not turn inward and seek human glory, nor be ruled by his feelings. He says “no” to his own desires. He trusts. He loves to the end.
Paul E. Miller (Love Walked among Us: Learning to Love Like Jesus)
Nail Fungus Nail fungus is typically characterized by thickening and yellowing, and usually begins as a single spot of white or yellow under a fingernail or toenail. As the fungus spreads, your nails may begin to crumble, and pain may develop. Treat nail fungus as soon as you notice it to prevent it from becoming a serious problem. See your doctor if essential oils fail to relieve symptoms. TEA TREE TREATMENT Tea tree essential oil is a powerful antifungal agent that has the ability to kill nail fungus rapidly. Apply 1 or 2 drops of tea tree essential oil to the affected area, making sure you coat the entire nail, the surrounding skin, and the area beneath the nail’s edge. Allow the tea tree oil to penetrate, then cover it with a few drops of a carrier oil. Repeat this treatment up to 3 times a day until symptoms subside. CLOVE TREATMENT Clove essential oil is an exceptional antifungal agent. It also stops itching associated with nail fungus. Apply 1 or 2 drops of clove essential oil to the affected area, making sure that you coat the entire nail, the surrounding skin, and the area beneath the nail’s edge. Allow the essential oil to penetrate, then cover it with a few drops of carrier oil. Repeat this treatment up to 3 times a day until symptoms subside.
Althea Press (Essential Oils Natural Remedies: The Complete A-Z Reference of Essential Oils for Health and Healing)
Given that Israel has a profoundly democratic political system, the freest press in the Middle East, a fiercely independent judiciary and astonishing religious and racial diversity within its universities, including affirmative action for Arab students, the charge is rather strange. Made more so when you consider the state of human rights in Israel’s neighborhood. As we speak, Syria’s government is dropping “barrel bombs” filled with nails, shrapnel and other instruments of terror on its own cities. Where is the ASA boycott of Syria? And of Iran, which hangs political, religious and even sexual dissidents and has no academic freedom at all? Or Egypt, where Christians are being openly persecuted? Or Turkey, Saudi Arabia or, for that matter, massively repressive China and Russia?
Charles Krauthammer (The Point of It All: A Lifetime of Great Loves and Endeavors)
HOW TO WHISTLE REALLY LOUDLY A wolf whistle is a really good way to get someone’s attention — or to really annoy them. 1. Wash your hands. Place the tips of your thumb and index finger together to form an O shape. 2. Put these fingers into your mouth as far as the first joint. Point the nails of these fingers toward the middle of your tongue. 3. Close and tighten your lips around your fingers, so that air can only escape through the gap between them. 4. Press your tongue against the back of your bottom teeth. 5. Breathe out steadily, using your tongue to direct the air through the gap between your fingers. Pull down with your fingers pressing on your bottom lip. 6. Keep practicing, moving your fingers, lips, and tongue just a tiny bit at a time until you hear a whistle.
Juliana Foster (The Girls' Book: How to Be the Best at Everything)
Vogelfanger" Play with birds and one day the birds begin to play with you. First sparrows, little, with a darting life of their own: they arrange themselves, there, among crumbs, or on wires, a fine distribution! Then one rises, and another, past your face, a flutter of beads and feathers. Suddenly the astonished sky is full of nails, knocked like stars in the roof, to keep the whole blue nothing up. Who'll buy my sparrows? Who'll listen to their quarrels and comprehend? They hop up and down in their cages like guilty secrets. Lightly the air presses down on our shoulders its great blue thumbs, lightly, as if afraid to hurt us. What will you do when the sky falls, brother? See? the sparrows hold it up: pray to them.
Donald Finkel
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
There’s a contest going on at Bounce.” Bounce is a local club, and all the Reed brothers have worked there at one point or another as bouncers, so I know he’s familiar with the place. “What kind of contest?” he asks. “A paint contest?” I say. It comes out like a question, even though I didn’t mean for it to. “The fucking body paint contest?” Paul asks, and he slams his hand down on the counter. “Are you entering that?” “I already entered. And I had a model for it, but then she backed out at the last minute. Her grandmother died or something. I don’t know why her grandmother couldn’t have waited until after the contest, but I guess I don’t get any say-so.” He chuckles. “God, you make me laugh,” he says. I glare at him. “So your model backed out and you were going to do what? Paint Garrett?” “Umm, not exactly.” I raise a finger to my lips and start to nibble the nail. “Then what?” He throws up his hands. “I was going to have him paint me.” I look down the hallway. “Maybe Sam could do it. Is he here?” I start in that direction, but Paul grabs my arm and jerks me back. I fall against him. “There is no fucking way any man, even Garrett, is going to paint your naked body. No. Absolutely not.” He folds his arms across his broad chest and stares down at me like I’ve lost my mind. “The entry fee was a hundred dollars and I spent a month working on the design. It’s perfect, and I think I can win. And just when did you become my father?” I ask. I pull back from him. “Trust me,” he says. “The last thing I want to be is your father.” “Then stop acting like one.” He pulls me to him again, and I feel his dick pressed against my lower belly. “Trust me,” he says again. “I don’t feel like a parent when I’m with you.” “Oh,” I breathe. My heart stutters, and I get this little flutter in my belly that only happens with him. “Oh,” he mocks. “I’m acting like a jealous boyfriend because I am one.” I close my eyes and say, “You haven’t even kissed me since I told you about Jacob.” “You told me you needed time,” he cries softly. “I’ve been right here waiting. Patiently, I might add.” He chuckles. “Well, quit being so patient!” He brushes my hair back from my face with gentle fingers and doesn’t say a word. He just stares at me, his eyes soft and full of something I don’t understand. I wish I did. It would make this so much easier. “So about this contest,” he says. “Reagan and Emily are both busy.” “There’s no one else you can get to model?” “There isn’t enough time to teach them the position.” “Position?” He grins. I shove his shoulder. “I’ll paint you.” His eyes bore into mine. “I’ll enjoy the hell out of it.” His dimple grows deeper and even cuter. “No.” I shake my head. “You can’t.” “Why not?” “Because I’ll be naked!” I cry. “I know!” he yells back softly. “That’s why I don’t want anyone else doing it!
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Come on, Melinda. You can’t avoid it forever. We both know you’re pregnant.” “Ugh,” she said, accepting the cool, wet cloth. She pressed it to her face, her brow, her neck. She didn’t have any more to say. But Jack knew. There had been tears, exhaustion, nausea. She turned watering eyes up to him. He shrugged and said, “You eased up on the breast-feeding, popped an egg and I nailed it.” Her eyes narrowed as if to say she did not appreciate the explanation. He held out a hand to bring her to her feet. “You have to wean David,” he said. “Your body can’t completely nourish two children. You’ll get weak. You’re already exhausted.” “I don’t want to be pregnant right now,” she said. “I’m barely over being pregnant.” “I understand.” “No, you don’t. Because you haven’t ever been pregnant.” He thought this would probably be a bad time to tell her that he did so understand, since he had lived with a pregnant person and listened very attentively to every complaint. “We should go see John right away, so you can find out how pregnant.” “How long have you suspected?” she asked him. “I don’t know. A few weeks. It was a little tougher this time….” “Oh, yeah?” “Well, yeah. Since you haven’t had a period since the first time I laid a hand on you. God, for a supposedly sterile woman, you certainly are fertile.” Then he grinned, fully aware it would have got him smacked if he hadn’t been holding the baby. She whirled away from him and went to sit on their bed. She put her face in her hands and began to cry. Well, he’d been expecting exactly this. There’d been a lot of crying lately and he knew she was going to be mighty pissed off. He sat down beside her, put an arm around her and pulled her close. David patted her head. “It’s going to be okay,” he said. “I’m not delivering this one. I want that understood.” “Try not to be cute,” she said through her tears. “I think my back already hurts.” “Can I get you something? Soda? Crackers? Arsenic?” “Very funny.” She turned her head to look at him. “Are you upset?” He shook his head. “I’m sorry it happened so soon. Sorry for you. I know there are times you get damned uncomfortable and I wanted you to get a break.” “I should never have gone away with you.” “Nah. You were already pregnant. Wanna bet?” “You knew before that?” “I wondered why you were so emotional, and that was a possible reason. I never bought your whole sterile thing. But I don’t have a problem with it. I wanted more kids. I like the idea of a larger family than the three of us. I come from a big family.” “There will not be five, I can guarantee you that,” she said. Then she bored a hole through him with her eyes. “Snip, snip.” “You’re not going to blame this on me, Mel. I suggested birth control. A couple of times, as a matter of fact. You were the one said it could never happen twice. And then explained that whole business about not ovulating while you’re nursing. How’s that working for you so far? Hmm?” “Screw you,” she said, not sweetly. “Well, obviously…” “I’d like you to understand I wasn’t relying on that breast-feeding thing. I’m a midwife—I know that’s not foolproof. I really didn’t think it possible that… Shit,” she said. She sighed deeply. “I just barely got back into my jeans….” “Yeah, those jeans. Whoa, damn. Those jeans really do it to me. No one wears a pair of jeans like you do.” “Aren’t you getting a little sick of having a fat wife?” “You’re not fat. You’re perfect. I love your body, pregnant and unpregnant. I know you’re trying to get me all worked up, but I’m not going there. You can try to pick a fight with me all day and I just won’t play. It wouldn’t be a fair fight—you’re out to get me and we both know it. Do you have appointments this morning?” “Why?” “Because I want to go to Grace Valley for an ultrasound. I want to know when I have to have the house done.” *
Robyn Carr (Whispering Rock (Virgin River, #3))
Kestrel set her cup on its saucer. “I didn’t ask to see you,” she said. “Too bad.” Arin claimed the chair across from her table in the library in a manner unbearably familiar to her. It was as if the chair had always been his. He slouched in his seat, tipped his head back, and looked at her from beneath lowered lids. The morning light fired his profile. “Worried, Lady Kestrel?” He spoke in Valorian, his accent roughening his voice. He always pronounced his r’s too low in his throat, so that when he spoke in her tongue everything came across as a soft growl. “Dreading what I’ll say…or do?” He smiled a grim little smile. “No need. I’ll be the perfect gentleman.” He tugged at his cuffs. It was only then that Kestrel noticed that they came too short on his arms and showed his wrists. It pained her to see his self-consciousness, the way it had suddenly revealed itself. In this light, his gray eyes were too clear. His posture had been confident. His words had had an edge. But his eyes were uncertain. Arin fidgeted again with his cuffs as if there was something wrong with them--with him. No, she would have said. You’re perfect, she wanted to say. She imagined it: how she would reach out to touch Arin’s bare wrist. That could lead nowhere good. She was nervous, she was cold. Her stomach was a flurry of snow. She dropped her hands to her lap. “No one’s here anyway,” Arin said, “and the librarians are in the stacks. You’re safe enough.” It was too early for courtiers to be in the library. Kestrel had counted on this, and on the fact that if anyone did turn up and saw her with the Herrani minister of agriculture, such a meeting would excite little interest. One with Arin, however, was an entirely different story. It was frustrating: his uncanny ability to unsettle her plans--and her very sense of self. She said, “Pressing where you’re not invited seems to be a habit with you.” “And yours is to put people in their place. But people aren’t gaming pieces. You can’t arrange them to suit yourself.” A librarian coughed. “Lower your voice,” Kestrel hissed at Arin. “Stop being so--” “Inconvenient?” “Frankly, yes.” His smile came: quick, true, surprised by itself. Then changing, and slow. “I could be worse.” “I am sure.” “I could tell you how.” “Arin, how is it for you here, in the capital?” He held her gaze. “I would rather talk about what we were talking about.” “Arin, how is it for you here, in the capital?” He held her gaze. “I would rather talk about what we were talking about.” She arranged her fingers along the studs that pinned green leather to the tabletop. She felt each cool, small, hard nail. The silence inside her was like those nails. What it held down was something sheer: a feeling like fragile silk, billowing up at the sound of his voice. If she and Arin were to talk about what they had been talking about, that silk could tear free. It would float up. It would catch the light, and cast a colored shadow. What color would it be, Kestrel wondered, the silk of what she felt? What would it be like to let it go, let it canopy above her?
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
I’m ready to go.” She smiled at St. Just. “Nice to see you, Vicar, and these”—she held out a package of buns—“are for you.” “My thanks.” He took the package then bowed over her hand, pressing a lingering kiss to her bare knuckles. St. Just silently ground his teeth at that shameless display and even let Bothwell hand Emmie up into the gig. As St. Just took the reins, the Kissing Vicar patted Emmie’s hand where it rested in her lap. Except it was more of a stroking pat, St. Just noted, a caress, the filthy bugger. “You’re quiet,” Emmie remarked, lifting her face to the sun. The relief in her expression suggested she hadn’t been interested in lingering in Bothwell’s company. “Is Bothwell pestering you, Emmie?” She glanced over at him, a furtive, assessing glance that he unfortunately caught and comprehended too well: It isn’t bothering if the lady welcomes it. “He is a friend,” she said, lapsing into silence when St. Just said nothing more. He reached over with one hand and gently peeled Emmie’s index finger from her teeth. “No biting your nails. Whatever it is, you have only to ask, and I will help.” “Is it possible to love someone and hate them at the same time?” “It is. I love my father, in a complicated, resentful, admiring sort of way, but when he gets to tormenting my brothers, which he used to do brilliantly, I would rather Bonaparte himself had sired me than that scheming, selfish old man.” Emmie grimaced and looked like she wanted desperately to bite her nail. “That is quite an indictment, especially coming from you.” “He’s
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
As I come back to myself, I feel Wes enter me. My arms go around his shoulders and my legs around his hips as he pulls me from his car with his hands on my ass then presses me into the cold metal of his truck. “I like the idea of you having my son,” he tells me, causing the walls of my vagina to contract around him. “Seems you like it too, baby.” He smiles, lifting me higher with his hands around my thighs. My heels dig into his ass and my nails grasp into his tee-covered back. “I’m going to come,” I moan then clamp down on his shoulder with my teeth, coming hard. “Fuck!” he roars, pulling me down hard on him, making the orgasm already flowing through me reignite as I feel him get bigger as warmth floods my insides. His hips still and my mouth releases his skin as he gathers me close to his chest.” Excerpt From: Aurora Rose Reynolds. “Until July.” Aurora Rose Reynolds, 2015-04-13T04:00:00+00:00. iBooks. This material may be protected by copyright.
Aurora Rose Reynolds
Therian lover were completely different, outside of the obvious. “You won’t like what you hear. He’s not… civil. I think he knew how I felt before I did. Everything I feel, he feels ten times stronger. It can be a little… disturbing.” “Try me.” There was no mistaking the sincerity in Dex’s voice. Sloane pressed his hard body down against Dex’s, his voice low as he tried to keep his grip on his feral half. “He wants me to mark you so that every Therian will know you belong to us.” His finger circled one of the faint lines on Dex’s arm. Dex swallowed hard, his blue eyes moving to his arm in Sloane’s grip. They widened slightly as Sloane’s nails slowly elongated. Sloane hissed at the pain, but he held his feral side at bay. Dex moved his eyes back to Sloane, the lust in them taking Sloane’s breath away. “Do it.” “Dex,
Charlie Cochet (Rise & Fall (THIRDS, #4))
I took care not to be ostentatious (I detest snobs), but my style kind of dazzled my staff at the office. They were eager to follow my examples. I stressed the importance of making a good appearance, wearing a nicely pressed suit, well-polished shoes, hair combed, and nails cleaned. “Look sharp and act sharp,” I told them. “The first thing you have to sell is yourself. When you do that, it will be easy to sell paper cups.
Ray Kroc (Grinding It Out: The Making of McDonald's)
Her heart nearly stopped when a hand slid over her mouth and another disarmed her. “I’m Commander Rodgers from the USS Washington, and you’re coming with me now,” an American growled in her ear. From the girth pressing against her back, he was solid—but Olivia could take him. Grinding her teeth, she threw an elbow to his sternum. He blocked—so like a hotshot. Few people were fast enough to react to one of her strikes. But she’d nail him with her second try. Whipping around, she aimed a kick at his groin, but he blocked that, too. At least six-two and faster than an asp, Rodgers stopped her next kick by catching her ankle and giving it a twist—a warning. “Enough. Come.” Jesus Christ, his eyes were the color of a teal lagoon and they drilled into her like daggers. She shook her head. God, she wasn’t about to go anywhere with dagger-eyes. Not without a fight. Suited up in scuba gear, his facemask cocked atop his head, the man had to be daft. “What the fuck, Aquaman?” she whisper-shouted. “If anyone sees you, we’ll both be shot before the first question’s asked.” His eyebrows slanted downward over those damned eyes. “Yeah?” he whisper-shouted back. “Everyone on this boat will be dead in fifteen. If you want to live, you’ll do as I say.” Olivia’s mouth went dry. She blinked, shaking her head. He had to be mistaken. One more day and al-Umari’s ass would be hers. “Are you off your trolley? I’ve put too much into this project to have it blown to smithereens. Call off your dogs before you cock-up the entire op. Now.” “No can do,” he said like her hard-earned cover wasn’t about to become the greatest wipeout in MI6 history. “Sorry to ruin your party, but there’s a bomb attached to the hull. Can’t be killed, can’t be dislodged, and if you stand here arguing with me for one more second, you’ll explode into so many pieces, you won’t make a meal for a goddamned minnow.” Those are my choices? “Christ!” She jammed her finger under his nose. “When this is over, your ass is mine.
Amy Jarecki (Hunt for Evil (ICE #1))
She let him kiss her, let all the sensations he brought with his kiss course through her freshly relaxed body. His mouth was warm, strong, and he tasted sweet and spicy, partly from the ginger-laced cupcakes they'd been baking and testing, and partly because she knew that's just how he tasted. Under his continued exploration, she relaxed further, opened her mouth to him, took him in... and sighed as he filled her so perfectly. She groaned softly, or maybe it was him, as he took the kiss deeper, and it slowly turned more ardent. She realized she'd dug her nails into his shirt, pressing her knuckles into him as she clutched the linen in her fists in her urgent need to get closer to him. "Wow," she gasped against the skin of his jaw as he left her mouth to kiss the corners of her lips, then her cheek, her temple, and dropped his head down to nuzzle at the tender side of her neck. It was the sweetest seduction and a primal rush, all at the same time. She rose up on her toes, wanting more heat, more contact, more... Baxter. "How can this not be the right thing, Leilani," he whispered gruffly against the sensitive skin below her ear.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
One by one, Alex’s hand stealthily undid each button down Kaylee’s blouse. Lost in the kiss, Kaylee didn’t take heed until she felt Alex press her warm hand against her bare midriff. The hand explored her body, teasing her hips, softly dragging nails across her tummy, and finally cupping her breast through her bra. Kaylee let a soft moan slip into Alex’s mouth, which relentlessly pressed on. Kaylee’s blouse was pushed off her shoulder, along with the bra strap. Her bare breasts felt the cool air of exposure and responded to the gentle caress of Alex’s hand. With Alex squeezing, teasing, and pinching lightly, Kaylee arched into the ministrations. She realized she was almost bare from the waist up, exposing her feminine
Alex B. Porter (Branding Her, Bundle 1 (Branding Her, #1-3))
Nothing on this earth had ever felt as good as being inside Chloe. He gritted his teeth, hanging on to the last remnants of sanity he possessed, as he tried to calm enough not to take her like some primal beast. The grip of her. The silky heat. He braced his elbow next to her head and their eyes locked. He was fucking Chloe. This was going to change them forever. He experienced a rush of panic that quickly dimmed as her thighs clasped his hips and she arched to meet him, gasping. Her hands fell to his waist, nails digging into his skin. He moved, gripped her wrists, and brought them up over her head. They were touching everywhere, the length of him sliding into her. Her breasts against his chest. Her inner muscles clamped around him and he cursed, thrusting inside her. He'd think later. Much, much later. He covered her mouth with his, his tongue sliding against hers. The air grew thick and humid. Tinged with a desperate, urgent lust. He ripped away and groaned. Pumped harder inside her. Her head pressed into the pillow and her neck arched. He held her wrists tighter, he bit her exposed throat, before soothing the skin with his tongue. She cried out. Her nails dug harder. Her thighs clenched. Their movements deepened. Quickened. He let her go, levered up, and rammed hard inside her, circling his hips. Grinding against her. Thrusting harder. Faster. Deeper. The bed frame banged its frantic beat against the wall. Over and over and over again. Her body rippled down the length of his cock. He jerked, losing what little control he had as he came in a loud shout, just as her orgasm rushed through her, milking him for everything he was worth, his vision dimming as intense pleasure tore through him in endless waves. He had no idea how long they went on like that. Pushing and pulsing together mindlessly, lost in the aftershocks of bone-deep satisfaction. He collapsed on top of her, burying his face in the crook of her neck, inhaling that special scent, unique to Chloe. He licked her skin. Tasting salt and sex.
Kate Angell (The Cottage on Pumpkin and Vine)
Want Could Kill Me Xandria Phillips for Dominique I know this from looking into store fronts taste buds voguing alight from the way treasure glows when I imagine pressing its opulence into your hand I want to buy you a cobalt velvet couch all your haters’ teeth strung up like pearls a cannabis vineyard and plane tickets to every island on earth but my pockets are filled with lint and love alone touch these inanimate gods to my eyelids when you kiss me linen leather gator skin silk satin lace onyx marble gold ferns leopard crystal sandalwood mink pearl stiletto matte nails and plush lips glossed in my 90s baby saliva pour the glitter over my bare skin I want a lavish life us in the crook of a hammock incensed by romance the bowerbird will forgo rest and meals so he may prim and anticipate amenity for his singing lover call me a gaunt bird a keeper of altars shrines to the tactile how they shine for you fold your wings around my shoulders promise me that should I drown in want-made waste the dress I sink in will be exquisite
Xandria Phillips
My day just splits again, and I am at the table sitting with the girls, Jenny is hearing me say all this… I am saying at lunch to all of them not leaving out one gross detail- and Jenny said- ‘Damn I have loaded in my undies right now just leasing to this crap.’ Liv and Maddie are kissing like to ribbed- hot- b*tch dogs in heat over it, so yeah, it's hot. I said- ‘I am coming – OH-hh-Aaa- UM-mmm-COME-meeting!!!’ So loud that I know that the rooms in the apartments could hear me, one even said back to my god- yet Miss Wilddickersion is eighty-eight I know who you are… a girl over there, rolled my eyes feeling so award.’ I am so going to hell for this- I said out loud. Do you ever look back over the crap you say, and say what the freak was I thinking? I just had the thought of this crap I am saying. Jenny said- nope not really- my dad hears me coming all the time so- like last night he said- ‘Stop it! You’re going to go throw your bedroom floor girl, and it’s four in the morning! ‘Yet I hear their freaking headboard hitting my wall- but- but that’s okay?’ I said about to have the old b*tch over in the next apart room there getting off too- ‘We all do’ -said Maddie and Olivia. Have you ever had the cops come, over that crap? Jenny said- ‘Well- freak know- Maybe…? I’ve done an officer here at the school, said Jenny proudly, so the whole cafeteria could hear her. Hey- Jenny- no one cares to hear about you being a slutty ho,’ Said- Marcel, yelling it at a table or two away. Maddie- ‘So was it that good?’ ‘It’s good under the hood.’ Said Maddie, I said the same thing too, in a different way, I said- ‘If you know what you’re doing down there.’ Jenny- ‘I- am- the- one that showed you-you b*tch, and your sis too.’ It’s all good! I speak! Not sure if I am going to keep my nasty pizza down at this point really, I don’t want to have thoughts played around in my mind freaking and fingering my brain. I put my feet up all girly and per-die on the table, and he sits accused from me to check me out so why not give him what he wants, and I don’t give a crap if I am in a skirt, I spread them out sloughing like a dude, and Marcel turns bright red, I want him to see that, I was not wearing annoying underneath I know that someone took a picture of my p*ssy and all of his freaked-up face- yep jaw-dropping moments, good thing I shaved it! The teaching that was looking over us freaking fainted at the sight of my va-jay-jay, is that a good thing? Oliva was saying please don’t fart- please don’t fart- she had the set on the other side of me, yet she was all pressed up to Maddie, so I knew he could see all of this- YOU-NO! I said- ‘Dude shut up! You’re freaking me over, and I put my one hand down between my legs, and start to play with myself, caressing it all around, sometimes up and down or in a little circular pattern, making lots of sounds. I even put my long fingers down inside and feel all the wetness and wroth, and I hear voices coming out of me, so he could see the come on my fingers unstop of my dark purple nail polish, and I come right in front of everyone, but it was only for him to see.’ Jenny- ‘do I see a d*ick; you need one to freak that p*ssy? I said- ‘Nah- dude that’s just my heart throbbing clit, and I get written up by another old b*tch teach, that must have a hairy one, or something like that- she has always been up against my ass hole.’ ‘Sometimes you are as blunt as the butt end of a fork, freaking strapping you in the one boob!’ said- Oliva. I see Marcel in the lunch line making a cute almost kiss-ie face at me, and I rankle up my nose and turn my head off to the right side and shake it in a short fast yet deliberate quiver. I walk up to where more than friends and at this point, I hug him and the cafeteria gaps, he kisses me in front of everyone, and I look up before walking and saying with flirty eyes- (You’re such a weirdo!)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Having pressed the grapes of service, we drink life's sweetest wine —the wine of giving. We are at our best when we are giving. In fact, we are most like God when we are giving.
Max Lucado (He Chose the Nails: What God Did to Win Your Heart)
Handful by handful, I wind up the hem of your dress. My fingers plunge inside you fro behind, so cold, so shocking. You take a small step to the side to open yourself to them. I know you don't have panties on. The back of your dress is cut too low. You reach for my hand and push it in deeper. Your dormant desire becomes unquenchable. You scoop one leg around the back of my thighs, pulling me in closer, rubbing against my hardness, and I'm pushing and you're rubbing, pushing and rubbing, pushing and rubbing, and my hand is drenched and you're begging for me to push deeper and you can't press close enough into my body, and then, ah, you're digging your nails into my back under my jacket and pulling away from my mouth to muffle your cry against my shoulder." She was no longer looking at him. She had closed her eyes and was moaning as though she had climaxed.
Karen Weinreb (The Summer Kitchen)
He grazed a fang across my collarbone and I shivered. The building pressure had me on the edge and teetering. It was absolutely ridiculous that I was so close to orgasm with only a few strokes of his fingers, but Devin managed to pull it out of me as I grabbed the sheets at my side and pressed the side of my face into the bed. The heat slammed into me in waves. It was all I could do to hold on for the ride, letting out a senseless sound of pleasure. He pulled his hand away slowly, kissing my forehead. "More?" "No," I breathed. "You, now, please." I pulled him down and kissed him deeply. He shifted how he was leaning over me, scooting up the bed as he did it. As he pressed himself firmly against my entrance, I was ready to beg for it if I had to. I wanted Devin. Now. He slid himself just inside. A sharp breath, my eyes widened. The nostalgia pinch of being stretched open surprised me. "I'm all right," I breathed. "It's just been a while." He pressed in a little farther. I dug my nails lightly into his back, and he growled in approval. He grazed my neck with his fangs and a soft noise escaped my lips; he licked and kissed my skin on his way back up to my mouth. An ice-cold breeze whipped past us. I held on tighter as Devin thrust deep inside. I screamed as the waves of pleasure hit again, somehow even harder than before. I removed my nails from his back when I realized how deeply I had dug them into his skin, but he didn't seem to notice. Everything felt like jelly. Content, unwound jelly. I rolled on my side, catching my breath as Devin curled me into his body, one hand lazily stroking my stomach. "How do you feel?" "That was intense," I breathed. "Is it always like that with fae?" "Too much?" He nuzzled into my hair.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
If Jonny Rokeby turned up here, yes, the press would be fighting tooth and nail to get a shot of him. For fuck’s sake. You’re not that famous. Get the fuck over yourself.
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))