Pool Plaster Quotes

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Another reason to watch him avidly for he might pull himself out of the pool, his whole body slick and those shorts plastered on him was not a sight to see. It was a sight to prove there was a God and that God might just be Tate.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Here, child, said Mae hastily Hide your eyes. Boys? Are you decent? What'd you put on to swim in? I got Winnie Foster in the house? For goodness sake ma said Jesse emerging from the stairwell . You think were going to march around in our altogether with Winnie Foster in the house? And Miles behind him sain we just jumped in with our clothes on too tired to shed them It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet.
Natalie Babbitt
There! The boys are in from the pond.” Winnie heard a burst of voices downstairs, and in a moment Miles and Jesse were climbing to the loft. “Here, child,” said Mae hastily. “Hide your eyes. Boys? Are you decent? What’d you put on to swim in? I got Winnie up here, do you hear me?” “For goodness’ sake, Ma,” said Jesse, emerging from the stairwell. “You think we’re going to march around in our altogether with Winnie Foster in the house?” And Miles, behind him, said, “We just jumped in with our clothes on. Too hot and tired to shed ’em.” It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet. “Well!” said Mae, relieved. “All right. Find something dry to put on. Your pa’s got supper nearly ready.” And she hustled Winnie down the narrow stairs.
Natalie Babbitt (Tuck Everlasting)
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
Ysabel probably shouldn't have giggled as he pulled himself from the pool, water streaming from him in thick rivulets. But really, what did he expect? Groping her while she drove, making her all hot and distracted. The jerk. He should count himself lucky. Most guys would've ended up splattered on the sidewalk. Maybe she didn't hate him after all. Hair plastered to his skull, dripping like a big sea monster, he glowered at her. "You are an evil witch." Fluffing her hair she smiled. "Why thank you. I try my best.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
The trampoline: the white trash swimming pool.
Johnny Shaw (Plaster City (A Jimmy Veeder Fiasco, #2))
Lying in a position of classic repose, Winnifred had never been more beautiful. Her silvery gold hair cascaded over the oaken door upon which she lay. A bright waterfall, it pooled on the deep green felt of the billiard table where the door rested. Her sightless blue eyes stared up at the plastered ceiling, her face a study in serenity and peace. I had never seen violent death leave a corpse so lovely.
T.D. McKinney
The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")
James Hain Friswell
question it is to question a fact as established as the tide. How easily and quickly we slide into our race-pattern unless we keep intact the stiff-necked and blinded pattern of the recent intellectual training. We threw it over, and there wasn’t much to throw over, and we felt good about it. This Lady, of plaster and wood and paint, is one of the strong ecological factors of the town of Loreto, and not to know her and her strength is to fail to know Loreto. One could not ignore a granite monolith in the path of the waves. Such a rock, breaking the rushing waters, would have an effect on animal distribution radiating in circles like a dropped stone in a pool. So has this plaster Lady a powerful effect on the deep black water of the human spirit. She may disappear and her name be lost, as the Magna Mater, as Isis, have disappeared. But something very like her will take her place, and the longings which created her will find somewhere in the world a similar altar on which to pour their force. No matter what her name is, Artemis, or Venus, or a girl behind a Woolworth counter vaguely remembered, she is as eternal as our species, and we will continue to manufacture her as long as we survive.
John Steinbeck (The Log from the Sea of Cortez)
Eyeballing the broken welds on the headboard of the brass bed, she remarked, “Who do you think won the bet this time?” Because, after the first two bed mishaps, a betting pool started. “I won,” Leo purred as he flipped her onto her back. “You mean you wagered on us breaking the bed?” “Hell yeah I did. But I won more than that. I totally scored when it came to finding you.” “Don’t you mean I found you? I mean, after all, it was my Frisbee that smacked you in the head.” “A Frisbee I could have caught.” “You never saw—” He shook his head. She giggled. “Pookie, you sly devil, do you mean you purposely let yourself get smacked by it just to meet me? But if that’s the case, then why play hard to get?” “Because you scared me but that was before I realized you were exactly what I needed. I love you, Vex.” “Pookie!” she squealed as she plastered him with smooches. “I love you too, so much that I am totally going to forget about the fact that Reba and Zena have a ticket for me to go to Russia and rescue my sister.” “And miss out on a chance at a honeymoon? Did I forget to mention I’m going too? What do you say we go pay a tiger a visit?” “Aren’t you afraid I might start a war?” “I’d be more surprised if you didn’t. Now enough talking, Vex. It’s time for our morning nookie.” And while they couldn’t break the bed any further, the condo below them did complain about cracking plaster.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Allied Bombing of Überlingen from “Suppressed I Rise” Covered in dust from the plaster, I walked down the path past the restaurant to a parking area near the lake. The evidence of the bombing was everywhere. Vehicles were strewn about like so many toys and, since the water table this close to the lake was fairly high, I could see water seeping into the huge craters the bombs had made, slowly filling them like swimming pools. My only interest was to return safely to our room with my children. Fearing the worst, we returned to our home and saw that the front door had been blasted off its hinges, but fortunately the house was still standing.
Hank Bracker (Suppressed I Rise)
In my father's house there were many mansions and they were all the same, labyrinthian interiors smelling of damp plaster and varnish, the dark hallways narrow, hung with sepia prints of places no one ever visited or would ever dream of visiting - Hong Kong, Abu Simbel, Nasirabad - a seemingly endless bolt of oriental carpet streaming down the stairs and flooding the rooms, its disconcerting flotsam bobbing up in isolated squares of sunlight, all those grimacing flowers, horned faces, toothless mouths flung to the nethermost nook and cranny, lapping here against a broom closet door, pooling there around an umbrella stand, puddling at last beneath a snarl of hair and dust.
Kathryn Davis (Hell)