Possible Yearbook Quotes

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That's the thing about choices. They're an act of knowledge, of faith, of love. It's how we make them that sets us apart, because every single day, worlds are colliding, and our choices shape so much more than just our own story. And if we want to change this world for the better, then we must be the best possible version of ourselves, because who we are in each moment is a gift to the universe. This is what the present is: when the sum of one person's past meets a world's collective future.
Sarah Ayoub (The Yearbook Committee)
My plans for the future are to serve more and better, to worry less about the things that are unimportant, to let my wife and children know how much I love them, to openly support whatever I can see is good, to appreciate and to encourage everyone in the best way possible, and, in short, to do more of what makes life meaningful.
Norris B. Finlayson (Tree Farm Days)
Using the Worst-Case Scenario Technique Another way to correct inaccurate expectations is to imagine what would happen if the worst possible scenario occurred. Pretend that everything has gone wrong at once. Picture all the details and then exaggerate them. As you visualize the worst situation possible, you may start to laugh. The scene will seem so ridiculous that you realize there is not the slightest chance that it will take place. Lupe used the worst-case scenario technique after deciding that she really wanted to join the yearbook committee. The students in the group met after school once a week, and Lupe felt anxious about attending her first meeting. She was certain she would clamp up when people spoke to her. The morning before the meeting, she relaxed and imagined the worst things that could happen. She pictured herself saying something and everyone ignoring her. She pictured her face getting so red that it looked like she was going to explode. Then she imagined people laughing at her, saying she didn’t belong. This exercise helped Lupe realize that her fears were unfounded. That afternoon, after a little pep talk and a few deep breaths, Lupe walked into the meeting. She was relieved that people were genuinely happy to have her there. She felt proud that she was able to be involved in a situation that she would have previously avoided.
Heather Moehn (Social Anxiety (Coping With Series))
On May 27, Bryn Mawr awarded 167 bachelor of arts degrees. Sixty percent of the class was headed straight to graduate or professional school. My friends and teachers had assumed I would go to law school, but I could not imagine devoting myself to the details of torts or civil procedure. If I decided to pursue further education, I knew it would be for graduate work in history. What had always captured me intellectually was the broad sweep of ideas and social forces. And having grown up in a changing and not-changing Virginia, I knew how those assumptions and circumstances exerted their power through time, often creating silences and blindnesses that undermined human possibility. From at least when I had written to Eisenhower as a nine-year-old, I had recognized the force and the burden of history; I understood the words of the white southern poet and novelist Robert Penn Warren: “History is what you can’t / Resign from.”11 Coming to terms with the past would ultimately become an intellectual and professional commitment as well as a personal necessity. I grew up to be a historian. My page in the Bryn Mawr college yearbook, 1968. On my right wrist I am wearing the bracelet my grandmother gave me the night my mother died. But not yet. I had decided I needed to be in the real world for a while. I had loved school since I began kindergarten at the age of four, and at Bryn Mawr I had become caught up not just in learning
Drew Gilpin Faust (Necessary Trouble: Growing Up at Midcentury)
Looking through the book, I realized that there actually were several kids I didn’t know. Was it possible that I never shared a class with them in all twelve years of school? I scanned the yearbook
Stephen E. Stanley (A Midcoast Murder (A Jessie Ashworth Mystery, #1))
While ageing is generally viewed by mainstream culture as a descent into a ‘lesser’ phase of life, the elder inspires us to reframe the journey towards elderhood as a process of wild becoming; an initiation into untamed experience. Time holds no bounds for this tree, which recovers easily from damage and stands stalwart in winter landscapes, instilling us with strength and regenerative possibility. The elder reminds us that our souls come alive when we connect with the elements and the earth, feeling the pull of ancestral roots beneath our feet, which hold us safely and steadily in place.
Eleanor Cheetham (The Rewilding Yearbook: A 12-month journey to discover the wild within you (Verbena Yearbooks))