Polka Dots And Stripes Quotes

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How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
Sally Thorne (The Hating Game)
When I take my hand out of this blanket," he thought, "my nail will be grown back, my hands will be clean. My body will be clean. I'll have on clean shorts, clean undershirt, a white shirt. A blue polka-dot tie. A gray suit with a stripe, and I'll be home, and I'll bolt the door. I'll put some coffee on the stove, some records on the phonograph, and I'll bolt the door. I'll read my books and I'll drink coffee and I'll listen to music, and I'll bolt the door. I'll open the window, I'll let in a nice, quiet girl--not Frances, not anyone I've ever known--and I'll bolt the door. I'll ask her to read some Emily Dickinson to me--that one about being chartless--and I'll ask her to read some William Blake to me--that one about the little lamb that made thee--and I'll bolt the door. She'll have an American voice, and she won't ask me if I have any chewing gum or bonbons, and I'll bolt the door.
J.D. Salinger (A Boy in France (Babe Gladwaller, #2))
Daemon poked me in the back with his pen. Lesa’s brows arched, but she wisely said nothing as I twisted around. “Yes?” His half grin was all too familiar. “Reindeer socks today?” “No. Polka dots.” “Sock mittens?” “Regular”, I said, fighting a stupid grin. “I’m not sure how I feel about that.” He tapped his pen on the edge of his desk. “Regular socks just seem so boring after seeing the reindeer socks.” Lesa cleared her throar. “Reindeer socks?” “She has these socks that have reindeers on them and are kind of like mitten for the toes.” He explained. “Oh, I have a pair like that,” Carissa said, grinning. “But mine have stripes on them. Love them in the winter.” I passed Daemon a smug look. My socks were cool. “Am I the only person who is wondering how you saw her socks”? Lesa asked. Carissa punched her on the arm. “We live next door to each other,” he reminded her. “I see lots of things.” I shook my head frantically. “No, he doesn’t. He hardly sees anything.” “Blushing,” he said, pointing at my cheeks with the blue cap of his pen.
Jennifer L. Armentrout (Onyx (Lux, #2))
It took me a little while to understand why confetti, polka dots, and stripes have such an outsize effect. The reason is deceptively simple: small things repeated many times create a burst of joy much bigger than each individual piece could. Think about it this way: Each confetto (yes, that’s the singular of “confetti”) is just a speck of paper. If you saw one on your shoe, you’d probably pick it off without another thought. But multiply that confetto a thousand times and you have a handful of one of the most potent joymakers in the world, a pocket-sized jubilee. Glitter, sprinkles, a strand of Christmas lights: all derive their joyful power from this simple act of repetition.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Devin was the most gorgeous, unique creature Kate had ever known. She'd come out of the womb an individual, refusing to be defined by anyone. She didn't even look like anyone on either side of their families. Matt's family was so proud of their dark hair, a blue-black that had been the envy of generations, the way it caught the sun like a spiderweb. From Kate's own side of the family, there was a gene that made their eyes so green that they could trick people into thinking that even the most unattractive Morris woman was pretty. And yet here was Devin, with fine cotton-yellow hair and light blue eyes, the left of which was a lazy eye. She'd had to wear an eye patch when she was three. And she'd loved it. She loved her knotted yellow hair. She loved wearing stripes with polka dots, and tutus, and pink and green socks with orange patent-leather shoes. Devin could care less what other people thought about her.
Sarah Addison Allen (Lost Lake (Lost Lake, #1))
In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’ She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on. Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.
Kiran Desai (Hullabaloo in the Guava Orchard)
Madeline Hatter. Her lavender-streaked teal hair exploded around her in messy curls. The polka-dotted, striped, and lacy layers of her skirt were bunched and fluffed. Her teacup hat tilted low over one ear. “Whoops,
Shannon Hale (The Unfairest of Them All: Preview (Ever After High))
What Tina’s confetti drawer made me realize is that the abundance aesthetic can have a huge impact, even in small doses. A woman can be wearing all black, but a polka-dot scarf makes her look like an ambassador of joy. A striped awning over a restaurant can cheer up an entire street.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
This advice felt counterintuitive, but as an antidote to performance anxiety and perfectionism paralysis, it really helped me! Decide how much time you can dedicate to your pursuit, schedule it, and stop when you have put in your time—regardless of whether or not you are finished or even like what you’ve done. Consider yourself successful for showing up and putting in your time. Progress takes time, as well as patience and discipline, but just focus on the time.
Kirsten Sevig (Striped Pears and Polka Dots: The Art of Being Happy)
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