“
The horse grunted softly. He had huge teeth, Clary noticed uneasily; each one the size of a Pez dispenser. She imagined those teeth sinking into her leg and thought of all the girls she'd known in middle school who'd wanted ponies of their own. She wondered if they were insane.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Kate smirked.
"What?"
"Your horse looks pink."
"So?"
"If you paste some stars on her butt you'll be riding My Little Pony."
"Bugger off." I patted the mare's neck. "Don't listen to her, Sugar. You are the cutest horsey ever. The correct name for her color is strawberry roan, by the way."
"Strawberry Shortcake, more like it. Does Strawberry Shortcake know you stole her horse? She will be berry, berry angry with you."
I looked at her from under half-lowered eyelids. "I can shoot you right here, on this road, and nobody will ever find your body.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem.
”
”
Steph Bowe
“
No matter how good a man is, there's always some horse can pitch him.
”
”
John Steinbeck (The Red Pony)
“
Twilight is to Vampires what My Little Pony is to Kentucky Derby Winning Horses.
”
”
Dennis Sharpe
“
For that pony had got tangled up in the cowboy's heartstrings a heap more than that cowboy wanted to let on, even to himself. He couldn't get away from how he missed him.
”
”
Will James (Smoky the Cow Horse)
“
In all honesty, I’d enjoyed the horse ride more than the man ride. At least the horse had been a stallion. Looking back, my lab TA was more like a Shetland pony—hairy and small.
”
”
Penny Reid (Truth or Beard (Winston Brothers, #1))
“
The water you kids were playing in, he said, had probably been to Africa and the North Pole. Genghis Khan or Saint Peter or even Jesus may have drunk it. Cleopatra might have bathed in it. Crazy Horse might have watered his pony with it. Sometimes water was liquid. Sometimes it was rock hard- ice. Sometimes it was soft- snow. Sometimes it was visible but weightless- clouds. And sometimes it was completely invisible- vapor- floating up into the the sky like the soals of dead people. There was nothing like water in the world, Jim said. It made the desert bloom but also turned rich bottomland into swamp. Without it we'd die, but it could also kill us, and that was why we loved it, even craved it, but also feared it. Never take water forgranted, Jim said. Always cherish it. Always beware of it.
”
”
Jeannette Walls (Half Broke Horses)
“
The story is told that when Joe was a child his cousins emptied his Christmas stocking and replaced the gifts with horse manure. Joe took one look and bolted for the door, eyes glittering with excitement. 'Wait, Joe, where are you going? What did ol' Santa bring you?' According to the story Joe paused at the door for a piece of rope. 'Brought me a bran'-new pony but he got away. I'll catch 'em if I hurry.' And ever since then it seemed that Joe had been accepting more than his share of hardship as good fortune, and more than his share of shit as a sign of Shetland ponies just around the corner, Thoroughbred stallions just up the road.
”
”
Ken Kesey (Sometimes a Great Notion)
“
I had hated these ponies for the part they played in my father's death but now I realized the notion was fanciful, that it was wrong to charge blame to these pretty beasts who knew neither good nor evil but only innocence. I say that of these ponies. I have known some horses and a good many more pigs who I believe harbored evil intent in their hearts. I will go further and say all cats are wicked, though often useful. Who has not seen Satan in their sly faces? Some preachers will say, well, that is superstitious "claptrap." My answer is this: Preacher, go to your Bible and read Luke 8: 26-33
”
”
Charles Portis (True Grit)
“
Why, a trick horse is kind of like an actor—no dignity, no character of his own.
”
”
John Steinbeck (The Red Pony)
“
There was so much life wrapped up in that pony's hide that it was mighty hard for him to settle down and behave...he sometimes had to bust out and do things that wasn't at all proper...
”
”
Will James (Smoky the Cow Horse)
“
A Blessing
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
”
”
James Wright (Above the River: The Complete Poems)
“
Alec put his hands up. “Okay, stop.” The four vampires stared at him. “Horses? As in equine, My Little Pony, clippety-clop fucking horses?
”
”
N.R. Walker (Cronin's Key II (Cronin's Key #2))
“
Don't you mind being short?' she blurted. He spread his small hands and looked at them. 'I am a magician, not a princess. A pony costs less to keep than a horse, which means I can buy more books.' He paused. 'It is not always a bad thing, to be overlooked.
”
”
Robin McKinley (Pegasus (Pegasus, #1))
“
You seem to be trying to ride a pony named Trouble all the way to the border.
”
”
Erik Bundy (Magic and Murder Among the Dwarves (Crying Woman Road #1))
“
Rooster said, "Fill your hand, you son of a bitch!" and he took the reins in his teeth and pulled the other saddle revolver and drove his spurs into the flanks of his strong horse Bo and charged directly at the bandits. It was a sight to see. He held the revolvers wide on either side of the head of his plunging steed. The four bandits accepted the challenge and they likewise pulled their arms and charged their ponies ahead.
”
”
Charles Portis (True Grit)
“
He moved quickly away from her through the ring, his whole body starting forward with the big animal in two-point and then -- the horse's legs extended before and behind her, a carousel pony but real, the immense thrust invisible to anyone but the boy on the creature's back -- he was rising, rising, rising. . .
And aloft.
”
”
Chris Bohjalian (The Buffalo Soldier)
“
I often hear skeptics say that, if psychic behavior was real, the psychics would be playing the stock markets or the ponies. In my experience, many of them do. There is, in fact, a kind of secret level of activity in which psychics consult to major corporations and businesses. People seem embarrassed to admit this activity but it takes place, just as you'd expect it to.
”
”
Michael Crichton (Travels)
“
strawberry roan, a black and brown skewbald and a motley assortment of buckskins and bays. At the rear of the herd was a grey mare and a chestnut skewbald with a white face, both of them with foals running at their feet.
”
”
Stacy Gregg (Destiny and the Wild Horses (Pony Club Secrets, Book 3))
“
Then she told me that the Americans with Disabilities Act was recently interpreted as allowing “people with anxiety disorders to travel with an emotional-support pony on airlines.” So basically I could bring a goddamn pony on board with me. I’m pretty sure a pony wouldn’t fit under my seat or in my lap, but I rather liked the idea of a small medicinal horse standing in the aisle beside me while I braided his mane.
”
”
Jenny Lawson
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
She wasn’t any kind of show pony.
”
”
Geraldine Brooks (Horse)
“
At that moment, in her heart she knew that one day he would be the greatest horse of them all.
”
”
Stacy Gregg (Stardust and the Daredevil Ponies (Pony Club Secrets, Book 4))
“
wherever there were horses or ponies the mushrooms always sprang up.
”
”
Edna O'Brien (The Light of Evening)
“
Just like when I was in high school and thought the song “Pony” by Ginuwine was about riding horses.
”
”
Trilina Pucci (Tangled in Tinsel (The More the Merrier, #1))
“
To shrink back from all that can be called Nature into negative spirituality is as if we ran away from horses instead of learning to ride. There is in our present pilgrim condition plenty of room (more room than most of us like) for abstinence and renunciation and mortifying our natural desires. But behind all asceticism the thought should be, ‘Who will trust us with the true wealth if we cannot be trusted even with the wealth that perishes?’ Who will trust me with a spiritual body if I cannot control even an earthly body? These small and perishable bodies we now have were given to us as ponies are given to schoolboys. We must learn to manage: not that we may some day be free of horses altogether but that some day we may ride bare-back, confident and rejoicing, those greater mounts, those winged, shining and world- shaking horses which perhaps even now expect us with impatience, pawing and snorting in the King’s stables. Not that the gallop would be of any value unless it were a gallop with the King; but how else— since He has retained His own charger—should we accompany Him?
”
”
C.S. Lewis
“
She was a horse lover and she and Whitey kept a mean old paint, a fancy quarter horse/Arabian mix, a roan Appaloosa with one ghost eye named Spook, and a pony. So along with the whiskey and perfume and smoke, she often exuded faint undertones of hay, dust, and the fragrance of horse, which once you smell it you always miss it. Humans were meant to live with the horse.
”
”
Louise Erdrich
“
Have you ever seen a stampede of horses?
Do you wonder what the hooves
look like from underneath?
Have you tasted the blood from biting
your own lips because you
couldn’t say no loud enough?
I never fought back. I didn’t punch him. I kept my
thighs tight and closed, but once he’s inside you,
you wish you were a streetlamp.
A seat belt.
A box of nails, of rust, something hard and ruined.
You’ll wish you were a wild pony, a slick fish on a line,
anything but a woman.
Once he’s inside you, you just kind of give up
and your eyes glaze over.
They stay that way for years
”
”
Mary Lambert (Shame Is an Ocean I Swim Across)
“
Of course, when selecting my reading material, I stick to the stories suitable for ladies."
'How lovely. What are your favorites?' Mr.Croaksworth asked, and Beatrice cleared her throat.
'Oh, I adore ... anything about women moving from one drawing room to another,' she began. 'And, er, friendships between ... ponies and horses ...' She trailed off, but Mr. Croaksworth nodded vigorously.
”
”
Julia Seales
“
No one cared about injuries. Not when you’re flying down the field, you and the horse—” He was suddenly animated. “You’re one being, like a centaur. The best ponies are total athletes. They find the line of the ball without you doing anything. One time I came off—my fault, not the pony’s—and she went on, tearing down the field, and blocked my opponent’s shot as if I were still riding her.
”
”
Geraldine Brooks (Horse)
“
Each-uisce can never be tamed. They may appear as sleek black horses, eerily beautiful, or even ponies, deceptively small. Always their manes and tails are dripping wet, and their eyes glow like a wolf’s.
”
”
Jessica Leake (Beyond a Darkened Shore)
“
He was telling us that Thoroughbred racing horses have these companion ponies that always stay by their sides, and I remember thinking, That’s me. I’m a companion pony, and companion ponies don’t solo. They don’t play first chair or audition for All-State or compete nationally or seriously consider a certain performing arts conservatory in New York City like Marguerite had begun insisting. They just don’t.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
A landscape glittered behind her voice. There were icicles in it and savage fields of ice, great storms boiling over a flat countryside striped with white rails - a chessboard beneath a storm. Horses were stretched forever at the gallop. Tiny men in silk were brave beyond bearing and sat on the horses like embryos with their knees in their mouths. The gorgeous names of horses were cried from mouth to mouth and circulated in a steam of fame. Lottery, The Hermit, the great mare Sceptre; the glorious ancestress Pocahontas, whose blood ran down like time into her flying children; Easter Hero, the Lamb, that pony stallion.
”
”
Enid Bagnold (National Velvet)
“
Maybe he didn't realize it then, but David saved my life. He brought me to the horses, he showed me a world I never knew existed. He was the first person to lift me onto a pony. The first person to lead me around the ring. He opened the door that changed everything for me. He handed me the map that led me out of the same streets that would take his life so many years later.
When it came to his safety, David has always been fearless, reckless even. But when it came to me, his little brother, he didn't let me take a single chance. He delivered me to the best, safest place he could find, and then, as always, he slipped away.
”
”
Kareem Rosser (Crossing the Line: A Fearless Team of Brothers and the Sport That Changed Their Lives Forever)
“
I was sleeping. What the hell did you wake me up for?” He complains.
“You kicked me and made horse noise.”
He stares at me blankly for a moment before scoffing at me in disbelief and sliding back down the bed until his head hits the pillow again.
“I was having a dream. Now leave me alone and let me go back to sleep.”
When he rolls over I shove my hand against his back. “Were you dreaming about horses? You were fucking prancing in your sleep.”
Tyler looks over his shoulder at me and I watch his face redden with embarrassment. “What? You’re delusional. I don’t prance.”
I just shake my head at him. “You were totally prancing in your sleep. Prancing and Whinnying like a damn Horse.”
“You shut your face! Shut your face right now!” he said
I shove my finger close to his nose. “No, YOU shut your prancing face, Twilight Sparkle, before my parents hear you. You’re not even supposed to BE here. You were supposed to sneak out of my bedroom window just like always. Get out of my bed!
”
”
Tara Sivec (Passion and Ponies (Chocoholics, #2))
“
the reservation population turned out. As Smith walked the horse by, an ancient Indian leaned up and looked the horse over. “Racehorse?” he said. Smith nodded. “Looks like a cow pony to me.”1 Smith was pleased. The rumors followed them west. The backstretch at Hollywood was thick with stories, chief among them that Seabiscuit was lame. The stewards listened and worried that they would be burned by Seabiscuit as Belmont and Suffolk Downs had been. They had some reason to be wary. Earlier in the meet, a much-anticipated meeting between Kentucky Derby winner Lawrin and Preakness winner Dauber had to be canceled at the last moment when Dauber suffered a minor injury. The event had been traumatic for the Hollywood Park officials and seemed to make them overly concerned about Smith. On July 11, 1938, Smith walked Seabiscuit onto the track for his first workout at Hollywood. The trainer didn’t like the looks of the track, which was so deep and crumbly that it was playing at least a second slower than usual.2 “It looked like they were trying to grow corn on the track,” he said.3
”
”
Laura Hillenbrand (Seabiscuit: An American Legend)
“
Sometimes I liked to forget about the fact that Cholo was not really my horse. Sometimes I liked to imagine that he would be the first of my string of ponies. That someday I would ride him as I made the winning goal at nationals. That much later, he would retire to the greenest, lushest pasture on my farm, where maybe he'd teach my own kids to ride like Angel had taught me. I would visit him every day and bring him an apple and scratch his nose where it had gone gray.
Sometimes I just liked to imagine that someone—anyone— I loved could stay.
”
”
Kareem Rosser (Crossing the Line: A Fearless Team of Brothers and the Sport That Changed Their Lives Forever)
“
He crossed the old trace again and he must turn the pony up onto the plain and homeward but the warriors would ride on in that darkness they'd become, rattling past with their stone-age tools of war in default of all substance and singing softly in blood and longing south across the plains to Mexico.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
The mythic American character is made up of the virtues of fairness, self-reliance, toughness, and honesty. Those virtues are generally stuffed into a six-foot-tall, dark-haired, can-do kind of guy who is at once a family man, attractive to strange women, carefree, stable, realistic, and whimsical. in the lore of America, that man lives on the Great Plains. he's from Texas, Dodge City, Cheyenne, the Dakotas, or somewhere in Montana. In fact, the seedbed of this American character, from the days of de Tocqueville through Andrew Jackson, Wyattt Earp, Pony Express riders, pioneers, and cowboys to modern caricatures played by actors such as Tom Mix, Gary Cooper, and John Wayne has aways been the frontier. It's a place with plenty of room to roam, great sunsets, clear lines between right and wrong, and lots of horses. It's also a place that does not exist and never has. The truth is that there has never been much fairness out here.
”
”
Dan O'Brien (Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch)
“
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and pu the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, head, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
One of the best feelings in the world is waking up and thinking, Ohmygod, I’m late for school! That isn’t the good bit obviously. The good bit comes in a sudden rush a few seconds later when you realise that you don’t have to go to school after all because today isn’t an ordinary Monday—it’s the first day of the summer holidays!
”
”
Stacy Gregg (Destiny and the Wild Horses (Pony Club Secrets, Book 3))
“
The boy was engrossed, his face in shadow, and he looked like he was playing with small toy horses that could have easily been wooden toys, military or Trojan. Shuggie knew what they really were, that they were the scented dolls, bright and cheerful and for little girls. They were the pretty ponies, and Leek had known. Leek had always known.
”
”
Douglas Stuart (Shuggie Bain)
“
ELLE! DID YOU PUT A STUFFED CAT IN MY STUDY?” A pretty woman on the fat pony galloped out of the courtyard, calling over her shoulder. “I thought you might like the company of one of your own kind!” A handsome man emerged from the courtyard, riding the large gelding. “Elle!” “What’s wrong? Cat got your tongue?” the woman laughed. “I look nothing like a cat anymore! Must you continue to obsess over felines?” The man cued his horse into a trot. The woman pulled her pony to a halt a stone’s throw from the farmer and his children. “True. It’s my own fault, I suppose. I shouldn’t have married a man who is prettier than I am.” The man on the mouse-colored gelding looked murderous. The
”
”
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
“
the group, as the knights preferred stallions—and knelt in the sun-dappled mud and grass of a narrow meadow. Raphael and Percival joined her, kneeling on the other side of the run, two steps back. Mongols at this late stage of their campaign often rode horses other than steppe ponies; war, as Feronantus had observed, was hard on horses, and armies continually replenished their stock. When Mongols rode larger and more complaisant Western horses,
”
”
Neal Stephenson (The Mongoliad)
“
in the group, as the knights preferred stallions—and knelt in the sun-dappled mud and grass of a narrow meadow. Raphael and Percival joined her, kneeling on the other side of the run, two steps back. Mongols at this late stage of their campaign often rode horses other than steppe ponies; war, as Feronantus had observed, was hard on horses, and armies continually replenished their stock. When Mongols rode larger and more complaisant Western horses,
”
”
Neal Stephenson (The Mongoliad)
“
In the third part of the year
When men begin to gather fuel
Against the coming cold
Here hooves run hard on frosty ground
Begins our song:
For centuries we lived alone high on the moors
Herding the deer for milk and cheese
For leather and horn
Humans came seldom nigh
For we with our spells held them at bay
And they with gifts of wine and grain
Did honour us.
Returning at evening from the great mountains
Our red hoods rang with bells.
Lightly we ran
Until before our own green hill
There we did stand.
She is stolen!
She is snatched away!
Through watery meads
Straying our lovely daughter.
She of the wild eyes!
She of the wild hair!
Snatched up to the saddle of the lord of Weir
Who has his castle high upon a crag
A league away.
Upon the horse of air at once we rode
To where Weir's castle looks like a crippled claw
Into the moon.
And taking form of minstrels brightly clad
We paced upon white ponies to the gate
And rang thereon
"We come to sing unto my lord of Weir
A merry song."
Into his sorry hall we stepped
Where was our daughter bound?
Near his chair.
"Come play a measure!"
"Sir, at once we will."
And we began to sing and play
To lightly dance in rings and faster turn
No man within that hall could keep his seat
But needs must dance and leap
Against his will
This was the way we danced them to the door
And sent them on their way into the world
Where they will leap amain
Till they think one kind thought
For all I know they may be dancing still.
While we returned with our own
Into our hall
And entering in
Made fast the grassy door.
from "The Dancing of the Lord of Weir
”
”
Robin Williamson
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
Hear my voice and the voice of my ancestors, Chief Seattle said.
The destiny of your people is a mystery to us.
What will happen when the buffalo are all slaughtered?
The wild horses tamed?
What will happen when the secret corners of the forest are heavy with the scent of many men?
When the view of the ripe hills is blotted by talking wires?
Where will the thicket be? Gone.
Where will the eagle be? Gone!
And what will happen when we say good-bye to the swift pony and the hunt?
It will be the end of living, and the beginning of survival.
”
”
Susan Jeffers (Brother Eagle, Sister Sky: A Message from Chief Seattle)
“
I am a person of binges. I have never understood the phrase “too much of a good thing.” Look: it’s irrational, impossible. See fig. 1: when I was a child, I became obsessed with horses. I know, I know, all little girls are obsessed with horses. But I lived for them. I gorged on them. I begged for them in any incarnation: films, toys, patterns, photographs, posters. Once, I cut the hair off a Barbie and superglued it to the base of my spine. I thrilled to wear my pony tail under my clothes, in secret, my parents knowing nothing, thinking me merely human, but it rubbed off after two days, leaving long blond doll hairs clotting in the corners of the house. My birthday came, and my parents, who were still together then, splurged on an afternoon of horseback riding lessons. When it was time to leave, they found that I had knotted my hair into the horse’s mane so elaborately that they had to cut me away from it with a pair of rusted barn shears. I still have the clump of matted girl-and-horse hair hidden in a drawer, though after all the times I put it in my mouth, I admit that it is somewhat the worse for wear.
”
”
Emily Temple
“
Hot, bright heat filled him like some ecstatic poison, and Hartan's pony shied in terror as a wordless howl burst from his throat. His dripping ears were flat to his skull, fire crackled in his brown eyes, his huge sword blurred in a whirring figure eight before him, and the brigand running at him gawked in sudden panic. The raider's feet skidded in mud as he tried to brake, but it was far too late. He was face-to-face with the worst nightmare of any Norfressan, a Horse Stealer hradani in the grip of the Rage, and a thunderbolt of steel split him from crown to navel.
”
”
David Weber (Oath of Swords (War God, #1))
“
At the our he'd always choose when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only...above all the low chant of thei traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
Time for an exercise, which I shall call 'Say It Out Loud With Miranda'. Please take a moment to sit back, breathe and intone: 'I am taking myself seriously as a woman.' Note your response. If you're reading this on the bus, or surreptitiously in the cinema, or in any other public scenario, then please note other people's responses. (If you are male, and teenaged, and reading this in a room with other teenage boys, then for your own safety I advise you not to participate.)
The rest of you – what comes to mind when you say those words? Is it a fine lady scientist, a ballsy young anarchist with tights on her head or a feminist intellectual from the 1970s nose-down in Simone de Beauvoir? Or is it what I think my friend meant when she said 'woman' which is really 'aesthetic object'. Clothes-horse. Show pony. General beautiful piece of well-groomed stuff that's lovely to look at?
I reckon, to my great dismay, that she did indeed mean the latter. And in saying that I don't take myself seriously in this regard her assessment of me is absolutely bang-on. If taking oneself seriously as a woman means committing to a like of grooming, pumicing, pruning and polishing one's exterior for the benefit of onlookers, then I may as well heave my unwieldy rucksack to the top of a bleak Scottish hill and make my home there under a stone, where I'll fashion shoes out of mud and clothes out of leaves.
”
”
Miranda Hart (Is It Just Me?)
“
They saw the governor himself erect and formal within his silkmullioned sulky clatter forth from the double doors of the palace courtyard and they saw one day a pack of viciouslooking humans mounted on unshod indian ponies riding half drunk through the streets, bearded, barbarous, clad in the skins of animals stitched up with thews and armed with weapons of every description, revolvers of enormous weight and bowieknives the size of claymores and short twobarreled rifles with bores you could stick your thumbs in and the trappings of their horses fashioned out of human skin and their bridles woven up from human hair and decorated with human teeth and the riders wearing scapulars or necklaces of dried and blackened human ears and the horses rawlooking and wild in the eye and their teeth bared like feral dogs and riding also in the company a number of half-naked savages reeling in the saddle, dangerous, filthy, brutal, the whole like a visitation from some heathen land where they and others like them fed on human flesh.
”
”
Cormac McCarthy (Blood Meridian)
“
The air grew colder and thinner as they rode through the mountain passes. The sun was high and bright, but Martise wrapped her shawl tightly around her and pressed against Silhara’s back. Gnat kept a steady pace, breathing harder in the thin air. Unlike him, the mountain ponies suffered no effects from the rising elevation and clipped ahead at a swift pace. Patches of snow spilled from embankments onto the rutted paths. A brisk wind moaned a soft dirge as it whipped through the towering evergreens cloaking the mountainside.
Silhara called a sudden halt. Martise peered around his arm, expecting to see some obstacle in their path. The way was clear, with only the Kurmans watching them curiously.
“What’s wrong?”
“You’re quaking hard enough to make my teeth rattle.” He moved his leg back and untied one of the packs strapped to the saddle. “Get down.”
She slid off Gnat’s back. Silhara followed and pulled one of their blankets from the packet. “Here. Wrap this around you.” She had only pulled the blanket over her shoulders when he picked her up and tossed her onto Gnat’s back once more, this time in the front of the flat saddle. She clutched the horse’s mane with one hand and held on to her blanket with the other. Silhara vaulted up behind her, scooted her back against him and took up the reins.
“Better,” he said and whistled to the waiting Kurmans he was ready. Martise couldn’t agree more. The blanket’s warmth and Silhara’s body heat soaked through her clothing and into her bones. She leaned into his chest. “This is nice.”
An amused rumble vibrated near her ear. “So glad you approve.” His hand slipped under the blanket, wandered over her belly and cupped her breast. Martise sucked in a breath as his fingers teased her nipple through her shawl and tunic. The heat surrounding her turned scorching. “I agree,” he murmured in her ear. “This is nice.”
He stopped his teasing when she squirmed hard enough in the saddle to nearly unseat them both, but left his hand on her breast, content to just hold her. Martise was ready to toss off the blanket and her shawl. Silhara’s touch had left her with a throbbing ache between her thighs. She smiled a little at the feel of him hard against her back. She wasn’t the only one affected by his teasing.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
there was this family who had two boys who were twins, and the only thing they had in common was their looks. If one felt it was too hot, the other felt it was too cold. If one said he liked the cake, the other said he hated it. They were opposites in every way. One was an eternal optimist, and the other a doom and gloom pessimist. Just to see what would happen, on the twins’ birthday, the father loaded the pessimist brother’s room with every imaginable gift – toys and games, and for the boy who always sees the brighter side of life, with horse manure. That night, the father went to check on the doom guy’s room and found him sitting amidst his new gifts sobbing away bitterly. “Why,” the father said in anguish, “after all this?” The boy replied, “Because my friends are going to be jealous, I will have to read all these instructions before I can do anything with this stuff, I will constantly need batteries, and my toys will eventually be stolen or broken.” Passing by the optimist twin’s room, the father found him dancing for joy on the pile of manure. “What are you so happy about?” the father asked. The boy replied, “There’s got to be a pony in here somewhere!
”
”
Sadhguru (Mystic’s Musings)
“
... when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only. When the wind was in the north you could hear them, the horses and the breath of the horses and the horses' hooves that were shod in rawhide and the rattle of lances and the constant drag of the travois poles in the sand like the passing of some enormous serpent and the young boys naked on wild horses jaunty as circus riders and hazing wild horses before them and the dogs trotting with their tongues aloll and footslaves following half naked and sorely burdened and above all the low chant of their traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste to darkness bearing lost to all history and all remembrance like a grail the sum of their secular and transitory and violent lives.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.
[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.]
— all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text
”
”
Virginia Woolf (Orlando)
“
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.
[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.]
— all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
”
”
Virginia Woolf (Orlando)
“
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.
[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
”
”
Virginia Woolf (Orlando)
“
He ambled towards the abyss again,
Acquiescing to the adroit turns of his
Abtenauer, his Altai horse, his Appaloosa,
His Ardennais, and his Australian Brumby…..
Agilely each equine adumbrates the aesthetics
Of aestivating, much like aficionados of nature
And much like ailurophiles, too……
Ambrosial aromas attract his attention to the
Assemblage of amaranth foliage growing
At the abyss’s edge. “Anglophile!” “Antediluvian!”
“Aplomb!” “Apocryphal!” “Apophenia!” “Apothecary!”
Each petal calls out to him as he captures their vision in his
Aqueous humor. Now an arabesque they display,
Then some archipelago formation, as they (those purple perennials)
Give in to the Wind’s whimsy. “What’s in my arsenal?” He asks himself.
“Do I have Authenticity, like Astrophysics and Astronomy?”
“Am I at last in my Autumn, torn asunder by Avarice?
Shall I now step toward Winter to wither and waste away, without rebirth?”
The Summer’s azure skies call him back, reminding him of his herd.
Homeward he must turn. The pony pushes him back to the plain.
And, as he trudges away from the abyss, the warriors of darkness—
His old battle buddies who left him behind as they raced toward Providence—
Rattle in his mind with their Paleolithic war toys, on the war path, chanting:
“The greatest battles we face are in the silent chambers of our own souls…..”
-----from the poem 'Summer Battle' in the book HOT STUFF: CELEBRATING SUMMER'S SIMMER AND SIZZLE, by Mariecor Ruediger
”
”
Mariecor Ruediger
“
The summer of 1999, we went on holiday to Spain to visit my cousin Penny, who runs a horse farm in Andalucia. It is a beautiful, wild part of the country.
Shara would ride out early each day in the hilly pine forests and along the miles of huge, deserted Atlantic beaches. I was told I was too tall for the small Andalucian ponies.
But I didn’t want to be deterred.
Instead I ran alongside Shara and tried to keep up with the horse. (Good training, that one.)
Eventually, on the Monday morning we were to leave, I took her down to the beach and persuaded her to come skinny-dipping with me. She agreed. (With some more eye-rolling.)
As we started to get out after swimming for some time, I pulled her toward me, held her in my arms, and prepared to ask for her hand in marriage.
I took a deep breath, steadied myself, and as I was about to open my mouth, a huge Atlantic roller pounded in, picked us both up, and rolled us like rag dolls along the beach.
Laughing, I went for take two. She still had no idea what was coming.
Finally, I got the words out. She didn’t believe me.
She made me kneel on the sand (naked) and ask her again.
She laughed--then burst into tears and said yes.
(Ironically, on our return, Brian, Shara’s father, also burst into tears when I asked him for his blessing. For that one, though, I was dressed in a jacket, tie, and…board shorts.)
I was unsure whether his were tears of joy or despair.
What really mattered was that Shara and I were going to get married.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
My shrink suggested that if I was going to continue traveling so much that I could look into getting a service animal expressly trained to provide emotional support to people with anxiety disorders. I considered getting Hunter S. Thomcat trained, but then I remembered that he gets spontaneous nervous diarrhea every time he's in a moving car, and I'd imagine that holding a cat who seems to have explosive plane dysentery wouldn't necessarily *help* my anxiety as give me something new (and horribly unsanitary) to be anxious about.
I called around to different service-animal specialists and spoke to a woman who told me it's better to get an animal who has already been trained and has the right temperament. She also told me cats aren’t preferred emotional-support animals for anxiety disorder, but my cats hate dogs so I figured I was fucked, but then she told me that the Americans with Disabilities Act was recently interpreted as allowing “people with anxiety disorders to travel with an emotional-support pony on airlines.” So basically I could bring a goddamn pony on board with me. I’m pretty sure a pony wouldn’t fit under my seat or in my lap, but I rather liked the idea of a small medicinal horse standing in the aisle beside me while I braided his mane. Plus, Pony Danza would make a great pack animal and instead of bringing suitcases I could just put my extra clothes on him and that way I wouldn’t have to pay to check a bag. Plus, the pony wouldn’t get cold because it would be wearing my pajamas.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Help,’ Jo moaned. ‘I think I’m in a coma.’
It was seven o’clock. The library walls were scrubbed clean and Allie’s neck and shoulders ached whenever she even thought about raising her arms as she sat on the dust sheet next to Jo.
‘Do your arms hurt?’ Allie asked, rubbing her shoulders.
‘God yes.’
‘Then you’re not in a coma.’ Gingerly Allie stretched out her legs. ‘Jesus. What have I got myself into? Rachel has a swimming pool and horses. Horses, Jo. I could be floating in a pool and petting soft pony noses if I were still at her house.’
‘Here.’ Jo turned to face her. ‘My nose is soft. You can pet it.’
Allie stroked her nose tiredly. ‘Wow. This is just like being at Rachel’s. Where’s the pool?’
‘No pool,’ Jo said. ‘Showers.’
‘Sucks.’
‘Totally.’
‘Are you two just going to lie there complaining? Or are you coming to dinner?’ Allie looked up to see Carter standing above them, studying them doubtfully.
‘Jo’s in a coma,’ Allie informed him. ‘She no longer needs food.’
‘Wait. Did you say food? I think I’m actually awake.’ Jo scrambled to her feet.
‘My God,’ Allie said mildly. ‘It’s a miracle.’
‘You’ve only been doing this one day, Sheridan.’ Carter reached down to pull her up. ‘You can’t be tired already.’
‘Everything hurts,’ she said. ‘Shoulders, arms, back …’
‘Legs, feet, head …’ Jo offered helpfully.
‘Ankles. Shins. Name a body part,’ Allie said. ‘It hurts.’
Carter didn’t look impressed.
‘Food will ease your pain.’ He steered them towards the dining hall.
‘He’s very wise,’ Allie told Jo.
‘Clearly,’ Jo replied.
”
”
C.J. Daugherty (Legacy (Night School, #2))
“
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Jd_O wti d-d-
God saw all that He had made, and behold, it was very good. And there was evening and there was morning, the sixth day.
-GENESIS 1:31
As we look at life, are we bound to the idea that bad things happen to people? Look at all the bad news on television and radio. The newspapers are full of disasters: people dying of illness, accidents, drownings, fires destroying property, uprisings in countries abroad, and on and on. Do you sometimes ask God, "Why me?"
As we look around, we get the idea that everything is falling apart, and our whole world is in a spiral downward. Charles L. Allen expressed this idea about our perspective: Our glasses aren't half-empty; they are really half-full. He says,
It seems to be a general belief that the will of God is to make things distasteful for us, like taking medicine when we are sick or going to the dentist. Somebody needs to tell us that sunrise is also God's will. In fact, the good things in life far outweigh the bad. There are more sunrises than cyclones.
His glass was certainly half-full.
There's a story of a young boy who was on top of a pile of horse manure digging as fast and as hard as he could. His father, seeing his son work so hard on a pile of smelly waste, asked, "Weston, what are you doing on that pile of horse manure?" Weston replied, "Daddy, with this much horse manure there must be a pony here somewhere." This son certainly had his glass half-full. You, too, can choose to be positive in all events of life. There is goodness in everything-if we will only look for it.
PRAYER
Father God, thank You for helping me be a positive person. I appreciate You giving me
”
”
Emilie Barnes (The Tea Lover's Devotional)
“
In the evening he saddled his horse and rode out west from the house. The wind was much abated and it was very cold and the sun sat blood red and elliptic under the reefs of bloodred cloud before him. He rode where he would always choose to ride, out where the western fork of the old Comanche road coming down out of the Kiowa country to the north passed through the westernmost section of the ranch and you could see the faint trace of it bearing south over the low prairie that lay between the north and middle forks of the Concho River. At the hour he'd always choose when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only. When the wind was in the north you could hear them, the horses and the breath of the horses and the horses' hooves that were shod in rawhide and the rattle of lances and the constant drag of the travois poles in the sand like the passing of some enormous serpent and the young boys naked on wild horses jaunty as circus riders and hazing wild horses before them and the dogs trotting with their tongues aloll and footslaves following half naked and sorely burdened an above all the low chant of their traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste to darkness bearing lost to all history and all remembrance like a grail the sum of their secular and transitory and violent lives.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
The first time Christina and Lachlan Meet
...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs.
The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up.
No, no. Her strike hadn't rescued her from the pillager.
A champion had.
A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!"
Bloodied and battered, the varlet dropped to the dirt.
A swordsman attacked her savior from behind.
"Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back.
Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened.
Five enemy soldiers lay on their backs.
"Quickly," the man shouted, running toward her, his feet bare.
No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle.
"Behind!" Christina screamed, every muscle in her body clenching taut.
Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack.
She picked up her reins and dug in her heels.
"Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox.
Christina peered around her shoulder at the mass of fighting men behind them. "My son!"
"Do you see him?" the man asked in the strangest accent she'd ever heard.
She tried to turn back, but the man's steely chest stopped her. "They took him."
"Who?"
"The English, of course."
The more they talked, the further from the border the galloway took them.
"Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day.
The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste.
White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time.
At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace."
The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?
”
”
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
“
I have almost five hundred dollars saved.” Alison spoke slowly and deliberately.
This time Laura did pull away. “Five hundred dollars?” Her eyes were incredulous. “How did you ever save that much?” Then, before Alison could answer, Laura’s eyes widened again and she let out a faint squeal.
Mom half-turned to the back again, and Alison could tell that Laura was fighting to keep a normal look about her.
After Mom had resumed her road watching, Laura finally spoke. “Just think of all the things we can buy on vacation,” she spouted. “Cotton candy at the carnival, model horses, saltwater taffy, postcards…We can even ride all the rides, more than once!”
Alison shook her head and sighed again. “Let me remind you that this isn’t your money.”
“It is if you want me to keep it a secret,” Laura challenged.
“Why, you little rat!”
“Well, it’s mostly yours,” Laura conceded.
Alison rolled her eyes in exasperation. If she hadn’t needed her sister on her side she’d have been tempted to rap her. She tapped Laura on the top of her red head. “Think about it,” she prodded. “What could we buy with five hundred dollars?”
All at once a light filled Laura’s eyes. All right, Alison thought. Laura is finally awake!
“A pony!” The words slid from Laura in a hiss. “Are you going to buy a pony at the Pony Penning auction?”
This time it was Alison who settled back smugly in her seat. “Every year we ask Mom and Dad, and every year they say we can’t afford one,” she said softly. “Now I have the money. How can they possibly say no?
”
”
Lois K. Szymanski (Sea Feather)
“
She thought about the dolphins, the warm smells of the island, and the animals that lived there. She realized that all of this was what made the Chincoteague ponies special. It wasn’t just that they were horses, although that in itself would have been enough. But the ponies were even more. They were the sun, the sand, the untamed beauty of nature, all rolled into one. And they were a legend in themselves.
”
”
Lois K. Szymanski (Sea Feather)
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
And so the neighing of horses and ponies, the screeching of monkies, the trumpeting of Susie Q, all that happened right here but back then and in the wake of the Gadget. Susie Q stomping her giant feet in the radioactive ash.
”
”
Joshua Wheeler (Acid West: Essays)
“
We’d get through this little arrangement of ours better if you didn’t lie to me, Nash.”
“Christ, Dani. I needed to get out of town for a few hours today, okay? Quinn’s got me running so many chores in her mom-wagon, I can feel my balls shrinking in daily increments. So I went to get a little girlie-action. So what? That was never verboten in our agreement. Unless you want to amend your anti-sex-with-me stance?”
I glared at him, not appreciating his suggestion, or the fact that he used Mick as an excuse for girlie-action-getting. “Fine!” He held up his hands in surrender. “I went with Sindy, if you must know.”
“To pick up girls in Atlantic City?”
“No.” He hung his head in shame. “It was a little pony-action. She likes the horse races, okay? It’s just a little embarrassing to say I drove an old lady down there.” I planted my hands on my hips. “Okay, so she drove! I hate the traffic on the turnpike.
”
”
Jessica Topper (Courtship of the Cake (Much "I Do" About Nothing, #2))
“
He had driven a few metres down the driveway when he stopped the car and wound down the passenger window and spoke again. “She’ll always be your horse, Isadora. The question is—do you have enough faith to still be her girl?” And with that, Avery floored the accelerator on the Range Rover, leaving Issie standing in the driveway in floods of tears as he drove away.
”
”
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
“
The fact that there were more adults than children at her party didn't seem to faze Dixie.
"That child is like a dandelion," Lettie said. "She could grow through concrete."
Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head.
"Had no idea that horse was white," Leo said, as they stood back and admired their work.
Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats.
Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general.
"Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!"
Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.
”
”
Paula Wall (The Rock Orchard)
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
“
It was as if a silent form of communication was going on between them.
”
”
Katrina Kahler (JULIA JONES' DIARY - My Dream Pony: Diary of a Girl Who Loves Horses - Perfect for girls aged 9-12)
“
just thinking about it! I’m so excited!!!
”
”
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
I had never been one to blindly trust the universe to award favor based on merit, but it felt like a cruel joke that we should be given a Trojan horse when we’d merely asked for a pony.
”
”
L.J. Greene (Sound Effects (Ripple Effects, #2))
“
I remember going home at night, exhausted, feeling like I was balancing on the backs of a herd of horses—only some of the horses were thoroughbreds, some were completely wild, and some were ponies who were struggling to keep up. I found it hard enough to hold on, let alone steer. Simply
”
”
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
“
heart. As he looked around at the agency Indians, dependent, destitute, spiritless, it was clearer than ever that an agency offered no life to him and no prospect for the return of Hawk. The people might be able to live here, he didn’t know. Hawk would never come to him here, and he would die. And until his death, live gutted of spirit. He walked his pony and felt in its hooves the pulse of the drum, tapping the earth.
”
”
Win Blevins (Stone Song: A Novel of the Life of Crazy Horse (Native Spirit Adventures Book 1))
“
Now, to steal horses, their raiding parties ranged over the endless grass-lands far toward the south, old warriors say even into the Spanish possessions. Often these raiders were absent for two years; and nearly always they were successful. Their pony-bands grew until men measured their wealth in horses. Meat, their principal food, was easily obtained; and yet these people did not permit life to drag, or become stale. War and horse-stealing were their never-ending games; and besides furnishing necessary excitement and adventure they kept every man in constant training, since a successful raid was certain to bring attempts at reprisal. To be mentioned by his tribesmen as a great warrior, or a cunning horse-thief, was the highest ambition of a plains Indian; and the Blackfeet were master-hands at both these hazardous hobbies.
”
”
Frank Bird Linderman (Blackfeet Indians)
“
I’d be mortified at getting stuck down in a sexy squat. Absolutely mortified. I give Paige huge points for coming up laughing even louder, and exclaiming to Kendra, who’s come over too:
“Ken! Didja see? I dropped it but I couldn’t pop it! Ha! I couldn’t pop it!”
She’s howling with laughter, her head thrown back, her blond curls tumbling everywhere.
“I dropped it!” she yells. “But I couldn’t pop it!”
“Ma cosa dice?” Sebastiano says to me. “What does she say?”
I look at him helplessly. “I can’t explain,” I say finally. So I throw my hands wide in apology for not being able to translate, and start dancing again, only to stop a moment later as Paige yells:
“Oh! Em! Gee! I am sooo out of it!” She’s pointing at Golia, the donkey. “I’m, like, seeing things! I thought you were supposed to see pink elephants--I’m, like, seeing a horse! No, it’s a pony! My Little Pony! Cool! Is anyone else seeing a--”
“I think it’s time we took her home,” Kendra says dryly to Leonardo.
”
”
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
“
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again.
Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home.
With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past.
“Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?”
Loretta had no idea what the child had asked until Blackbird steepled her fingers.
“Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.”
Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers.
A deep voice came from behind her. “She asks how long you will eat and keep warm with us.”
Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless.
“You will tell her, ‘Pihet tabbe.’”
Trust didn’t come easily to Loretta. “What does that mean?”
A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.”
Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.”
“Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.”
Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Hey!” Issie said. “You’re too close. What are you doing?” “Giving my girlfriend a kiss,” announced Aidan. And with that, he leant over as he rose out of the saddle with a swift bounce and the next thing Issie knew Aidan’s lips had connected with her own in the briefest, most fleeting of kisses. Then they were both trotting on once more and Aidan pulled Marmite away so that the horses weren’t squashed up against each other. “This is my stop,” he said, gesturing to the turning up ahead that led to Winterflood Farm. “I’ll
”
”
Stacy Gregg (Fortune and the Golden Trophy (Pony Club Secrets, Book 7))
“
Red Buffalo emerged from the darkness, leading his favorite war pony. Loretta and Hunter, arms looped around one another, turned to face him. When Red Buffalo reached Loretta, he grasped her hand and curled her fingers around the horse’s line.
“Red Buffalo, I can’t take your war pony!” This horse, she knew, was Red Buffalo’s most prized possession, precision trained, his greatest edge when he rode into battle. It was a great honor he was bestowing upon her, perhaps the greatest honor a warrior could bestow on anyone, but she couldn’t in good conscience accept. “Please, keep your horse.”
“My cousin’s fine Comanche wife must have a fine horse to carry her. You will never make it into the west lands on a scrawny, poorly trained tosi tivo horse.”
Red Buffalo extended his hand to her. In friendship. She had vowed once that she would never take his hand in friendship, never. For a moment she hesitated. Then the last hard little knot of hatred within her disintegrated, and she placed her palm across his. Loretta knew that her mother would approve. For Loretta and Hunter, the war between their people had to end. There was no room for the past in their lives, no room for bitterness.
Red Buffalo smiled, inclined his head to Hunter, and turned to leave.
“Red Buffalo, would you give Swift Antelope a message for me? Tell him Amy hasn’t forgotten her promise, that she’ll wait for him.”
Red Buffalo lifted his arm in farewell. “I will tell him.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The Comanche rode in a wide circle around the frightened, riderless horses and tossed Amy into the arms of a fellow Indian who waited in the ranks. The little girl’s indignant screeching filled the air. Loretta lifted the Spencer carbine to her shoulder, leveling the sights on the Comanche as he circled back to her. The bells on his moccasins tinkled merrily with each movement of his horse.
“Let me go!” Amy screamed. “You stinkin’ savage.”
Loretta glanced toward the child. A young brave struggled to keep Amy atop his pony. He laughed uproariously when she tried to scratch him. The girl caught a handful of his black hair and pulled with all her might.
“Ai-ee!” the boy exclaimed. “She tries to take my scalp.”
Whoops of laughter spiraled among the men.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
SHOULD HAVE SEEN it coming, or at least given more consideration to Darrel McComb’s prediction about Johnny American Horse’s legal fate; but like most people who believe that humankind is basically good and capable of conducting its affairs in a reasonable way, I daily avoided the inescapable conclusion that collective stupidity has often been the norm in the long and sorry history of human progress, and that perhaps the soundest argument for the existence of God is the fact that the human race has survived in spite of itself.
”
”
James Lee Burke (In the Moon of Red Ponies (Billy Bob Holland, #4))
“
We looked down every driveway, and Mom was becoming very stressed.
”
”
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
“
If you see it, you can believe it. And if you believe it, you can achieve it!
”
”
Katrina Kahler (Pony Pals (Diary of a Horse Mad Girl #4))
“
ADD US ON TELEGRAM : PETSHOME1
For beginners ,they does good with traffic, 4-wheelers, lawnmowers and other animals. They also drives. In the pasture she will greet you at the gate, picks up all her feet, stands to be saddled/harnessed/brushed,
ADD US ON TELEGRAM : PETSHOME1
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”
TELEGRAM : PETSHOME1
“
ADD US ON TELEGRAM : PETSHOME1
For beginners ,they does good with traffic, 4-wheelers, lawnmowers and other animals. They also drives. In the pasture she will greet you at the gate, picks up all her feet, stands to be saddled/harnessed/brushed,
ADD US ON TELEGRAM : PETSHOME1
”
”
TELEGRAM ID: PETSHOME1
“
ADD US ON TELEGRAM : PETSHOME1
For beginners ,they does good with traffic, 4-wheelers, lawnmowers and other animals. They also drives. In the pasture she will greet you at the gate, picks up all her feet, stands to be saddled/harnessed/brushed,
ADD US ON TELEGRAM : PETSHOME1
”
”
ADD US ON TELEGRAM : PETSHOME1
“
kissed Misty's cheek,
”
”
Elaine Heney (The Riding School Connemara Pony - The Coral Cove Horses Series (Coral Cove Horse Adventures for Girls and Boys Book 1))
Stacy Gregg (Destiny and the Wild Horses (Pony Club Secrets, Book 3))
Whitney Sanderson (Lily (Horse Diaries #15))
“
up. Pony horses go around us to grab excited racehorses.
”
”
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
“
The horses, reluctant and excited from the first, become furious and wild. At the next shoal-personal nastiness being past consideration-we dismount, at knee-deep, to give them a moment's rest, shifting the mule's saddle to the trembling long-legged mare, and turning Mr. Brown loose, to follow as he could. After a breathing-spell we resume our splashed seats and the line of wade. Experience has taught us something, and we are more shrewd in choice of footing, the slopes around large trees being attractively high ground, until, by a stumble on a covered root, a knee is nearly crushed against a cypress trunk. Gullies now commence, cut by the rapid course of waters flowing off before north winds, in which it is good luck to escape instant drowning. Then quag again; the pony bogs; the mare, quivering and unmanageable, jumps sidelong among loose corduroy; and here are two riders standing waist-deep in mud and water between two frantic, plunging-horses, fortunately not beneath them. Nack soon extricates himself, and joins the mule, looking on terrified from behind. Fanny, delirious, believes all her legs broken and strewn about her, and falls, with a whining snort, upon her side. With incessant struggles she makes herself a mud bath, in which, with blood-shot eyes, she furiously rotates, striking, now and then, some stump, against which she rises only to fall upon the other side, or upon her back, until her powers are exhausted, and her head sinks beneath the surface. Mingled with our uppermost sympathy are thoughts of the soaked note-books, and other contents of the saddle-bags, and of the.hundred dollars that drown with her. What of dense soil there was beneath her is now stirred to porridge, and it is a dangerous exploit to approach. But, with joint hands, we length succeed in grappling her bridle, and then in hauling her nostrils above water. She revives only for a new tumult of dizzy pawing, before which we hastily retreat. At a second pause her lariat is secured, and the saddle cut adrift. For a half-hour the alternate resuscitation continues, until we are able to drag the head of the poor beast, half strangled by the rope, as well as the mud and water, toward firmer ground, where she recovers slowly her senses and her footing. Any further attempts at crossing the somewhat "wet" Neches bottoms are, of course, abandoned, and even the return to the ferry is a serious sort of joke. However, we congratulate ourselves that we are leaving, not entering the State.
”
”
Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)