Poses Funny Quotes

I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...

Kate stood by the door with her arms crossed. That was an anti-Curran pose. What the hell was the Beast Lord doing here? I padded to the door. “First, you didn’t come home.” Curran’s voice held zero humor. “Second, I’m told that my mate is lingering in Raphael’s house. There can’t be any good reason for you to be here.” “Are you spying on me, Your Furriness?” Kate asked.

Finnik?” I say. “Maybe some pants?”
He looks down at his legs as if noticing them for the first time. Then he whips of his hospital gown, leaving him in just is underwear. “Why? Do you find this”-he strikes a ridiculously proactive pose-“distracting?”
I can’t help laughing because it’s funny, and it’s extra funny because Boggs looks so uncomfortable, and I’m happy because Finnik actually sounds like the guy I met at the Quarter Quell.
“I’m only human, Odair.” I get in before the elevator doors close. “Sorry,” I say to Boggs.
“Don’t be. I thought you… handled that well,” He says. “Better than my having to arrest him, anyway.”
 
Fulvia Cardew hustles over an makes a sound of frustration when she sees my clean face. “All that hard work, down the drain. I’m not blaming you, Katniss. It’s just that very few people are born with camera-ready faces. Like him.” She snags Gale, who’s in a conversation with Plutarch, and spins him towards us. “Isn’t he handsome?”
Gale does look stricking in the uniform, I guess. But the question just embarrasses us both Given our history. I’m trying to think of a witty comeback when Boggs says brusquely, “Well don’t expect us to be too impressed. We just saw Finnick Odair in his underwear.

John flung himself into a pseudo-karate stance, one hand poised behind him and one in front, posed like a cartoon cactus. I thought for an odd moment he had moved his limbs so fast they had made that whoosh sound through air but then I realized John was making that sound with his mouth.

Dad says there are more than three thousand letters in the Japanese alphabet, which could pose a problem. There are only twenty-six letters in the English alphabet, and I get into enough trouble with them as it is.

That's us," I said smiling brightly. "The Udells." That seemed to wake Roger up a little, and he blinked at me, surprised. "Finally," the clerk muttered. "All right. Names?" he asked, fingers posed over his keyboard. "Oh," I said, "Well. That's... Edmund. And I'm Hillary." Roger glanced over at me, a little more sharply, and I tried to shrug as subtly as possible.

From: Beth Fremont To: Jennifer Scribner-Snyder Sent: Thurs, 09/30/1999 3:42 PM Subject: If you were Superman … … and you could choose any alter ego you wanted, why the hell would you choose to spend your Clark Kent hours — which already suck because you have to wear glasses and you can’t fly — at a newspaper? Why not pose as a wealthy playboy like Batman? Or the leader of a small but important nation like Black Panther? Why would you choose to spend your days on deadline, making crap money, dealing with terminally crabby editors?

I waved my hand like a frantic dust mop fingers spread ludicrously wide apart as if to say “What jolly fun ” What I wanted to do actually was to leap to my feet strike a pose and burst into one of those “Yo-ho for the open road ” songs they always play in the cinema musicals but I stifled the urge and settled for a ghastly grin and an extra twiddle of the fingers.

The captain frowned. ‘It’s a funny thing,’ he said, ‘but why is it that the heathens and the barbarians seem to have the best places to go when they die?’ ‘A bit of a poser, that,’ agreed the mate. ‘I s’pose it makes up for ’em … enjoying themselves all the time when they’re alive, too?’ He looked puzzled. Now that he was dead, the whole thing sounded suspicious.

You have to learn which pose works best to enhance your bodies in your lingerie." My blank expression only pissed her off further. "It adds to the seduction process!" Taran sighed when the rest of us exchanged what-the-hell glances."Watch and learn." She folded her arms and leaned over her dresser. Emme jumped when Taran threw out her butt like some sort of weapon.

It’s only sixteen ninety-five," I say with a flutter of my lashes. "You’re serious." I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don’t I look serious?" She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says. "Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be—" I spin and strike another pose. "An inspiration." She sniffs and swipes at her eyes. "The real Dylan would die before he’d be seen in public in something like that." "The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he’s not one fourth the kisser I am." "Is that right?" Her lips quirk. "You know it is." Her smile melts, and her breath comes faster. "Yeah. I do.

Lately my thing is inventing new yoga poses. The Onion is one. You make yourself very round, then peel yourself, limb by limb.

You are hereby warned that any movement on your part not explicitly endorsed by verbal authorization on my part may pose a direct physical risk to you, as well as consequential psychological and possibly, depending on your personal belief system, spiritual risks ensuing from your personal reaction to said physical risk. Any movement on your part constitutes an implicit and irrevocable acceptance of such risk," the first MetaCop says. There is a little speaker on his belt, simultaneously translating all of this into Spanish and Japanese. "Or as we used to say," the other MetaCop says, "freeze, sucker!" "Under provisions of The Mews at Windsor Heights Code, we are authorized to enforce law, national security concerns, and societal harmony on said territory also. A treaty between The Mews at Windsor Heights and White Columns authorizes us to place you in temporary custody until your status as an Investigatory Focus has been resolved." "Your ass is busted," the second MetaCop says. "As your demeanor has been nonaggressive and you carry no visible weapons, we are not authorized to employ heroic measures to ensure your cooperation," the first MetaCop says. "You stay cool and we'll stay cool," the second MetaCop says. "However, we are equipped with devices, including but not limited to projectile weapons, which, if used, may pose an extreme and immediate threat to your health and well-being." "Make one funny move and we'll blow your head off," the second MetaCop says.

Right. Of course. I guess I better get down there,” he says. “Finnick?” I say. “Maybe some pants?” He looks down at his legs as if noticing his outfit for the first time. Then he whips off his hospital gown, leaving him in just his underwear. “Why? Do you find this”— he strikes a ridiculously provocative pose —“distracting?” I can’t help laughing because it’s funny, and it’s extra funny because it makes Boggs look so uncomfortable, and I’m happy because Finnick actually sounds like the guy I met at the Quarter Quell.

What if . . . what if heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to your for no reason, or . . . ' Mam's pancakes with Mars Bar sauce; Dad dashing up from the bar just to tell me, 'Sleep tight don't let the bedbugs bite'; or Jacko and Sharon singing "For She's a Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. "S'pose heaven's not like a painting that's just hanging there forever, but more like . . . like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or . . . upstairs windows when you're lost . . .

I’ve found that there’s no real comfort in success. There’s never time to slow down, sit back, and relax. But there did come a moment later in my career when I knew that I had truly made it as a comedian. After I presented Richard Pryor with the lifetime achievement award at the American Comedy Awards, we were backstage posing for pictures. He looked up at me and said, “I stole your album.” For a split second, I couldn’t believe what I was hearing. The great Richard Pryor stealing my material? I was honored and stunned at the same time. “In Peoria, I went into the record store and I put it under my jacket and I walked out,” he continued. “Richard, I get a quarter royalty on every album.” With that, Richard Pryor pulled out a quarter and handed it to me. To have your album stolen by Richard Pryor is quite an achievement.

Where are the laughs in massacre, famine and climate change, exactly? What’s so funny about the Middle East, North Korea and Afghanistan? Who’s going to chuckle when they pick up the London Review of Books and find John Lanchester arguing, convincingly as always, that the banking habits of the British people pose a greater threat to their own security than terrorism?

I am considered silly, selfish and incredible by all concerned. No use in explaining. I prefer to live happily in discomfort here in beloved Fowey to living comfortably, query, and discontentedly in indifferent Hampstead. That’s all. I’m used to being alone. Why fuss? Why struggle? It’s funny that no one seems really to understand my craving for solitude, that I am sincerely, and without posing, happiest when alone. It’s my natural state.

Malfoy glanced around. Harry knew he was checking for signs of teachers. Then he looked back at Harry and said in a low voice, “You’re dead, Potter.” Harry raised his eyebrows. “Funny,” he said, “you’d think I’d have stopped walking around….” Malfoy looked angrier than Harry had ever seen him. He felt a kind of detached satisfaction at the sight of his pale, pointed face contorted with rage. “You’re going to pay,” said Malfoy in a voice barely louder than a whisper. “I’m going to make you pay for what you did to my father….” “Well, I’m terrified now,” said Harry sarcastically. “I s’pose Lord Voldemort’s just a warm-up act compared to you three — what’s the matter?” he said, for Malfoy, Crabbe, and Goyle had all looked stricken at the sound of the name. “He’s your dad’s mate, isn’t he? Not scared of him, are you?” “You think you’re such a big man, Potter,” said Malfoy, advancing now, Crabbe and Goyle flanking him. “You wait. I’ll have you. You can’t land my father in prison —“ “I thought I just had,” said Harry. “The dementors have left Azkaban,” said Malfoy quietly. “Dad and the others’ll be out in no time….” “Yeah, I expect they will,” said Harry. “Still, at least everyone knows what scumbags they are now —“ Malfoy’s hand flew toward his wand, but Harry was too quick for him. He had drawn his own wand before Malfoy’s had even entered the pocket of his robes.

Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.

Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!

Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.

While writing the article that reported these findings, Amos and I discovered that we enjoyed working together. Amos was always very funny, and in his presence I became funny as well, so we spent hours of solid work in continuous amusement. The pleasure we found in working together made us exceptionally patient; it is much easier to strive for perfection when you are never bored. Perhaps most important, we checked our critical weapons at the door. Both Amos and I were critical and argumentative, he even more than I, but during the years of our collaboration neither of us ever rejected out of hand anything the other said. Indeed, one of the great joys I found in the collaboration was that Amos frequently saw the point of my vague ideas much more clearly than I did. Amos was the more logical thinker, with an orientation to theory and an unfailing sense of direction. I was more intuitive and rooted in the psychology of perception, from which we borrowed many ideas. We were sufficiently similar to understand each other easily, and sufficiently different to surprise each other. We developed a routine in which we spent much of our working days together, often on long walks. For the next fourteen years our collaboration was the focus of our lives, and the work we did together during those years was the best either of us ever did. We quickly adopted a practice that we maintained for many years. Our research was a conversation, in which we invented questions and jointly examined our intuitive answers. Each question was a small experiment, and we carried out many experiments in a single day. We were not seriously looking for the correct answer to the statistical questions we posed. Our aim was to identify and analyze the intuitive answer, the first one that came to mind, the one we were tempted to make even when we knew it to be wrong. We believed—correctly, as it happened—that any intuition that the two of us shared would be shared by many other people as well, and that it would be easy to demonstrate its effects on judgments.

He called back with an incredible report: there were people lined up around the store already. Wow, I thought. Wow! Wow didn’t begin to cover it. People lined up on two floors of the store to talk to Chris and get their books signed, hours before he was even scheduled to arrive. Chris was overwhelmed when he got there, and so was I. The week before, he’d been just another guy walking down the street. Now, all of a sudden he was famous. Except he was still the same Chris Kyle, humble and a bit abashed, ready to shake hands and pose for a picture, and always, at heart, a good ol’ boy. “I’m so nervous,” confided one of the people on the line as he approached Chris. “I’ve been waiting for three hours just to see you.” “Oh, I’m sorry,” said Chris. “Waitin’ all that time and come to find out there’s just another redneck up here.” The man laughed, and so did Chris. It was something he’d repeat, in different variations, countless times that night and over the coming weeks. We stayed for three or four hours that first night, far beyond what had been advertised, with Chris signing each book, shaking each hand, and genuinely grateful for each person who came. For their part, they were anxious not just to meet him but to thank him for his service to our country-and by extension, the service of every military member whom they couldn’t personally thank. From the moment the book was published, Chris became the son, the brother, the nephew, the cousin, the kid down the street whom they couldn’t personally thank. In a way, his outstanding military record was beside the point-he was a living, breathing patriot who had done his duty and come home safe to his wife and kids. Thanking him was people’s way of thanking everyone in uniform. And, of course, the book was an interesting read. It quickly became a commercial success beyond anyone’s wildest dreams, including the publisher’s. The hardcover debuted at number two on the New York Times bestseller list, then rose to number one and stayed there for more than two months. It’s remained a fixture on the bestseller lists ever since, and has been translated into twenty-four languages worldwide. It was a good read, and it had a profound effect on a lot of people. A lot of the people who bought it weren’t big book readers, but they ended up engrossed. A friend of ours told us that he’d started reading the book one night while he was taking a bath with his wife. She left, went to bed, and fell asleep. She woke up at three or four and went into the bathroom. Her husband was still there, in the cold water, reading. The funny thing is, Chris still could not have cared less about all the sales. He’d done his assignment, turned it in, and got his grade. Done deal.

Martha would come over every week and check on Mia and work with her on relaxation and breathing exercises to prepare for the natural labor. Jenny was on board with the natural thing too, so of course she and Mia dragged Tyler and me to the Bradley Birthing Method classes. It was hysterical; we had to get in all kinds of weird poses with the girls while they mimicked being in labor. We would massage their backs while they were perched on all fours, moaning. One of the hardest things I’ve ever done is contain my laughter during those classes. Mia was the freakin’ teacher’s pet because she was taking it so seriously. Right around the third class, they showed us a video of a live birth. I had nightmares for a week after that. Tyler and I agreed that we had to find a way to get out of going to the classes. We hadn’t mutually agreed on a plan, so during the fifth class, Tyler took it upon himself and used his own bodily gifts to get us into a heap of trouble. Tyler is lactose intolerant, and he has to take these little white tablets every time he eats cheese. The morning of the class, he stopped by the studio with a half-eaten pizza. I didn’t even think twice about it until that night in class during our visualization exercises when this god-awful, horrendous odor overtook our senses. At first everyone kept quiet and just looked around for the source. There wasn’t a sound to accompany the lethal attack, so everyone went into investigation mode, staring each other down. Mia began to gag. I heard Jenny cry a little behind us. Finally when I turned toward Tyler, I noticed he had the most triumphant glimmer in his eyes. I completely lost my shit. I was rolling around, laughing hysterically. Mia grabbed the hood of my sweatshirt and pulled me to my feet. “Outside, now!” She was scowling as she dragged me along. When we passed Tyler, she pointed to him angrily. “You too, joker.” Mia and Jenny pressed us up against the brick wall outside and then gave us the death stare, both of them with their arms crossed over their blooming bellies. They whispered something to each other and then turned and walked off, arm in arm. We followed. “Come on, you guys, it was funny.” Jenny stopped dead in her tracks and turned. She jabbed her index finger into my chest and said, “Yes, it is funny. When you’re five! Not when you’re in a room full of pregnant women. Do you know how sensitive our noses are?” I shrugged. “It wasn’t me.” “Oh, I know he’s a child,” she said but wouldn’t even look at Tyler. “And you are too, Will, for encouraging it.” Mia was glaring at me with a disappointed look, and then she shook her head and turned to continue down the street. Jenny caught up and walked away with her. “God, they’re so sensitive,” I whispered to Tyler. “Yeah, I kinda feel bad.” Without turning around, Mia yelled to us, “You guys don’t have to come anymore. Jenny and I can be each other’s partners.” I turned to Tyler and mouthed, “It worked!” I had a huge smile on my face. Tyler and I high-fived. “Why don’t you guys go celebrate? I know that’s what you wanted,” Jenny yelled back as they made a sharp turn down the sidewalk and down the stairs to the subway. “Nothing gets past them,” Tyler said

Most of the crowd spread their garments on the road, and others cut branches from the trees and spread them on the road. And the crowds that went before him and that followed him shouted, “Hosanna to the Son of David!…” —Matthew 21:8–9 (RSV) PALM SUNDAY: REMAINING FAITHFUL It’s graduation day at the University of Pittsburgh. It’s thrilling, watching the young men and women I’ve taught go forth and do all of the world’s work, but there’s a nagging disquiet. Like many weighty truths, their education is accompanied by an equally weighty lie. I’ve told my students they’re unique and capable of wonderful things (true); I didn’t warn them of the attendant difficulties that lay ahead. I’ve long stopped betting on their futures. Who am I to tell them about the odds of a successful life, the weird dance of hard work and good luck, the slings and arrows of outrageous fortune? Luckily, today is filled with smiles, flowing robes, hugs, funny hats. In ancient times such celebrations would be marked by palm fronds, like Jesus’ entrance into Jerusalem. And then is no different from now, where celebration can suddenly turn to trepidation, where young lives quickly discover that speaking the truth may lead to trouble, betrayal, or worse. But today they’ll throw their hats into the air with faith in the future. And when asked, I’ll pose with them for photos. Years from now they’ll wonder about the teacher with the gray hair and wan, anxious smile, who looks as if he might be praying. Lord, we often praise You one day, then betray You the next. Let us overcome our fickle nature and be faithful companions to You and our brothers and sisters. —Mark Collins Digging Deeper: Mt 21:1–11

like a person who musts up the courage to take part in a tomahawk throwing competition only for their shoulder to lock into place, straining a vein and looking like you’re posing for a portrait that would probably look even more badass if you had signed up to be the nude model in an art class which takes a lot of courage unless you’re already vain.

She cleared her throat, let go of the rail, and stood up straighter. “Because I have come here today to ask you to marry me.” His lips twitched. “It is not funny,” she cried. It was, of course, but she did not wish to be laughed at. Particularly when he had not answered. “You must admit, it is a little funny. To an outside party, we must be exceedingly comical.” “Yes, well, it is the worry of an outside party that is the reason we are here in the first place,” she muttered, looking down at her feet. A finger was placed gently under her chin, lifting her head up. “Pray, continue.” His dark eyes were serious, his lips playful. It was an irresistible combination. “It is the first time I have been proposed to and I must admit I find the experience intriguing.” Her eyes flashed. “I have already asked. It is now your turn to answer.” His amused expression deepened. “Oh, no. You have not asked. You merely announced your intention to ask. There is a large difference between stating the purpose of your visit and posing the question. Wouldn’t you say?

You, Dog. Youah all dog. Seems mighty funny to keep you in a piddlin’ little cage, and just use you fo’ getting’ blue ribbons and little cups when you could be a huntin’ dog. Seems might funny. Still, I s’pose it’s impo’tant, else, Danny and Mistah Haggin wouldn’t do it. But fo’ the life of me I can’t figgah it.

Yoga: once an exotic rite for mystics, now a suburban hobby in church halls and gymnasiums. Stretches, belly breaths and chants. Ancient (and awkward) poses with odd animal names, enjoyed by Lycra-clad mothers and post-matcha tea hipsters alike.

Should we save them, Jim?" The boy was so innocent. "Huck, I reckon if'n we save 'em, dey gonna turn me in. What you think?" The boy studied on that for a spell. "I reckon you're right. But what will them folks do to them?" "I don't know, Huck. Maybe dey jest pay a fine. Maybe dey get tarred and feathered. I don't know." "That seems right awful." "I s'pose it do. But dey was stealin' from dem folk. Tellin' lies lak dey was. He weren't neber no pirate." "Yes, but them people liked it, Jim. Did you see their faces? They had to know them was lies, but they wanted to believe. What do you make of that?" "Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares 'em." The river put its full pull on us and we watched the men grow smaller. "I reckon I do that, too," the boy said. "What say?" "I kin see how much you miss yer family and yet I don't think about it. I forget that you feel things jest like I feel. I know you love them." "Thank you, Huck.

Emerie had drifted a few feet away, her back straight, chin upraised. He'd seen Nesta in this particular pose, too. He called it her I Will Slay My Enemies post. Cassian had named about two dozen poses for Nesta at this point. Ranging from I Will Eat Your Eyes for Breakfast to I Don't Want Cassian to Know I'm Reading Smut. The latter was his particular favourite.

The pose of a horse in a statue tells you how the rider died. If both front legs are in the air, the rider died in battle. If one leg is in the air, the rider died of wounds sustained in battle and if both front legs are on the ground, the rider died of natural causes. Did You Know?

Honesty, this is a matter of life.” The chain rattled and the door hesitated. “You’re s’posed to say ‘and death,’” he supplied. “I have started to not believe in the other one,” said Nona. “It’s stupid saying ‘and death’ when most of the people who die get up and walk around again. Maybe if I said ‘a matter of life and double death.’” Honesty said, “How about, ‘Life and death where you don’t come back’?” “That’s so long,” said Nona.

I took a black and white photograph, which I also posted on Instagram. Her New Balance shoes and her feet crossed, hanging as she sat atop the pile of aluminum chairs, against the backdrop of the many legs of the chairs shining in the street lights in contrast to her dark shoes and leggings, were so captivating. There was a lightness in the way she sat there with her crossed legs dangling, as if she was perched on a cloud and it was the most natural thing as she was my angel. I was still unsure if she really existed or if I had only made her up with Pinto cat one night. It was all like a lucid dream. I was so glad for us and for us becoming rich soon too. I was so glad I could provide her with a future in Europe. I was so glad we would be rich and happy and we would be able to make all our dreams come true and travel the world freely together. I can show her Italy and Hungary and Europe. We can pick where do we want to live or make family. I knew all my life, all my work had led to this girl, this moment, and this future. Ours. She started to rap in Spanish in the Rioplatense dialect as I started to record her. „Loco, loco…” - she was so cute, it sounded like she had learned it on the streets of Buenos Aires, skipping school. She was amazing - so young, so true, so natural and pure and cute. I couldn't get enough of her. I wanted to make kids with her. With only her. Nobody else. By the wall of the church and the bar tables, there were a bunch of metal mobile railings with the Ajuntamiento de Barcelona logo in the middle of each of them. I told Martina to squat down to the level of the Ajuntamiento sign, and before I could finish my sentence, she was already doing it. She posed with the mobile railings, making a funny, cool and happy face while squeezing the Ajuntamiento logo between two of her fingers and pointing at it with her other hand, as if we were mocking the authorities of the Ajuntamiento. She was reading my mind. Like she knew magic. She was such a good girl. She was so pretty, smart and sexy. She was smiling, biting her lower lip, excited, turned on, and in love, I thought, looking like a bunny, or like Whitney Houston on the Brazilian live concert video, so I began to call her “Bunny”. I showed her how Whitney was smiling the same way. I was so blind to see the connection. (“The Cocaine Queen”) I was so much in love with her, so under her spell, I just really wanted her to be the One, I guess. I explained to her that the Camorra was one of my costumers and they had a club close by too and they were taking away other people's coffeeshops, menacing their lives and their families'. I explained to her that we were going to do all demolition and remodeling without any permit, without telling a word to anyone. I told her that we would lie to the residents of the building above us about what we were going to do there for months and months. I told her that she must keep it as our secret. She was nodding happily and she seemed happy that I trusted her. I explained everything to her, I told her about Rachel and Tom and I signing the founding document at Amina's office at the beginning of the same year, 2013. She seemed to understand the weight of all I told her and the reasons why I told her about it all, so she would know, so she wouldn't make a mistake saying the wrong thing in the wrong place at the wrong time. I asked her to pay attention to her surroundings in Barcelona from then on, as there were a lot of criminals, and she was a very pretty girl - not only my girlfriend. She seemed to take it as a privilege to be my girlfriend, and she seemed eternally happy, as was I. I told her that she was the only person I fully trusted. I wanted to send the video of Martina rapping on WhatsApp to Adam, but Martina told me I shouldn't because it was late and, at the end, Adam was my boss. “Yeah but he is not really my boss, in Spain, I am the boss.

So again, why are you climbing a tree?” Christine asked as she shielded her eyes from the sun. She and everyone else sat around on blankets watching Kellen help Stevie put her gear on. “I wanted to learn how to do it, and Kellen fixed up this dead tree for me. I want to show off my new skills, too, because Linden made fun of me,” Stevie said and struck a pose. “Be still, I’m trying to connect the climb line to your saddle,” Kellen said, focused on the task. Kenzie climbed onto Trent’s shoulders and made a face. “Uncle Linden says Aunt Stevie’s gonna break her butt.” “Thanks, Linden,” Stevie said and shot him a look. “She won’t.” Kyle laughed. “I’ve never seen so much safety equipment in my life. Kell, you forgot to bubble wrap her butt before you put the saddle on.” “Where’d you get them giant pads from?” Walt asked. “They’re the ones the track team at the school used to use for pole vaulting.” Kellen adjusted the chinstrap on Stevie’s helmet. “This is our exercise tree.” Stevie patted the trunk. “I want iron legs like Kellen’s, so she topped it for me, cut most of the branches off, and put out the pads. See how she spoils me?” “Yeah, she gave you what looks like fifty feet of dead tree,” Kyle said with a grin. “Most people just get flowers.” Trent snorted. “Nothing says love like a fifty-foot stump.” Kellen double-checked her own gear just in case Stevie got into trouble and she had to go up for her. “Okay, babe, don’t go past the fifteen-foot mark, trust your saddle when your legs get tired, pay attention to the depth of your spikes.” She patted Stevie’s cheek and whispered, “Now show them your monkey.

When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life.

When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life. Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door. “Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man. We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well. Bindi approached me. “I want to say good-bye to Daddy,” she said. “You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.” I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction. I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil. Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.” Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.

Wrath watched the doctor go through the little monitoring room and out into the hall. A moment later, she returned with the tall, thin physician. Havers bowed to him and to Beth through the glass and then went over to the monitors. Both of them assumed the identical pose: bent at the waist, hands in the pockets, brows down low over their eyes. “Do they coach them to do that in medical school?” Beth said. “Funny, I was wondering the same thing.” -Beth & Wrath

tilted and her eyes crinkled with amusement, Julia gazed into the distance. Millie was looking at Julia and laughing happily. The pair were obviously enjoying a funny moment together, their pose completely natural as they focused on each other and whatever it was they had shared, the two of them completely unaware of the camera. Julia’s big brown eyes and long dark hair were set off beautifully by the pretty pink top she was wearing, while Millie’s blue T-shirt contrasted with it perfectly. It really was a gorgeous photo and gave a true impression of how close they were. Another picture showed the two of them dressed up in really cool Halloween outfits. They both looked amazing and I thought about how much fun that night must have been.  

Sean told her about the question Rosie had posed while they were in the parking lot of the grocery. Franci had to lean against the counter, laughing so hard she was doubled over, yet trying to keep quiet lest Rosie come running soaking wet to the kitchen to see who would dare have fun without her. “Yeah, funny,” Sean said. “What would you have said?” She wiped her eyes. “Well, I have a special book about all that. It’s right about time to look at it together, but I didn’t know how to explain you to Rosie, so I’ve been putting it off. I guess I can go ahead with it now.” “A book? Come on!” “No, really. It talks about all the differences in the mommy’s and daddy’s bodies—it’s very cute. Sweet. Non-threatening.” She smiled at him. “If you’re very good, I’ll read it to you later.” “If you’re very good, I’ll show you how it’s done.” He leered at her. “By the way,” he said. “How was it done in this case? We were always very careful. Do you remember?” “Every detail,” she said, turning away from him to put away dishes. He turned her back. “Could I have a couple of details, please?” She took a breath. “Remember I used to go off the pill for a couple of months a year and your job was to be very good about the condoms? Well, there were a couple of times you got real worked up and just let it slide.” She shrugged. “It was as much my doing as yours. I was also a little worked up.” Silence enveloped them for a moment. He leaned forward and kissed her brow. “We were like that,” he whispered. “I’m not sorry about that. Big accident. Huge reward. She’s awesome.” Franci

Now then,” Falco started as he tucked the canvases back beneath the long table. “Have I proven myself, Signorina Cassandra? May I paint you?” Cass looked down at her long legs protruding from the ruffled skirt. She willed back the images of Aunt Agnese and Luca that threatened to overwhelm her. “You’re not going to display it, are you?” she asked. “I thought I’d hang it by the entrance to the Grand Canal. Call it Signorina Cassandra Caravello in Her Undergarments. What do you think?” “Very funny.” “I thought so.” Falco dragged the wooden stool and easel to the center of the room. He gestured for Cass to take her place on the divan. “Please.” He pulled a pair of lamps close, murmuring something about the insufficient lighting. “Under normal circumstances,” Falco said, “I would ask you to sit during the daytime. It’s the only way to get a clear picture. But it isn’t often I have the place to myself.” He grinned. “And you are certainly not a normal circumstance.” Cass felt herself blushing; she was sure he would have to paint her complexion a mottled red. “Make yourself comfortable,” he said. “Right now it looks as though you’re sitting on a pincushion.” Cass tried a new pose and Falco laughed. “Let me,” he said, and, reaching out, set about readjusting her. He gently eased her onto her left hip, letting the right leg fall forward in front of her. He pulled part of her hair over her shoulder so it twisted and curled around her neck. Cass sipped her drink nervously, hoping the alcohol might relax her. Each of Falco’s touches generated a tiny bolt of lightning inside her. The charge was starting to build up to dangerous levels. “Are your legs cold?” Falco asked. Cass managed to choke out a no. Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it.