“
Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room.
Wylan laid his hand on Jesper’s shoulder. “Stop.”
Jesper didn’t know if he wanted to jerk away or pull him closer.
“Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady.
Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled.
“Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer.
This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.
Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Like after a prairie fire...It seems like the end of the world. The earth is all scorched and black and everything green is gone. But after the burning, the soil is richer, and new things can grow....People are like that, too, you know. They start over. They find a way.
”
”
Celeste Ng (Little Fires Everywhere)
“
This was the kiss he'd been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker's Wheel. Jesper felt the pounding of his heart - or was it Wylan's? - like a stampede in his chest.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer.
This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.
Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
She was never overcome by drabness or squalor. She never glamorized anything; yet she saw the loveliness in everything.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
The drag queen walks into a Catholic church as the priest is coming down the aisle swinging the incense pot. And he says to the priest, “Oh, honey, I love your dress, but did you know your handbag’s on fire?
”
”
Garrison Keillor (A Prairie Home Companion Pretty Good Joke Book)
“
It is still best to be honest and truthful; to make the most of what we have; to be happy with simple pleasures and to be cheerful and have courage when things go wrong.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
His most remarkable gift, as Laura saw it, was a deep and profound contentment with what he had.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Rose once jotted down a quotation she attributed to her mother: “I don’t know which is more heartbreaking, a dream un[ful]filled or a dream realized.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
GRASS
The grass is spreading out across the plain,
Each year, it dies, then flourishes again.
It's burnt but not destroyed by prairie fires,
When spring winds blow they bring it back to life.
Afar, its scent invades the ancient road,
Its emerald green overruns the ruined town.
Again I see my noble friend depart,
I find I'm crowded full of parting's feelings.
”
”
Bai Juyi
“
The husband has the right to avenge himself if his wife is unfaithful. The village has known for many moons that White Eagle planned to steal Prairie Flower away from Howling Wolf. Howling Wolf has learned of this and punished his wife.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
A crimson fire that vanquishes the stars;A pungent odor from the dusty sage;A sudden stirring of the huddled herds;A breaking of the distant table-landsThrough purple mists ascending, and the flareOf water ditches silver in the light;A swift, bright lance hurled low across the world;A sudden sickness for the hills of home.
”
”
Willa Cather (April Twilights: and Other Poems (The Collected Works of Willa Cather))
“
He knew by heart every individual clump of bunch grass in the miles of red shaggy prairie that stretched before his cabin. He knew it in all the deceitful loveliness of its early summer, in all the bitter barrenness of its autumn. He had seen it smitten by all the plagues of Egypt. He had seen it parched by drought, and sogged by rain, beaten by hail, and swept by fire, and in the grasshopper years he had seen it eaten as bare and clean as bones that the vultures have left. After the great fires he had seen it stretch for miles and miles, black and smoking as the floor of hell.
”
”
Willa Cather (The Troll Garden and Selected Stories)
“
At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, ‘Come down to the water.’ It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After the extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look, I see fire: that which isn’t flint is tinder, and the whole world sparks and flames.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Jesper's mind emptied. He wasn't thinking of what had happened before or what might happen next. There was only the reality of Wylan's mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he'd been waiting for. It was a gunshot. It was a prairie fire. It was the spin of Makker's Wheel. Jesper felt the pounding of his heart--or was it Wylan's?--like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Like after a prairie fire. I saw one, years ago, when we were in Nebraska. It seems like the end of the world. The earth is all scorched and black and everything green is gone. But after the burning the soil is richer, and new things can grow.” She held Izzy at arm’s length, wiped her cheek with a fingertip, smoothed her hair one last time. “People are like that, too, you know. They start over. They find a way.
”
”
Celeste Ng (Little Fires Everywhere)
“
Now he [Rattler] was staring at Prairie with an intensity you could light fires with. And she stared back. There was something between them, all right, something cracking with tension and danger, something almost ... alive.
”
”
Sophie Littlefield (Banished (Banished, #1))
“
I was myself drawn along a path that was just as hypothetical, but it had become a matter of indifference to me whether or not I reached my destination: basically, what I wanted to do was to continue to travel with Fox across the prairies and mountains, to experience the awakenings, the baths in a freezing river, the minutes spent drying in the sun, the evenings spent around the fire in the starlight. I had attained innocence, in an absolute and nonconflictual state, I no longer had any plan, nor any objective, and my individuality dissolved into an indefinite series of days; I was happy.
”
”
Michel Houellebecq (The Possibility of an Island)
“
The Plains, Willa Cather wrote years later, are “the happiness and the curse of my life.”104
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Houses are real, deep, emotional things.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Nothing is certain, but if nothing is certain, how can we be certain that nothing is certain?
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Before you get snobby, remember that the Hero of Kenosha looks like he was carrying a Palmetto State shitbox.
”
”
Clay Martin (Prairie Fire: Guidebook for Surviving Civil War 2)
“
This was the kiss he'd been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker's Wheel.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
VIRGIL HUNG UP and said to Stryker, “We started a prairie fire, boy. You’re gonna be a hero.” “Either that, or I’ll be a farmer again,
”
”
John Sandford (Dark Of The Moon (Virgil Flowers, #1))
“
The antiwar movement is a wild orgasm of anarchists sweeping across the country like a prairie fire.
”
”
Richard M. Nixon
“
Wilder’s “truth” was less a matter of fact than of her memories, feelings, and convictions. Her work was based on facts but not factual. It was historical fiction, not history. Its chronology, and certain incidents and characters, were invented, altered, and fictionalized.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion.
I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all.
The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
When the governor announced his “day of fasting, humiliation, and prayer to deliver the people from the locusts and to comfort those afflicted,” thousands were already fasting, whether they liked it or not.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
But as adults, we have come to see that her autobiographical novels were not only fictionalized but brilliantly edited, in a profound act of American myth-making and self-transformation. As unpublished manuscripts, letters, and documents have come to light, we have begun to apprehend the scope of her life, a story that needs to be fully told, in its historical context, as she lived it. That tale is different from the one she wrote. It is an adult story of poverty, struggle, and reinvention—a great American drama in three acts.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
For four centuries now, the American people have resigned themselves to natural disasters and acts of God: floods, prairie fires, blizzards, tornados, hurricanes, dust bowls, epidemics, academics, lawyers, and politicians.
”
”
Markham Shaw Pyle
“
Reason is imprisoned here, and passions run wild. Like the fires of the prairie, once lighted, they are at the mercy of every wind, and must burn, till they have consumed all that is combustible within their remorseless grasp.
”
”
Frederick Douglass (My Bondage and My Freedom)
“
The magic paper is absolutely not going to defend you. And you had best stop thinking it will. I hate that this is the state of things in 2020, but as we say in the business. Shit in one hand and hope in the other. See which one fills up faster.
”
”
Clay Martin (Prairie Fire: Guidebook for Surviving Civil War 2)
“
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground.
It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up.
She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground.
She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone.
She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself.
She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face.
To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
”
”
Pamela Todd (The Blind Faith Hotel)
“
In life, loss was the engine that set Wilder's fiction in motion. Exile propelled the powerful emotional current of the Little House books, an intensely felt nostalgia for people and places lost to her. That emotion was absent in "Free Land," relegating it to homesteading soap opera. Its loosely linked anecdotes were joined not by familial love but by Lane's, and the Post's, ideology.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
I can’t wait till tomorrow,” he said, backing me against the door of my car, his lips moving toward my neck. Every nerve receptor in my body simultaneously fired as his strong hands gripped the small of my back; my hands pulled him closer and closer.
We kissed and kissed some more in the hotel parking lot, flirting dangerously with taking it a step--or five--further. Out-of-control prairie fires were breaking out inside my body; even my knees felt hot. I couldn’t believe this man, this Adonis who held me so completely and passionately in his arms, was actually mine. That in a mere twenty-four hours, I’d have him all to myself.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I was preparing your dress,Walks the Fire, but my son is impatient. He woke me this morning and said there was to be a feast today...for he would take you as his wife."
Prairie Flower interjected, "So you see, Walks the Fire,your heart sings when he is near,and his heart answers the song. You did not believe me, but it is true.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
He had seen the end of an era, the sunset of the pioneer. He had come upon it when already its glory was nearly spent. So in the buffalo times a traveller used to come upon the embers of a hunter's fire on the prairie, after the hunter was up and gone; the coals would be trampled out, but the ground was warm, and the flattened grass where he had slept and where his pony had grazed, told the story.
This was the very end of the road-making West; the men who had put plains and mountains under the iron harness were old; some were poor, and even the successful ones were hunting for a rest and a brief reprieve from death. It was already gone, that age; nothing could ever bring it back. The taste and smell and song of it, the visions those men had seen in the air and followed, - these he had caught in a kind of afterglow in their own faces, - and this would always be his.
”
”
Willa Cather (A Lost Lady)
“
We'll make leadplant tea instead of coffe.Just tell them it's imported." Jesse whispered.
"Mama,you taught me never to lie," LisBeth chided.
"Well,it is imported-from the prairie!
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
But the 1890s may also count as the first time in human history when market manipulation during a climate crisis crashed the world economy.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
During the darkest days, a saying took hold in Kansas: “there is no god west of Salina.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
The blond cornfields were red gold, the haystacks turned rosy and threw long shadows. The whole prairie was like a bush that burned with fire and was not consumed.
”
”
Willa Cather
“
Three weird sisters in an antifeminist trifecta, they each celebrated in their books the strapping male as a hero, and exhibited a striking dissociation from what was happening around the world.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
That was a cold, late spring. The dawns were chilly, and at noon the sunlight was cool. The trees unfolded their leaves slowly; the peas and beans, the carrots and corn, stood waiting for warmth and did not grow. When the rush of spring’s work was over, Almanzo had to go to school again. Only small children went to the spring term of school, and he wished he were old enough to stay home. He didn’t like to sit and study a book when there were so many interesting things to do. Father hauled the fleeces to the carding-machine in Malone, and brought home the soft, long rolls of wool, combed out straight and fine. Mother didn’t card her own wool any more, since there was a machine that did it on shares. But she dyed it. Alice and Eliza Jane were gathering roots and barks in the woods, and Royal was building huge bonfires in the yard. They boiled the roots and the bark in big caldrons over the fires, and they dipped the long skeins of wool thread that Mother had spun, and lifted them
”
”
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
“
He kissed her back with an intensity that might have frightened her, except she'd known, she had always known that there was a part of him that could kiss like that, like fire and lightning and open prairie.
”
”
Deborah Coates (Deep Down (Wide Open, #2))
“
After her first book was successful and she received pleas from children around the country to continue the story, she said, I began to think what a wonderful childhood I had had. How I had seen the whole frontier, the woods, the Indian country of the great plains, the frontier towns, the building of railroads in wild, unsettled country, homesteading and farmers coming in to take possession. I realized that I had seen and lived it all—all the successive phases of the frontier, first the frontiersman, then the pioneer, then the farmers and the towns. Then I understood that in my own life I represented a whole period of American history. That the frontier was gone, and agricultural settlements had taken its place when I married a farmer. It seemed to me that my childhood had been much richer and more interesting than that of children today, even with all the modern inventions and improvements.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
All to the north the rain had dragged black tendrils down from the thunderclouds like tracings of lampblack fallen in a beaker and in the night they could hear the drum of rain miles away on the prairie. They ascended through a rocky pass and lightning shaped out the distant
shivering mountains and lightning rang the stones about and tufts of blue fire clung to the horses like incandescent elementals that would not be driven off. Soft smelterlights advanced upon the metal of the harness, lights ran blue and liquid on the barrels of the guns. Mad jack-hares started and checked in the blue glare and high among those clanging crags jokin roehawks crouched in their feathers or cracked a yellow eye at the thunder underfoot.
”
”
Cormac McCarthy
“
Laura wanted Pa and Ma in the house. They seemed so far away outside.
Mary and Laura were good and lay still, but Carrie sat up and played by herself in the dark. In the dark Pa’s arm came from behind the quilt in the doorway and quietly took away his gun. Out by the camp fire the tin plates rattled. Then a knife scraped the spider. Ma and Pa were talking together and Laura smelled tobacco smoke.
The house was safe, but it did not feel safe because Pa’s gun was not over the door and there was no door; there was only the quilt.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
The day you took me as your wife, we promised, 'Wherever you go, I will go, and wherever you lodge, I will lodge; your people shall be my people, and your God, my God.' This promise was forever. I wish to be with Rides the Wind,among his people for all the time that God gives.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.'
Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.'
LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.'
Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink.
LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them.
I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.'
By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
”
”
Charles Portis (True Grit)
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
The image of Charles Ingalls that emerges from these unsettled early years contains elements of moral ambiguity missing from the portrait his daughter would one day so lovingly polish. Having avoided fighting in the Civil War, he was not above trying to profit from it. Like many in his time, he did not hesitate to put a young and growing family in harm’s way. If he did not know Hard Rope’s reputation, he should have. His dealings with Indians and implicit reliance on the government—to protect settlers from the consequences of their provocative actions and remove Indians from land he wanted—were self-serving. He was willing to press his advantage, to take something that did not belong to him if he thought he could get away with it. These were very different characteristics than the ones his daughter would choose to emphasize decades later. She would never refer to him in print as a “squatter.” But she knew he was.70
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
As Prairie Flower faced the rising sun and braided her hair,White Eagle strolled by. He had glanced her way many times. Today he stopped. "Howling Wolf did not come to check on his ponies this morning."
"He sleeps."
White Eagle smirked. He reached up to touch one of her braids. "If I had such a beautiful woman in my tepee, I would not sleep while she braids her own hair." He walked on without a backward glance. But Prairie Flower thought of him often that day.Each time his face appeared in her mind, she tried to force it away,but Howling Wolf's insolent smile was often replaced by the handsome face of White Eagle.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Look, Pa, look!” Laura said. “A wolf!”
Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him.
“It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass.
“A lynx?” said Ma.
“Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move.
“Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed.
The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again.
“Well, I’m beat!” Pa said.
“So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her.
Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired.
“No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him.
But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
The locust plague constituted the worst and most widespread natural disaster the country had ever seen, causing an estimated $200 million in damage to western agriculture (the equivalent of $116 billion today) and threatening millions of farmers in remote locations—far from social services in the cities—with starvation.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Walks the Fire is a good woman. She is white,but she has been among you for many years now.She was a good wife to Rides the Wind.She is a good mother to me.I remember your tales of how he hunted after she walked the fire to save Hears Not.When she was well, he held a banquet in her honor.You were all there to share his joy.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Often, if you want to write about women in history,” the novelist Hilary Mantel has said, “you have to distort history to do it, or substitute fantasy for facts; you have to pretend that individual women were more important than they were or that we know more about them than we do.”8 But when it comes to Wilder, we don’t have to pretend.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Across every inhabited continent, just as on the Great Plains, mass land clearing and wheat farming had led to significant drying, exhausting the soils and throwing fragile ecosystems out of whack. Combined with the market forces controlling distribution, human-caused climate change joined with natural weather patterns to wreak absolute havoc.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales.
He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one.
I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more.
I listened to them fade away till all I could hear was my memory of the sound.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
“
Remember,my son, that when you have such a friend it is a rare gift from the Father.Ever since that day, Wind has been my best friend." Rides the Wind paused and looked across the fire at Jesse. "Until,of course, I found a certain white woman on the prairie."
He stared at Jesse,who answered playfully, "My dear husband,what an honor it is to know that I rank above your horse.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
She concluded with a statement of her philosophy: “Running through all the stories, like a golden thread, is the same thought of the values of life. They were courage, self reliance, independence, integrity and helpfulness. Cheerfulness and humor were handmaids to courage.” Describing her parents’ travails, she wrote: When possible, they turned the bad into good. If not possible, they endured it. Neither they nor their neighbors begged for help. No other person, nor the government, owed them a living. They owed that to themselves and in some way they paid the debt. And they found their own way. Their old fashioned character values are worth as much today as they ever were to help us over the rough places. We need today courage, self reliance and integrity.107
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Scientists estimate that it took a thousand years for an inch of topsoil to accumulate on the arid high plains. It was the work of a moment to blow it away. Topsoil exposed by the disc plows turned to dust, and the dust began to eddy, roil, and lift on the wind. “Rolling dusters,” they were called, or “black blizzards.” There were fourteen of them in 1932. The year after that, thirty-eight.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
that path. He said he had seen it yesterday. “It’s some old trail,” he said. That night by the fire Laura asked again when she would see a papoose, but Pa didn’t know. He said you never saw Indians unless they wanted you to see them. He had seen Indians when he was a boy in New York State, but Laura never had. She knew they were wild men with red skins, and their hatchets were called tomahawks. Pa
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
Jesse slipped her arm beneath his head and clutched him to her.Her body began rocking slowly, and as she did so Rides the Wind lay still again. His chest rose,the nostrils flared,and with great effort,he whispered through clenched teeth, "I will come for you." Jesse wanted to cry out,to stop the words, to hold back his farewell.But she sat clutching him to her,rocking. "I will ask the Father.And I will come for you.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
This is nothing, Walks the Fire. My anger came when you would not speak of your sadness.I thought you longed for the whites,that you cared nothing for us,that you feared telling me.To have many sons would be a wonderful thing. I cannot lie about that.But if having many sons means I must take another woman, then I would choose no sons and keep Walks the Fire in my tepee.Your heart cries out for children....my heart cries out only for you,best-beloved.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
MacKenzie surveyed the nearly finished quilt. "What's the name of this pattern, Mrs. King?" he asked.
"Princess Feather," Jesse answered.
Taking LisBeth's hand in his own, MacKenzie asked, "Would it be presumptuous of me to ask if you had planned to add this quilt to LisBeth's hope chest?"
Jesse looked up at the couple and grinned. "I could be persuaded to do that. But only if I was assured that her future husband was a man worthy of sharing such a gift.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
You wouldn’t recognize this land back then. Over thousands of years, the plants and animals worked with wind and fire until the land was covered in a sea of grass that was home to many relatives. The bison gave us everything, from thadó, our meat, to our clothing and thípi hides. His dung fertilized the soil. The prairie dogs opened up tunnels that brought air and water deep into the earth. Grasses that were as tall as a man set long roots that could withstand drought. When my grandfather was a boy, he woke each morning to the song of the meadowlark. The prairie showed us for many generations how to live and work together as one family. “And then the settlers came with their plows and destroyed the prairie in a single lifetime,” my father said. What I remember most, now, is his voice shaking with rage, his tobacco-stained fingers trembling as they held a hand-rolled cigarette, the way he drew smoke deep into his lungs.
”
”
Diane Wilson (The Seed Keeper)
“
Wilder made history. Sealing her themes inside an unassailably innocent vessel, a novelistic Trojan horse for complex and ambiguous reactions to manifest destiny, wilderness, self-reliance, and changing views of women’s roles outside the home, her books have exercised more influence, across a wider segment of society, than the thesis of Frederick Jackson Turner, which held that American democracy was shaped by settlers conquering the frontier. Their place in our culture continues to evolve.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Weather patterns in the Pacific were not human-driven, but the futures market in Chicago was. The world had shifted so rapidly from subsistence agriculture to a market economy that price fluctuations sent ripples throughout the system, destabilizing entire regions. Traders could now set off starvation halfway across the world with the touch of a telegraph key, sucking up grain supplies in India or the Dakotas and sending them to Europe, where prices were high. It was the dawn of “price famines.”174
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Among the people, it is the custom for a new wife to make moccasins for the husband's mother. When the mother accepts the gift, she welcomes the new wife into the family."
Jesse blushed at the message her innocent gift had sent to the old woman. Rides the Wind watched Jesse carefully as he concluded, "My mother accepts the gift you have given. She says that she welcomes you as my wife."
His dark eyes met hers briefly, but then he picked up Two Mothers and said, "My son and I will say good night to Sun, now.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
At times, it seemed that the whole West was aflame. Later that summer, superheated air ignited the litter left by Minnesota loggers. It was a repetition of the firestorm that had enveloped Peshtigo twenty-three years earlier, when the Ingallses saw smoke from their little house in the Big Woods. This time, the Great Hinckley Fire consumed another entire town—burning more than 250,000 acres, killing between four hundred and eight hundred people, melting nails, and fusing the wheels of railcars to the tracks.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Rain follows the plow: that was the spurious premise behind such claims, put forward by successive presidents of the Union Pacific Railroad and at least one employee of Powell’s own agency.28 Powell’s report had refuted it, arguing that there was no scientific evidence for it.29 But climate falsifiers argued that a wet period during Dakota’s boom years proved the connection. Congress believed them, and the quack theory supplied a rationale for the Timber Culture Act. By reducing wind, trees were supposed to produce rain.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
IN THE DAWN there is a man progressing over the plain by means of holes which he is making in the ground. He uses an implement with two handles and he chucks it into the hole and he enkindles the stone in the hole with his steel hole by hole striking the fire out of the rock which God has put there. On the plain behind him are the wanderers in search of bones and those who do not search and they move haltingly in the light like mechanisms whose movements are monitored with escapement and pallet so that they appear restrained by a prudence or reflectiveness which has no inner reality and they cross in their progress one by one that track of holes that runs to the rim of the visible ground and which seems less the pursuit of some continuance than the verification of a principle, a validation of sequence and causality as if each round and perfect hole owed its existence to the one before it there on that prairie upon which are the bones and the gatherers of bones and those who do not gather. He strikes fire in the hole and draws out his steel. Then they all move on again.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Rose Wilder Lane, Ayn Rand, and Isabel Mary Paterson each published philosophical works early that year. Lane’s The Discovery of Freedom appeared in January 1943; Rand’s The Fountainhead followed in April; Paterson’s The God of the Machine came out in May. Three weird sisters in an antifeminist trifecta, they each celebrated in their books the strapping male as a hero, and exhibited a striking dissociation from what was happening around the world. Emphasizing free will as essential to liberty, the works laid the foundation for the libertarian political movement in the United States.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Critical or adoring scholars and readers might agree about one thing: the Little House books are not history. They are not, as Wilder and her daughter had claimed, true in every particular. Yet the truth about our history is in them. The truth about settlement, about homesteading, about farming is there, if we look for it—embedded in the novels’ conflicted, nostalgic portrayal of transient joys and satisfactions, their astonishing feats of survival and jarring acts of dispossession, their deep yearning for security. Anyone who would ask where we came from, and why, must reckon with them.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Rides the Wind stepped outside, and she heard him say, "You saw when Walks the Fire came to the village.I brought her on my pony as a warrior brings what he takes from his enemy. I brought her to care for the son of Dancing Waters.I brought her to teach me about the God who created all things.She has done this. She has saved Hears Not.She has earned a place among the people.Today I tell you she is no longer only the woman who tends the fire in the tepee. Mitawicu. I take this woman for wife."
There were murmurs of approval.
Rides the Wind continued, "I will hunt for many days.There will be a feast.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
What would you do if Ree became gravely ill?” Father Johnson asked Marlboro Man.
“Well, sir,” Marlboro Man replied, “I’d take care of her.”
“Who’s going to do the cooking in your household?”
Marlboro Man smiled. “Ree’s a great cook,” he answered. I sat up proudly in my chair, trying not to remember the Linguine with Clam Sauce and the Marinated Flank Steak and whatever other well-intentioned meals I’d massacred early in our relationship.
“What about the dishes?” Father Johnson continued, channeling Gloria Steinem. “See yourself helping out there?”
Marlboro Man scratched his chin and paused. “Sure,” he said. “Honestly, these aren’t really things we’ve sat down and talked about.” His voice was kind. Polite.
I wanted to crawl in a hole. I wanted to have my gums scraped. I wanted to go fight that huge prairie fire from a while back. Anything would be better than this.
“Have you talked about how many children you’d like to have?”
“Yes, sir,” Marlboro Man said.
“And?” Father Johnson prodded.
“I’d like to have six or so,” Marlboro Man answered, a virile smile spreading across his face.
“And what about Ree?” Father Johnson asked.
“Well, she says she’d like to have one,” Marlboro Man said, looking at me and touching my knee. “But I’m workin’ on her.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
It is the way of the people," he responded again and again. "I will not interferre.Howling Wolf did what he thought would keep his wife."
Jesse was outraged, "And if I looked at another handsome brave,would Rides the Wind cut off my nose?"
Rides the Wind stared at her solemnly. "God's book has said that you must be faithful to me.We do not live as Howling Wolf and Prairie Flower." After a moment he added, "And if you were unfaithful to me, I would cut off your beautiful red hair, not your nose.For it is your hair that makes you beautiful."
Jesse refused to be distracted from the conversation. Finally,Rides the Wind became exasperated with her insistence. "Walks the Fire,it is enough," he almost shouted. "You say that Howling Wolf must be punished. He will bepunished. For all the days of his life he will have to look at the scar where he has hurt his wife.All the days of his life he will have to endure the sadness he has caused. And all the days of her life, Prairie Flower will remember when she was young and beautiful. White EAgle has left.It is over. We must pray for them, for they do not have God to help them. But I will not punish Howling Wolf for going what is his right among the Lakota. He will answer to God for what he has done. He does not have to answer to me.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Please,Talks a Lot," Jesse said persuasively. "You were his friend. You know he read the Book.He believed in the one God and his Son,Jesse. Please...I want to bury him as my people bury those they love." Tears began streaming down her cheeks again, but she wiped them away stubbornly. "Please," she repeated, "I cannot leave him to the birds.I cannot."
Talks a Lot came close and murmured, "But his spirit must be allowed to soar to the new hunting ground, Walks the Fire.The people will never understand."
"His spirit is already with the Father, Talks a Lot.That is what the book we read together teaches. I must do this last thing for Rides the Wind.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Baum then bought the Aberdeen Saturday Pioneer, becoming its editor, writer, and sole proprietor. He wrote most of the editorials, including one calling for the “total extirmination” of the Indians. “Why not annihilation?” he argued. “Their glory has fled, their spirit broken, their manhood effaced; better that they die than live the miserable wretches that they are.”182 That was his response to the death of Sitting Bull and to the 1890 massacre of several hundred men, women, and children at Wounded Knee Creek, which marked the end of the Indian wars that Little Crow had set in motion thirty years earlier. People were still worried about another Minnesota massacre.
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
He does not care for me. He brought me to the village to feed his child."
"He gave you Red Star."
Jesse denied its significance. "That was only so that I would not shame him."
"He brought many skins for a new tepee. He brought you elk skins for a new dress."
Jesse explained. "We needed those things because of the fire.All of the people needed new tepees, new clothing."
"He sits with you every evening outside the tepee."
"That is so I can read from the Book."
Prairie Flower grew impatient. "Walks the Fire! I tell you truth.Rides the Wind wishes you to be his wife.You know nothing of Lakota ways.I will tell you!"
Jesse started to protest, but Prairie Flower interrupted. "No! You listen! When a man wishes to show he wants a woman, he dresses in his finest clothing and comes to her outside her tepee.They sit and talk.He gives gifts to her parents. Not every custom is followed, because you are not a young Lakota woman. But I tell you, Rides the Wind cares for you.
After the fire, when Medicine Hawk came-when you were as one dying-you did not see him. I saw him. Rides the Wind did not eat. He did not sleep.He thought only of Walks the Fire.He hunted healing herbs.He hunted the elk for your dress.He took Two Mothers to Yellow Bird's tepee so that his cries would not disturb your rest.He trusted no one but Old One, and himself, and me to care for you.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Rides the Wind loved to tell stories and delighted in the myriad questions asked by his growing son.He shared legends that had been handed down through generations of Lakota, skillfully weaving God into them so that even Jesse and Old One listened, fascinated. A favorite became the story of a hunter who fell onto a cliff and escaped by tying himself to two grown eagles and flying off.Two Mothers' eyes would grow wide as Rides the Wind built up to the dramatic moment when the hunter stepped off the cliff with only the power of the eagles to save him.
"But it was not the power of the eagles that saved him," Rides the Wind would remind his son. "It was God who gave the eagles strength.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
We took the long way back toward his house and drove past the northernmost point of the ranch just as the sun was beginning to set. “That’s so pretty,” I exclaimed as I beheld the beauty of the sky.
Marlboro Man slowed to a stop and put his pickup in park. “It is, isn’t it?” he replied, looking over the land on which he’d grown up. He’d lived there since he was four days old, had worked there as a child, had learned how to be a rancher from his dad and grandfather and great-grandfather. He’d learned how to build fences and handle animals and extinguish prairie fires and raise cattle of all colors, shapes, and sizes. He’d helped bury his older brother in the family cemetery near his house, and he’d learned to pick up and go on in the face of unspeakable tragedy and sadness. This ranch was a part of him. His love for it was tangible.
We got out of the pickup and sat on the back, holding hands and watching every second of the magenta sunset as it slowly dissipated into the blackness underneath. The night was warm and perfectly still--so still we could hear each other breathing. And well after the sun finally dipped below the horizon and the sky grew dark, we stayed on the back of the pickup, hugging and kissing as if we hadn’t seen each other in ages. The passion I felt was immeasurable.
“I have something to tell you,” I said as the butterflies in my gut kicked into overdrive.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Pet raccoons, birth defects, hybrid corn, and a massive typhus outbreak: the first season was padded with distractions. It ended with a log-splitting competition, showing off Landon’s pectoral muscles to advantage. His chest would become a primary visual motif, as the television Charles Ingalls frequently found cause to remove his shirt, baring a clean-shaven and well-oiled expanse. As for Pa’s beard, Landon sloughed that off as well, a publicity release solemnly announcing that he “just did not look good” with facial hair.78 When Landon had starred as Little Joe Cartwright in Bonanza, his hindquarters had been a staple of the teen fan magazine Tiger Beat, so he wore no underwear under Pa’s tight trousers.79
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said."
As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee.
Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'"
Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation.
From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together.
The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on."
And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
The consequences enveloped the entire globe. During 1890 a strong La Niña ocean temperature anomaly developed, followed by two El Niño years, which warmed Pacific waters and upended normal weather patterns—causing floods in some places, drought in others. In India, monsoons failed, leading to widespread cattle deaths, locust plagues, and grain riots.172 In Russia, peasants had been pressured to clear huge areas for wheat, with the grain exported as a cash crop; overseers had walked away rich. But by 1891 and 1892, the land was exhausted. Drought, bad harvests, and bitter winters led vast numbers of peasants to burn the thatched roofs of their homes for fuel and eat “famine bread” made out of weeds. Typhus swept in to finish off the emaciated. Worldwide, millions died. It was, as one scholar put it, a “fin de siècle apocalypse.”173 Weather patterns in the
”
”
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
“
Returning from that task and a visit to a nearby tepee,his eyes twinkled with pride as he offered a tiny rawhide pouch full of elk's teeth to Jesse. She caught her breath.Only two teeth were saved from each elk,and to be able to decorate an entire dress with teeth would put her in a position of envy in the tribe. "How long have you been saving these?" she asked.
"I am a skillful hunter...it is nothing," came the proud reply. "I only had to get them back from Running Bear. He has been keeping them for me."
Jesse worked all afternoon to add the elks' teeth to her new dress.She scolded herself for her pridefulness, but when she and Rides the Wind attended the celebration,she could not contain her happiness at the admiring glances that came her way.Rides the Wind could not have said what made him prouder-the wife he believed to be beautiful or the brave son who had earned the name Soaring Eagle.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
He told stories to help Two Mothers overcome childish fear. "Now,my son, why do you fear the storm? It is only the warriors of thunder and lightning. When you are tempted to be afraid, remember that God tells the lightning where it may go.Pretend that the noise and the light are from two warriors called Thunder and Lightning. They ride beautiful, swift ponies and carry lightning in their hands.As they race the wind,their ponies' hooves strike the clouds.That is the thunder.When they throw their lightning sticks, it flashes brightly in the sky.When God says 'Enough!' the warriors ride down to the earth, bringing the rain to water their ponies."
"Have you ever seen the ponies, Father?"
"Once, when I was hunting in the Black Hills, I thought I caught a glimpse of them. But before Wind and I could catch them, they rose again into the sky, taking the thunder and lightning with them to another place.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Entreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God: Where thou diest, will I die, and there will I be buried."
When she had finished, Rides the Wind demanded that she repeat it.Three times he asked her to repeat the passage. Then, setting the Bible aside, he took her hands in his own and said, never taking his eyes from hers,
Where Walks the Fire goes,there will I go.
Where Walks the Fire lodges, there will I lodge.
Her people shall be my people.
Her God shall be my God.
Looking up,he said, "God who created all things.I thank you for sending Walks the Fire.I take her as my wife. I ask you to be pleased. You make all things.You make her heart sing for me.You make my heart answer back. You give your Son to die for us.We have no min-is-ter,but you know us.We are Lakota. We are husband and wife.We are yours.
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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The Ingallses had no way of knowing it, but the locust swarm descending upon them was the largest in recorded human history. It would become known as “Albert’s swarm”: in Nebraska, a meteorologist named Albert Child measured its flight for ten days in June, telegraphing for further information from east and west, noting wind speed and carefully calculating the extent of the cloud of insects. He startled himself with his conclusions: the swarm appeared to be 110 miles wide, 1,800 miles long, and a quarter to a half mile in depth. The wind was blowing at ten miles an hour, but the locusts were moving even faster, at fifteen. They covered 198,000 square miles, Child concluded, an area equal to the states of Connecticut, Delaware, Maine, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, and Vermont combined.49 “This is utterly incredible,” he wrote, “yet how can we put it aside?”50 The cloud consisted of some 3.5 trillion insects.
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Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
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Marlboro Man and I walked together to our vehicles--symbolically parked side by side in the hotel lot under a cluster of redbud trees. Sleepiness had definitely set in; my head fell on his shoulder as we walked. His ample arms gripped my waist reassuringly. And the second we reached my silver Camry, the temperature began to rise.
“I can’t wait till tomorrow,” he said, backing me against the door of my car, his lips moving toward my neck. Every nerve receptor in my body simultaneously fired as his strong hands gripped the small of my back; my hands pulled him closer and closer.
We kissed and kissed some more in the hotel parking lot, flirting dangerously with taking it a step--or five--further. Out-of-control prairie fires were breaking out inside my body; even my knees felt hot. I couldn’t believe this man, this Adonis who held me so completely and passionately in his arms, was actually mine. That in a mere twenty-four hours, I’d have him all to myself. It’s too good to be true, I thought as my right leg wrapped around his left and my fingers squeezed his chiseled bicep. It was as if I’d been locked inside a chocolate shop that also sold delicious chardonnay and french fries…and played Gone With the Wind and Joan Crawford movies all day long--and had been told “Have fun.” He was going to be my own private playground for the rest of my life. I almost felt guilty, like I was taking something away from the world.
It was so dark outside, I forgot where I was. I had no sense of geography or time or space, not even when he took my face in his hands and touched his forehead to mine, closing his eyes, as if to savor the powerful moment.
“I love you,” he whispered as I died right there on the spot. It wasn’t convenient, my dying the night before my wedding. I didn’t know how my mom was going to explain it to the florist. But she’d have to; I was totally done for.
I’d had half a glass of wine all evening but felt completely inebriated. When I finally arrived home, I had no idea how I’d gotten there. I was intoxicated--drunk on a cowboy. A cowboy who, in less than twenty-four hours, would become my husband.
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Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
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What is this strange touch?"
With a start, Jesse realized that Rides the Wind had awakened. He lay watching her closely.Feeling shy she pulled the buffalo robe up under her chin, answering softly, "My people say 'kiss.'"
"And who gives this 'kiss'?"
"Parents to children, husband to wife."
"Show me." As he said it he leaned toward her. Jesse obediently placed a kiss upon the wind-hardened cheek.
He kept his face near hers and the dark eyes searched hers.Then a knowing smile curled up the edges of his mouth. "When Marcus Whitman met with Running Bear and the traders,Rides the Wind was there.I saw many things.I saw this touch you call 'kiss' between man and woman.It was not here," he tapped his cheek, "but here." His finger indicated his mouth.
Jesse felt her face flush and wondered if the early morning light revealed her embarrassment. She assented, "Yes,for some it is so."
"Did Jesse King and Homer King touch in this ay?"
Jesse looked hard into the searching eyes.They returned her stare with honest interest. "My people do not speak of these things."
Rides the Wind was quiet for a moment, pondering her response. "If the white man speaks not of what is here," he laid a hand flat upon the tawny chest, "he must be very sad.
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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The stormy black sky had faded to dark gray, and in the distance white, billowing clouds blew across the prairie. They began racing one another, tossed by the wind, and the sun shining on them made them appear a brilliant white against the evening sky.
Memories crowded about her:a French trader with laughing eyes; a long ride into Fort Kearney; and somewhere, far back,a little mound of stones receding into the wide plain as a wagon rumbled away.Then he came, a Lakota brave, one with his snow white pony. They bounded together across the sky,and with each leap Jesse's heart fluttered.She stood on the prairie,her long red braides decorated with feathers, the part dusted with ochre. She raised a trembling hand in greeting, but he was gone.
Her hand fell back against the quilt, and Jesse saw the clouds again and realized it had only been a memory. She was an old woman,too tired to help with the supper,perhaps even too tired to be of use to Lisbeth.
The clouds outside came closer,and the old heart fluttered at the memory of a man who rode on the wind long ago.Now it seemed that the rode again across the sky,into the room.He raised one hand in greeting.
"I will ask the Father," he had said, "and I will come for you."
Jesse sat up in bed,her face alive with a new light.Rides the Wind smiled and reached out to sweep her up behind him.
And the Father said, "Come home.
The lines are fallen unto me in pleasant places;
yes,I have a goodly heritage.
Psalm 16:6
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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She told everything as quickly as she could, stringing sentences together the way she had when she was a little girl. By the end of the tale,she found herself defending her mother,angry at the world that made it necessary for her to explain.Impulsively, she grabbed a curry comb and began to brush Red Star's coat vigorously.She brushed for a long time,and tears began to blur her vision.She tried to resign herself to what seemed to be happening.Then a hand covered hers and squeezed affectionately. Mac took the curry comb away,and bent to kiss the back of her hand.
"So,Miss King,will you do me the honor of accompanying me to the social next Friday evening at the Congregational Church?"
Miss King embarrassed herself by saying yes! so loudly that the dozing horse in the stall next to Red Star jumped and kicked the side of his stall in fright.The two young people laughed, and MacKenzie lifted LisBeth into the air and swung her around in his arms.
Sick with apprehension,Jesse had been unable to remain alone for long.She returned to the kitchen to help Augustus with meal preparations, praying earnestly for LisBeth and MacKenzie while she worked.When the two young people burst through the kitchen door together,their happy smiles told the older women all they needed to know.
LisBeth was sobered when she saw her Mother. "Mother,I..."
Jesse held up a hand to stop her. "It's all right,LisBeth. I'm glad everything turned out.I've been praying for you both."
"Mother,all four of us know about Papa. Would you tell me a story about him while we make supper?"
The culprit never came forward, but at some time that evening, the first book-burning in the State of Nebraska took place. Francis Day's Memoirs of the Savage West found its way into Augusta's cook stove.
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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She looked at him defiantly, "I know I am not beautiful.I laughed at myself for thinking such impossible things."
Rides the Wind was quiet for so long that she wondered if her rush of words had overreached his abilities in English. But just when she started to question him,he turned his own face to the horizon so that she could view only his profile.
"When Rides the Wind was young, he danced about the fire like no other brave.It was then that Dancing Waters came to be his woman.She would watch, and her eyes danced with the flames. But one day Rides the Wind went to hunt.His pony fell and crushed his leg. Marcus Whitman fixed the leg, but it would not grow straight.Rides the Wind could dance no more. The fire died in the eyes of Dancing Waters." He encircled her with his arms before continuing. "Walks the Fire sees Rides the Wind when he walks like the wounded buffalo.She sees, but the fire does not die in her eyes.Beautiful is in here," he placed his hand over her heart. "So do not laugh when you think you are beautiful.Rides the Wind sees the fire in your eyes.And to him,you are beautiful."
Jesse reached for his hand,and, holding it palm up,she kissed it.
He growled, "...and so you give me more of the white man's ways."
In a moment of uncharacteristic abandon, Jesse stood on tip-toe and placed a less-than-chaste kiss upon the mouth of her husband.She smiled in spite of the resulting blush on her cheek, reaching up to tug childishly on his flowing hair.
Then,to his delight and amazement she spoke the Lakota words: "Mihigna-my husband-Walks the Fire is an obedient wife.If he wishes her to stop this strange touch,he must tell her.Walks the Fire will obey."
Rides the Wind took her hand, and they started back to the tepee.As they climbed the hill together he replied, "Many of the white man's ways must be forgotten to live among my people...but not all.
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?"
Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend."
Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..."
Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?"
Jesse shook her head.
Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons."
"Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water.
Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort.
"I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her.
Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman.
Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind."
Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk.
"I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual.
Still, she told herself, there is a perfectly good explanation for everything he has done.
Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question.
"How is it among the whites?How does a man gain a wife?"
Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully.
"He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms.
"But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota."
When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?"
"A man who belives in the Bible and teaches his people about God from the Bible."
"What if there is no minister and a man and a woman wish to be married?"
Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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Footsteps behind her in the dark startled her out of her misery. She automtically reached for her knife, but a familiar voice broke the stillness.
"The stars say it is not safe for women to be out alone." He did not sit down beside her, but waited for her to get up.
Jesse straightened her back, wiped away tears,and stayed seated. "I needed to be alone....away from...I needed to pray."
"Then I will leave you to your prayers." Something was gone from the well-known voice. Gentle concern had always been there for her.Where was it,now, when she needed it so much?
He had already turned to go.She knew he would not go far.He would wait out of sight, watching to see that she was safe.But she did not want him out of sight. "No,I am finished.I..." her voice wavered. "There is no answer to my prayers."
"There is always an answer.But the answer is not always what we want to hear."
The truth of the simple reply cut deep.The answer to her plea for children was no. She couldn't understand it.She didn't want to accept it.But for years, now,the answer had been there.She knew it,but she couldn't bear it.Tears welled fresh in her eyes.He couldn't see them.The dark offered protection and enabled Rides the WInd to speak his fears.
"I have had prayers too. I have prayed that you would learn to be happy among the Lakota.But you tell me of the white man's count of years.You talk of all the time that you have been here.I have not wanted to hear the answer to my prayers.The answer is no. I have prayed to know how to make the smile return to your face." The voice grew so quiet that she could barely hear the words, "Now I see that I cannot.You must tell me what you wish.Two Mothers is grown,now.You have done well among the people.You do not need to fear telling me that it is time for you to go.I am not like the others...I will not make you stay." He cleared his throat and forced the words out calmly. "The line of your people crossing the prairie never stops. We are a small band.We have tried to stay away from them.Now, I will take you to them.
”
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))