Porch Railing Quotes

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An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
oh antic God return to me my mother in her thirties leaned across the front porch the huge pillow of her breasts pressing against the rail summoning me in for bed. I am almost the dead woman’s age times two. I can barely recall her song the scent of her hands though her wild hair scratches my dreams at night. return to me, oh Lord of then and now, my mother’s calling, her young voice humming my name.
Lucille Clifton (Mercy (American Poets Continuum))
But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
Anne Tyler (A Spool of Blue Thread)
suit. He was reading The Wall Street Journal. The lady across the table was probably Mrs. Dare, though all I could see of her were hot pink fingernails and the cover of Condé Nast Traveler. Why she’d be reading about vacations while she was on vacation, I wasn’t sure. Rachel stood at the porch railing and sighed. She wore Bermuda shorts and her Van Gogh T-shirt. (Yeah, Rachel was trying to teach me about art, but don’t get too impressed. I only remembered the dude’s name because he cut his ear off.)
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Ronan and his friend Gansey stood on the back porch, leaning on the railing, watching the psychics giggling as they placed the flowers for the ceremony. Every so often, Ronan threw a cheese cube stolen from a snack tray at Chainsaw, whose claw marks scarred the railing. “You want one of these?” Gansey asked. He gestured with his chin to indicate it. The all of it. The wedding. “Yeah,” said Ronan. “I think so.” “Well that’s a relief,” Gansey said. “How do you figure?” “I asked Adam and he said the same thing.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
You could run, wouldn’t nobody judge you if you did. But you could also stay and fight. Sunsets on the back porch at the old home place in Camilla, William, hat brim down on the porch railing, used to look out over the family’s land and say to Darren, “The nobility is in the fight, son, in all things.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
Daddy didn’t say anything for a minute or so, and then he reached up and caught a firefly as it glowed beside him. “See this light?” he asked me when the firefly lit up his hand. “Yes’r.” “That light is bright enough to light up a little speck of the night sky so a man can see it a ways away. That’s what God expects us to do. We’re to be lights in the dark, cold days that are this world. Like fireflies in December.” “Time meandered on without Gemma’s momma and daddy, and it meandered on without Cy fuller and Walt Blevins. . . but those of us left behind viewed life more dearly, felt it more keenly. I’d learned a bit more about God and I’d seen His powerful hands at work. As I was growing, my heart was changing. And the way I figured it, there were lessons learned in those dark days that would help me for years to come.” “As I sat on the porch on that December day . . . I leaned my head against the rail and sighed deeply. The way I figured it just then, my summer may have been full of bad luck, but my life wasn’t. I figured as far as family went, I was one of the luckiest girls alive.
Jennifer Erin Valent (Fireflies in December (Calloway Summers #1))
To the little girl the house seemed a gigantic head, and she only a morsel of meat conveniently positioned in its gaping mouth. The front porch was that grinning mouth, the white porch railing its lower teeth, the ornamental wooden frieze above its upper teeth, the painted wicker chair on which she perched its green wagging tongue. Frances sat and rocked and wondered when the jaws would clamp shut.
Michael McDowell (The Levee (Blackwater, #2))
Royce started for the steps. Hadrian whirled with his hand up. “No! Just relax. Let me deal with this.” Royce hesitated, more because Hadrian was blocking the way than because he agreed. Everyone turned to look at Hadrian as he began kicking at one of the pretty lathed spindles that decorated the porch railing. He snapped one off and wrenched it free. “Hey!” Abby said. “Sorry, I’ll fix it later, but I need something blunt to hit them with.” This got the men’s attention and the one let go of Jasmine, who escaped into the house. “All I can say is you’d better do a good job,” Royce threatened. “If either of them leaves that porch, they’re mine.” “Royce, they’re not even armed.” “They have arms—but I’ll remedy that.
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
He stood with Sandor near the porch railing, and Sandor side-eyed Keefe’s wiggly dance as he added, “Or any of your other friends?” “Are you implying that I’m not good enough, Gigantor?” Keefe asked, wiggling harder and kicking his legs. “Or are you just jealous of my moves?
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
He was reading with his mouth open, and he didn’t hear me walk across the porch and sit down on the railing opposite his chair. I kicked his chair with the toe of my shoe. “Stop reading, Mac,” I said. “Put down that book. Entertain me.” He was reading Hemingway’s The Sun Also Rises.
J.D. Salinger (Three Stories)
JASON WOULD’VE DIED FIVE TIMES on the way to the front door if not for Leo. First it was the motion-activated trapdoor on the sidewalk, then the lasers on the steps, then the nerve gas dispenser on the porch railing, the pressure-sensitive poison spikes in the welcome mat, and of course the exploding doorbell.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Summer is full of smoke, and endless lawns. Quietly, whether across moss or on algae, knee over the railing of the little porch, fate comes.
André Alexis (Fifteen Dogs (Quincunx, #2))
At the end of the piece, Reverend Alban rose and approached the lectern again. He placed his fingertips together. “I didn’t know Mrs. Whitshank,” he said, “and therefore I don’t have the memories that the rest of you have. But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
Anne Tyler (A Spool of Blue Thread)
So we grew up with mythic dead To spoon upon midwestern bread And spread old gods' bright marmalade To slake in peanut-butter shade, Pretending there beneath our sky That it was Aphrodite's thigh... While by the porch-rail calm and bold His words pure wisdom, stare pure gold My grandfather, a myth indeed, Did all of Plato supersede While Grandmama in rockingchair Sewed up the raveled sleeve of care Crocheted cool snowflakes rare and bright To winter us on summer night. And uncles, gathered with their smokes Emitted wisdoms masked as jokes, And aunts as wise as Delphic maids Dispensed prothetic lemonades To boys knelt there as acolytes To Grecian porch on summer nights; Then went to bed, there to repent The evils of the innocent; The gnat-sins sizzling in their ears Said, through the nights and through the years Not Illinois nor Waukegan But blither sky and blither sun. Though mediocre all our Fates And Mayor not as bright as Yeats Yet still we knew ourselves. The sum? Byzantium. Byzantium.
Ray Bradbury (Dandelion Wine)
The packet of fading photos gives it away if you know how to look: always a rundown porch landing and stair rails behind, always a child squinting into strong sunlight and a grim-faced adult skulking in shadow. What must it have been like to grow up in that silence?
Monica Wood (When We Were the Kennedys: A Memoir from Mexico, Maine)
Last Saturday he set out to fix a screen upstairs. He went to the basement to get some nails. Downstairs he saw that the workbench was a mess, so he started organizing the workbench. Then he needed some pegboard to hang up the tools, so he jumped into the car and went to buy the pegboard. At the lumber yard he saw a sale on spray paint, so he bought a can to paint the porch railing and came home totally unaware that he hadn't gotten the pegboard, that he had never finished sorting out the work bench, and that he had started out to fix the broken screen, which we really needed fixed.
Thomas E. Brown (Attention Deficit Disorder: The Unfocused Mind in Children and Adults (Yale University Press Health & Wellness))
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities.
Emily St. John Mandel (Station Eleven)
Awakening is a bound, not weighted down with the past that inculpates the present and demands compensation from the future, a bound out of the drunkenness of remorse and resentment. Awakening is a commencement. It is a point of departure. We come alive; we become alive to the dragonfly, to the twisted grain of the porch railing. Awakening is a birth. Awakening is joyous. The innocence of awakening, the active disconnection from the past, make possible this joy. How good to be alive! How refreshing is this silence! How calm the morning is! How pungent it smells! In every joy there is an awakening.
Alphonso Lingis (Dangerous Emotions)
What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth?...The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. "That's what my experience has been,' they say, and it gets folded in with the others--one more report on what living felt like. What it was like to be alive.
Anne Tyler
You can have that life,” he told her. “It’s right there for you to take.” “I love you,” Eve quickly countered. “Loving me hurts you, doesn’t it?” Beckett asked, looking down. “No, you don’t have to tell me. I know. I can smell it. I can smell the pain coming off of you,” he said, looking at the floor. “You had love before and a future. What does loving me get you, Eve? What does it get you?” He stood, angry with himself. “I don’t need to get anything from you. It’s the way it is. There’s no changing that.” She gripped the porch railing. Beckett stepped close to Eve and tenderly tucked a lock of hair that had escaped her ponytail behind her ear. “You’re saying goodbye,” she said, her eyes full of questions. “Do you know there are other little girls out there like that one? I lived with a few of them. They would sell their souls for a mother like you.” At the word mother Eve’s chin crumpled. She tried to hold back the tears, but they wouldn’t obey. “See that? It’s what you need. You need that—a little kid calling you Mom.” Beckett put his arms around her as she shattered. The pain she kept hidden surfaced from where it had been smoldering. When he felt her knees weaken, he hugged her harder. “That’s right. It’s okay. It’s nothing to be ashamed of, baby. You want normal.” He guided her to the chair he’d vacated. “There’s a guy out there who’ll hold your hand. There’s a little girl out there. She’s waiting for you. It’ll be okay. It’ll be okay.” He knelt in front of her and rubbed her arms. She slapped at his hands, letting outrage carry her words. “I don’t want another man. I want you. I’ve killed for you. I’ve protected you. What the hell do you think you’re doing? Do you honestly think these hands that kill can hold a child?” She held her fingers in front of her face. “Yes. Absolutely. Don’t you know, gorgeous? Mothers are some of the most vicious killers out there, if their kids are threatened. You just have more practice.” He took her hands and kissed them. “I’ve lost too much. I can’t lose you. Don’t make me. Please. I’ll beg you if I have to.” She watched his lips on her palms. He shook his head and used her own words against her. “The hardest part of loving someone is not being with them when you want to be.” He stood, and she mirrored his motion,already shaking her head. “Don’t say it.” Beckett ignored her; he knew what he had to do. He had to set beautiful Eve free to find that soft, touchable woman he’d seen her become with the little girl.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
From here to happiness is a road, flat, upright, distances in between blotted out by vision, yet realized by intelligence. From here to there is a road leading down blue pajamas to feet, to bed post, to screen door, to gray slatted porch roof, rain-puddled and drenched, to decorative white railing, to a road, to a line of sand, to a gray, rain beaten sea. Not yet to leave, not yet. For this road is a way to savor, a way back to living again as living is full. Not of bridge-playing, not of eating a frappe with two other girls, not even of talking with another. Aloneness and selfness are too important to betray for company.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
What is God doing in my life? In the mornings, I wake to find that he has traced the world in silver. Every blade of grass. Each pumpkin on the porch. In the afternoons, I find him washing these fields with the mellow sunlight of autumn. He has gilded every rail in the fence and the sheet metal roof of the old red barn. He has transformed familiar trees into something otherworldly.
Christie Purifoy (Roots and Sky: A Journey Home in Four Seasons)
He walked steadily, feeling them behind him. His stride did not falter; he pretended they weren’t there. He pretended that all was well—that those hideous things knew nothing about what he had done earlier in the night. But each pumpkin he passed nearly leapt off its porch or railing or wooden chair, expanded and morphed and throbbed as if in a funhouse mirror, and joined the procession behind him. The wind picked up, suddenly and fiercely, and construction paper decorations adorning the houses that surrounded him flapped helplessly against their doors and windows. The man ducked against the cold wind, and from the pursuing army of the jack-o’-lanterns behind him. Cardboard skeletons with fastener joints and witches with shredded yarn hair and ghosts with cotton ball sheets and black crayon eyes escaped their thumbtacks and scotch tape and newspaper twine and they flashed and danced in his face. He brushed at them desperately with his hands, attempting to tear a hole through them and escape.
J. Tonzelli (The End of Summer: Thirteen Tales of Halloween)
Nature wasn’t really motherly. Mom said nature was more like a bipolar aunt who treated you kindly most of the time but, now and then, could be a real witch, conjuring killer storms and vicious animals, like big toothy mountain lions that, if given a menu, would always order tender children. He sat on the porch steps. His mother expected that he would sit in one of the chairs or on the swing, or stand at the railing. But the steps put him closer to the action, if there should be any action, and he was still living by the rules, the primary one of which was that he should not go into the yard. The
Dean Koontz (Devoted)
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
Kiersten White (Endlessly (Paranormalcy, #3))
After dinner, as we had so many times during our months and months together, Marlboro Man and I adjourned to his porch. It was dark--we’d eaten late--and despite my silent five-minute battle with the reality of my reproductive system, there was definitely something special about the night. I stood at the railing, breathing in the dewy night air and taking in all the sounds of the countryside that would one day be my home. The pumping of a distant oil well, the symphony of crickets, the occasional moo of a mama cow, the manic yipping of coyotes…the din of country life was as present and reassuring as the cacophony of car horns, traffic sounds, and sirens had been in L.A. I loved everything about it. He appeared behind me; his strong arms wrapped around my waist. Oh, it was real, all right--he was real. As I touched his forearms and ran the palms of my hands from his elbows down to his wrists, I’d never been more sure of how very real he was. Here, grasping me in his arms, was the Adonis of all the romance-novel fantasies I clearly never realized I’d been having; they’d been playing themselves out in steamy detail under the surface of my consciousness, and I never even knew I’d been missing it. I closed my eyes and rested my head back on his chest, just as his impossibly soft lips and subtle whiskers rested on my neck. Romancewise, it was perfection--the night air was still--almost imperceptible. Physically, viscerally, it was almost more than I could stand. Six babies? Sure. How ’bout seven? Is that enough? Standing there that night, I would have said eight, nine, ten. And I could have gotten started right away. But getting started would have to wait. There’d be plenty of time for that. For that night, that dark, perfect night, we simply stayed on the porch and locked ourselves in kiss after beautiful, steamy kiss. And before too long, it was impossible to tell where his arms ended and where my body began.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The move for the pitcher of Bloody Marys on the porch railing is pure instinct, reflex. Tomatoes are packed with vitamins. Next, I’ll duck into the loo. Deb always hides a box of Munchkins in the bathroom, because she hates to eat in front of boys.
Elissa Schappell (Blueprints for Building Better Girls)
Tas pulled himself up over the porch railing with the skill of a burglar. The kender slipped over to the door and peered up and down the bridge-walk. Seeing no one on it, he motioned to the others. Then he studied the lock and smiled to himself in satisfaction. The kender slid something out of one of his pouches. Within seconds, the door of Tika’s house swung open. “Come in,” he said, playing host.
Margaret Weis (Dragons of Autumn Twilight (Dragonlance: Chronicles, #1))
Meridith stepped down from the chair and scooted it a few feet. “Let me.” Jake took the string and looped it over the hooks one at a time. It took him two minutes to finish the porch. “Show-off,” she said. “Being tall has its benefits.” And being strong. Words of gratitude formed in her mind, but it took a moment to order them. “I never thanked you last night.” He scratched behind Piper’s ears. “No need.” He plugged the lights in the wall outlet, and they glowed dimly. “Hopefully there’s a wall switch inside.” “I mean it, Jake. I don’t know what I would’ve done.” Heat worked into her cheeks. She pulled a cornflower blue pail from the box and set it on one of the tables. “Your arms . . .” She looked down, noticing the bruises. Brownish-gray blotches, Sean’s fingerprints on her skin. She rubbed the spots, wishing she could wipe them away. Seeing them there, she could almost feel Sean’s grip on her, feel the helplessness welling up. “I should’ve beat the kid to a pulp.” Jake’s fists clenched. “He’s long gone. That’s all that matters.” “He should’ve been arrested.” “I don’t think he meant to—to attack me that way. We stumbled, and he fell on me.” “You’re wearing evidence that says otherwise.” He had a point. And the night before, sand grinding into her back, she’d been convinced she was in danger. “Don’t like the idea of you and the kids here alone.” “Aren’t you the one who thought the partitions were silly?” “Never said that.” “Didn’t have to.” She gave a wry smile. She was pretty good at reading people. Like just now, he was thinking she was right. “Maybe I did.” He leaned a shoulder on the shingled wall, looking every bit as cocky as he had that first day he’d turned up on her doorstep. It didn’t bother her just this minute. “I know I said I was done with the repairs, but what would you think of finishing the ones that aren’t too costly?” His gaze intensified. “Really?” Meridith collected a basket and began filling it with shells. “You mentioned the fireplace. I’d like to get it working again. We have tree branches hitting the house, a couple trees that a stiff wind would blow over—if you do that kind of work. Not to mention the other things on the list.” Jake walked to the railing, staring out to sea. When Piper joined him, Jake ruffled her fur. Maybe he didn’t want to stay now. Maybe having the kids underfoot all week had been a pain. Maybe he’d been offended at the way she’d confronted him about being alone with Noelle—a notion that now seemed ludicrous in light of the way he’d come to her rescue. “I mean, if you can’t, that’s all right. You probably have other work lined up.” It was only a couple months. They’d be safe that long, right? She saw Sean’s hardened face, heard the bitter slur of his words, and shuddered. “I’ll stay.” “Are you sure?” Her words rushed out. “Glad to.” She smiled. “All right then.” He straightened, winked, and she felt it down to her bones. “Back
Denise Hunter (Driftwood Lane (Nantucket, #4))
I step out onto the porch, and quickly realize that I’ve missed some important developments while my nanos were cooking. Terry is there, leaning against the railing and looking like she just lost a fistfight with a polar bear. There’s a man there as well, on his knees in front of Charity. He looks to be worse off than Terry, if that’s possible, to the point that it takes me a long moment to recognize him as Dimitri—which is weird, because while I’ve only met him once before, he was actively killing someone at the time, which I consider to be pretty memorable.
Edward Ashton (Three Days in April)
Wyatt?” she whispered. He swallowed hard at the softness in her eyes, and at what it made him want to do. “Yes, McKenna?” She chewed the corner of her mouth. “Would you . . .” He dipped his head to capture her gaze again. “Yes?” “Would you mind just . . . sitting here for a while and . . . holding my hand?” Her simple request, and the ache in her voice, stirred emotions in him he hadn’t experienced in a long time. He scooted closer and closer, until their bodies touched. Then he took her hand in his and wove their fingers together. After several moments, he felt her shoulders begin to shake. He kissed the crown of her head, breathing in the flowery scent of her hair, and—though he knew it was impossible—he wanted to block out everything in her life that had ever hurt her, or ever would. She leaned into him, her head touching his shoulder, and he closed his eyes. “McKenna?” She sniffed. “Yes?” “I think I can do better than this, if you’ll let me.” Nothing for a moment, and he wondered if he’d overstepped his bounds. Then she nodded. Holding her hand tighter, he slipped his other arm around her and drew her against him. She came without reservation and fit perfectly against him. She hadn’t told him what was bothering her like he’d hoped she would. He wanted to know who the enemy was, so he could go to battle for her. That’s what he did. He pursued and he fought. But somehow, in the quiet of this moment, in the hush of her tears, he realized that this had cost her more than if she’d shared her burden with him tonight. Satisfied with that knowledge, at least for now, he settled against the porch railing, closed his eyes, and asked God to fight mightily for the woman in his arms.
Tamera Alexander (The Inheritance)
Caleb stood on the Tibbet porch, gazing after Lily through the thin veil of rain sliding down from the porch roof. He’d been employing the tactics the colonel had recommended, and he’d liked the results—until he’d noticed Lily leaving the house with Corporal Pierce. When he’d seen her take that green kid’s arm and look up at him as though he’d just cured all the ills of humanity in a single sentence, Caleb had wanted to vault over the porch railing and run after them, shouting protests like a fool. He ached, knowing Lily wouldn’t have made such a familiar gesture with him, even after all they’d been to each other. Saddened,
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I’ll never forget this night,” he said quietly. Lily held the cup in both hands and took an unladylike gulp before remembering her manners. She dropped one hand and sipped. “Neither will I,” she confessed when her thirst had been satisfied. A certain sadness possessed her. “I wish it never had to end.” Caleb tilted his head back to look at the starry sky for a moment before meeting her gaze directly. “It doesn’t have to end, Lily. We could be together.” She nearly dropped the small glass cup. Lily knew what he meant, and, for her, the magical mood of the evening had been spoiled. “We hardly know each other,” she said in a chilly voice. He moved a step nearer—they were almost as close as they had been when they were dancing—and took the cup from her hand. After setting it on the porch railing he curved a finger under Lily’s chin and lifted. “As naive as you are, Lily-flower,” he said gruffly, “you must know that something is happening between us.” She trembled at his touch. “Yes,” she admitted as his mouth drew nearer to her own. The kiss was inevitable, and it was powerful. It left Lily sagging against Caleb’s chest, her hands gripping the front of his uniform coat. “Come with me,” he said quietly, and Lily could no more have defied him than she could have reached out and snatched a star from the sky. He
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
It’s wonderful to see you falling in love at last, Caleb. I was beginning to think I’d never dance at your wedding.” Caleb went to the porch swing and sat down beside her, taking her hand in his and giving her knuckles a brief kiss. He didn’t know if he was in love, but he wasn’t about to spoil Gertrude’s delight. “If I can’t have you,” he teased, “I’ll have to settle.” “She’ll still be giving you trouble when you’re ninety, you know. Lily’s exactly what you need, Caleb. She’ll try your patience many a time, but she’ll also bring out the best that’s in you. And she’ll give you fine, handsome children.” Caleb allowed himself to imagine Lily bearing him a child and felt his groin tighten. “Are you suggesting that I court her?” he asked in a light voice, to cover the sweet despair he felt. “I know what John told you,” Gertrude answered, “and to a great degree I think he’s right. Lily’s the kind of person that’s got to be challenged; she doesn’t believe that anything worthwhile comes easily.” Caleb got up and walked to the porch railing again, bracing his hands on the whitewashed wood, searching the distance for Lily, but there was no sign of her. “I think she may drive me crazy before too long,” he said. Gertrude laughed, and the swing hinges creaked. She came and patted him gently on the back. “That’s a sure sign she’s the right one,” she said.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I love you,” Val began, wondering where in the nine circles of hell that had come from. He sat forward, elbows on his knees, and scrubbed a hand over his face. “I’m sorry; that came out… wrong. Still…” He glanced at her over his shoulder. “It’s the truth.” Ellen’s fingers settled on his nape, massaging in the small, soothing circles Val had come to expect when her hands were on him. “If you love me,” she said after a long, fraught silence, “you’ll tell me the truth.” Val tried to see that response as positive—she hadn’t stomped off, railed at him, or tossed his words back in his face. Yet. But neither had she reciprocated. “My name is Valentine Windham,” he said slowly, “but you’ve asked about my family, and in that regard—and that regard only—I have not been entirely forthcoming.” “Come forth now,” she commanded softly, her hand going still. “My father is the Duke of Moreland. That’s all. I’m a commoner, my title only a courtesy, and I’m not even technically the spare anymore, a situation that should improve further, because my brother Gayle is deeply enamored of his wife.” “Improve?” Ellen’s voice was soft, preoccupied. “I don’t want the title, Ellen.” Val sat up, needing to see her eyes. “I don’t ever want it, not for me, not for my son or grandson. I make pianos, and it’s a good income. I can provide well for you, if you’ll let me.” “As your mistress?” “Bloody, blazing… no!” Val rose and paced across the porch, turning to face her when he could go no farther. “As my wife, as my beloved, dearest wife.” A few heartbeats of silence went by, and with each one, Val felt the ringing of a death knell over his hopes. “I would be your mistress. I care for you, too, but I cannot be your wife.” Val frowned at that. It wasn’t what he’d been expecting. A conditional rejection, that’s what it was. She’d give him time, he supposed, to get over his feelings and move along with his life. “Why not marry me?” he asked, crossing his arms over his chest. She crossed her arms too. “What else haven’t you told me?” “Fair enough.” Val came back to sit beside her and searched his mind. “I play the piano. I don’t just mess about with it for polite entertainment. Playing the piano used to be who I was.” “You were a musician?” Val snorted. “I was a coward, but yes, I was a musician, a virtuoso of the keyboard. Then my hand”—he held up his perfectly unremarkable left hand—“rebelled against all the wear and tear, or came a cropper somehow. I could not play anymore, not without either damaging it beyond all repair or risking a laudanum addiction, maybe both.” “So you came out here?” Ellen guessed. “You took on the monumental task of setting to rights what I had put wrong on this estate and thought that would be… what?” “A way to feel useful or maybe just a way to get tired enough each day that I didn’t miss the music so much, and then…” “Then?” She took his hand in hers, but Val wasn’t reassured. His mistress, indeed. “Then I became enamored of my neighbor. She beguiled me—she’s lovely and dear and patient. She’s a virtuoso of the flower garden. She cared about my hand and about me without once hearing me play the piano, and this intrigued me.” “You intrigued me,” Ellen admitted, pressing the back of his hand to her cheek. “You still do.” “My Ellen loves to make beauty, as do I.” Val turned and used his free hand to trace the line of Ellen’s jaw. “She is as independent as I am and values her privacy, as I do.” “You are merely lonely, Val.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Were the Comanches still out there, hidden from sight but watching? Was that lance a message from Hunter to his people? I will come to you like the wind. I am your destiny. She visualized the Indian returning with a dirty blanket or two, a scrawny horse he no longer wanted, perhaps a battered pot. And Uncle Henry, coward that he was, would waste no time in handing her over. Loretta Simpson, bought by a Comanche. No, not by just any Comanche, but Hunter himself. It would be whispered in horror all along the Brazos and Navasota rivers. Hunter’s woman. She’d never be able to hold her head up again. No decent man would even look at her. If she lived… With a whining intake of air, Loretta lunged to her feet and ran to the door. Before anyone could stop her, she was across the porch and down the steps. She’d show that heathen. If this was a message that she belonged to him, she’d destroy it. Grabbing the lance, she worked it free from the earth. “Loretta, you fool girl!” Tom came after her, catching her arm to whirl her around. “All you’ll do is rile him.” Jerking free, she headed for the front gate. Rile him or not, if she didn’t refute the Comanche’s claim, it would be the same as agreeing to it. Maybe he would come back for her, but if he was out there watching, at least he’d know he wasn’t welcome. She walked beyond the yard fence, then turned and swung the lance against the top rail. The resilient shaft bounced back at her. She swung again. And again. The lance seemed to take life, resisting her, mocking her. She envisioned the Comanche’s arrogant face and bludgeoned it, venting her hatred. For Ma, for Papa. She’d never belong to a filthy redskin, never. Sweat began to run down her face, burning her eyes, salty on her lips, but still she swung the lance. It had to break. He might be out there watching. If his weapon defeated her, it would be the same as if he had. Her shoulders began to ache. Each lift of her arms became an effort. Beyond the realm of her immediate focus, she saw her family standing around her in shocked horror, staring as if she had lost her mind. Perhaps she had. Loretta fell to her knees, gazing at the intact lance. Willow, green willow. No wonder the dad-blamed thing wouldn’t break. Furious, she snatched the feathers off of it and ripped them into shreds, sputtering when the bits of down flew back in her face. Then she knelt there, heaving for air, so exhausted all the fight in her was drained away. He had won.
Catherine Anderson (Comanche Moon (Comanche, #1))
Deal.” I reached down and put my empty cup on the porch railing. “Speaking of deals, do you know about the one your father had with the Cheyenne Conservancy?” “Yeah, I know about it. I think he was just feeling guilty about making it off the Rez and being a success. He carried big medicine for the tribe and, as I said, was getting more and more traditional as he got older. He was getting so stiff, he probably would’ve ended up standing in front of a cigar store.” He glanced around, his eyes lingering on the clouds building up on the mountains as if trying to push them east.
Craig Johnson (Dry Bones (Walt Longmire, #11))
Anders disentangled himself from Valerie’s clinging arms and took a step back. He paused to take several breaths, attempting to give his brain a chance to recover before turning toward Lucian. Once he faced the man, he simply asked, “What did you say?” “I said I’d rather my wife not look out our French doors and see your bare ass if you don’t mind,” Lucian said succinctly. Anders glanced down at himself, relieved to see that, as he’d thought, he hadn’t yet achieved undoing and dropping his drawers. Trying for dignity he straightened his shoulders and said, “I assure you my self-control would have kicked in before things went that far.” “Yeah right,” Lucian snorted. “One more minute and you would have been bare-assed and giving Valerie a good seeing to right there on the porch rail.” Grimacing, he added, “For future reference, I don’t recommend it. Leigh got some nasty slivers off that rail some months ago. It’s too rough for such endeavors.” Anders glanced over his shoulder to Valerie with concern at this news. The shorts she was wearing weren’t especially long and he had no doubt her upper legs at least had been ground into the wood as he’d dry humped her. “Are you all right?” Blushing brightly, she nodded. “I think so.” “I’ll check later.” Anders had meant that to be reassuring, but Valerie’s blush went from a becoming rosy color to the red of a tomato and her wide eyes shot to Lucian with embarrassment. “And that is precisely why we need help at the moment,” Lucian said dryly to Valerie, obviously having read enough of their minds to know that was what Anders had been trying to show her. He clarified, however, by adding, “I’ve lost most of my best Enforcers to life mate brain . . . which means more often than not, they’re as brainless as cats in heat. Even I suffer from it on occasion. We’ll need help for the next year or so until the worst of it passes.” “Oh,” Valerie breathed.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Rays of evening sunshine glinted across the wood rails of the porch, hints of a thunderstorm flickering along the fog over the ridges. A sudden wind whipped through the trees, sending dried leaves to the ground. The sky was at war, Mother Nature caught between the chill of the dead and the wicked heat of the devil as he lingered in the foothills
Rita Herron (The Burning Girls (Detective Ellie Reeves #3))
Riley scooched through a hole he knew about in the fence and carefully headed toward Mr. Jenkins’s elevated back porch. It was made of concrete and free of snow, shielded by an angled aluminum awning overhead. As he moved closer, Riley could see the tops of a pair of tan boots peeking out of a wooden crate pushed into a corner where the porch’s railings met the house’s brick wall.
Chris Grabenstein (Super Puzzletastic Mysteries: Short Stories for Young Sleuths from Mystery Writers of America)
Not until after supper were the Hardys able to drive out to the Batter estate. The high, gabled mansion loomed starkly against the sky, silvered by moonlight. A broken porch rail and dark, blank windows gave it a sinister look. “Spooky-looking layout,” Joe muttered. “It’s a cinch no one’s taking care of the place.
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
In her most wholesome form, Breathed was a wife and mother who made sure to hang her flag banners on her porch rails every Fourth of July. At her darkest, she was the place you could bleed to death in without a single open wound
Tiffany McDaniel, Betty
She hopped back into the fed van with the rest of the agents. As they pulled away, I looked up to see Mary Catherine standing at the top of the stairs by the iron railing of the porch.
James Patterson (Gone (Michael Bennett #6))
Sylvia leans against the railing of her porch, keeping a lookout for the little girl. She can hear Jamie’s anger echo in the night. The shrillness of his tires on the hot summer pavement, the sting of his words. She sighs, knowing that like a flood this was inevitable and that it would happen again and again and all that would remain would be bruises and teeth and a half drunk beers where there shouldn’t be. This is always how it is with Jamie—a hurricane, a flood, a natural disaster. A mess, but never a mess as cruel as tonight. She has to cut him out. She can climb on her own.
Erin Emily Ann Vance (Advice for Taxidermists and Amateur Beekeepers)
Huge containers of red and pink geraniums were placed on each step and window boxes full of pink and lavender flowers lined the porch railings.
J.A. Whiting (Sweet Deceit (Sweet Cove Mystery #4))
Phillip's head hurt from thinking. All he wanted was to make a safe home for his wife, to have the kind of life he had known as a boy in which to raise their children. Slowly he dismounted, tossing the reins over the porch rail as he stepped up onto the small square doorstep.
J.R. Biery (From Darkness to Glory (Western Wives, #2))
The hunters exchanged looks, then slowly stood. They began to move away from the table, having left no money to pay for their drinks, which was a sure clue trouble was coming. The one in the group closest to Mike whirled suddenly, landing a blow right to Mike’s face. It sent him skittering backward, his hand to his lip, ending up against the bar. He said, “Oh, you’re going to hate yourself.” He wound up and hit back, left-handed, sending his assailant flying into his boys, knocking two of them off balance. It started. Preacher and Jack were around the bar before Mike even delivered his first blow. Preacher knocked two heads together, Jack landed a blow to one gut, another jaw. Mike grabbed up his attacker, decked him again and then sent him into another guy, downing them both. Someone came at Jack with a ready fist, which Jack caught easily, twisted his assailant’s arm around his back and shoved him into his boys. In less than two minutes, six partially inebriated young hunters were on the bar floor, spread over some broken glasses and amidst toppled chairs and two tables. All of them were moaning. Besides that first blow to Mike’s face, they hadn’t even managed contact. The heartiest of the bunch got back on his feet and Preacher grabbed him by the front of his jacket, lifted him off the floor and said, “You really wanna be this stupid?” He instantly put up his hands and Preacher dropped him. “Okay, okay, we’re out of here,” he said. “It’s too late for that, guys,” Mike said. He yelled, “Paige!” She stuck her head into the bar. “Rope!” “Aw, come on, man,” someone said. “Just get ’em the hell out of here,” Jack said, disgusted. “Can’t,” Mike returned. Then to the hunters, “Hell, I tried to warn you. You don’t want to mess with the women. You don’t want to fight. Not around here. Jesus,” he said in disgust. “Shit for brains.” Mike explained to Jack that not only were these boys too drunk to drive down the mountain, they might get down the road and claim they’d been jumped. Since they had all the bruises and the home team had only sore knuckles, it just wouldn’t be smart to take that kind of chance. Better to let the police handle things now. Fifteen minutes later each one of them was tied to a porch rail out front, and a half hour after that three sheriff’s deputies were standing around the front of the bar, assessing the damage. “Merciful God,” Deputy Henry Depardeau said. “Every time I turn around, somebody’s getting beat up or shot around here!” “Yeah,
Robyn Carr (Whispering Rock (Virgin River, #3))
She was always fearful the profusion of flowers decorating her front porch might irritate her neighbors and draw unwanted attention. Bright, fragrant petunias cascaded down like waterfalls from huge hanging baskets attached to the porch railing. Massive planters held ferns the size of ceiling fan blades; the ferns stood sentry over mounds of multicolored impatiens in such abundance they resembled the vibrant blur of a Monet landscape.
Leslie Hanshew (Male Order)
I'm not a very good [father], I'm afraid," Martin said. "Ach." Marianne waved this away. "I'm sure you are." Sitting here on this weather-beaten porch, with its brittle railings and the dull pounding of the sea below, he felt a gray bloom of failure. This was why he had come to see [her]. She was the gardener of this ugly flower. She knew just how to turn his face to the sun.
Jessica Shattuck (The Women in the Castle)