Marvel Cast Quotes

As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing. What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk. Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.' Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?' I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.

There was a time in our lives when we were so close that nothing seemed to obstruct our friendship and brotherhood, and only a small footbridge separated us. Just as you were about to step on it, I asked you "Do you want to cross the footbridge to me?" - Immediately you did not want to anymore; and when I asked you again you remained silent. Since then mountains and torrential rivers and whatever separates and alienates have been cast between us, and even if we wanted to get together, we couldn't. But when you now think of that little footbridge, words fail you and you sob and marvel.

The Nazis were impressed by the American custom of lynching its subordinate caste of African-Americans, having become aware of the ritual torture and mutilations that typically accompanied them. Hitler especially marveled at the American “knack for maintaining an air of robust innocence in the wake of mass death.

When we marvel at that blue marble in all its delicacy and frailty, and resolve to save the planet, we cast ourselves in a very specific role. That role is of a parent, the parent of the earth. But the opposite is the case. It is we humans who are fragile and vulnerable and the earth that is hearty and powerful, and holds us in its hands. In pragmatic terms, our challenge is less to save the earth from ourselves and more to save ourselves from an earth that, if pushed too far, has ample power to rock, burn, and shake us off completely. That knowledge should inform all we do—especially

When we take your person into account, you who are a young maiden, to whom God gives the strength and power to be the champion who casts the rebels down and feeds France with the sweet, nourishing milk of peace, here indeed is something quite extraordinary! For if God performed such a great number of miracles through Joshua who conquered many a place and cast down many an enemy, he, Joshua, was a strong and powerful man. But, after all, a woman – a simple shepherdess – braver than any man ever was in Rome! As far as God is concerned, this was easily accomplished. But as for us, we never heard tell of such an extraordinary marvel, for the prowess of all the great men of the past cannot be compared to this woman's whose concern it is to cast out our enemies. This is God's doing: it is He who guides her and who has given her a heart greater than that of any man.

Youth is a marvelous garment. How misplaced is the sympathy lavished on adolescents. There is a yet more difficult age which comes later, when one has less to hope for and less ability to change, when one has cast the die and has to settle into a chosen life without the consolations of habit or the wisdom of maturity, when, as in her own case, one ceases to be une jeune fille un peu folle, and becomes merely a woman, worst of all, a wife. The very young have their troubles, but they have at least a part to play, the part of being very young.

Silently, Silla watched as light and dark swirled together, marveling at how his darkness made her light shine so much brighter. At how her light cast the deepest shadows from the darkness.

16 Over the footbridge.— In our relations with people who are bashful about their feelings, we must be capable of dissimulation; they feel a sudden hatred against anyone who catches them in a tender, enthusiastic, or elevated feeling, as if he had seen their secrets. If you want to make them feel good at such moments, you have to make them laugh or voice some cold but witty sarcasm; then their feeling freezes and they regain power over themselves. But I am giving you the moral before telling the story. There was a time in our lives when we were so close that nothing seemed to obstruct our friendship and brotherhood, and only a small footbridge separated us. Just as you were about to step on it, I asked you: “Do you want to cross the footbridge to me?” —Immediately, you did not want to any more; and when I asked you again, you remained silent. Since then mountains and torrential rivers and whatever separates and alienates have been cast between us, and even if we wanted to get together, we couldn’t. But when you now think of that little footbridge, words fail you and you sob and marvel.

You marvel that this matter, shuffled pell-mell at the whim of Chance, could have made a man, seeing that so much was needed for the construction of his being. But you must realize that a hundred million time this matter, on the way to human shape, has been stopped to form now a stone, now lead, now coral, now a flower, now a comet; and all because of more or fewer elements that were or were not necessary for designing a man. Little wonder if, within an infinite quantity of matter that ceaselessly changes and stirs, the few animals, vegetables, and minerals we see should happen to be made; no more wonder than getting a royal pair in a hundred casts of the dice. Indeed it is equally impossible for all this stirring not to lead to something; and yet this something will always be wondered at by some blockhead who will never realize how small a change would have made it into something else.

If Death-Cast hit me up last night, they would've knocked me out of that dream I was having where I was losing a marathon to some little kids on tricycles. If Death-Cast hit me up one week ago, I wouldn't have been up late reading all the notes Aimee wrote me when we were still a thing. If Death-Cast called two weeks ago, they would've interrupted that argument I was having with Malcolm and Tagoe about how Marvel heroes are better than DC heroes. If Death-Cast called one month ago, they would've killed the dead silence that came with me not wanting to talk with anyone after Aimee left.

Alexander once made himself supremely ridiculous. Coming across Epicurus's Principal Doctrines, the most admirable of his books, as you know, with its terse presentment of his wise conclusions, he brought it into the middle of the marketplace, there burned it on a figwood fire for the sins of its author, and cast its ashes into the sea. He issued an oracle on the occasion: “The dotard's doctrines to the flames be given.” The fellow had no conception of the blessings conferred by that book upon its readers, of the peace, tranquility, and independence of mind it produces, of the protection it gives against terrors, phantoms, and marvels, vain hopes and insubordinate desires, of the judgment and candor that it fosters, or of its true purging of the spirit, not with torches and squills and such rubbish, but with right reason, truth, and frankness.

All she could think of was how pure and unblemished, how soft and pink his baby skin had been. How his wonderful body, small and pristine, used to feel in her arms, how she'd kiss every inch of him, marveling at his beauty. When she was a new mom, she'd felt like she couldn't pull her eyes away. Now she cast her eyes back at her catalog quickly, not wanting to look at her own son, at what he'd seen fit to do to his beautiful body.....Not a big deal, Mom, he said reading her mind...Lot's of people have tattoos.

He couldn’t be— Oh, Lord. He was. He was going to kiss her. “Wait.” Panicked, Maddie put both hands on his chest, holding him off. “Your men, my servants … they could be watching us.” “I’m certain they’re watching us. That’s why we’re going to kiss.” “But I don’t know how. You know I don’t know how.” His lips quirked. “I know how.” Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns. Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon. With one long, slow tug, he eased it loose and cast it aside. It landed in the loch with a splash. His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes. “That was my best drawing pencil,” she said. “It’s just a pencil.” “It came from London. I have a limited supply.” His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.” “But—” Her breath caught. “Oh.” He bracketed her cheeks with his hands, tilting her face to his. Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her. She whispered, “This is really happening, isn’t it?” In answer, he pressed his lips to hers.

I dreamed my shoulders held up the sky for a thousand hawks that squawked and cawed and beat their feathered wings against the hotness of the day. I supported their flight, watching and marveling, until sweat dripped from my body, and groans crossed my lips over fatiguing muscles. Choosing to let the sky fall, I awoke. My eyes opened to a cast of hawks gripping me in their talons. They supported my weight, hauling me high above the clouds through a blue expanse of heaven. And though they struggled—squawking and flapping wearily—never once did a single bird release its hold.

A Nightingale!” he marvelled. Ah, so Matron had told him that much. Lib was always shy of introducing the great lady’s name into conversation and loathed the whimsical title that had come to be attached to all those Miss N. had trained, as if they were dolls cast in her heroic mould. “Yes, I had the honour of serving under her at Scutari.” “Noble labour.” It

Early morning rays start to peek through the tree limbs and cast a splatter of color on the ground around us. And I wonder if the sun ever watches us during its ascent and marvels at us and the beautiful splendor that we are. Every day, we rise and fight for ourselves. Every day, strangers become friends, and friends become lovers. Every day, babies are born, and families are formed. Every day, we live, and we love. We love and we love and we love. -Quietly Making Noise, releasing January 24, 2017

Now, it is a verifiable actuality that any two men can talk politely and even become friends, given the chance; but put them in different uniforms, or train them in the use of different tools or philosophies or shaving soap, and you will have two men who are sure that the other lives primarily to contradict him. I did know a fellow once who insisted that reasonable men can disagree, but somebody knocked him cold with a cast-iron frying pan just then and I never did hear the remainder of his hypothesis.

When the system of mass incarceration collapses (and if history is any guide, it will), historians will undoubtedly look back and marvel that such an extraordinarily comprehensive system of racialized social control existed in the United States. How fascinating, they will likely say, that a drug war was waged almost exclusively against poor people of color—people already trapped in ghettos that lacked jobs and decent schools. They were rounded up by the millions, packed away in prisons, and when released, they were stigmatized for life, denied the right to vote, and ushered into a world of discrimination. Legally barred from employment, housing, and welfare benefits—and saddled with thousands of dollars of debt—these people were shamed and condemned for failing to hold together their families. They were chastised for succumbing to depression and anger, and blamed for landing back in prison. Historians will likely wonder how we could describe the new caste system as a system of crime control, when it is difficult to imagine a system better designed to create—rather than prevent—crime.

February 21 Have You Ever Been Carried Away for Him? She hath wrought a good work on Me. Mark 14:6 If human love does not carry a man beyond himself, it is not love. If love is always discreet, always wise, always sensible and calculating, never carried beyond itself, it is not love at all. It may be affection, it may be warmth of feeling, but it has not the true nature of love in it. Have I ever been carried away to do something for God not because it was my duty, nor because it was useful, nor because there was anything in it at all beyond the fact that I love Him? Have I ever realised that I can bring to God things which are of value to Him, or am I mooning round the magnitude of His Redemption whilst there are any number of things I might be doing? Not Divine, colossal things which could be recorded as marvellous, but ordinary, simple human things which will give evidence to God that I am abandoned to Him? Have I ever produced in the heart of the Lord Jesus what Mary of Bethany produced? There are times when it seems as if God watches to see if we will give Him the abandoned tokens of how genuinely we do love Him. Abandon to God is of more value than personal holiness. Personal holiness focuses the eye on our own whiteness; we are greatly concerned about the way we walk and talk and look, fearful lest we offend Him. Perfect love casts out all that when once we are abandoned to God. We have to get rid of this notion—“Am I of any use?” and make up our minds that we are not, and we may be near the truth. It is never a question of being of use, but of being of value to God Himself. When we are abandoned to God, He works through us all the time.

But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy. 'I know,' he said, smiling. 'I don't mind.' ... ...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?' Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.' Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel. The room went silent for a beat. But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.' Azriel blushed and stepped back, shadows swirling.

And here before me stands a marvelously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great and Charles the First, and even King Arthur, for anything I knew to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I. we are public icons, we two: he an icon of kingship, and I an icon of heroism, unreal yet very necessary; we have obligations above what is merely personal, and to let personal feelings obscure the obligations would be failing in one's duty. This was clearer still afterward, at lunch at the Savoy....; they all seemed to accept me as a genuine hero, and I did my best to behave decently, neither believing in it too obviously, nor yet protesting that I was just a simple chap who had done his duty when he saw it--a pose that has always disgusted me. Ever since, I have tried to think charitably of people in prominent positions of one kind or another. We cast them in roles, and it is only right to consider them as players, without trying to discredit them with knowledge of their off-stage life--unless they drag it into the middle of the stage themselves.

Hitler had studied America from afar, both envying and admiring it, and attributed its achievements to its Aryan stock. He praised the country’s near genocide of Native Americans and the exiling to reservations of those who had survived. He was pleased that the United States had “shot down the millions of redskins to a few hundred thousand.” He saw the U.S. Immigration Restriction Act of 1924 as “a model for his program of racial purification,” historian Jonathan Spiro wrote. The Nazis were impressed by the American custom of lynching its subordinate caste of African-Americans, having become aware of the ritual torture and mutilations that typically accompanied them. Hitler especially marveled at the American “knack for maintaining an air of robust innocence in the wake of mass death.

I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.

February 20 MORNING “God, that comforteth those that are cast down.” — 2 Corinthians 7:6 AND who comforteth like Him? Go to some poor, melancholy, distressed child of God; tell him sweet promises, and whisper in his ear choice words of comfort; he is like the deaf adder, he listens not to the voice of the charmer, charm he never so wisely. He is drinking gall and wormwood, and comfort him as you may, it will be only a note or two of mournful resignation that you will get from him; you will bring forth no psalms of praise, no hallelujahs, no joyful sonnets. But let God come to His child, let Him lift up his countenance, and the mourner’s eyes glisten with hope. Do you not hear him sing — “ ’Tis paradise, if thou art here; If thou depart, ’tis hell”? You could not have cheered him: but the Lord has done it; “He is the God of all comfort.” There is no balm in Gilead, but there is balm in God. There is no physician among the creatures, but the Creator is Jehovah-rophi. It is marvellous how one sweet word of God will make whole songs for Christians. One word of God is like a piece of gold, and the Christian is the goldbeater, and can hammer that promise out for whole weeks. So, then, poor Christian, thou needest not sit down in despair. Go to the Comforter, and ask Him to give thee consolation. Thou art a poor dry well. You have heard it said, that when a pump is dry, you must pour water down it first of all, and then you will get water, and so, Christian, when thou art dry, go to God, ask Him to shed abroad His joy in thy heart, and then thy joy shall be full. Do not go to earthly acquaintances, for you will find them Job’s comforters after all; but go first and foremost to thy “God, that comforteth those that are cast down,” and you will soon say, “In the multitude of my thoughts within me Thy comforts delight my soul.

What I didn’t feel was what surprised me the most. I’d always looked at Clara and thought her too good for me, too benevolent to entangle herself with someone as fucked up as I was. But the truth was different. We matched. We fit together so completely that I knew the Goddess or Creator, or whoever the hell dabbled in our fates, had put her on my path for a reason. When I met her, I had been in a state of denial that I’d ever be able to have a normal relationship with a woman. I was convinced I’d been cursed by the world, cast out because I’d rejected my magic, the gift I was given. So I’d been content watching her from afar, marveling at her beauty and unwavering kindness. Until I wasn’t. Until she bestowed that kindness on me. Little by little, my heart opened and my soul began to believe that maybe, just maybe, it could come out of its own cage. Just knowing her, talking to her briefly on the street or being invited to their family gatherings—something I wasn’t ready for—slowly eroded away the shell of cynicism and defensiveness I wore wherever I went.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.

She lifted her lantern high, and he allowed her to free him from the shadows, casting his face in warm, golden light. He had aged marvelously, grown into his long limbs and angled face. Penelope had always imagined that he'd become handsome, but he was more than handsome now... he was nearly beautiful. If not for the darkness that lingered despite the glow of the lantern- something dangerous in the set of his jaw, in the tightness of his brow, in eyes that seemed to have forgotten joy, in lips that seemed to have lost their ability to smile. He'd had a dimple as a child, one that showed itself often and was almost always the precursor to adventure. She searched his left cheek, looking for that telltale indentation. Did not find it. Indeed, as much as Penelope searched this new, hard face, she could not seem to find the boy she'd once known. If not for the eyes, she would not have believed it was him at all. "How sad," she whispered to herself. He heard it. "What?" She shook her head, meeting his gaze, the only thing familiar about him. "He's gone." "Who?" "My friend." She hadn't thought it possible, but his features hardened even more, growing more stark, more dangerous, in the shadows. For one fleeting moment, she thought perhaps she had pushed him too far. He remained still, watching her with that dark gaze that seemed to see everything.

Here the genie of fire showed me in a crimson tableau the booth of a chestnut-seller where a pair of non-commissioned officers, their belts abandoned on chairs, were playing cards, without suspecting that they had been conjured out of the darkness by a magician, like a stage apparition, and presented as they actually were at that very moment to the eyes of a stopping passer-by who was invisible to them. In a little junk shop, a half-spent candle projected its red glow on to an engraving and turned it to the colour of blood, while the light cast by a big lamp, struggling with the darkness, bronzed a fragment of leather, nielloed a dagger with glittering spangles, spread a sheen of precious gold like the patina of the past or the varnish of a master over pictures which were only bad copies, and turned this whole hovel, in which there was nothing but cheap imitations and cast-off rubbish, into a marvellous Rembrandt painting. Occasionally I looked up towards some vast old apartment with its shutters still open and where amphibious men and women, adapting themselves each evening to living in an element different from their daytime one, swam about slowly in the dense liquid which at nightfall rises incessantly from the wells of lamps and fills the rooms to the brink of their walls of stone and glass, and as they moved about in it, their bodies sent forth unctuous golden ripples.

He did not look like a pirate. He looked... familiar. There was something there, in the handsome angles and deep, wicked shadows, the hollows of his cheeks, the straight line of his lips, the sharp line of his jaw- in need of a shave. Yes, there was something there- a whisper of recognition. He wore a pin-striped cap dusted with snow, the brim of which cast his eyes into darkness. They were a missing piece. She would never know from where the instinct came- perhaps from a desire to discover the identity of the man who would end her days- but she could not stop herself from reaching up and pushing the hat back from his face to see his eyes. Only later it would occur to her that he did not try to stop her. His eyes were hazel, a mosaic of browns and greens and greys, framed by long, dark lashes, spiked with snow. She would have known them anywhere, even if they were far more serious now than she'd ever seen them before. Shock coursed through her, followed by a thick current of happiness. He was not a pirate. "Michael?" He stiffened at the sound of his name, but she did not take the time to wonder why. She flattened her palm against his cold cheek- an action at which she would later marvel- and laughed, the sound muffled by the snow falling around them. "It is you, isn't it?" He reached up, pulling her hand from his face. He wasn't wearing gloves, and still, he was so warm. And not at all clammy.

Water seeks its own level.” This is a universal principle which is applicable to water everywhere. Consider another principle: “Matter expands when heated.” This is true anywhere, at any time, and under all circumstances. You can heat a piece of steel, and it will expand regardless whether the steel is found in China, England, or India. It is a universal truth that matter expands when heated. It is also a universal truth that whatever you impress on your subconscious mind is expressed on the screen of space as condition, experience, and event. Your prayer is answered because your subconscious mind is principle, and by principle I mean the way a thing works. For example, the principle of electricity is that it works from a higher to a lower potential. You do not change the principle of electricity when you use it, but by co-operating with nature, you can bring forth marvelous inventions and discoveries which bless humanity in countless ways. Your subconscious mind is principle and works according to the law of belief. You must know what belief is, why it works, and how it works. Your Bible says in a simple, clear, and beautiful way: Whosoever shall say unto this mountain, Be thou removed, and be thou cast into the sea; and shall not doubt in his heart, but shall believe that those things which he saith shall come to pass; he shall have whatsoever he saith. MARK 11:23. The law of your mind is the law of belief. This means to believe in the way your mind works, to believe in belief itself. The belief of your mind is the thought of your mind—that is simple—just that and nothing else. All your experiences, events, conditions, and

human kind to the danger of a painful and comfortless situation. A state of scepticism and suspense may amuse a few inquisitive minds. But the practice of superstition is so congenial to the multitude that, if they are forcibly awakened, they still regret the loss of their pleasing vision. Their love of the marvellous and supernatural, their curiosity with regard to future events, and their strong propensity to extend their hopes and fears beyond the limits of the visible world, were the principal causes which favoured the establishment of Polytheism. So urgent on the vulgar is the necessity of believing that the fall of any system of mythology will most probably be succeeded by the introduction of some other mode of superstition. Some deities of a more recent and fashionable cast might soon have occupied the deserted temples of Jupiter and Apollo, if, in the decisive moment, the wisdom of Providence had not interposed a genuine revelation, fitted to inspire the most rational esteem and conviction, whilst, at the same time, it was adorned with all that could attract the curiosity, the wonder, and the veneration of the people. In their actual disposition, as many were almost disengaged from their artificial prejudices, but equally susceptible and desirous of a devout attachment; an object much less deserving would have been sufficient to fill the vacant place in their hearts, and to gratify the uncertain eagerness of their passions. Those who are inclined to pursue this reflection, instead of viewing with astonishment the rapid progress of Christianity, will perhaps be surprised that its success was not still more rapid and still more universal.

Like all disappearing forms, art seeks to duplicate itself by means of simulation, but it will nevertheless soon be gone, leaving behind an immense museum of artificial art and abandoning the field completely to advertising. A dizzying eclecticism of form, a dizzying eclecticism of pleasure - such, already, was the agenda of the baroque. For the baroque, however, the vortex of artifice has a fleshly aspect. Like the practitioners of the baroque, we too are irrepressible creators of images, but secretly we are iconoclasts - not in the sense that we destroy images, but in the sense that we manufacture a profusion of images in which there is nothing to see. Most present-day images - be they video images, paintings, products of the plastic arts, or audiovisual or synthesized images - are literally images in which there is nothing to see. They leave no trace, cast no shadow, and have no consequences. The only feeling one gets from such images is that behind each one there is something that has disappeared. The fascination of a monochromatic picture is the marvellous absence of form - the erasure, though still in the form of art, of all aesthetic syntax. Similarly, the fascination of trans sexuality is the erasure - though in the form of spectacle - of sexual difference. These are images that conceal nothing, that reveal nothing - that have a kind of negative intensity. The only benefit of a Campbell's soup can by Andy Warhol (and it is an immense benefit) is that it releases us from the need to decide between beautiful and ugly, between real and unreal, between transcendence and immanence. Just as Byzantine icons made it possible to stop asking whether God existed - without, for all that, ceasing to believe in him.

One morning he read to her at breakfast, something he had written during the night "Very rough," he said. "Half of it I've crossed out. And this was supposed to be the clean copy." He cleared his throat. "So.'Things happen for reasons that are hidden from us, utterly hidden for as long as we think they must proceed from what has come before, our guilt or our deserving, rather than coming to us from a future that God in his freedom offers to us.' My meaning here is that you really can't account for what happens by what has happened in the past, as you understand it anyway, which may be very different from the past itself. If there is such a thing. 'The only true knowledge of God is borne of obedience,' that's Calvin, 'and obedience has to be constantly attentive to the demands that are made of it, to a circumstance that is always new and particular to its moment.' Yes. 'Then the reasons that things happen are still hidden in the mystery of God.' I can't read my own writing. No matter. 'Of course misfortunes have opened the way to blessing you would never have thought to hope for, that you would not have been ready to understand as blessings if they had come to you in your youth, when you were uninjured, innocent. The future always finds us damaged.' So then it is part of the providence of God, as I see it, the blessing or happiness can have very different meanings from one time to another. 'This is not to say that joy is a compensation for loss, but that each of them, joy and loss, exists in its own right and must be recognized for what it is. Sorrow is very real, and loss feels very final to us. Life on earth is difficult and grave, and marvelous. Our experience is fragmentary. Its parts don't add up. They don't even belong in the same calculation. Sometimes it is hard to believe they are all parts of one one thing. Nothing makes sense until we understand that experience does not accumulate like money, or memory, or like years and frailties. Instead, it is presented to us by God who is not under any obligation to the past except in His eternal, freely given constancy.' Because I don't mean to suggest that experience is random or accidental, you see. 'When I say that much the greater part of our existence is unknowable by us because it rests with God, who is unknowable, I acknowledge His grace in allowing us to feel that we know any slightest part of it. Therefore we have no way to reconcile its elements, because they are what we are given out of no necessity at all except God's grace in sustaining us as creatures we can recognize as ourselves.' That's always seemed remarkable to me, that we can do that. That we can't help but do it.'So joy can be joy and sorrow can be sorrow, with neither of them casting either light or shadow on the other.

One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.

There was a time in our lives when we were so close that nothing seemed to obstruct our friendship and brotherhood, and only a small footbridge separated us. Just as you were about to step on it, I asked you: "Do you want to cross the footbridge to me?"--Immediately you did not want to anymore; and when I asked you again you remained silent. Since then mountains and torrential rivers and whatever separates and alienates have been cast between us, and even if we wanted to get together, we couldn't But when you now think of that little footbridge, words fail you and you sob and marvel. It's a curious little story. Let's reason it out. One person is about the cross the footbridge--that is, get closer to the other--when the second person invites him to do the very thing he planned. Then the first person cannot take the step because now it would seem as though he were submitting to the other--power apparently getting in the way of closeness.

Dad loved Aeney more than anything, but he couldn’t show it. He just couldn’t. There’s a Code for fathers in Ireland. Maybe it’s everywhere, I don’t know, I haven’t cracked it. My father followed the Code. He was careful about his children, he didn’t want to ruin us though somehow felt sure he would. He thought Aeney and I were marvels but he didn’t want to make a mistake. Maybe he thought Abraham was watching. So he’d probably thought about it for a long time before he came in from the casting and decided he should go fishing with Aeney. Dad could be sudden like that. He couldn’t help it. It’s the nature of Poets. You don’t believe me, look up William Blake, say hello to those impulses, go meet Mr John Donne in a dark church some time, spend a summer’s day with young William Butler, Ace Butterfly-catcher.

Hello all, Why must we be confused by all this online scammers when we all know that there has never been any other oracle apart from the the great spell casters called lama lama oracle temple, The great oracle and also i my self called kuq ya that is greatest of all, Kuq ya means GREATEST AMONG ALL THE SPELL CASTERS. This oracle has been in existence for so many years even before i was born i inherited it from my great grand father. Since we have been existing we have never failed in solving any kind of problem anyone must have been having cos we know the spirits that we serve we never lets us down, We perform various sacrifice to this spirits from time to time to make our powerful and doings effective. This temple is out on the internet to tell all of you that is wasting your time and also your hard earned money dealing with all this hungry souls that called themselves spell casters by bring cause to themselves by claiming to be what they are not, We advise you all that you should stop it as it is not right to do such, Because those spell casters that called themselves different names / temples are scammers,You will do this greatest oracle good by doing that.They are scammers and all those testimony there are posted by them also and not the people they have help,They are doing all this to get money to fed there-self and there family members !!! BE WARNED ALL OF YOU THAT NEED HELP FROM SPELL CASTERS AS IT IS BECAUSE OF ALL OF YOU WE HAVE DECIDED TO COME ONLINE TO REDUCE AND STOP ALL THIS FAKE SPELL CASTERS, AS WE GOT PERMISSION FROM THE FBI !!.. I have made so many of them online that are spoiling this great temple good work go back to the sea and some blind. I am Dr Kuq Ya the messenger to the great oracle of Nigeria,Indian,Indonesia,Singapore,UK,USA,Uganda,japan,Spain,Germany,Paris,Dubai,South Africa. To mention but a few..We are know well there as the great temple that has helped them get many of there ANCESTRAL problems solve in recent times. But we are also extending this great offer to those that have any kind of problem, when i mean any kind of problem i mean any problem at all you might be having in this life,Such as getting your lover back,you want to be rich, you feel like using charms on someone to get something you like from him or her or getting your scam many back, wining a lottery, to mention but a few. KUQ YA IS HERE FOR YOUR SERVICES AND PLEASE STOP DEALING WITH THOSE SO CALLED SPELL CASTERS THAT HAVE REALLY MESSED UP THIS WORK ONLINE. I HAVE NEVER BEEN ONLINE,BUT THE PRESIDENTS OF THE ABOVE COUNTRIES CALLED ME ON PHONE AND ALSO PERSONALLY HOLD A MEETING AND THEY ASK ME THE MESSENGER TO START ADVERTING AND TELL ALL ABOUT THIS GREATEST ORACLE THAT IS SO DURABLE, PERFECT, MARVELOUS, AND GOOD WORKS TO AVOID THIS SCAMMING THAT IS GOING ON ONLINE. I WILL BE ENDING HERE NOW, IF YOU HAVE ANYTHING BOTHERING YOUR MIND AND YOU NEED PERMANENT SOLUTION TO IT WITHOUT ANY SIDE EFFECT OR HARM, KINDLY SEND AN EMAIL TO THE FOLLOWING EMAIL ADDRESS: great.spellcaster@yahoo.com Thanks and may the spirits guide you to read and understand what i said and also we will be awaiting response from you all that have problems that want it solve at once.Thanks for your patronage as you come. To enhance fast communication, Kindly send down your Name : Country: State: Address: More about the kind of help you want here: Phone number: Age: Gender : Job: and any other information's you know it will be so helpful on the kind of work and help you wish for here. Because we solve any kind of problem in this life. NOTE : MY GMAIL ACCOUNT IS NOW BAD AS YOU CAN ONLY GET ME ON THIS EMAIL : great.spellcaster@yahoo.com. So don't contact me via me gmail account. And also our spell casting here has no side effect, As it is just to grant you your heart desires without any problem.

Tolkien`s translation of Voluspa The younger gods again shall meet in Idavellir’s pastures sweet, and tales shall tell of ancient doom, the Serpent and the fire and gloom, and that old king of Gods recall his might and wisdom ere the fall. There marvellous shall again be found cast in the grass upon the ground the golden chess wherewith they played when Ásgard long ago was made, when all their courts were filled with gold in the first merriment of old. A house I see that standeth there bright-builded, than the Sun more fair: o’er Gimlé shine its tiles of gold, its halls no grief nor evil hold, and there shall worthy men and true in living days delight pursue. Unsown shall fields of wheat grow white when Baldur cometh after night; the ruined halls of Ódin’s host, the windy towers on heaven’s coast, shall golden be rebuilt again, all ills be healed in Baldur’s reign.

Try the Color Me Coral." Turning, he cast an expert eye over Sylvie. "For you, definitely a rose. Two swipes of Bloomin' Marvelous, and boom. Greta Garbo." "And I thought my work involved magical illusions.

But in spite of the stones it was marvellous to be working up on the Pian del Sotto: going out on to it while the morning star was still shining brilliantly in a sky that was the colour of blue-black ink; seeing the sun coming up behind Bismantova, below and far away, first illuminating the forest on the mountainside above, then flooding the plateau; sometimes rising behind dark clouds and then shining red through a hole in one of them, as if someone had opened the door of a furnace. And I liked being there when the sun was high overhead and torn white and grey clouds were racing over the mountain top from the west casting dark shadows on the pale fields, and hordes of starlings would swoop over them, and high over everything a goshawk as pale as the clouds and with wing-tips as ragged-looking as they were, soared on the wind which sighed in the trees like the wind in the rigging of a sailing-ship. And I liked it, too, when the sun had gone behind the mountain and everything on the plateau was in shadow and there was a smoky blueness in the woods which were still so green in the sunlight that it was difficult to believe that autumn had come and was well advanced.

Even though it’s easy to fall back into a routine and keep himself busy, he still misses him. It hits him at the most inopportune moments, like when he’s grocery shopping for the Woods and gets stupidly emotional just putting bananas in the cart, or the day he does laundry and finds the cross country t-shirt Harry was wearing the first day they met, mixed in with all of Louis’ clothes. He casts a cursory glance around the laundry room and then takes a whiff of the collar, hoping for a whiff of something he can no longer smell.

My grandmother brought me here with my twin sister, Alliw, when we were five years old,” Willa said. “She asked us to dip our hands into a bowl of paint she had made from berries. And then we pressed our palms right here, one beside the other, the left and the right, the Willa and Alliw, just like a thousand twins had done before us.” Trying to keep her breathing steady and strong, Willa put her left hand over the print she had made on the wall eight years before. To her surprise, Adelaide slowly leaned forward and put her right hand on the print next to hers. Willa thought Adelaide was trying to show that she was on her side, that she was her friend, and that although they were human and Faeran, they were sisters in a way. Their hands were positioned opposite to one another, their thumbs almost touching, as if a single girl was pressing her two hands to the wall. Because of the way the light was falling through the holes in the ceiling, Willa’s hand was cast in shadow, but Adelaide’s hand was bright. Left and right, dark and light, Faeran and human, green skin and white…Everything should have been different about their hands. But the more Willa looked, the more she marveled at what she was seeing. Other than the color, their hands were identical in size and shape, down to the wrinkles on their fingers. Willa’s heart began to pound in her chest. How could this be? How could their hands be so similar? She slowly turned her head and looked at Adelaide. Adelaide stared back at her, her eyes wide, as amazed as she was. And then Adelaide gazed all around at the walls of the cave and the long flow of the River of Souls. Willa watched as a trace of fear crept into Adelaide’s face. “Willa…” Adelaide whispered, her voice trembling with astonishment. “I think I’ve been here before.

Leave him alone,” Eddi said quietly. “We’re not on the battlefield now.” “No, we aren’t—quite.” The woman returned her attention to Eddi. “And there are better targets.” She set her black hat on her head at a striking angle, casting a diagonal of shadow across her features. “Again,” she said to Eddi, “a marvelous band, and I was delighted to meet you. I’m sure we’ll see one another soon.” And she left the gallery, her heels making small, sharp noises with the measured cadence of her stride. “Front door’s locked,” Eddi said thoughtfully. “Oh,” Willy replied, “She’ll get out.” The phouka sank down on the edge of the stage and buried his face in his hands. Eddi hurried to him, alarmed. “Phouka…?” “Heart failure,” he murmured through his fingers. “I warned you, my primrose, that I would be like to die of it, should you go on as you have.” She made a disgusted noise and pulled his hair. He lowered his hands and grinned wickedly up at her. “Creep,” she said. “All right, guys, who was that?” Hedge looked at his feet. The phouka drew breath to answer, but it was Willy who spoke first. “The Queen of Air and Darkness.

The cast also included Halle Berry, Ian McKellen, and Patrick Stewart—but not Michael Jackson, who had lobbied the production team for the role of Professor Charles Xavier. When Shuler Donner reminded the pop star that Professor X was an old white guy, Jackson replied, “I can wear makeup.

Rising after a few moments onto my elbows, I looked, for the first - and probably last - time in my life, at something I'd never seriously imagined I'd cast my eyes upon: a hundred miles of sand in every direction, a hundred miles of absolutely gorgeous, unspoiled nothingness. I wiggled my bare toes in the sand and lay there for a long time, watching the sun drop slowly into the dunes like a deflating beach ball, the color of the desert quickly transforming from red to gold to yellow ochre to white, the sky changing, too. I was wondering how a miserable, manic-depressive, overage, undeserving hustler like myself - a utility chef from New York City with no particular distinction to be found in his long and egregiously checkered career - on the strength of one inexplicably large score, could find himself here, seeing this, living the dream. I am the luckiest son of a bitch in the world, I thought, contentedly staring out at all that silence and stillness, feeling, for the first time in a while, able to relax, to draw a breath unencumbered by scheming and calculating and worrying. I was happy just sitting there enjoying all that harsh and beautiful space. I felt comfortable in my skin, reassured that the world was indeed a big and marvelous place.

I felt neither ill or kind intent... Tell me, have you ever stood alone before great vistas of nature, and marveled at its beauty? Its power and indifference. We have our nobility, but this was more aristocratic than any feudal or caste system. Even if the rabble who will tolerate nothing over them succeeded in overthrowing all aristocracies, they would still have to allow one to exist. Empires and laws will fall, but the rule of nature shall always be the apex to which all others are subject.

Forget about the past, look forward to the future and cast off any sense of doom or gloom. Nothing bad is happening. On the contrary, something marvellous is taking place. You are about to reverse a lifetime’s brainwashing, attain your ideal weight and start enjoying life to the full. SUMMARY •  The way you eat now is a source of misery, not happiness. •  You’ve been brainwashed into thinking junk is your favourite food. •  Big Food isn’t interested in your wellbeing. • Let’s reverse the brainwashing. •  Something exciting is happening in your life. Top Tip No.3 Beware of any Food that has an Ingredients List Food with an ingredients list is processed. Over 17,000 new products appear on the supermarket shelves each year. Big Food achieves this range by subtly changing the ingredients list on the packet. Don’t be fooled, it’s all junk.

Life or death for a man and his family teeters on the presence or absence of a foreskin. Philipose remembers his train journey back from Madras and Arjun-Kumar-Railways, the snuff-sniffer, marveling at how all religions, all castes got on so well inside a railway compartment. “Why not same outside train? Why not simply all getting along?

If a producer was casting the role of an old-time radio newsman who could hear and identify with the heartbeat of Middle America, care a little about a lot of things, appreciate the value of hard work, marvel at the eccentricities of mankind, admire the scrappy, and respect the wealthy—

I heard once about a man in his eighties who had mastered an art I admire: flyrod casting. It never left him. Well up in years, he could wade into a stream and, with a perfect snap of the wrist, make a cast to exactly the spot he wanted, his grace and ease unfailingly causing younger witnesses to marvel at what an athlete he must have been. Once he was standing onshore casting out into the water when he heard a voice from somewhere close say: “Pick me up.” His hearing hadn’t stayed with him as well as his casting had, so after looking around and seeing no one, he went back to casting, and he heard the voice again: “I said pick me up. I’m down here. By your feet.” He looked down and saw a huge frog. “Pick me up, kiss me, and I’ll turn into the most beautiful woman you’ve ever seen. You’ll be indulged with pleasures no man has ever dreamed of, for the rest of your life. You’ll…” He picked the frog up, looked at it a second, and put it in the pocket of his fishing jacket. “Hey!” the frog screamed. “Didn’t you hear me? I said kiss me, and I’ll turn into a beautiful woman, and for the rest of your life give you pleasures no man has ever known.” He went back to casting. The voice screamed again: “Didn’t you HEAR me?! I said KISS ME and…” His arm arched another perfect cast, and without looking down he interrupted: “That may be… but at my age, I’d rather have a talking frog.

If she was wearing a bra it was a soft wisp of one, a silk rag encircling her ribs. Her nipples rained down in his mind in the form of hard glittering gems, diamonds and quartzes and those faceted clumps of rock crystal one grew in a jar on a string. Her breasts were ideally small, precisely the size of the cup of his hand. He weighed them and measured them, marveling, brushing them, with his palms or the tips of his fingers, the same way again and again. With his now-cast-off girlfriend from his previous school he’d evolved the Formula and had then become imprisoned by it: first Kissing with Tongue for the fixed interval, then Tits for the fixed interval, then Fingering Her for the fixed interval before, culminatingly, Fucking. Never a step neglected nor a change to the order. A sex recipe. Now with a shock he realized that it needn’t be thus.

They made a Bollywood movie about Mary Kom, the legendary Olympic boxer from Manipur, but instead of casting an actual Northeastern actor to play her, they cast Priyanka Chopra,” he explained.

The truth doesn’t matter. I am screwed. If I even utter one word in my defense, those young, rabid feminists will eat me alive. Woh sab mujhko kha jaingi. What kind of generation is yours, that casts such a wide net and leaves no room for nuance? Tell me, who is vetting these anonymous posts? Don’t they understand that what they are doing can destroy a person’s life, his life’s work?

Iron Man‘s success more than made up for that July’s Incredible Hulk. The result of Marvel’s most difficult production right up to the present, the second Hulk film starred Ed Norton, who proved a terrible fit for Maisel and Feige’s philosophy that studio executives should be the ultimate creative authority. Undeniably one of the best actors of his generation, Norton is also famous in Hollywood for being “difficult” and highly opinionated, refusing to allow artistic choices he disagrees with and seeking to rewrite scripts he doesn’t like, which is what he did on The Incredible Hulk. The clashes intensified in post-production, and the director, Louis Letterier, sided with Norton over the studio. They both learned who has the ultimate power at Marvel, though, when Feige took control of editing. He excised many of the darkest scenes, including a suicide attempt meant to portray how much the scientist Bruce Banner wants to rid himself of the curse of transforming into the Hulk when he’s mad. The resulting movie was still darker and more dramatic than any other Marvel Studios production and not different enough from the Hulk movie of 2003. It grossed only $263 million at the box office and barely broke even, the worst performance for any Marvel Studios film to date. The Incredible Hulk never got a sequel, but the character has returned in Avengers films, played by the easygoing Mark Ruffalo. The usually cheerful Feige stated that the decision to recast the role was “rooted in the need for an actor who embodies the creativity and collaborative spirit of our other talented cast members.

Father, in the name of Jesus I come to You repenting of giving in to feelings of fear, heeding the voice of fear, or otherwise cooperating with fear’s assignment against my destiny. Thank You for forgiving me and strengthening me to stand against this spirit in all truth and resisting fear’s lies. I command fear to loose my thoughts. I rebuke the spirit of fear that is working to entrap me, steal my faith, rob my peace, and otherwise riddle me with anxiety, in Christ’s name. I thank You that I have been redeemed from the curse of the law—and the curse of fear. Give me a greater revelation of Your perfect love that casts out all fear so I can withstand fear’s attacks in the evil day. Thank You that You translated me out of fear’s dark grip and into the marvelous light of Your liberty. I stake a claim on what belongs to me in the Spirit even now. I declare that You have not given me a spirit of fear but of power, love, and a sound mind. I command fear to leave my family, my home, and my workplace. I proclaim that fear runs from me. I choose faith, trust, and love. I fear and trust the Lord only, in the name of the Christ. Amen.

Hitler especially marveled at the American “knack for maintaining an air of robust innocence in the wake of mass death.

It was the lesser god, Orcus that created the Ogres. Fueled by jealousy of the All-Father’s marvelous creations, (the Gnomes and Humans), he used his powers to bring into existence, the strongest and most durable race on Terra. But as you know, they lack any semblance of thoughtful intelligence, or grace. The other gods laughed at Orcus and the inept brutes he spawned. Orcus became enraged. He vied for revenge against the gods and the fairer races they created. He did not possess the power to make another race of beings, so he took the ogre females, and adjusted their fertility. They would not reproduce as often as before, reduced to only a few offspring in a lifetime. Orcus poured all his remaining power and loathing into their womb, so that every once in a great while—an Ogre Mage is born; an Ogre with the intelligence of a man, and the innate ability to cast certain spells.

The natural world seems a marvel of complexity, requiring a vastly intricate intelligence to create and govern it, just because we have represented it to ourselves in the clumsy 'notation' of thought. [...] Understanding nature by means of thought is like trying to make out the contours of an enormous cave with the aid of a small flashlight casting a bright but very thin beam. The path of the light and the series of 'spots' over which it has passed must be retained in memory, and from this record the general appearance of the cave must laboriously be reconstructed.

We live, whether we know it or not, simultaneously upon two levels of consciousness—the outward and the inward, the physical and the spiritual. Only a few people in the history of the world, I imagine, have achieved a whole self, integrated, with absolute freedom from discouragement, and with a serenity which is complete both inside and out. Only a few have been able to divorce themselves from anxiety, sorrow and responsibility—as well as joy—and to remove from their consciousness all the frustrations, limitations, disappointments and worries implicit in life upon earth. Every person I have ever known, however rooted in marvelous trust in God—with which some are born and others win with difficulty and frequent backsliding—is often cast down, has dark moods and desperate hours. I am many times discouraged, mainly about myself and my failures in endeavors or relationships, or about people I love who are going through something hard to endure. Therefore, on the surface, which is where we at least appear to live during our waking hours, I am often as unquiet as the February day. Few escape; and in the black hours it seems useless to tell ourselves—however true—that this, too, will pass; that this is also a lesson to be learned. It will, and it is; but there are moments when words are just words without more than the dictionary meaning. One thing is certain: if we can alter the circumstance which threatens to defeat us, that is our responsibility; if we cannot, and know it is God's will, we can, however unhappily, accept it. Sometimes I feel that I'm mistreated; that I have waited too long for the telephone which didn't ring, the letter which didn't come; that I have suffered too many vigils during the nights and days when someone I loved lay critically ill or upon an operating table. Yet, in recent years, I know—as truly as I know I am breathing at this very moment—I have achieved an inner quietude which is undisturbed by the procession of outer events. I have learned painfully, if not wholly, to retreat within this fortress when matters go wrong beyond any remedial measure of my own, past any effort I can make, and beyond my comprehension as well. This is the lull in the February storm, the gentling of the wind, the essential safety, warmth and the breaking through the light.

Inside were some of the moon rocks harvested by Neil and Buzz. They were still preserved in a 4.6-billion-year-old lunar vacuum and once removed amazed and startled geologists marveled at the charcoal-colored lumps and dust that one called, “burnt potatoes!” Now they were looking at a mystery. It would be another three decades before computer models would tell them an infant Earth and moon were products of a solar system smashup. An incoming planetoid had gouged a great wound into our planet leaving it aflame in the hottest of fires and wracked with quakes. A wounded Earth’s gravity grabbed the planetoid and dragged the nearly destroyed space traveler into an orbit around its surface where it recollected and repaired its wounds to become the moon we see today. Most of the heaviest elements from the planetoid, especially its iron, remained deep inside the now-molten Earth, beginning a long settling motion to the core of our infant world. The impact sped up Earth to a full rotation once every 24 hours. The geologists in the lunar receiving laboratory had no idea that they were looking at scorched soil from the twins that created our Earth-Moon system. What they would soon learn from the materials brought back by Apollo 11 and the landings that followed was that Earth and the moon are much alike, and lunar-orbiting spacecraft mapping the moon would cast aside their long belief that our lunar neighbor was without water.

No, darling, I never would have got used to it. I was used to being alone, that was the truth of the matter. A very sad truth, no doubt.’ ‘Don’t distress yourself.’ ‘He was such a marvellous man.’ She was crying freely now. ‘So generous with his feelings. So unselfishly anxious to make me feel at home. But how could I? He was a stranger to me. And it is possible to love a stranger, Zoë, a great deal, so much so that all I wanted was to make him happy, and to make him think that he had made me happy. He made me lonely in a different way, and I never became familiar with that kind of loneliness.’ ‘I thought marriage was a cure for loneliness.’ ‘So did I. And there was a longing in him that made me want to comfort him. He looked so upright, so impressive, but in fact I was stronger than he was. My task was not to let him see that. We had a pleasant life, certainly, but it was like being cast in a play, without an audition. And perhaps I wasn’t always as responsive as I might have been. I don’t mean . . . ’ She blushed. ‘I mean appreciative. I was always trying to do what I thought would please him. And sometimes I just longed to get out of the house, to be on my own again. I was happier when you were there. You didn’t seem to think there was anything wrong with me.’ ‘There wasn’t anything wrong with you.’ She shook her head sadly. ‘And now that I have my freedom again I don’t want it.

Light shone through a large crack in the wall of the maze ahead of us. A slim, slender silhouette cast a shadow against the passage floors. Der Erlkönig. I did not marvel then that I knew the shape of his body as well as my own reflection. I watched the Goblin King's shadow play his violin, his right arm moving in a smooth, practiced bowing motion. Käthe tried to pull me away, but I did not go with her. I moved closer to the light, and pressed my face to the crack. I had to look, I had to see. I had to watch him play. The Goblin King's back was turned to me. He wore no fancy coat, no embroidered dressing gown. He was simply dressed in trousers and a fine cambric shirt, so fine I could see the play of muscles in his back. He played with precision and with considerable skill. The Goblin King was not Josef; he did not have my brother's clarity of emotion or my brother's transcendence. But the Goblin King had his own voice, full of passion, longing, and reverence, and it was unexpectedly... vibrant. Alive. I could hear the slight fumblings, the stutters and starts in tempo, the accidental jarring note that marked his playing as human, oh so human. This was a man- a young man?- playing a song he liked on the violin. Playing it until it sounded perfect to his imperfect ears. I had stumbled upon something private, something intimate. My cheeks reddened. "Liesl." My sister's voice sliced through the sound of the Goblin King's playing like a guillotine, stopping the music mid-phrase. He glanced over his shoulder, and our eyes met. His mismatched gaze was unguarded, and I felt both ashamed and emboldened. I had seen him unclothed in his bedchamber, but he was even more naked now. Propriety told me I should look away, but I could not, arrested by the sight of his soul bared to me. We stared at each other through the crack in the wall, unable to move. The air between us changed, like a world before a storm: hushed, quiet, waiting, expectant.

23 And it came to pass after they had fasted and prayed for the space of two days and two nights, the limbs of Alma received their strength, and he stood up and began to speak unto them, bidding them to be of good comfort: 24 For, said he, I have repented of my sins, and have been redeemed of the Lord; behold I am born of the Spirit. 25 And the Lord said unto me: Marvel not that all mankind, yea, men and women, all nations, kindreds, tongues and people, must be born again; yea, born of God, changed from their carnal and fallen state, to a state of righteousness, being redeemed of God, becoming his sons and daughters; 26 And thus they become new creatures; and unless they do this, they can in nowise inherit the kingdom of God. 27 I say unto you, unless this be the case, they must be cast off; and this I know, because I was like to be cast off. 28 Nevertheless, after wading through much tribulation, repenting nigh unto death, the Lord in mercy hath seen fit to snatch me out of an everlasting burning, and I am born of God. 29 My soul hath been redeemed from the gall of bitterness and bonds of iniquity. I was in the darkest abyss; but now I behold the marvelous light of God. My soul was racked with eternal torment; but I am snatched, and my soul is pained no more. 30 I rejected my Redeemer, and denied that which had been spoken of by our fathers; but now that they may foresee that he will come, and that he remembereth every creature of his creating, he will make himself manifest unto all. 31 Yea, every knee shall bow, and every tongue confess before him. Yea, even at the last day, when all men shall stand to be judged of him, then shall they confess that he is God; then shall they confess, who live without God in the world, that the judgment of an everlasting punishment is just upon them; and they shall quake, and tremble, and shrink beneath the glance of his all-searching eye. 32 And now it came to pass that Alma began from this time forward to teach the people, and those who were with Alma at the time the angel appeared unto them, traveling round about through all the land, publishing to all the people the things which they had heard and seen, and preaching the word of God in much tribulation, being greatly persecuted by those who were unbelievers, being smitten by many of them. 33 But notwithstanding all this, they did impart much consolation to the church, confirming their faith, and exhorting them with long-suffering and much travail to keep the commandments of God. 34 And four of them were the sons of Mosiah; and their names were Ammon, and Aaron, and Omner, and Himni; these were the names of the sons of Mosiah. 35 And they traveled throughout all the land of Zarahemla, and among all the people who were under the reign of king Mosiah, zealously striving to repair all the injuries which they had done to the church, confessing all their sins, and publishing all the things which they had seen, and explaining the prophecies and the scriptures to all who desired to hear them. 36 And thus they were instruments in the hands of God in bringing many to the knowledge of the truth, yea, to the knowledge of their Redeemer. 37 And how blessed are they! For they did publish peace; they did publish good tidings of good; and they did declare unto the people that the Lord reigneth. Mosiah Chapter 28 The sons of Mosiah go to preach to the Lamanites—Using the two seer stones, Mosiah translates the Jaredite plates.

When she was starting out as an actress, a well-known director had leaned over his script, straightened his Coke-bottle glasses, and told Laurel she hadn't the looks to play leading roles. The advice had stung, and she'd wailed and railed, and then spent hours catching herself accidentally on purpose in the mirror before hacking her long hair short in the grip of drunken bravura. But it had proven a "moment" in her career. She was a character actress. The director cast her as the leading lady's sister, and she garnered her first rave reviews. People marveled at her ability to build characters from the inside out, to submerge herself and disappear beneath the skin of another person, but there was no trick to it; she merely bothered to learn the character's secrets. Laurel knew quite a bit about keeping secrets. She also knew that was where the real people were found, hiding behind their black spots.

At Seabury House, headquarters of the Episcopal church, David was asked the touchiest question of all--the one that in the past had led to more ill-will toward the Pentecostals than any other. He'd been talking to a group of clergymen for thirty minutes or so about the Pentecostal experience when one of the priests stood up suddenly and said with some asperity, "Mr. du Plessis, are you telling us that you Pentecostals have the truth, and we other churches do not?" David admits he prayed fast. "No," he said. "That is not what I mean." He cast about for a way to express the difference Pentecostals feel exists between their church and others--a feeling so often misunderstood--and suddenly he found himself thinking about an appliance he and his wife had bought when they moved to their Dallas home. "We both have the truth," he said. "You know, when my wife and I moved to America, we bought a marvelous device called a Deepfreeze, and there we keep some rather fine Texas beef. "Now, my wife can take one of those steaks out and lay it, frozen solid, on the table. It's steak all right, no question of that. You and I can sit around and analyze it: we can discuss its lineage, its age, what part of the steer it comes from. We can weigh it and list its nutritive values. "But if my wife puts that steak on the fire, something different begins to happen. My little boy smells it from way out in the yard and comes shouting: 'Gee, Mom, that smells good! I want some!' "Gentlemen," said David, "that is the difference between our ways of handling the same truth. You have yours on ice; we have ours on fire.

The big-name, big-budget film stars fell away with the last Autolite show, and from 1955 on, the leads were largely carried by radio people. Suspense is the happiest of stories for the confirmed audiophile. Of the 945 shows broadcast, at least 900 are available, most in superior sound, many in full fidelity. The first two years contain shows that may strike the ear of a modern listener as contrived or stilted. Things look up with the arrival of Roma Wines and a budget. The celebrated Sorry, Wrong Number is here in all its versions, though this listener joins those who find it rather boring: the remarkable performance by Agnes Moorehead is lost in its unbelievable premise. So much better were The Diary of Sophronia Winters, The Most Dangerous Game, August Heat, The House in Cypress Canyon, and the marvelous Mission Completed, which cast James Stewart as a paralyzed war veteran driven to murder by the sight of a man who resembles his former Japanese torturer.

In 1913, as the European powers were busily arming themselves for the First World War, Harry Brearley had the job of investigating metal alloys in order to create improved gun barrels. He was working in one of Sheffield, England’s metallurgy labs, adding different alloying elements to steel, casting specimens, and then mechanically testing them for hardness. Brearley knew that steel was an alloy of iron and carbon, and he also knew that lots of other elements could be added to steel to improve or destroy its properties. No one at the time knew why, so he proceeded by trial and error, melting steels and adding different ingredients in order to discover their effects. One day it was aluminum, the next it was nickel. Brearley made no progress. If a new specimen turned out not to be hard, he chucked it in the corner. His moment of genius came when after a month he walked through the lab and saw a bright glimmer in the pile of rusting specimens. Rather than ignoring it and going to the pub, he fished out this one specimen that had not rusted and realized its significance: he was holding the first piece of stainless steel the world had ever known.