Porcelain Skin Quotes

We've searched our database for all the quotes and captions related to Porcelain Skin. Here they are! All 91 of them:

My skin has turned to porcelain, to ivory, to steel.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
What do you want to show me?" "Nothing, really. I just want to be alone with you for a minute." He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage. "Seriously?" she said. "That was so lame." "I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'" She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard. She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'" She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain. "I'll just say, 'Eleanor, follow me down this rabbit hole...'" He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
Rainbow Rowell (Eleanor & Park)
The gods heard my prayer, she thought. She felt so numb and dreamy. My skin has turned to porcelain, to ivory, to steel.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
So who is she? No wait, let me guess. Skin of the finest porcelain. Hair of the softest silk. A voice like birdsong, a smile like sunshine, and a mouth that would sate your brightest and darkest wishes. "You've met her?" "Oh yes, my friend. We all know her. We've all pursued her. Some of us have even been lucky enough to have her. We've been drunk on her sin, become fools of her favor. she might have borne a different face each time, but her name was always the same. Trouble.
Alethea Kontis (Enchanted (Woodcutter Sisters, #1; Books of Arilland, #1))
Yin?” The apprentice let him go. “And what is the well-bred heir to the House of Yin doing brawling in a hallway?” “She punched me in the face!” Nezha screeched. A nasty bruise was already blossoming around his left eye, a bright splotch of purple against porcelain skin. The apprentice raised an eyebrow at Rin. “And why would you do that?” “He insulted my teacher,” she said. “Oh? Well, that’s different.” The apprentice looked amused. “Weren’t you taught not to insult teachers? That’s taboo.
R.F. Kuang (The Poppy War (The Poppy War, #1))
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
How envious I am that the sun may kiss your porcelain skin and forever change how the world sees you.
Phar West Nagle
Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she’d cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . . “I smell something sweet,” she said. She’d been gazing up at the ceiling. Now her eyes wandered down and landed on Kell. “Hello, flower boy.
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Some days you wake up changed. This was one for Starling, she could tell. What she had seen yesterday at the Potter Funeral Home had caused in her a small tectonic shift. Starling had studied psychology and criminology in a good school. In her life she had seen some of the hideously offhand ways in which the world breaks things. But she hadn’t really known, and now she knew: sometimes the family of man produces, behind a human face, a mind whose pleasure is what lay on the porcelain table at Potter, West Virginia, in the room with the cabbage roses. Starling’s first apprehension of that mind was worse than anything she could see on the autopsy scales. The knowledge would lie against her skin forever,
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Do people call you Ollie?” Lola asked. Oliver looked at her, completely dumbfounded by the possibility of this nickname. She may as well have asked him if people call him Garth, or Andrew, or Timothy. “No,” he said flatly, and the only thing charming about him was the way his accent seemed to run through every vowel with one syllable. Lola’s eyebrow twitched in her single tell—mildly annoyed—and she lifted her flashing LED drink cup to her lips. Lola wears mostly black, including her glossy dark hair, and has a tiny diamond pierced into her lip, but, even still, she’s never been able to pull off the full physical manifestation of the angry Riot Grrrl. With her perfect porcelain skin and the longest eyelashes in the world, she’s simply too delicate. But once she decides you’re an asshole, it no longer matters to her what you think. She gives good glare. “The flower suits you,” she said, tilting her head to study him. “And you have pretty hands, kind of soft. Maybe we should call you Olive.” He grunted out a dry laugh. “And a really beautiful mouth,” I added. “Gentle. Like a woman’s.” “Aw fuck off.” He was laughing outright by then.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Originally the sonnet was a site of sexual violence. Male poets were rewarded for celebrating the women they hunted. They used the sonnet form and an instrument called the ‘blazon’ to convert their prey into exquisite English artifacts. Our anthologies still include holograms of jewel-like eyes, porcelain skin, ruby lips, hair like gold, and so on.
Seo-Young Chu
Cosmetics had been used to make her skin porcelain white. A blush of pink had been dusted onto her cheeks, and her lips were reddened with salve.
Lydia Kang (Opium and Absinthe)
I want her to hate me. Need her to keep feeling that ghost of fear that’s crawling like spiders beneath that porcelain skin. I want to hurt her so fucking good.
Jescie Hall (That Sik Luv)
A while later Catch woke to the sound of the bathroom door opening. Hallie emerged wearing a white bathrobe, which hung suggestively low, revealing the slender line of her neck where it met her perfect collarbone. Her hair was damp and her skin shone ethereally in the golden glow of the lamplight, smooth, flawless, like porcelain polished to perfection. She smiled and for a moment Catch was left breathless.
Sean J. Quirk
The first cut wasn't the deepest. No, not at all. It was like all the others, a subtle rend of anxious skin, a gentle pulse of crimson, just enough to hush the demons shrieking inside my brain. But this time they wouldn't shut up. Just kept on howling, like Mama, when she was in a bad way. Worst thing was, the older I got, the more I began to see how much I resembled Mama, falling in and out of blue, then lifting up into the white. That day I actually thought about howling. So I gave myself to the knife, asked it to bite a little harder, chew a little deeper. The hot, scarlet rush felt so delicious I couldn't stop there. The blade might have reached bone, but my little brother, Bryan, barged into the bathroom, found me leaning against Grandma's new porcelain tub, turning its unstained white pink. You should have heard him scream.
Ellen Hopkins
I want to mark you, Mrs. King.” He fists my hair and lifts me so my back is flush against his chest as his dark, lust-filled words roll into my ears. “I want to hurt you, bruise you, and own you so thoroughly, you’ll be ruined for all other men. I want to feel your pain, see my welts on your porcelain skin. I want to choke your throat, bite your lips and nipples, and leave my presence across your whole body before I pound into your tight cunt so ruthlessly, you’ll beg me to stop.
Rina Kent (God of War (Legacy of Gods, #6))
But he could not call the doctors at the leprosarium. They would return him to Louisiana. They would treat him and train him and counsel him. They would put him back into life as if his illness were all that mattered, as if wisdom were only skin deep, as if grief and remorse and horror were nothing but illusions, tricks done with mirrors, irrelevant to chrome and porcelain and clean, white, stiff hospital sheets and fluorescent lights.
Stephen R. Donaldson (The Chronicles of Thomas Covenant, the Unbeliever (The Chronicles of Thomas Covenant the Unbeliever, #1-3))
Months later, in a different world, Nechuma will look back on this evening, the last Passover when they were nearly all together, and wish with every cell in her body that she could relive it. She will remember the familiar smell of the gefilte, the chink of silver on porcelain, the taste of parsley, briny and bitter on her tongue. She will long for the touch of Felicia's baby-soft skin, the weight of Jakob's hand on hers beneath the table, the wine-induced warmth in the pit of her belly that begged her to believe that everything might actually turn out all right in the end. She will remember how happy Halina had looked at the piano after their meal, how they had danced together, how they all spoke of missing Addy, assuring each other that he'd be home soon. She will replay it all, over and over again, every beautiful moment of it, and savor it, like the last perfect klapsa pears of the season.
Georgia Hunter (We Were the Lucky Ones)
Her hair, once pale, now shone red, a shock of color against her still porcelain skin, bold as blood. It skimmed her shoulders as she twirled, and bowed, a bright streak at the center of a deadly circle. Ojka danced, and the metal kept pace, the perfect partner to her fluid movements, and the entire time, she kept her eyes closed.
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
His first thought – what felt like his first thought ever, it formed so slowly in his brain – was that she looked like a doll. Just like a doll. Her eyes were large and bright and feline; her hair was chestnut, brushed to a hardwood shine, parted sharply and flowing to her thighs; her lips were cupid’s-bow-cute; her head was tilted to one side on a long, long neck. She had skin that had never seen sunlight, and wore no expression at all. He noticed her. And she noticed, and kept on noticing, him. Stanley looked down for a third and longer time. It wasn’t polite to stare. Not at girls. Or anyone. But especially not girls. Not even girls who looked like perfect porcelain dolls.
Amelia Mangan (Release)
We girls are taught from an early age that we are demonstrably inferior to our male counterparts. We are smaller, weaker, stupider. When we succeed, it’s only because men allow us to. And as Asian women, we are foreign and especially powerless, with our supposedly porcelain skin, delicate physiques, “slanted pussies,” and quiet, submissive natures.
Monika Kim (The Eyes Are the Best Part)
The Everglades was the only place on earth where alligators (broad snout, fresh water, darker skin) and crocodiles (pointy snout, salt water, toothy grin) lived side by side. It was the only home of the Everglades mink, Okeechobee gourd, and Big Cypress fox squirrel. It had carnivorous plants, amphibious birds, oysters that grew on trees, cacti that grew in water, lizards that changed colors, and fish that changed genders. It had 1,100 species of trees and plants, 350 birds, and 52 varieties of porcelain-smooth, candy-striped tree snails. It had bottlenose dolphins, marsh rabbits, ghost orchids, moray eels, bald eagles, and countless other species that didn't seem to belong on the same continent, much less in the same ecosystem.
Michael Grunwald (The Swamp: The Everglades, Florida, and the Politics of Paradise)
IV . my God, my heart clenches into a fist for fear of losing all You've bloomed in it so teach me to pray as poetry could only dream to i cannot help but see stars in the darkest night of my soul if you sing to me of heaven V . we're all just porcelain bones dipped in a prayer and there's no telling what's going to break us so i've come to hold my life lightly in my hands 'cause all these feelings of futility have so heavied my head, that the weight of all this empty could snap my neck at any moment
Morgan Nikola-Wren (Magic with Skin On)
Tell us your secret,' the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the library aide who hides in Fantasy. I am the circus freak encased in beeswax. I am the bones they want, wired on a porcelain frame. When I get close, the step back. The cameras in their eyeholes record the zit on my chin, the rain in my eyes, the blue water under my skin. They pick up every sound on their collar microphones. They want to pull me inside of them but they're afraid. I am contagious.
Laurie Halse Anderson (Wintergirls)
God is British to the bone, and every fellow here knows it. You can't exploit him to save yourself, you blaspheming cadaverous-prig; you disgusting shambles of porcelain-skin, unwholesome-fat and puny-bones. Your blatant disregard for God's word shan't earn you any favours here!
Joss Sheldon ('Involution & Evolution': A rhyming anti-war novel)
I find the room smothered in sleepy conversation. Most of the guests are only halfway out of their beds, and they reek of the prior evening, sweat and cigar smoke baked into their skin, spirits curled around every breath. They’re talking quietly and moving slowly, porcelain people riddled with cracks.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
To his mind there were four kinds of beautiful skin. The first he likened to porcelain: finely grained and flawless in sheen, but marked by a hardness and chill. The second he compared to snow: duller and more coarsely grained, with a deep whiteness and an inner warmth and softness that belied its cold surface. Next was what he called the textile look, what others called silken; this was the complexion most prized by Japanese women, yet it had no virtue in Mikamé’s eyes beyond a flat, smooth prettiness. To be supremely beautiful, he thought, a woman’s skin had to glow with the internal life-force of spring’s earliest buds unfolding naturally in the sun. But city women, too clever with makeup, lost that perishable, flowerlike beauty at a surprisingly early age—and rare indeed was the woman past twenty-five whose skin had kept the freshness of youth.
Fumiko Enchi (Masks)
You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.” “You will help?” “Didn’t I just say so? Who is that delectable creature?” “Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic. “Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.” “Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help. “You don’t need help, Alex,” he snickered. “You need a miracle.” “But-“ “Sorry. I’ve changed my mind.” “Is it the-the gossip about that old scandal that bothers you?” “In a sense.” Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!” “I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
Judith McNaught (Almost Heaven (Sequels, #3))
When he breakfasted or dined all the resources of the club—its kitchens and pantries, its buttery and dairy—aided to crowd his table with their most succulent stores; he was served by the gravest waiters, in dress coats, and shoes with swan-skin soles, who proffered the viands in special porcelain, and on the finest linen; club decanters, of a lost mould, contained his sherry, his port, and his cinnamon-spiced claret; while his beverages were refreshingly cooled with ice, brought at great cost from the American lakes. If to live in this style is to be eccentric, it must be confessed that there is something good in eccentricity.
Jules Verne (Around the World in 80 Days)
When I came up, I chanced a look at him. A mistake. The famished, wounded set of his body hinted agony. That he was dangerous seemed secondary to how alive I became. I’d been pretty all my life, but no one had ever watched me as Mark Donahue did now— as if I were a mythical creature. I hooked my elbows over the side of the tub, nipples pressed against the slick porcelain, and crooked a finger at him. "Come here." He was on his feet immediately. I stood, naked skin steaming, smelling like Johanna's gardenias, not like Wren at all. Like someone loved and desperately needed. But he kept his distance, as if I were the dangerous one.
Talia Vines (DarkWeb)
Nestled into a bed of shiny cream satin lay a heart-shaped pendant on a simple gold chain. The heart itself was created from over a dozen delicate round amethyst stones, while the center held a miniature painted on porcelain. Done in a series of fine, delicate strokes, the artist's rendering depicted a tiny garden, alive with masses of yellow and white hollyhocks. Right away, they reminded her of the flowers she'd been drawing that long-ago day in Bath. The day of her and Jack's very first kiss. Her gaze went to his, breath stilled in her chest. "Oh, Jack. It's Sydney Gardens, isn't it?" "That's right, with those stalky, puff-headed flowers." He gave her a gentle smile. "Do you like it?" "I love it." "I chose amethyst, since you said it's your favorite stone. I hope I remembered right?" "You did. It's so lovely. Thank you. I'll wear it each and every day," she promised. "Your heart tucked against my own." A peculiar shadow flickered momentarily across his eyes before he reached for the necklace. "Here, let me help you put it on." "Yes. Please," she said, relieved he'd offered. Her hands were trembling with so much emotion that she doubted she could have managed the task on her own. Turning slightly, she angled herself so he could place the chain around her neck and fasten the clasp. The slight weight of the gold and stones grew instantly warm against her skin. "There. How does it look?" she asked as she moved to face him again. "Beautiful," he said. But when she glanced up, she realized he wasn't looking at the pendant. Instead, he was looking at her.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
he herself will serve them coffee in tiny, cracked cups of precious porcelain and little sugar cakes. The hobbledehoys sit with a spilling cup in one hand and a biscuit in the other, gaping at the beautiful Countess in her satin finery as she pours from a silver pot and chatters distractedly to put them at their fatal ease. A certain desolate stillness of her eyes indicates she is inconsolable. She would like to caress their lean, brown cheeks and stroke their ragged hair. When she takes them by the hand and leads them to her bedroom, they can scarcely believe their luck. Afterwards, her governess will tidy the remains into a neat pile and wrap it in its own discarded clothes. This mortal parcel she then discreetly buries in the garden. The blood on the Countess' cheeks will be mixed with tears; her keeper probes her fingernails for her with a little silver toothpick, to get rid of the fragments of skin and bone that have lodged there.
Angela Carter (The Lady of the House of Love)
The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)
L. Wells
I freeze, my hand resting on the door knob, as the man straightens his jacket, then turns to me. For a moment, I can’t make sense of what I’m seeing. It feels like waking in the middle of the night and trying to convince yourself the shadows at the end of your bed really are just the furniture, not a restless ghost at your window. But this—this must be a ghost. I close my eyes hard, then open them again, but he’s still there. He looks like my father. Younger, and trimmer, and leaner in the face than my father ever was, but he looks like my father. He looks like me. The same coffee-dark hair, and, though his is starting to salt around the temples, it’s still thick and curls handsomely, just like mine. He’s missing his right ear, and one side of his face is webbed with faint red scars, giving his skin the look of porcelain broken and then glued back together, but I can see my father’s jawline. He’s built like my father as well—short, but sturdy. Broad shoulders—I have those too. And the same Grecian nose and veined blue eyes. My mother’s eyes.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Matthews quietly stood by the closed door, watching the patient. Her dramatic eyes darted back and forth as they stared through nothingness, lost in thought. His gaze shifted to her blazing locks, which elegantly fell upon her bare shoulders. Her skin was a pure porcelain that reminded him of his mother’s doll collection. Bridget’s petite frame and angelic complexion were stunning, and in another world, Matthews would have allowed himself to fall for her at first sight. He imagined seeing her in a bookstore with a specialty coffee in one hand and Nietzsche’s Beyond Good and Evil in another. She would push her frames up her nose with her index finger before flipping the page and sipping her latte. Matthews, free of his work uniform, would sit in a chair across from her with his copy of The Metamorphosis. The young man would steal glances at her from behind his novel as he worked up the courage to speak to her. She would smile coyly when she caught him peeking, and when they finally made eye contact, he would strike up a conversation. Then he would take her to dinner, and everything else would fall into place.
Emmie White (Captive)
Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?
Leanna Renee Hieber (The Strangely Beautiful Tale of Miss Percy Parker (Strangely Beautiful, #1))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same. Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night. Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote. Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means? Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up. I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey. Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep. Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that? Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
Victoria Aveyard (Queen Song (Red Queen, #0.1))
My parents took us to dinner but we came back early. Tomorrow was to be a day of days and we must get a good night's rest. Nothing, Emily said, was a greater aid to beauty than a long slumber; the eyes were made clear and sparkling and the skin like tinted porcelain.
Cornelia Otis Skinner (Our Hearts Were Young and Gay: An Unforgettable Comic Chronicle of Innocents Abroad in the 1920s)
I’m Scarlet,” she said. The smile never left her lips for a second. “Scarlet Monroe.” She was absolutely gorgeous. With her long blonde mane of hair, almost pure-white porcelain skin, those ruby red lips and the queenly arched eyebrows, it was impossible not to notice how beautiful she was. But her being beautiful didn’t strike me right off the bat. It wasn’t the first thing I noticed about her. What that first thing was, it’s impossible for me to say. Any skull has a human face, but that’s not the first thing anyone notices about a skeleton—that it was human once, and so still is.
Lauren Sapala (West Is San Francisco)
I walked away from this combination with the pale porcelain skin of an Irish woman, a mental state that self-medicated with food, and the thighs of Hulk Hogan. I was fat because it was really easy for me to be fat. Being
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
I shouldn’t have suggested it. I’m making a nuisance of myself again—” He stopped her with a touch to her hand. He was being presumptuous again. But he had to make sure she understood, that in spite of everything that had happened, he didn’t blame her in any way. He laced his fingers through hers and drew her back. He took courage when she didn’t resist. With his other hand he tenderly lifted her chin to gaze into her eyes. “You have never, and could never, be a nuisance to me.” What had happened to her to make her think so little of herself? He caressed the smooth porcelain of her cheek. “Every second of every minute I’ve spent with you over the past weeks has brought me immense pleasure.” “I’ve brought you trouble.” He rubbed his thumb across the delicate arch of her cheekbone, relishing the silkiness of her skin. “God has used you to help me grow. And I thank Him for that. I wish we didn’t have to part ways.” “Then will you think about opening a new chapel and helping me to run the workshop?” He hesitated once more, which only caused her to break free and retreat to the door. “Wait, Christine. Could you give me a few days to pray about it?” She halted. “Perhaps I just need to have more faith that God will provide for my needs. After all, other missionaries have stepped out in faith, those with much less than me.
Jody Hedlund (An Awakened Heart (Orphan Train, #0.5))
Like last week, she was wearing all black. And like last week, he couldn’t keep from noticing the way the dark color highlighted her pale skin and grayish-blue eyes. She was petite and put together in every detail from her severe coif to her immaculate garments. Though she wasn’t remarkable in her appearance, there was something in her delicate porcelain face that he liked. Perhaps her determination? Or compassion? Or honesty? Truthfully, he hadn’t noticed her at all before last Sunday, but now he was chagrined to admit he’d thought about her all week. He’d told himself that his thoughts had only to do with the way God had spoken through her to answer his prayer. He’d been battling such doubts recently regarding his ministry among the immigrants, and when she’d spoken to him after the service, it was almost as if she’d been delivering a message directly from God. He loved when God worked that way. Regardless, his mind had wandered too many times from the answered prayer to the bearer of the answer. He hadn’t met a woman in years who had arrested him quite the way Miss Pendleton had. And he was quite taken aback by his strange reaction. After Bettina had passed away ten years ago, he’d had little desire to think about courting other women. At first he’d been too filled with grief and had focused all his energy on raising Thomas. When Thomas had left home to pursue his studies at Union Theological Seminary, Guy had taken the challenge given by the New York Methodist Episcopal Conference. He’d accepted their position as an itinerant pastor to start a mission and chapel among the lions’ den. He’d left his comfortable pastoral position and embraced God’s calling to raise the outcast and homeless, to be among those who had no friend or helper, and do something for them of what Christ had done for him. He’d focused all his time and attention on reaching the lost. Nothing and no one had shaken that attention. Until last week.
Jody Hedlund (An Awakened Heart (Orphan Train, #0.5))
Well, perhaps I will go to my parents' house and see Margaret. I need to start shopping for a gown for our ball- I have many nice gowns, of course, but nothing anybody hasn't seen before, and I want to do you justice." She met his gaze then, and he took in the lovely, warm brown depths of her eyes, her full, intensely kissable mouth, that porcelain skin, and her figure, which he'd seen enough to know was spectacular. And seen enough to wish he could see all of it, preferably underneath his body. "You would do me justice wearing a sack, princess," he said, hearing his voice get just a bit husky.
Megan Frampton (Put Up Your Duke (Dukes Behaving Badly, #2))
He’s lying. He must be. But I just can’t open my mouth to speak again, to challenge him further. His porcelain face compels you to stare. His skin stretches young and flawless over a masculine bone structure, his lips blood red and carnal. The more I look at him, the less I’m able to look away, and his feline smile tells me he’s used to that. The guy’s a born seducer, a magnificent beast that breaks hearts for the fun of it.
Ana Calin (Prince of Midnight (Dracula’s Bloodline #1))
Dark hair, porcelain skin. The Devil’s Doll. They never declared that’s what they thought of me, but their eyes of subtle disapproval screamed the unintended label.
Jescie Hall (That Sik Luv)
I would remember her hair first: frozen solid and dark red with blood, matted with twigs and dirt. A bloody gash split her head, and yet her expression was calm and serene, as if she were asleep, her pale skin glittering unnaturally as sunlight reflected off the tiny flakes of ice, like a shattered porcelain doll.
Lauren Ling Brown (Society of Lies)
You could see it in her eyes – pain made them very deep. Everything about her reeked of death – that gorgeous skin, haunted eyes, porcelain breasts – death masking a soul just marking time. People wanted to get into her. She just wanted a grave. Some wishes eventually get fulfilled.
Scott C. Holstad
The porcelain skin of her ass turned pink and then a dark crimson as Dr. Glover flicked the belt without mercy.
Samantha Love (Alternative Therapy (Femdom Erotica))
Father Father" Father Father Will you forgive me If I should leave your garden? I will miss the water lilies White are still my sheets of linen White is still my skin that I Bathe in scents of memories And of "Joy" by Jean Patou Father Father Will you forget me When I've crossed the seventh sea? I will sink this boat, this canopic jar To feel again the beating of your royal heart Blood as pure as porcelain Fills my loins and lungs I'll sink to the bottom To the Valley of the Kings
Susanne Sundfør
never woke, at first, without recalling, chilled, all those other waking times, those similar stark views from similarly lighted precipices: dizzying precipices from which the distant, glittering world revealed itself as a brooding and separated scene—and so let slip a queer implication, that I myself was both observer and observable, and so a possible object of my own humming awareness. Whenever I stepped into the porcelain bathtub, the bath’s hot water sent a shock traveling up my bones. The skin on my arms pricked up, and the hair rose on the back of my skull. I saw my own firm foot press the tub, and the pale shadows waver over it, as if I were looking down from the sky and remembering this scene forever. The skin on my face tightened, as it had always done whenever I stepped into the tub, and remembering it all drew a swinging line, loops connecting the dots, all the way back. You again.
Annie Dillard (An American Childhood)
Sibil is white. Not Caucasian but white: as sheet ice as new paper as porcelain, from her braids to her bare feet. Not a blemish, not a variation, every feature of her—hair, skin, pupilless eyes—smooth like the inside of a shell, dazzling like a torch, as though carved from a single radiant white stone. Likewise her ornaments—her beads and star pendant, diadem, hoop earrings, the pedestal she rests on—are made of the same ghostly matter. She clasps in her casual hand blank pages, a skinny book with its cover torn off.
Katie Ward (Girl Reading)
my mind continually tiptoed to Georgia on the other side of my wall. I could imagine upswept hair and long limbs spilling over the white porcelain of the tub, dark lashes on a smooth cheek, full lips softly parted, and I resisted the urge to start painting all the little details my mind readily supplied. If Vermeer could find beauty in cracks and stains, then I could only imagine what I could create from the pores of her skin.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.
Laura Moore (Night Swimming: A Novel)
Rylan!" Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears. "Yeah?" I yell across the room. That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy. "Your girlfriend's here," Tim informs me. He steps aside, and a goddess enters the room. It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality. Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs. But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful.
Colleen Boyd (Swamp Angel)
Together? " Rose asked. "Are we -- together ?" He took one of her hands--it seemed so small and fragile in his own large, rough hand. Her porcelain skin looked even paler against his. " Ever since I first laid eyes on you, I knew that I had to make you my woman , It was a feeling that was stronger than anything I have ever known before, and I am a man who goes after what he wants." He pulled her close to him and let his gaze meet hers, as he added, " And, my Wild Rose , I want you.
Veronica Blake
Blood from bone, skin from earth it walks, feet to stone.   Darkness brutal, darkness fair it waits, eyes to soul.   Words intoned, fire in hand it drinks, marrow from bone.   At its feet, I lay sprawled crooked, broken doll it licks, I stare. Red teeth-marks, pattern porcelain skin laid bare.   Darkness brutal, darkness fair at last payment for my sin.   ~ scrawled on a napkin stuffed into Mom’s grimoire ~
Rachel A. Marks (Darkness Brutal (The Dark Cycle #1))
Her mother’s skin, which had always been smooth and white as porcelain, was now a grotesque mosaic of decayed black, brown, and gray flesh, peeling away in some areas while it had rotted off completely in others. Her once warm and pristine smile was now a fiendish snarl full of rotting teeth. She held her long and blackened fingernails in front of her like claws, ready to rip into something like a wild animal. Heather could even see dried splotches of blood in her mother’s filthy, matted hair. “Mom?
Chad P. Brown (The Basement)
The women were passive, sexualized and blank, save for the hint of a Mona Lisa smile on all their faces.  Objects to be observed and enjoyed by some unseen onlooker.  Nothing in the depictions of these women – or girls, really -- suggested they had personalities, goals, family, friends, history, feelings… It bothered me more, however, that all of them were young and White, their translucent, porcelain skin unscathed by tattoos, moles or scars.  Only a sexy set of freckles or sunburnt cheeks marred their otherwise flawless skin. 
Zainab Amadahy (Resistance)
His thoughts died as Anders’s brain caught and held on to one particular sentence that had run through his mind. God, he loved this woman? Breaking their kiss, he lifted his head and stared down into her sweet face. She was like a ray of sunshine. Golden hair, porcelain skin, bright green eyes, luscious red lips. She was as beautiful as the sun to him, and he’d always thought the sun the most beautiful thing in the world. Perhaps because he could never really enjoy it, and he’d only allowed himself brief glimpses of it, or enjoyed it secondhand from the memories of mortals he fed off. It was only the last decade or so that he’d been able to enjoy it properly with the help of the window coating that blocked UV rays. Valerie rivaled the sun in his eyes. And won. If given the choice of seeing her every day but never seeing the sun again, or never seeing her again and getting to enjoy the sun, Valerie would win hands down, he acknowledged. Anders had always understood that the nanos got it right when they chose a life mate for an immortal. He just hadn’t realized how right it could be. When he was with Valerie, he felt at peace. He enjoyed her smile, her laughter, her chatter, her sense of humor, her everything. He enjoyed just being with her, even if they were saying nothing. And he definitely enjoyed their passion.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
She could have been a figure in a Welsh fairy tale, a nymph who had formed from the mist off a lake. There was something otherworldly about the delicacy of her porcelain skin, and the arresting contrast between her dark lashes and brows and her silver-blond hair. And those eyes, cool translucence contained in dark rims.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Everything is becoming misty or is it the hot chocolate that I am drinking going straight to my head, the company I am keeping. Listen to me. Politics etched into bone tasting tin roof ice cream. Politics seemed to have even reached the borders of the church. Carol reflected momentarily on this. Her church life was not something that she could share easily with Jerome. Discontent for so many is a temporary assignment of life. Carol would sometimes imagine her sister as a heatwave. Making waves in the la-la-land of faraway Johannesburg where she worked in media. It was a Sunday morning. Carol had washed her hair after church. Her brown skin was glowing. She remembered how they had called her mother the paper tiger. Carol remembered her mother’s best Sunday rituals. Now it was just a walk-in history for her. She remembered how her mother declared the chicken bird feast ready for celebration. How they all gathered around her. Glimpses of her. What does the flicker of love feel like for her, Carol sometimes thought to herself? Carol wondered now to herself as she was nearing her mid-thirties what it would be like to have had those kids. Those children. To be called ‘mum’. Her skin porcelain.
Abigail George
The deep black-cherry velvet made her skin look like porcelain, and brought out the ruby fire of her hair. Black silk braiding trimmed the modestly high neckline. More lengths of silk braiding defined the vertical slash that went from neck to collarbone, affording a subtle glimpse of white skin. No other adornment marred the simple lines of the gown, except for the puffs of black silk that edged the hem of the flowing skirt. It was an elegant garment, suitable for any lady of quality.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. "What is that?" she murmured, drawing in the fragrance. "Cinnamon and wine..." Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. "Go and find out," he said. Curiously Lillian went to investigate. Taking hold of the cover's handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. "Since I couldn't obtain a pear from a bottle for you," came Marcus's voice from behind her, "this was the next best alternative." Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
God, I hate him. I hate him and his flawless, porcelain skin and immaculate uniform and his composure, as untouchable and unfailing as his ever-growing list of achievements. I hate the way people look at him and see him, even if he’s completely silent, head down and working at his desk.
Ann Liang (If You Could See the Sun)
She expected looking at the portrait would be like looking into the mirror, but she came around the easel and saw the painted girl and it was like a mallet striking her heart and like her heart was a bronze gong inside her ribs and its sounding somehow unstrung and remade her. She did not see herself. She saw how she was seen. The painted girl’s face seemed stark, stripped, her skin pink here, white there, be-freckled here, be-pimpled there, porcelain here, pebbly there, her pale forehead in shadow beneath the hat she wore, her coral nose flushed by the sun. Bridget saw the girl’s skull, her bones beneath her skin and muscles. The
Paul Harding (This Other Eden)
She’s wearing that goddamn crucifix again. How badly I want to rip that from her delicate little neck, cutting into her flesh in the process, just to see the bright red blood leak from her perfect porcelain skin.
Jescie Hall (That Sik Luv)
I want to hurt you, bruise you, and own you so thoroughly, you’ll be ruined for all other men. I want to feel your pain, see my welts on your porcelain skin. I want to choke your throat, bite your lips and nipples, and leave my presence across your whole body before I pound into your tight cunt so ruthlessly, you’ll beg me to stop.
Rina Kent (God of War (Legacy of Gods, #6))
Too sudden did America fall into hands unprepared to hold its bounty. Too few knew how to fish. Too few could skin a buck. Too few understood how to run a farm, or the mechanics of a clock, or the variable shapes of government. Only a fragile structure remained, consequently, without the reinforcement of porcelain beams, ultimately punctuating precisely who'd made that system and kept charge of its maintenance.
Cebo Campbell (Sky Full of Elephants)
I lean my head back against the couch, imagining that porcelain skin, those red, trembling lips, the natural curves of her supple breasts. I pretend the woman touching me is the innocent beauty about to fall to her desires. A groan leaves my lips as I envision the dark-haired doll I’ve become obsessed with twisting her soft hands around my hardening cock.
Jescie Hall (That Sik Luv)
Not like Ainsley. My wife was remarkable, with natural, auburn hair that fell to her mid-back, never a hair out of place unless we were in bed. Her skin was so porcelain I could trace my fingers along her veins when I studied them. She was curved in all the right places, thin in the others. I had no idea girls like her existed outside of dirty magazines and movies until we met.
Kiersten Modglin (The Arrangement (The Arrangement, #1))
That crimson blood…glistens exquisitely on your porcelain white skin.
Kouyu Shurei (Alichino (Alichino, #1))
I release her neck, sliding my palm down her beautifully arched spine before gripping her ass with a firm grasp, bending down to lick the length of her sweet, soft clit and pussy. I glide a heavy, flat tongue along her clit, over her aching hole, all the way up to her ass. She wiggles in my grasp, clearly feeling discomfort at the newfound sensation. Smacking the side of her thigh, she tenses as I tease, then plunge my tongue into her forbidden entrance. “Fuck,” she cries out, attempting to get out of my grasp, but I grip her hips, forcing her back onto my tongue. Briony rarely curses, so when I hear her innocent lips mutter the word fuck with my tongue in her ass, it’s a recipe for disaster. I lean back up, my pulse spiking in anticipation as a bead of cum drips from the tip of my cock, needing to dirty her with a pleasure we’ve both yet to discover. I slap the white porcelain skin of her ass with a rough hand, loving the bounce her flesh gives me, thirsty for the reddened marks, ultimately causing her to moan against the blanket between her white-knuckled hold.
Jescie Hall (That Sik Luv)
I see it every time I’m near her now. She’s receptive to my masculinity. Wanting to be claimed the way a woman of her purity can only dream. I can feel it crawling beneath that porcelain skin. She wants to free herself from the chains of these rules that were meant to suppress her true desires.
Jescie Hall (That Sik Luv)
She’s wearing that goddamn crucifix again. How badly I want to rip that from her delicate little neck, cutting into her flesh in the process, just to see the bright red blood leak from her perfect porcelain skin. My beautiful little doll.
Jescie Hall (That Sik Luv)
Emma has disappeared or run away. Or perhaps she’s floating beneath the glassy waters of the Everglades, slowly spinning in an eternal death waltz with the seagrass. Her willowy body bloated, porcelain skin grey and mottled, and her shiny black hair now ratted and knotted around the roots of the cypress trees.
Marie Still (We're All Lying)
She’s receptive to my masculinity. Wanting to be claimed the way a woman of her purity can only dream. I can feel it crawling beneath that porcelain skin. She wants to free herself from the chains of these rules that were meant to suppress her true desires. I’ll show her how to scream. I’ll be the voice she never knew she needed.
Jescie Hall (That Sik Luv)
Owen had short brown hair with filaments of gray, and deep brown eyes. She’d never been a beautiful woman, but now she was getting a late-life revenge on her contemporaries who had been: she had porcelain-smooth skin, with a soft summer tan; slender face and arms, like a bike rider’s; an attractive square-chinned smile.
John Sandford (Heat Lightning (Virgil Flowers, #2))
Juliette didn’t know how lucky she was to have been born into her natural skin, into her white cheeks and porcelain-smooth wrists. There was so much luck to be had in the genetic lottery; one different code and it was a whole lifetime of forced adaptation.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
We finally get to meet Warner! Very exciting!” Lindsay’s porcelain skin flushes with happiness. “I can’t wait for you to meet him, Claire. He’s… well, he’s amazing. I really think he’s the one.” “Is this the doctor?” Noah asks. He sounds utterly disinterested, but at least he’s being polite. She tucks a loose strand of her ash blonde hair behind her ear. “He’s a surgeon.
Freida McFadden (One by One)
Only Lord Inari can tell us apart unless we deliberately intend people to know. How do you know I'm Enzo, not Ezra?” “Uh, I dunno. You were introduced as Enzo, and I remembered.” She was always going to mentally call them the porcelain dolls because of that enviable skin she noticed the first time they met. “Our own mother mixes us up!” He hissed coldly. Harper straightened her shoulders. The need to snap back threw her manners to the wind. “Oi, no need to get pissy with me, mate. All I did was get your name right!
E.V. Drake (The Scribemaster Chronicles)
It's not that I don't want to wear the latest fashion of pleated skirts and cute cardigans and have a smart exchange with a handsome boy in a waistcoat, but I just wasn't made that way. It's all so uncomfortable. I don't understand how girls get their hair in sleek ponytails or wear it in bouffant while my dark curls spring wild in the wind about my round face. Their skin is smooth and porcelain while the freckles on my cheeks and nose will not be covered with powder. They call me cute; I've heard them. But not beautiful, never that.
Patti Callahan Henry (Once Upon a Wardrobe)
Your value increases and decreases depending on the location, as well as the supply and demand levels of the geographic market. We may feel like hot property in a place like the Netherlands given the rule of scarcity, while it's a lot harder to navigate the Asian market whose demand is skewed toward petite dolls with porcelain skin.
Rachel Arandilla (Postcards from Elsewhere)
Sir, please lie down. I’m not finished.” He grabs for me—one hand closing on my wrist, the other pawing at my dress and neck. His mouth presses against my face. Panic tears at me. “Your Highness.” I push him away. “I want to know what you taste like. If being born with color changes the way you feel.” He rips one of my skirts and tries to untie my waist-sash. “You must all be different. I visited one of your sisters. The white-haired one—Edelweiss, yes, that was it—and she was lovely.” I scream out. His hands find their way under my skirts. We knock into the trays, scattering Belle-products across the floor. “I like screaming.” He hisses at me like an animal. I kick him and escape to the opposite side of the treatment table. He jumps at me again and presses me against the wall. He kisses my neck and smells my hair. I reach for the tools in my belt, grab a metal smoothing rod, and stab him with it. The rod pierces his belly. He grunts, but still pushes forward, trying to sandwich me between his body and the treatment table. I shove the rod in harder and finally make the space to slip away. “Get back here!” he bellows. “Just one kiss.” He yanks the rod out of his flesh and tosses it aside, like it’s nothing more than a splinter. He chases me around the table and catches me by the waist. I use my arcana to call the Belle-roses in the teapot back to their younger forms. They surge; the teapot explodes. The porcelain shatters. Liquid splatters all over, and he flinches as the hot droplets sting his back. I uncoil the flowers, stretching out their petals and stems. They bloom into thorny chains that I use to press Prince Alfred’s arms and legs against the wall. He fights against the restraints. “I like you. You’re feisty,” he says. Blood trickles down his arms and legs. I push the thorns deeper into his skin, then let a vine hook around his neck. He makes a kissing noise at me.
Dhonielle Clayton (The Belles (The Belles #1))
I’m not enchanted with this little girl. For one thing, she’s awfully pretty. Her hair is raven black and flows freely to her waist. Her skin is pale and porcelain smooth. She needs no white magic to perfect her appearance, she will naturally grow into a breathtaking beauty. It isn’t fair.
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
The porcelain’s cold, clammy against my skin, but aside from that it’s a good fit.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
His rose-gold hair and jade-colored eyes were a remarkable combination. Along with his flawless porcelain skin, he was nearly blinding. He was perfection, and for a moment I was enthralled…because the smell, it was his. It had been coming from him. His scent was heavenly.
Mary Calmes (Muscle and Bone (Breaking Tradition, #1))
Finn didn’t care much for fair-haired ladies. Porcelain skin, rosebud lips, and tall, slender figures didn’t make his breath short, and he wasn’t likely to get lost in a pair of blue eyes - no matter how deep a blue, or how heavily-lashed they might be. Miss Somerset wasn’t at all to his taste. He could see why other gentleman admired her, of course. Those heavy, silky curls made a man imagine what it might be like to pull loose every pin, tangle his fingers in it, and tilt her head back so he could press his mouth against that long neck and nibble a path down to the delicious curve of her shoulder. She’d be soft there, fragrant, and her pale skin would flush so prettily, warming his lips - “Close your mouth, Huntington. You’re distressing Miss Somerset.
Anna Bradley (More or Less a Marchioness (The Somerset Sisters, #1))
A formless blob begins to morph and then evolves into a humanoid shape. A male body is revealed to her. A twenty-year-old man that looks a bit older than her, but no more than a few years at most. He has pale skin but a tan pigmentation to his dermal membrane, similarly to those who have descended from Hispanic or Spanish heritage. His eyes are heterochromatic, gleaming like gems in this uncanny realm. Identical to the eyes of her beloved cat: one shines with the radiance of a sapphire, while the other glows with a fiery dissimilarity, resembling a diametrical ruby. Somehow, though different in color, the blankness of his eyes are far from antithetical to the pair that were painted in the picture of her dream from days ago, that seemed to have come right out of a Dalí painting. Invoking the memory of the dead-eyed stare that continually to haunts her. He is very handsome with a large forehead, and slick ebony hair. His eyebrows are incredibly expressive, as if they were sketched on with a pencil. And he had a teardrop mole underneath his right eye. He had long eyelashes and a porcelain doll mouth. He is adorned in all white: a long-sleeved white sweater with white pants and a pair of white combat boots. Although he has manifested himself in such a beautiful form, Juniper doesn't feel any attraction towards him. When she blushes, it is only from humiliation. Their eyes are locked together in an encumbrance of space-time.
H.E. Rodgers
The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.
Beck Weathers (Left for Dead: My Journey Home from Everest)