Postcard Quotes

We've searched our database for all the quotes and captions related to Postcard. Here they are! All 100 of them:

His eyes were the same colour as the sea in a postcard someone sends you when they love you, but not enough to stay.
Warsan Shire
You can only fit so many words in a postcard, only so many in a phone call, only so many into space before you forget that words are sometimes used for things other than filling emptiness.
Sarah Kay
Karl Marx: "Religion is the opiate of the masses." Carrie Fisher: "I did masses of opiates religiously.
Carrie Fisher (Postcards from the Edge)
The world before us is a postcard, and I imagine the story we are writing on it.
Mary E. Pearson (The Miles Between)
Life’s never a postcard of life, is it? It never feels like how you’d want it to look.
Russell Brand (My Booky Wook)
Eleanor hadn't written him a letter. It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics. He sat up. He smiled. Something heavy and winged took off from his chest. Eleanor hadn't written him a letter, it was a postcard. Just three words long.
Rainbow Rowell (Eleanor & Park)
A postcard. Neat handwriting fills the rectangle. Half my days I cannot bear to touch you. The rest of my time I feel like it doesn’t matter if I will ever see you again. It isn’t the morality, it’s how much you can bear. No date. No name attached.
Michael Ondaatje (The English Patient)
People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn't know were there, even the ones they wouldn't have thought to call beautiful themselves.
Hilary T. Smith (Wild Awake)
I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.
Carrie Fisher (Postcards from the Edge)
What worries me is, what if this guy is really the one for me and I just haven't had enough therapy yet for me to be comfortable with having found him.
Carrie Fisher (Postcards from the Edge)
Actually, I am a failed anorexic. I have anorexic thinking, but I can't seem to muster the behavoir
Carrie Fisher (Postcards from the Edge)
You know how I always seem to be struggling, even when the situation doesn't call for it?
Carrie Fisher (Postcards from the Edge)
Life is a cruel, horrible joke and I am the punch line.
Carrie Fisher (Postcards from the Edge)
You can only fit so many words into a postcard. Only so many in a phone call. Only so many into space, before you forget that words are sometimes used for things other than filling emptiness.
Sarah Kay (No Matter the Wreckage: Poems)
I thought Marcus was going to be in my life forever. Then I thought I was wrong. Now he’s back. But this time I know what’s certain: Marcus will be gone again, and back again and again and again because nothing is permanent. Especially people. Strangers become friends. Friends become lovers. Lovers become strangers. Strangers become friends once more, and over and over. Tomorrow, next week, fifty years from now, I know I’ll get another one-word postcard from Marcus, because this one doesn’t have a period signifying the end of the sentence. Or the end of anything at all.
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
Rule #1: You may bring only what fits in your backpack. Don’t try to fake it with a purse or a carry-on. Rule #2: You may not bring guidebooks, phrase books, or any kind of foreign language aid. And no journals. Rule #3: You cannot bring extra money or credit/debit cards, travelers’ checks, etc. I’ll take care of all that. Rule #4: No electronic crutches. This means no laptop, no cell phone, no music, and no camera. You can’t call home or communicate with people in the U.S. by Internet or telephone. Postcards and letters are acceptable and encouraged. That’s all you need to know for now.
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
Look,' he said, 'I don't think we should continue this discussion. I don't like this side of you.' 'I'm not a box,' she said 'I don't have sides. This is it. One side fits all. This is it.
Carrie Fisher (Postcards from the Edge)
Don't ever forget the words on a postcard that my father sent me last year: "If you win the rat race, you're still a rat.
Anna Quindlen (A Short Guide to a Happy Life)
From here on out, there's just reality. I think that's what maturity is: a stoic response to endless reality. But then, what do I know?
Carrie Fisher (Postcards from the Edge)
A crowded society is a restrictive society; an overcrowded society becomes an authoritarian, repressive and murderous society.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
When guns are outlawed, only the Government will have guns. The Government - and a few outlaws. If that happens, you can count me among the outlaws.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Ah yes, the head is full of books. The hard part is to force them down through the bloodstream and out through the fingers.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.
Carrie Fisher (Postcards from the Edge)
The only thing worse than being hurt is everyone knowing that you're hurt.
Carrie Fisher (Postcards from the Edge)
He thought: How difficult it is to explain yourself to yourself. Sometimes there only is, and no knowing.
Aidan Chambers (Postcards from No Man's Land)
Why is it so much easier to talk to a stranger? why do we feel we need to disconnect in order to connect? If I wrote "Dear Sofia" or "Dear Boomer" or "Dear Lily's Great-Aunt" at the top of this postcard, wouldn't that change the words that followed? Of course it would. But the question is: When I wrote "Dear Lily," was that just a version of "Dear Myself"? I know it was more than that. But it was also less than that, too
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
I took the other road, all right, but only because it was the easy road for me, the way I wanted to go. If I've encountered some unnecessary resistance that's because most of the traffic is going the other way.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
A house built on greed cannot long endure.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I rarely cry. I save my feelings up inside me like I have something more specific in mind for them. I am waiting for the exact perfect situation and then BOOM! I'll explode in a light show of feeling and emotion - a pinata stuffed with tender nuances and pent-up passions
Carrie Fisher (Postcards from the Edge)
The one thing ... that is truly ugly is the climate of hate and intimidation, created by a noisy few, which makes the decent majority reluctant to air in public their views on anything controversial. ... Where all pretend to be thinking alike, it's likely that no one is thinking at all.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Anyone not paranoid in this world must be crazy. . . . Speaking of paranoia, it's true that I do not know exactly who my enemies are. But that of course is exactly why I'm paranoid.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
If it's knowledge and wisdom you want, then seek out the company of those who do real work for an honest purpose.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Ever, can't you just relax and enjoy the view? When was the last time you were in Paris anyway?" "Never. I've never been to Paris. And I hate to break it to you, Ava, but this—is not Paris. This is like some cranked up Disney version of Paris. Like, you've taken a pile of travel brochures and French postcards, and scenes from that adorable cartoon movie Ratatouille, mixed them all together and voila, created this.
Alyson Noel (Blue Moon (The Immortals, #2))
My inner world seems largely to consist of three rotating emotions: embarrassment, rage, and tension. Sometimes I feel excited, but I think that's just positive tension.
Carrie Fisher (Postcards from the Edge)
Guys are great before you know who they are,' said Lucy. 'They're great when you're still with who they might be.
Carrie Fisher (Postcards from the Edge)
What did you write on the back of the postcard?” “It was going to be a surprise.” “I’m too old for surprises. Besides, surprises always come with a sharp edge that is meant to hurt. I don’t want to be hurt—not by you. Tell me.” “Just two words.” “Let me guess: If not later, when?” “Two words, I said. Besides, that would be cruel.” I thought for a while. “I give up.” “Cor cordium, heart of hearts, I’ve never said anything truer in my life to anyone.
André Aciman (Call Me by Your Name)
I am hopeful, though not full of hope, and the only reason I don't believe in happy endings is because I don't believe in endings.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Is it better to go with the flow or let the flow go?
Aidan Chambers (Postcards from No Man's Land)
She wanted so to be tranquil, to be someone who took walks in the late-afternoon sun, listening to the birds and crickets and feeling the whole world breathe. Instead, she lived in her head like a madwoman locked in a tower, hearing the wind howling through her hair and waiting for someone to come and rescue her from feeling things so deeply that her bones burned.
Carrie Fisher (Postcards from the Edge)
We live in America,' he said. 'Everyone who speaks English understands you. How they interpret you is something else.
Carrie Fisher (Postcards from the Edge)
In the land of bleating sheep and braying jackasses, one brave and honest man is bound to create a scandal.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I now find the most marvelous things in the everyday, the ordinary, the common, the simple and tangible.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.
Don DeLillo (White Noise)
Saving the world is only a hobby. Most of the time I do nothing.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
A world without huge regions of total wilderness would be a cage; a world without lions and tigers and vultures and snakes and elk and bison would be - will be - a human zoo. A high-tech slum.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
But of the seven deadly sins, wrath is the healthiest - next only to lust.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Your memory creates postcard images, but it doesn't really comprehend the world at all. That's why a landscape is so affected by the mood of the person looking at it. In it a person sees his own inner, transitory moments. Wherever he looks, he sees nothing but himself.
Olga Tokarczuk (House of Day, House of Night (Writings From An Unbound Europe))
Next to it on the wall was a framed postcard of Monet's berm. I recognized it immediately. 'It used to be mine, but you've owned it far, far longer than I have.' We belonged to each other, but had lived so far apart that we belonged to others now. Squatters, and only squatters, were the true claimants to our lives.
André Aciman (Call Me by Your Name)
Walking is the only form of transportation in which a man proceeds erect - like a man - on his own legs, under his own power. There is immense satisfaction in that.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
The ugliest thing in America is greed, the lust for power and domination, the lunatic ideology of perpetual Growth - with a capital G. 'Progress' in our nation has for too long been confused with 'Growth'; I see the two as different, almost incompatible, since progress means, or should mean, change for the better - toward social justice, a livable and open world, equal opportunity and affirmative action for all forms of life. And I mean all forms, not merely the human. The grizzly, the wolf, the rattlesnake, the condor, the coyote, the crocodile, whatever, each and every species has as much right to be here as we do.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Each time Alec finished a postcard, he wrote 'Wish you were here' at the end. And each time, Magnus snatched the card and wrote, with a flourish, 'Except not really'. Alec finished his last postcard, and Magnus reached for it, then let his hand drop. He read what Alec had written and smiled, charmed and surprised. On the postcard to his sister, Alec had added, 'Wish you were here. Except not really' himself. He shot Magnus a tiny grin.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
I think it is far more important to save one square mile of wilderness, anywhere, by any means, than to produce another book on the subject.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Why can't we simply borrow what is useful to us from Buddhism, Hinduism, Taoism, especially Zen, as we borrow from Christianity, science, American Indian traditions and world literature in general, including philosophy, and let the rest go hang? Borrow what we need but rely principally upon our own senses, common sense and daily living experience.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
If we wait until life is in order before making our decision, we'll never make any
Judith McCoy Miller (An Uncertain Dream (Postcards from Pullman #3))
There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.
José Saramago (All the Names)
What would happen if you gave yourself permission to do something you’ve never done before? There’s only one way to find out.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
There are two things that I know for certain guys are good for: pushing swings and killing insects.
Carrie Fisher (Postcards from the Edge)
Instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of cliches, threats, fads, fashions, gibberish and advertising.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Anarchism? You bet your sweet betsy. The only cure for the ills of democracy is more democracy. Much more.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Simply because humankind have the power now to meddle or 'manage' or 'exercise stewardship' in every nook and cranny of the world does not mean that we have a right to do so. Even less, the obligation.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
And the so-called 'political process' is a fraud: Our elected officials, like our bureaucratic functionaries, like even our judges, are largely the indentured servants of the commercial interests.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Don't you see? We've become smart enough to justify stupid behavior. Like, 'I'm angry at him and I didn't express it, so I turned my anger inward and now it's depression, so in order to feel good again, what I should do is call him and express my anger.' It's like, if we can make it sound smart enough, we're allowed to do stupid things.
Carrie Fisher (Postcards from the Edge)
My life is like a lone, forgotten Q-Tip in the second-to-last drawer.
Carrie Fisher (Postcards from the Edge)
Readers, not critics, are the people who determine a book's eventual fate.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Yes, there are plenty of heroes and heroines everywhere you look. They are not famous people. They are generally obscure and modest people doing useful work, keeping their families together and taking an active part in the health of their communities, opposing what is evil (in one way or another) and defending what is good. Heroes do not want power over others.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I never got to tell him again that he really was wrong, that miles didn’t matter, not if you loved someone. That borders and oceans weren’t obstacles, not for the mind. I wished I’d been able to tell him these things, because saying them out loud to someone real, instead of a mirror or a picture postcard, would have made them all the more convincing.
Emylia Hall (The Book of Summers)
What we seek when we wander usually leads us back home.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
The love of a man for his wife, his child, of the land where he lives and works, is for me the real meaning of mystical experience.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Philosophy without action is the ruin of the soul. One brave deed is worth a hundred books, a thousand theories, a million words. Now as always we need heroes. And heroines! Down with the passive and the limp.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
What is my perfect crime? I break into Tiffany's at midnight. Do I go for the vault? No, I go for the chandelier. It's priceless. As I'm taking it down, a woman catches me. She tells me to stop. It's her father's business. She's Tiffany. I say no. We make love all night. In the morning, the cops come and I escape in one of their uniforms. I tell her to meet me in Mexico, but I go to Canada. I don't trust her. Besides, I like the cold. Thirty years later, I get a postcard. I have a son and he's the chief of police. This is where the story gets interesting. I tell Tiffany to meet me by the Trocadero in Paris. She's been waiting for me all these years. She's never taken another lover. I don't care. I don't show up. I go to Berlin. That's where I stashed the chandelier.
Dwight Schrute
I need to feel strongly, to love and to admire, just as desperately as I need to breathe. A letter from a friend, a Balthus painting on a postcard, a page of Saint-Simon, give meaning to the passing hours. But to keep my mind sharp, to avoid descending into resigned indifference, I maintain a level of resentment and anger, neither too much nor too little, just as a pressure cooker has a safety valve to keep it from exploding.
Jean-Dominique Bauby
Tomorrow is promised to no one. Prioritize today accordingly.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Honoring your own boundaries is the clearest message to others to honor them, too.
Gina Greenlee (Postcards and Pearls: Life Lessons from Solo Moments on the Road)
Not all questions can be answered.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
He thought: How difficult it is to explain yourself to yourself. Sometimes there only is, and no knowing.
Aidan Chambers (Postcards from No Man's Land)
So they were pen pals now, Emma composing long, intense letters crammed with jokes and underlining, forced banter and barely concealed longing; two-thousand-word acts of love on air-mail paper. Letters, like compilation tapes, were really vehicles for unexpressed emotions and she was clearly putting far too much time and energy into them. In return, Dexter sent her postcards with insufficient postage: ‘Amsterdam is MAD’, ‘Barcelona INSANE’, ‘Dublin ROCKS. Sick as DOG this morning.’ As a travel writer, he was no Bruce Chatwin, but still she would slip the postcards in the pocket of a heavy coat on long soulful walks on Ilkley Moor, searching for some hidden meaning in ‘VENICE COMPLETELY FLOODED!!!!
David Nicholls
I suppose each of us has his own fantasy of how he wants to die. I would like to go out in a blaze of glory, myself, or maybe simply disappear someday, far out in the heart of the wilderness I love, all by myself, alone with the Universe and whatever God may happen to be looking on. Disappear - and never return. That's my fantasy.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much.
Louise Walters (Mrs. Sinclair's Suitcase)
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
Mom brought me some peanut butter cookies and a biography of Judy Garland. She told me she thought my problem was that I was too impatient, my fuse was too short, that I was only interested in instant gratification. I said, “Instant gratification takes too long.” The glib martyr.
Carrie Fisher (Postcards from the Edge)
That's the way it works in movies. Something happens that has an impact on someone's life, and based on that impact, his life shifts course. Well, that's not how it happens in life. Something has an impact on you, and then your life stays the same, and you think, 'Well, what about the impact?' You have epiphanies all the time. They just don't have any effect.
Carrie Fisher (Postcards from the Edge)
One of the pleasant things about small town life is that everyone, whether rich or poor, liked or disliked, has some kind of a role and place in the community. I never felt that living in a city -- as I once did for a couple of years.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Without the letters of condolence, telegrams of congratulations, and occasional postcards, the friendship of a separated friend is not a social reality. It has no existence without the rites of friendship. Social rituals create a reality which would be nothing without them. It is not too much to say that ritual is more to society than words are to thought. For it is very possible to know something and then find words for it. But it is impossible to have social relations without symbolic acts.
Mary Douglas (Purity and Danger (Routledge Classics))
Well, the thing is, I don't think Indians are nomadic anymore. Most indians anyway.' No, we're not,' I said I'm not nomadic,' Rowdy said. 'Hardly anybody on this rez is nomadic. Except for you. You're the nomadic one.' Whatever.' No. I'm serious. I always knew you were going to leave. I always knew you were going to leave us behind and travel the world. I had this dream about you a few months ago. You were standing on the Great Wall of China. You looked happy. And I was happy for you.' Rowdy didn't cry. But I did. You're an old-time nomad,' Rowdy said. 'You're going to keep moving all over the world in search of food and water and grazing land. That's pretty cool.' I could barely talk. Thank you,' I said. Yeah,' Rowdy said. 'Just make sure you send me postcards, you asshole.' From everywhere,' I said. I would always love Rowdy. And I would always miss him, too. Just as I would always love and miss my grandmother, my big sister, and Eugene. Just as I would always love and miss my reservation and my tribe. I hoped and prayed that they would someday forgive me for leaving them. I hoped and prayed that I would someday forgive myself for leaving them.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
It’s easy to look at the contours of a forest and feel a bone deep love for nature. It’s less easy to remember that the contours of your own body represent the exact same nature. The pathways of your mind. Your dreams, dark and strange as sprouts curling beneath a flat rock. Your regret, bitter as the citrus rot of old cut grass. It’s the same as the nature you make time to love. That you practice loving. The forest. The meadow. The sweeping arm of a galaxy. You are as natural as any postcard landscape and deserve the same love.
Jarod K. Anderson (Field Guide to the Haunted Forest (Haunted Forest Trilogy))
The road whinnies and rears up. The sky gallops. You are permanent within me in this chaos. Somewhere deep in my mind you shine forever, without moving, silent, like the angel awed by death, or like the insect burying itself in the rotted heart of a tree.
Miklós Radnóti (Clouded Sky)
This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them
Colleen Hoover (This Girl (Slammed, #3))
There is a certain animal vitality in most of us which carries us through any trouble but the absolutely overwhelming. Only a fool has no sorrow, only an idiot has no grief - but then only a fool and an idiot will let grief and sorrow ride him down into the grave.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I’ve given up on Lulu before. In Utrecht. In Mexico. But that felt like surrendering. Like it was me I was really giving up on. This feels different, somehow. Like maybe Lulu brought me to this place, and for the first time in a long time, I’m on the cusp of something real. Maybe this is the point of it all. Maybe this is where the road is meant to end. I think of the postcards I left in her suitcase. I’d written sorry on one of them. Only now do I understand what I really should’ve written was thank you. “Thank you,” I say quietly to the empty house. I know she’ll never hear it, but somehow that seems besides the point.
Gayle Forman (Just One Year (Just One Day, #2))
Devoted though we must be to the conservation cause, I do not believe that any of us should give it all of our time or effort or heart. Give what you can, but do not burn yourselves out -- or break your hearts. Let us save at least half of our lives for the enjoyment of this wonderful world which still exists. Leave your dens, abandon your cars and walk out into the great mountains, the deserts, the forests, the seashores. Those treasures still belong to all of us. Enjoy them to the full, stretch your legs, expand your lungs, enliven your hearts -- and we will outlive the greedy swine who want to destroy it all in the name of what they call GROWTH. God bless America -- let's save some of it. Long live the weeds and the wilderness yet!
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
To the Technocrats: Have mercy on us. Relax a bit, take time out for simple pleasures. For example, the luxuries of electricity, indoor plumbing, central heating, instant electronic communication and such, have taught me to relearn and enjoy the basic human satisfactions of dipping water from a cold clear mountain stream; of building a wood fire in a cast-iron stove; of using long winter nights for making music, making things, making love; of writing long letters, in longhand with a fountain pen, to the few people on this earth I truly care about.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
The same philantropists who give millions for AIDS or education in tolerance have ruined the lives of thousands through financial speculation and thus created the conditions for the rise of the very intolerance that is being fought. In the 1960s and '70s it was possible to buy soft-porn postcards of a girl clad in a bikini or wearing an evening gown; however, when one moved the postcard a little bit or looked at it from a slightly different perspective, her clothes magically disappeared to reveal the girl's naked body. When we are bombarded by the heartwarming news of a debt cancellation or a big humanitarian campaign to eradicate a dangerous epidemic, just move the postcard a little to catch a glimpse of the obscene figure of the liberal communist at work beneath.
Slavoj Žižek (Violence: Six Sideways Reflections)
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
Our institutions are too big; they represent not the best but the worst characteristics of human beings. By submitting to huge hierarchies of power, we gain freedom from personal responsibility for what we do and are forced to do - the seduction of it - but we lose the dignity of being real men and women. Power corrupts; attracts the worst and corrupts the best. ... Refuse to participate in evil; insist on taking part in what is healthy, generous, and responsible. Stand up, speak out, and when necessary fight back. Get down off the fence and lend a hand, grab a-hold, be a citizen - not a subject.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I doubt that my sense of personal freedom is any stronger than anybody else's. I'm happy to respect authority when it's genuine authority, based on moral or intellectual or even technical superiority. I'm eager to follow a hero if we can find one. But I tend to resist or evade any kind of authority based merely on the power to coerce. Government, for example. The Army tried to train us to salute the uniform, not the man. Failed. I will salute the man, maybe, if I think he's worthy of it, but I don't salute uniforms anymore.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
The children are innocent until proven guilty. For their sake, not ours, we must soldier on, muddling our way toward frugality, simplicity, liberty, community, until some kind of sane and rational balance is achieved between our ability to love and our cockeyed ambition to conquer and dominate everything in sight. No wonder the galaxies recede from us in every direction, fleeing at velocities that approach the speed of light. They are frightened. We humans are the Terror of the Universe.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I don't think you ever get to relax. I mean, sure there's a couple of people who could, but I bet they don't. Because by the time they get to where they could relax, they don't. Because by the time they get to where they could relax, they've gotten completely used to not being able to. How do you just suddenly become somebody who relaxes? The kind of ambition you need to get to that place is not relaxing. It's searing. I think there's probably something about living your whole life in a popularity contest -- trying to get people to like you who you couldn't give a flying fuck about -- that kills relaxation.
Carrie Fisher (Postcards from the Edge)
Once on yellow sheet of paper with green lines, he wrote a poem and he called it “Spot” because that was the name of his dog and that’s what it was all about and his teacher gave him an “A” and a big gold star and his mother hung it on the kitchen cupboard and showed it to his aunt and that was the year his sister was born-and his parents kissed all the time and the little girl around the corner sent him a postcard with a row of X’s on it and his father tucked him into bed at night and was always there. Then on a white sheet of paper with blue lines, he wrote another poem and he called it “Autumn” because that was the time of year and that’s what it was all about and his teacher gave him an “A” and told him to write more clearly and his mother told him not to hang it on the kitchen cupboard because it left marks and that was the year his sister got glasses and his parents never kissed anymore and the little girl around the corner laughed when he fell down with his bike and his father didn’t tuck him in at night. So, on another piece of paper torn from a notebook he wrote another poem and he called it “Absolutely Nothing” Because that’s what it was all about and his teach gave him an “A” and a hard searching look and he didn’t show it to his mother and that was the year he caught his sister necking on the back porch and the little girl around the corner wore too much make-up so that he laughed when he kissed her but he kissed her anyway and he tucked himself in bed at three AM with his father snoring loudly in the next room Finally, on the inside of a matchbook he wrote another poem and he called it “?” because that’s what it was all about And he gave himself an “A” and a slash on each wrist and hung it on the bathroom mirror Because he couldn’t make it to the kitchen.
Earl Reum
Let's have some precision in language here: terrorism means deadly violence -- for a political and/or economical purpose -- carried out against people and other living things, and is usually conducted by governments against their own citizens (as at Kent State, or in Vietnam, or in Poland, or in most of Latin America right now), or by corporate entities such as J. Paul Getty, Exxon, Mobil Oil, etc etc., against the land and all creatures that depend upon the land for life and livelihood. A bulldozer ripping up a hillside to strip mine for coal is committing terrorism; the damnation of a flowing river followed by the drowning of Cherokee graves, of forest and farmland, is an act of terrorism. Sabotage, on the other hand, means the use of force against inanimate property, such as machinery, which is being used (e.g.) to deprive human beings of their rightful work (as in the case of Ned Ludd and his mates); sabotage (le sabot dropped in a spinning jenny) -- for whatever purpose -- has never meant and has never implied the use of violence against living creatures.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)