Doomed Girl Quotes

They are Man's and they cling to me, appealing from their fathers. This boy is Ignorance and this girl is Want. Beware them both, and all of their degree, but most of all beware this boy for on his brow I see that written which is Doom, unless the writing be erased.

Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...

and god help you if you are an ugly girl course too pretty is also your doom cause everyone harbors a secret hatred for the prettiest girl in the room and god help you if you are a pheonix and you dare to rise up from the ash a thousand eyes will smolder with jealousy while you are just flying back

My friend, you had horses, and deed of arms, and the free fields; but she, being born in the body of a maid, had a spirit and courage at least the match of yours. Yet she was doomed to wait upon an old man, whom she loved as a father, and watch him falling into a mean dishonoured dotage; and her part seemed to her more ignoble than that of the staff he leaned on. -Gandalf to Eomer, of Eowyn

Ferret took out a folded scrap of paper and passed it to him. 'My guy Ben doesn't know where the other club is, but the girls are being shipped in from here, a rehab centre in Newtonville.' 'What's this other place called?' Tazeem asked as he slipped the scrap of paper into his pocket. 'The place is just known as The Club. But the behind-the-scenes bit that only the real big spenders get to see, there's no official name, 'cause officially it doesn't exist, that's know as The Zombie Room.

I am fundamentally happy. Everyone has experiences that makes them cynical, jaded or unhappy - you just have to fight those things off. I have totally emotional days when I cry and get insecure. PMS weirded out, doomed and tragic. I mean, I'm definitely not just a lollipop, happy in the wind girl. I'm human just like everyone else, but I think that it would be tragic to be on your deathbed and think, 'I could've I should've.' That gets me out of bed everyday. I can't even last like an hour in bed in the morning. I have to get out there and live.

We teach our girls how not to get raped with a sense of doom, a sense that we are fighting a losing battle. When I was writing this novel, friend after friend came to me telling me of something that had happened to them. A hand up their skirt, a boy who wouldn’t take no for an answer, a night where they were too drunk to give consent but they think it was taken from them anyway. We shared these stories with one another and it was as if we were discussing some essential part of being a woman, like period cramps or contraceptives. Every woman or girl who told me these stories had one thing in common: shame. ‘I was drunk . . . I brought him back to my house . . . I fell asleep at that party . . . I froze and I didn’t tell him to stop . . .’ My fault. My fault. My fault. When I asked these women if they had reported what had happened to the police, only one out of twenty women said yes. The others looked at me and said, ‘No. How could I have proved it? Who would have believed me?’ And I didn’t have any answer for that.

Sorry, boyfriends everywhere—you’re doomed to sit through an hour and forty-seven minutes of syrupy drivel. The payoff? Between my face, Tadd’s abs and Quinton’s biceps, your girl will be ready for takeoff as soon as the credits roll. You’re welcome.

What an excellent father you have, girls!' said she, when the door was shut. 'Such joys are scarce since the good Lord saw fit to close the gates of Hell and doom the dead to walk amongst us.

Damn it. What have we unleashed? (Sin) Doom, destruction...at least he’s not nuclear, right? (Kat) At this point, who knows? (Sin) Oh look, Mr. Positive has come out to play again. Welcome back, Mr. Positive. All the boys and girls have missed you so. (Kat)

She is herself,” said Sasha. “Doom and blessing both, and it is for God to judge her.

You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own.

. . . these errand-boys and furtive and fugitive girls who, ignoring their doom, look in at shop windows? But I am aware of our ephemeral passage.

A girl who cannot become a princess is doomed to become a witch.

My sister was just another girl doomed by politics and ancestral texts that say a girl’s destiny is to be wholesome, obedient, and quietly attractive, but invisible when need be. Nailed to the cross of her own gender, a girl finds herself between the mother and the prehistoric rib, where there’s little space to be anything other than a daughter who lives alongside sons but is not equal to them. These boys who can howl like tomcats in heat, pawing their way through a feast of flesh, never to be called a slut or a whore like my sister was.

Did I want to die? Not really, no. I wanted the beauty of the doomed. Missing girls are never forgotten, I thought, so long as they don't show up dead. So long as they stay missing.

This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!" cried the Spirit, stretching out its hand towards the city. "Slander those who tell it ye! Admit it for your factious purposes, and make it worse. And bide the end!" "Have they no refuge or resource?" cried Scrooge. "Are there no prisons?" said the Spirit, turning on him for the last time with his own words. "Are there no workhouses?

Wait." Amber jumped up wide-eyed. "Is she a—" "A ghost " I smirked. "Amber you're a necromancer in a show about raising the dead. What did you expect Eerie sounds produced by a computer and a few Hollywood actors in bad makeup Please don't tell me you've never seen a real ghost.

We were just kids. We were property. We belonged to our parents, body and soul. It meant we were doomed in the face of any real danger from the adult world and that meant hopelessness, and humiliation and anger.

In any case, there was only one tunnel, dark and lonely, mine, the tunnel in which I had spent my childhood, my youth, my whole life. And in one of those transparent lengths of the stone wall I had seen this girl and had gullibly believed that she was traveling another tunnel parallel to mine, when in reality she belonged to the broad world, to the world without confines of those who do not live in tunnels; and perhaps she had peeped into one of my strange windows out of curiosity and had caught a glimpse of my doomed loneliness, or her fancy had been intrigued by the mute language, the clue of my painting. And then, while I advanced always along my corridor, she lived her normal life outside, the exciting life of those people who live outside, that strange, absurd life in which there are dances and parties and gaiety and frivolity. And it happened at times that when I walked by one of my windows she was waiting for me, silent and longing (why was she waiting for me? why silent and longing?); but other times she did not get there on time, or she forgot about this poor creature hemmed in, and then I, with my face pressed against the glass wall, could see her in the distance, smiling or dancing carefree, or, what was worse, I could not see her at all and I imagined her in inaccessible or vile places. And then I felt my destiny a far lonelier one than I had imagined.

Could she never be both? Was she doomed to choose one country or the other? Be an American girl or nothing?

She’s fourteen, which means that any kind of normal interaction with her is doomed to failure. We used to be pretty good friends, but fourteen-year-old girls are psychotic. Her main interests are yelling at Mom and not eating whatever is for dinner.

Gender equality is not a belief, it is not an idea - it is a key element of the society that will define whether we the humans shall march ahead towards glory and advancement, or sink into the abyss of an existential doom.

Some girls fall in love and a boy catches them. He waits for them at the bottom of the cliff with open arms. And then there are other girls. Girls like me. We’re the girls in love with the boys who belong to someone else. We’re the girls in doomed love. When girls like us fall, there’s no one to catch us. Least of all that boy for whom we’ve taken the fall.

Leo, listen to me." Hazel gripped his hand. "I won't allow you to take the blame. I couldn't bear that after--after Sammy . . ." She choked up, but Leo knew what she meant. His bisabuelo had blamed himself for Hazel's disappearance. Sammy had lived a good life, but he'd gone to his grave believing that he'd spent a cursed diamond and doomed the girl he loved.

My body flopped to the ground as I realized my doom. I was in love. Finally. It’s what every girl dreams about from the moment she starts dreaming, to fall in love and be in love. Well I was in love, and I hated it.

Give someone a break, Alice. Maybe he’s genuinely sorry. Maybe he really thinks he blew it. Maybe he’s one of those poor bastards who doesn’t know what he has until it’s gone. Maybe he sees what a great girl Andy is and wants to honestly, actually get to know her. Everyone who makes a mistake isn’t doomed to be an asshole forever.

At her funeral, Diana's brother observed, 'Of all the ironies about Diana, perhaps the greatest was this--- a girl given the name of the ancient goddess of hunting was, in the end, the most hunted person of our modern age.

Of course many of us were loaded with self-hate and wanted to change. How could it have been otherwise? All we heard and read about homosexuality was that crap about how we were inverts, perverts, queers — a menace to children, poison to everybody else, doomed never to be happy.

She said she'd been in relationships with way bigger problems than one of us being a transitory manifestation of impending doom. Like this one girl who liked her computer more than she liked her girlfriend, and another one who smoked.

God forbid you be an ugly girl, 'course too pretty is also your doom, 'cause everyone harbors a secret hatred for the prettiest girl in the room

He has on The Poor Motherless Girl Look—all adults get it at some point when they talk to me, like I’m doomed, shoved out of the airplane without a parachute because mothers are the parachutes.

She worried that maybe they'd been dating too long to end up together. It was like when you tried to jump off the high dive and if you did it right away, you were fine. But if you stood there looking down, thinking of all the bad things that could happen, you were doomed. You would just climb back down the ladder to the safety of the ground.

Few of us enter romantic relationships able to receive love. We fall into romantic attachments doomed to replay familiar family dramas. Usually we do not know this will happen precisely because we have grown up in a culture that has told us that no matter what we experience in our childhoods, no matter the pain, sorrow, alienation, emptiness, no matter the extent of our dehumanization, romantic love will be ours. We believe we will meet the girl of our dreams. We believe 'someday our prince will come.' They show up just as we imagined they would. We wanted the lover to appear but most of us were not clear about what we wanted to do with them-what the love was that we wanted to make and how we would make it. We were not ready to open our hearts fully.

Our family became spelled after my ancestor pixed off two evil witch sisters. The witches’ curse was supposed to doom my great- great- great grandmother to turn evil and torch the world— except the spell wasn’t worded right. It didn’t spec-ify which Emerald princess. So ever since, all the girls in the Emerald family have been stuck inside, since there’s no way to know what generation will inherit the curse.

The tradition amongst the Targaryens had always been to marry kin to kin. Wedding brother to sister was thought to be ideal. Failing that, a girl might wed an uncle, a cousin, or a nephew, a boy a cousin, aunt, or niece. This practice went back to Old Valyria, where it was common amongst many of the ancient families, particularly those who bred and rode dragons. The blood of the dragon must remain pure, the wisdom went. Some of the sorcerer princes also took more than one wife when it pleased them, though this was less common than incestuous marriage. In Valyria before the Doom, wise men wrote, a thousand gods were honored, but none were feared, so few dared to speak against these customs.

That was the problem: you could never love two people the exact same way. Her blessing had been doomed from the beginning, her girls as impossible to please as jealous gods.

The brawling of a sparrow in the eaves, The brilliant moon and all the milky sky, And all that famous harmony of leaves, Had blotted out man's image and his cry. A girl arose that had red mournful lips And seemed the greatness of the world in tears, Doomed like Odysseus and the labouring ships And proud as Priam murdered with his peers; Arose, and on the instant clamorous eaves, A climbing moon upon an empty sky, And all that lamentation of the leaves, Could but compose man's image and his cry.

The truth is that, in times of turmoil, people look for a scapegoat to sacrifice. Marie Antoinette just happened to be the French Revolution's favorite It girl. To be fair, Marie Antoinette lived in a world which she was expected to obey her husband as if he were God,, to spill forth children as if she were Eve--- and then accept that aristocrats ate cake while peasants had no bread. After all, it was divine will and all that.

Some day we hope to liberate every man on earth from the tendency as old as human history to identify our strength and manhood with the ability to control the lives, limit the chances, and doom the dreams of women and girls.

And then we heard a branch break. It might have been a deer, but the Colonel busted out anyway. A voice directly behind us said, "Don't run, Chipper," and the Colonel stopped, turned around, and returned to us sheepishly. The Eagle walked toward us slowly, his lips pursed in disgust. He wore a white shirt and a black tie, like always. He gave each of us in turn the Look of Doom. "Y'all smell like a North Carolina tobacco field in a wildfire," he said. We stood silent. I felt disproportionately terrible, like I had just been caught fleeing the scene of a murder. Would he call my parents? "I'll see you in Jury tomorrow at five," he announced, and then walked away. Alaska crouched down, picked up the cigarette she had thrown away, and started smoking again. The Eagle wheeled around, his sixth sense detecting Insubordination To Authority Figures. Alaska dropped the cigarette and stepped on it. The Eagle shook his head, and even though he must have been crazy mad, I swear to God he smiled. "He loves me," Alaska told me as we walked back to the dorm circle. "He loves all y'all, too. He just loves the school more. That's the thing. He thinks busting us is good for the school and good for us. It's the eternal struggle, Pudge. The Good versus the Naughty." "You're awfully philosophical for a girl that just got busted," I told her. "Sometimes you lose a battle. But mischief always wins the war.

home, it’s different. I mean yes, you want money and a job, but there’s a hundred other things you do for getting by, especially older people and farmers with the crops, tomato gardens and such. Hunting and fishing, plus all the woman things, making quilts and clothes. Whether big or small, you’ve always got the place you’re living on. I’ve known people to raise a beef in the yard behind their rented trailer. I was getting the picture now on why June’s doom castle had freaked me out. Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends.

Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.

Write no more’, he enjoins upon himself – they are the last words of the book. The end of his writing spells the end of his life. He has failed to protect his son Britannicus, whom he knows to be doomed. His marriage to Messalina, the only woman he is said to have truly loved, has followed an appalling course. When a man of fifty marries a girl of fifteen he is bound to have trouble, Claudius sagely reflects somewhere.

They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased.

Your heart is a weapon the size of your first. Keep fighting. Keep loving. More than bombs, fire, guns or arrows, love is the most powerful weapon in the Hunger Games. It stirs and feeds the rebellion. It saves the doomed. It destroys the bereaved. And it gives even the most devastated survivors a reason to go on.

In this light he looks old and gray, a bitter man haunted by a dead sister, in love with a broken woman, doomed to teach a girl who can do nothing but lie.

He had a weary air of responsibility about him, both bureaucratic and mythological, like someone doomed to guard a cave for all eternity. I

girl could easily find herself addicted to the expression Fisher was wearing, and what then? I'd be lost forever. Fucking doomed.

[I]t was in the pairs that the prisoners kept alive the semblance of humanity concluded Elmer Luchterhand, a sociologist at Yale who interviewed fifty-two concentration camp survivors shortly after liberation. Pairs stole food and clothing for each other, exchanged small gifts and planned for the future. If one member of a pair fainted from hunger in front of an SS officer, the other would prop him up. Survival . . . could only be a social achievement, not an individual accident, wrote Eugene Weinstock, a Belgian resistance fighter and Hungarian-born Jew who was sent to Buchenwald in 1943. Finally the death of one member of a pair often doomed the other. Women who knew Anne Frank in the Bergen-Belsen camp said that neither hunger nor typhus killed the young girl who would become the most famous diarist of the Nazi era. Rather, they said, she lost the will to live after the death of her sister, Margot.

This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!

When there is evil in someone, it grows, unattended by all and fielded by its harborer. I know this; I feel it each and every day, growing stronger inside of me till one day—snap—it will take control, and every logical thought process, every thought of survival and preservation, will disappear, and I will be a loose cannon, fired and on my path of destruction, with nothing but my own doom ahead of me and the demise of whoever lay in my final path.

wondered about what he said and then thought hard. I could never be a dick, not to Gretchen anyway, so I guess I was doomed; doomed to go for this girl that didn’t go for me. But that was OK as I long as I did everything I could.

I haven't known up 'till now why I do not want to go. But now I do know. [...] Because this is the ship that they say is unsinkable,' she replied, 'and that is flying in the face of the Almighty. That ship will never reach the other side.

They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!” cried the Spirit, stretching out its hand towards the city. “Slander those who tell it ye! Admit it for your factious purposes, and make it worse . And bide the end!

He went to the light switch by the door and flicked it off. When he turned, she glowed in the golden light from the space heater, and the shadow over her shoulders on the wall seemed a looming, black-cloaked figure. An ancient, mythical harbinger of doom and destruction. He blinked. It turned into a pattern of blocked light again. Jesus, what the hell was that about? He was rattled, jittery, scared half to death. But he could no more say no to this girl than he could stop breathing.

FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room

I skanked deep on Wolt's pipe an' four days march from our free Windward to Kona Leeward seemed like four mil'yun, yay, babbybies o' blissweed cradled me that night, then the drummin' started up, see ev'ry tribe had its own drums. Foday o' Lotus Pond Dwellin' an' two-three Valleysmen played goatskin'n'pingwood tom-toms, an' Hilo beardies thumped their flumfy-flumfy drums an' a Honokaa fam'ly beat their sash-krrangers an' Honomu folk got their shell-shakers an' this whoah feastin' o' drums twanged the young uns' joystrings an' mine too, yay, an' blissweed'll lead you b'tween the whack-crack an' boom-doom an' pan-pin-pon till we dancers was hoofs thuddin' an' blood pumpin' an' years passin' an' ev'ry drumbeat one more life shedded off me, yay, I glimpsed all the lifes my soul ever was till far-far back b'fore the Fall, yay, glimpsed from a gallopin' horse in a hurrycane, but I cudn't describe 'em 'cos there ain't the words no more but well I mem'ry that dark Kolekole girl with her tribe's tattoo, yay, she was a saplin' bendin' an' I was that hurrycane, I blowed her she bent, I blowed harder she bent harder an' closer, then I was Crow's wings beatin' an' she was the flames lickin' an' when the Kolekole saplin' wrapped her willowy fingers around my neck, her eyes was quartzin' and she murmed in my ear, Yay, I will, again, an' yay, we will, again.

At first she did nothing, waiting for her husband to wake, which he did not, because that wasn’t a thing he ever did. She waited longer than she usually did, waited and waited, the boy wailing while she lay as still as a corpse, patiently waiting for the day when her corpse self would miraculously be reanimated and taken into the Kingdom of the Chosen, where it would create an astonishing art installation composed of many aesthetically interesting beds. The corpse would have unlimited child-care and be able to hang out and go to show openings and drink corpse wine with the other corpses whenever it wanted, because that was heaven. That was it. She lay there as long as she could without making a sound, a movement. Her child’s screams fanned a flame of rage that flickered in her chest. That single, white-hot light at the center of the darkness of herself—that was the point of origin from which she birthed something new, from which all women do. You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own. And upon hearing the boy’s scream, the particular pitch and slice, she saw the flame behind her closed eyes. For a moment, it quivered on unseen air, then, at once, lengthened and thinned, paused, and dropped with a whump into her chest, then deeper into her belly, setting her aflame

My hair is not the shiniest of bobs My eyes are not the brightest in the room My figure will not get me modeling jobs My smile will not bring young boys to their doom. But do I cry and mourn my average face? Or wish that I had boyfriends at the ready? Do I not sleep because I lose the race, Or spurn my food because I don't go steady? My mind is on a more important thing That lifts my heart and makes my spirit soar I want to make the souls of people sing And quiet down the mean and bullying roar. To help the wounded girls replace the scar With the right to be exactly who they are.

in blue wihout when blues dream bears the only living girls are gold quickly the living boys will bring them stars and stars will sing them bells in bells without when bells dream blooms the only living boys are brave quickly the living girls will bring them dooms and dooms will praise their love

Why does a little girl lose her emotional equilibrium in a moment of parental discipline, or a megastar musician forget who she is because of one criticism? Or why, when a text message or the subject line of an e-mail says, “We need to talk” (or for us pastors, “About your sermon”) are we struck with a sudden feeling of doom? Why do we spend hours in the gym or in front of the mirror or online meticulously editing our social media profiles? Why is the perfect “selfie” such a large part of how we present ourselves to the world? Why do we live in constant disequilibrium about what our real or imagined critics might say about us?

And then the rest of what the racoon said caught up to him. "She's affiliated with THE Lord Sesshomaru? The same Sesshomaru who's the current ruling Lord of the West?" "... What other Lord Sesshomaru do you know?" Hachi asked, looking slightly confused. Ichijou moaned and sank to the floor. He was in love with a girl that was apparenly Lord Sesshomaru's sister. He was doomed, he just knew it. 'No, Kaname's doomed. There's no way a stubborn dog like that one would willingly give up someone as sweet and powerful as Kagome!' the blonde thought, raising his head to watch the moon sink lower, '... I don't envy you at all, Kaname.

She talks with wolves, without knowing what sort of beasts they are: Where have you been all my life? they ask. Where have I been all my life? she replies. We know! We know! And we know wolfishness when we see it! Look out, we shout at her silently, thinking of all the smart things we would do in her place. But trapped inside the white pages, she can’t hear us, and goes prancing and warbling and lolloping innocently towards her doom. (Innocence! Perhaps that’s the key to stupidity, we tell ourselves, who think we gave it up long ago.) If she escapes from anything, it’s by sheer luck, or else the hero: this girl couldn’t tear her way out of a paper bag.

The Northern Line is black on the maps. It’s the deepest. It has the most suicides, you’re most likely to get mugged on it, and its art students are most likely to be future Bond Girls. There’s something doom laden about the Northern Line. Its station names: Morden, Brent Cross, Goodge Street, Archway, Elephant and Castle, the resurrected Mornington Crescent.

As we are a doomed race, chained to a sinking ship (her favourite reading as a girl was Huxley and Tyndall, and they were fond of these nautical metaphors), as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the sufferings of our fellow-prisoners (Huxley again); decorate the dungeon with flowers and air cushions; be as decent as we possibly can.

Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, many thousands years of analytical philosophy have failed to explain to our sense of order. One may, indeed, admit the possibility of a retribution lurking in the catastrophe. Doubtless some of Tess D'Urberville's mailed ancestors rollicking home from a fray had dealt the same wrong even more ruthlessly upon peasant girls of their time. But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter.

See them in their golden hour, a flood of girls high on the ecstasy of the final bell, tumbling onto the city bus, all gawky limbs and Wonderbra cleavage, chewed nails picking at eruptive zits, lips nibbling and eyes scrunching in a doomed attempt not to cry. Girls with plaid skirts tugged unfathomably high above the knee, girls seizing the motion of the bus to throw themselves bodily into their objects of affection.

I feel excitingly...free. Things were going to happen to me last night that I did not like - and I stopped them. I have never prevented my own doom before. I have never stood in the path of certain unhappiness and told myself - lovingly, like a mother to myself - "No! This unhappiness will not suit you! Turn around and go another way!" I have previously been resigned to any and all fates ahead - mute and compliant, worried about seeming weird or unfuckable, or about making a fuss. But now things have changed: it seems I am now the kind of girl who can instigate a threesome - then cancel a threesome, then order a cab. I am in charge of me. I can change fates! I can reorder evenings! I can say "Yes" - and then "No!" This is new information to me. I like this information. I like all information about me. I am compiling a dossier. I am my own specialist subject.

They are man's,' said the spirit, looking down upon them. 'And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!' cried the spirit, stretching out its hand towards the city. 'Slander those who tell it ye! Admit if for your factious purpose, and make it worse! And bide the end.

That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.

We've been strongly reminded of the fact that we're Jews in chains, chained to one spot, without any rights, but with a thousand obligations. We must put our feelings aside; we must be brave and strong, bear discomfort with- out complaint, do whatever is in our power and trust in God. One day this terrible war will be over. The time will come when we'll be people again and not just Jews! Who has inflicted this on us? Who has set us apart from all the rest? Who has put us through such suffering? It's God who has made us the way we are, but it's also God who will lift us up again. In the eyes of the world, we're doomed, but if after all this suffering, there are still Jews left, the Jewish people will be held up as an example. Who knows, maybe our religion will teach the world and all the people in it about goodness, and that's the reason, the only reason, we have to suffer. We can never be just Dutch, or just English, or whatever; we will always be Jews as well. And we'll have to keep on being Jews, but then, we'll want to be.

Back home, we can't kill them fast enough," he says. "Even Grahamites offer blue bills for their skins. Probably the only thing they've ever done that I agreed with." "Mmm, yes." Emiko's brow wrinkles thoughtfully. "They are too much improved for this world, I think. A natural bird has so little chance, now." She smiles slightly. "Just think if they had made New People first." Is it mischief in her eyes? Or melancholy? "What do you think would have happened?" Anderson asks. Emiko doesn't meet his gaze, looks out instead at the circling cats amongst the diners. "Generippers learned too much from cheshires." She doesn't say anything else, but Anderson can guess what's in her mind. If her kind had come first, before the generippers knew better, she would not have been made sterile. She would not have the signature tick-tock motions that make her so physically obvious. She might have even been designed as well as the military windups now operating in Vietnam—deadly and fearless. Without the lesson of the cheshires, Emiko might have had the opportunity to supplant the human species entirely with her own improved version. Instead, she is a genetic dead end. Doomed to a single life cycle, just like SoyPRO and TotalNutrient Wheat. Another shadow cat bolts across the street, shimmering and shading through darkness. A high-tech homage to Lewis Carroll, a few dirigible and clipper ship rides, and suddenly entire classes of animals are wiped out, unequipped to fight an invisible threat. "We would have realized our mistake," Anderson observes. "Yes. Of course. But perhaps not soon enough.

Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

I wanted love the size of a fist. Something I could hold, something hot and knuckled and alive. What I wanted was my freckled cheeks printed on cheap paper, stapled at the ears, the flyers torn from telephone poles and the scales of palm trees, a sliver of my face left flapping in the wind. I wanted to be the diametric opposite of who I was; am. To get gone. I wanted limbs dangling from the lip of a trash compactor, found by a lone jogger who would cry at the sight of my ankles, my beaten blue knees with their warm fuzz of kiddie hair. Did I want to die? Not really, no. I wanted the beauty of the doomed. Missing girls are never forgotten, I thought, so long as they don’t show up dead. So long as they stay missing.

For the first few months she was pregnant with the girl who would become Jane, she pretended that she was not. That it was a false pregnancy, simply her body fooling with her, playing an evil joke. This figment of a child in her womb would go away, disappear like some temporary derangement of the senses brought on by God or the devil for reasons she could not divine. But at four months she could feel it quickening, and by five months it had begun to move around quite a bit, to thrust and kick and stretch so she could not pretend it was anything else. By seven months in she had begun to talk to it. I will try to do right by you, she said, if you promise that you will try to do right by me. Do not die before I do. Do not come out a defective child doomed to unhappiness or an early death.

Oddly enough, she was one of the most thorough-going sceptics he had ever met, and possibly (this was a theory he used to make up to account for her, so transparent in some ways, so inscrutable in others), possibly she said to herself, As we are a doomed race, chained to a sinking ship (her favourite reading as a girl was Huxley and Tyndall, and they were fond of these nautical metaphors), as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the sufferings of our fellow-prisoners (Huxley again); decorate the dungeon with flowers and air-cushions; be as decent as we possibly can. Those ruffians, the Gods, shan’t have it all their own way—her notion being that the Gods, who never lost a chance of hurting, thwarting and spoiling human lives, were seriously put out if, all the same, you behaved like a lady.

She wanted to marry you! Stipulations and assholery included. Now my question is this—how did you manage to lose her? How did you let the only girl you’ve ever loved just…go?' 'I don’t—' 'Of course you do!' He smashed my head against the dirt. I twisted, grabbing him by the shirt and rolling him over, switching our positions so I was on top of him now. 'You fool, anyone with a pair of working eyes could see you’re crazy about her. You couldn’t look Persephone in the eye like a six-year-old for as long as you’ve known her. You couldn’t bring yourself to attend her goddamn wedding. You’ve had it bad for her from the moment you saw her. You let her go because of your stupid insecurities. Because you are so convinced you’re Hades, doomed, dark, and unredeemable, you haven’t even bothered to read the myth all the way.' He reached to wrap his fingers around my throat, pressing, draining the oxygen out of me. 'Persephone!' He clasped harder. 'Loved!' He shook me by the neck. 'Hades!'

We’re moving up in the line, and I realize I’m nervous, which is strange, because this is Peter. But he’s also a different Peter, and I’m a different Lara Jean, because this is a date, an actual date. Just to make conversation, I ask, “So, when you go to the movies are you more of a chocolate kind of candy or a gummy kind of candy?” “Neither. All I want is popcorn.” “Then we’re doomed! You’re neither, and I’m either or all of the above.” We get to the cashier and I start fishing around for my wallet. Peter laughs. “You think I’m going to make a girl pay on her first date?” He puffs out his chest and says to the cashier, “Can we have one medium popcorn with butter, and can you later the butter? And a Sour Patch Kids and a box of Milk Duds. And one small Cherry Coke.” “How did you know that was what I wanted?” “I pay a lot better attention than you think, Covey.” Peter slings his arm around my shoulders with a self-satisfied smirk, and he accidentally hits my right boob. “Ow!” He laughs an embarrassed laugh. “Whoops. Sorry. Are you okay?” I give him a hard elbow to the side, and he’s still laughing as we walk into the theater.

Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.

Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong woman the man, many thousand years of analytical philosophy have failed to explain to our sense of order. One may, indeed, admit the possibility of a retribution lurking in the present catastrophe. Doubtless some of Tess d'Urberville's mailed ancestors rollicking home from a fray had dealt the same measure even more ruthlessly towards peasant girls of their time. But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter. As Tess's own people down in those retreats are never tired of saying among each other in their fatalistic way: "It was to be." There lay the pity of it. An immeasurable social chasm was to divide our heroine's personality thereafter from that previous self of hers who stepped from her mother's door to try her fortune at Trantridge poultry-farm.

Just walking,” he said quickly. “I know it looks odd, but we didn’t come to the Lower City for trouble.” “We came here for love,” Romeo said earnestly. “Love,” the subcaptain echoed, sounding faintly amused. It was like the time when Paris was a child, and he’d accidentally knocked over a pile of expensive dishes waiting for the servants to clean them. The pile had tottered for several moments, but Paris hadn’t been able to grab and steady them, or even flee before the crash gave him away. He’d been too entranced by the oncoming disaster. It was like that now. Paris knew this was going to end badly, but he couldn’t seem to get his mouth working, and meanwhile Romeo was rambling enthusiastically. “Yes!” he said. “It’s my friend here—he fell in love with a girl who worked in his family’s kitchen, and she loved him in return, but when his father found out he was furious and had her cast out into the Lower City, and then he lied and forged letters and tried to make him believe she had renounced him. But my friend loved her too dearly and trusted her too deeply, and he discovered the truth, and so we’ve come to find her!” Paris found that his panic was turning into a peculiar sort of calm. They were doomed. If he was lucky, he would be executed along with Romeo. If not, he would be handed back to Lord Catresou. “And you, a Mahyanai, are helping him?” asked the subcaptain. “Because I love her as well,” Romeo said earnestly, “and I will see her happy though it breaks my heart in two. Lovely, kind Maretta with eyes like the summer sky at twilight. Have you seen her?” “No,” said the subcaptain, “but I’m not sure I’ve ever seen anyone so bad at lying, either.” Romeo looked uncommonly like a bird fluffing itself up for a mating display. “My love is as true as the stars are bright,” he said with terrifying intensity. “So is his.” The subcaptain’s mouth quirked. “Tiny and flickering and easily clouded over?” She doesn’t believe you, said Paris silently, so can you stop humiliating us? There is no shame in love! It shouldn’t have been possible to shout silently, but Romeo managed it.

Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.

Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.

Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.” “I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.” “I’m gonna get fat,” I mumble. “No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?” “Still Bennett.” I grin. “You haven’t made an honest woman of me yet.” “You ready to hop that plane to Vegas now?” “A shotgun wedding. My folks would be so proud.” I laugh. “What do you want to do about the wedding?” he asks. “Move it forward?” “That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?” I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?” “I’m going to have a mini-Jake soon. Of course I’m okay with that.” “Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.” I scrunch up my face. “Why?” “Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically. I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.” “Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.” Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.

The white hunter was laughing happily, his adoring girl was open-mouthed in admiration for his nerve, I was sweating with dismay and outrage, and then an elephant charged and did not stop and our hero stepped hard on the gas and drove off, saying, “Not bluffing that time.” So now I knew, lucky me, what a medium-size elephant stampede was like. Doomed to see elephants in the company of lunatics. All I wanted was to watch them with love and respect, at a reasonable distance.

Later, when I started to date, when I would go to girls’ houses and their mothers and fathers would ask, “What do your parents do?” I’d say, “They’re divorced,” as though it were a full-time job. They’d look at me, instantly dismissive, as though I too was doomed to divorce, as though domestic instability was genetically passed down.

However, like Elasti-Girl and Batgirl, many of the DC’s female characters got better treatment than the heroines featured in Marvel Comics. Scanning a comic book rack in the ’60s, the covers would tell two different stories about the women starring within those pages. Wonder Woman and Supergirl starred in comic books that featured their names on the covers. These heroines were often seen performing great feats of strength like battling monsters or stopping missiles with their bare hands. Batgirl’s name might be featured prominently on a cover of Detective Comics. The Doom Patrol’s Elasti-Girl was shown in the thick of battle fighting side by side with her male compatriots. On the Marvel Comics covers, Invisible Girl, Wasp, and Marvel Girl were shown struggling in the clutches of a villain, or watching helplessly from the background as their male teammates took care of business.

I am doomed to live. I am the redeemed, The girl who called the ocean on the heads of an invading army.

that everyone else has probably completely forgotten the incident, but I think it’s going to take quite a while for me to get over it. For some reason though, I suspect that one particular girl in our class had something to do with it all. Call it gut instinct or intuition, but I have a sneaking suspicion that somehow she was involved. Thinking back before that doomed day, life had been pretty good. My best friend, Millie and I had auditioned for the school musical and we were both selected for major roles. Being in grade seven gave us an advantage over the younger kids, that and of course the fact that we were both dancers. The best part was that we’d also been asked to choreograph sections of the performance and this was a huge honor. Miss Sheldon, the performing arts teacher who was in charge of the production, had given us the responsibility of coming up with some routines and teaching the other kids the dance moves they needed to learn. We were so excited about this, especially because we’d been left in charge. Miss Sheldon is the coolest teacher ever!

Maggie and I were delighted. It was now Jett's turn to go to the dark side. "I've never seen such a bunch of doom cookies," she said, wiping down the tables. "What?" "Doom cookies. You know, people who pretend to be something they're not, like girls in my class who pretend to be bad-ass but go home and read The Little House on the Prairie in their Disney princess bedrooms." "Who were the Pie Night people pretending to be? I don't quite follow." "They're pretending to be bad-ass pie bakers," Jett trilled in a church-lady falsetto, " 'Oh, leaf lard is the best.' 'No, I swear by a mixture of Crisco and butter.' When was the last time they actually baked a pie? If they did, they wouldn't be gorging themselves here on Pie Night. They probably don't even own a rolling pin." Jett sniffed. And then she added, diplomatically, "But your pie was good.

Caitlin Ross was a pretty blonde white girl in a room full of pretty blonde white girls. She looked over the sea of heart-shaped faces and sighed. Every open call was the same, a swarm of female actors putting the lie to all of her father’s ungrammatical assurances that Caitlin was “very unique.” The audition was for an all-white musical adaptation of A Raisin in the Sun, which the producers were re-titling Caucrasian. It would undoubtedly be horrible and it didn’t pay, but Caitlin hadn’t been working lately and was getting desperate to appear in something. When she had emailed the company her headshot and résumé she had claimed that a reviewer had once described her as “like a young, white Debbie Allen,” and almost immediately she was asked to come in and read for the part of Beneatha. She

Our fascination with the gothic peaks in times of anxiety, panic, and upheaval. The Victorian gothic revival of the 1890s was stoked by scientific, technological, and social change. Industrialization and urbanization sparked feelings of alienation. Darwin's theories of evolution and the changing roles of women fanned racist, misogynistic, homophobic, and colonialist fears of 'primitivism,' moral decay, and sexual depravity. In the nineteenth century, terror-inducing imagery had shifted away from crumbling castles to crime-infested cities, and fear of villains and ghosts was supplanted by a fear of madness and degeneration. In the twentieth century, we celebrated/mourned the death of authorship, of the grand narrative, of the self, 'going-one-better in eschatological eloquence,' as Jacques Derrida put it, 'the end of history...the end of subject, the end of man, the end of the West, the end of Oedipus, the end of the earth, Apocalypse Now.' A few years into the new millennium, we were zombie hordes, stalking social media for brains. The gothic is the fucked-either-way-and-freaking-the-fuck-out school of artistic interpretation, the hysterical framework of doom. And this tension between horror as morality tale and horror as decadent spectacle is, I believe, what fueled the pandemic of tabloid stories about wayward starlets that raged throughout 2006 and 2007. Celebrity train wreck stories begin, conservatively, as cautionary tales. A young woman, unprotected or legally emancipated, has moved alone from the relatively sheltered and secluded condition of parent-managed child stardom (because who, nowadays, is more cut off from the world than a child star?) into a corrupt and dangerous world, where her beauty, fame, youth, fortune, and sexual allure are regarded with a charged, ambivalent awe. She is instantly besieged with dangers, and preyed upon by unscrupulous adults. Until they can be contained again, by marriage or paternal protection, she exists in a constant state of uncertainty and peril. The peril is created, of course, by the 'author' - the media outlets that shape the train wreck's life, again and again, into thrilling, chilling tales of suspense.

I want to tell her that it’s like flying with paper wings—that when you’re a child, it seems possible—but when you grow up it just sounds doomed for failure.

Eventually she came to believe that her condition was one that couldn't be treated medically; she was doomed to demand more decency and consideration from her fellow humans than they demanded of themselves.

Your doom awaits you.

I think the girl should be a model, she's got a killer body and goddess looks. Even with those freckles on her nose and cheekbones, I couldn't find flaws in her face and those blue eyes are incredible, seriously.

He had no idea what Albedo and Demiurge were thinking, but they’d brought some batshit crazy girl named Renner to Nazarick, claiming she was brilliant.