Polish Funny Quotes

Popatrz jeno. Kościół, karczma, bordel, a w środku między nimi kupa gówna. Oto parabola ludzkiego żywota.

I've always been led to believe that the ultimate goal for an author is the movie deal. Now I understand that the movie deal is merely a MEANS TO A MUCH HIGHER END: NAIL POLISH.

If ye canna see the bright side o' life, polish the dull side

You’re a wild and disobedient girl with violence impulses who chafes at authority and your thin veneer of polished civility has all the transparency of a whore’s nightgown.

My eye was drawn to a bright green hue, the same shade as a poisonous Amazonian frog, the tiny, delightfully deadly ones.

- (…) Jak Niemcowi powiesz “zakazane”, to znaczy “zakazane”. Jak Ruskiemu to powiesz - to samo. Spróbuj powiedzieć to Polakowi. “Zakazane” to są dla niego od razu trzy możliwości: częściowo zakazane i trzeba ściemniać, zakazane, ale nie do końca, tak jakby zakazane i niezakazane jednocześnie. I najprostsza możliwość. Zakazane? Aha, to znaczy nikt nic nie wie i rób, co chcesz. - Jezu Chryste, nigdy nie zrozumiem tego narodu. Jak wyście przetrwali tyle wieków? - Właśnie dzięki temu.

There is something about yourself that you don't know. Something that you will deny even exists until it's too late to do anything about it. It's the only reason you get up in the morning, the only reason you suffer the shitty boss, the blood, the sweat and the tears. This is because you want people to know how good, attractive, generous, funny, wild and clever you really are. "Fear or revere me, but please think I'm special." We share an addiction. We're approval junkies. We're all in it for the slap on the back and the gold watch. The "hip, hip, hoo-fucking-rah." Look at the clever boy with the badge, polishing his trophy. Shine on, you crazy diamond. Cos we're just monkeys wrapped in suits, begging for the approval of others.

Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing.

She slides through the door with a gust of cold and locks the door behind her and I see her fingers trail across the polished steel—tip of each finger the same color as her lips. Funny orange. Like the tip of a soldering iron. Color so hot or so cold if she touches you with it you can’t tell which.

You can't polish a turd

It was as grim a social scene as I’d ever encountered, and I missed everything I’d left behind at home. I wondered what my nail polish collection was doing right now.

So you were looking for a bathroom in the woods?” “Well, yes.” She swallowed. “Sort of. But then I heard a splash and saw you…” Her cheeks were practically purple now. I played dumb. “Saw me what?” “Saw you naked, OK?” she blurted, throwing her hands up. “I admit it—I saw you naked.” I had no hang-ups about nudity, but I was damn serious about my privacy, and about people sneaking up on me. But her embarrassment was funny. The two times I’d seen her before, she’d been so polished and poised. It felt good to put her in her place a little. “So you climbed a tree for a better view, is that it?

Paul and I sat in lawn chairs in my yard, and usually we could cheer each other up by talking about Billy. It was September 1993, and he had been gone four months. We had started the thing you do, where you collect the stories you'll tell over and over again. You begin to polish the edges of a memory--something funny he said or a specific performance--until the edges are smoothed and the story is comforting.

Sara was able to point out to her many beauties in the room which she herself would not have suspected the existence of. "It is so little and so high above everything," she said, "that it is almost like a nest in a tree. The slanting ceiling is so funny. See, you can scarcely stand up at this end of the room; and when the morning begins to come I can lie in bed and look right up into the sky through that flat window in the roof. It is like a square patch of light. If the sun is going to shine, little pink clouds float about, and I feel as if I could touch them. And if it rains, the drops patter and patter as if they were saying something nice. Then if there are stars, you can lie and try to count how many go into the patch. It takes such a lot. And just look at that tiny, rusty grate in the corner. If it was polished and there was a fire in it, just think how nice it would be. You see, it's really a beautiful little room.

First draft blues: "He tested the stick and glanced at the set handbrake. With his feet he felt the accelerator, the brake, the clutch. Backwards, but otherwise just the same, and comforting in a solid, mechanical way. It even smelled right, oil, petrol, lubricated warm metal, and the polished windshield seemed transparent in the night’s silver flood.

The Captain was wearing his best blousey shirt, his beard was gleaming in the early morning light and he’d polished all his gold teeth. As he strode manfully towards the shore, the only thing that could have make him look even more heroic that he already did would have been the theme to Flash Gordon playing in the background, but it was a hundred and seventy years too early for that.

there are restraining cuffs on each corner. Above it is an expansive iron grid suspended from the ceiling, eight-foot square at least, and from it hang all manner of ropes, chains, and glinting shackles. By the door, two long, polished, ornately carved poles, like spindles from a banister but longer, hang like curtain rods across the wall. From them swing a startling assortment of paddles, whips, riding crops, and funny-looking feathery implements.

She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles.

I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.

The boarding school memoir or novel is an enduring literary subgenre, from 1950s classics such as The Catcher in the Rye to Curtis Sittenfeld’s Prep. Doust’s recognisably Australian contribution to the genre draws on his own experiences in a West Australian boarding school in this clever, polished, detail-rich debut novel. From the opening pages, the reader is wholly transported into the head of Jack Muir, a sensitive, sharp-eyed boy from small-town WA who is constantly measured (unfavourably) against his goldenboy brother. The distinctive, masterfully inhabited adolescent narrator recalls the narrator in darkly funny coming-of-age memoir Hoi Polloi (Craig Sherborne)—as does the juxtaposition of stark naivety and carefully mined knowingness.’ — Bookseller+Publisher

Things can get out of hand quickly, especially with Sid around. I also decide never to wear heels again when I'm out with him. I go to Holt's in Camden Town and buy a pair of black Dr Martens. (You can get them in black, brown or maroon, the skinhead boys at school used to buy the brown ones and polish them with Kiwi Oxblood shoe polish — this gives them a deep reddish brown colour, much subtler than the flat red of the originals. They also keep them pristinely clean and polished at all times.) I wear my new boots with everything — dresses, tutus — it’s a great feeling to be able to run again. No other girl wears DMs with dresses, so I get a lot of funny looks. (Skinhead girls only wear DMs with Sta-Prest trousers. With their boring grey skirts, they west plain white or holey ecru tights and black patent brogues.) Bit I wear them all the time to clubs and pubs, it eventually catches on with other girls and I don’t look so odd.

I think you should consider your alternatives." "What alternatives?" "Me." She tilted her head down to hide her smile. "You aren't on the list." "I don't care about the damn list, and I don't care about the game. I want you, Layla. And if I have to leave the office-" "I don't want you to leave the office," she said softly. "I like sharing the space with you. I like being with you. I like that you're caring and protective. I like that you line up your pencils, and color-code your files, and that your shoes are always polished, and your ties are perfectly knotted. I like that you are funny and sarcastic, and some of the best times I've had have been interviewing people with you. I like how loyal you are, even though you support the wrong baseball team. I like that you pretend not to know any movies but you can list almost every horror film ever made. And I like the way you kiss." His face softened and he gave a satisfied smile. "You like my kisses?" "Very much." "What else do you like?" Layla licked her lips. "Take me to your place and I'll show you.

Poirot asked: ‘Whatdo you see so plainly? The witnesses? The counsel? The judge? The accused standing in the dock?’ Fogg said quietly: ‘That’s the reason, of course! You’ve put your finger on it. I shall always seeher…Funny thing, romance. She had the quality of it. I don’t know if she was really beautiful…She wasn’t very young-tired looking-circles under her eyes. But it all centered round her. The interest-the drama. And yet, half the time,she wasn’t there. She’d gone away somewhere, quite far away-just left her body there, quiescent, attentive, with the little polite smile on her lips. She was all half tones, you know, lights and shades. And yet, with it all, she was more alive than the other-that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.’ He paused: ‘I’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him…’ Mr Fogg, K.C., paused and polished his glasses. ‘Dear me,’ he said. ‘I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No-I shall never forget her…

Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.

She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?

Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.

The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.

Ale, obejrzawszy ten serial, jedno wam powiem: nigdy nie bądźcie żadnymi dobrymi kobietami!!) (Nieszczęsna Krystle, ta poczciwina podobna staremu, smutnemu źrebięciu – jej jedynym zajęciem jest bycie piękną. Albo wypoczywa w ogrodzie, albo szczotkuje włosy, albo poleca zmienić wodę w wazonach; nic nie ma do roboty). (A taka Alexis? Może zła, ale przynajmniej ma swoje zainteresowania. Maluje, strzela do ptactwa i całymi dniami rąbie szampana z kieliszka.

I'm not sure we'll have much to your liking, other than the roasted vegetables. We Southerners are all about refined sugar and flours." "You don't eat sugar or flour?" Sam's eyebrows reached his hairline. "God, what else is there? I mean, don't get me wrong, I'm a carnivore through and through, but I couldn't live without breads and desserts." "Sam!" Poppy gave him a disapproving look. Maybe she could polish my brother, although I doubted it. Javier ladled several scoops of chicken and dumplings onto his plate. "I try to eat clean. But it's not as if I don't ever splurge. I love a grain-free veggie pizza with no cheese." The table gasped. "Veggie pizza with no cheese!" Meemaw looked appalled. "That's not pizza! What's the point without the cheese?" Javy passed the tureen to Betsy, who scowled at her grandmother. "It's still pizza, Meemaw. I might try that sometime." Alex choked on a sip of tea. I elbowed him as Betsy leaned around Javy to glare at her cousin. "I agree that on occasion, you gotta splurge." Alex laughed under his breath. "Cheese is your favorite food group, Bets." The idea of Betsy eating clean really seemed to tickle his funny bone. He was lucky she wasn't sitting closer to him. He'd pay later. Her knuckles were white as she gripped her knife. "And yours is beer foam." The table went silent.

It was a civics lesson which cities across the northern tier of the country would all learn in similar fashion. Dzink and his Polish supporters had, in good American fashion, convinced their elected representatives of the justice of their cause, only to have the federal government countermand their efforts with a combination of black intelligence operations directed against American citizens and overwhelming military force. The government’s actions in the Sojourner Truth case would also establish a precedent in both housing and racial matters for the post-war period. Whenever blacks claimed discrimination, they could be sure of the federal government’s concern. Whenever the Catholic ethnics would claim that their neighborhoods were being targeted for destruction, they were written off as racists suffering from paranoid delusion. No matter how much clout the ethnics could muster locally, it could always be countered by some judge, appealing to higher moral principles. The same was true of Poles in Detroit, where “vested powers might have considered Polish Detroiters and neighborhood brokers expendable.” One year later when the worst race riot in the history of the country broke out in Detroit, the Poles again were blamed, but with the experience of Sojourner Truth behind them, Detroit’s residents were skeptical. “After the street battles of 1943,” Capeci writes, “Conant Gardens residents remembered ‘something funny’ about the 1942 housing controversy, something phoney that seemed to come from outside the neighborhood.” Residents of Chicago would soon notice the same thing.

A jej makijaż wyglądał na zrobiony w ciemnej szafie kulkami do paintballu.

- Zniszczę kapitalizm! Słyszysz? Zniszczę każdego jednego kapitalistę! A zacznę od ciebie, psie, jak nam nie pomożesz z bombą! (...) - Myślałem nad jedną rzeczą - powiedział Allan. - Jaką? - spytał Stalin ze złością. - Że może wziąłbyś i zgolił te wąsy?

Boli mnie głowa, jak o tym myślę, i boli mnie w piersi, jak nabieram powietrza, żeby powiedzieć, że boli mnie głowa, jak o tym myślę.

Jesteś tak przydatny jak pomoc Microsoftu.

telling the truth.” “What did you say?” “That I’d seen you attacked by DAR agents. That you’d had plenty of opportunities to make sure I got arrested, and that you hadn’t.” She grinned. “Kobb stopped just short of advising Epstein to have us both arrested. I don’t think he enjoyed that meeting.” “I don’t get the feeling Kobb enjoys very much.” They strolled through the lobby, heels clicking on the polished floor. “He must be a kick in bed, huh?” She laughed. “Three to five minutes of church-approved fore-play, followed by restrained intercourse during which both partners think about baseball.” “Mr. Cappello?” He and Shannon spun, easy enough but both shifting weight, softening the knees, positioning themselves back-to-back. They’d grown used to each other already, knew which side to cover if something went wrong. Funny. The woman who had called his pseudonym wore too much lipstick and her hair in a tight bun. “Tom Cappello?” “Yes?” “Mr. Epstein asked me to give you this.” She held up a tan calfskin briefcase,

I know you are, and I know you don’t even have to do what you’ve been doing. So thank you, but could you just humor me, and help me pick out a color? Please?” “Sure,” he said softly, and didn’t bother standing as he crawled over to the mattress. His brow drew together as he studied the different colors, and picked them up individually, before picking up two at a time and setting one aside. I laughed softly and raised my hands in surrender when he glared at me. “This one.” He dropped the electric blue polish in my lap and sat back but stayed close to the mattress. “You’re trying to turn me into a girl,” he grumbled and ran his hands through his shaggy hair. “Um, not? You just have to put up with me because you signed up for the job of taking care of me. Lucky you.” He grunted and watched as I started with my toes first, and then made my way to my fingernails. “You having fun watching me?” “I wouldn’t say fun is the right word, but it’s something to do. And your concentration face is cute.” Rolling my eyes, I let the cute slide, even though I would have normally punched Mason’s or Kash’s arm if they had called anything I did cute. Not now, though. I’d take the cute title and wear it proudly if it meant being near them. Funny

In God’s Kingdom there are no overnight sensations or flash-in-the-pan successes. Anyone who wants to be used of God will experience hidden years in the backside of the desert. During that time the Lord is polishing, sharpening and preparing us to fit into His bow, so at the right time, like “a polished shaft” He can launch us into fruitful service. The invisible years are years of serving, studying, being faithful in another person’s ministry and doing the behind-the-scenes work. The Bible says, ‘God is not unjust; he will not forget your work’ (Hebrews 6:10 NIV 2011 Edition). Be patient; when the time is right He will bring forth the fruit He placed inside you.

We take the original plays of William Shakespeare and Christopher Marlowe, and Markus gives them . . . well, the necessary polish.” “Aren’t the plays good enough by themselves?” Barbara asked. “Well, for the general public they’re sometimes just too difficult and dry, so we cut out the long monologues and concentrate on the funny parts and, above all, the bloody passages. Many of the pieces have not yet been translated into German, and Markus takes care of that, as well.” “I butcher Shakespeare’s plays by turning them into bloody spectacles for the masses,” Markus sighed in despair. “Carefully constructed pentameter, beautiful images—for that the world clearly has no taste nowadays. The more blood, the better. But I myself have written original pieces that—” “Yes, yes,” Malcolm interrupted, “that would be enough to make Shakespeare cry, I know—or simply put him to sleep. I’m afraid you’re boring the ladies, Markus. Just like your plays. We can’t afford experiments. After all, I have a whole troupe to feed,” he said, clapping his hands. “But now it’s time to get back to building the stage. Will you excuse us?” He bowed to Magdalena and Barbara and stomped off toward the stage, but not without first casting a final, reproachful look at his two actors. “Old slave driver,” Markus mumbled and followed him, while Matheo paused a moment and winked at Barbara. “Then can we look forward to seeing you again at tomorrow’s performance? We’ll save a few seats for you up in the gallery. Ciao, signorine.” “Ciao,” Barbara said, batting her eyelashes as Matheo, in one single, flowing movement, jumped back onto the stage. Magdalena grinned at her sister. “Ciao?” she asked. “Is that the way a Schongau hangman’s daughter says good-bye, or are you an Italian contessa addressing her prince just before their wedding?

this way whenever she has one of her “amazingly awesome” ideas. “We’ll stage it in the hallway. We can borrow that cordless microphone from the chorus room. Pierce can rig it up to an amplifier. That’s all you need, right?” “Well, sometimes there’s a spotlight.…” “The drama club adviser is a pal. She’ll let us borrow it. We’re good to go.” “Mrs. Kressin? Seriously?” “Totally. You have your material ready to rock, right?” “Pretty much,” I say. “I was ninety percent locked down the day before Uncle Frankie had his heart attack.” “Well, you have all day to polish your routine. Showtime isn’t until five minutes after the final bell.

Krystian Zimerman, an accomplished Polish pianist is known for traveling with his own Steinway grand piano. He was headed to play at Carnegie Hall shortly after 9/11, but his piano was confiscated at JFK Airport by customs officials because the glue smelled “funny”. They destroyed the instrument.

Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.

Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.

Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. And so, slipping his sister’s scissors into his pocket, the Count looked once more at what heirlooms remained and then expunged them from his heartache forever.

Stop following me.” “Am I not a gentleman, obligated to see his lady home?” “If you laugh at me one more time, I swear I won’t be responsible for what I do.” Raven became aware of the slinking figures then, the burning eyes following her. Her heart nearly stopped, then began to pound. “Fine!” She whirled around and glared at him. “This is great! Just great, Mikhail. Call in the wolves to eat me alive. I find the idea so ‘you.’ So logical.” He bared his white gleaming teeth at her like a hungry predator and laughed softly, teasingly. “It is not the wolves that would find you delicious.” Raven picked up a broken branch and flung it at him. “Stop laughing, you hyena. This is not funny. Your arrogance is enough to make me want to throw up.” It took every ounce of self-control she had not to laugh. The beast was far too charming for his own good. “Your American colloquialisms are very colorful, little one.” She threw another branch, and then followed it up with a small rock. “Someone needs to teach you the lesson of a lifetime.” She looked like a beautiful little spitfire, all sparks and flame. Mikhail drew in his breath slowly, carefully. She was his, all fire and fury, all independence and courage, all heated passion. She melted his heart with it, entered his soul with her soft laughter. He felt it in her mind, although she was being extremely careful not to allow him to see it. “And you think you are the one to do this thing?” he teased. Another rock came flying at his chest. He caught it easily, and deliberately polished it before dropping it to the forest floor, all the while his dark eyes holding her gaze captive. “Do you think I’m afraid of your wolves?” she demanded. “The only big bad wolf around here is you. Call all your wolves. Go ahead.” She glared into the secret, dark interior of the forest. “Come and get me. What did he say to you about me?” Mikhail pried her fingers loose from the branch she held like a club, allowing it to fall. He curved an arm around her slender waist, brought her small, soft body up against his much larger, rock-hard frame. “I told them you tasted like warm honey.” He whispered the words with his black velvet sorcerer’s voice. Turning her in his arms, he cupped her small, beautiful face in his hands. “Where is all that marvelous respect a man as powerful as myself deserves?

I tried to think of one word good enough to describe Tessa, but it was impossible. There wasn’t just one word. She was a feeling. She was all the words together. Magnetic. Radiant. Funny. Beautiful. She was storm clouds and rain and the best summer day. She was pink toenail polish and a ponytail. She was cutoff shorts and a teasing eyebrow. A porch swing after a long day. A large Pepsi, not diet. She was soft and prickly. Salty and Sweet. The best combo. She was perfect. No. That word was too sterile. …she was magnificent.