Postcard Set Quotes

We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.

Dallas closes the leather case, set to store it away in her closet. She looks at the message one last time, memorizes it, and leaves the postcard on the table before she walks away. You matter.

Indifference is universal. Who are you indifferent toward today, right now? Ask yourself that. Which victims living in tents, or under overpasses, or in camps way outside the cities are your ‘invisible ones’? The Vichy regime set out to remove the Jews from French society. And they succeeded.

Nobody warned me about this part. When I envisioned my trip, I imagined exciting adventures, exotic locales, a jet-set lifestyle. I never thought grief and doubt would climb into my backpack and come with me. I pictured standing at the top of the Sun Gate, looking down at Machu Picchu, without ever thinking about the steps it would take to get there. This is the curse of wanderlust, when the postcard image becomes a brutal reality.

In fact, I suspect that our only hope is disaster. Cruel tho' it is to say it, there has got to be a vast die-off in the human population -- likely including us and our families -- before the survivors find themselves in a world where a new and humble and 'religious' adaptation with nature is possible. Disaster is not necessary; the better world could be achieved through reason and common sense and a sense of fellowship -- but most of the present human world is dead set against us. Thus I was forced to the disagreeable resolutions (not solutions) which I attempted to sketch out in the novel 'Good News.' The title is of course deliberately ambiguous.

I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.

With 21 million people following her on Facebook and 18 million on Twitter, pop singer Ariana Grande can’t personally chat with each of her loves, as she affectionately calls her fans. So she and others are spreading their messages through new-style social networks, via mobile apps that are more associated with private, intimate conversation, hoping that marketing in a cozier digital setting adds a breath of warmth and a dash of personality. It’s the Internet’s equivalent of mailing postcards rather than plastering a billboard. Grande could have shared on Twitter that her most embarrassing moment on stage was losing a shoe. The 21-year-old instead revealed the fact during a half-hour live text chat on Line, an app built for close friends to exchange instant messages. It’s expensive to advertise on Facebook and Twitter, and the volume of information being posted creates uncertainty over what people actually notice. Chat apps including Line, Kik, Snapchat, WeChat and Viber place marketing messages front and center. Most-used apps The apps threaten to siphon advertising dollars from the social media leaders, which are already starting to see chat apps overtake them as the most-used apps on smartphones, according to Forrester Research. Chat apps “demand attention,” said Rebecca Lieb, an analyst at consulting firm Altimeter Group.

As they made their way there, he had to admit that Graves Glen was a pretty place. The sun was setting behind the low mountains that surrounded the town, turning the sky a deep purple. The lights strung between the streetlamps twinkled, and in every store window, there was some charming display—a pile of pumpkins, cardboard witches on broomsticks, more fairy lights. “It’s like being in a souvenir postcard,” Rhys said. “‘Greetings from Halloweentown.

Queer Squatters of Apple Island! Queer of Spades! he thought. (His friend the old widower he’d known since the war had told him about the article in the paper and the postcards in the general store.) That’s right; I am queer, from queer folk, queer stock. The very queerest. Here we are, stuck on an island, a hollow, a swamp, the desert, no sooner settled than banished again. You bet I’m queer. I’m no landlord nor lawyer, no duke nor lord of the looms. I’m no cap doffer, no knee bender, no flattering stooge. I draw no writs; I pass no judgments. I set no seals. I tip no scales. No, not me; I’m queer. I’m queer for my self, for my selfhood, queer for this queer self I find myself to be, queer with strange appetites,

Tea chests full of the rotting correspondence of the parents Busner had never know, their serrated postcards, their now blotched but once creamy notepaper folded into thick envelopes that had been extravagantly franked and stamped. All of it he had foreseen himself unpacking, unsheathing and unfolding, so that the pressed flowers bloomed into dust as he read the missives for the first time since their long-gone recipients set the sheets to one side.

sun hit the Taj’s marble dome full force, setting the whole structure and the minarets at each corner of the white plinth on fire. Whatever this was, I thought, it did not belong among us. A shimmering ark brought down to Earth. For an instant, I floated away, above myself, and thought I was looking at an exquisitely carved mountain of moon rock. It was more than the mind could take in at once. More than any camera could take in, for sure. Postcards and movies did not do this place justice; no photograph could.

One of the best kinds of thrill is defining, honoring, and achieving our goals.

According to one of those peculiar theories, forensic evidence accumulated over the centuries proved that, after millennia of supposed evolution, humans had managed to eliminate a bit of body hair, perfect their loincloths, and refine their tools, but little else. From this premise, a second part of the theorem was inexplicably arrived at, and it went something like this: what the said threadbare evolution had not achieved even remotely was to understand that the more one tries to hide something from a child, the more he is set on finding it, be it a sweet or a postcard with outrageous chorus girls flaunting their charms to the wind. 'And thank goodness that's the way things are, because the day we lose the spark that makes us want to know things, and young people are content with the nonsense dressed in tinsel sold to them by the current popes of bullshittery—be it a mechanical electrical appliance or a battery-run chamber pot—and become incapable of understanding anything that lies beyond their backsides, we'll return to the age of the slug.

finished reading it, she handed it to him without comment. Tru scanned it before turning toward her. “It’s a shopping list for someone planning a barbecue.” “I know.” “I’m not sure why I’d be interested in this.” “You don’t have to be,” she said. “That’s why this is exciting. Because we’re hoping to find that diamond in the rough, and who knows,” she said, lifting a letter from the stack, “maybe this is it.” Tru set the postcard aside, and when she was finished with the letter, she handed it to him. It was from a young girl, a poem about her parents, and it reminded him of something

Indifference is universal. Who are you indifferent toward today, right now? Ask yourself that. Which victims living in tents, or under overpasses, or in camps way outside the cities are your 'invisible ones'? The Vichy regime set out to remove the Jews from French society. And they succeeded.

Starting off a little behind everyone else can be discouraging. Most of us, after all, grew up where success, or being the best, is celebrated. [...] The problem with this mentality is that it creates an illogical fear of failure. The biggest victims are the overachievers. Because of the anxiety of failing, overachievers tend to stick to their expertise and what they know best. The fear can cause shortsightedness, which hinders their ability to broaden their skill set.

Dr. Ben-Judah gave what Rayford considered a brilliant example of how to easily identify someone with just a few marks. “Despite the billions of people who still populate this planet, you can put a postcard in the mail with just a few distinctions on it, and I will be the only person to receive it. You eliminate much of the world when you send it to Israel. You narrow it more when it comes to Jerusalem. You cut the potential recipients to a tiny fraction when it goes to a certain street, a certain number, a certain apartment. And then, with my first and last name on it, you have singled me out of billions. That, I believe, is what these prophecies of Messiah do. They eliminate, eliminate, eliminate, until only one person could ever fulfill them.” Dr.

Guys that set off to hike around the world are a dime a dozen in California. Every day in this state women tell divorce judges, “He walked to the corner convenience store for a pack of cigarettes and decided to keep going, all the way around the world, and here is the postcard he sent to let me know.

Several days later Murray asked me about a tourist attraction known as the most photographed barn in America. We drove twenty-two miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the signs started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were forty cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides--pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced at once by others. "We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. This literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said. 13 He did not speak for a while. We listened to the incessant clicking of shutter release buttons, the rustling crank of levers that advanced the film. "What was the barn like before it was photographed?" he said. "What did it look like, how was it different from other barns, how was it similar to other barns? We can't answer these questions because we've read the. signs, seen the people snapping the pictures. We can't get outside the aura. We're part of the aura. We're here, we're now." He seemed immensely pleased by this.

I follow her into the kitchen where she begins unloading the two brown paper bags onto the butcher-block island. I stand there watching as she pulls out a huge, freshly smoked mozzarella, which, by the way she handles it, I can tell is still warm. She sets it down on the cutting board along with the loaf of ciabatta. While I'm considering my next line of questioning, Renata explains, "Jake called to tell me he forgot to show you the postcard I sent out last week listing some new specialty vinegars I'm offering. He asked me to tell you he's interested in sampling some of the blood orange." I stand there looking puzzled, having been only momentarily distracted by the salad possibilities afforded by the aforementioned specialty vinegars. Perhaps a mild goat cheese, encrusted in herbs, baked and drizzled with a fruity olive oil and blood orange vinaigrette.

Calling students on the first day of school and praying for them. Sending students photos taken of them at youth group events. (Always get double prints.) Dropping by their workplaces just to say hi. Attending the last quarter, inning, or set of their games. (Although you can drop by earlier, coming at the end affords the opportunity to interact with your students after-ward.) Mailing favorite snacks to arrive on their birthdays. Calling students' parents just to brag on them. (e.g.,“Mrs. Gates, your son Billy is doing some amazing things with computer graphics for our small groups!”) Taping notes of encouragement to the front door during exams or other stressful periods. (Ring the doorbell and disappear.) Actually taping notes of encouragement directly on students. Inviting students over for dinner. Letting a group of (same-sex) students spend the night. Following up a few days after a student shares a prayer request. Using your students as positive illustrations in your message or Bible study. (It's always a good idea to get permission first.) Mailing goofy postcards for no reason. Dropping off brain food (a double cheeseburger) the night before a big test. Asking students—on a one-to-one basis—to pray for you. Remembering students’ names

I did Barbie’s dream as a one-off thing, but I found it haunting me; I kept having an image in my head of Martin Tenbones getting killed in real New York. Still, that would’ve been the end of it...except, by a wild coincidence, a short time later I received a postcard from Jonathan Carroll. He wrote that he’d been following my graphic novel Signal to Noise—which was being serialized in The Face magazine at the time—and he was finding a number of very scary similarities between my story and his as yet unpublished novel, A Child Across the Sky. He concluded, “We’re like two radio sets tuned to the same goofy channel.” I wrote back and said, “I think you’re right. What’s more, I abandoned a whole storyline after reading Bones of the Moon, but I keep thinking I ought to return to it.” Jonathan then sent me a wonderful letter with this advice: “Go to it, man. Ezra Pound said that every story has already been written. The purpose of a good writer is to write it new. I would very much like to see a Gaiman approach to that kind of story.” With that encouragement, I began creating A Game of You.

Moxley observed a recurrent strategy. He said that Koch handpicked a candidate in a primary election, told that candidate to stay home, and then scorched the earth beneath their opponent with negative messages in the form of postcard mailings, advertisements, and door-knocking campaigns. Such efforts intensified in 2012 and wiped out incumbents who seemed resistant to Charles Koch’s political vision. “The bottom line is, they flipped the [Kansas] senate from pretty traditional Republican kind of thinking to ‘Koch’ kind of thinking. And it’s pretty dramatic. We’re still living with it,” Moxley said. He grew disdainful of a new breed of state legislators who showed up in Topeka and seemed more concerned with toeing a line set out by Koch Industries than they did with thinking for themselves.

Along a shelf built into the wall over the head of the bed there were candles and vials. Without thinking, I picked one up and opened it. It smelled like honeysuckle, and a little bit like mint. When I set it down, I saw that my fingers were covered in dust. I looked up and saw, through a skylight, the dark barreling clouds. French and English knelt on the bed to look at the postcards, and I got in between them, my eyes traveling from hunting scenes (bare-breasted women on horseback) to Istanbul (dolphins in the Bosporus).