Praising Song Quotes

But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.

I want to see an elephant hunt down a man for the sole purpose of collecting his teeth, while a chorus of typewriters sings songs that praises the bananas for their wisdom, leadership, and their high levels of potassium.

The primary purpose of prayer is not to make requests. The primary purpose is to praise, to sing, to chant. Because the essence of prayer is a song, and man cannot live without a song. Prayer may not save us. But prayer may make us worthy of being saved.

True love requires action. We can speak of love all day long, we can write notes or poems that proclaim it, sing songs that praise it, and preach sermons that encourage it but until we manifest that love in action, our words are nothing but sounding brass, or a tinkling cymbal.

Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.

Next to the Word of God, music deserves the highest praise. The gift of language combined with the gift of song was given to man that he should proclaim the Word of God through Music.

Seven times I have despised my soul: The first time when I saw her being meek that she might attain height. The second time when I saw her limping before the crippled. The third time when she was given to choose between the hard and the easy, and she chose the easy. The fourth time when she committed a wrong, and comforted herself that others also commit wrong. The fifth time when she forbode for weakness, and attributed her patience to strength. The sixth time when she despised the ugliness of a face, and knew not that it was one of her own masks. And the seventh time when she sang a song of praise, and deemed it a virtue.

A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.

Love the quick profit, the annual raise, vacation with pay. Want more of everything ready-made. Be afraid to know your neighbors and to die. And you will have a window in your head. Not even your future will be a mystery any more. Your mind will be punched in a card and shut away in a little drawer. When they want you to buy something they will call you. When they want you to die for profit they will let you know. So, friends, every day do something that won’t compute. Love the Lord. Love the world. Work for nothing. Take all that you have and be poor. Love someone who does not deserve it. Denounce the government and embrace the flag. Hope to live in that free republic for which it stands. Give your approval to all you cannot understand. Praise ignorance, for what man has not encountered he has not destroyed. Ask the questions that have no answers. Invest in the millenium. Plant sequoias. Say that your main crop is the forest that you did not plant, that you will not live to harvest. Say that the leaves are harvested when they have rotted into the mold. Call that profit. Prophesy such returns. Put your faith in the two inches of humus that will build under the trees every thousand years. Listen to carrion — put your ear close, and hear the faint chattering of the songs that are to come. Expect the end of the world. Laugh. Laughter is immeasurable. Be joyful though you have considered all the facts. So long as women do not go cheap for power, please women more than men. Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn’t go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.

... so this is for us. This is for us who sing, write, dance, act, study, run and love and this is for doing it even if no one will ever know because the beauty is in the act of doing it. Not what it can lead to. This is for the times I lose myself while writing, singing, playing and no one is around and they will never know but I will forever remember and that shines brighter than any praise or fame or glory I will ever have, and this is for you who write or play or read or sing by yourself with the light off and door closed when the world is asleep and the stars are aligned and maybe no one will ever hear it or read your words or know your thoughts but it doesn’t make it less glorious. It makes it ethereal. Mysterious. Infinite. For it belongs to you and whatever God or spirit you believe in and only you can decide how much it meant and means and will forever mean and other people will experience it too through you. Through your spirit. Through the way you talk. Through the way you walk and love and laugh and care and I never meant to write this long but what I want to say is: Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody. So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain where no one will ever hear and your very existence will be the most hypnotising scar. Make your life be your art and you will never be forgotten.

And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets

It is easy to be pleasant when life flows by like a song, but the man worth while is the one who will smile when everything goes dead wrong. For the test of the heart is trouble, and it always comes with years, and the smile that is worth the praises of earth is the smile that shines through the tears.

Love has no other desire but to fulfill itself. But if to love and must needs have desires, let these be your desires: to melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; and to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; to rest at noon and meditate love's ecstasy; to return home at eventide with gratitude; and then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

How insufficient the memory, to fail before death. how will hear these notes when the train slides into the yard, the lights turned out, and the song lingers with breaths rising from empty seats? I know I am too human to praise what is fading. But for now, I just want to listen as the train fills completely with warm water, and we are all swimming slowly toward the man with Mozart flowing from his hands. I want nothing but to put my fingers inside his mouth, let that prayer hum through my veins. I want crawl into the hole in his violin. I want to sleep there until my flesh becomes music.

His [Death] voice is cold at first, John. It seems unfeeling. But if you listen without fear, you find that when he speaks, the most ordinary words become poetry. When he stands close to you, your life becomes a song, a praise. When he touches you, your smallest talents become gold; the most ordinary loves break your heart with their beauty.

Your brother Robb has been crowned King in the North. You and Aemon have that in common. A king for a brother.” said Mormont. “And this too,” said Jon. “A vow.” The Old Bear gave a loud snort, and the raven took flight, flapping in a circle about the room. “Give me a man for every vow I’ve seen broken and the Wall will never lack for defenders.” “I’ve always known that Rob will be Lord of Winterfell.” Mormont gave a whistle, and the bird flew to him again and settled on his arm. “A lord’s one thing, a king’s another. They will garb your brother Robb in silks, satins, and velvets of a hundred different colors, while you live and die in black ringmail. He will wed some beautiful princess and father sons on her. You’ll have no wife, nor will you ever hold a child of your own blood in your arms. Robb will rule, you will serve. Men will call you a crow. Him they’ll call `Your Grace’. Singers will praise every little thing he does, while your greatest deeds all go unsung. Tell me that none of this troubles you, Jon… and I’ll name you a liar, and know I have the truth of it.” Jon drew himself up, taut as a bowstring “And if it did trouble me, what might I do, bastard as I am?” “What will you do?” Mormont asked. “Bastard as you are.” “Be troubled,” said Jon, “and keep my vows.

Isn't it a riddle . . . and awe-inspiring, that everything is so beautiful? Despite the horror. Lately I've noticed something grand and mysterious peering through my sheer joy in all that is beautiful, a sense of its creator . . . Only man can be truly ugly, because he has the free will to estrange himself from this song of praise. It often seems that he'll manage to drown out this hymn with his cannon thunder, curses and blasphemy. But during this past spring it has dawned upon me that he won't be able to do this. And so I want to try and throw myself on the side of the victor.

God has prepared for Himself one great song of praise throughout eternity, and those who enter the community of God join in this song. It is the song that the “morning stars sang together and all the sons of God shouted for joy” at the creation of the world. (Job 38:7). It is the victory song of the children of Israel after passing through the Red Sea, the Magnificat of Mary after the annunciation, the song of Paul and Silas in the night of prison, the song of the singers on the sea of glass after their rescue, the “song of Moses the servant of God, and the song of the Lamb” (Rev. 15:3) It is the song of the heavenly fellowship.

What a name! Was it love or praise? Speech half-asleep or song half-awake? I must learn Spanish, one of these days, Only for that slow sweet name's sake.

Conditioned to ecstasy, the poet is like a gorgeous unknown bird mired in the ashes of thought. If he succeeds in freeing himself, it is to make a sacrificial flight to the sun. His dreams of a regenerate world are but the reverberations of his own fevered pulse beats. He imagines the world will follow him, but in the blue he finds himself alone. Alone but surrounded by his creations; sustained, therefore, to meet the supreme sacrifice. The impossible has been achieved; the duologue of author with Author is consummated. And now forever through the ages the song expands, warming all hearts, penetrating all minds. At the periphery the world is dying away; at the center it glows like a live coal. In the great solar heart of the universe the golden birds are gathered in unison. There it is forever dawn, forever peace, harmony and communion. Man does not look to the sun in vain; he demands light and warmth not for the corpse which he will one day discard but for his inner being. His greatest desire is to burn with ecstasy, to commerge his little flame with the central fire of the universe. If he accords the angels wings so that they may come to him with messages of peace, harmony and radiance from worlds beyond, it is only to nourish his own dreams of flight, to sustain his own belief that he will one day reach beyond himself, and on wings of gold. One creation matches another; in essence they are all alike. The brotherhood of man consists not in thinking alike, nor in acting alike, but in aspiring to praise creation. The song of creation springs from the ruins of earthly endeavor. The outer man dies away in order to reveal the golden bird which is winging its way toward divinity.

and the creation, in the world and above the world, that once was at variance with itself, is knit together in friendship: and we ... are made to join in the angels' song, offering the worship of their praise.

It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.

Every war and every conflict between human beings has happened because of some disagreement about names. It is such an unnecessary foolishness, because just beyond the arguing there is a long table of companionship set and waiting for us to sit down. What is praised is one, so the praise is one too, many jugs being poured into a huge basin. All religions, all this singing one song. The differences are just illusion and vanity. Sunlight looks a little different on this wall than it does on that wall and a lot different on this other one, but it is still one light. We have borrowed these clothes, these time-and-space personalities, from a light, and when we praise, we are pouring them back in.

Who built Thebes of the seven gates? In the books you will find the name of kings. Did the kings haul up the lumps of rock? And Babylon, many times demolished. Who raised it up so many times? In what houses Of gold-glittering Lima did the builders live? Where, the evening that the Wall of China was finished Did the masons go? Great Rome Is full of triumphal arches. Who erected them? Over whom Did the Caesars triumph? Had Byzantium, much praised in song, Only palaces for its inhabitants? Even in fabled Atlantis The night the ocean engulfed it The drowning still bawled for their slaves.

What if the mightiest word is love, love beyond marital, filial, national. Love that casts a widening pool of light. Love with no need to preempt grievance. In today's sharp sparkle, this winter air, anything can be made, any sentence begun. On the brink, on the brim, on the cusp -- praise song for walking forward in that light.

When you choose your life, ignore people, when you make it in life, remember some friends, when you sing a song, praise your source, when predicaments arises, stand your ground.

To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.

Never give anybody permission to disturb your peace. Always ignore negative comment. Dwell on positive thoughts and occupied your mind with songs of praise.

Instead of selling other countries weapons, we should sell them candles. Maybe then instead of singing the praises of war, they’d start singing Happy Birthday. And I don’t know anybody, not even my bully of an uncle, Uncle Sam, who wants to start a fight during that song.

When love has been in your life you see that the only true, real pleasure of life is love. Every other thrill arises from that basic source of pleasure. The most meaningful songs are those your lover hums in your presence, the prettiest blossoms are the ones he offers and the only praise that counts is your beloved's. In a word or two, life only goes Technicolor in the very moment love's fingers caress it.

Not so on Man; him through their malice fall'n, Father of Mercy and Grace, thou didst not doom So strictly, but much more to pity incline: No sooner did thy dear and only Son Perceive thee purpos'd not to doom frail Man So strictly, but much more to pity inclin'd, He to appease thy wrath, and end the strife Of mercy and Justice in thy face discern'd, Regardless of the Bliss wherein hee sat Second to thee, offer'd himself to die For man's offence. O unexampl'd love, Love nowhere to be found less than Divine! Hail Son of God, Saviour of Men, thy Name Shall be the copious matter of my Song Henceforth, and never shall my Harp thy praise Forget, nor from thy Father's praise disjoin.

Let me now raise my song of glory. Heaven be praised for solitude. Let me be alone. Let me cast and throw away this veil of being, this cloud that changes with the least breath, night and day, and all night and all day. While I sat here I have been changing. I have watched the sky change. I have seen clouds cover the stars, then free the stars, then cover the stars again. Now I look at their changing no more. Now no one sees me and I change no more. Heaven be praised for solitude that has removed the pressure of the eye, the solicitation of the body, and all need of lies and phrases

What hope is here for modern rhyme To him, who turns a musing eye On songs, and deeds, and lives, that lie Foreshorten'd in the tract of time? These mortal lullabies of pain May bind a book, may line a box, May serve to curl a maiden's locks; Or when a thousand moons shall wane A man upon a stall may find, And, passing, turn the page that tells A grief, then changed to something else, Sung by a long-forgotten mind. But what of that? My darken'd ways Shall ring with music all the same; To breathe my loss is more than fame, To utter love more sweet than praise.

Hail to St. Aegolius Our Alma Mater. Hail, our song we raise in praise of thee Long in the memory of every loyal owl Thy splendid banner emblazoned be. Now to thy golden talons Homage we're bringing. Guiding symbol of our hopes and fears Hark to the cries of eternal praises ringing Long may we triumph in the coming years. - The Owls of St. Aegolius

I'm a peasant I'm the muzhik A pest you're destined to play the music And yes it's pleasant to say it's beauty I'm Indebted to rest respecting it truly

Be sure that your praise songs are numbered higher than your sorrowful dirges and your utmost hope, firmer than your woeful regrets. Be positive.

Oddly, I had never thought of myself as a feminist. I had been denounced by certain radical feminist collectives as a ‘lackey’ for men. That charge was based on my having written and sung two albums of songs that my female accusers claimed elevated and praised men. Resenting that label, I had joined the majority of black women in America in denouncing feminism… . The feminists were right. The value of my life had been obliterated as much by being female as by being black and poor. Racism and sexism in America were equal partners in my oppression.

Worship gatherings are not always spectacular, but they are always supernatural. And if a church looks for or works for the spectacular, she may miss the supernatural. If a person enters a gathering to be wowed with something impressive, with a style that fits him just right, with an order of service and song selection designed just the right way, that person may miss the supernatural presence of God. Worship is supernatural whenever people come hungry to respond, react, and receive from God for who He is and what He has done. A church worshipping as a Creature of the Word doesn't show up to perform or be entertained; she comes desperate and needy, thirsty for grace, receiving from the Lord and the body of Christ, and then gratefully receiving what she needs as she offers her praise-the only proper response to the God who saves us.

The Qu'ran is God's song, not ours, not even Muhammad's. To allow such a song to pass through one's body, however imperfectly, is to discover that the instrument is transformed by the music.

Flow gently, sweet Afton, amang thy green braes, Flow gently, I'll sing thee a song in thy praise; My Mary's asleep by thy murmuring stream, Flow gently, sweet Afton, disturb not her dream. Thou stock dove whose echo resounds thro' the glen, Ye wild whistly blackbirds in yon thorny den, Thou green crested lapwing thy screaming forbear, I charge you, disturb not my slumbering fair. How lofty, sweet Afton, thy neighboring hills, Far mark'd with the courses of clear winding rills; There daily I wander as noon rises high, My flocks and my Mary's sweet cot in my eye. How pleasant thy banks and green valleys below, Where, wild in the woodlands, the primroses blow; There oft, as mild evening weeps over the lea, The sweet-scented birk shades my Mary and me. Thy crystal stream, Afton, how lovely it glides, And winds by the cot where my Mary resides; How wanton thy waters her snowy feet lave, As, gathering sweet flowerets, she stems thy clear wave. Flow gently, sweet Afton, amang thy green braes, Flow gently, sweet river, the theme of my lays; My Mary's asleep by thy murmuring stream, Flow gently, sweet Afton, disturb not her dreams.

When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

In 30 years Christians will have baptized their picture of Christ. He won't be a nice, banal, meek, and bearded man with softly permed hair. Instead, he will fill our imaginations more solidly, more invasively , more unexpectedly. Christ will become That Man who changes people, someone who jumps off a bumper sticker and mediocre praise songs and into lives.

And in "Elbow Room" the cast sings the glories of westward expansion in the United States, which involved the murder of native peoples and the violent conquest of half of Mexico. Among the lines in the song is one that intones, "There were plenty of fights / To win land right / But the West was meant to be / It was our Manifest Destiny?" Let it suffice to say that happily belting out a tune in which one merrily praises genocide is always easier for those whose ancestors weren't on the receiving end of the deal.

It is more difficult to find the Creator in a barbecue sandwich than in your favorite Sunday-morning song, but when you do, when you begin to find Him in all the stuff of life, everything starts singing. Every moment breaks into song. Every breath becomes sacrifice, and the songs become sweetness. This is living praise.

Though he slay me, yet I will praise him," he began softly, his voice a little tremulous at first. "I will rise up in the morning with the dew and praise his name. He has given me a place to serve him, a name with which to be known. He has called me forth and made my heart race with the wind on the Downs, made me soar with the blackbird in the evening. So though he slay me, yet I will praise him. Though sorrows be my lot, yet I will sing. When my last tear has fallen I will take up my song again, I will praise his most glorious exalted name.

You may or may not make a million dollars in life, a song may not be sung in praise of you, monuments may not be erected in your name but promise me this: to live life fully, to give wholeheartedly, to do your best with what you have, to impact souls, to use your gifts and talents to serve humanity, to live, love and leave a legacy in your own way.

Ecstasy is orchestrating the body, into a beautiful song, that sings the praises of the heart and soul.

This Jesus of Nazereth without money and arms, conquered more millions than Alexander, Caeser, Muhammad and Napoleon; without science and learning, He shed more light on matters human and divine than all philosophers and scholars combined; without the eloquence of schools, He spoke such words of life as were never spoke before or since and produced effects which lie beyond the reach of orator poet; without writing a single line, He set more pens in motion and furnished themes for more sermons, orations, discussions, learned volumes, works of art and songs of praise than the whole army of great men of ancient and modern times.

The fervor and single-mindedness of this deification probably have no precedent in history. It's not like Duvalier or Assad passing the torch to the son and heir. It surpasses anything I have read about the Roman or Babylonian or even Pharaonic excesses. An estimated $2.68 billion was spent on ceremonies and monuments in the aftermath of Kim Il Sung's death. The concept is not that his son is his successor, but that his son is his reincarnation. North Korea has an equivalent of Mount Fuji—a mountain sacred to all Koreans. It's called Mount Paekdu, a beautiful peak with a deep blue lake, on the Chinese border. Here, according to the new mythology, Kim Jong Il was born on February 16, 1942. His birth was attended by a double rainbow and by songs of praise (in human voice) uttered by the local birds. In fact, in February 1942 his father and mother were hiding under Stalin's protection in the dank Russian city of Khabarovsk, but as with all miraculous births it's considered best not to allow the facts to get in the way of a good story.

The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired! He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that. Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall! They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.

I'm made mute by the virtue of decision And I choose most of your life goes on without me Oh the fear I've known That I might reap the praise of strangers and end up on my own All I've sown was a song But maybe I was wrong

Give my heart a voice to tell the world About my Savior— Give my soul a song That will ring out across the years, A song that sings Your boundless love In sunshine or in shadow, A psalm of praise for all my days, Through happiness or tears. B.J. Hoff

Jesus! it is the name which moves the harps of heaven to melody. Jesus! the life of all our joys. If there be one name more charming, more precious than another, it is this name. It is woven into the very warp and woof of our psalmody. Many of our hymns begin with it, and scarcely any, that are good for anything, end without it. It is the sum total of all delights. It is the music with which the bells of heaven ring; a song in a word; an ocean for comprehension, although a drop for brevity; a matchless oratorio in two syllables; a gathering up of the hallelujahs of eternity in five letters.

But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. TO be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving. TO rest at the noon hour and meditate on love's ecstacy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

The morning sun brings tender joy With happiness awakes the earth; The dew kissed flowers it's light employ Their petals open in new birth. The birds awake and all mankind Rejoices with songs they sing. God's creatures open heart and mind To Him their praises bring. Should not we, too, give thanks anew Greet joyfully each new born sun; Wash old sins clean with morning dew Give Praise to Him, The Holy One.

Let not my love be called idolatry, Nor my beloved as an idol show, Since all alike my songs and praises be To one, of one, still such, and ever so. Kind is my love to-day, to-morrow kind, Still constant in a wondrous excellence; Therefore my verse to constancy confined, One thing expressing, leaves out difference. Fair, kind, and true, is all my argument, Fair, kind, and true, varying to other words; And in this change is my invention spent, Three themes in one, which wondrous scope affords. Fair, kind, and true, have often lived alone, Which three till now, never kept seat in one.

WORSHIP IS …not just a song, it’s a way of life. It’s not just for musicians and good singers, it’s for everyone. It’s not just 20 minutes once a week. It’s an ongoing daily attitude that reminds us of His greatness and our dependency upon Him.

To where," added Leroy, "resides the answer to your question: why are we living? what is essential in life?" He looked hard at the lady. "The essential, in life, is to perpetuate life: it is childbirth, and what precedes it, coitus, and what precedes coitus, seduction, that is to say kisses, hair floating in the wind, silk underwear, well-cut brassieres, and everything else that makes people ready for coitus, for instance good chow - not fine cuisine, a superfluous thing no one appreciates anymore, but the chow everyone buys - and along with chow, defecation, because you know, my dear lady, my beautiful adored lady, you know what an important position the praise of toilet paper and diapers occupies in our profession. Toilet paper, diapers, detergents, chow. That is man's sacred circle, and our mission is not only to discover it, seize it, and map it but to make it beautiful, to transform it into song. Thanks to our influence, toilet paper is almost exclusively pink, and that is a highly edifying fact, which, my dear and anxious lady, I would recommend that you contemplate seriously.

Who, LORD, shall abide in Thy tabernacle? who shall dwell in Thy holy hill? He that beareth his own witness in every Thing, he that singeth his own Song in Thy praise, he that giveth not his own Words to his Neighbours mouth, nor taketh his neighbours Words as his own.

Now what has kept your leaves so green, Arbre Fée de Bourlemont? The children's tears! They brought each grief, And you did comfort them and cheer Their bruisèd hearts, and steal a tear That, healèd, rose a leaf. And what has built you up so strong, Arbre Fée de Bourlemont? The children's love! They've loved you long Ten hundred years, in sooth, They've nourished you with praise and song, And warmed your heart and kept it young— A thousand years of youth! Bide always green in our young hearts, Arbre Fée de Bourlemont! And we shall always youthful be, Not heeding Time his flight; And when, in exile wand'ring, we Shall fainting yearn for glimpse of thee, O, rise upon our sight!

She was silent; the great wings almost stopped moving; only a delicate stirring seemed to keep them aloft. "Listen, then," Mrs. Whatsit said. The resonant voice rose and the words seemed to be all around them so that Meg felt that she could almost reach out and touch them: "Sing unto the Lord a new song, and His praise from the end of the earth, ye that go down to the sea, and all that there is therein; the isles, and the inhabitants thereof. Let the wilderness and the cities thereof lift their voice; let the inhabitants of the rock sing, let them shout from the top of the mountains. Let them give glory unto the Lord!

Though all the world betrays thee, One sword, at least, thy rights shall guard, One faithful harp shall praise thee!

The perseverance of the saints is not primarily a theoretical problem but a confession of faith ... a song of praise to God's faithfulness and grace.

I heard a joke from a Prophet who said that most people think praise is three fast songs and worship is three slow songs.

Dawn. Another day is given us, R’hllor be praised.

I am thankful to Lord for His immeasurable blessing upon my life.

There is no moral to my song, I praise no right, I blame no wrong; I tell of things that I have seen, I show the man that I have been As simply as a poet can Who knows himself poet and man.

Song of praise: Be joyful and count your blessings.There are so many things to be thankful for; the gift of being alive, blessings of a new day to hope and dream, the gift of families, the gift of children, the gift of friends, gift of people who make you laugh and smiles, the gift of strangers who show you kindness,the gift of nature, gift of educators, gift of preachers and many more.

I sing to him that rests below, And, since the grasses round me wave, I take the grasses of the grave, And make them pipes whereon to blow. The traveller hears me now and then, And sometimes harshly will he speak: `This fellow would make weakness weak, And melt the waxen hearts of men.' Another answers, `Let him be, He loves to make parade of pain That with his piping he may gain The praise that comes to constancy.' A third is wroth: `Is this an hour For private sorrow's barren song, When more and more the people throng The chairs and thrones of civil power? 'A time to sicken and to swoon, When Science reaches forth her arms To feel from world to world, and charms Her secret from the latest moon?' Behold, ye speak an idle thing: Ye never knew the sacred dust: I do but sing because I must, And pipe but as the linnets sing: And one is glad; her note is gay, For now her little ones have ranged; And one is sad; her note is changed, Because her brood is stol'n away.

This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.

Now dumb is he who waked the world to speak, And voiceless hangs the world beside his bier, Our words are sobs, our cry or praise a tear: We are the smitten mortal, we the weak. We see a spirit on earth's loftiest peak Shine, and wing hence the way he makes more clear: See a great Tree of Life that never sere Dropped leaf for aught that age or storms might wreak; Such ending is not death: such living shows What wide illumination brightness sheds From one big heart,—to conquer man's old foes: The coward, and the tyrant, and the force Of all those weedy monsters raising heads When Song is muck from springs of turbid source. —G EORGE M EREDITH.

Ukipata matatizo kumbuka kwamba Yesu alipata matatizo pia, na kutokana na matatizo hayo mimi na wewe tulipata uhuru. Soma Biblia. Soma nyimbo katika kitabu cha Zaburi zinazomsifu Mungu katika kipindi cha matatizo. Funga na kuomba ukiamini kwamba mapenzi ya Mungu kwetu ni huru, yasiyokuwa na masharti yoyote. Toa msamaha kwa waliokukosea. Ni kitu cha muhimu kujilimbikizia imani katika kipindi cha amani, ili matatizo yakitokea usiweze kuyumba.

It is incomprehensible that he should want to have these futile people here, and still more incomprehensible that he should be able to sit and listen to them and their stupid chatter. I can understand that he may occasionally listen to poets reciting their verses; they can be regarded as buffoons such as are always kept at court. They laud the lofty purity of the human soul, great events and heroic feats, and there is nothing to be said against all that, particularly if their songs flatter him. Human beings need flattery; otherwise they do not fulfill their purpose, not even in their own eyes. And both the present and the past contain much that is beautiful and noble which, without due praise, would have been neither noble nor beautiful. Above all, they sing the praises of love, which is quite as it should be, for nothing else is in such need of transformation into something different. The ladies are filled with melancholy and their breasts heave with sighs; the men gaze vaguely and dreamily into space, for they all know what it is really like and realize that this must be an especially beautiful poem.

. . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me.

We can hear your voice We can hear it through the songs of praise We can hear it through the birds We can hear it through the wind We can hear your voice in our hearts We can hear your voice in our minds We can hear you through everyhing

When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.

Lord, we confess our numerous faults, How great our guilt has been! Foolish and vain were all our thoughts, And all our lives were sin. 2 But O, my soul, for ever praise, For ever love his Name, Who turns thy feet from dangerous ways Of folly, sin, and shame. 3 'Tis not by works of righteousness Which our own hands have done; But we are sav'd by sovereign grace Abounding thro' his Son. 4 'Tis from the mercy of our God That all our hopes begin; 'Tis by the water and the blood Our souls are wash'd from sin. 5 'Tis thro' the purchase of his death, Who hung upon the tree,

Yes, Phebe was herself now, and it showed in the change that came over her at the first note of music. No longer shy and silent, no longer the image of a handsome girl, but a blooming woman, alive and full of the eloquence her art gave her, as she laid her hands softly together, fixed her eye on the light, and just poured out her song as simply and joyfully as the lark does soaring toward the sun. "My faith, Alec! that's the sort of voice that wins a man's heart out of his breast!" exclaimed Uncle Mac, wiping his eyes after one of the plaintive ballads that never grow old. "So it would!" answered Dr. Alec, delightedly. "So it has," added Archie to himself; and he was right: for just at that moment he fell in love with Phebe. He actually did, and could fix the time almost to a second: for at a quarter past nine, he thought merely thought her a very charming young person; at twenty minutes past, he considered her the loveliest woman he ever beheld; at five and twenty minutes past, she was an angel singing his soul away; and at half after nine he was a lost man, floating over a delicious sea to that temporary heaven on earth where lovers usually land after the first rapturous plunge. If anyone had mentioned this astonishing fact, nobody would have believed it; nevertheless, it was quite true: and sober, business-like Archie suddenly discovered a fund of romance at the bottom of his hitherto well-conducted heart that amazed him. He was not quite clear what had happened to him at first, and sat about in a dazed sort of way; seeing, hearing, knowing nothing but Phebe: while the unconscious idol found something wanting in the cordial praise so modestly received, because Mr. Archie never said a word.

Father, thank You for hearing my cry from the pit. I receive Your grace today and stand on the solid ground of Your righteousness. Every time I think of how You rescued me, my mouth can’t help but sing Your praise. I love You and am so grateful for You. Let my whole life sing Your song. Amen!

Singing a worship song is not necessarily worship, and neither is writing a check. But when the heart engages in a meaningful way through a praise song or a hymn, it becomes more than just singing. And when the heart engages through a gift that matters, it becomes more than just writing a check.

Reading has a kernel to it, and the mere shed is little worth. In prayer there is such a thing as praying in prayer—a praying that is in the bowels of the prayer. So in praise there is a praising in song, an inward fire of intense devotion which is the life of the hallelujah. It is so in fasting: there is a fasting which is not fasting, and there is an inward fasting, a fasting of the soul, which is the soul of fasting. It is even so with the reading of the Scriptures. There is an interior reading, a kernel reading—a true and living reading of the Word. This is the soul of reading; and, if it be not there, the reading is a mechanical exercise, and profits nothing.

Adults need spiritual apprenticeships as much as their children do—and adults need them first. Group spiritual direction, covenant groups, practice in oral prayer, lay leadership in worship, singing hymns and praise songs—and of course, the formal practice of testimony itself—are congregational practices that give adults, and not just teenagers, opportunities to put faith into words.

Psalm 18 [David] sang to the LORD the words of this song when the LORD delivered him from the hand of all his enemies and from the hand of Saul. He said: 1 I love you, O LORD, my strength. 2 The LORD is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge. He is my shield and the horn of my salvation, my stronghold. 3 I call to the LORD, who is worthy of praise, and I am saved from my enemies.

I hummed love songs, silent love songs the words of which I’ve forgotten, sang to myself for nights on end, never tiring of praising my love in song, it was just as it ought to be and I dreamed the whole of Germany had exploded and just we two were lying, buried alive, somewhere in the last warmth of ashes, the air was used up and I gave her my last breath in one long kiss—that kind of stuff, I take nothing of it back, it was right and it was marvelous.

Sing to the LORD a new song,         his praise from the end of the earth,     you who go down to the sea, and all that fills it,         the coastlands and their inhabitants.     11 Let the desert and its cities lift up their voice,         the villages that Kedar inhabits;     let the habitants of Sela sing for joy,         let them shout from the top of the mountains.     12 Let them give glory to the LORD,         and declare his praise in the coastlands.

. . . It comes down to that urge to fascism to know what’s best for people, to know that some people are of the best and some people are of the worst; the urge to separate the good from the bad and to praise oneself; to decide what covers on what books people ought to read, what songs people ought to be moved by, what art they ought to make, an urge that makes art into a set of laws that take away your freedom rather than a kind of activity that creates freedom or reveals it. It all comes down to the notion that, in the end, there is a social explanation for art, which is to say an explanation of what kind of art you should be ashamed of and what kind of art you should be proud of. It’s the reduction of the mystery of art, where it comes from, where it goes…

Nearer, my God, to Thee. Nearer, my God, to Thee, Nearer to Thee! E'en though it be a cross That raiseth me: Still all my song shall be Nearer, my God! to Thee, Nearer to Thee. Though, like the wanderer, The sun gone down, Darkness be over me, My rest a stone; Yet in my dreams I'd be Nearer, my God, to Thee, Nearer to Thee. Then let the way appear Steps unto heaven; All that Thou sendest me In mercy given: Angels to beckon me Nearer, my God, to Thee, Nearer to Thee. Then with my waking thoughts Bright with Thy praise, Out of my stony griefs Bethel I'll raise; So by my woes to be Nearer, my God, to Thee, Nearer to Thee. Or if on joyful wing, Cleaving the sky, Sun, moon, and stars forgot, Upward I fly: Still all my song shall be, Nearer, my God, to Thee, Nearer to Thee.

Sunday's Best Times are tough for English babies Send the army and the navy Beat up strangers who talk funny Take their greasy foreign money Skin shop, red leather, hot line Be prepared for the engaged sign Bridal books, engagement rings And other wicked little things Chorus: Standing in your socks and vest Better get it off your chest Every day is just like the rest But Sunday's best Stylish slacks to suit your pocket Back supports and picture lockets Sleepy towns and sleeper trains To the dogs and down the drains Major roads and ladies smalls Hearts of oak and long trunk calls Continental interference At death's door with life insurance Chorus Sunday's best, Sunday's finest When your money's in the minus And you suffer from your shyness You can listen to us whiners Don't look now under the bed An arm, a leg and a severed head Read about the private lives The songs of praise, the readers' wives Listen to the decent people Though you treat them just like sheep Put them all in boots and khaki Blame it all upon the darkies

Rejoice in the LORD , O you righteous! For praise from the upright is beautiful. Praise the Lord . . . make melody to Him. . . . Sing to Him a new song.

If we could have regrets hereafter I think it would be that we did not do more than we did for Christ here below. In heaven they cannot feed Christ's poor, cannot teach the ignorant. They can extol him with songs of praise, but there are some things in which we have the preference over them: they cannot clothe the naked, or visit the sick, or speak words of cheer to those that are disconsolate.

if only i could sing,i'd sing a song that everybody could sing along,a song to praise you oh Lord

It is always beneficial to praise the Lord; it cheers the day and brightens the night; it lightens toil and softens sorrow; and over earthly gladness it sheds a sanctifying radiance which makes it less liable to blind us with its glare. Have we not something to sing about at this moment? Can we not weave a song out of our present joys, or our past deliverances, or our future hopes?

Prayers offered in faith and then followed by songs of thanksgiving, praise and worship are an expression of our faith and love for God. Joy results when you have faith in the greatness of God and his power to deliver and save you and others from adverse circumstances and enemies.

Well was it so ordered in the temple that the sacred chant never ceased: for evermore did the singers praise the Lord, whose mercy endureth for ever. As mercy did not cease to rule either by day or by night, so neither did music hush its holy ministry. My heart, there is a lesson sweetly taught to thee in the ceaseless song of Zion's temple, thou too art a constant debtor, and see thou to it that thy gratitude, like charity, never faileth.

Many of the psalms teach us how to sing the blues.  God provided those songs and prayers for us, because he knows we live in this kind of messy, broken world.  When we suffer and it doesn’t really matter how, sometimes it’s hard to find the right words.  We want to pray and speak to God, but we can’t get the words.  God gives us the right words, the perfect words, and he gives them in a form that speaks to the heart – in poetry that’s meant to be set to music.  When you suffer, let me encourage you to open your Bible or your Book of Praise to the psalms and use those prayers to speak the words you need.  Pray and let your gracious God give you the words.

I wrought me a lyric of fire and fear, And called on the world to heed — Till strong men blenched at my haggard face And shuddered, but would not read. So I stole me the gold of the mines of Joy And fashioned a conscious lie — And they gave me the wreath of the kings of Song And prayed that I might not die! (For the lie that I wrought was as old as the world And dear as the vision of Heaven — Of the crimson lure of a maiden's lips And the myth of a sin forgiven!) But my heart was sick, and my soul grew less, With the light of my failing days, Because I had lied to my Knowledge-God For the pottage of human praise. O I clung to the rim of the cliffs of Hell And called on an empty Name — Till there dropped the tears of a weeping Truth And saved my soul from the flame. So I hid my soul in a maiden's hair, And climbed to a clearer view — And I found I had lied to a lying God, And the myth I had sung - was true!

We do not need them. They would hinder rather than help our praise. Sing unto him. This is the sweetest and best music. No instrument like the human voice. What a degradation to supplant the intelligent song of the whole congregation by the theatrical prettiness of a quartet, bellows, and pipes! We might as well pray by machinery as praise by it.

All Praise to Thee, My God, This Night All praise to Thee, my God, this night For all the blessings of the light. Keep me, oh, keep me, King of kings, Beneath Thy own almighty wings. 2. Forgive me, Lord, for Thy dear Son, The ill that I this day have done That with the world, myself and Thee, I, ere I sleep, at peace may be. 3. Teach me to live that I may dread The grave as little as my bed. Teach me to die that so I may Rise glorious at the awe-ful Day. 4. Oh, may my soul on Thee repose, And may sweet sleep mine eyelids close, Sleep that shall me more vigorous make To serve my God when I awake. 5. When in the night I sleepless lie, My soul with heavenly thoughts supply; Let no ill dreams disturb my rest, No powers of darkness me molest. 6. Dull Sleep of Sense me to deprive, I am but half my time alive; Thy faithful Lovers, Lord, are griev'd, To lye so long of Thee bereav'd. 7. But though Sleep o'er my frailty Reigns Let it not hold me long in Chains; And now and then let lose my Heart, Till it an Hallelujah dart. 8. The faster Sleep the Senses binds, The more unfetter'd are our Minds; O may my Soul, from matter free, Thy loveliness unclouded see! 9. O when shall I in endless Day, Forever chase dark Sleep away, And Hymns with the Supernal Choir Incessant Sing and never tyre! 10. O may my Guardian while I sleep Close to my Bed his Vigils keep, His Love Angelical instill, Stop all the Avenues of Ill. 11. May he Celestial Joys rehearse, And thought to thought with me converse Or in my stead all the Night long, Sing to my God a Grateful Song. 12. Praise God, from whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host: Praise Father, Son, and Holy Ghost.

He put a new song in my mouth, a hymn of praise to our God. Many will see and fear, and put their trust in the LORD. Psalm 40:3