Portland Quotes

We've searched our database for all the quotes and captions related to Portland. Here they are! All 100 of them:

I never liked jazz music because jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes. After that I liked jazz music. Sometimes you have to watch somebody love something before you can love it yourself. It is as if they are showing you the way. I used to not like God because God didn't resolve. But that was before any of this happened.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
I wish I could close my eyes and be blown into dust and nothingness, feel all my thoughts disperse like dandelion fluff drifting off on the wind. But his hands keep pulling me back: into the alley, and Portland, and a world that has suddenly stopped making sense.
Lauren Oliver (Delirium (Delirium, #1))
Are we going to Portland?" I asked. "Or Multnomah Falls?" He smiled at me. "Go to sleep." I waited three seconds. "Are we there yet?" His smile widened, and the last of the usual tension melted from his face. For a smile like that, I'd...do anything.
Patricia Briggs (River Marked (Mercy Thompson, #6))
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.
Lauren Oliver (Delirium (Delirium, #1))
I am going to a conference tomorrow," she said. "In Portland. Dr. Melissa Sanchez will speak. She says you think your way to a sexier you. Hormones are powerful drugs. Unless we tell them what we want, they backfire. They work against us." Dorothea turned, pointing the Ajax can at me for emphasis. "Now I wake in the morning and take red lipstick to my mirror. 'I am sexy,' I write. 'Men want me. Sixty-five is the new twenty-five.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
To hell with that. A man goin' fishing with two whores from Portland don't have to take that crap.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
This is your life now?” “Guess so.” “Huh,” I said, summing up the situation perfectly. “Why don’t you go back to LA?” Blue eyes watched me warily and he didn’t answer at first. “My wife lives in Portland.
Kylie Scott (Lick (Stage Dive, #1))
It wasn't exactly like talking, but it went something like this: Could you give us a ride north, Percy asked, like as close to Portland as possible? Eat seals, the whale responded. Are you seals? No, Percy admitted. I've got a man satchel full of macrobiotic beef jerky, though. The whale shuddered. Promise not to feed me this, and I will take you north. Deal.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
They haven't killed us yet," I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it. If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit. This is the way the world is made now.
Lauren Oliver (Pandemonium (Delirium, #2))
Space is about 100 kilometers away. That’s far away—I wouldn’t want to climb a ladder to get there—but it isn’t that far away. If you’re in Sacramento, Seattle, Canberra, Kolkata, Hyderabad, Phnom Penh, Cairo, Beijing, central Japan, central Sri Lanka, or Portland, space is closer than the sea.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
I never liked jazz music because jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
it occurs to me that there is so much I never knew about him--his past, his role in the resistance, what his life was like in the Wilds, before he came to Portland, and I feel a flash of grief so intense it almost makes me cry out: not for what I lost, but for the chances I missed.
Lauren Oliver (Requiem (Delirium, #3))
At Lockwood & Co., George was famous for not being able to throw or catch with any accuracy. Back in the kitchen at Portland Row, even the casual passing out of fruit or bags of chips became an exercise fraught with danger.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
Craziness is only a matter of degree, and there are lots of people besides me who have the urge to roll heads. They go to stock-car races and the horror movies and the wrestling matches they have in Portland Expo. Maybe what she said smacked of all those things, but I admired her for saying out loud, all the same--the price of honesty is always high. She had an admirable grasp of the fundamentals. Besides, she was tiny and pretty.
Richard Bachman (Rage)
We're in Des Moines, Iowa today, were in Omaha, Nebraska yesterday and Boise, Idaho the day before. When we landed at the airport in Boise, from Portland, Oregon this lady from our plane came up from behind as we walked down the terminal. She approached me and said "Taylor, I just love your song and want to wish you great things in you career." I looked and her and said "Well, THANK YOU!" and then said " who did you talk to?". (and then pointed to my Mom and the Label rep we were traveling with) I was convinced that one of them had talked to the lady on the plane and told her about me and my song. The lady said "neither one" and then I said "Well, how did you know who I was?" and the lady said "because I listen to radio and I watched your video". This was the first time someone had actually KNOWN who I was and MY NAME. wow. I just walked over and hugged her, and said ...."You're the first person who's ever done that, thankyou." It was an amazing moment to remember, and I always will.
Taylor Swift
Fred is officially the mayor of Portland now.
Lauren Oliver (Requiem (Delirium, #3))
I'd sooner have died than admit that the most valuable thing I owned was a fairly extensive collection of German industrial music dance mix EP records stored for even further embarrassment under a box of crumbling Christmas tree ornaments in a Portland, Oregon basement. So I told him I owned nothing of any value.
Douglas Coupland (Generatie X: Vertellingen voor een versnelde cultuur)
Driving back to Portland I’d puzzle over my sudden success at selling. I’d been unable to sell encyclopedias, and I’d despised it to boot. I’d been slightly better at selling mutual funds, but I’d felt dead inside. So why was selling shoes so different? Because, I realized, it wasn’t selling. I believed in running. I believed that if people got out and ran a few miles every day, the world would be a better place, and I believed these shoes were better to run in. People, sensing my belief, wanted some of that belief for themselves. Belief, I decided. Belief is irresistible. Sometimes
Phil Knight (Shoe Dog)
Lie you easy, dream you light, And sleep you fast for aye; And luckier may you find the night Than ever you found the day.
A.E. Housman (A Shropshire Lad)
Oh, little Eden from the forests of Portland, welcome to the real world.
Estelle Maskame (Did I Mention I Need You? (DIMILY, #2))
The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked their heads when they got out of line and squabbled with the wife about how much spending money they were to get and what programs they could have on the radio or TV set. I might even get rich - small-town rich, an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with a cast-iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
We lived in the Portland Avenue Stacks, a sprawling hive of discolored tin shoeboxes rusting on the shores of I-40, just west of Oklahoma City’s decaying skyscraper core.
Ernest Cline (Ready Player One (Ready Player One, #1))
Considering Independence Hall was also where the founders calculated that a slave equals three-fifths of a person and cooked up an electoral college that lets Florida and Ohio pick our presidents, making an adolescent who barely spoke English a major general at the age I got hired to run the cash register at a Portland pizza joint was not the worst decision ever made there.
Sarah Vowell (Lafayette in the Somewhat United States)
She’s a Portland girl. So I guess that makes us in-laws. Be gentle with me, yeah?
Kylie Scott (Lick (Stage Dive, #1))
I walk through the glass doors and into the lobby, which is floor-to-ceiling glass and steel. This fascinates me to no end, because buildings back in Portland are made of grass and mud.
Fanny Merkin (Fifty Shames of Earl Grey)
But hope got in, no matter how hard and fast I tried to stomp it out. Like these tiny fire ants we used to get in Portland. No matter how fast you liked them, there were always more, a steady stream of them, resistant, ever-multiplying. Maybe, the hope said. Maybe.
Lauren Oliver (Requiem (Delirium, #3))
Sometimes I felt that there was something physical connecting us, a long rope that stretched between Boston and Portland: when she tugged on her end, I felt it on mine. Wherever she went, wherever I went, there it would be, that shining twined string that stretched and pulled but never broke, our every movement reminding us of what we would never have again.
Hanya Yanagihara (A Little Life)
As Steve draws me closer to the band, all I can see is a frenzied mass of seething, writhing people, like a many-headed sea snake, grinding, waving their arms, stamping their feet, jumping. No rules, just energy - so much energy, you could harness it; I bet you could power Portland for a decade. It is more than a wave. It's a tide, an ocean of bodies.
Lauren Oliver (Hana (Delirium, #1.5))
Are you in Portland on business?” I ask, and my voice is too high, like I’ve got my finger trapped in a door or something. Damn! Try to be cool, Ana!
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Summer explodes into Portland. In early June the heat was there but not the color--the green were still pale and tentative, the morning had a biting coolness--but by the last week of school everything is Technicolor and splash, outrageous blue skies and purple thunderstorms and ink-black night skies and red flowers as brights as spots of blood.
Lauren Oliver (Delirium (Delirium, #1))
So if my ability to meditate was what was going to save the world, or at least save Portland, then I was pretty sure we should all think about moving to Seattle.
Devon Monk (Magic on the Storm (Allie Beckstrom, #4))
It’s fifteen minutes until two when I arrive – just in time for the interview. I walk through the glass doors and into the lobby, which is also floor-to-ceiling glass and steel. This fascinates me, because buildings back in Portland are made of grass and mud.
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
Panic attacks are crazy beasts. They don’t care what you think you’re ready for. They don’t care what you want. They just take control, and then you suffer.
Catherine Gayle (Breakaway (Portland Storm, #1))
It’s taco night at Portland Street.
Gordon Korman (Restart)
Scott gave my knee an affectionate squeeze. "You'll never hear me admit this again, so listen up. You look good, Grey. On a scale from one to ten, you're definitely in the top half." "Gee, thanks." "You're not the kind of girl I would have chased after when I was in Portland, but I'm not the same guy I was back then either. You're a little too good for me, and let's face it, a little too smart." "You've got street smarts," I pointed out. "Stop interrupting. You're going to make me lose my place." "You've got this speech memorized?" A smirk. "I've got a lot of time on my hands. As I was saying--hell. I forgot where I was." "You were telling me I can rest assured that I'm better-looking than half the girls at my school." "That was a figure of speech. If you want to get technical, you're better-looking than ninety percent. Give or take." I laid a hand over my heart. "I'm speechless." Scott got down on his knee and clasped my hand dramatically. "Yes, Nora. Yes, I'll go to the homecoming dance with you.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
There is no greater wrecking ball to the planet than the industries that turn animals into food. No single choice that we make has a bigger or more positive impact.
David Agranoff (The Vegan Guide to Portland)
The most I can ever do is write things down. To remember them. The details. To honor them in some way.
Chuck Palahniuk (Fugitives and Refugees: A Walk in Portland, Oregon)
Screwing up one minute doesn’t mean you can’t be amazing the next. You just have to learn from your mistakes. Go in and try something different next time.
Catherine Gayle (Breakaway (Portland Storm, #1))
The newly dubbed General Lafayette was only nineteen years old. Considering Independence Hall was also where the founders calculated that a slave equals three-fifths of a person and cooked up an electoral college that lets Florida and Ohio pick our presidents, making an adolescent who barely spoke English a major general at the age I got hired to run the cash register at a Portland pizza joint was not the worst decision ever made there.
Sarah Vowell (Lafayette in the Somewhat United States)
In Washington, D. C., there was Loudermilk's, in Philadelphia Leary's, in Seattle Shorey's, in Portland Powell's, in Boston Goodspeed's Milk Street, In Cleveland Kay's, in Cincinnati and Long Beach Old Mr. Smith's two acres of books, and so on. In that time many large book barns in New England were stuffed with books. All the citites around the Great Lakes had large bookshops. Some of these old behmoths contained a million books or more.
Larry McMurtry (Walter Benjamin at the Dairy Queen: Reflections at Sixty and Beyond)
I stare at her blankly. We don't have elevators in Portland. "This is my first elevator ride. How do they work exactly?
Fanny Merkin (Fifty Shames of Earl Grey)
Wow, if Portlanders could do that to a biker, they could turn anyone into a hipster.
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
One spring afternoon as a child in the strange town of Portland, I walked down to a different street corner, and saw a row of old houses, huddled together like seals on a rock.
Richard Brautigan (Trout Fishing in America)
As useful idiots for antifa, the press predictably published reports that helped provoke more hatred for law enforcement in Portland.
Andy Ngo (Unmasked: Inside Antifa's Radical Plan to Destroy Democracy)
I was making for 35 Portland Row.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co. #4))
For London, Blampied claimed, was of all cities in the world the most autumnal —its mellow brickwork harmonizing with fallen leaves and October sunsets, just as the etched grays of November composed themselves with the light and shade of Portland stone. There was a charm, a deathless charm, about a city whose inhabitants went about muttering, "The nights are drawing in," as if it were a spell to invoke the vast, sprawling creature-comfort of winter.
James Hilton (Random Harvest)
If you submit an article to a major refereed clinical journal and it is accepted upon first submission without a single revision, let me know and I will take you to dinner the next time you are in Portland, Oregon.
Robert B. Taylor (Medical Writing: A Guide for Clinicians, Educators, and Researchers)
There are a great number of what appear to be teenage runaways, but in Portland it seems that even the elderly dress as if they are teenage runaways, in hoodies and kerchiefs and ragged jeans, stinking of patchouli and dirty feet, and one tattooed old man even rolls by on a skateboard.
Dan Chaon (Stay Awake)
It is not those things that have been done to us that make us who we are; it is what we choose to do with them. Live, laugh, love, and choose to be fearless.
Catherine Gayle (Breakaway (Portland Storm, #1))
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city might begin with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tires and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn’t go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought.
Lauren Oliver (Delirium (Delirium, #1))
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
The middle part of Maine, all the way from Bar Harbor to Portland, hangs down like stalactites that drip little islands into the Atlantic. It's divided by rivers and harbors with cozy names that sound like brands of bubble bath or places boats sink in folks songs.
Holmes, Linda
My heart fluttered and my skin tingled anytime I was near him. How I viewed him had changed. He wasn’t just Brenden’s best friend anymore, not in my head. Not in my heart.
Catherine Gayle (Breakaway (Portland Storm, #1))
Regrets will eat you alive if you let them. You gotta outrun them. Find something in the now.
Annabeth Albert (Baked Fresh (Portland Heat, #2))
Two whores on their way down from Portland to take us deep-sea fishing in a boat! It made it tough to stay in bed until the dorm lights came on at six-thirty,
Ken Kesey (Ken Kesey's One Flew over the Cuckoo's Nest (Barron's Book Notes))
How was I supposed to survive here? These Portlanders were an entirely different breed of white people.
Gabby Rivera (Juliet Takes a Breath)
That’s super. I like you, Lloyd. You were always the best of them. Best damned barkeep between Barre and Portland, Maine. Portland, Oregon, for that matter.
Stephen King (The Shining)
As dazed as I was, I still remembered to say I was from Portland instead of Beaverton, to avoid sounding like a hick—or having to endure any beaver-related attempts at humor.
Ernest Cline (Armada)
If you’re in Sacramento, Seattle, Canberra, Kolkata, Hyderabad, Phnom Penh, Cairo, Beijing, central Japan, central Sri Lanka, or Portland, space is closer than the sea.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Gotta say you Portland people take weird to a new level.
Devon Monk (Magic at the Gate (Allie Beckstrom, #5))
Someone at Portland Row really missed you, you know... Me. - Holly
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
Why don't you go back to LA?" "My wife lives in Portland.
Kylie Scott (Lick (Stage Dive, #1))
It’s like each face was a sign like one of those “I’m Blind” signs the dago accordion players in Portland hung around their necks, only these signs say “I’m tired” or “I’m scared” or “I’m dying of a bum liver” or “I’m all bound up with machinery and people pushing me alla time.” I can read all the signs, it don’t make any difference how little the print gets.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Crows are harbingers of death and omens, good and bad, according to Big Jim according to Google. Midnight-winged tricksters associated with mystery, the occult, the unknown. The netherworld, wherever it is- Portland? We make people think of the deceased and super angsty poetry. Admittedly we don't help the cause when we happily dine on fish guts in a landfill, buy hey ho.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
The trip from Portland to New York City was like climbing Mount Everest without oxygen. It went on and on, and by the time you reached your destination, there was no sensation left in your extremities.
Kristin Hannah (Distant Shores)
In terms of sheer annoyance, nobody I have ever known has compared to Sare Worthington, saver of the environment, native of Portland, Maine, forever wishing that she were from Portland, Oregon. Bitch should have just moved there.
Caroline Kepnes (You (You, #1))
Katherine’s theory is that everyone looking to make a new life migrates west, across America to the Pacific Ocean. Once there, the cheapest city where they can live is Portland. This gives us the most cracked of the crackpots. The misfits among misfits. “We just accumulate more and more strange people,” she says. “All we are are the fugitives and refugees.
Chuck Palahniuk (Fugitives and Refugees: A Walk in Portland, Oregon)
Это как будто идёшь в тумане и не видишь, что там, впереди, но идёшь всё равно, потому что тебе любопытно. Просто идёшь, шаг за шагом.
Чак Паланик (Fugitives and Refugees: A Walk in Portland, Oregon)
Love hurts, but that isn’t a good enough reason not to love. The truth is, it hurts even more not to love
Catherine Gayle (Comeback (Portland Storm, #6))
It was one of those simple facts of life: the sky was blue, gravity kept our feet firmly on the ground, and I loved Katie Weber.” ~ Jamie
Catherine Gayle (Dropping Gloves (Portland Storm, #7))
Nobody’s perfect. But that doesn’t mean you’re not perfect for me. And maybe I can be perfect for you, too.
Catherine Gayle (Dropping Gloves (Portland Storm, #7))
Sometimes in life, dreams aren’t all they’re cracked up to be. When they’re not, though, there’s usually another dream—a better dream —waiting for you in the wings.
Catherine Gayle (Dropping Gloves (Portland Storm, #7))
Dense urban environments may do away with nature altogether—there are many vibrantly healthy neighborhoods in Paris or Manhattan that lack even a single tree—but they also perform the crucial service of reducing mankind’s environmental footprint. Compare the sewage system of a midsized city like Portland, Oregon, with the kind of waste management resources that would be required to support the same population dispersed across the countryside. Portland’s 500,000 inhabitants require two sewage treatment plants, connected by 2,000 miles of pipes. A rural population would require more than 100,000 septic tanks, and 7,000 miles of pipe. The rural waste system would be several times more expensive than the urban version.
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
She wanted us to go on like nothing had ever happened between us. Like she didn’t have her hand circled around my heart. Like she wasn’t squeezing the life out of it every time she left.” ~ Jamie
Catherine Gayle (Dropping Gloves (Portland Storm, #7))
I couldn't help myself. The more confidence she gained, the more beautiful she became. The more she smiled, the more I allowed myself to hope. The more she let me touch her, the less capable I felt of stopping.
Catherine Gayle (Breakaway (Portland Storm, #1))
I've never been more sure of anything in my life than I am of the fact that I love you and I can't stop loving you. I tried. God knows I tried, because I didn't think you'd ever be able to let me love you like I wanted to. But I failed, and now I love you even more than I did before.
Catherine Gayle (Breakaway (Portland Storm, #1))
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
George will be at home, I should think,” Lockwood said easily. “Probably making one of his chicken-and-sweetcorn pies. He’s really very domesticated.” Sir Rupert smiled approvingly. “Sounds scrumptious. I must pop round to Portland Row sometime.” “Please do,” Lockwood said. “I’d love that.” “Good night, then.” “Good night.” We pattered swiftly down the steps and set off up the Strand. “One day,” Lockwood said, “I’m clearly going to have to kill him. Not now, but sometime soon.
Jonathan Stroud (The Empty Grave (Lockwood & Co., #5))
I know there’s this ongoing Portland/Brooklyn spar for über hipdom (and I have to be careful here, because my agent lives in Brooklyn), but Portland is the least derivative place I’ve ever been. The folks here do what they do in defiance of norm or trend. The spirit of authenticity in Portland is as contagious as a February flu.
Suzy Vitello
Me dije que si estaba viva iba a seguir adelante, me olvidaría, sería feliz de nuevo. Intenté decirme a mí mismo que era lo que quería para ella. Sabía que nunca volvería a verla. Pero la esperanza llegó, no importa cuán duro y rápido traté de sacarla fuera. Al igual que estas hormigas coloradas diminutas que solíamos tener en Portland. No importaba lo rápido que las mataran, siempre había más, un flujo constante de ellas, resistentes, siempre multiplicándose. Tal vez , la esperanza, dijo. Tal vez
Lauren Oliver
:That's what you do when you love someone." ... "You give all you have to give," he said, "and they do the same. You fill each other up." ... "It doesn't work if it isn't even, though," I said. "If one does all the giving and the other does all the taking
Catherine Gayle (Breakaway (Portland Storm, #1))
The Chicken: As I was walking down Stanton Street early one Sunday morning, I saw a chicken a few yards ahead of me. I was walking faster than the chicken, so I gradually caught up. By the time we approached Eighteenth Avenue, I was close behind. The chicken turned south on Eighteenth. At the fourth house along, it turned in at the walk, hopped up the front steps, and rapped sharply on the metal storm door with its beak. After a moment, the door opened and the chicken went in. (Linda Elegant, Portland, Oregon)
Paul Auster (I Thought My Father Was God and Other True Tales from NPR's National Story Project)
So many questions crowd my brain at once, it’s like one of the famous Portland fogs has swept up from the ocean and settled there, making it impossible to think normal, functional thoughts. We’re sitting on the floor of the living room, which is squashed up right next to the “dining room”, and I’m holding Jenny's workbook on my knees, reciting the problems to her, but my mind is on autopilot and my thoughts are a million miles away. Or rather, they’re exactly 3.4 miles away, down at the marshy edge of Back Cove.
Lauren Oliver (Delirium (Delirium, #1))
Portland was a dream both in the literal sense and the metaphorical sense, both tangible and not - a fleeting affair you want to hold on to but can't, so you try memorizing her every detail only to fail to do so in the consumption, in the savoring, in the absorbing of yourself into her. When she's gone, she comes to you in snippets, replaying in your mind like a fragmented picture show.
Jackie Haze, Borderless
Humanists try to behave decently and honorably without any expectation of rewards or punishments in an afterlife. And, since the creator of the universe is to them unknowable so far, they serve as best they can the highest abstraction of which they have some understanding, which is their community.
Kurt Vonnegut Jr.
That's just how it is. You get halfway through your life and realize you've done it all wrong. You've picked the wrong jobs and followed the wrong dreams. Every decision from your cradle to the counter of an upscale children's boutique in Portland, Oregon gratingly names little fig where you now stand tethered at the age of thirty-seven for thirteen-dollars-an-hour-plus-commission has been all wrong.
Jennifer Vandever (American Tango)
I want to be by your side through everything that's coming, to hold your hand when you're scared and to pick you up when you're weak... I want you to run to me… Because I love you. And because you love me. And because I can’t go one more day without being able to tell you that as often as it comes to mind.
Catherine Gayle (Dropping Gloves (Portland Storm, #7))
The War on Drugs, from the Hastings-facing window of the Portland Hotel, is manifested in the pregnant Celia kneeling on the sidewalk, handcuffed wrists behind her back, eyes cast on the ground. There was no Detective-Sergeant Gillespie to protect her when, as a little girl, she was raped by her stepfather and subjected to the nocturnal spitting ritual, so in the War on Drugs she has become one of the enemy.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
To the prohibitionists, Hannah is a failure, because she continued using drugs. To the Portland, she was a success, because she knew she was loved. One day, a very senior government minister came to visit the safe injection rooms, and to meet the addicts. He asked Liz: “What percentage of people who use this place would you consider to be write-offs?” She paused and looked at him, trying to figure out how to tell him that the answer is none.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Tell me something true about you.” “Okay …” She mentally rifled through birthplace (Portland, Oregon), college major (sociology), astrological sign (Virgo), favorite movie (The Apple Dumpling Gang—don’t judge), until she hit a fact that wasn’t completely mundane. “One of my favorite things in the world are those charity events where everyone buys a rubber ducky with a number and the first person’s duck to get down the river wins.” “Why?” “I like seeing the river teeming with all those outrageously yellow and orange ducks. It’s so friendly. And I love the hope of it. Even though it doesn’t matter if you win, because all that wonderful, candy-colored money is going to something really important like a free clinic downtown or cleft palate operations for children in India, you still have that playful hope that you will win. You run alongside the stream, not knowing which is your duck but imagining the lead one is yours.” “And this is the essence of your soul—the ducky race?” “Well, you didn’t ask for the essence of my soul. You asked for something true about me, and so I went for something slightly embarrassing and secret but true nonetheless. Next time you want the essence of my soul, I’ll oblige you with sunsets and baby’s laughter and greeting cards with watercolor flowers.” He squinted at her thoughtfully. “No, so far as I’m concerned, the yellow duckies are the essence of your soul.
Shannon Hale (Midnight in Austenland (Austenland, #2))
In Laos, a baby was never apart from its mother, sleeping in her arms all night and riding on her back all day. Small children were rarely abused; it was believed that a dab who witnessed mistreatment might take the child, assuming it was not wanted. The Hmong who live in the United States have continued to be unusually attentive parents. A study conducted at the University of Minnesota found Hmong infants in the first month of life to be less irritable and more securely attached to their mothers than Caucasian infants, a difference the researcher attributed to the fact that the Hmong mothers were, without exception, more sensitive, more accepting, and more responsive, as well as “exquisitely attuned” to their children’s signals. Another study, conducted in Portland, Oregon, found that Hmong mothers held and touched their babies far more frequently than Caucasian mothers. In a third study, conducted at the Hennepin County Medical Center in Minnesota, a group of Hmong mothers of toddlers surpassed a group of Caucasian mothers of similar socioeconomic status in every one of fourteen categories selected from the Egeland Mother-Child Rating Scale, ranging from “Speed of Responsiveness to Fussing and Crying” to “Delight.
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
[What a great way to describe how a city takes its unique "shape"...beautiful turn-of-phrase by Kieran Shields(!)]: "It was a city of slopes, curves, and dips carved by glaciers and now criss-crossed by a network of angled streets and blocks, unfettered by any sense of regularity and uniformity. Portland's maze of cobbled roads was the result of two and a half centuries of fisherman and merchants driven by immediate necessity and that economy of steps that occurs naturally in a place where winters often lasted five months out of the year.
Kieran Shields (The Truth of All Things (Archie Lean #1))
Throughout his life, he was the opposite of all show business clichés. His marriage endured: by all accounts, he dearly loved his wife. Words most often used by those who knew him were “decent,” “genial,” “gentle,” and “generous.” He was a constant target of panhandlers and always had a roll of money in his pockets for handouts. He was not, apparently, a chummy man. His few real intimates, old friends like Doc Rockwell and Uncle Jim Harkins, had been with him in vaudeville and appeared occasionally on his show. He and Portland avoided crowds, lived simply in a New York apartment, and never owned a car. “I don’t want to own anything,” he once told a reporter, “that won’t fit in my coffin.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Violence; violence, and power, in the context of yet somebody else walking up to the groaning boards of fantasy’s eternal wedding feast, still laden with the cold meats from Tolkien’s funeral, and cheekily joining everyone who’s trying to send the whole thing smashing to the ground just to hear the noise all that crockery will make. —But! Also: genderfuck, hearts broken cleanly and otherwise, the City of Portland, Spenser, those moments in pop songs when the bass and all of the drums except maybe a handclap suddenly drop out of the bridge leaving you hanging from a slender aching thread of melody waiting almost dreading the moment when the beat comes back, and the occasional bit of swordplay.
Kip Manley
dead!” She burst into a fresh storm of sobs. Jimmy left it to the local C.I.D. to watch the house. “Though I do not expect we shall catch the birds,” he said, “for either the boy or the woman will communicate with them — that is certain.” He snatched a few hours’ sleep and was again at his desk by noon, interviewing such of the privileged reporters as had the entree to his office. Whether Dora had come to town or not he did not know, for his inquiries took him away from the house in Portland Place. He neither saw nor heard from Knowles; the little man seemed to have disappeared as completely and as mysteriously as any of those who had gone before him. His landlady reported that he had not returned to the house,
Edgar Wallace (The Complete Works of Edgar Wallace)
One day a little old lady came and asked my name, saying she couldn’t read my nametag. I told her and reached for the little slip of paper she held, but she put it behind her back. It seemed she wanted to chat before giving it up. Fine with me. We chatted about our matching cardigans (the fact that I dress like a little old lady was not lost on me) and we chatted about how the Portland weather bothered her bones. We talked for a long while about her husband and how much she’d grown to hate him over the years. Then, since I guessed I’d earned her trust, she handed me her slip of paper. It was for a book on exotic poisons. I got her the book and spent the next few weeks scanning the obituaries for every old man that had died. So, yes, folks I may be an accomplice to murder. Don’t say there’s no excitement at the library.
Nick Pageant (Beauty and the Bookworm (Beauty and the Bookworm #1))
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe. "Finn!" I gasped and whirled around to look at him. "What are you doing here?" "I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something." "You got me something?" I leaned back on the dresser behind me, gripping it. "Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all." "What are you talking about?" I asked. "It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here." "Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand." "I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one." "Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing. "I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring." "Why did you sneak in?" I asked. "I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it." "What are you doing?" I asked quietly. "I..." Finn stared off for a moment, then turned back to me and stood up. "Finn, I-" I began, but he held up his hand, stopping me. "No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too." All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to. "Why are you telling me this?" I asked with tears swimming in my eyes. "Because." Finn stepped toward me, stopping right in front of me. He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek. "Why?" I asked, my voice trembling. "I needed you to know," he said, as if he didn't truly understand it himself. He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him. "Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
Amanda Hocking (Ascend (Trylle, #3))
The Portland school board's policy equated integration and racial assimilation. This policy, Rist explains, is a "means of socializing nonwhite students to act, speak, and believe very much like white students." It leaves dominant group values intact, does no damage to notions of white superiority, and helps to gain the support of those whites who view it as a means of helping "nonwhite peoples to become fully human by instilling in them `white' ways of thinking and feeling." In keeping with the assimilationist tone of the program, the principal assigned one or two black children to each classroom, and scheduled only a few special teacher-training sessions, which were poorly handled. The principal's desire was to treat the black students just like the whites. This approach was undermined by his failure to recognize and address fears and misconceptions of teachers about the black children's academic ability and behavior problems, the adequacy of their home backgrounds, and their moral turpitude.
Derrick A. Bell (Silent Covenants: Brown v. Board of Education and the Unfulfilled Hopes for Racial Reform)
When he slides in, I press my eyes shut and groan. This is going to be so, so good. His smooth, slow thrusts turn animalistic in a matter of minutes. All I can do is cry out as the pleasure consumes me from head to toe, gripping for dear life onto the glass. My head is shrouded in a fog of arousal. I can't get out a single coherent thought other than more, harder, faster, please. I tell Max exactly that. And he does it all. When his sounds turn quick and desperate, when his fingers turn viselike against my hips, I slide one of my hands between my thighs and circle frantically in the spot I need it most. This is the wildest, most lustful thing I've ever done in my life. Never in a million years did I think I'd ever be the type of girl who wants to have sex against a window overlooking downtown Portland, but I've never been so turned on. I've never been so consumed with pleasure. This is the effect Max Boyson has on me. Not only does he make me ooey-gooey on the inside with his thoughtful gestures, his sweet words, and the way he looks at me like I'm the only person in the room. But with a single teasing kiss and the touch of his hand on my skin, I turn sex-crazed. He makes me feel so sexy and comfortable all at once. I love love love all the sides this man brings out in me. With a firm hand, he grips my jaw and turns my face to the side so he can plant a desperate kiss on my mouth. Soon I'm trembling as climax threatens to wreck me. When it hits, that's exactly what happens. I groan-scream and come apart in Max's grip. My head goes foggy as pleasure annihilates me. It's a glorious end, though. I'm left quivering, barely able to stand, but Max holds me securely in his arms. It's the sweetest and hottest hug from behind: his entire body covers me while his open mouth rests against my shoulder, gasping and growling at once.
Sarah Echavarre Smith (The Boy With the Bookstore)
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