Pouch Quotes

We've searched our database for all the quotes and captions related to Pouch. Here they are! All 100 of them:

If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
By the way, when you finish the bottle of Crown Royal, you can still use the pouch to hold your broken dreams.
Jon Stewart
How true, how true" said the Sour Kangaroo, "And from now on, you know what I'm gonna do? I'm going to protect them with you!" And the Young Kangaroo in her pouch said "Me too!
Dr. Seuss
I should've known Gideon would spill. He's like a surrogate parent. Not like a stepfather, exactly - more like a godfather, or a sea horse who wants to stuff me into his pouch.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
How small the cosmos (a kangaroo's pouch would hold it), how paltry and puny in comparison to human consciousness, to a single individual recollection, and its expression in words!
Vladimir Nabokov (Speak, Memory)
After some time he felt for his pipe. It was not broken, and that was something. Then he felt for his pouch, and there was some tobacco in it, and that was something more. Then he felt for matches and he could not find any at all, and that shattered his hopes completely.
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
If it is a human thing to do to put something you want, because it's useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then the next day you probably do much the same again—if to do that is human, if that's what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.... [T]he proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us." —"The Carrier Bag Theory of Fiction
Ursula K. Le Guin (Dancing at the Edge of the World)
Durzo pulled out a gold Gunder from his pouch. Crowns Roth wins, Castles I lose. He flipped the coin. It bounced on the table and, impossibly, landed on edge. There´s always another choice, Kylar said.
Brent Weeks (The Way of Shadows (Night Angel, #1))
I can offer you water or, um, water. Some of the pouches have a slightly different font, so you can choose serif hydration or sans serif hydration.
Eliot Schrefer (The Darkness Outside Us)
And he will have a great aunt called Elinor who tells him there's a world not like this one. A world with neither fairies nor glass men, but with animals who carry their young in a pouch in front of their bellies, and birds with wings that beat so fast it sounds like the humming of a bumblebee, with carriages that drive along without any horses and pictures that move on their own accord... She will tell him that even the most powerful men don't carry swords in the other world, but there are much, much more terrible weapons there...She will even claim that the people there have built coaches that can fly...So the boy will think that perhaps he'll have to go alone one day, if he wants to see that world...Because it must be exciting in that other world, much more exciting than in his own...
Cornelia Funke (Inkdeath (Inkworld, #3))
A male frigate bird blows up a wild red pouch on his neck. He can keep it puffed up for hours. It is his way of impressing the girls.
Julie Murphy (Sea Birds (Weird, Wild, and Wonderful))
Sicarius, are you ready for a hike?” She faced him only to find he had armed himself—more so than usual. In addition to his daggers and throwing knives, he held two rifles, two pistols, two cargo belts laden with ammo pouches, and a bag of his smoke grenades. “Or a single-handed all-out assault on the forest?
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer
The disorientation of meeting one’s sagging contemporaries, memories of a younger face crashing into the reality of jowls, under-eye pouches, unexpected lines, and then the terrible realization that one probably looks just as old as they do. Do you remember when we were young and gorgeous? Clark wanted to ask. Do you remember when everything seemed limitless? Do you remember when it seemed impossible that you’d get famous and I’d get a PhD? But instead of saying any of this he wished his friend a happy birthday.
Emily St. John Mandel (Station Eleven)
During those nine pouched-up months, what do babies imagine? Gills, swamps, battlefields? To people in wombs, what is imagined and what is real must be one and the same.
David Mitchell (Number9Dream)
Place unopened pouch in warm water for 5-10 minutes. Unopened pouch may be laid on a warm surface. Lay unopened pouch in direct sunlight. Not much chance of that down here. Place unopened pouch inside you shirt, allow you body temperature to warm your MRE. I was surprised they left out: Place unopened pouch on ground and pee on it.
S.A. Bodeen (The Compound (The Compound, #1))
The joey, large-eyed and gangly in the way of almost all young animals, frisked about. He – she – it (Saskia couldn’t tell what sex) batted its front paws at its mother – who straightened from her feeding with a look of resigned patience to fend off the tiny fists before reaching out and enfolding the youngster in her arms. The joey melted into her embrace, touching its nose against her mouth. Saskia took several photos, letting out a small “oooh!” at the cuteness of the interaction. The youngster hopped away and leapt into the air with twists that could be for no other reason than the joy of doing them. Suddenly, it returned to the doe and, once again, interrupted her grazing by thrusting its head into her pouch.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
I'm something of a bastard on the best of days. And that day was hardly my best.' Jean-François's gaze roamed Gabriel, toe to crown. 'Nor this one, I fear?' Gabriel tapped an empty leather pouch at his belt. 'Behold the purse in which I keep my fucks for what you think of me.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
The pouches under his eyes were like purses that contained the smuggled memories of a disappointing life.
Graham Greene (A Burnt-Out Case)
If God meant for us to carry baggage around, he would have made our skin have little pouches like kangaroos. Or maybe he would have just made it so that each and every one of us were born with huge- ass shoulders to carry the load. Clearly, we weren’t made to carry the weight of the world, kinda makes you wonder why we do it anyway, huh?
Rachel Van Dyken (Toxic (Ruin, #2))
It calms me to think of blue as the color of death. I have long imagined death's approach as the swell of a wave - a towering wall of blue. You will drown, the world tells me, has always told me. You will descend into a blue underworld, blue with hungry ghosts, Krishna blue, the blue faces of the ones you loved. They all drowned, too. To take a breath of water: does the thought panic or excite you? If you are in love with red then you slit or shoot. If you are in love with blue you fill your pouch with stones good for sucking and head down to the river. Any river will do.
Maggie Nelson (Bluets)
Whoever had said in the guidebooks that the bum bag was a sensible device against theft had lied; no single item of dressware ever invented cried out "mug me" more than a pouch of zip-up plastic suspended by your groin.
Kate Griffin (The Midnight Mayor (Matthew Swift, #2))
We were small and thought we knew nothing Worth knowing. We thought words travelled the wires In the shiny pouches of raindrops, Each one seeded full with the light Of the sky, the gleam of the lines, and ourselves So infinitesimally scaled We could stream through the eye of a needle.
Seamus Heaney (Opened Ground: Selected Poems, 1966-1996)
Sea horses have complicated routines for courtship, and tend to mate under full moons, making musical sounds while doing so. They live in long-term monogamous partnerships. What is perhaps most unusual, though, is that it is the male sea horse that carries the young for up to six weeks. Males become properly "pregnant," not only carrying, but fertilizing and nourishing the developing eggs with fluid secretions. The image of males giving birth is perpetually mind-blowing: a turbid liquid bursts forth from the brood pouch, and like magic, minuscule but fully formed sea horses appear out of the cloud.
Jonathan Safran Foer (Eating Animals)
By ten o'clock she thought he might soon be ready to talk. He'd threatened, blustered, even tried to sweet-talk her. Then the bribery had begun. He'd let her live if she let him out immediately. He'd give her three horses, two sheep, and a cow. He'd give her a pouch of coin, three horses, two sheep, not just a cow but a milking cow, and set her up anywhere in England, if she would just leave his castle and not bother him again for the rest of his life. The only offer/threat that had perked her momentary interest was when he'd shouted that he was going to "toop her 'til her bonny legs fell off." She should be so lucky.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
In a seperate cloth pouch I found little bottles of shampoo and soap and a toothbrush and the like,as well as a tiny brown glass vial of perfumed oil. It smelled of violets and chocolate. Yeah,like I needed the zombies to find me any more delicious.That'd be like a cow wearing eau de gravy.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
On the outside, Oscar simply looked tired, no taller, no fatter, only the skin under his eyes, pouched from years of quiet desperation, had changed. Inside, he was in a world of hurt. He saw black flashes before his eyes. He saw himself falling through the air. He knew what he was turning into. He was turning into the worst kind of human on the planet: an old bitter dork. Saw himself at the Game Room, picking through the miniatures for the rest of his life. He didn't want this future but he couldn't see how it could be avoided, couldn't figure his way out of it. Fukú.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
The disorientation of meeting one’s sagging contemporaries, memories of a younger face crashing into the reality of jowls, under-eye pouches, unexpected lines, and then the terrible realization that one probably looks just as old as they do.
Emily St. John Mandel (Station Eleven)
That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.
Diane Ackerman (A Natural History of the Senses)
Be the best of anything you get into. If you want to be a whore, it's your life. Be a damn good one. Don't chippy at anything. Anything worth having is worth working for.' It was her version of Polonius' speech to Laertes. With that wisdom in my pouch, I was to go out and buy my future.
Maya Angelou (Gather Together in My Name)
Hearthstone bowed his head in gratitude. He stepped away from the dais, cradling his new pouch o’ power like it was a swaddled baby.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
You know what I wisht I had, Ma? A pouch like a 'possum, to tote things. --The Yearling
Marjorie Kinnan Rawlings
Ask any Ferrari, Porsche or Ray-Ban salesperson about their average customer and you will very likely hear that he is not, as the adverts would have us believe, a virile young footballer with shiny hair, a rippling six pack and a trouser pouch like a new punch bag. He is, in fact, a middle-aged bloke wearing more chins than he started life with and carrying the clear evidence of forty years of beer and pies slung across his midriff.
Richard Hammond (Or Is That Just Me?)
He has a superb groin. A silky pouch. A secret garden. The groin of a sire. I once saw just such a creamy, velvet groin on a male antelope.
Yury Olesha (Envy)
For the last time, it is a pouch, not a fanny pack. How come no one sees the difference?” “There is no difference. That’s why no one can see it.
K.F. Breene (Raised in Fire (Fire and Ice Trilogy, #2; Demon Days, Vampire Nights, #2))
The more specific you are about your resolution, the better your chance of sticking with it. Don’t just say, “I want to lose weight.” Say, “When my arm jiggles, I want it to look less like a pelican’s throat-pouch choking down a bass.
Colin Nissan
What every girl should know: Your vagina is disgusting. It smells like the underside of a kangaroo pouch and he doesn't want to touch you because of the grossness. But thankfully, NEW brand douche, perfected by a leading gynecologist, gently cleanses and refreshes, making you feel feminine and special. Because what's more special than a vage filled with vinegar and chemical daisies? Also available in SPICY CINNAMON TACO, for the girl adventurer.
Kelly Sue DeConnick (Bitch Planet, Vol. 1: Extraordinary Machine (Bitch Planet Collected Editions, #1))
Kolya kissed her wide eyebrows, her neck, every square centimeter of her nose. The parts she mentally amputated were the ones he most adored. Beneath the sheets they were pale and naked and they pouched their hands in the warmth between their stomachs. They pressed together with a need that is never satisfied because we can't trade atoms how hard we thrust. Our hearts may skip but our substance remains fixed. We're not gaseous no matter how we sit to cloud together inseparably. Nothing less would have satisfied Kolya, nothing less than obliterating himself in her was sufficient.
Anthony Marra (The Tsar of Love and Techno)
The power to tax, once conceded, has no limits; it continues until it destroys. I was not joking when I told them to dig into their own pouches. It may not be possible to do away with government – sometimes I think that government is an inescapable disease of human beings. But it may be possible to keep it small and starved and inoffensive – and can you think of a better way than by requiring the governors themselves to pay the costs of their antisocial hobby?
Robert A. Heinlein (The Moon is a Harsh Mistress)
His face looked almost as gray as his suit, and the pouches beneath his eyes looked like little bags for holding all the sadness that his head couldn't hold.
Phyllis Reynolds Naylor (The Grooming of Alice (Alice, #12))
That twat is a few syrup pouches shy of a waffle. You shouldn't trust anything she says.
Jessica McHugh (The Green Kangaroos)
I seek for myself the immunity of the diplomatic pouch.
Wayne Koestenbaum (My 1980s and Other Essays)
On days like today, even if I see something that would make a good picture, I don't take it out of my pouch. I take my time as I walk... here, between the sky above and the earth below... Its rhythm follows the pace of my steps. A song emerges from my parted lips. As I look around at the world, out from myself, I continue walking. But I carried on my strange song and dance all the way home. I never took out my camera.
Hitoshi Ashinano (ヨコハマ買い出し紀行 1 [Yokohama Kaidashi Kikou 1] (Record of a Yokohama Shopping Trip))
Do not make the mistake of assuming that because we’re women we’ll eventually want children. We aren’t kangaroos—this internal pouch isn’t one we all feel instinctively compelled to fill.
Sylvia D. Lucas (What Every Woman Wishes Modern Men Knew About Women)
What if she remembered the fortress wrong? What if she climbed up and the sun did not come out? What if it did, but it felt the same as any other sunrise? She could not risk tainting that precious memory. She clutched the locket around her neck, the one Radu had given her to replace her old leather pouch. Inside were the dusty remains of an evergreen sprig and a flower from these same mountains. She had carried them with her as talismans through the lands of her enemies. Now she was home, and still in the land of her enemies. She would climb that peak one day, soon. When it was all hers. She would come back, and she would rebuild the fortress to honor Wallachia.
Kiersten White (Now I Rise (And I Darken Series, #2))
I withdrew a small card from the pouch. The front of it was filled with lines of elegant, hand-lettered script. "What does it say?" Dad asked, leaning forward. "The Four Remembers of Life," I read. "Number one: Remember, you are unique. Number two: Remember, there is purpose to your life. Number three: Remember you are free to choose what you are and what you become. And number four: Remember, you are not alone.
Gerald N. Lund
Raimon was amused to see that the countess Carenza grew more beautiful by the day: her expression has softened and the pouches under her eyes had disappeared. She carried herself confidently, secure in the knowledge that she was fascinating to one pair of eyes at least.
Lisa Goldstein (The Sandman: Book of Dreams)
I am the kangaroo of love. Do you question it? You can take your skepticism and stuff it straight down my pouch.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
At sunrise of the third day, I saw the corpse’s chest begin to rise and fall and I heard the first intake of breath—a rasp like water being poured into a leather pouch.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
Sturdy swimmers afloat on water-couch Beneath the heavy bill their treasured pouch Fishes pray for them to fly far away Inland lakes toast to the Pelican’s day
Munia Khan
If I could, I'd dave whiffs of beautiful nights in a little pouch on my chest, the way the indians keep the scents of the prairie.
Iva Perkarkova (Truck Stop Rainbows)
An airplane crossed the sky, and she imagined its interior-people packed in rows like eggs in a carton, the chemical smell of the toilets, pretzels in foil pouches, cans hiss-popping open, black oval of night sky embedded in the rattling walls. How strange that something so drab, so confined, so stifling with sour exhalations and the fumes of indifferent machinery might be mistaken for a star.
Maggie Shipstead (Seating Arrangements)
Drualt cleared his throat and began the traditional stanzas from Drualt. They hadn’t been said at weddings in his day, naturally, but they’d been said in Bamarre for centuries now. “Drualt took Freya’s warm hand, Her strong hand, Her sword hand, And pressed it to his lips, Pressed it . . .” Drualt’s voice wavered. He pulled a handkerchief from the pouch at his waist and blew his nose. Then he began again.
Gail Carson Levine (The Two Princesses of Bamarre (The Two Princesses of Bamarre, #1))
Also, I have a pouch below my belly, whereas I’d always had a thin waist before. Now there’s this situation down there, low and grabbable. If it had a zipper, you could store stuff in there, like a fanny pack.
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
It was like hundreds of roads he'd driven over - no different - a stretch of tar, lusterless, scaley, humping toward the center. On both sides were telephone poles, tilted this way and that, up a little, down... Billboards - down farther an increasing clutter of them. Some road signs. A tottering barn in a waste field, the Mail Pouch ad half weathered away. Other fields. A large wood - almost leafless now - the bare branches netting darkly against the sky. Then down, where the road curved away, a big white farmhouse, trees on the lawn, neat fences - and above it all, way up, a television aerial, struck by the sun, shooting out bars of glare like neon. ("Thompson")
George A. Zorn (Shock!)
I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
Our stomach sits much higher in our abdomen than we think. It begins just below the left nipple and ends below the bottom of the ribcage on the right. Any pain felt farther down than this lopsided little pouch cannot be stomachache. Often, when people say they have stomach problems, the trouble is actually in the gut. The heart and the lungs sit on top of the stomach. This explains why we find it more difficult to breathe deeply after eating a lot.
Giulia Enders (Gut: The Inside Story of Our Body's Most Underrated Organ)
You would think that I'd be a bit more comfortable talking about sex, now that I'd had it and all. You would also think that at my age I would be able to successfully insert the straw into a Capri sun juice pouch. I was 0-2 there.
Cora Carmack (Keeping Her (Losing It, #1.5))
I wanted you to love me." "And do you think that love is a gift? Like a bauble, or a trinket? Something I can reach into a pouch and present to you?" "I gave all my love to you, years ago." "Did you? I did not realize... On reflection, while I cannot give you the thing itself, I could give you a dream of my love." "I already have that, my lord.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
She fumbled in her apron pocket for her tobacco pouch. “Has anyone got a light?” she inquired. A couple of actors produced bundles of matches. Nanny nodded, and put the pouch away. “Good,” she said. “Now, has anyone got any tobacco?
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches #2))
(One bag contained the Confederate flag and a pouch filled with Virginia soil. Georgiana intended to give birth with the flag draped symbolically above the bed and the soil placed underneath to ensure that the baby was a true Virginian.)
Amanda Foreman (A World on Fire: Britain's Crucial Role in the American Civil War)
The disorientation of meeting one’s sagging contemporaries, memories of a younger face crashing into the reality of jowls, under-eye pouches, unexpected lines, and then the terrible realization that one probably looks just as old as they do. Do you remember when we were young and gorgeous? Clark wanted to ask. Do you remember when everything seemed limitless?
Emily St. John Mandel (Station Eleven)
Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion. I
Bram Stoker (Dracula)
The dead man's companions at the counter started to their feet, but halted as Voynod with great aplomb turned to face them. "Take care, you dunghill cocks! Notice the fate of your fellow! He died by the power of my magic blade, which is of inexorable metal and cuts rock and steel like butter. Behold!" And Voynod struck out at a pillar. The blade, striking an iron bracket, broke into a dozen pieces. Voynod stood non-plussed, but the bravo's companions surged forward. "What then of your magic blade? Our blades are ordinary steel but bite deep!" And in a moment Voynod was cut to bits. The bravos now turned upon Cugel. "What of you? Do you wish to share the fate of your comrade?" "By no means!" stated Cugel. "This man was but my servant, carrying my pouch. I am a magician; observe this tube! I will project blue concentrate at the first man to threaten me!" The bravos shrugged and turned away. Cugel secured Voynod's pouch, then gestured to the landlord. "Be so good as to remove these corpses; then bring a further mug of spiced wine.
Jack Vance (The Eyes of the Overworld (The Dying Earth, #2))
The silver-haired elf woman Yaela had knelt by the side of the grave, taken an acorn from the pouch on her belt, and planted it directly above Wyrden’s chest. And then the twelve elves, Arya included, sang to the acorn, which took root and sprouted and grew twining upward, reaching and grasping toward the sky like a clutch of hands. When the elves had finished, the leafy oak stood twenty feet high, with long strings of green flowers at the end of every branch. Eragon had thought it was the nicest burial he had ever attended.
Christopher Paolini (Inheritance (Inheritance, #4))
Fate wasn't destiny. Destiny was the assorted pieces of ourselves tied up in a cloth pouch that we hung on a stick and slung over our shoulder like a hobo. Fate was what we did with those pieces when we unpacked that pouch and chose which pieces we reached for and which ones we hid away.
Sonali Dev (A Distant Heart (Bollywood, #4))
JOHNNA: When a Cheyenne baby is born, their umbilical cord is dried and sewn into this pouch. Turtles for girls, lizards for boys. And we wear it for the rest of our lives. JEAN: Wow. JOHNNA: Because if we lose it, our souls belong nowhere and after we die our souls will walk the Earth looking for where we belong.
Tracy Letts (August: Osage County (TCG Edition))
So we climb," Meg announced. "Hello?" I said miserably. "Paralysed former god here." Grover grimaced at Meg. "Duct tape?" "Duct tape," she agreed. May the gods defend me from heroes with duct tape. And heroes always seem to have duct tape. Meg produced a roll from a pouch on her gardening belt. She propped me into a sitting position, back-to-back with Grover, then proceeded to loop tape under our armpits, binding me to the satyr as if I were a hiking pack. With Meg's help, Grover staggered to his feet, jostling me around so I got random views of the walls, the floor, Meg's face and my own paralysed legs manspreading beneath me.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
He unwrapped his pack and the first thing he did was to count his matches.  There were sixty-seven.  He counted them three times to make sure.  He divided them into several portions, wrapping them in oil paper, disposing of one bunch in his empty tobacco pouch, of another bunch in the inside band of his battered hat, of a third bunch under his shirt on the chest.  This accomplished, a panic came upon him, and he unwrapped them all and counted them again.  There were still sixty-seven. He
Jack London (Love of Life and Other Stories)
His hand reached for his throat, fumbling for the small leather pouch he always wore about his neck. Inside he kept the bones of the four fingers his king had shortened for him, on the day he made Davos a knight. My luck. His shortened fingers patted at his chest, groping, finding nothing. The pouch was gone, and the fingerbones with them. Stannis could never understand why he’d kept the bones. “To remind me of my king’s justice,” he whispered through cracked lips. But now they were gone.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Every morning Mrs Eglantine sat at the round bamboo bar of the New Pacific Hotel and drank her breakfast. This consisted of two quick large brandies, followed by several slower ones. By noon breakfast had become lunch and by two o'clock the pouches under and above Mrs Eglantine's bleared blue eyes began to look like large puffed pink prawns.
H.E. Bates (Seven by Five)
He polished the mud off the coin—little enough even if gold—and pulled out his own purse. Now there was an empty bladder. He dropped the thin disk of metal into the leather mouth and stared down at its lonely glint. He sighed and tucked the pouch away. Now he had a hope for bandits to steal again. Now he had a reason to fear. He reflected on his new burden, so great for its weight,
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
She say Fon people keep a spirit tree and it always be a Baybob. Your granny-mauma wrapped the trunk with thread she begged and stole. She took me out there and say, 'We gon put our spirits in the tree so they safe from harm.' We kneel on her quilt from Africa, nothing but a shred now, and we give our spirits to the tree. She say our spirits live in the tree with the birds, learning to fly. She told me, 'If you leave this place, go get your spirit and take it with you.' We used to gather up leaves and twigs from round the tree and stick 'me in pouches to wear at our necks.
Sue Monk Kidd (The Invention of Wings)
I took the thin magazine from the pouch in front of me and began to thumb through it. I felt self-conscious, as if I shouldn't be there. My mind began to wander, as I knew it would, back to the boonies. I was on patrol again. Monaco was on point. Peewee and Walowick followed him. Lobel and Brunner were next, then Johnson, the sixty cradled in his arm as if it were a child. We were walking the boonies, past rice paddies, toward yet another hill. I was in the rear, and for some reason I turned back. Behind me, trailing the platoon, were the others. Brew, Jenkins, Sergeant Dongan, Turner, and Lewis, the new guys, and Lieutenant Carroll. I knew I was mixing my prayers, but it didn't matter. I just wanted God to care for them, to keep them whole. I knew they were thinking about me and Peewee.
Walter Dean Myers
There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark irongrey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion.
Bram Stoker (Dracula)
An idea once seized, I fell to work. "Human Justice" rushed before me in novel guise, a red, random beldame, with a rms akimbo. I saw her in her house, the den of confusion: servants called to her for orders or help which she did not give; beggars stood at her door waiting and starving unnoticed; a swarm of children, sick and quarrelsome, crawled round her feet, and yelled in her ears appeals for notice, sympathy, cure, redress. The honest woman cared for none of these things. She had a warm seat of her own by the fire, she had her own solace in a short black pipe, and a bottle of Mrs. Sweeny's soothing syrup; she smoked and she sipped, and she enjoyed her paradise; and whenever a cry of the suffering souls about her 'pierced her ears too keenly--my jolly dame seized the poker or the hearth-brush: if the offender was weak, wronged, and sickly, she effectually settled him: if he was strong, lively, and violent, she only menaced, then plunged her hand in her deep pouch, and flung a liberal shower of sugar-plums.
Charlotte Brontë (Villette)
Sevro does not want to go without me. He does not understand why Cassius needs his help to mop up the remainders of Diana. I tell him the truth. “Cassius has a pouch in his boot, the one Lilath gave him. I need you to steal it.” His eyes do not judge. Not even now. There are times when I wonder what I did to earn such loyalty, then others when I try not to press my luck by looking the gift horse in the mouth. That
Pierce Brown (Red Rising (Red Rising Saga, #1))
It’s my earliest memory: arranging my brother’s marbles into words. It is summer, and I am beneath the oak that stands in the back corner of the work yard. Thomas, ten, whom I love above all the others, has taught me nine words: SARAH, GIRL, BOY, GO, STOP, JUMP, RUN, UP, DOWN. He has written them on a parchment and given me a pouch of forty-eight glass marbles with which to spell them out, enough to shape two words at a time.
Sue Monk Kidd (The Invention of Wings)
Tis solace making baubles, ay, and sport. Himself peeped late, eyed Prosper at his books Careless and lofty, lord now of the isle: Vexed, 'stitched a book of broad leaves, arrow-shaped, Wrote thereon, he knows what, prodigious words; Has peeled a wand and called it by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock and calls him Caliban; A bitter heart that bides its time and bites.
Robert Browning
Life before death,” Teft said, wagging a finger at Kaladin. “The Radiant seeks to defend life, always. He never kills unnecessarily, and never risks his own life for frivolous reasons. Living is harder than dying. The Radiant’s duty is to live. “Strength before weakness. All men are weak at some time in their lives. The Radiant protects those who are weak, and uses his strength for others. Strength does not make one capable of rule; it makes one capable of service.” Teft picked up spheres, putting them in his pouch. He held the last one for a second, then tucked it away too. “Journey before destination. There are always several ways to achieve a goal. Failure is preferable to winning through unjust means. Protecting ten innocents is not worth killing one. In the end, all men die. How you lived will be far more important to the Almighty than what you accomplished.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
And then I saw something which filled my very soul with horror. There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark iron-grey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion.
Bram Stoker (Dracula)
I raised the lid, and laid it back against the wall. And then I saw something which filled my very soul with horror. There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark iron-grey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion.
Bram Stoker (Dracula)
Witcher,’ Three Jackdaws suddenly said, ‘I want to ask you a question.’ ‘Ask it.’ ‘Why don’t you turn back?’ The Witcher looked at him in silence for a moment. ‘Do you really want to know?’ ‘Yes, I do,’ Three Jackdaws said, turning his face towards Geralt. ‘I’m riding with them because I’m a servile golem. Because I’m a wisp of oakum blown by the wind along the highway. Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.’ Three Jackdaws cleared his throat. ‘There’s a destination at the end of every road. Everybody has one. Even you, although you like to think you’re somehow different.’ ‘Now I’ll ask you a question.’ ‘Ask it.’ ‘Do you have a destination at the end of the road?’ ‘I do.’ ‘Lucky for you.’ ‘It is not a matter of luck, Geralt. It is a matter of what you believe in and what you serve. No one ought to know that better than… than a witcher.’ ‘I keep hearing about goals today,’ Geralt sighed. ‘Niedamir’s aim is to seize Malleore. Eyck of Denesle’s calling is to protect people from dragons. Dorregaray feels obligated to something quite the opposite. Yennefer, by virtue of certain changes which her body was subjected to, cannot fulfil her wishes and is terribly undecided. Dammit, only the Reavers and the dwarves don’t feel a calling, and simply want to line their pockets. Perhaps that’s why I’m so drawn to them?’ ‘You aren’t drawn to them, Geralt of Rivia. I’m neither blind nor deaf. It wasn’t at the sound of their name you pulled out that pouch. But I surmise…’ ‘There’s no need to surmise,’ the Witcher said, without anger. ‘I apologise.’ ‘There’s no need to apologise.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
SIR DANIEL was a large man, broad of shoulder...his eyes were rather small above the double pouches and the look they fixed on Dalgliesh gave nothing away. Looking at his bland, unrevealing face sparked off for Dalgliesh a childhood memory. A multi-millionaire, in an age when a million meant something, had been brought to dinner at the rectory by a local landowner who was one of his father's churchwardens. He too had been a big man, affable an easy guest. The fourteen-year-old Adam [Dalgliesh] had been disconcerted to discover during the dinner conversation that he was rather stupid. He had then learned that the ability to make a great deal of money in a particular way is a talent highly advantageous to it possessor and possibly beneficial to others, but implies no virtue, wisdom or intelligence beyond expertise in a lucrative field.
P.D. James
[According to 1348 theorists, poisoning of Christian water by Jews was the cause of Black Death.] Even the poison used to contaminate the Christian water supply was described in meticulous detail. It was "about the size of an egg," except when it was the "size of a nut" or a "large nut," "a fist" or "two fists"- and it came packaged in "a leather pouch," except when it was packaged in "linen cloth," "a rag," or a "paper coronet"; and the poison was variously made from lizards, frogs, and spiders- when it was not made from the hearts of Christians and from Holy Communion wafers.
John Kelly (The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague of All Time)
Germany no longer feels bound by the Locarno Treaty. In the interest of the primitive rights of its people to the security of their frontier and the safeguarding of their defence, the German Government has re-established, as from today, the absolute and unrestricted sovereignty of the Reich in the demilitarized zone!” Now the six hundred deputies, personal appointees all of Hitler, little men with big bodies and bulging necks and cropped hair and pouched bellies and brown uniforms and heavy boots, little men of clay in his fine hands, leap to their feet like automatons, their right arms upstretched in the Nazi salute, and scream Heils, the first two or three wildly, the next twenty-five in unison, like a college yell. Hitler raises his hand for silence. It comes slowly. Slowly the automatons sit down. Hitler now has them in his claws. He appears to sense it. He says in a deep, resonant voice: “Men of the German Reichstag!” The silence is utter.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time...the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014
Saijo Yaso
The streets were full of hurrying people who walked as though they had been wound up and were directed by some unseen control. Many of the men carried dispatch cases and brief cases and I gripped mine with a sense of importance. And here and there I saw Negroes who hurried along with leather pouches strapped to their wrists. They reminded me fleetingly of prisoners carrying their leg irons as they escaped from a chain gang. Yet they seemed aware of some self-importance, and I wished to stop one and ask him why he was chained to his pouch. Maybe they got paid well for this, maybe they were chained to money. Perhaps the man with rundown heels ahead of me was chained to a million dollars!
Ralph Ellison (Invisible Man)
It looks as though your shop is doing well,” Luka said, gazing around. “Could you help me find a gift for a lady friend of mine?” My heart plunged to my green satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a “lady friend.” She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. “Of c-course,” I stammered after a time. “What would she like? A gown? A sash?” If she came in for a fitting, I decided to “accidentally” poke her with every pin. “Hmm, well, she is wearing a lovely gown today,” he said. “Although no sash.” So. He’d already seen her today, and it was not yet noon. I rubbed Azarte’s ears furiously. “What color is her gown?” “It’s sort of green, with more green, and the design looks like stained glass windows,” he said. “It’s very beautiful, like her.” I stopped petting the dog and looked up at him, not sure what I was hearing. “Oh?” My heart thumped painfully. “Yes, so perhaps she doesn’t need a sash after all. No sense gilding the lily.” He gave a melancholy sigh. “But I really would love to give her a very special gift. I was hoping if I did, she might give me a kiss in return, instead of the brotherly hugs I always get instead.” I raised my eyebrows, trying for casual interest even though I could feel my pulse beating in the blood rushing to my cheeks. “I know!” Luka snapped his fingers. “Forget a sash. I’ll give her this!” And with a flourish, he pulled a roll of parchment from his belt pouch. More confused than ever, I unrolled the paper and read. It was a letter from a priest in the Southern Counties, addressed to King Caxel. In it the priest begged for a grant of money. They had recently built a large chapel, the finest that had ever been dedicated to the Triune Gods in that region, and it had only been completed the year before. “But we do need another grant from the crown,” the priest wrote. “For a most heinous act of vandalism has taken place. Our rose-glass window, which illuminates the Triple Altar in glorious colors pleasing to the gods, has been stolen. It was removed from its frame the night before last, and not a pane of it can be found.” “Shardas?” I looked up at Luka with my eyes brimming. “Shardas!” “I have a pair of horses waiting outside,” Luka said. “We can be at Feniul’s cave by nightfall.” I threw my arms around him again, and this time I gave him the kiss he’d been waiting for.
Jessica Day George (Dragon Slippers (Dragon Slippers, #1))
If, when he disappeared through his portal, he went to Faery, time moves differently there.” “That’s what V’lane said.” I emptied the cash drawer, counted the bills into stacks, then began punching in numbers on an adding machine. The store wasn’t computerized, which made bookkeeping a real pain in the neck. He gave me a look. “The two of you are getting downright chatty, aren’t you, Miss Lane? When did you last see him? What else did he tell you?” “I’m asking the questions tonight.” One day I was going to write a book: How to Dictate to a Dictator and Evade an Evader, subtitled How to Handle Jericho Barrons. He snorted. “If an illusion of control comforts you, Ms. Lane, by all means, cling to it.” “Jackass.” I gave him a look modeled on his own. He laughed, and I stared, then blinked and looked away. I finished rubber-banding the cash, put it in a leather pouch, and punched the final numbers in, running the day’s total. For a moment there he hadn’t looked dark, forbidding, and cold, but dark, forbidding, and . . . warm. In fact, when he’d laughed he’d looked . . . well . . . kind of hot. I grimaced. Obviously I’d eaten something bad for lunch.
Karen Marie Moning (Bloodfever (Fever, #2))
Always, during both the low points and high points in our lives, if we needed to escape, we went bush. We were so lucky to share a passion for wildlife experiences. Tasmania, the beautiful island state off the southern coast of Australia, became one of our favorite wildlife hot spots. We so loved Tassie’s unique wildlife and spectacular wilderness areas that we resolved to establish a conservation property there. Wes and Steve scouted the whole island (in between checking out the top secret Tasmanian surf spots), looking for just the right land for us to purchse. Part of our motivation was that we did not want to see the Tasmanian devil go the way of the thylacine, the extinct Tasmanian tiger. A bizarre-looking animal, it was shaped like a large log, with a tail and a pouch like a kangaroo. It had been pushed off of the Australian mainland (probably by the dingo) thousands of years ago, but it was still surviving in Tasmania into the 1930s. There exists some heartbreaking black-and-white film footage of the only remaining known Tassie tiger in 1936, as the last of the thylacines paces its enclosure. Watching the film is enough to make you rededicate your life to saving wildlife.
Terri Irwin (Steve & Me)
The room was small, lit by two naked bulbs in wall recesses, and bare of anything except for two solid wooden posts the height of a man and four feet apart. In each post, at just below shoulder height, was set a large iron ring. There were two other men already waiting, both leathermen. Len indicated each in turn. 'Rick and Sam.' The two men regarded Mike with arms folded. Rick was in his late twenties, a tall, blond biker, his hair hanging down well past his shoulders. Under his leather waistcoat he was bare-chested, his spare, pale flesh covered with tattoos of skulls, burning angels and other biker motifs, the twining reds, blues and blacks extending along both arms as well. He was wearing black leather gloves and impenetrable black shades. Shaven-headed Sam was older, shorter and stockier, built like a rugby player. A leather harness stretched across the barrel of his chest, its steel circlet buried in wiry hair. Through his leather chaps Mike could see a sizeable pouch, heavy with its contents.
Jack Stevens (Fellowship of Iron)
It didn’t get sick. Someone”—Iran cleared her throat and went on huskily—“someone came here, got the goat out of its cage, and dragged it to the edge of the roof.” “And pushed it off?” he said. “Yes.” She nodded. “Did you see who did it?” “I saw her very clearly,” Iran said. “Barbour was still up here fooling around; he came down to get me and we called the police, but by then the animal was dead and she had left. A small young-looking girl with dark hair and large black eyes, very thin. Wearing a long fish-scale coat. She had a mail-pouch purse. And she made no effort to keep us from seeing her. As if she didn’t care.” “No, she didn’t care,” he said. “Rachael wouldn’t give a damn if you saw her; she probably wanted you to, so I’d know who had done it.” He kissed her. “You’ve been waiting up here all this time?” “Only for half an hour. That’s when it happened; half an hour ago.” Iran, gently, kissed him back. “It’s so awful. So needless.” He turned toward his parked car, opened the door, and got in behind the wheel. “Not needless,” he said. “She had what seemed to her a reason.” An android reason, he thought.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
Claire Kohda (Woman, Eating)
He stroked the filly's neck, and she sniffed at the pouch on his belt, then turned her head away. "She wants to let me know she doesn't care that I've apples in here.No, doesn't matter a bit to her." He looped the line around the fence and took an apple and his knife from his pocket. Idly he cut it in half. "Maybe I'll just offer this token to this other pretty lady here." He held out the apple to Keeley, and Betty gave him a solid rap with her head that rammed him into the fence. "Now she wants my attention. Would you like some of this then?" He shifted, held the apple out. Betty nipped it from his palm with dignified delicacy. "She loves me." "She loves your apples," Keeley commented. "Oh,it's not just that. See here." Before Keeley could evade-could think to-he cupped a hand at the back of her neck, pulled her close and rubbed his lips provocatively over hers. Betty huffed out a breath and butted him. "You see?" Brian let his teeth graze lightly before he released Keeley. "Jealous.She doesn't care to have me give affection to another woman." "Next time kiss her and save yourself a bruise." "It was worth it.On both counts." "Horses are more easily charmed than women, Donnelly." She plucked the apple out of his hand, bit in. "I just like your apples," she told him, and strolled away. "That one's as contrary as you are." He nuzzled Betty's cheek as he watched Keeley walk to her stables. "What is it that makes me find contrary females so appealing?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Look, Ella..." He stared down at his hands, opening and closing his fists. I waited. I think we might have a little bit of a misunderstanding here... You're a nice girl and all,but... I really like you,but I don't really like you... The unmistakable notes of "Don't Stop Believin'," electronic version, suddenly filled my room, followed by the audible and visual treat of my phone vibrating its way across my desk toward Alex's hip. I flung myself on it. In a clear-headed moment, I would have just turned it off. As it was, I did manage a "Sorry!" to Alex before flipping it open/ "Are you dead?" Frankie demanded from the other end. "No." I edged away from Alex, who was very politely pretending to be interested in the biscotti. "Are you even sick?" "No," I admitted. "Of course not. Okay, I'm coming over." "No!" I cringed as Alex jumped a little. I took a breath. "God, no. Don't. It's wedding central here. Sienna will have you trying up birdseed in little purple pouches." There was a long pause. "You okay, Marino?" "Yeah," I managed. "Truth time.Where were you today?" Could I do it? Could I actually use the word cramps with Alex Bainbridge standing three feet away? I could only imagine how the actual truth would sound. Here, in bed, hiding because I thought I'd made the queen of all fools out of myself e-mailing Alex Bainbridge over the break, and I can't even tell you about it because I promised...But it's okay-or maybe not-because he's here now, in my bedroom. ust about to tell me I made the queen of all fools out of myself. Sure. Come on over.The two of you can bond over my idiocy.
Melissa Jensen (The Fine Art of Truth or Dare)
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))