Short Gardening Quotes

Girls can wear jeans and cut their hair short and wear shirts and boots because it's okay to be a boy; for girls it's like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.

Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?

She liked being reminded of butterflies. She remembered being six or seven and crying over the fates of the butterflies in her yard after learning that they lived for only a few days. Her mother had comforted her and told her not to be sad for the butterflies, that just because their lives were short didn't mean they were tragic. Watching them flying in the warm sun among the daisies in their garden, her mother had said to her, see, they have a beautiful life. Alice liked remembering that.

Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.

With a few flowers in my garden, half a dozen pictures and some books, I live without envy

My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.

Ah, well. Life's too short for moderation, wouldn't you say?

Ideas come at any moment -- except when you demand them. Most ideas come while I'm physically active, at the gym, with friends, gardening, so I always carry pen and paper. My first draft is always written in longhand. But once the first dozen chapters, more like short stories, are written, then momentum builds until I can't leave the project until it's done.

Nothing - really, absolutely nothing - says more about Victorian Britain and its capacity for brilliance than that the century's most daring and iconic building was entrusted to a gardener.

God must have known that, in the end, Adam and Eve would eat the apple and have to leave the Garden. But he had bigger plans for them and for the rest of humanity that requires a short stint here in our imperfect world. That is the only way for us to experience all of the joys, the sorrows, the failures, and the triumphs that come with being fully human.

Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!

Lipids are fats used as storage on call All humans require them; the short and the tall

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where St Mary Woolnoth kept the hours With a dead sound on the final stock of nine. There I saw one I knew, and stopped him crying: 'Stetson! You, who were with me in the ships at Mylae! That corpse you planted last year in your garden, Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed? Oh keep the Dog far hence, that's friend to men, Or with his nails he'll dig it up again! You! hypocrite lecteur!-mon semblable,-mon frere!

His spirit was warped by bitter vindictiveness and puerile self-commiseration, and he spent his days in scorn of the labour that brought him bread and in pitiful devotion to the labour that brought him only disappointment, writing interminable scores which demanded of the orchestra everything under heaven except melody.

Every flower holds the whole mystery in its short cycle, and in the garden we are never far away from death, the fertilizing, good, creative death.

Beautiful things are short-lived, he told me the first time we met. He made sure of that, and then he strove to give his Butterflies a strange breed of immortality

If God were to make a million lovely flowers in your image and plant them in a garden with you among them, I would still know you by your scent and by the feel of your petals and by the crazy way you lean towards my light whenever I draw near.

Whoo-eeee!” From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing. “Whoo-eeee!

My sole consolation when I went upstairs for the night was that Mamma would come in and kiss me after I was in bed. But this good night lasted for so short a time, she went down again so soon, that the moment in which I heard her climb the stairs, and then caught the sound of her garden dress of blue muslin, from which hung little tassels of plaited straw, rustling along the double-doored corridor, was for me a moment of the utmost pain; for it heralded the moment which was to follow it, when she would have left me and gone downstairs again.

Have a joke for me Tania," he says, "I could use a joke." "Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice. "A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and can’t get out. “Go back on the road and get help,” he tells her. “But I’m naked,” she says. He rummages around and pulls off his shoe. “Here, just put this between your legs to cover yourself.” She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. “Help me, Help me,” she sobs, “My boyfriend is stuck and I can’t get him out.” The Truck driver says, “Miss, if he’s that far in, I’m afraid he’s a goner.

If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.

Cure" is one of the most precious words in the English language. It's a short word. A clean and simple word. But it isn't so easy a thing as it sounds. There are questions like: How will this affect us in ten years? In twenty? What will it do to our children? Our children's children?

That’s what the mother of the gardener’s boy said,” remarked Teresa; “she wanted me to have it destroyed, but I pointed out to her that she had eleven children and I had only one elk. 

A rose will wilt in short time, but my garden is more vivacious for having one in it. Love is even more fragrant, but often just as fragile and fleeting, but I eagerly accept the joy of it now, knowing the cost is the pain of loss later.

It is easy to say I am thankful for the sweet and beautiful things in life: flower gardens, ice cream cones, diamond rings, dances under moonlight, children’s laughter, birdsongs, and the like. The challenge is recognizing things of value in the dark, sour, uglier parts of life. But if you look hard enough, you will find that even tough times offer pearls worthy of gratitude.

Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens.

I have lost people, though. It's strange when it happens. I don't actually lose them. Not in the way one loses one's parents, either as a small child, when you think you are holding your mother's hand in a crowd and then you look up, and it's not your mother... or later. When you have to find the words to describe them at a funeral service or a memorial, or when you are scattering ashes on a garden of flowers or into the sea.

...a new day was starting, the things of the garden were not concerned with our troubles. A blackbird ran across the rose-garden to the lawns in swift, short rushes, stopping now and again to stab at the earth with his yellow beak. A thrush, too, went about his business, and two stout, little wagtails, following one another, and a little cluster of twittering sparrows. A gull poised himself high in the air, silent and alone, and then spread his wings wide and swooped beyond the lawns to the woods and the Happy Valley. These things continued, our worries and anxieties had no power to alter them.

I happened to see Larry King interview Billy Graham shortly after the shootings at Columbine High School in Littleton, Colorado. I had read an article the previous month about violent video games and their effects on the minds of children, desensitizing them to the act of killing. Larry King asked Billy Graham what was wrong with the world, and how such a thing as Columbine could happen. I knew, because Billy Graham was an educated man, he had read the same article I had read, and I began calculating his answer for him, that violence begets violence, and that we live in a culture desensitized to the beauty of human life and the sanctity of creation. But Billy Graham did not blame video games. Billy Graham looked Larry King in the eye and said, 'Thousands of years ago, a young couple lived in a garden called Eden, and God placed a tree in the Garden and told them not to eat from the tree...' And I knew in my soul he was right.

I find writing novels a challenge, writing stories a joy. If writing novels is like planting a forest, then writing short stories is more like planting a garden.

I got through so much ink in the learning that the inkseller took to knocking at least once a week on the garden door. He had a gray solemn face that looked as if it was chiseled out of stone; he was stooped down like the letter C, as if he were Atlas carrying the weight of the world in his wooden barrel of ink. Maybe he did. I have learned that there is great power in words, no matter how long or short they be.

Anyone who has a garden, park or orchard tree has an opportunity to ensure that it offers protection, brings beauty and bears fruit for future generations. In short, every one of us should aspire to be a forester.

Forget-me-nots... She loved those flowers more than any other in their big beautiful garden or in the whole wide world for that matter. They were sky blue, just like his eyes, they held a promise... Forget me not.

with parenting there’s a long game and a short game. The aim of the short game is to make your children bearable to live with. Easy to transport. Well behaved in public places. In other words, to make your own life easier. And, yes, you can achieve that with punishments, with discipline, with a clip here and there. But the aim of the long game is to produce a good human being. And personally, I don’t believe that you need to play the short game in order to win the long game. I genuinely believe you can skip it. That it’s optional.

[The graffiti] had a sort of Christmassy look to it. The green paint tended to be short top to bottom but long front site to side. The red paint was fat and closed up. It sort of looked like garlands with red balls hanging down. There was even "Ho, ho, ho" if you skipped around a little and deleted an "e" on the last "ho". Our green painter had a limited vocabulary and occasionally mixed up a professional working woman with a garden implement.

Safe, safe, safe,” the heart of the house beats proudly. “Long years—” he sighs. “Again you found me.” “Here,” she murmurs, “sleeping; in the garden reading; laughing, rolling apples in the loft. Here we left our treasure—” Stooping, their light lifts the lids upon my eyes. “Safe! safe! safe!” the pulse of the house beats wildly. Waking, I cry “Oh, is this your buried treasure? The light in the heart.

Grace is the first ingredient necessary for growing up in the image of God. Grace is unbroken, uninterrupted, unearned, accepting relationship. It is the kind of relationship humanity had with God in the Garden of Eden. Adam and Eve were loved and provided for. They knew God’s truth, and they had perfect freedom to do God’s will. In short, they were secure; they had no shame and anxiety. They could be who they truly were. Perhaps you have experienced this kind of love and grace with someone. You can be exactly who you are. You do not need to hide your thoughts or feelings; you do not need to perform; you do not need to do anything to be loved. Someone knows the real you, and loves you anyway.

Granana doesn't understand what the big deal is. She didn't cry at Olivia's funeral, and I doubt she even remembers Olivia's name. Granana lost, like, ninety-two million kids in childbirth. All of her brothers died in the war. She survived the Depression by stealing radish bulbs from her neighbors' garden, and fishing the elms for pigeons. Dad likes to remind us of this in a grave voice, as if it explained her jaundiced pitilessness: "Boys. Your grandmother ate pigeons.

Her real passion in life was the perfection of a filing system beside which all other filing systems should sink into oblivion. She dreamed of such a system at night.

The average yard is both an ecological and agricultural desert. The prime offender is short-mown grass, which offers no habitat and nothing for people except a place to sit, yet sucks down far more water and chemicals than a comparable amount of farmland.

Now I was making my way through the garden. There was that strange light which follows a day of persistent rain, when the sun comes out and the sky clears too late to be of any use. The earth makes a sound as of sighs and the last drops fall from the emptied cloudless sky. A small boy, stretching out his hands and looking up at the blue sky, asked his mother how such a thing was possible. Fuck off, she said.

Here we slept," she says. And he adds, "Kisses without number." "Waking in the morning -" "Silver between the trees -" "Upstairs -" "In the garden -" "When summer came -" "In winter snowtime -" The doors go shutting far in the distance, gently knocking like the pulse of a heart.

literature, in fact, had been concerned with virtues and vices of a perfectly healthy sort, the regular functioning of brains of a normal conformation, the practical reality of current ideas, with never a thought for morbid depravities and other-worldly aspirations; in short, the discoveries of these anaylists of human nature stopped short at the speculations good or bad, classified by the church; their efforts amounted to no more than the humdrum researches of a botanist who watches closely the expected development of ordinary flora planted in common or garden soil.

Men do not live in perfect harmony with each other. Rather, again and again conflicts arise between them. And the source of these conflicts is always the same: the scarcity of goods. I want to do X with a given good G and you want to do simultaneously Y with the very same good. Because it is impossible for you and me to do simultaneously X and Y with G, you and I must clash. If a superabundance of goods existed, i.e., if, for instance, G were available in unlimited supply, our conflict could be avoided. We could both simultaneously do ‘our thing’ with G. But most goods do not exist in superabundance. Ever since mankind left the Garden of Eden, there has been and always will be scarcity all-around us.

Mrs Loudon was even more successful than her husband thanks to a single work, Practical Instructions in Gardening for Ladies, published in 1841, which proved to be magnificently timely. It was the first book of any type ever to encourage women of elevated classes to get their hands dirty and even to take on a faint glow of perspiration. This was novel almost to the point of eroticism. Gardening for Ladies bravely insisted that women could manage gardening independent of male supervision if they simply observed a few sensible precautions – working steadily but not too vigorously, using only light tools, never standing on damp ground because of the unhealthful emanations that would rise up through their skirts.

It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There

...there's never a garden in all the parish but what there's endless waste in it for want o' somebody as could use everything up. It's what I think to myself sometimes, as there need nobody run short o' victuals if the land was made the most on, and there was never a morsel but what could find it's way to a mouth.

Then she added thoughtfully, “And that old woman that turned me off so short got down so bad in the end that she was walking on two sticks.” And I knew she was thinking, though she never said it: Here I am today, my eight children healthy and grown and three of them in college and me with hardly a sick day for years. Ain’t Jesus wonderful?

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

ONCE, THERE WAS A CHINA RABBIT WHO was loved by a little girl. The rabbit went on an ocean journey and fell overboard and was rescued by a fisherman. He was buried under garbage and unburied by a dog. He traveled for a long time with the hoboes and worked for a short time as a scarecrow. Once, there was a rabbit who loved a little girl and watched her die. The rabbit danced on the streets of Memphis. His head was broken open in a diner and was put together again by a doll mender. And the rabbit swore that he would not make the mistake of loving again. Once there was a rabbit who danced in a garden in springtime with the daughter of the woman who had loved him at the beginning of his journey. The girl swung the rabbit as she danced in circles. Sometimes, they went so fast, the two of them, that it seemed as if they were flying. Sometimes, it seemed as if they both had wings. Once, oh marvelous once, there was a rabbit who found his way home.

with parenting there’s a long game and a short game. The aim of the short game is to make your children bearable to live with. Easy to transport. Well behaved in public places. In other words, to make your own life easier. And, yes, you can achieve that with punishments, with discipline, with a clip here and there. But the aim of the long game is to produce a good human being.

To give you an idea of my state of mind I can not do better than compare it to one of those rooms we see nowadays in which are collected and mingled the furniture of all times and countries. Our age has no impress of its own. We have impressed the seal of our time neither on our houses nor our gardens, nor on anything that is ours. On the street may be seen men who have their beards trimmed as in the time of Henry III, others who are clean-shaven, others who have their hair arranged as in the time of Raphael, others as in the time of Christ. So the homes of the rich are cabinets of curiosities: the antique, the gothic, the style of the Renaissance, that of Louis XIII, all pell-mell. In short, we have every century except our own—a thing which has never been seen at any other epoch: eclecticism is our taste; we take everything we find, this for beauty, that for utility, another for antiquity, still another for its ugliness even, so that we live surrounded by debris, as if the end of the world were at hand.

Girls can wear jeans and cut their hair short and wear shirts and boots because it’s okay to be a boy, for girls it’s like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.

She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.

I’m telling you, it’s impossible. If she’s not in the mews or the back garden, I keep her on a short lead.” His eyebrow quirked with derision. “Spoken like the guardian of many a ruined young female in this neighborhood, I’d wager.” “I beg your pardon. Marigold is not that kind of goat.

In my mind, no other flower can compete with the perfection and the fragrance of the Peony. The silky petals, delicate shape, romantic shades and graceful foliage make this flower my all time favorite and I’m not alone. Brides plan their wedding dates around peony season. Flower enthusiasts plant them all through their gardens. Florists go crazy over all the different shades available from white, to coral, yellow to reds and every imaginable pink!  Sadly, this bloom can only be enjoyed in nature for a very short time each year. That’s the reason their paper counterparts have become such a hit!

Becky was a weed.  Nobody ever wanted them taking over the bigger, prettier plants.  People went to all extremes to make them go away.  They sprayed poison, pulled until the roots gave way. They felt only like their garden was complete when every tendril was extirpated.  This was how she felt from birth.

she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps, inhaled at each momentary recovery, lost finally in the dark caverns of her throat, bruised by the ripple of unseen muscles. An elderly waiter with trembling hands was hurriedly spreading a pink and white checked cloth over the rusty green iron table, saying: "If the lady and gentleman wish to take their tea in the garden, if the lady and gentleman wish to take their tea in the garden ..." I decided that if the shaking of her breasts could be stopped, some of the fragments of the afternoon might be collected, and I concentrated my attention with careful subtlety to this end.

Here’s the short version of how to practice mindfuless: 1. Start with two minutes. For two minutes a day, direct your attention to your breath: the way the air comes into your body and your chest and belly expand, and the way the breath leaves your body and your chest and belly deflate. 2. The first thing that will happen is your mind will wander to something else. That’s normal. That’s healthy. That’s actually the point. Notice that your mind wandered, let those extraneous thoughts go—you can return to them as soon as the two minutes are up—and allow your attention to return to your breath. 3. Noticing that your mind wandered and then returning your attention to your breath is the real work of mindfulness. It’s not so much about paying attention to your breath as it is about noticing what you’re paying attention to without judgment, and making a choice about whether you want to pay attention to it. What you’re “mindful” of is both your breath and your attention to your breath. By practicing this skill of noticing what you’re paying attention to, you are teaching yourself to be in control of your brain, so that your brain is not in control of you. This regular two-minute practice will gradually result in periodic moments throughout the day when you notice what you’re paying attention to and then decide if that’s what you want to pay attention to right now, or if you want to pay attention to something else. What you pay attention to matters less than how you pay attention. This is a sideways strategy for weeding trauma out of your garden. It’s a way of simply noticing a weed and then deciding if you want to water it or not, pull it or not, fertilize it or not. The weed of trauma will gradually disappear as long as at least half the time you choose not to nurture it. And the more you choose to withdraw your protection from the trauma, the faster it will wither and die. Mindfulness is good for everyone and everything. It is to your mind what exercise and green vegetables are to your body. If you change only one thing in your life as a result of reading this book, make it this daily two-minute practice. The practice grants the opportunity to “cultivate deep respect for emotions,” differentiating their causes from their effects and granting you choice over how you manage them.

Before that first line of pale chalk, before the underdrawing fleshes out into shapes and proportions, there is a stab of grief for all the things she didn't get to paint. The finches wheeling in the rafters of the barn, Cornelis reading in the arbor, Tomas bent over in his roses in the flower garden, apple blossoms, walnuts beside oysters, Kathrijn in the full bloom of her short life, Barent sleeping in a field of lilacs, the Gypsies in the market, late-night revelers in the taverns…. Every work is a depiction and a lie. We rearrange the living, exaggerate the light, intimate dusk when it's really noonday sun.

Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")

In the morning this light breasts your windowpane and, having pried your eye open like a shell, runs ahead of you, strumming its lengthy rays - like a hot-footed schoolboy running his stick along the iron grate of the park or garden - along arcades, colonnades, red-brick chimneys, saints and lions. "Depict! Depict!" it cries to you, either mistaking you for some Canaletto or Carpaccio or Guardi, or because it doesn't trust your retina's ability to retain what it makes available, not to mention your brain's capacity to absorb it. Perhaps art is simply an organism's reaction against its retentive limitations. At any rate, you obey the command and grab your camera, supplementing both your brain cells and your pupil. Should this city ever be short of cash, it can go straight to Kodak for assistance - or else tax its products savagely. By the same token, as long as this place exists, as long as winter light shines upon it, Kodak shares are the best investment.

I always thinks that a garden is the best sort of legacy a person can leave. [Caroline, 'Skelmerton']

Life is a flower in the garden of humanity. It blooms for a short time and then slowly it disappears and becomes a memory on the canvas of infinite time.

I told you she was a tea cake short of a garden party,

If we fight the image of God in us — even if we succeed in the short run — it will come back to eat us alive.

Into this unfolding crisis stepped the calm figure of Joseph Paxton, head gardener of Chatsworth House,

She kissed him first, and all the rest followed.

If writing novels is like planting a forest, then writing short stories is more like planting a garden.

With the lapse of every moment, the garden grew more picturesque;

This was the wrong Magic-to begin by saying "too late.

...she sat down at the piano and began to run over the first act of the Walkure, the last of his roles they had practiced together; playing listlessly and absently at first, but with gradually increasing seriousness. Perhaps it was the still heat of the summer night, perhaps it was the heavy odors from the garden that came in through the open windows; but as she played there grew and grew the feeling that he was there, beside her, standing in his accustomed place. In the duet at the end of the first act she heard him clearly: "Thou art the Spring for which I sighed in Winter's cold embraces." Once as he sang it, he had put his arm about her, his one hand under her heart, while with the other he took her right from the keyboard, holding her as he always held Sieglinde when he drew her toward the window. She had been wonderfully the mistress of herself at the time; neither repellent nor acquiescent. She remembered that she had rather exulted, then, in her self-control--which he had seemed to take for granted, though there was perhaps the whisper of a question from the hand under her heart. "Thou art the Spring for which I sighed in Winter's cold embraces." Caroline lifted her hands quickly from the keyboard, and she bowed her head in them, sobbing.

I am not sure who I am," I said cautiously. "Many people never are," she said. "But it doesn't matter, you know. If for one moment of your whole life you know that you are, then that's your life, that moment, that's unnua, that's all. In a short life I saw my mother's face, like the sun. So I'm here. In a long life I went there and there and there; but I dug in the garden, the root of a weed came up in my hand, so I am unnua. When you get old, you know, you keep being here instead of there, everything is here. Everything is here," she repeated.

Nothing—really, absolutely nothing—says more about Victorian Britain and its capacity for brilliance than that the century’s most daring and iconic building was entrusted to a gardener.

What you do in the Lord is not in vain. You are not oiling the wheels of a machine that's about to roll over a cliff. You are not restoring a great painting that's shortly going to be thrown on the fire. You are not planting rosed in a garden that's about to be dug up for a building site. You are -- strange though it may seem, almost as hard to believe as the resurrection itself -- accomplishing something that will become in due course part of God's new world. Every act of love, gratitude, and kindness; every work of art or music inspired by the love of God and delight in the beauty of his creation; every minute spent teaching a severely handicapped child to read or walk; every act of care and nurture, of comfort and support, for one's fellow human beings and for that matter one's fellow nonhuman creatures; and of course every prayer, all Spirit-led teaching, every deed that spreads the gospel, builds up the church, embraces and embodies holiness rather than corruption, and make the name of Jesus honored in the world -- all of this will find its way, through the resurrecting power of God, into the new creation that God will one day make.

Mr. Offord's drawing-room was indeed Brooksmith's garden, his pruned and tended human parterre, and if we all flourished there and grew well in our places it was largely owing to his supervision.

July had come, and haying begun; the little gardens were doing finely and the long summer days were full of pleasant hours. The house stood open from morning till night, and the lads lived out of doors, except at school time. The lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics in house and barn; such adventures in the tramps over hill and dale; and such satisfaction in the hearts of the worthy Bhaers, as they saw their flock prospering in mind and body, I cannot begin to describe.

I don't like this, Toua," I go on. "We're like birds that have flown a very long way from their nest. We're like nettles in a garden full of hops. We shouldn't have to hide who we are. Our faces are unseen.

Rallick will kill you,” Murillio said levelly. “Nonsense.” Kruppe placed the mask over his face. “How will the lad ever recognize Kruppe?” Murillio studied the man’s round body, the faded red waistcoat, gathered cuffs, and the short oily curls atop his head. “Never mind.” He sighed. “Excellent,” Kruppe said. “Now, please accept these two masks, gifts from your friend Kruppe. A trip is saved, and Baruk need not wait any longer for a secret message that must not be mentioned.” He replaced his mask in its box, then spun round to study the eastern skyline. “Off to yon alchemist’s abode, then. Good evening, friend—” “Wait a minute,” Murillio said, grasping Kruppe’s arm and turning him round. “Have you seen Coll?” “Why, of course. The man sleeps a deep, recovering sleep from his ordeals.’Twas healed magically, Sulty said. By some stranger, yet. Coll himself was brought in by yet a second stranger, who found a third stranger, who in turn brought a fifth stranger in the company of the stranger who healed Coll. And so it goes, friend Murillio. Strange doings, indeed. Now, Kruppe must be off. Goodbye, friend—” “Not yet,” Murillio snarled. He glanced around. The street was still empty. He leaned close. “I’ve worked some things out, Kruppe. Circle Breaker contacting me put everything into order in my mind. I know who you are.” “Aaai!” Kruppe cried, withdrawing. “I’ll not deny it, then! It’s true, Murillio, Kruppe is Lady Simtal connivingly disguised.

TJ frowns; she can’t write about willing wind and water in the official report. Voicing elements is a rumor. However, she remembers what her grandmother said five decades ago when she was a child; (it was shortly after the war): “Anyone who trains hard can be a Grade A by the time they’re forty or fifty. But it takes decades more to become strong enough to voice one element.” “One element?” TJ asked. “Do you want to voice the entire universe then?” “Can’t I?” Grandmother didn’t answer, not directly anyway, as most great masters do. They never say you can’t do this or no one can do that or that thing is impossible just because they couldn’t do it, or because they hadn’t found it yet. True masters answer differently. Wisely. Like her grandmother answered that day. “Do you know why we evolve, Tirity?” “Because we’re supposed to?” TJ replied. “Yes. It’s in the grand design. We’re ‘supposed to’ evolve. Not just in body, but also in mind,” she said. “In time. You see, time is the key. If given infinite time, you can evolve your mind infinitely. But we live only for a hundred years or so.” “A hundred years is ‘only’?” “You’re so young, Tirity! But yes, it is little for a complete cognitive evolution. Most hard trainers can prolong it to a couple of hundred years. They even get to call the wind or grow a giant plant that could touch the clouds. But voicing everything in the universe? I think only God can do it, the God who created everything with only words. And if God created the world so that he could see how far the humans can evolve, then I’d say, yes, even a human could get godly power. Godlier than voicing one or two elements. If. Given. The. Time.” “How much time?” “More than thousands of years, maybe. Could even need millions, who knows? …” TJ smiles drily; she remembers how her eyes sparkled at the thought of becoming a goddess who could voice everything. She dreamed of flying in the air or walking in space. She thought of making her own garden full of giant flowers where only enormous butterflies would dance. Some days, when she played video games in VR, she even dreamed of voicing the thunder and lightning to join her wooden sword. She thought time could help her do it. But she didn’t know then, time only makes you grow up. Time steals your dreams. Time only turns you into an adult.

The Frenchman showed her a great deal of Paris that day, saying over lunch at a café that it was impossible to see everything of interest in so short a time. "And of course the sights are only one aspect; there's also the theatre, the markets, clubs, festivals, gardens and much more." Delta smiled dreamily; it sounded wonderful. Enjoying her smile, Valois gave her cheek a playful caress. "If I try hard enough, you may never want to leave.

The lesson is that gardens don’t grow without committed effort, and communities are nothing more than recalcitrant gardens. In short, you harvest what you plant, water, feed, and protect. To invest in a community is a choice—a good one.

I remember one teacher there -- I can't recall her name now. She was short and spare, and I remember her eager jutting chin. Quite unexpectedly one day (in the middle, I think, of an arithmetic lesson) she suddenly launched forth on a speech on life and religion. "All of you," she said, "every one of you -- will pass through a time when you will face despair. If you never face despair, you will never have faced, or become, a Christian, or known a Christian life. To be a Christian you must face and accept the life that Christ faced and lived; you must enjoy things as he enjoyed things; be as happy as he was at the marriage at Canaan, know the peace and happiness that it means to be in harmony with God and with God's will. But you must also know, as he did, what it means to be alone in the Garden of Gethsemane, to feel that all your friends have forsaken you, that those you love and trust have turned away from you, and that God Himself has forsaken you. Hold on then to the belief that that is not the end. If you love, you will suffer, and if you do not love, you do not know the meaning of a Christian life." She then returned to the problems of compound interest ...

Joe and Carter and Kelly were coming out of the woods, finishing up their run as I came back from the garden. They were laughing and shoving each other the way brothers do. I loved all three of them. Except. Except. Joe wore a pair of low-slung shorts. Just the smallest things. And that was it. He was almost as big as I was now. We were eye level, or so close that it didn’t matter, which put him a couple of inches over six feet. There was a sheen of sweat over his torso. A spattering of wet blond hairs curling on his chest that looked to be cut out of granite. The soft definition of muscles on his stomach. A line of sweat that hit his happy trail and soaked into the waistband of his shorts. He turned, saying something back to Carter, and I saw the dimples above his ass. The way his legs flexed and shifted as he hopped from one foot to the other. He pointed wildly at something back in the woods and there was a blue vein that stuck out along his bicep and I wanted to trace with my fingers because when had that happened? And those hands. Those big fucking hands and I— Joe had grown up. And somehow, I hadn’t really seen it until it was on full display. Right in front of me. He

You know, the earth is what grounds us in life for a very short time. The starts from Mary's family remain forever in my garden. They represent a way to keep the memory of those we love alive, no matter where we live, or how much time has passed.

Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.

As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps, inhaled at each momentary recovery, lost finally in the dark caverns of her throat, bruised by the ripple of unseen muscles. An elderly waiter with trembling hands was hurriedly spreading a pink and white checked cloth over the rusty green iron table, saying: “If the lady and gentleman wish to take their tea in the garden, if the lady and gentleman wish to take their tea in the garden…” I decided that if the shaking of her breasts could be stopped, some of the fragments of the afternoon might be collected, and I concentrated my attention with careful subtlety to this end.

«Dashenka, sister, Dasha?» «Yes?» She sounded so sad. Tatiana swallowed. «Want to hear a funny story?» «Oh, yes, please: I need a funny story to cheer me up. Tell me, darling». «Stalin as Chairman of the Presidium went in front of the House of Parliament to make a short speech that lasted maybe five minutes. After the speech there was applause. The plenum stood on its feet and applauded. For a minute. Then another minute. They stood and applauded. But – Another minute. Still applauded. They were standing up, and still applauding, as Stalin stood in front of the lectern and listened with a humble smile on his face, the epitome of humility. Another minute. And still applauded. No one knew what to do. They waited for a signal from the Chairman to cease, but no such signal came from the humble and diminutive man. Another minute went by. And still they stood and applauded. It had now been eleven minutes. And no one knew what to do. Someone had to stop applauding. But who? Twelve minutes of applause. Thirteen minutes of applause. And still he stood there. And still they stood there. Fourteen minutes. Fifteen minutes. Finally, at the fifteen-minute mark, the man in the front, the Secretary of Transportation, stopped. As soon as he stopped, the entire auditorium fell mute. The following week the Secretary of Transportation was shot for treason». «Tania!» exclaimed a startled Dasha. «That was supposed to be funny?» «Yes», said Tatiana. «Funny, as in, cheer up, things could be worse. You could be the Secretary of Transportation».

Girls can wear jeans and cut their hair short and wear shirts and boots because it’s okay to be a boy; for girls it’s like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.

Books were seen as a waste of time. What was the point, unless you were reading for information? To lose oneself in a book was to be slightly wacky, a little greedy and ultimately slothful. There was no value. You couldn't make money from reading a book. A book did not clean bathrooms and waxed floors. It did not put the garden in. You couldn't have a conversation while reading. It was arrogant and alienated others. In short, those who read were wasteful and haughty and incapable of living in the real world. They were dreamers.

Why weren't there any women in Jesus' gang?’ asked Winnifred. ‘Jesus' gang?’ echoed the vicar surprised. ‘Jesus never had a gang. Ah— you mean the Twelve.’ Winnifred nodded. The vicar looked perplexed. ‘Well, it wouldn't really have been appropriate, would it?’ ‘Why not?’ I asked. ‘It just wouldn't,’ replied the vicar, looking annoyed at my question. ‘But Jesus had a lot of girl friends,’ said Pearl. ‘He certainly didn't,’ replied the vicar, shocked. ‘But Vicar, what about Mary and Martha, the sisters of Lazarus? The Bible says that Jesus loved them,’ insisted Pearl. ‘And then there was Mary Magdalene,’ I added. ‘She wanted to hug him in Joseph's garden when he had just come out of the tomb, but Jesus told her not to touch him.’ ‘Yes— well—’ said the vicar uncertainly. ‘They were good followers of Jesus and they loved him— as we should all love him. No more questions now. We will be starting the service shortly.’ ‘Not very helpful,’ I whispered to Winnifred. ‘If Jesus had had a few women in his group of twelve, it would be much easier to know how to live with them.

The sky was leaden, with tufts of low, scudding grey cloud and filled with a numberless flock of rooks. There was a little hump-backed bridge over a muddy, swollen stream; joyless, beggarly, half-naked trees. A lone aspen, and in the distance, past a vegetable garden stood a log cabin that looked like a kind of outhouse. The surroundings looked so lifeless and miserable that one might easily have been tempted to hang oneself on that aspen by the little bridge. Not a breath of wind, not a cloud, not a living soul. In short—hell. Suddenly

In the garden of pomegranates, I trace the Tree, Where spheres of light and darkness meet in me. From Malkuth’s soil, I rise in quest, Toward Kether’s crown, where the soul finds rest. Through the paths of the Serpent, I weave and climb, Crossing the Abyss, transcending time

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.

It was on the day, or rather the night, of 27 June 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page in a summer-house in my garden. ... I will not dissemble the first emotions of joy on the recovery of my freedom, and perhaps the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind by the idea that I had taken my everlasting leave of an old and agreeable companion, and that, whatsoever might be the future date of my history, the life of the historian must be short and precarious.

Until fairly recently, every family had a cornucopia of favorite home remedies--plants and household items that could be prepared to treat minor medical emergencies, or to prevent a common ailment becoming something much more serious. Most households had someone with a little understanding of home cures, and when knowledge fell short, or more serious illness took hold, the family physician or village healer would be called in for a consultation, and a treatment would be agreed upon. In those days we took personal responsibility for our health--we took steps to prevent illness and were more aware of our bodies and of changes in them. And when illness struck, we frequently had the personal means to remedy it. More often than not, the treatment could be found in the garden or the larder. In the middle of the twentieth century we began to change our outlook. The advent of modern medicine, together with its many miracles, also led to a much greater dependency on our physicians and to an increasingly stretched healthcare system. The growth of the pharmaceutical industry has meant that there are indeed "cures" for most symptoms, and we have become accustomed to putting our health in the hands of someone else, and to purchasing products that make us feel good. Somewhere along the line we began to believe that technology was in some way superior to what was natural, and so we willingly gave up control of even minor health problems.

The sound of running footsteps made them all start. Then the refectory door opened and the round, freckled face of Sister Belinda appeared. She was breathing heavily, and her veil was crooked, showing short tufts of red hair sprouting around her glowing face like unruly weeds in a parched garden. “Excuse me, Mother, Sisters,” she said. “But there is a police car waiting at the gate and what looks like the Black Maria behind it. Also, another car approaching from the farm and a uniformed constable coming in via the beach path. It would appear that the filth have us surrounded.

Life is but a short journey, filled with such horror and beauty, that too often allows our potential and destiny to die unfulfilled or allow us to bloom in ways we never imagined. But I - all of us - really have only one joint destiny: to leave this world a better place for those who follow.

Foolish wise folk sneer at you; foolish wise folk would pull up the useless lilies, the needless roses, from the garden, would plant in their places only serviceable wholesome cabbage. But the Gardener knowing better, plants the silly short-lived flowers; foolish wise folk, asking for what purpose.

Oh, there IS one, of course, but you'll never know it." The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.

Auden Letter to Lord Byron Banker or Landlord, booking clerk or pope, Whenever he’s lost faith in choice and port, Whenever man sees the future without hope Whenever he endorses Hobbes report, The life of man is nasty, brutish, short, The Dragon rises from his garden border, And promises to set up Law and Order.

Hope knew that her thinking regarding books went contrary to the general sentiment of the people of Eden. Books were seen as a waste of time. What was the point, unless you were reading for information? To lose oneself in a book was to be slightly wacky, a little greedy, and ultimately slothful. There was no value. You couldn't make money from reading a book. A book did not give you clean bathrooms and waxed floors. It did not put the garden in. You couldn't have a conversation while reading. It was arrogant and alienated others. In short, those who read were wasteful and haughty and incapable of living in the real world. They were dreamers.

including thousands of paintings in his unique, semi-cartoonish style, often densely packed with animals and figures—Elvis, George Washington, angels—and set fancifully in apocalyptic landscapes. In short order, he was appearing on Johnny Carson’s Tonight Show and creating album covers for R.E.M. and Talking Heads. Upon entry to the garden, I was greeted by a giant self-portrait of a smirking Finster in a burgundy suit, affixed to a cinderblock wall. At the bottom are the words “I began painting pictures in Jan-1976—without any training. This is my painting. A person don’t know what he can do unless he tryes. Trying things is the answer to find your talent.

She would have given short shrift, as the expression is, to anyone who had gone when she said 'Come' or the other way round. Imperious, that's the word I was groping for. She was as imperious as a traffic cop. Little wonder that the heart was heavy. I felt that Ginger, mistaking it for a peach, had plucked a lemon in the garden of love.

It was Broom’s habit, for instance, to do his fieldwork naked when the weather was warm, which was often. He was also known for conducting dubious anatomical experiments on his poorer and more tractable patients. When the patients died, which was also often, he would sometimes bury their bodies in his back garden to dig up for study later.

A typical submersible costs about $25,000 a day to operate, so they are hardly dropped into the water on a whim, still less put to sea in the hope that they will randomly stumble on something of interest. It’s rather as if our firsthand experience of the surface world were based on the work of five guys exploring on garden tractors after dark.

I left the house at around midnight and crept up the driveway to the road. I wore canvas sneakers, athletic socks, safari shorts, a tee-shirt, and had the bright purple knapsack containing Jim's cold, hard foot, a garden trowel, a box of candles and matches to light them, a library copy of The Egyptian Book of the Dead, and some fig bars for a snack.

When we have pleaded for understanding, our character has been distorted; when we have asked for simple caring, we have been handed empty inspirational appellations, then stuck in a far corner. When we have asked for love, we have been given children. In short, even our plainer gifts, our labors of fidelity and love, have been knocked down our throats.

Full of the usual blights, mistakes, ruinous beetles and parasites, glorious for one week, bedraggled the next, my actual garden is always a mixed bag. As usual, it will fall far short of the imagined perfection. It is a chore. Hard work. I'll by turns aggressively weed and ignore it. The ground I tend sustains me in early summer, but the garden of the spirit is the place I go when the wind howls. This lush and fragrant expectation has a longer growing season than the plot of earth I'll hoe for the rest of the year. Raised in the mind's eye, nurtured by the faithful composting of orange rinds and tea leaves and ideas, it is finally the wintergarden that produces the true flowering, the saving vision.

How many years have passed since that far-off June afternoon? More than thirty. And yet, if I close my eyes, Micòl Finzi-Contini is still there, leaning over her garden wall, looking at me and talking to me. In 1929 Micòl was little more than a child, a thin, blond thirteen-year old with large, clear, magnetic eyes. And I was a boy in short trousers, very bourgeois and very vain, whom a small academic setback was sufficient to cast down into the most childish desperation. We both fixed our eyes on each other. Above her head the sky was a compact blue, a warm already summer sky without the slightest cloud. Nothing, it seemed, would be able to alter it, and nothing indeed has altered it, at least in memory.

I never knew what Mother knowed, Like how a thread and needle sewed, And how a kiss healed boo-boos fast. Why family knots were made to last. I never knew how Mother saw A caring man in angry pa, A smile beneath the teary gloom, A game inside a messy room. I never knowed what Mother knew, Like how to smile when days were blue, And how to laugh for laughter’s sake, While giving up her slice of cake. I never saw what Mother see’d Like honor pulling garden weeds, Or deep confessions in a look, And hope alive in storybooks. I never knew how Mother knowed To hand out carrots when it snowed, And why hot cocoa liked the rain, While naptime kept a person sane. For mother knowed and see’d it all. A winner in a strike-out ball. A 'yes, please' in a shoulder shrug. A 'love you mostest' in a hug. Perhaps, someday, I’ll come to know What Mother saw and knowed as so. Like how 'I’m right' can be all wrong, And why the night requires a song. But of the things I learned and knew I never doubted one thing true. My mother made it crystal clear, she knowed and loved me ever dear.

Most of us spend years of our short, ephemeral life trying to be somebody we’re not. Trying to be like our mentor or our hero or some ideal we aspire to or some person our parents want us to be, or our generation wants us to be, or what our friends think is cool — and we spin our wheels and spiral out of control until we end up nowhere but the end of our rope.

Shortly, she passed what she assumed was the center: a wide expanse of lawn, a white garden bench at each end, and a circular pond enlivened with water lilies and irises. Just like the rest of Aubry Park, at least what she had seen of it, the center of the labyrinth was a charming surprise. A place where she might be inclined to sit and read under other circumstances.

However, the experience of the world as one individual is so fleeting it is barely even measurable; especially when held up against the great passage of time felt since Earth’s conception. As humans, we arrive and pass like a mayfly spiralling on a breath of wind for its single day of life in the sun. Our lives are so short when measured against something like the formation of a granite slab, lying out on my garden path; so short, in fact, that the revelation of this brevity can make you feel like your life is even a little pointless – but the other side of this, quite extraordinary, humbling, is to see your time as the most wonderful gift of all. And if it is so (which it really is) then, like the mayfly with only twenty-four hours to live, I am going to open my senses to everything that this day has to offer.

One of the problems is that Dublin is, and I mean literally and topographically, flat - so that everything has to take place on a single plane. Other cities have metro systems, which add depth, and steep hills or skyscrapers for height, but Dublin has only short squat grey buildings and trams that run along the street. And it has no courtyards or roof gardens like continental cities, which at least break up the surface - if not vertically, then conceptually. (...) It’s hard to go very far up in Dublin or very low down, hard to lose yourself or other people, or to gain a sense of perspective. You might think it’s a democratic way to organise a city - so that everything happens face to face, I mean, on equal footing. True, no one is looking down on you all from a height. But it gives the sky a position of total dominance.

How regretfully did I think at that moment of the petticoats of my youth, so short, so silent, and so woollen! And how convenient the canvas shoes were with the india rubber soles, for creeping about without making a sound! Thanks to them I could always run swiftly and unheard into my hiding-places, and stay there listening to the garden resounding with cries of "Elizabeth! Elizabeth! Come in at once to your lessons!

Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say. And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?' The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.' 'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.' 'I am all aflame,' said the Beauty softly. And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs. ("The Poison Garden")

It was on the day, or rather night, of the 27th of June 1787, between the hours of eleven and twelve, that I wrote the last line of the last page, in a summer house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and, perhaps, the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind, by the idea that I had taken an everlasting leave of an old and agreeable companion, and that whatsoever might be the future date of my 'History', the life of the historian must be short and precarious.

No, sir: I had a delicacy,” was the reply. “I feel very strongly about putting questions; it partakes too much of the style of the day of judgment. You start a question, and it’s like starting a stone. You sit quietly on the top of a hill; and away the stone goes, starting others; and presently some bland old bird (the last you would have thought of) is knocked on the head in his own back garden and the family have to change their name.

It’s summer now, and you're craving a simpler existence. You want to read. You want to write. You want to meet strangers for dinner, and not refuse another drink at another bar. You want to dance. You want to find yourself in a basement, neck loose, bobbing your head as a group of musicians play, not because they should, but because they must. It’s summer now, and you're looking forward to worrying less. You're looking forward to longer nights and shorter days. You're looking forward to gathering in back gardens and watching meat sputter on an open barbecue. You're looking forward to laughing so hard your chest hurts and you feel light-headed. You're looking forward to the safety in pleasure. You're looking forward to forgetting, albeit briefly, the existential dread which plagues you, which tightens your chest, which pains your left side. You're looking forward to forgetting albeit briefly, you feel light-headed. You're looking forward to the safety in pleasure. You're looking forward to forgetting, albeit briefly, the existential dread which plagues you, which tightens your chest, which pains your left side. You're looking forward to forgetting that, leaving the house, you might not return intact. You're looking forward to freedom, even if it is short, even if it might not last. You're looking forward.

She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.

found the State Historical Society of Wisconsin to be a trove of relevant materials that conveyed a sense of the woof and weave of life in Hitler’s Berlin. There, in one locale, I found the papers of Sigrid Schultz, Hans V. Kaltenborn, and Louis Lochner. A short and lovely walk away, in the library of the University of Wisconsin, I found as well a supply of materials on the only UW alumna to be guillotined at Hitler’s command, Mildred Fish Harnack.

At odds with my great love of solitude is my great fear of isolation. Solitude is a choice. Isolation is inflicted. For example, one of my favorite places in the world is right here, in the Chapter House—but only when Jamie's in the house doing her thing, and Skye's on the porch writing a song just loud enough for me to hear her sweet voice once in a while. The boys live nearby, so even if we're not in the same room, it feels like we're all together. The pleasure of solitude is not loneliness, but the nearness of love. When I'm on a ramble in the trails here at The Warren I know my friends are a short drive away, my family is close enough to sneak away from—and to return to at a moment's notice—and on my good days I feel the pleasure of God's overarching presence, like the protective boughs of an old tree. The silence is more like an embrace. Isolation is finding yourself alone when you don't want to be.

You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!

His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.” “To forget it!” “You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way— SHERLOCK HOLMES—his limits. 1. Knowledge of Literature.—Nil. 2. Philosophy.—Nil. 3. Astronomy.—Nil. 4. Politics.—Feeble. 5. Botany.—Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. 6. Geology.—Practical, but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. 7. Chemistry.—Profound. 8. Anatomy.—Accurate, but unsystematic. 9. Sensational Literature.—Immense. He appears to know every detail of every horror perpetrated in the century. 10. Plays the violin well. 11. Is an expert singlestick player, boxer, and swordsman. 12. Has a good practical knowledge of British law.

The Browns’ house at number thirty-two Windsor Gardens was unusually quiet. It was a warm summer day, and all the family, with the exception of Paddington, who had mysteriously disappeared shortly after lunch, were sitting on the veranda enjoying the afternoon sun. Apart from the faint rustle of paper as Mr. Brown turned the pages of an enormous book and the click of Mrs. Brown’s knitting needles, the only sound came from Mrs. Bird, their housekeeper, as she prepared the tea things.

In Flemish bond, headers alternate with stretchers from brick to brick. Flemish bond is much more popular than English, not because it is stronger, but because it is more economical since every facade has more long faces than short ones, and thus requires fewer bricks. But there were many other patterns—Chinese bond, Dearne’s bond, English garden-wall bond, cross bond, rat-trap bond, monk bond, flying bond, and so on—each signifying a different configuration of headers and stretchers.

Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.

It seems to me just as imbecile, just as infernal, to have to go to the office on Monday,' said Jonathan, 'as it always has done and always will do. To spend all the best years of one's life sitting on a stool from nine to five, scratching in somebody's ledger! It's a queer use to make of one's...one and only life, isn't it? Or do I fondly dream?' He rolled over on the grass and looked up at Linda. 'Tell me, what is the difference between my life and that of an ordinary prisoner? The only difference I can see is that I put myself in jail and nobody's ever going to let me out. That's a more intolerable situation than the other. For if I'd been--pushed in, against my will--kicking, even--once the door was locked, or at any rate in five years or so, I might have accepted the fact and begun to take an interest in the flight of flies or counting the warder's steps along the passage with particular attention to variations of tread and so on. But as it is, I'm like an insect that's flown into a room of its own accord. I dash against the walls, dash against the windows, flop against the ceiling, do everything on God's earth, in fact, except fly out again. And all the while I'm thinking, like that moth, or that butterfly, or whatever it is, "The shortness of life! The shortness of life!" I've only one night or one day, and there's this vast dangerous garden, waiting out there, undiscovered, unexplored. [...] I'm exactly like that insect again. For some reason, it's not allowed, it's forbidden, it's against the insect law, to stop banging and flopping and crawling up the pane even for an instant.

In the evenings they would sometimes sit out in the garden and listen to the steady hum of the bees‘ industry and breathe in the honey in full flow. The Boys learnt how the different sounds from the hive denoted different moods, different activities, and that each worker, far from being a mere gatherer of nectar or builder of comb, carried out a whole host of duties at various points in her short life―a nursemaid to the larvae, a sentry to keep out robber bees, a carpet sweeper to keep the hive tidy, a punka-wallah when it got too hot.

The divisions that make up class are, in truth, the borders on a map. When you are born into wealth and privilege, you inherit a plan that outlines the paths ahead, indicating the short-cuts and byways available to reach your destination, informing you of the lush valleys where you may rest and the tricky terrain to avoid. If you enter the world without such a map, you are bereft of proper guidance. You lose your way more easily, trying to pass through what you thought were orchards and gardens, only to discover they are marshland and peat bogs.

As we stated, after their initial conquest, the Milesians began assimilating the gnosis of their predecessors. Of course they were no lovers of the Druids. After all, the British Druids were collaborators with their dire enemies, the Amenists. Nevertheless, returning to the ancient homeland was a most important step for the displaced and despised Atonists. Owning and controlling the wellspring of knowledge proved to be exceptionally politically fortunate for them. It was a key move on the grand geopolitical chessboard, so to speak. From their new seats in the garden paradise of Britain they could set about conquering the rest of the world. Their designs for a “New World Order,” to replace one lost, commenced from the Western Isles that had unfortunately fallen into their undeserving hands. But why all this exertion, one might rightly ask? Well, a close study of the Culdees and the Cistercians provides the answer. Indeed, a close study of history reveals that, despite appearances to the contrary, religion is less of a concern to despotic men or regimes than politics and economics. Religion is often instrumental to those secretly attempting to attain material power. This is especially true in the case of the Milesian-Atonists. The chieftains of the Sun Cult did not conceive of Christianity for its own sake or because they were intent on saving the world. They wanted to conquer the world not save it. In short, Atonist Christianity was devised so the Milesian nobility could have unrestricted access to the many rich mines of minerals and ore existing throughout the British Isles. It is no accident the great seats of early British Christianity - the many famous churches, chapels, cathedrals and monasteries, as well as forts, castles and private estates - happen to be situated in close proximity to rich underground mines. Of course the Milesian nobility were not going to have access to these precious territories as a matter of course. After all, these sites were often located beside groves and earthworks considered sacred by natives not as irreverent or apathetic as their unfortunate descendants. The Atonists realized that their materialist objectives could be achieved if they manufactured a religion that appeared to be a satisfactory carry on of Druidism. If they could devise a theology which assimilated enough Druidic elements, then perhaps the people would permit the erection of new religious sites over those which stood in ruins. And so the Order of the Culdees was born. So, Christianity was born. In the early days the religion was actually known as Culdeanism or Jessaeanism. Early Christians were known as Culdeans, Therapeuts or suggestively as Galileans. Although they would later spread throughout Europe and the Middle East, their birthplace was Britain.

She went from one pair of arms to another, laughing and flirting. It was nothing short of grueling. She was aware of Tom's presence the entire time. And all the while, she was painfully aware that none of this was remotely comparable to that evening in the Clare winter garden, when Tom had waltzed her through shadows and moonlight as if on midnight wings. She'd never experienced that kind of ease, almost a rapture of movement, before or since. Her body still remembered the touch of his hands, so capable and gentle, guiding her without push or pull. So effortless.

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

I won’t say we human beings still don’t have much to learn. Sometimes we love and hate without thought. We expect too much from one another, and often we are wrong. Take that flower,” he said, pointing to the crepe myrtle. “It has a short life span, but you know just what to expect of it. The leaves are turning yellow-orange, so you know within a week they’ll fall. Fortunately—or unfortunately—we human beings have much longer lives. And that makes for many more complications. But in the end, Stephen-san, you can only look back, hoping everything that happens in your life is for a purpose.

When we came back to Paris it was clear and cold and lovely. The city had accommodated itself to winter, there was good wood for sale at the wood and coal place across our street, and there were braziers outside of many of the good cafés so that you could keep warm on the terraces. Our own apartment was warm and cheerful. We burned boulets which were molded, egg-shaped lumps of coal dust, on the wood fire, and on the streets the winter light was beautiful. Now you were accustomed to see the bare trees against the sky and you walked on the fresh-washed gravel paths through the Luxembourg gardens in the clear sharp wind. The trees were beautiful without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains were blowing in the bright light. All the distances were short now since we had been in the mountains. Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure. The fireplace drew well in the room and it was warm and pleasant to work.

Now that the snowball of consciousness is starting to roll, is it going to find that it’s waking up inside a body lying in a gutter with something multiple, the noun doesn’t matter after an adjective like “multiple,” nothing good ever follows “multiple,” or is it going to be a case of crisp sheets, a soothing hand, and a businesslike figure in white pulling open the curtains on a bright new day? Is it all over, with nothing worse to look forward to now than weak tea, nourishing gruel, short, strengthening walks in the garden and possibly a brief platonic love affair with a ministering angel, or was this all just a moment’s blackout and some looming bastard is now about to get down to real business with the thick end of a pickax helve? Are there, the consciousness wants to know, going to be grapes? At this point some outside stimulus is helpful. “It’s going to be all right” is favorite, whereas “Did anyone get his number?” is definitely a bad sign; either, however, is better than “You two hold his hands behind his back.” In fact someone said, “You were nearly a goner there, Captain.” The pain sensations, which had taken advantage of Vimes’s unconscious state to bunk off for a metaphorical quick cigarette, rushed back.

The shortness of my legs, hanging helplessly for two hours midway between the seat and the floor, was the weapon chosen by Satan for my destruction. In German churches you do not kneel, and seldom stand, but sit nearly the whole time, praying and singing in great comfort. If you are four years old, however, this unchanged position soon becomes one of torture. Unknown and dreadful things go on in your legs, strange prickings and tinglings and dartings up and down, a sudden terrifying numbness, when you think they must have dropped off but are afraid to look, then renewed and fiercer prickings, shootings, and burnings.

MANIFESTO OF THE HUNGRY GENERATION Poetry is no more a civilizing maneuver, a replanting of the bamboozled gardens; it is a holocaust, a violent and somnambulistic jazzing of the hymning five, a sowing of the tempestual Hunger. Poetry is an activity of the narcissistic spirit. Naturally, we have discarded the blankety-blank school of modern poetry, the darling of the press, where poetry does not resurrect itself in an orgasmic flow, but words come out bubbling in an artificial muddle. In the prosed- rhyme of those born-old half-literates, you must fail to find that scream of desperation of a thing wanting to be man, the man wanting to be spirit. Poetry of the younger generation too has died in the dressing room, as most of the younger prosed -rhyme writers, afraid of the Satanism, the vomitous horror, the self-elected crucifixion of the artist that makes a man a poet, fled away to hide in the hairs. Poetry from Achintya to Ananda and from Alokeranjan to Indraneel, has been cryptic, short-hand, cautiously glamorous, flattered by own sensitivity like a public school prodigy. Saturated with self-consciousness, poems have begun to appear from the tomb of logic or the bier of unsexed rhetoric. Published by Haradhon Dhara from 269 Netaji Subhas Road, Howrah, West Beng

This tragic short story was written in 1829 and published in 1830 in La Mode, followed by another edition in the Gosselin magazine in 1831. The tale also appeared in 1846 in volume II of Études Philosophiques of the Furne edition. Set during the time of the French army’s occupation of Spain under Napoleon, the tale opens with an idyllic moonlit scene in the castle gardens of the coastal town of Menda. The local French commandant, Victor Marchand, stands lost in thought, meditating on the beautiful Clara, the daughter of the local grandee. Thoughts of romance are soon dissipated as he becomes aware that a fleet of ships is approaching the coast.

Having read this short history of the lawn, when you now come to plan your dream house you might think twice about having a lawn in the front yard. You are of course still free to do it. But you are also free to shake off the cultural cargo bequeathed to you by European dukes, capitalist moguls and the Simpsons – and imagine for yourself a Japanese rock garden, or some altogether new creation. This is the best reason to learn history: not in order to predict the future, but to free yourself of the past and imagine alternative destinies. Of course this is not total freedom – we cannot avoid being shaped by the past. But some freedom is better than none.

I spotted Poe immediately. He was raking the leaves around his tree home, a lovely aspen. The whiteness of its bark seemed brighter than the other trees, the knotholes darker; the moss creeping up the south side was luxurious with fat purple flowers, and the leaves were a riot of green in every shade with veins of pure gold. It was, in short, the prettiest tree in the Kyrrðarskogur, which was Wendell's doing, but Poe was clearly taking his responsibilities as the owner of such a fine specimen seriously. He had built a trellis against the tree, up which climbed a vine of wild roses, and he had made little furrows in the ground to irrigate the tree's roots.

Whether working in the yard or just going about the daily business of life, you are continually adjusting, trimming, touching, shaping, and tinkering with the wealth of things around you. It may be difficult for you to know when to stop. We are all torn between the extremes of taking care of things and leaving them alone, and we question whether many things could ever get along without us. We find ourselves with pruning shears in hand, snipping away at this or that, telling ourselves that we're only being helpful, redefining something else's space, removing that which is unappealing to us. It's not that we really want to change the world. We just want to fix it up slightly. We'd like to lose a few pounds or rid ourselves of some small habit. Maybe we'd like to help a friend improve his situation or repair a few loose ends in the lives of our children. All of this shaping and controlling can have an adverse affect. Unlike someone skilled in the art of bonsai gardening, we may *unintentionally* stunt much natural growth before it occurs. And our meddling may not be appreciated by others. Most things will get along superbly without our editing, fussing, and intervention. We can learn to just let them be. As a poem of long ago puts it, "In the landscape of spring, the flowering branches grow naturally, some are long, some are short.

There was a short railway official travelling up to the terminus, three fairly short market-gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown-paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a skeptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella.

In times of great stress,” he began, “men are too apt to abandon too much of their past social devices and venture too far upon uncharted courses. And the consequence has always been reaction, sometimes disaster.” He stepped into the deep past to begin his allusive journey with the examples of Tiberius Gracchus, a populist leader, and Julius Caesar. “Half-educated statesmen today swing violently away from the ideal purpose of the first Gracchus and think they find salvation for their troubled fellows in the arbitrary modes of the man who fell an easy victim to the cheap devices of the lewd Cleopatra.” They forget, he said, that “the Caesars succeeded only for a short moment as measured by the test of history.

What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?" He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage." "I think you will fall in love someday." "Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness. "Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons. Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her." "Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw." "Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run. Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.

Throughout history whole societies have committed ecological suicide using the very same tactics we employ today: namely, a highly productive agriculture based on short-term profits, a dependence on hierarchical systems for essential resources, and an arrogant disregard for environmental stewardship. The current trends of depleted groundwater, climate change, and destruction of the aquatic environment (so necessary to renew the water cycle) tell us that we too travel down the very same road of ancient civilizations before us, toward extinction. But first—and soon—will come the day when clean water is still available, though only to the elite few who can pay the price. One out of twenty people relies on privately owned water

There were so many windows in Manderley, so many rooms that were never used by Maxim and myself that were empty now; dust-sheeted, silent, rooms that had been occupied in the old days when his father and his grandfather had been alive, when there had been much entertaining, many servants. It would be easy for Mrs. Danvers to open those doors softly and close them again, and then steal quietly across the shrouded room and look down upon me from behind the drawn curtains. I should not know. Even if I turned in my chair and looked up at the windows I would not see her. I remembered a game I had played as a child that my friends next door had called “Grandmother’s Steps” and myself “Old Witch.” You had to stand at the end of the garden with your back turned to the rest, and one by one they crept nearer to you, advancing in short furtive fashion. Every few minutes you turned to look at them, and if you saw one of them moving the offender had to retire to the back line and begin again. But there was always one a little bolder than the rest, who came up very close, whose movement was impossible to detect, and as you waited there, your back turned, counting the regulation Ten, you knew, with a fatal terrifying certainty, that before long, before even the Ten was counted, this bold player would pounce upon you from behind, unheralded, unseen, with a scream of triumph. I felt as tense and expectant as I did then. I was playing “Old Witch” with Mrs. Danvers.

He finished his meeting a few minutes later and almost rudely ejected his business acquaintances from his library, then he went in search of Elizabeth. “She is out in the gardens, my lord,” his butler informed him. A short while later Ian strolled out the French doors and started down the balcony steps to join her. She was bending down and snapping a withered rosebud from its stem. “It only hurts for a moment,” she told the bush, “and it’s for your own good. You’ll see.” With an embarrassed little smile she looked up at him. “It’s a habit,” she explained. “It obviously works,” he said with a tender smile, looking at the way the flowers bloomed about her skirts. “How can you tell?” “Because,” he said quietly as she stood up, “until you walked into it, this was an ordinary garden.” Puzzled, Elizabeth tipped her head. “What is it now?” “Heaven.” Elizabeth’s breath caught in her chest at the husky timbre of his voice and the desire in his eyes. He held out his hand to her, and, without realizing what she was doing, she lifted her hand and gave it to him, then she walked straight into his arms. For one breathless moment his smoldering eyes studied her face feature by feature while the pressure of his arms slowly increased, and then he bent his head. His sensual mouth claimed hers in a kiss of violent tenderness and tormenting desire while his hands slid over the sides of her breasts, and Elizabeth felt all her resistance, all her will, begin to crumble and disintegrate, and she kissed him back with her whole heart.

This short story was originally published in 1831 in Balzac’s collection Contes Bruns. The tale begins at the same dinner party as Another Study of Woman, with Dr Bianchon agreeing to tell one of his ‘appalling’ stories to entertain the other guests. The evening has grown late and it seems an apt time, he says, for this particular story. In contrast to Another Study of Woman Bianchon is the only narrator, and he is uninterrupted throughout the tale. It begins in a ruined château outside Vendome, where Bianchon was staying while attending a rich patient. He portrays himself as a rather romantic person, who liked to enter the estate through gaps in the walls and remain there in contemplation. But it is his discovery of a secret garden which provides the mystery of this tale.

Grandeur," said Pangloss, "is extremely dangerous according to the testimony of philosophers. For, in short, Eglon, King of Moab,[Pg 167] was assassinated by Ehud; Absalom was hung by his hair, and pierced with three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how perished Crœsus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus, Perseus, Hannibal, Jugurtha, Ariovistus, Cæsar, Pompey, Nero, Otho, Vitellius, Domitian, Richard II. of England, Edward II., Henry VI., Richard III., Mary Stuart, Charles I., the three Henrys of France, the Emperor Henry IV.! You know——" "I know also," said Candide, "that we must cultivate our garden.

The marriage coverlet is woven and embroidered for the happy pair, the house is built in a few summer weeks by the meitheal of neighbours, the last twist and stitch is put to the thatch, and in they go, the fortunate couple, with strength and purpose – and at length the house is desolate and empty with only rain for a roof, the stranger comes and opens the rotted hope chest, and puts their fingers to the folded coverlet, which falls from their hand in mouldy fragments. And that’s all we can say about it, the shortness, the swiftness, and the strange unimportance of life. But when June is queen, eternally in the grasses, in the wood pigeons, in the dank rooks, in the potato gardens, in the cabbage patches, wild dreams are given birth to with all the mighty energy of the full-blowing year.

Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf

For many people today, gardening is about lawns and almost nothing else. In the United States lawns cover more surface area—fifty thousand square miles—than any single farm crop. Grass on domestic lawns wants to do what wild grasses do in nature—namely, grow to a height of about two feet, flower, turn brown, and die. To keep it short and green and continuously growing means manipulating it fairly brutally and pouring a lot of stuff onto it. In the western United States about 60 percent of all the water that comes out of taps for all purposes is sprinkled on lawns. Worse still are the amounts of herbicides and pesticides—seventy million pounds of them a year—that are soaked into lawns. It is a deeply ironic fact that for most of us keeping a handsome lawn is about the least green thing we do.

I was reminded of something the florist Sarah Ryhanen had said when we met in her studio. “The number one question you get when you have a flower shop is, ‘How long is this going to last?’” She shrugged her shoulders, as if she simultaneously understood the impetus for the question and was frustrated by it. “Sometimes the most beautiful experience with a flower is brief—like these garden roses from the field. They are so fragile because they put all their energy into making this intoxicating scent, which means that they don’t last more than twenty-four hours on your kitchen table. But those twenty-four hours you have to smell that flower are pretty amazing.” Our efforts to prolong our joy sometimes diminish its intensity, for example, when we choose blooms genetically engineered for hardiness over short-lived varieties bred for scent.

Our appreciation for what Christ did for us will fall abysmally short if we think that he fell on his face merely at the prospect of suffering for a few mortal hours, however excruciating that suffering might be. Both in impact, kind, and degree, what happens in Gethsemane cannot be marked merely by the clock of this fallen realm. Indeed, its impact could be felt from the days of Adam and Eve, even though by the reckoning of this earth it hadn't yet happened. The Atonement happened as much outside this time as within it, thought what was outside we cannot hope to grasp. It was and is an infinite eternal act, unbounded by the limitations of mortality. No wonder the Savior trembled at the thought of it, and 'would that he might not drink the bitter cup.' Mortal minds, with their earth-bound limitation, cannot comprehend the immensity of it.

Where are we going?” Arin stared out the carriage window at the trees of the Garden District, their bare branches slim and violet in the dusk. Kestrel fidgeted with her skirts. “Arin. You know that we are going to Irex’s party.” “Yes,” he said shortly, but didn’t tear his gaze away from the passing trees. Better he look at them than at her. The velvet dress was a deep red, the skirts deliberately crushed in a pattern highlighted by golden embroidered leaves that twined up toward the bodice, where they interlaced and would catch the light. Conspicuous. The dress made her conspicuous. Kestrel sank into her corner of the carriage, feeling her dagger dig into her side. This evening at Irex’s wouldn’t be easy. Arin seemed to think the same. He held himself so rigidly on the carriage seat across from her that he looked wooden. Tension seeped into the air between them. When torches lit the darkness outside the windows and the driver lined up behind other carriage waiting to access the pathway to Irex’s villa, Kestrel said, “Perhaps we should return home.” “No,” said Arin. “I want to see the house.” He opened the door. They were silent as they walked up the path to the villa. Though not as large as Kestrel’s, it was also a former Herrani home: elegant, prettily designed. Arin fell behind Kestrel, as was expected of slaves, but this made her uneasy. It was unsettling to feel him close and not see his face. They entered the house with the other guests and made their way into the receiving room, which was lined with Valorian weapons. “They don’t belong there,” she heard Arin say. She turned to see him staring in shock at the walls. “Irex is an exceptional fighter,” said Kestrel. “And not very modest.” Arin said nothing, so neither did Kestrel.

What I cannot understand is how your uncle could consider these two men suitable when they aren’t. Not one whit!” “We know that,” Elizabeth said wryly, bending down to pull a blade of grass from between the flagstones beneath the bench, “but evidently my ‘suitors’ do not, and that’s the problem.” As she said the words a thought began to form in her mind; her fingers touched the blade, and she went perfectly still. Beside her on the bench Alex drew a breath as if to speak, then stopped short, and in that pulsebeat of still silence the same idea was born in both their fertile minds. “Alex,” Elizabeth breathed, “all I have to-“ “Elizabeth,” Alex whispered, “it’s not as bad as it seems. All you have to-“ Elizabeth straightened slowly and turned. In that prolonged moment of silence two longtime friends sat in a rose garden, looking raptly at each other while time rolled back and they were girls again-lying awake in the dark, confiding their dreams and troubles and inventing schemes to solve them that always began with “If only…” “If only,” Elizabeth said as a smile dawned across her face and was matched by the one on Alex’s, “I could convince them that we don’t suit-“ “Which shouldn’t be hard to do,” Alex cried enthusiastically, “because it’s true!” The joyous relief of having a plan, of being able to take control of a situation that minutes before had threatened her entire life, sent Elizabeth to her feet, her face aglow with laughter. “Poor Sir Francis,” she chuckled, looking delightedly from Bentner to Alex as both grinned at her. “I greatly fear he’s in for the most disagreeable surprise when he realizes what a-a” she hesitated, thinking of everything an old roué would most dislike in his future wife-“a complete prude I am!” “And,” Alex added, “what a shocking spendthrift you are!” “Exactly!” Elizabeth agreed, almost twirling around in her glee. Sunlight danced off her gilded hair and lit her green eyes as she looked delightedly at her friends. “I shall make perfectly certain to give him glaring evidence I am both. Now then, as to the Earl of Canford…” “What a pity,” Alex said in a voice of exaggerated gloom, “you won’t be able to show him what a capital hand you are with a fishing pole. “Fish?” Elizabeth returned with a mock shudder. “Why, the mere thought of those scaly creatures positively makes me swoon!” “Except for that prime one you caught yesterday,” Bentner put in wryly. “You’re right,” she returned with an affectionate grin at the man who’d taught her to fish. “Will you find Berta and break the news to her about going with me? By the time we come back to the house she ought to be over her hysterics, and I’ll reason with her.” Bentner trotted off, his threadbare black coattails flapping behind him.

ONCE, THERE WAS A CHINA RABBIT WHO was loved by a little girl. The rabbit went on an ocean journey and fell overboard and was rescued by a $sherman. He was buried under garbage and unburied by a dog. He traveled for a long time with the hoboes and worked for a short time as a scarecrow. Once, there was a rabbit who loved a little girl and watched her die. The rabbit danced on the streets of Memphis. His head was broken open in a diner and was put together again by a doll mender. And the rabbit swore that he would not make the mistake of loving again. Once there was a rabbit who danced in a garden inspringtime with the daughter of the woman who had loved him at the beginning of his journey. The girl swung the rabbit as she danced in circles. Sometimes, they went so fast, the two of them, that it seemed as if they were )ying. Sometimes, it seemed as if they both had wings. Once, oh marvelous once, there was a rabbit who found his way home.

I want to do it properly,” were the first words of which Harry was fully conscious of speaking. “Not by magic. Have you got a spade?” And shortly afterward he had set to work, alone, digging the grave in the place that Bill had shown him at the end of the garden, between bushes. He dug with a kind of fury, relishing the manual work, glorying in the non-magic of it, for every drop of his sweat and every blister felt like a gift to the elf who had saved their lives. His scar burned, but he was master of the pain; he felt it, yet was apart from it. He had learned control at last, learned to shut his mind to Voldemort, the very thing Dumbledore had wanted him to learn from Snape. Just as Voldemort had not been able to possess Harry while Harry was consumed with grief for Sirius, so his thoughts could not penetrate Harry now, while he mourned Dobby. Grief, it seemed, drove Voldemort out . . . though Dumbledore, of course, would have said that it was love. . .

In front of the mound: a mile of naked strangers. In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon . . . soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered—look, there they are: the inner thighs, the nipples, pubes—or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors—the skin, the juice, the sweet pulp of a fine fruit—well, son, your possibilities, as unrealized as the erections of your penis—in a moment—soon—will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered—not that you or I died, but that there were so many of us. And that we were.

In short, the observer is choked with observations. Only to prevent us from being submerged by chaos, nature and society between them have arranged a system of classification which is simplicity itself; stalls, boxes, amphitheatre, gallery. The moulds are filled nightly. There is no need to distinguish details. But the difficulty remains—one has to choose. For though I have no wish to be Queen of England or only for a moment—I would willingly sit beside her; I would hear the Prime Minister's gossip; the countess whisper, and share her memories of halls and gardens; the massive fronts of the respectable conceal after all their secret code; or why so impermeable? And then, doffing one's own headpiece, how strange to assume for a moment some one's—any one's—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain, more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; Lady Charles at the Manor.

Looking back on all my interviews for this book, how many times in how many different contexts did I hear about the vital importance of having a caring adult or mentor in every young person’s life? How many times did I hear about the value of having a coach—whether you are applying for a job for the first time at Walmart or running Walmart? How many times did I hear people stressing the importance of self-motivation and practice and taking ownership of your own career or education as the real differentiators for success? How interesting was it to learn that the highest-paying jobs in the future will be stempathy jobs—jobs that combine strong science and technology skills with the ability to empathize with another human being? How ironic was it to learn that something as simple as a chicken coop or the basic planting of trees and gardens could be the most important thing we do to stabilize parts of the World of Disorder? Who ever would have thought it would become a national security and personal security imperative for all of us to scale the Golden Rule further and wider than ever? And who can deny that when individuals get so super-empowered and interdependent at the same time, it becomes more vital than ever to be able to look into the face of your neighbor or the stranger or the refugee or the migrant and see in that person a brother or sister? Who can ignore the fact that the key to Tunisia’s success in the Arab Spring was that it had a little bit more “civil society” than any other Arab country—not cell phones or Facebook friends? How many times and in how many different contexts did people mention to me the word “trust” between two human beings as the true enabler of all good things? And whoever thought that the key to building a healthy community would be a dining room table? That’s why I wasn’t surprised that when I asked Surgeon General Murthy what was the biggest disease in America today, without hesitation he answered: “It’s not cancer. It’s not heart disease. It’s isolation. It is the pronounced isolation that so many people are experiencing that is the great pathology of our lives today.” How ironic. We are the most technologically connected generation in human history—and yet more people feel more isolated than ever. This only reinforces Murthy’s earlier point—that the connections that matter most, and are in most short supply today, are the human-to-human ones.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.

Here and there, a few drops of this freshness were scattered on a human heart, and gave it youth again, and sympathy with the eternal youth of nature. The artist chanced to be one on whom the reviving influence fell. It made him feel — what he sometimes almost forgot, thrust so early as he had been into the rude struggle of man with man — how youthful he still was. “It seems to me,” he observed, “that I never watched the coming of so beautiful an eve, and never felt anything so very much like happiness as at this moment. After all, what a good world we live in! How good, and beautiful! How young it is, too, with nothing really rotten or age-worn in it! This old house, for example, which sometimes has positively oppressed my breath with its smell of decaying timber! And this garden, where the black mould always clings to my spade, as if I were a sexton delving in a graveyard! Could I keep the feeling that now possesses me, the garden would every day be virgin soil, with the earth’s first freshness in the flavor of its beans and squashes; and the house! — it would be like a bower in Eden, blossoming with the earliest roses that God ever made. Moonlight, and the sentiment in man’s heart responsive to it, are the greatest of renovators and reformers. And all other reform and renovation, I suppose, will prove to be no better than moonshine!

In the winter of 18077, thirteen like-minded souls in London got together at the Freemasons Tavern at Long Acre, in Covent Garden, to form a dining club to be called the Geological Society. The idea was to meet once a month to swap geological notions over a glass or two of Madeira and a convivial dinner. The price of the meal was set at a deliberately hefty 15 shillings to discourage those whose qualifications were merely cerebral. It soon became apparent, however, that there was a demand for something more properly institutional, with a permanent headquarters, where people could gather to share and discuss new findings. In barely a decade membership grew to 400 – still all gentlemen, of course – and the Geological was threatening to eclipse the Royal as the premier scientific society in the country. The members met twice a month from November until June8, when virtually all of them went off to spend the summer doing fieldwork. These weren’t people with a pecuniary interest in minerals, you understand, or even academics for the most part, but simply gentlemen with the wealth and time to indulge a hobby at a more or less professional level. By 1830 there were 745 of them, and the world would never see the like again. It is hard to imagine now, but geology excited the nineteenth century – positively gripped it – in a way that no science ever had before or would again.

One of the problems is that Dublin is, and I mean literally and topographically, flat - so that everything has to take place on a single plane. Other cities have metro systems, which add depth, and steep hills or skyscrapers for height, but Dublin has only short squat grey buildings and trams that run along the street. And it has no courtyards or roof gardens like continental cities, which at least break up the surface, if not vertically, then conceptually. Have you thought about this before? Maybe even if you haven't, you've noticed it at some subconscious level. It's hard to go very far up in Dublin or very low down, hard to lose yourself or other people, or to gain a sense of perspective. You might think it's a democratic way to organise a city - so that everything happens face to face, I mean, on equal footing. True, no one is looking down on you all from a height. But it gives the sky a position of total dominance. Nowhere is the sky meaningfully punctuated or broken up by anything at all. The Spire, you might point out, and I will concede the Spire, which is anyway the narrowest possible of interruptions, and dangles like a measuring tape to demonstrate the diminutive size of every other edifice around. The totalising effect of the sky is bad for people there. Nothing ever intervenes to block the thing from view. It0s like a memento more. I wish someone would cut a hole in it for you.

In the section with edible flowers I stopped short, a bright yellow-and-purple pansy in my hands, hearing my mother's voice from long ago. Pansies are the showgirls of the flower world, but they taste a little grassy, she'd confided to me once as we pulled the weeds in her herb and flower garden. I put a dozen pansies in my cart and moved on to carnations. Carnations are the candy of the flower world, but only the petals. The white base is bitter, she'd instructed, handing me one to try. In my young mind carnations had been in the same category as jelly beans and gumdrops. Treats to enjoy. "Impatiens." I browsed the aisles of Swansons, reading signs aloud. "Marigolds." Marigolds taste a little like citrus, and you can substitute them for saffron. My mother's face swam before my eyes, imparting her kitchen wisdom to little Lolly. It's a poor woman's saffron. Also insects hate them; they're a natural bug deterrent. I placed a dozen yellow-and-orange marigolds into my cart along with a couple different varieties of lavender and some particularly gorgeous begonias I couldn't resist. I had a sudden flash of memory: my mother's hand in her floral gardening glove plucking a tuberous begonia blossom and popping it in her mouth before offering me one. I was four or five years old. It tasted crunchy and sour, a little like a lemon Sour Patch Kid. I liked the flavor and sneaked a begonia flower every time I was in the garden for the rest of the summer.

Let me go!” “Not until I find out what you’re plotting. Is Catherine Marks even your real name? Who the hell are you?” He swore as she began to struggle in earnest. “Hold still, you little she-devil. I just want to’ouch!” This last as she turned and jabbed a sharp elbow in his side. The maneuver gained Marks the freedom she sought, but her spectacles went flying to the ground. “My spectacles!” With an aggravated sigh, she dropped to her hands and knees and began feeling for them. Leo’s fury was instantly smothered by guilt. From the looks of it, she was practically blind without the spectacles. And the sight of her crawling on the ground made him feel like a brute. A jackass. Lowering to his knees, he began to hunt for them as well. “Did you see the direction they went in?” he asked. “If I did,” she said, fuming, “I wouldn’t need spectacles, would I?” A short silence. “I’ll help you find them.” “How kind of you,” she said acidly. For the next few minutes the two of them traversed the garden on their hands and knees, searching among the daffodils. They both chewed on the gristly silence as if it were a mutton chop. “So you actually need spectacles,” Leo finally said. “Of course I do,” Marks said crossly. “Why would I wear spectacles if I didn’t need them?” “I thought they might be part of your disguise.” “My disguise?” “Yes, Marks, disguise. A noun describing a means of concealing someone’s identity. Often used by clowns and spies. And now apparently governesses. Good God, can anything be ordinary for my family?

I am glad when we enter the conference room that Chihiro made sure I wasn’t late to the meeting. Not only does my appearance cut short several whispered confabs in the corners of the room (confirming her suspicion that people would have used my lateness as a chance to talk about me), but I also get to take my favorite seat: at the far end of the table next to my favorite monkey. I’ve never quite understood how the monkeys got here. The fresco on the ceiling of this room –originally the formal dining room- is modeled on the one in the formal dining room at La Civetta. It depicts a lemon-covered pergola in a garden. An assortment of birds –doves, sparrows, and long-tailed peacocks – roost on the wooden struts. In the original fresco, fat cupids also frolic amidst the greenery, their chubby feet dangling precariously from their perches. In one corner a plaster foot even protrudes from the frescoed surface. In this New York version of the fresco, there are monkeys instead of cupids: monkeys peering out between leafy branches and monkeys dangling by their tails from the wooden slats of the pergola. If you look carefully (and I have had ample opportunity through long and tedious budget reviews to examine every inch of the palatial room), you can even find a few monkeys that have climbed down from the pergola and found their way into the formal dining room to perform rude and unspeakable acts... My favorite monkey, though, is the little one who peers out from behind the leafy fronds of an aspidistra, making an obscene gesture I have seen only on the streets of Italy. I always sit right next to him. He gives me some relief for the sentiments I am unable to express in the course of department meetings.

Can a reasonable man ever truly question the nobility of the heat engine he calls his body? What option does he have but to heap praise on his form, to self-adore, to admire, and to hold it up as the greatest statement of beauty in a beautiful garden? What, though, is to be admired in such a frighteningly fragile machine; a perilously needy contraption laced with kilometres of liquid and electrical conduits prone to leaks, rot, clogs, and short-circuits? What is there to be proud of in a machine that has an eight hour battery life and is predetermined to spend half its existence in a defenceless, catatonic coma? What is to be revered in a mechanism let loose in a sealed off room where almost everything—including its single source of light and warmth—makes it sick, but whose immune system functions by late entry crisis-response imitation? Where is the awe in a contrivance that freezes and dies if placed a little over here, or overheats and dies if placed a little over there? Where is the wonder in an instrument that is crushed to a pulp if dropped a little down there, or boiled away to nothing if lifted a little up there? Where is the marvel in an appliance where three-quarters of the planet’s surface will drown it, and three-quarters of the atmosphere will asphyxiate it? What is there to be cherished in a machine born innately greedy and so utterly useless that it has to wait three years for its neural networks to hook-up and come online before it even begins to get a hint of who or even what it is, and only then can it start to relearn absolutely everything its forebears had already bothered to learn? Where is the artistry in a thinking engine whose sweetest fuel can only be embezzled from other thinking engines?

It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.

Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos. The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul. I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous. So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.

There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?

At the heart of the Reformation message was a rejection of the power of individual believers, or of the church acting on their behalf, to affect God's judgment about who should be saved and who should be damned. Martin Luther had been convinced, like Augustine, of the powerlessness and unworthiness of fallen humanity, and struck by the force of God's mercy. Good works could not merit this mercy, or affect a sovereign God; instead individual sinners were entirely dependent on God's mercy and justified (saved) by faith alone. Jean Calvin, a generation later, developed more clearly the predestinarian implications - since some men were saved and some were damned, and since this had nothing to do with their own efforts, it must mean that God had created some men predestined for salvation (the elect). This seemed to imply that He must also have predestined other men for damnation (double predestination), a line of argument which led into dangerous territory. Some theologians, Calvin's close associate Beza among them, went further and argued that the entire course of human history was foreordained prior to Adam and Eve's fall in the Garden of Eden. These views (particularly the latter, 'supralapsarian' arguments) seemed to their opponents to suggest that God was the author of the sin, both in Eden and in those who were subsequently predestined for damnation. They also raised a question about Christ's sacrifice on the cross - had that been made to atone for the sins of all, or only of the elect? Because of these dangers many of those with strong predestinarian views were unsure about whether the doctrine should be openly preached. Clever theologians, like expensive lawyers, are adept at failing to push arguments too far and there were many respectable positions short of the one adopted by Beza. But predestination was for many Protestants a fundamental - retreat from this doctrine implied a role for free will expressed in works rather than justification by faith. It thus reopened the door to the corruptions of late-medieval Christianity.

Vielen Dank, meine Herren,” Franz Deutscher politely said. “Many thanks, my gentlemen.” Rudy climbed to his knees, did some gardening in his ear, and looked across at Tommy. Tommy closed his eyes, and he twitched. When they returned to Himmel Street that day, Liesel was playing hopscotch with some of the younger kids, still in her BDM uniform. From the corner of her eye, she saw the two melancholic figures walking toward her. One of them called out. They met on the front step of the Steiners’ concrete shoe box of a house, and Rudy told her all about the day’s episode. After ten minutes, Liesel sat down. After eleven minutes, Tommy, who was sitting next to her, said, “It’s all my fault,” but Rudy waved him away, somewhere between sentence and smile, chopping a mud streak in half with his finger. “It’s my—” Tommy tried again, but Rudy broke the sentence completely and pointed at him. “Tommy, please.” There was a peculiar look of contentment on Rudy’s face. Liesel had never seen someone so miserable yet so wholeheartedly alive. “Just sit there and—twitch—or something,” and he continued with the story. He paced. He wrestled his tie. The words were flung at her, landing somewhere on the concrete step. “That Deutscher,” he summed up buoyantly. “He got us, huh, Tommy?” Tommy nodded, twitched, and spoke, not necessarily in that order. “It was because of me.” “Tommy, what did I say?” “When?” “Now! Just keep quiet.” “Sure, Rudy.” When Tommy walked forlornly home a short while later, Rudy tried what appeared to be a masterful new tactic. Pity. On the step, he perused the mud that had dried as a crusty sheet on his uniform, then looked Liesel hopelessly in the face. “What about it, Saumensch?” “What about what?” “You know ….” Liesel responded in the usual fashion. “Saukerl,” she laughed, and she walked the short distance home. A disconcerting mixture of mud and pity was one thing, but kissing Rudy Steiner was something entirely different. Smiling sadly on the step, he called out, rummaging a hand through his hair. “One day,” he warned her. “One day, Liesel!

In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon… soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered - look, there they are: the inner thighs, the nipples, pubes - or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors - the skin, the juice, the sweet pulp of a fine fruit - well, son, your possibilities, as unrealised as the erections of your penis - in a moment - soon - will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered - not that you or I died, but that there were so many of us.

Cansrel could sit with Fire and do something no one else could: give her lessons to improve the skill of her mind. They could communicate without saying a word, they could touch each other from opposite ends of the house. Fire’s true father was like her—was, in fact, the only person in the world like her. He always asked the same question when he first arrived: “My darling monster girl! Was anyone mean to you while I was gone?” Mean? Children threw stones at her in the road. She was tripped sometimes, slapped, taunted. People who liked her hugged her, but they hugged her too hard and were too free with their hands. And still, Fire learned very young to answer no to his question—to lie, and to guard her mind from him so he wouldn’t know she was lying. This was the beginning of another of her confusions, that she would want his visits so much but fall immediately to lying once he came. When she was four she had a dog she’d chosen from a litter born in Brocker’s stables. She chose him, and Brocker let her have him, because the dog had three functional legs and one that dragged, and would never be any use as a worker. He was inky gray and had bright eyes. Fire called him Twy, which was short for Twilight. Twy was a happy, slightly brainless fellow with no idea he was missing something other dogs had. He was excitable, he jumped around a lot, and had a tendency on occasion to nip his favorite people. And nothing worked him into a greater frenzy of excitement, anxiety, joy, and terror than the presence of Cansrel. One day in the garden Cansrel burst upon Fire and Twy unexpectedly. In confusion, Twy leapt against Fire and bit her more than nipped her, so hard that she cried out. Cansrel ran to her, dropped to his knees, and took her into his arms, letting her fingers bleed all over his shirt. “Fire! Are you all right?” She clung to him, because for just a moment Twy had scared her. But then, as her own mind cleared, she saw and felt Twy throwing himself against a pitch of sharp stone, over and over. “Stop, Father! Stop it!” Cansrel pulled a knife from his belt and advanced on the dog. Fire shrieked and grabbed at him. “Don’t hurt him, Father, please! Can’t you feel that he didn’t mean it?

During the war, I was constantly afraid Chris would die. What made it worse was that he told me many times that he wanted to die on the battlefield. Let me refine that. He didn’t want to die, but if he had to die, then he couldn’t imagine anything better than dying on the battlefield. It was part of his sense of duty: dying on the battlefield would mean that he had been doing his utmost to protect others. There was no higher calling, and no higher proof of dedication, for Chris. So there was no sense fearing death in combat. It would be an honor. That idea hurt me. I knew my husband wasn’t reckless--far from it--but in war there is a very thin line between being brave and being foolish, and when Chris talked like that I worried the line might be crossed. I started going to church more during his first deployment, and eventually went to women’s Bible studies to learn more about the Bible. But fitting the idea of God and faith and service together was never easy. What should I pray for? My husband to live, certainly. But wasn’t that selfish? What if that wasn’t God’s will? I prayed Chris would make the right decision when it came time to reenlist or leave the Navy. I wanted him to leave, yet that wasn’t exactly what I prayed for. Yet I was disappointed when he reenlisted. Was I disappointed with God, or Chris? Had my prayers even been heard? If it was God’s plan that he reenlist, I should have been at peace with it. Yet I can’t say that I was. Right after he made his decision, I took a walk with a friend whose faith ran very deep. She knew the Bible much better than I did, and was far more active in the church. I cried to her. “I have to believe this is the best thing for our family,” I told her. “But I don’t know how it can be. I’m really struggling to accept it.” “It’s okay to be angry with God,” she told me. That caught me short. “I--I don’t think we’re supposed to be.” “Why not?” “Well…Jesus was never mad at God, and--“ “That’s wrong,” she said. “Don’t you remember in the temple with the money changers? Or in the garden before he was crucified, his doubts? Or on the cross? It’s okay to have those feelings.” We talked some more. “I do believe that if Chris dies,” I said finally, “God must be saying it’s still okay for our family, even if I don’t know how.” She teared up. “I’m in awe,” she confessed. “I don’t know if I could say that.

He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.

I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.

This is how a great short piece of comedy works: The reader feels as though the writer is taking them on a leisurely stroll along a simple garden path, parasol in hand, and in a careful and measured way, pointing out all the funny and wonderful things in this hilarious comedy world. Showing them too much, or veering off the path by introducing concepts unrelated to your title, or racing through, introducing hard-to-understand concepts too quickly, you’ll give the reader more than they bargained for. They’ll get scared and abandon the journey.

What to read next? Hm…well, if you want more Carrie Jo, check out the Idlewood books. She’s at a new house, and there are heartbreaking child ghosts that need her help, but be warned, you’ll love them too. Most of them, anyway. I have also completed a historical fiction series about Queen Nefertiti. It’s called the Desert Queen series, and I’m very happy with it. If you fancy a bit of adventure in ancient Egypt, check it out. The first book in that series, The Tale of Nefret, is on Kindle. I also have a spooky plantation series called Sugar Hill. There are five books in that one: The Wife of the Left Hand, The Ramparts, and Blood by Candlelight, The Starlight Ball, and His Lovely Garden. I can’t wait to introduce you to the Dufresne family and take you through their plantation, Sugar Hill. Like Seven Sisters, the series will be chock-full of Southern folklore and historical places. Sugar Hill is like Gone With the Wind, but with ghosts! Thanks again for staying with me through this series. I appreciate all your kind words, the reviews, and the emails. Don’t forget to sign up for my mailing list or follow me on Amazon or BookBub so you can get the newest release information right in your inbox. I’ve got a website too that I visit infrequently. Check it out. See y’all soon. M.L. Bullock Christmas at Seven Sisters Three Short Stories from the Seven Sisters Series By M.L.

This idea that Jesus is meek, mild, indifferent, and non-judgmental is the stuff of pure myth. Pastor Mark Driscoll says he used to believe Jesus was dull, boring, passionless—in short, unappealing—until he read the Bible. He didn’t recognize in its pages the Jesus about Whom he’d always been told. Driscoll challenges us to read the Gospel of Mark, which will “spin your head around.” Jesus, says Driscoll, tells people to “repent.” He tells people to quit their jobs and follow him. He tells a demon to shut up. After He heals a leper He swears him to silence, too. Then He picks a fight with Sunday school teachers, He tells His mom He’s busy, He rebukes the wind, He kills two thousand pigs, and “he offends people, but doesn’t go to sensitivity training.” He calls people hypocrites and calls Peter “Satan,” He curses and kills a tree, He tells people they’re going to hell, and He rebukes the disciples for falling asleep on Him in the garden.21 Driscoll’s point is not that Jesus was mean or bad in any way; merely that the lukewarm, pacifist image this culture has created of Him is as ridiculous as it is inaccurate.

Traditionally, upon waking from blissfully uneventful insensibility, you ask: “Where am I?” It’s probably part of the racial consciousness or something. Vimes said it. Tradition allows a choice of second lines. A key point in the selection process is an audit to see that the body has all the bits it remembers having yesterday. Vimes checked. Then comes the tantalizing bit. Now that the snowball of consciousness is starting to roll, is it going to find that it’s waking up inside a body lying in a gutter with something multiple, the noun doesn’t matter after an adjective like “multiple,” nothing good ever follows “multiple,” or is it going to be a case of crisp sheets, a soothing hand, and a businesslike figure in white pulling open the curtains on a bright new day? Is it all over, with nothing worse to look forward to now than weak tea, nourishing gruel, short, strengthening walks in the garden and possibly a brief platonic love affair with a ministering angel, or was this all just a moment’s blackout and some looming bastard is now about to get down to real business with the thick end of a pickax helve? Are there, the consciousness wants to know, going to be grapes? At this point some outside stimulus is helpful. “It’s going to be all right” is favorite, whereas “Did anyone get his number?” is definitely a bad sign; either, however, is better than “You two hold his hands behind his back.” In fact someone said, “You were nearly a goner there, Captain.” The pain sensations, which had taken advantage of Vimes’s unconscious state to bunk off for a metaphorical quick cigarette, rushed back.

So I loved you because I thought you would be fat. I thought you would increase, multiply, develop a big belly, double cheeks, triple chins, dimpled knees. I thought there would be more of you. You'd stand out in a crowd, flaunt fashion. We'd have to buy clothes in stores catering to the big fellow. In your hands birds would nest. On your knees children would perch. You would rock marvelously— better than any rocking chair, better than any row boat. You would conjure up the sound and feel of water, the expanse of sea—its waves and calms, its storms under control. In your arms I would be sailing without the bother of shipwreck. All our gardens would grow if you dropped the seeds. Pumpkins would explode for fullness. Tomatoes so heavy would collapse their vines. Cauliflowers sprouting the size of streetlights. Your voice would fill the house— raise the ceilings, flood the windows. I'd hear you in every room. Over storms your voice would carry, lightning would not diminish you. What happened? You are no larger than me. Our voices fill the same small space. No soft flesh to press my fingers into deeply before I hit the road of your body. Your bones are as clear to find as mine, neither distinct nor hidden. They are simply the usual set— they suffice. They hold us together with no genius. The self you offer me is not unlike my self— no great dimensions, no extraordinary appetite. I don't live in the tower of your sound. Trees are outside our human scale and birds belong more properly in them. The only nest we can build is a nest for ourselves. In short, my dear you are my equal. We can only grow what every other can grow— the seeds we have been given.

Self published over covid19 kept me busy on lockdown having to stay at home. A beautiful flower from my garden I caught on its short flowering time seemed a great cover shot. A story of love, fun and excitement. How we have kept young at heart.

The most curious garden burial was marked by a short, square stone with no identifying name, merely the number 5232. Beneath it three amputated legs had been interred, all from Union soldiers treated at Judiciary Square Hospital in May 1864. One of the legs belonged to James G. Carey, a private in the 106th Pennsylvania Infantry, who not only survived his operation but lived until 1913; the fate of the second solider, Arthur McQuinn, 14th U.S. Infantry, is unknown; the third, Sgt. Michael Creighton, a native of Ireland in the 9th Massachusetts Infantry, survived his amputation for two weeks but died on June 9, 1864. He was interred in the Lower Cemetery the next day, separated from his left leg by more than half a mile, which makes him the only person at Arlington with two

Beautiful things are short-lived,

It was not the first time that his duty had been to comfort, as best he could, one of the broken things his brother’s imperious speed had cast aside and forgotten. He made no attempt to analyze the situation or to state it in exact terms; but he felt Katharine Gaylord’s need for him, and he accepted it as a commission from his brother to help this woman to die. Day by day he felt her demands on him grow more imperious, her need for him grow more acute and positive; and day by day he felt that in his peculiar relation to her his own individuality played a smaller and smaller part. His power to minister to her comfort, he saw, lay solely in his link with his brother’s life. He understood all that his physical resemblance meant to her. He knew that she sat by him always watching for some common trick of gesture, some familiar play of expression, some illusion of light and shadow, in which he should seem wholly Adriance. He knew that she lived upon this and that her disease fed upon it; that it sent shudders of remembrance through her and that in the exhaustion which followed this turmoil of her dying senses, she slept deep and sweet and dreamed of youth and art and days in a certain old Florentine garden, and not of bitterness and death.

She'd headed out early, walking the short distance to Kew Gardens and arriving as it opened, taking an hour to explore the grounds before her meeting. The huge expanses of green immediately soothed her as she wandered. She barely scratched the surface of what the great gardens had to offer, but gazed in awe at the spectacular Alpine House, the elegant Nash Conservatory, and sweltered in the giant Victorian glasshouse. She stopped to admire the succulent garden and the giant lilies in the Waterlily House, some of the pads of the Victoria amazonica more than a meter across, before wandering into the Rose Pergola, through a tunnel of blooms, rambling roses--- including the 'Danse Des Sylphes' and the pink-blossomed 'Mary Wallace', she read--- trained to climb in an arch over her head.

garden-variety LDL particle is fused with another, rarer type of protein called apolipoprotein(a), or apo(a) for short (not to be confused with apolipoprotein A or apoA, the protein that marks HDL particles). The apo(a) wraps loosely around the LDL particle, with multiple looping amino acid segments called “kringles,” so named because their structure resembles the ring-shaped Danish pastry by that name. The kringles are what make Lp(a) so dangerous: as the LDL particle passes through the bloodstream, they scoop up bits of oxidized lipid molecules and carry them along. As my lipid guru Tom Dayspring points out, this isn’t entirely bad. There is some evidence that Lp(a) may act as a sort

Once upon a time in a small, cozy village, there lived a curious little cat named Whiskers. Whiskers was known for his sense of humor, playful nature, and never-ending curiosity. He had soft, light brown fur with a dark brown spot over his left eye, and his paws also had charming brown spots. Whiskers spent his days exploring the village and making friends with the other animals. One sunny morning, as Whiskers was strolling through the village, he stumbled upon a mysterious garden. The entrance was hidden behind a tall, green hedge, and it looked like it had been forgotten for years. Intrigued by this secret place, Whiskers couldn't help but enter the garden to investigate.

A cleaner and wiser Fred Lemish now re-enters his Champion boxer shorts and leaves his Dinky Adams. In his garden. His beautiful magical garden

The lawn of Boston Common, the low sloping part from the merry-go-round and the frog pond to the road that cut between the Common and the Public Garden, was a crowd. Of all sorts of people, old and young, black and Asian and white and brown, skinny and fat and short and tall, and they were all in costume, and because they were all in costume, it was like looking straight into their hearts at what they loved or who they wanted to be. There were Poes and ghosts and cats and ravens and Spider-Men and mermaids and fairies and grim reapers and Leatherfaces and a freaky good Jason Voorhees—he was huge, scary huge; when he passed Dorry, she was eye to belly button—a bat, an Uno card, Dracula vampires, Twilight vampires, their faces brushed with glitter, some Red Sox, some Bruins, a Celtic who could have been Kevin Garnett, but she couldn’t get close enough to tell for sure. Someone was dressed as Mayor Menino. Someone was dressed as Kermit the Frog. Someone, a guy, Dorry thought—he had big shoulders and an Adam’s apple—was dressed as Cher, which Dorry got only after Cher came up to Ned and said, “Prince!” and Ned said, “Cher!” and they hugged, because even though they were strangers, they knew each other.

God can have His roses. The tomato gardeners remain defiant.

pond filled with the most peculiar fish. The garden was like a hidden

Trade and commerce and common sense and common decency prevailed, and men and women availed themselves of all opportunities. New roads were laid; office blocks shot up. And luxury flats stood on crumbling slums like shining false teeth on rotten gums. At the top of the building, whose ground floor is occupied by the restaurant, there is a secret garden. It was planted by the two women who share the garret, where the ceilings are slanted and dormer windows jut out. Outside the windows is a ledge, where the roof meets the exterior wall. The windows are large enough to climb through and it is possible to stand on the ledge. The woman called Tabitha discovered this. She is an intermittent smoker and the other woman, Precious, won’t allow her to smoke inside. Tabitha found that, along the ledge, there are steps and, if you climb the short flight, you come to a flat terrace, sheltered by the adjacent slanting roofs but exposed enough to trap the midday sun. Precious and Tabitha have filled the space with life. It began with a cheap chilli plant Precious picked up from the supermarket. The chillies did better than expected and Precious bought others, then the generic herbs of a kitchen garden: parsley, rosemary, chives. She bought a rose and ornamental grasses.

- But tell me, who was that queer cove with the spool of twine and the German accent? - The Austrian accent? Jeeves gently corrected. I may be mistaken, sir, but I think that was the philosopher Ludwig Wittgenstein. - So not an unhinged gardener? - Dr Wittgenstein is the author of the Tractatus. - A short history of farm machinery in the Ukraine? - The Tractatus Logico-Philosophicus, sir, concerns itself with a picture theory of language.