Posters For Room Quotes

We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the eclat of a proverb.

The first thing the attendees saw when they walked in was a poster with the question “What are our mokitas?”—a Papua New Guinea word for that which everyone knows and no one will speak of: the elephant in the room.

Not marble nor the gilded monuments Of princes, shall outlive this powerful rhyme, But you shall shine more bright in these contents Than unswept stone, besmeared with sluttish time. When wasteful war shall statues overturn And broils roots out the work of masonry, Nor mars his sword nor war's quick fire shall burn The living record of your memory. 'Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room Even in the eyes of all posterity That wear this world out to the ending doom. So, till judgement that yourself arise, You in this, and dwell in lovers eyes.

Aside from the posters, wherever there was room, there were books. Stacks and stacks of books. Books crammed into mismatched shelves and towers of books up to the ceiling. I liked my books.

To write, for a lesbian, is to learn to take down the patriarchal posters in her room. It means learning to live with bare walls for a while. It means learning how not to be afraid of the ghosts which assume the color of the bare wall.

Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.

I often wonder what Einstein would have done in my position. At Peterson, I kept an Einstein poster in my room, the one that says 'Imagination is more important than knowledge.' Einstein was smart, maybe even as smart as Laserator, but he played it way too safe. Then again, nobody ever threw a grappling hook at Einstein. I like to think he would have enjoyed my work, if he could have seen it. But no one sees anything I do, not until it's hovering over Chicago.

I like your room," I said truthfully. "Yeah? I like it too. Mom tried to guy it all up when I left for school but..." "Guy it all up?" I asked, cocking a questioning brow at him. "Yeah. When I came back my first break from college, she had decorated everything in swimming. Water waves bedspread. Michael Phelps posters, my old trophies and medals on my shelf. She even had a poster over my bed that said 'Swimmers Do It Right'." I laughed and then covered it with my hand. "Yeah, so I fixed it. I like things plain, not loud.

It is a way now, approximately, of being at home. The forum has become one of the most consistent places of her life, like a familiar cafe that exists someone outside geography and beyond time zones. There are perhaps twenty regular posters on F:F:F:, and some muchlarger and uncounted number of lurkers. And right now there are three people in Chat. But there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people at a distance of about fifteen feet. the hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counmter-purposes, deter her.

Everything in my room was old and faded, but I loved that about it. It felt like there might be secrets in the walls, in the four-poster bed, especially in that music box.

Alex strode through a doorway and kicked the door shut, finally dumping Emma down upon a large four-poster bed. She immediately made a mad dash for the door, but Alex ably blocked her, redeposited her on the bed, crossed the room, and locked the door with a resounding click. "Why you-" Alex tossed the key out the window.

A single room on the west side, which I really thought was just fine even though it didn’t quite pass my suicide visualization test. Could I picture shooting myself here? Definitely I could. Hanging myself? Sure. Some nights, I could even see the noose swinging from the light fixture on the ceiling. But I figured with a few well-placed posters, I might mute the sound of my own future death cry that would sometimes flood my ears upon entering this single room with galley kitchen.

Hey,508! Your room is right above mine. You never said." St. Clair smiles. "Maybe I didn't want you blaming me for keeping you up at night with my noisy stomping boots." "Dude.You do stomp." "I know.I'm sorry." He laughs and holds the door open for me.His room is neater than I expected. I always picture the guys with disgusting bedrooms-mountains of soiled boxer shorts and sweat-stained undershirts,unmade beds with sheets that haven't been changed in weeks, posters of beer bottles and women in neon bikinis,empty soda cans and chip bags,and random bits of model airplanes and discarded video games.s

Still, I find his room on the first guess, with a 51 poster taped to the door signed by all his teammates. I look a little closer and see all the signatures are marked with “Get well soon” or “Thinking about you” or “You’re stronger than this.

What one needs to do is to keep this correct thinking up and to make it a part and parcel of personality. For that you need to keep reminding yourself at continuous intervals. Write your aims or positive ideas in your diary and read them before sleep and after getting up in morning. You can paste motivational posters in your living room which will give you positive energy.

The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.

My father was too distracted to see anything in this. Mimicking my mother, he taped it to the fridge in the same place Buckley's long-forgotten drawing of the Inbetween had been. But my brother knew something was wrong with his story. Knew it by how his teacher reacted, doing a double take like they did in his comic books. He took the story down and brought it to my old room while Grandma Lynn was downstairs. He folded it into a tiny square and put it inside the now-empty insides of my four poster bed. ~pgs 217-218; Buckley's childhood

I see." Gamache lowered his voice, though all could still hear the words. "When I was Chief Superintendent, I had a framed poster in my office. On it were the last words of a favorite poet, Seamus Heaney. Noli timere. It's Latin. Do you know what it means?" He looked around the room. "Neither did I," he admitted when no one spoke. "I had to look it up. It means 'Be Not Afraid.' His eyes returned to the unhappy young agent. "In this job you'll have to do things that scare you. You might be afraid, but you must be brave. When I ask you to do something, you must trust there's a good reason. And I need to trust that you will do it. D'accord?

I kept wishing with real regret that I were capable of living in such continued simplicity. But I am not. Sometimes I honestly want to live in a plain room with a narrow bed, a chair, a table. But then I would need a bookcase. I would see a poster I must put on the wall. I would pick up a shell here, a bowl or vase there, another poster, enough books for two bookcases, a soft rug someone might give me--and where would the first plainness be? I cannot fight too hard against it, but I regret it.

I love them. They’ve given me everything—a home and a family and my own room and an Xbox and posters on the wall and everything.

I scan the room, from my Jonas Brothers and Taylor Swift posters on the walls to my pink and green bedspread to my bookcase and the trophy I won last year

I once read that if the folds in the cerebral cortex were smoothed out it would cover a card table. That seemed quite unbelievable but it did make me wonder just how big the cortex would be if you ironed it out. I thought it might just about cover a family-sized pizza: not bad, but no card-table. I was astonished to realize that nobody seems to know the answer. A quick search yielded the following estimates for the smoothed out dimensions of the cerebral cortex of the human brain. An article in Bioscience in November 1987 by Julie Ann Miller claimed the cortex was a "quarter-metre square." That is napkin-sized, about ten inches by ten inches. Scientific American magazine in September 1992 upped the ante considerably with an estimated of 1 1/2 square metres; thats a square of brain forty inches on each side, getting close to the card-table estimate. A psychologist at the University of Toronto figured it would cover the floor of his living room (I haven't seen his living room), but the prize winning estimate so far is from the British magazine New Scientist's poster of the brain published in 1993 which claimed that the cerebral cortex, if flattened out, would cover a tennis court. How can there be such disagreement? How can so many experts not know how big the cortex is? I don't know, but I'm on the hunt for an expert who will say the cortex, when fully spread out, will cover a football field. A Canadian football field.

Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty. 'Little girls,' said Miss Brodie, 'come and observe this.' They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'. 'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me.

i remember el salvador, /n it’s horse shit, like i tell you. i stopped chasing the messiahs /n madonnas - wised up, set myself straight. i’ve laid em /n balled em in every half-way house south of biloxi, every 10 cent bed west of tulsa, fucked /n slobbered myself stupid on swingsets, greyhounds /n gas station floors the world over. i’ve split em in half from head to ass in elevator shafts, plus-size fitting rooms, in the lobbies of sheraton inns /n kfc parking lots - fucked em everywhere every way that i could. someone else can fuck em now. i’m done w/ el salvador. i know her militias her perfume, munitions, her missing hubcaps /n posters of paris. i know her goyas, her barricades, her paintboxes /n bookshelves of baudelaire, her banners, her bullshit /n paris can keep her.

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

I first used LSD in my freshman year of high school at a homecoming football game. A friend had taken it too, knew more about it than me, and when asked, told me to just stare at certain things. The friend pointed at a rail that had some paint chipped off it and said "Just look at that... it's trippy." I looked at the rail with some paint chipped off. Nothing happened. I was in front of the school after the game was over and must have been high because two friends were in front of me crying. I asked them why they were crying and they said because I had taken acid. "Are you going to tell my parents?" I asked. "I don't know," they said. I was afraid. On the way home someone in the car started screaming. We found an albino praying mantis in the car, stopped and let it out. In a friend's room, later, I was lying on the bed and seeing in the corners nets of colors beating. A Nirvana poster was surrounded by color and moving slightly. After this incident there are no memories of taking LSD until senior year of high school. No one paid enough attention to notice I wasn't getting dressed in the morning, just taking acid and going to school in my pajamas. I would walk in the hallways staring forward with a neutral facial expression. I was terribly depressed. My mom eventually found out.

How else could we identify another weirdo or outlier? These symbols intimated a belief system, a way of thinking not just about music but about school and friends and politics and society. It was also a way to separate yourself, to feel bold or try on boldness without yet possessing it. A little inkling of the nonconformist person you could be—you wanted to be—but weren’t quite ready to commit to. I papered my walls with band posters and what little I could find in mainstream magazines about alternative and punk, maybe a picture of Babes in Toyland from Spin or Fugazi from Option. The iconoclast images and iconography covered my room, a jarring contrast to the preppy blue-and-white-striped wallpaper I’d insisted on in elementary school. I resented the parts of myself that were late to adopt coolness, late to learn—I wanted to have always possessed a savviness and sophistication, even though I clearly had neither.

They will ask her about the alcohol and marijuana. They won’t ask about the bottomless terror that will never leave her. About this room with its record-player and posters, from which she will never really escape again. One blouse-button somewhere on the floor, and a sense of panic that will be with her forever. She sobs noiselessly beneath his body, and screams silently behind his hand. * * * For the perpetrator, rape lasts just a matter of minutes. For the victim, it never stops.

One boy lost the treasured lunchbox note from his mother saying 'good luck'. He cried, alone in his room, then threw a toy car at his father's framed Coltrane poster. It smashed. He felt better. The father dutifully swept up all the glass and understood.

Hazel sometimes had a fantasy daydream at school where the teacher walked into the classroom and yelled, ISN’T EVERYTHING HORRIBLE? DOESN’T THE PAIN OF THE WORLD OUTWEIGH THE JOY BY TRILLIONS? WOULD YOU LIKE TO PUSH ALL OF THE DESKS INTO THE CENTER OF THE ROOM AND BURN THEM IN A GIANT BONFIRE? THEN WE CAN RUN AROUND SCREAMING AND WEEPING AMIDST THE SMOKE IN A TRUTHFUL PARADE OF OUR HUMAN CONDITION. SINCE YOU ARE SMALL STATURED, CHILDREN, IT MIGHT HELP OTHERS TO FEEL THE FULL BRUNT OF YOUR AGITATION IF YOU WAVE STICKS AND SHRUBBERY OVER YOUR HEADS ALL THE WHILE. WE DON’T WANT TO KILL ANYTHING WE DON’T HAVE TO KILL; EVERYTHING LIVING THAT WE’VE EVER SEEN OR KNOWN WILL DIE WITHOUT OUR INTERVENTION, OURSELVES INCLUDED; THIS IS A PSYCHOLOGICAL LEAD BLANKET THAT EVEN OUR MOST PERVASIVE MOMENTS OF COMFORT CANNOT CRAWL OUT FROM UNDER AND ONE UNEXTINGUISHABLE SOURCE OF DESPAIR, SO WE WON’T BE PERFORMING ANY RITUALISTIC SACRIFICES; THAT’S NOT THE DIRECTION WE WILL GO IN JUST YET; HOWEVER, ASSISTANT PRINCIPAL LAWRENCE IS ON THE PROWL FOR A ROAD CARCASS WE MIGHT BE ABLE TO USE AS A REPRESENTATIVE PROP BECAUSE NOWHERE IN OUR AUTUMN-THEMED POSTER BOARD DéCOR IS MORBIDITY OR DECAY SYMBOLIZED. OUR SCHOOL BOARD MEMBERS CANNOT AGREE ON HOW BEST TO ACKNOWLEDGE THE BOUNDLESSNESS OF HUMAN CRUELTY. IN OUR SOCIETY SOME OF YOU ARE FAR SAFER AND MORE ADVANTAGED THAN OTHERS; AT HOME SOME OF YOU ARE FAR MORE LOVED; SOME OF YOU WILL FIND THAT CONCEPTS LIKE FAIRNESS AND JUSTICE WILL BE THIN, FLICKERING HOLOGRAMS ON THE PERIPHERY OF YOUR LIVES. OH, LOOK, CHILDREN—I SEE MR. LAWRENCE IN THE DISTANCE DRAGGING A PORTION OF A HIGHWAY-SLAUGHTERED DEER. LET’S GO HELP HIM LUG IT INSIDE AND BE REMINDED THAT WE TOO INHABIT BODIES MADE OF MEAT-WRAPPED BONES; LET’S MEDITATE ON THIS CORPOREAL TERROR. Whenever her mother had asked, Hazel always told her, School is great.

for I have always seen a great similarity in the turn of our minds.—We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the eclat of a proverb.

~Posters with torn edges hanging from rotten walls~ The doctor told me something once she said STOP DRINKING I slapped her across the face with this NO I walked right out of that office went right down to the hole I told the bartender WHISKEY, MOTHERFUCKER he poured and he poured and I slapped my money down on that bar the man I had been driving around with he just sort of sat there next to this hooker she probably had something rotten way down there between her legs her eyes told of no soul I emptied the bottle down my throat and ordered some chips the bartender told me THEY'RE STALE and I give him a I DON'T FUCKIN' CARE, GIVE ME SOMETHIN' He slid me a ham sandwich dripping with cheap low-fat mayo and said ENJOY I went back to my room and talked all night so much conversation it turned the toilet bowl pale

surprisingly dramatic glow some minerals gave off when illuminated with ultraviolet light, or “black light.” In daylight, for instance, the mineral fluorite is a drab, chalky color; in a dark room under UV light, though, fluorite glows a brilliant blue; the mineral calcite shines bright red; and aragonite gives off a neon green. If you’ve ever stepped into a teenager’s cavelike room decorated with black-light posters (less common now than they were in the 1970s, when my three sons were growing up), you’ve seen another version of UV fluorescence in action.

surfing, writing, composing, and programming deep into the night, like it's the early 1980s with the hue of poison-green CRT illuminating the room, Nike running shoes on the floor, hair metal poster on the door, and everything is infinite, made of fibre optics and floppy disks . . .

She stood in the middle of my bedroom, gazing around with wide eyes. I hadn’t made my bed. In three years. And the walls were plastered with wakeboarding posters and snowboarding posters and surfing posters (I was going to learn to snowboard and surf someday, too). It all might have been overwhelming at first-not exactly House Beautiful. “Is this McGillicuddy’s room?” she asked. “What! No. McGillicuddy’s a neat freak. Also he collects Madame Alexander dolls.” She turned her wide eyes on me. “Kidding! I’m kidding,” I backtracked. Why did I have to make up stuff like that? My family was weird enough for real.

The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had.

The first thing she noticed when the light popped on was that the wallpaper had rows and rows of tiny lilacs on it, like scratch-and-sniff paper, and the room actually smelled a little like lilacs. There was a four-poster bed against the wall, the torn, gauzy remnants of what had once been a canopy now hanging off the posts like maypoles.

When we arrived at the home of our childbirth instructor, Brenda, she was arranging candles in an earthen vessel filled with sand. Brenda’s son, who had shown us into the room, cleared his throat to get his mother’s attention, then retreated with the quick step of a middle-school-aged boy in the same room as a gigantic poster of a uterus.

He walked across the room and flicked a switch. A spotlight turned on, illuminating a laminated poster of a woman on his wall. He took a crayon from his pocket and began drawing on it. I could see smudges from past demonstrations. [. . .] His dashed lines crisscrossed the woman's chest as if he were planning a military maneuver on undulating terrain.

I can’t say for certain what the future will hold, but at the risk of sounding like a cheesy motivational poster, know this: life ebbs and flows, and there’s always room for change. Humans have the capacity for growth until they leave this earth, so never feel like it’s too late for you to take another road if you’re unhappy with the one you’re traveling.

Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?” “Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the eclat of a proverb.

Can you tell me which is yours?" Standing at Bird's side, the nurse spoke as if she were addressing the father of the hospital's healthiest and most beautiful baby. But she wasn't smiling, she didn't even seem sympathetic; Bird decided this must be the standard intensive care ward quiz. Not only the nurse who had asked the question but two young nurses who were rinsing baby bottles beneath a huge water heater on the far wall, and the older nurse measuring powdered milk next to them, and the doctor studying file cards at a cramped desk against the smudgy poster-cluttered wall, and the doctor on this side of him, conversing with a stubby little man who seemed, like Bird, to be the father of one of the seeds of calamity gathered here—everybody in the room stopped what he was doing and turned in expectant silence to look at Bird.

There was a little optometrist shop on south Broadway tucked in between a pizza joint and what amounted to a head shop where you could buy glow-in-the-dark posters, bongs, and whatever else the hippies began marketing after they went commercial in the '70s... I had never visited the optometrist shop. The entrance had a 1930s look that I liked—art deco molded-tin awning over the doorway, and Bakelite tiles on the foyer walls. It looked like the kind of business that would be owned by an elderly optometrist who had serviced families for generations and personally ground lenses in his back room. I liked the look of the shop, but I drove right past it on my way to Sight City!!! where you could buy Two Pair for the Price of One!!! according to the billboards plastered all over Denver blocking every decent view of the Rocky Mountains.

I remember that one Holy Week, the magazine I got every Thursday, Anteojito, came with a free poster depicting the Stations of the Cross. I burned the poster and flushed the ashes down the toilet to dispose of the evidence. The idea that I was supposed to pin this graphic depiction of torture and death on my wall seemed to me as obscene as if someone had suggested decorating my room with pictures of the inner workings of Auschwitz.

The central fact of biblical history, the birth of the Messiah, more than any other, presupposes the design of Providence in the selecting and uniting of successive producers, and the real, paramount interest of the biblical narratives is concentrated on the various and wondrous fates, by which are arranged the births and combinations of the 'fathers of God.' But in all this complicated system of means, having determined in the order of historical phenomena the birth of the Messiah, there was no room for love in the proper meaning of the word. Love is, of course, encountered in the Bible, but only as an independent fact and not as an instrument in the process of the genealogy of Christ. The sacred book does not say that Abram took Sarai to wife by force of an ardent love, and in any case Providence must have waited until this love had grown completely cool for the centenarian progenitors to produce a child of faith, not of love. Isaac married Rebekah not for love but in accordance with an earlier formed resolution and the design of his father. Jacob loved Rachel, but this love turned out to be unnecessary for the origin of the Messiah. He was indeed to be born of a son of Jacob - Judah - but the latter was the offspring, not of Rachel but of the unloved wife, Leah. For the production in the given generation of the ancestor of the Messiah, what was necessary was the union of Jacob precisely with Leah; but to attain this union Providence did not awaken in Jacob any powerful passion of love for the future mother of the 'father of God' - Judah. Not infringing the liberty of Jacob's heartfelt feeling, the higher power permitted him to love Rachel, but for his necessary union with Leah it made use of means of quite a different kind: the mercenary cunning of a third person - devoted to his own domestic and economic interests - Laban. Judah himself, for the production of the remote ancestors of the Messiah, besides his legitimate posterity, had in his old age to marry his daughter-in-law Tamar. Seeing that such a union was not at all in the natural order of things, and indeed could not take place under ordinary conditions, that end was attained by means of an extremely strange occurrence very seductive to superficial readers of the Bible. Nor in such an occurrence could there be any talk of love. It was not love which combined the priestly harlot Rahab with the Hebrew stranger; she yielded herself to him at first in the course of her profession, and afterwards the casual bond was strengthened by her faith in the power of the new God and in the desire for his patronage for herself and her family. It was not love which united David's great-grandfather, the aged Boaz, with the youthful Moabitess Ruth, and Solomon was begotten not from genuine, profound love, but only from the casual, sinful caprice of a sovereign who was growing old.

When he noticed her stifling another yawn, he took her elbow. “At least lie down for a few minutes,” he said, steering her toward the bed. “Oh, I couldn’t.” Dragging her feet, she eyed the four-poster with trepidation. “Of course you can. There’s nothing improper about it if I’m not in the bed with you. I won’t even pull down the covers—don’t think of it as a bed, think of it as a handy horizontal surface for resting. Here…” Relinquishing her arm, he dashed to the sitting room.

They’re just so stupid,” he says, sighing. “In addition to this stupid, racist feud they have with your family, they’ve got all of these Make America Great Again posters plastered over our windows, and while we were in the living room watching a movie together, they just kept making really shitty homophobic comments. And I had enough.” He sighs again. “And you know, they had the nerve to threaten me, saying if I cost them the race tomorrow, they’ll send me to Texas to live with my grandparents.

One did not know when Begum Jaan’s life began — whether it was when she committed the mistake of being born or when she came to the Nawab’s house as his bride, climbed the four-poster bed and started counting her days. Or was it when she watched through the drawing room door the increasing number of firm-calved, supple- waisted boys and delicacies begin to come for them from the kitchen! Begum Jaan would have glimpses of them in their perfumed, flimsy shirts and feel as though she was being raked over burning embers!

The dismembered limbs of dolls and puppets are strewn about everywhere. Posters, signs, billboards, and leaflets of various sorts are scattered around like playing cards, their bright words disarranged into nonsense. Countless other objects, devices, and leftover goods stock the room, more than one could possibly take notice of. But they are all, in some way, like those which have been described. One wonders, then, how they could add up to such an atmosphere of…isn’t repose the word? Yes, but a certain kind of repose: the repose of ruin.

The waiting room, like most waiting rooms, was deserted and unremarkable. The benches were miserably uncomfortable, the ashtrays swollen with waterlogged cigarette butts, the air stale. On the walls were travel posters and most-wanted lists. The only other people there were an old man wearing a camel-color sweater and a mother with her four-year-old son. The old man sat glued in position, poring through a literary magazine. He turned the pages as slowly as if he were peeling away adhesive tape. Fifteen minutes from one page to the next. The mother and child looked like a couple whose marriage was on the rocks.

And then she walked into the room. Like calling this place a “house” was inadequate, saying she “walked” also seemed far too tame. Accurate, yes. I mean, she didn’t do anything extraordinary. Not really. She didn’t glide into the drawing room or ride in on a white horse or anything like that. But she might as well have. She made an entrance and she made it just by entering. I didn’t say “wow” out loud, but I almost did. We both quickly stood, not because we were being gentlemen, but because something about her entrance demanded it. There, in the flesh, was the talk of the town, the movie poster come to life, Angelica Wyatt. “You

The second thing was to get a search of the prison going. The third was to alert the state police in Scarborough to the possibility of a breakout. That was the routine. It didn’t call for them to search the suspected escapee’s cell, and so no one did. Not then. Why would they? It was a case of what you see is what you get. It was a small square room, bars on the window and bars on the sliding door. There was a toilet and an empty cot. Some pretty rocks on the windowsill. And the poster, of course. It was Linda Ronstadt by then. The poster was right over his bunk. There had been a poster there, in that exact same place, for twenty-six years.

Exhibit D: The Cots (or, If You Give a Librarian a Closet) If you give a librarian a closet, she will probably fill it with junk. If she fills it with junk, some of the junk will be books in need of repair. If some of the junk is books, and the closet is off of a back room anyway, she will hide more books there, books that she thinks are crap like the Stormy Sisters series, but which her boss thinks the library should keep. If she hides crappy books there, she will be in no rush to clean the closet, since she would then be out a hiding place. If she goes ten months without cleaning it, she will go to great lengths to hide the mess from her alcoholic and temperamental boss. If she wants to hide the mess from her boss, she will stuff the front of the closet with cots that were once used for nap hour of the short-lived library day care, circa 1996. If she stuffs the closet with cots… the closet will fester unopened for months. If the closet festers unopened for months, the librarian will probably decorate the closet door with cartoons and posters in an effort to distract her fellow librarians from the thought of ever opening the closet. If a librarian decorates a closet door, she will use such items as a Conan the Librarian cartoon, a large stocker that says “the world is quiet here,” a poster of If You Give a Mouse a Cookie, a CPR chart, and a bookstore café napkin signed by Michael Chabon. If she uses these items, her boss will ask, “What the hell does this mean, ‘The world is quiet here’? Is it political?” And her boss will also ask, “you’re not filing Michael Chabon in the children’s section, are you?” but her boss, distracted by these items, will never think to open the door. If her boss never opens the door, she will forget she has given the librarian a closet and will, by the end of the year, offer the librarian a second closet. If she gives the librarian a second closet, the librarian will probably fill it with junk.

be apart. Despite getting rejected by my top-choice school, I was starting to really believe in myself again based on all the positive feedback we continued to get on our videos. And besides, I knew I could always reapply to Emerson the following year and transfer. • • • College started out great, with the best part being my newly found freedom. I was finally on my own and able to make my own schedule. And not only was Amanda with me, I’d already made a new friend before the first day of classes from a Facebook page that was set up for incoming freshmen. I started chatting with a pretty girl named Chloe who mentioned that she was also going to do the film and video concentration. Fitchburg isn’t located in the greatest neighborhood, but the campus has lots of green lawns and old brick buildings that look like mansions. My dorm room was a forced triple—basically a double that the school added bunk beds to in order to squeeze one extra person in. I arrived first and got to call dibs on the bunk bed that had an empty space beneath it. I moved my desk under it and created a little home office for myself. I plastered the walls with Futurama posters and made up the bed with a new bright green comforter and matching pillows. My roommates were classic male college stereotypes—the football player and the stoner. Their idea of decorating was slapping a Bob Marley poster and a giant ad for Jack Daniels on the wall.

In her Vanderbilt dorm room, trying to fall asleep at night, she’d gotten unexpected comfort from taking mental walks through Flanagan’s, corner to corner, over to the jukebox, down the hall to the restrooms. In these walks she was the only person there, moving freely through the space, cataloging the bar’s brass footrail, the Marilyn poster, the Houdini photograph, the specific taupe of the fireplace brick. But now she saw that it was just a bar, filled with people she didn’t know—she guessed the regulars had been deterred by the gawkers and tourists. Wood, brick, bone, flesh. Random shoes against the footrail, people hollering for drinks. It was never really hers, and it would carry on fine without her.

Well, happy birthday anyway.” “Wow--that’s right, I forgot! I’m seventeen!” Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. “Slick,” snorted Ron. Reveling in the removal of his Trace, Harry sent Ron’s possessions flying around the room, causing Pigwidgeon to wake up and flutter excitedly around his cage. Harry also tried tying the laces of his trainers by magic (the resultant knot took several minutes to untie by hand) and, purely for the pleasure of it, turned the orange robes on Ron’s Chudley Cannons posters bright blue. “I’d do your fly by hand, though,” Ron advised Harry, sniggering when Harry immediately checked it. “Here’s your present. Unwrap it up here, it’s not for my mother’s eyes.” “A book?” said Harry as he took the rectangular parcel. “Bit of a departure from tradition, isn’t it?” “This isn’t your average book,” said Ron. “It’s pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I’d had this last year I’d have known exactly how to get rid of Lavender and I would’ve known how to get going with…Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.

We make a right down a smaller corridor and head to the very last door on the left. He grips the handle and swings it open, revealing a bedroom beyond, lit only by the moonlight streaming through the window. If I thought my room was magnificent, it pales in comparison to this. It's easily twice the size of my own, making it seem more like a house than a single bedroom. Though it's filled with a four-poster bed, dresser, and a desk-just as mine is-this room seems lived in. The shelf is overflowing, books stacked at odd angles to make them fit. Several of their worn covers tell me they consist of strategy, combat, and...poetry. Interesting. Everything filling this room is nicer than my own, yet used and worn. This is his room-his real room.

Taylor held a finger up to Val and Kate. “Hold that thought for a second while I get this.” As she headed into the living room, she overheard Kate mumble to Val, “Hold what thought? I haven’t understood a word she’s said yet.” Taylor unlocked her front door and opened it. Before she could react, Jason barreled right in, all fired up. “Where have you been?? I tried calling you—is your cell phone off? I need you to tell me who the hell I can sue. I just met with Marty—we got back the mock-ups for the new publicity posters the studio’s going to use to promote Inferno .” Jason stormed into the kitchen, so engrossed in his rant he didn’t notice Valerie and Kate. He opened Taylor’s fridge and helped himself to a bottled water. “And get this,” he fumed angrily, “the dumbasses who designed the posters have me pictured in this scene where I’m putting out a fire with all these other firemen. But if you look at the poster from the side, the water from the hose of one of the other firefighters looks like it’s shooting right out of my crotch. And the best part is, they want to put this poster over the theater entrance for the premiere. I can just see it—” He gestured grandly to the air. “ ‘Come see Inferno! Get pissed on by Jason Andrews!’” With that, he threw Taylor a wink. “It should be right up your alley.” Finished with his rant, Jason took a sip of water. Then he finally noticed Kate and Val. He smiled charmingly. “Oh. People. Hello.” Kate and Val sat in silence at the table. They stared at the sight of this god, this ideal man of modern time, standing before them in all his glory.

Rambert also spent a certain amount of time at the railroad station. No one was allowed on the platforms. But the waiting-rooms, which could be entered from outside, remained open and, being cool and dark, were often patronized by beggars on very hot days. Rambert spent much time studying the timetables, reading the prohibitions against spitting, and the passengers' regulations. After that he sat down in a corner. An old cast-iron stove, which had been stone-cold for months, rose like a sort of landmark in the middle of the room, surrounded by figure-of-eight patterns on the floor, the traceries of long-past sprinklings. Posters on the walls gaily invited tourists to a carefree holiday at Cannes or Bandol. And in his corner Rambert savored that bitter sense of freedom which comes of total deprivation.

He hammered along, arms swinging by his sides. He was known, well known, along the highways in hiding that are traveled by the poor and the mad, by the professional revolutionaries and by those who have been taught to hate so well that their hate shows on their faces like harelips and they are unwanted except by others like them, who welcome them to cheap rooms with slogans and posters on the walls, to basements where lengths of sawed-off pipe are held in padded vises while they are stuffed with high explosives, to back rooms where lunatic plans are laid: to kill a Cabinet member, to kidnap the child of a visiting dignitary, or to break into a boardroom meeting of Standard Oil with grenades and machine guns and murder in the name of the people. He was known there, and even the maddest of them could only

PERCY AND PADFOOT Harry was the first to awake in his dormitory next morning. He lay for a moment watching dust swirl in the chink of sunlight falling through the gap in his four-poster’s hangings and savored the thought that it was Saturday. The first week of term seemed to have dragged on forever, like one gigantic History of Magic lesson. Judging by the sleepy silence and the freshly minted look of that beam of sunlight, it was just after daybreak. He pulled open the curtains around his bed, got up, and started to dress. The only sound apart from the distant twittering of birds was the slow, deep breathing of his fellow Gryffindors. He opened his schoolbag carefully, pulled out parchment and quill, and headed out of the dormitory for the common room. Making straight for his favorite squashy old armchair beside the now extinct fire, Harry settled himself down comfortably and unrolled his parchment while looking around the room. The detritus of crumpled-up bits of parchment, old Gobstones, empty ingredient jars, and candy wrappers that usually covered the common room at the end of each day was gone, as were all Hermione’s elf hats. Wondering vaguely how many elves had now been set free whether they wanted to be or not, Harry uncorked his ink bottle, dipped his quill into it,

I stood next to Breeze in a small quartz room. A sea lantern served as the only light source, bathing the room in its pale blue light. Against the center of one wall stood a mysterious object. It was three meters tall, three meters wide, and flat, like a banner. However, instead of dyed wool was a surface like the calmest pool of water. Breeze reached out with her right hand. Her fingers touched those of her reflection. After she lowered her arm, we continued staring at ourselves in silence. In awe. It was the first time we'd seen ourselves this way. But more than that were our outfits. Our clothes were made of spider silk, a type of cloth crafted using spider string. Puddles, the owner of the Clothing Castle, had worked with the humans for days to craft perfect recreations of Earth fashion. Then, to make us look even more majestic, our cloaks had been modified to fall over our shoulders. Poster children. Symbols of hope. Villagetown's biggest stars. That's what we've become. Some say it's sweet: a budding romance between two young heroes fighting valiantly against all odds. I'd say that's an exaggeration. Although Breeze and I are close, we haven't had much time for anything beyond battle or preparing for the next. I guess the mayor wants to change that, though. The people need something to believe in, he says. I suppose that's why he whisked us away in

In the story of Wagner and Wagnerism, we see both the highest and the lowest impulses of humanity entangled. It is the triumph of art over reality and the triumph of reality over art; it is a tragedy of flaws set so deep that after two centuries they still infuriate us as if the man were in the room. To blame Wagner for the horrors committed in his wake is an inadequate response to historical complexity: it lets the rest of civilization off the hook. At the same time, to exonerate him is to ignore his insidious ramifications. It is no longer possible to idealize Wagner: the ugliness of his racism means that posterity's picture of him will always be cracked down the middle. In the end, the lack of a tidy moral resolution should make us more honest about the role that art plays in the world. In Wagner's vicinity, the fantasy of artistic autonomy falls to pieces and the cult of genius comes undone. Amid the wreckage, the artist is liberated from the mystification of "great art”. He becomes something more unstable, fragile, and mutable. Incomplete in himself, he requires the most active and critical kind of listening. So it goes with all art that endures: it is never a matter of beauty proving eternal. When we look at Wagner, we are gazing into a magnifying mirror of the soul of the human species. What we hate in it, we hate in ourselves; what we love in it, we love in ourselves also. In the distance we may catch glimpses of some higher realm, some glimmering temple, some ecstasy of knowledge and compassion. But it is only a shadow on the wall, an echo from the pit. The vision fades, the curtain falls, and we shuffle back in silence to the world as it is.

BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.

That’s Cervella.” Vero’s hand picks at something in her hair, as she glares down at a disassembled bike. “This one’s his favourite. Do you bike?” Ligaya nods as she remembers the fat-tire red bike. Pedro’s. He let her borrow it to visit family in the next village. She touches her thighs as she remembers the feeling of freedom, covering such distance by the strength of her own legs, not minding at all when she had to ride home in the pouring rain, her sweat and the rainwater indistinguishable on her cheeks. Again, she feels the uncomfortable vertigo of her body being in one place and her mind in another, the two so far apart. But Vero does not wait for an answer. She pulls Ligaya—not roughly—her fingertips soft on the exposed skin of Ligaya’s wrist. But Ligaya is unaccustomed to touch. Nobody touched her at the Poons. She breathes deeply and counts the bikes. She must not flinch, wills herself not to pull away; she cannot afford to give offense. Vero twirls her around and points at a poster above the workbench. “That! Read it!” But Ligaya does not have to read it. Vero reads it for her. Since the bike makes little demand on material or energy resources, contributes little to pollution, makes a positive contribution to health and causes little death, or injury, it can be regarded as the most benevolent of machines. —Stuart S. Wilson She pauses as if she might expect a response this time. She gestures at the room stuffed with bikes until it seems the very walls and ceiling are made of bikes, the scent of rubber tires replacing oxygen. “Ridiculous, right? The bike will save the world, he says. Yes, but you just need one, I say. One bike. That I can see. That I can even admire. I’m sure Stuart buddy here couldn’t even imagine this … this … biketrocity. And that he should be to blame?!

Jamie guessed he wasn’t sure if calling it a homeless shelter when it was filled with homeless people was somehow offensive. He’d had two complaints lodged against him in the last twelve months alone for the use of ‘inappropriate’ language. Roper was a fossil, stuck in a by-gone age, struggling to stay afloat. He of course wouldn’t have this problem if he bothered to read any of the sensitivity emails HR pinged out. But he didn’t. And now he was on his final warning. Jamie left him to flounder and scanned the crowd and the room for anything amiss.  People were watching them. But not maliciously. Mostly out of a lack of anything else to do. They’d been there overnight by the look of it. Places like this popped up all over the city to let them stay inside on cold nights. The problem was finding a space that would house them. ‘No, not the owner,’ Mary said, sighing. ‘I just rent the space from the council. The ceiling is asbestos, and they can’t use it for anything, won’t get it replaced.’ She shrugged her shoulders so high that they touched the earrings. ‘But these people don’t mind. We’re not eating the stuff, so…’ She laughed a little. Jamie thought it sounded sad. It sort of was. The council wouldn’t let children play in there, wouldn’t let groups rent it, but they were happy to take payment and let the homeless in. It was safe enough for them. She pushed her teeth together and started studying the faded posters on the walls that encouraged conversations about domestic abuse, about drug addiction. From when this place was used. They looked like they were at least a decade old, maybe two. Bits of tape clung to the paint around them, scraps of coloured paper frozen in time, preserving images of long-past birthday parties. There was a meagre stage behind the coffee dispenser, and to the right, a door led into another room. ‘Do you know this boy?’ Roper asked, holding up his phone, showing Mary a photo of Oliver Hammond taken that morning. The officers who arrived on scene had taken it and attached it to the central case file. Roper was just accessing it from there. It showed Oliver’s face at an angle, greyed and bloated from the water.  ‘My God,’ Mary said, throwing a weathered hand to her mouth. It wasn’t easy for people who weren’t exposed to death regularly to stomach seeing something like that.  ‘Ms Cartwright,’ Roper said, leaning a little to his left to look in her eyes as she turned away. ‘Can you identify this person? I know it’s hard—’ ‘Oliver — Ollie, he preferred. Hammond, I think. I can check my files…’ She turned and pointed towards the back room Jamie had spotted. ‘If you want—’ Roper put the phone away.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Her, though! Once when I was in high school she caught me doing something or other, imitating my Spanish teacher, perhaps with a pair of tights on my head, and said, like someone at the end of her rope, “What are you, a queer?” I’d been called a sissy before, not by her but by plenty of other people. That was different, though, as the word was less potent, something used by children. When my mother called me a queer, my face turned scarlet and I exploded. “Me? What are you talking about? Why would you even say a thing like that?” Then I ran down to my room, which was spotless, everything just so, the Gustav Klimt posters on the walls, the cornflower-blue vase I’d bought with the money I earned babysitting. The veil had been lifted, and now I saw this for what it was: the lair of a blatant homosexual. That would have been as good a time as any to say, “Yes, you’re right. Get me some help!” But I was still hoping that it might be a phase, that I’d wake up the next day and be normal. In the best of times, it seemed like such a short leap. I did fantasize about having a girlfriend—never the sex part, but the rest of it I had down. I knew what she’d

Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.

I asked her where the posters in his room came from. She told me she had found some magazines in the forest at a spot where some soldiers had camped and had brought them home. This was shortly before the sexual murders started. I believe those pin-ups were the catalyst that triggered the fantasy that had been brewing inside Zikode since his childhood. His mother had unwittingly lit the tinder which had erupted into a blaze and cost many women their lives.

I knocked on his door, received no reply and opened it to a fetid smell of old socks and unwashed adolescence. Carefully bottled and distilled, it would do sterling work as a shark repellent, but I didn’t say so. Teenage sons react badly to sarcasm. The room was liberally covered with posters of Jimi Hendrix, Che Guevara and Wayne Skunk, lead guitar and vocals of Strontium Goat. The floor was covered with discarded clothes, deadline-expired schoolwork and side plates with hardened toast crusts on them. I think the room had once been carpeted, but I couldn’t be sure anymore.

Oh,” he said, stopping in the doorway. “I should probably warn you. Your beds might take a little getting used to.” “Why?” Tesla asked. “What’s wrong with them?” When Uncle Newt had shown them their room earlier, the beds had looked normal enough. Not that Nick and Tesla had paid much attention to them. They’d been distracted—and horrified—by the posters haphazardly stapled to the wall: Teletubbies, Elmo, Smurfs, Albert Einstein, and the periodic table. (Nick and Tesla had quickly agreed that the first three would “fall down” and “accidentally” “get ripped” at the first opportunity.) “There’s nothing wrong with your beds, and everything right!” Uncle Newt declared. “I’m telling you, kids. You haven’t slept till you’ve slept on compost!” “What?” Nick and Tesla said together. Even Uncle Newt couldn’t miss the disgust on their faces. “Maybe I’d better come up and explain,” he said. Uncle Newt pulled the comforter off Nick’s bed and revealed something that didn’t look like a bed at all. It was more like a lumpy black sleeping bag with tubes and wires poking out of one end. “Behold!” Uncle Newt said. “The biomass thermal conversion station!” Nick reluctantly gave it a test-sit. It felt like he was lowering himself onto a garbage bag stuffed with rotten old food. Because he was. “As you sleep,” Uncle Newt explained, “your body heat will help decompose food scraps pumped into the unit, which will in turn produce more heat that the convertor will turn into electricity. So, by the time you wake up in the morning, you’ll have enough power to—ta da!” Uncle Newt waved his hands at a coffeemaker sitting on the floor nearby. “Brew coffee?” Tesla said. Uncle Newt gave her a gleeful nod. “We don’t drink coffee,” said Nick. “Then you can have a hot cup of invigorating fresh-brewed water.” “Great,” Nick said. He experimented with a little bounce on his “bed.” He could feel slimy things squishing and squashing beneath his butt. “Comfy?” Uncle Newt asked. “Uhh … kind of,” Nick said. Uncle Newt beamed at his invention. “Patent pending,” he said. Uncle Newt was a gangly man with graying hair, but at that moment he looked like a five-year-old thinking about Christmas. Tesla gave the room a tentative sniff. “Shouldn’t the compost stink?” “Oh, no, no, no, no, no! Each biomass thermal conversion station is completely airtight!” Uncle Newt’s smile wavered just the teeniest bit. “In theory.” Nick opened his mouth to ask another question, but Uncle Newt didn’t seem to notice. “Well,” he said, slapping his hands together, “I guess you two should wash your teeth and brush your faces and all that. Good night!

When scientific proposals are brought forward, they are not judged by hunches or gut feelings. Only one standard is relevant: a proposal's ability to explain or predict experimental data and astronomical observations. Therein lies the singular beauty of science. As we struggle toward deeper understanding, we must give our creative imagination ample room to explore. We must be willing to step outside conventional ideas and established frameworks. But unlike the wealth of other human activities through which the creative impulse is channeled, science supplies a final reckoning, a built-in assessment of what's right and what's not. A complication of scientific life in the late twentieth and early twenty-first centuries is that some of our theoretical ideas have soared past our ability to test or observe. String theory has for some time been the poster child for this situation; the possibility that we're part of a multiverse provides an even more sprawling example. I've laid out a general prescription for how a multiverse proposal might be testable, but at our current level of understanding none of the multiverse theories we've encountered yet meet the criteria. With ongoing research, this situation could greatly improve.

I'm fine," she said. "I'm just hiding from the Queen General and her latest poster boy." "The Queen General?" Which one of his sisters fit that description? More like which one didn't. "Queen General Marilyn," his visitor said. "Supreme ruler of Bliss and chairperson of Knot Festival." The words 'Knot Festival' twisted CJ's stomach, and the room seemed to climb ten degrees hotter. He tugged at his bow tie. The woman kept talking... Marilyn rewrote the Golden Husband Games rules so her Exalted Widower is eligible to be named Husband of the Half Century. And you know what? He's the reason my husband left me.

turned the knob and looked into a large, bare room, made homelike by several sagging secondhand couches and gay circus posters brightening the mildewed walls. The fat lady filled a couch like it was an armchair. A diminutive woman with a black curling beard spread across her demure pink bodice sat engrossed in a half-assembled jigsaw puzzle. Under a dusty fringed lampshade, four curious misshapen humans engaged in the familiar ritual of draw poker.

Then she called Matthew. He answered, "Where the fuck are you? I've been calling you for hours." She said, "I was asleep. Just woke up. What's the problem?" "Don't tell me you're still in your hotel room in your bed." "Didn't I say I just woke up? Still in bed. Needed some sleep. Just waking up. . . ." "Is that right?" . . . "Where are you right now?" "Antigua motherfucking Yacht Club. Room twenty-fucking-nine. Sitting on a . . . four-poster bed that has a damn mosquito net pulled back so I know I can see what the fuck I see. And I see an empty four-poster bed . . . But hell, maybe I'm wrong, because I know I didn't marry a goddamn liar. So I guess if I'm in your room and you're in the goddamn bed, just waking up, then either I am as blind as a fucking bat or you must be fucking invisible.

As I pass Logan’s room, I catch a glorious purple glow. My curiosity gets the best of me. I walk in and flick on the light switch. On the wall above a bookshelf hangs something truly magnificent. Delicately, I pick up the Mace Windulightsaber replica. It reminds me of those super expensive knives professional chefs use that are weighted perfectly for precision. I take a step back and brandish the weapon at a poster of Aragorn from Lord of the Rings on the wall. “Don’t worry, your highness. Your Jedi escort will see you to safety,” I say in my best Obi Wan accent. “The force is strong with this one.” The words come from behind me. I whip around out of pure freaked-out instinct, swinging the lightsaber in a big arc. It clashes with one just like it, except it’s blue. I look up into Dan’s smug face and wish these lightsabers weren’t replicas. Sure, it’s a cute face, but it’s a face I’m not in the mood to deal with at the moment. I swirl my saber to move his out of the way and put the point of it to his chin. “Don’t make me slice your nose off, you scruffy-looking nerf herder.” I’ve always wanted to call someone that, but the opportunity never presented itself until now. He tosses his lightsaber onto the bed and holds his hands up in surrender. “I yield, but only because that is a limited edition.

It wasn’t what I expected,” Natalie said, her expression soft. “It was so loud. The roar of the fire was like a beast screaming in my ear. So much rage and heat, and I just watched. Nobody could do anything. I saw inside a window, and there was an old movie poster in the room, and I watched it curl and burn and vanish. I wondered how many memories I was watching just…” She made a gesture. “Poof. Disappear.

Entering the room, Lily was struck by the changes that had been wrought since she had last been there on the night of her abduction. Though his massive four-poster bed remained, the coverings were now a mixture of midnight blue and a mysterious smoky gray. In fact, various shades of gray had been added throughout the room. The two heavy leather chairs had been beautifully reupholstered in a dove-gray damask, a plush rug in a light and misty color was laid before the fireplace, and on a delicate table between them stood a large vase of lilies, infusing the room with their delicate scent. "Do you see?" the earl asked from behind her. Once they entered the bedroom, he had released her hand to close the door, ensconcing them together in the private space. Lily turned to watch him walk toward one of the new chairs. He ran his fingers over the fabric. "The color of your eyes when you are quiet and content," he stated in a low voice, then he crossed to the bed where he smoothed his palm over a velvet coverlet. "This is the darker shade your eyes become when you are aroused- with emotion or desire." He looked at her, and Lily's world expanded on a sudden breath at what she saw in the depth of his gaze. They both seemed rooted in place, standing in the center of his bedroom, staring at each other with their breaths coming fast and their focus locked upon each other, as though they were equally afraid the other might disappear. "You exist in everything. You have become a part of me," he murmured thickly. "I cannot breathe without you.

It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged

Did I ever tell you, old boy,’ he said, chuckling round the stem of his pipe, ‘about the time when those two nippers of mine set fire to the old market-woman’s skirt because they saw her wrapping up sausages in a poster of B.B.? Sneaked up behind her and set fire to it with a box of matches. Burned her quite badly, I believe. Little beggars, eh? But keen as mustard! That’s a first-rate training they give them in the Spies nowadays — better than in my day, even. What d’you think’s the latest thing they’ve served them out with? Ear trumpets for listening through keyholes! My little girl brought one home the other night — tried it out on our sitting-room door, and reckoned she could hear twice as much as with her ear to the hole. Of course it’s only a toy, mind you. Still, gives ’em the right idea, eh?

When I graduated from college, I sought out the cheapest rooms or apartments I could find. One of these put me next to a freeway interchange in Oakland California. The experience of living there, biking everywhere and reading the book The Power Broker by Robert Caro, changed my life and made me appreciate all the issues associated with transportation. I saw exactly how and why the freeway interchange gutted my neighborhood and how the main obstacle and danger to bicycling in urban areas was cars and drivers. This was the early 1990s when many people were waking up to these same issues. I participated in some of the first Critical Mass rides in San Francisco and the East Bay and started giving them my transportation cartoons for flyers and posters. I also discovered the (now defunct) “Auto-Free Times” and Alliance for a Paving Moratorium in Arcata, California and started sending them cartoons as well. By 1994 it had become a major theme in my work. (2015 interview with Microcosm Publishing)

The albino, Josiah, walks into the living room with the most beautiful woman I have ever seen. I finally get to see a female angel up close. Her features are so fine and delicate that it’s impossible not to stare. She looks like she was the mold for Venus, Goddess of Love. Her waist-length hair shimmers in the light as she moves, matching the golden plumage of her wings. Her cornflower blue eyes would be the perfect reflection of innocence and all that is wholesome, except that there’s something sliding behind them. Something that hints that she should be the poster child for the master race. Those eyes assess me from the top of my wet and stringy hair to the tips of my bare toes. I become acutely aware that I was overenthusiastic when I shoveled the rib meat into my mouth. My cheeks bulge and I can barely keep my lips closed as I chew as fast as I can. Rib meat is not something I can swallow in one lump. I hadn’t bothered to brush my hair, or even dry it before diving into the feast after my shower, so it hangs limp and dripping onto my red dress. Her Aryan eyes see it all and judge me. Raffe gives me a look and rubs his finger on his cheek. I swipe my hand across my face. It comes away smeared with meat sauce. Great. The woman turns her eyes to Raffe. I have been dismissed. She gives him a long appraising look as well, drinking in his near-nakedness, his muscular shoulders, his wet hair. Her eyes slide over to me in a quick accusation. She steps close to Raffe and runs her fingers down his glistening chest.

The kids' rooms are not decorated. There are no pictures or posters on the doors or the walls, and that is true of all the rooms of the house in which my wife and kids live and the dorm room in which I spend most of my time. We are careful not to leave any marks, because you never know when it'll be time to get up and go.

God, you trash a few hotel rooms in a fit of grief, and suddenly you’re the poster child for mental instability.

After breakfast, we join hands in the living room like we always do, under the framed poster of the Ten-Point Program, and Daddy leads us in prayer. “Black Jesus, watch over my babies today,” he says. “Keep them safe, steer them from wrong, and help them recognize snakes from friends. Give them the wisdom they need to be their own people. “Help Seven with this situation at his momma’s house, and let him know he can always come home. Thank you for Sekani’s miraculous, sudden healing that just so happened to come after he found out they’re having pizza at school today.

There is no way she’s staying overnight in the room of a twenty-eight-year-old man who has two posters on his bedroom wall, one of the Dalai Lama and one of a Ferrari.

I used to have a huge crush on you when I was a kid,” I started, warming him up. “Up until I was about seventeen, there were posters of you all over my room. “ In for a penny, in for a pound. All right. I could do this. Honesty mattered. “I was in love with you. I told everyone I was going to marry you someday. “You were my idol, Rey. I kept playing soccer because of you.

Mr. and Mrs. Miller, probably both in their mid-fifties, were the core of the family. Jerome was their second child; his sister Donella was the oldest. Mr. Miller told them that Jerome had two other siblings, but said nothing else about them. Cruz saw no sign of them in the house, which was clean inside, although a funereal film hung about. The Millers showed Cruz and Martinez to Jerome's old room. Everything was intact four years later. The bed was made. The room vacuumed. Posters of athletes hung taut on the wall. The room shocked Cruz—the Millers hadn't let go at all.

It’s not until I’m facing the big four-poster bed by the window that I realize where I am. My bedroom. I guess the fatigue thoroughly scrambled my brain, because I intended to take her to the guest room across the way. Now that I’m here, though . . . I can’t picture her anywhere else.

The room around him was rich in codes and messages, an archaeology of childhood, things Denise had carried with her since the age of three, from cartoon clocks to werewolf posters. She is the kind of child who feels a protective tenderness toward her own beginnings. It is part of her strategy in a world of displacements to make every effort to restore and preserve, keep things together for their value as remembering objects, a way of fastening herself to a life.

They will ask her about the alcohol and marijuana. They won’t ask about the bottomless terror that will never leave her. About this room with its record-player and posters, from which she will never really escape again.

Knew you'd come around," he mumbles into my mouth as I work my hand into his pants and grip his shaft until it's straining to be freed. Putting enough space between us for Riley to see me lick my lips seductively, he allows me to guide him towards the four-poster bed in the centre of the room. Before he sits, I wiggle his trousers down until I'm crouching before his dick. It's a pretty nice dick actually, girthy with a network of ribbed veins running along the length of it. Oh well. Whipping the specialised hunting pocket knife out of my boot, I grab the end of Riley's dick firmly and make a clean slice all the way through the base before his eyes are able to focus. The scream that leaves him is so high-pitched, it could have been mine and I panic at the noise. Someone is surely going to hear him so I shoot up, fumbling with his severed dick before stuffing it into his mouth. He sputters and gags on himself, which gives me a strange sense of satisfaction, until he passes out and flops onto the bed. Well, that stopped the noise issue but now I'm looking at a gaping, bleeding hole where Riley's dick should be and a body I can't just leave here.

Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.

The effervescence of the previous months was losing its splendor, like the faded letters of the posters that, in these same bars, written by the same men, still recalled the Great Plans: DANCE IS THE BROTHEL’S WAITING ROOM; THE TAVERN WEAKENS CHARACTER; THE BAR DEGENERATES THE SPIRIT: LET’S CLOSE THEM!

When Harry woke up on Sunday morning, it took him a moment to remember why he felt so miserable and worried. Then the memory of the previous night rolled over him. He sat up and ripped back the curtains of his own four-poster, intending to talk to Ron, to force Ron to believe him — only to find that Ron’s bed was empty; he had obviously gone down to breakfast. Harry dressed and went down the spiral staircase into the common room. The moment he appeared, the people who had already finished breakfast broke into applause again. The prospect of going down into the Great Hall and facing the rest of the Gryffindors, all treating him like some sort of hero, was not inviting; it was that, however, or stay here and allow himself to be cornered by the Creevey brothers, who were both beckoning

I glanced in the first open door and stopped short. Desks. Four tiny desks. A wall of faded posters of alphabet animals. A blackboard, still showing the ghost of numbers. I blinked, certain I was seeing wrong. Derek nudged my legs, telling me to get moving. I looked at him, and I looked at the classroom. This was where Derek had grown up. Four tiny desks. Four little boys. Four young werewolves. For a second, I could see them—three boys working at the three clustered desks, Derek alone at the fourth, pushed slightly away, hunched over his work, trying to ignore the others. Derek nudged me again, whining softly, and I looked down to see him eyeing the room, every hair on his neck on end, anxious to get away from this place.

In New York, Aleka’s Attic also played a “Rock Against Fur” benefit for the animal-rights group PETA, on a bill with the B–52’s, the Indigo Girls, Lene Lovich, and Jane Wiedlin of the Go-Go’s. For this cause, River allowed his name to be on the poster. Martha Plimpton introduced the band, proclaiming, “Three years ago, a friend said to me, ‘You can change the world.

Despite the power of the office, the waiting room was done up in Early American Dentist. The carpet was threadbare. The furniture managed to be neither fashionable nor functional. There were a dozen different issues of Sports Illustrated on the table and nothing else. The walls seemed to plead for a paint job. They were stained and barren, except for the photographs of past U.S. attorneys, a remarkable lesson in what not to wear and how not to pose when taking a picture for posterity. No

I can see perfectly and clearly. And my glasses are still on the nightstand. I bolt upright and look around my room. Everything – every poster, every tool, every spare part, every spool of wire – I can see it all crisp and clear. I saw every strand of Mom’s hair in perfect precision. Her tired eyes. The steam rising from her mug. It should’ve all been a blurred mess of colored blobs. I should’ve had to drag my glasses on before any of my surroundings made sense. I grab my glasses and slide them on. Everything shifts out of focus. I take them off and my world sharpens. I scowl down at my frames like they’ve betrayed me somehow. Then I fumble for my cell phone and dial Porter’s number. “Alex?” “You have to do something,” I say, panicked. “I woke up and now I’m Peter freaking Parker.” “Peter who?” “I can see. Like 20/20. I don’t need my glasses anymore.” “Oh. Well, that must be a residual from Shooter Delaney. She was a sharp shooter, you know.” “Is that all you have to say?” “What do you want me to say?” “I want you to tell me how to reverse it.” There’s a pause on the other end of the phone. “You want… your bad vision back?” “Yes.” “…Why?” “Because my other option is explaining to my parents how I have perfect vision all of a sudden. I’m pretty sure they won’t buy the whole ‘bitten by a radioactive spider’ thing.