Porch Inspiration Quotes

The further I wake into this life, the more I realize that God is everywhere and the extraordinary is waiting quietly beneath the skin of all that is ordinary. Light is in both the broken bottle and the diamond, and music is in both the flowing violin and the water dripping from the drainage pipe. Yes, God is under the porch as well as on top of the mountain, and joy is in both the front row and the bleachers, if we are willing to be where we are.

Sometimes the hardest one to see . . .is the one standing right before you.

Summer was on the way; Jem and I awaited it with impatience. Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the tree house; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill.

Like go for a walk, say a little prayer Take a deep breath of mountain air Put on my glove and play some catch It's time that I make time for that Wade the shore and cast a line Look up a long lost friend of mine Sit on the porch and give my girl a kiss Start livin', that's the next thing on my list.

And so many things get lost. Not just a set of keys or a photograph of your father with his first truck, but the door those keys once opened, the childhood house you long ago walked into, the father who used to carry you on his shoulders high above the crowds at the summer fair, his body now ashes and shards of bone. You hold these things in place on a page, you walk through that door, touch his face and smell the cigarette smoke on his breath and in his shirt, you make things breathe again in words. You feel the lightness of a ghostly touch across your skin. In that small house on the corner, the porch light suddenly comes on.

The evenings grew longer; kitchen windows stayed open after dinner and peepers could be heard in the marsh. Isabelle, stepping out to sweep her porch steps, felt absolutely certain that some wonderful change was arriving in her life. The strength of this belief was puzzling; what she was feeling, she decided, was really the presence of God.

Boo and I walked up the steps to the porch. His fingers found the doorknob. He gently released my hand, opened the door, enter inside, and shut the door behind him. I never saw him again.

Replacing the girl reading the book on the porch was this beautiful, closed-off, honest, waiting-to-be-cracked open woman who challenged his contentment simply by living her life. He didn’t want to be challenged. He was just fine with the status quo. Why did she have to go around inspiring him? It was not what he’d signed up for.

Guard your heart. For everything you do flows from it." Solomon Thomas, in my novel Solomon's Porch

from HOUSEKEEPING, by Marilynne Robinson: There is remembrance, and communion, altogether human and unhallowed. For families will not be broken. Curse and expel them, send their children wandering, drown them in floods and fires, and old women will make songs out of all these sorrows and sit in the porches and sing them on mild evenings. Every sorrow suggests a thousand songs, and every song recalls a thousand sorrows, and so they are infinite in number and all the same.

I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.

So I took to the road with an accomplice and set off to the golden South, the new land of opportunity, North Carolina. Here, with the help of a partner I had only just met (and on the back porch of a rural farmhouse, to boot!), I was going to simultaneously live my version of the great American dream and enrich the lives of the residents of Raleigh, North Carolina.

Last weekend, grandad and I sat on the porch in silence at sunset. We admired the grapes hanging on the vines. Time passed and it did not matter. That moment was precious, that moment was to be cherished. That moment was a healer. That moment was rich, comfortable and words were unneeded. We had each other sitting side by side and the luxury of a moment lived in its full presence. That is all that mattered. The best things in life are really free.

Mountains & low hills would enclose us, & gardens & woods & green spaces would surround us - And each pretty house & its garden would hide itself in its very own corner - And the beloved & understanding people would stroll in & out just when they chose & read to each other under trees on lawns & tell stories on broad porches while the mountains & the clouds & the birds & the flowers would look & listen & delight & always understand what everybody meant because they would all belong. -from Frances Hodgson Burnett: The unexpected life of the author of the Secret Garden

This pandemic is world reset. We have a chance to change the world. What is has proven is no matter what your politics, no matter what your religion, no matter what your job status. We are all brother and sister in the world together. Human kindness has come out in so many ways. Can't buy a mask people make it for you. Don't have food, let me drop some off at your porch. Love is all around you. All you have to do is look! I think the world need a hippie right now and I am going to be a tad optimistic. Some advise from the original hippie. Love Thy Neighbor As Yourself. Let's have that as the new rule in this world reset.

Passing the dark, low fields just south of Harrows, Smoke saw a scarecrow that reminded him, in shape, of his mother. Inspired by it, he imagined her burning. He imagined the dresses from her closet … the curls in her blond hair … the rims of her glasses … all of it and everything blistering, bending, burning. The fire he imagined for her was blue and smelled like childhood. And childhood reminded him of the children he once knew; he imagined a girl named Merrily melted to the shape of a chair, another, Henry, sitting upon her in a classroom. He'd like to burn them all. Every face he'd ever seen. Excited now, Smoke saw the mothers of these former schoolmates rushing from their homes, desperate feet pattering on the porch boards, able to discern the smell of their own child burning above all others. Smoke would be there when they came. He'd be there with a piece of meat on a stick. Dinner over childhood's fire. Hey, Ma! This meat only gets better the longer it cooks! Moved, Smoke imagined more. Men in suits bursting into flame upon exiting church. Families sitting down to eat burnt food, blackened bread, ashen meals upon scalding-hot plates. Come on, Billy! Eat your fire! EAT YOUR FIRE!

Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my mind. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' comming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms", not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember abouut the fifth time I ever went on `Wise Child'. I subbbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I sais they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio goin full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

I have a binging imagination and thus a mental hoarding problem. What I need to do is host an estate sale in my heavy head and invite those suffering from creative block in through the porches of my ears to browse through the crowded unorganized trove of curious coinages, precious epiphanies and junky minutiae and take away inspiration while uncluttering my poor mind.

Mick reached backwards without breaking eye contact and ran his hand across the door behind him, “See this?” he said. “This is my door. And no-one is touching my door today.” He shook his head slowly as if the issue wasn’t even up for debate. Surle said nothing, just stared. Mick swung his sword lazily, pointing towards the floor between himself and the infamous Marshal, “See this floor here? This floor is my porch,” he said. “And no-one is welcome on my porch today, especially you.” Still nothing from Surle, just silence. “So why don’t you just sod off like a good little lackey?

That’s why the first twenty years we eat, sleep and enjoy ourselves; the next forty, we slave in the sun to support our family; the next ten, we do monkey tricks entertaining the grandchildren; and, for the last ten, we sit on the front porch and bark at everyone who passes.

In other words, he tells us that we can remain calm in our minds and loving in our hearts if we forgive one another our faults—in advance! If I may call to mind Dr. Ellis’s ABC scheme from chapter 6, inspired by the Stoics after all, the emperor would have us plant rational beliefs in our mind ahead of time, ready to spring forth to counter life’s little unfortunate events that are simply bound to happen.

One thing was certain. Lucas Wade was easy on the eye. Vivian watched as his shirtless torso disappeared inside his front door. “I don’t have any interest in him,” she said, looking down at the orange tabby that had followed her through the house and onto her front porch. “We are friends, and neighbors, and well, I’m not hurting anything by looking.

I grew up close to Bethlehem and the only branch where I could attend church was the BYU Jerusalem Center. Palestinians living in the West Bank are not allowed into Jerusalem, so for years, I had to sneak into Jerusalem, getting shot at sometimes and risking being arrested so I could attend church services. The trip would take three hours and would involve me climbing hills and walls and hiding from soldiers. I felt that each Sabbath I was given the strength and protection I needed to get to church. I remember one Sabbath in particular. I was asked to give a talk in sacrament meeting that week. However, the day before, we had curfew imposed on us by the Israeli soldiers. Curfew in Bethlehem is not something you want to break. It is an all-day long curfew and lasts for weeks sometimes. You are not allowed to leave your house for any reason. Anyone who leaves their house risks getting shot. For some reason, I felt that Heavenly Father wanted me to give that talk, but I wondered how He expected me to get to church! I mean, even if I were to manage to leave my house without getting shot, I did not have a car then. How would I find public transportation to get to Jerusalem? There was no one on the roads except soldiers. I decided to do all that I could. I knelt down and basically told Heavenly Father that all I can do is walk outside. That was the extent of what I could do. He had to do the rest. I did just that. I got dressed in my Sunday clothes, got out of our house and down the few steps out of our porch, and walked on to the road. Amazingly enough, there was a taxi right in front of my house! Now, we live on a small street. We never see taxis pass by our street, even during normal days. I approached the taxi driver and asked him where he was going. Guess where was he going? To Jerusalem, of course. Right where I wanted to go! He had others with him in the taxi, but he had room for one more person. The taxi driver knew exactly which roads had soldiers on them and avoided those roads. Then we eventually got to where there was only one road leading out of town, and that road had soldiers on it. The taxi driver decided to go off the road to avoid the soldiers. He went into a hay field. We drove in hay fields for about half an hour. It was very bumpy, dusty, and rocky. Finally, we found a dirt road. I was so thrilled to not be in a field! However, a few short minutes later, we saw a pile of rocks blocking that dirt road. I thought we would have to turn around and go back. Luckily, the taxi driver had more hope and courage than I did. He went off the dirt road and into an olive tree field. He maneuvered around the olive trees until he got us to the other side of the pile of rocks. I made it to church that day. As I entered the Jerusalem Center I reflected on my journey and thought, “That was impossible!” There was no way I could have made it to church by my efforts alone. The effort I made, just walking outside, was so small compared to the miracle the Lord provided. Brothers and sisters, we give up too easily, especially when something seems impossible or hard. In last week’s devotional, Brother Doug Thompson said that in order to complete our journey, we must avoid the urge to quit. We do this by seeking spiritual nutrients and seeking a celestial life. [5] If we continue trying, we will reach our goal. In your classes, make sure do your best! In your job, do your best! In your callings, in your home and in everything you do, do the best you can. The Lord will sanctify your efforts and make them enough if you approach Him in faith and ask for His power from on high.

Conversation with a Butterfly: You see one day I was sitting on the porch all to myself, Contemplating on what to do, I had no money, no wealth, That's when I saw a butterfly come down from the sky, With wings so beautiful, so pleasant to the eye, I wanted to touch them, but I thought twice, I knew my fingerprint alone could create just a slight, Unevenness in her weight, which would surely affect her flight, I told the butterfly that she was lovely and brought me some cheer, But it would soon leave when she disappeared, You see I wish I could soar, and have wings such as yours, I wish I could be as wealthy as she is beautiful and so much more, The butterfly just looked with a tear in her eye, I wasn't always this beautiful and I am at the end of my life, This is just the reward of a long struggle, I never gave up and now I am humble, I never complained about where God placed me, You see he gave me struggles and doors placed just for me, I knew that I couldn't have what others had so I focused on my own, I never gave up and now others envy me alone, Not knowing what I had to go through for the finished product, I just hung true to my faith and that for me was enough, So don't get stuck in my life because you don't know it, Work your process and the end result will show it, That you and I are the same, See you are a butterfly, just by a different name,

A simple action is all that is needed to show God’s love to a neighbor.” ~from Simple Actions by Wanda Brunstetter

We followed him to a covered veranda. In America, we would call that a lemonade porch, however, in South Africa, they call it a stoep. A meeting place located outside the front of the home where friends and family can gather, and one can watch the rising or the setting of the sun in the cozy spot simply called a stoep. The stoep projected a natural ambience of peace and harmony, as a light breeze filled the space with its woodsy fragrance of pine and other natural fragrances inspired by the area’s shrubbery. It almost felt like it was hypnotizing one into a deeper state of tranquility, a state of existence that celebrated the quiet pockets of solitude where a richer from of living is housed. It made one slouch a little more meaningfully and relax the muscles of your body a little more conscientiously, as you let go of one’s innate need to think – to think to the point of hyper focusing on the meaningless details of life, for example, the incessant need to make every moment in life count… Yet, the stoep’s lesson of deeper living is simply the gift of becoming reacquainted with the joy of just being – open yet connected to now, without a higher purpose beyond that. Sometimes, the greatest gift that we can give ourselves is just to sit in the rawness of the moment without any outcome or intention in mind – except, to breathe in the life of the area around us. That is where my afternoon’s lesson ended, knowing that a stoep is a space where quality of human connection is made with or without the presence of any audience because it’s that space that celebrates the stillness of nothing and yet everything simultaneously, or in the words of Rumi: “In order to understand the dance, one must be still. And in order to truly understand the stillness, one must dance.” In South Africa that concept is lovingly called…Die Stoep, a space of possibility.

coach-ing: facilitating people in their own commitment and enthusiasm to accomplish their objectives. Enthusiasm is the inspiration that makes you ‘wake up and live.’ It puts spring in your step, spring in your heart, a twinkle in your eyes, confidence in yourself and your fellowmen. —

I'm not a very good [father], I'm afraid," Martin said. "Ach." Marianne waved this away. "I'm sure you are." Sitting here on this weather-beaten porch, with its brittle railings and the dull pounding of the sea below, he felt a gray bloom of failure. This was why he had come to see [her]. She was the gardener of this ugly flower. She knew just how to turn his face to the sun.