Introducing New Baby Quotes

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I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can't let this one go. It's over, Groceries. David's purpose was to shake you up, drive you out of that marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it's over. Problem is, you can't accept that this relationship had a real short shelf life. You're like a dog at the dump, baby - you're just lickin' at an empty tin can, trying to get more nutrition out of it. And if you're not careful, that can's gonna get stuck on your snout forever and make your life miserable. So drop it.
Elizabeth Gilbert (Eat, Pray, Love)
Why do I have a sense of impending disaster? (He reflects) Sonders is after my niece and has discovered the secret address where I am sending her to the safe keeping of my sister-in-law Miss Blumenblatt, who has never laid eyes on him, or, for that matter, on Marie either since she was a baby—while I have to leave my business in the charge of my assistant and an apprentice, and follow my new servant, whom I haven't had time to introduce to anyone, to town to join the parade and take my fiancée to dinner in a uniform I can't sit down in. One false move and we could have a farce on our hands.
Tom Stoppard (On the Razzle)
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Kristy sat up very straight in the director’s chair. She adjusted her visor. “As you know,” she said, “today we are going to induct two new members into the club.” Jessi and Mal grinned at each other, but I thought, "Induct?" Who’s Kristy kidding? First she comes up with this fancy word, which just means to introduce them into the club officially.
Ann M. Martin (Little Miss Stoneybrook... and Dawn (The Baby-Sitters Club, #15))
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
In fact, they wanted to charge her not with infanticide but with murder. And so we found ourselves in the middle of a really difficult area of both the law and pathology. No wonder the office had been so pleased to hand me this case. Infanticide is manslaughter, and so carries a far lighter sentence than murder. It was introduced in 1922 for the prosecution of mothers who killed newborns under thirty-five days old. Back then, killing a baby was not considered such a terrible offence as killing an adult. It was believed that no baby could suffer like an adult victim and no baby would be missed like an adult member of the family. And it was well understood that one possible motive was shame at illegitimacy. We might discount this thinking today, but one important aspect of the 1922 Act has endured. The law recognized that there could be a ‘disturbance of a mother’s mind which can result from giving birth’, something which today we call postnatal depression – or its even more serious sister, puerperal psychosis. This view was retained by a new Infanticide Act in 1938. From then until now, a mother who kills a baby under twelve months old
Richard Shepherd (Unnatural Causes)
Romanians, however, paid a terrible price for Ceauşescu’s privileged status. In 1966, to increase the population—a traditional ‘Romanianist’ obsession—he prohibited abortion for women under forty with fewer than four children (in 1986 the age barrier was raised to forty-five). In 1984 the minimum marriage age for women was reduced to fifteen. Compulsory monthly medical examinations for all women of childbearing age were introduced to prevent abortions, which were permitted, if at all, only in the presence of a Party representative. Doctors in districts with a declining birth rate had their salaries cut. The population did not increase, but the death rate from abortions far exceeded that of any other European country: as the only available form of birth control, illegal abortions were widely performed, often under the most appalling and dangerous conditions. Over the ensuing twenty-three years the 1966 law resulted in the death of at least ten thousand women. The real infant mortality rate was so high that after 1985 births were not officially recorded until a child had survived to its fourth week—the apotheosis of Communist control of knowledge. By the time Ceauşescu was overthrown the death rate of new-born babies was twenty-five per thousand and there were upward of 100,000 institutionalized children. The
Tony Judt (Postwar: How Europe rebuilt and redefined itself after 1945)
Star Wars introduced a new way for using the five screen speakers [in theaters]. By pushing left and right sound channels to the farthest out speakers the pair just inside those was made available. Lucas' mixers then placed low frequency effects in those speakers, and named it the 'baby boom' channel. Human ears can hear frequencies up to around 20,000 hertz, and down to around 20 Hertz for very low sounds. Below that you don't *hear* the sound, but if the 'volume' is 'loud' enough, you can *feel* the sound. Super-low frequencies affect us emotionally, usually inducing something like fear. We feel them during earthquakes. Lucasfilm put sound effects in the baby boom channel for audiences to feel--for instance, in the opening shot of Star Wars where the little diplomatic ship is running from the Imperial Cruiser. It's no wonder this is one of the most memorable and ominous shots in cinematic history. It was not only cool looking, but cool *sounding*
Michael Rubin (Droidmaker: George Lucas and the Digital Revolution)
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
Apricot and chocolate muffins Muffins are a great way to introduce new fruits to your child’s diet. Once they have enjoyed apricots in a muffin, you can serve the ‘real thing’, saying it’s what they have for breakfast. Or you can put some fresh versions of the fruit on the same plate. Other fruits to try in muffins include blueberries and raspberries. A word of warning: the muffins don’t taste massively sweet so may seem a bit underwhelming to the adult palette. We tend to have them with a glass of milk-based, homemade fruit smoothie, spreading them with ricotta cheese to make them more substantial. 250g plain wholemeal flour 2 tsp baking powder 30g granulated fruit sugar 1 egg 30ml vegetable oil 150ml whole milk 180g ripe apricots, de-stoned and chopped 20g milk chocolate, cut into chips Put muffin cases into a muffin tray (this makes about 8–10 small muffins). Heat the oven to 180°C/gas 4. Put the flour and baking powder in a bowl and mix well. Next add the sugar and mix again. Make a ‘well’ in the middle of the mixture. Crack the egg into another bowl and add the oil and milk. Whisk well, then pour into the ‘well’ in the mixture in the other bowl. Stir it briskly and, once well mixed, stir in the apricot and the chocolate chips. Spoon equal amounts into the muffin cases and bake. Check after 25 minutes. If ready, a sharp knife will go in and out with no mixture attached. If you need another 5 minutes, return to the oven until done. Cool and serve. Makes 10 mini- or 4 regular-sized muffins. Great because:  The chocolate is only present in a tiny amount but is enough to make the muffins feel a bit special while the apricots provide a little fruit. If you have them with a milk-based smoothie and ricotta it means that you boost the protein content of the meal to make it more filling.
Amanda Ursell (Amanda Ursell’s Baby and Toddler Food Bible)
From Abandoned Wife to Powerful Heiress" is a gripping tale of love, betrayal, and empowerment. Written by this novel takes readers on an emotional rollercoaster, exploring the life of a woman who faces unimaginable hardships, only to rise from the ashes stronger than ever. Through each chapter, readers are introduced to the compelling journey of a woman reclaiming her life, power, and fortune after being abandoned by the man she once loved see more… From Abandoned Wife To Powerful Heiress My Marriage Ended at a Charity Gala I Organized Life was perfect, or so I thought. I was a pregnant, happy wife of tech mogul Gabe Sullivan, basking in the glory of our success together. The charity gala I organized was meant to be one of the happiest nights of our lives. But as fate would have it, that night marked the beginning of the end of my marriage. I never imagined that one moment would change everything. The media erupted with breaking news that Gabe and his childhood sweetheart were expecting a child. The moment felt surreal—like a bad dream. Across the room, I saw them together, his hand resting possessively on her stomach. It wasn’t just an affair; it was a public declaration that erased me and our baby from the equation. Gabe had always been my rock, the man I believed in, but in that moment, I realized that he had shattered everything. The betrayal wasn’t just emotional—it was a business decision. To protect his company’s billion-dollar IPO, Gabe chose to align himself with his childhood sweetheart and sever all ties with me. His mother, the woman who had always disapproved of me, was quick to manipulate him into choosing his family over his wife. From Abandoned Wife to Powerful Heiress is a story of betrayal, but it’s also a story of personal growth and empowerment. The protagonist, left in the wreckage of her broken marriage, begins a journey that will take her to unimaginable heights of success and power. She learns that her worth isn’t defined by the man who left her, and she is determined to reclaim her life and destiny. The Protagonist's Emotional Journey: From Heartache to Power The Fall: Overcoming Betrayal In the aftermath of the betrayal, the protagonist is faced with the harsh reality of being abandoned by the very man who promised to love and support her. Her heartache is palpable, and it’s easy to empathize with her as she grapples with the public humiliation and personal devastation. What is most inspiring, however, is how she refuses to let the betrayal define her. The story takes readers through the raw emotions of loss and despair, but it also highlights the resilience of the protagonist as she picks up the pieces of her life. She refuses to be a victim of circumstances, determined to regain control of her destiny and build a future where she is no longer dependent on someone else's approval or love. Rising from the Ashes: The Transformation Begins One of the most powerful aspects of "From Abandoned Wife to Powerful Heiress" is how the protagonist transforms from a broken woman to an empowered, confident force. No longer willing to let the betrayal dictate her future, she begins a journey of self-discovery, seeking ways to empower herself both financially and emotionally. Her determination to rise from the ashes of her past becomes a testament to her inner strength. Through her journey, readers witness the protagonist’s growth from a woman left with nothing to a self-sufficient powerhouse. Her path isn’t easy, and she faces countless challenges, but her resilience and refusal to back down are what make her journey truly inspiring. The Power of Independence: Claiming What Is Rightfully Hers Building an Empire: A New Life In the wake of Gabe’s betrayal, the protagonist seizes the opportunity to reclaim what is rightfully hers. She delves into the world of business, learning the ins and outs of the corporate world. With a sharp m
From Abandoned Wife to Powerful Heiress: The Journey of Triumph and Strength
I think you should do it.” “Wait, really?” “Why not? Sabrina and I would love to share our wedding with you. And it opens so many other doors, y’know? Think about it. All your great achievements, we could share together. Like, when you and Allie get married? We’ll be right there with the announcement of our second child. And when you share Allie’s pregnancy? We’ll be there announcing our new house.” Logan chokes on his champagne mid-sip. I narrow my eyes. “Point taken.” “No, wait, it gets even better,” Tucker says enthusiastically. “When Allie gives birth to your first kid, guess who’ll be there! Me again, there to introduce you to our new dog, who I’ll name after your baby to honor you. And when your kid grows up, graduates college, gets engaged, and has a wedding of their own, I’ll be sitting there in the front row. Faking a heart attack.
Elle Kennedy (The Legacy (Off-Campus, #5))
gently pressed on, filtering until I saw her as a baby. And then, the hair on my neck stood on end. I had seen her before as a baby. She was embedded in my memories: black hair and green eyes. John had brought us to the castle when I was a boy to introduce us to the new princess. The Princess of Reales. It was Raven.
Whitney Dean (A Kingdom of Flame and Fury (The Four Kingdoms, #1))
Don’t feel offended if, when you are introduced to a Masai gentleman, he spits on his palms before shaking hands with you. It is his way of showing how glad he is to meet you. If sanitation means anything to you, don’t invite a Masai to see your new baby. He’ll spit on it, too. Once
Carveth Wells (Adventure!)
A week before my due date, Marlboro Man had to preg-test a hundred cows. Preg-testing cows, I would learn in horror that warm June morning, does not involve the cow urinating on a test stick and waiting at least three minutes to read the result. Instead, a large animal vet inserts his entire arm into a long disposable glove, then inserts the gloved arm high into the rectum of a pregnant cow until the vet’s arm is no longer visible. Once his arm is deep inside the cow’s nether regions, the vet can feel the size and angle of the cow’s cervix and determine two things: 1. Whether or not she is pregnant. 2. How far along she is. With this information, Marlboro Man decides whether to rebreed the nonpregnant cows, and in which pasture to place the pregnant cows; cows that became bred at the same time will stay in the same pasture so that they’ll all give birth in approximately the same time frame. Of course, I understood none of this as I watched the doctor insert the entire length of his arm into a hundred different cows’ bottoms. All I knew is that he’d insert his arm, the cow would moo, he would pull out his arm, and the cow would poop. Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home. At eleven that night, I woke up feeling strange. Marlboro Man and I had just drifted off to sleep, and my abdomen felt tight and weird. I stared at the ceiling, breathing deeply in an effort to will it away. But then I put two and two together: the whole trauma of what I’d seen earlier in the day must have finally caught up with me. In my sympathy for the preg-tested cows, I must have borne down a few too many times. I sat up in bed. I was definitely in labor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Bradford Exchange—a knockoff of [Joseph] Segel’s [Franklin Mint] business—created a murky secondary market for its collector plates, complete with advertisements featuring its “brokers” hovering over computers, tracking plate prices. To underscore the idea of these mass-produced tchotchkes as upmarket, sophisticated investments, the company deployed some of its most aggressive ads (which later led to lawsuits) in magazines like Kiplinger’s Personal Finance and Architectural Digest. A 1986 sales pitch offered “The Sound of Music,” the first plate in a new series from the Edwin M. Knowles China Company, at a price of $19.50. Yet the ad copy didn’t emphasize the plate itself. Rather, bold type introduced two so-called facts: “Fact: ‘Scarlett,’ the 1976 first issue in Edwin M. Knowles’ landmark series of collector’s plates inspired by the classic film Gone With the Wind, cost $21.60 when it was issued. It recently traded at $245.00—an increase of 1,040% in just seven years.” And “Fact: ‘The Sound of Music,’ the first issue in Knowles’ The Sound of Music series, inspired by the classic film of the same name, is now available for $19.50.” Later the ad advised that “it’s likely to increase in value.” Currently, those plates can be had on eBay for less than $5 each. In 1993 U.S. direct mail sales of collectibles totaled $1.7 billion
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
the “thing” would be “looking” at their “blood” and decide who should be married to whom and how many children they could have. The article stated that part was only introduced recently and many people were very unhappy. Some tried to remove the “thing” and died, some “protested” and died. After a period of upheaval, they just had to accept it. They were told it was better for them because the “new” people (babies that were born after this rule was enforced) were healthier than before. They should be happy, because it looked like their children would live to 200 and beyond!
J.C. Ryan (The Skywalkers (Rossler Foundation, #5))
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity. (That
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
He applied his new-found faith to matters of state bringing far reaching benefits to ordinary citizens. He did not impose Christianity on the empire. His approach was simply to end the persecution of Christianity and grant the church the rights of any other religion or civic association. But he did “Christianise” (if there is such a thing) certain Roman laws. He humanised the criminal law and the law of debt, eased the conditions of slaves, and, importantly, introduced imperial financial support for children of poor families. The effect of this last measure was to discourage the common Roman practice of “exposure,” abandoning unwanted babies. With the conversion of Constantine, the empire established by brute force was beginning to be conquered by the message of a Servant Lord.
John Dickson (A Doubter's Guide to Jesus: An Introduction to the Man from Nazareth for Believers and Skeptics)
What are those?" She pointed at him. "Tattoos. Do they not have those in New Hampshire?" "Yeah, but what are they?" Bel said, studying the designs tracking up just one arm, pale flesh running like tributaries around the gray pictures. "They're memories. Family stuff, you know." "No, I don't know," she said, pushing him. He held out the arm, camera still rolling. "That rose, that's for my sister, Rosie. Took the thorns out because she's nice all the time. The lily next to it, that's for my sister—you guessed it—Lily." "The leaf?" "A fig leaf, for my oldest sister, Eve. She's married to Ramsey. I'm the youngest, the baby. That's me, the old campfire. I'm Ash, by the way. Never properly introduced myself. Ash Maddox. That bird above my elbow is my mum, Bridget, but everyone calls her Birdie." Ash twisted his arm, showing her the bare, exposed patch by his wrist. "Gonna get one for Ramsey too. He doesn't like the idea of being an old horned sheep." "The campfire's the worst one," Bel said, taking a shot, getting him back for the bears. "Tell me about it" An amused sniff that meant something more.
Holly Jackson
Why not? Sabrina and I would love to share our wedding with you. And it opens so many other doors, y’know? Think about it. All your great achievements, we could share together. Like, when you and Allie get married? We’ll be right there with the announcement of our second child. And when you share Allie’s pregnancy? We’ll be there announcing our new house.” Logan chokes on his champagne mid-sip. I narrow my eyes. “Point taken.” “No, wait, it gets even better,” Tucker says enthusiastically. “When Allie gives birth to your first kid, guess who’ll be there! Me again, there to introduce you to our new dog, who I’ll name after your baby to honor you. And when your kid grows up, graduates college, gets engaged, and has a wedding of their own, I’ll be sitting there in the front row. Faking a heart attack.
Elle Kennedy (The Legacy (Off-Campus, #5))
The seven deadly sins were first spelled out by Pope Gregory I in the sixth century—and one of them was gluttony. He said overeating is a sin, and sin requires punishment before you can get to redemption. It is very deep in our culture to believe that obesity is a sign a person is greedy, so suffering is the just and necessary response. The only forms of weight loss we admire are ones that involve pain—extreme exercise programs, or extreme calorie restriction. If you go through that, we’ll just about forgive you. But if you’re suddenly thin at no cost in pain and sweat to you? We are outraged. I realized I had internalized this. I felt ashamed of being fat, and at some unconscious level, I believed I deserved to be punished for it—and taking Ozempic was skipping the punishment, a get-out-of-jail-free card. But when these ideas were brought to the forefront of my mind—once I had to say them out loud—I began to question them. I thought about this more deeply when I read an essay by the Irish journalist Terry Prone, who wrote about how a similar debate had played out two hundred years ago. When modern anesthetics were first introduced, many doctors resisted giving these painkilling options to women going through childbirth, believing that suffering was a crucial part of delivering a baby. Christ had suffered on the cross, and women should suffer when delivering a child. Suffering was ennobling. (I suspect there was also a strain of misogyny and Puritanism to it: a woman delivering a child has had sex, and that, too, should be followed by the infliction of pain.) To have a child without pain was cheating the laws of nature. The beliefs around this only changed very slowly. A key moment came when Queen Victoria revealed she had used anesthetics during her childbirths. Today, few people would say that a woman was “cheating” if she dulled the agony of childbirth with meds, and you would regard me as crazy and misogynistic if I told you that a woman giving birth deserves to suffer. So I asked myself: Why should recovering from obesity involve pain? Do I really think Jeff deserves to suffer? Or my late friend Hannah? Or my grandmother, who was obese for most of her adult life, ruining her knees and likely contributing to her dementia? Do I think they are sinners who deserve punishment—or have I moved beyond the ideas of a sixth-century pope?
Johann Hari (Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs)
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From Abandoned Wife To Powerful Heiress