Police Love Quotes

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And on the subject of burning books: I want to congratulate librarians, not famous for their physical strength or their powerful political connections or their great wealth, who, all over this country, have staunchly resisted anti-democratic bullies who have tried to remove certain books from their shelves, and have refused to reveal to thought police the names of persons who have checked out those titles. So the America I loved still exists, if not in the White House or the Supreme Court or the Senate or the House of Representatives or the media. The America I love still exists at the front desks of our public libraries.
Kurt Vonnegut Jr. (A Man Without a Country)
I was worn out, broken: He had taken almost everything. But he'd been all I'd had, all this time. And when the police led him away, I pulled out of the hands of all these loved one, sobbing, screaming, everything hurting, to try and make him stay.
Sarah Dessen (Dreamland)
You're an investigator - can't nobody find stuff out like a woman. Y'all put the police to shame, make the little investigative tricks they show on CSI and Law & Order: SVU look like counting lessons on Sesame Street.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
I love my country, not my government.
Jesse Ventura
The police called it choking, but I called it a two-handed neck hug. That’s how I knew she really loved me.
Jarod Kintz (Whenever You're Gone, I'm Here For You)
My son loved working in the neighborhood," One-Fifteen's father claims. "He always wanted to make a difference in the lives there." Funny. Slave masters thought they were making a difference in black people’s lives too. Saving them from their “wild African ways.” Same shit, different century. I wish people like them would stop thinking that people like me need saving.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
The police seemed to think I killed her, which is crazy, because I loved her like a thousand drops of blood dripping down a dagger.
Jarod Kintz (This Book Has No Title)
Except for cases that clearly involve a homicidal maniac, the police like to believe murders are committed by those we know and love, and most of the time they're right - a chilling thought when you sit down to dinner with a family of five. All those potential killers passing their plates.
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
I live in the Managerial Age, in a world of "Admin." The greatest evil is not now done in those sordid "dens of crime" that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern." [From the Preface]
C.S. Lewis (The Screwtape Letters)
Love is our most unifying and empowering common spiritual denominator. The more we ignore its potential to bring greater balance and deeper meaning to human existence, the more likely we are to continue to define history as one long inglorious record of man’s inhumanity to man.
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.
Trevor Noah (Born a Crime: Stories From a South African Childhood)
There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die.
W.H. Auden
Beneath the armor of skin/and/bone/and/mind most of our colors are amazingly the same.
Aberjhani (Elemental: The Power of Illuminated Love)
This world’s anguish is no different from the love we insist on holding back.
Aberjhani (Elemental: The Power of Illuminated Love)
In the days when hyenas of hate suckle the babes of men, and jackals of hypocrisy pimp their mothers’ broken hearts, may children not look to demons of ignorance for hope.
Aberjhani (The River of Winged Dreams)
And Father said, "Christopher, do you understand that I love you?" And I said "Yes," because loving someone is helping them when they get into trouble, and looking after them, and telling them the truth, and Father looks after me when I get into trouble, like coming to the police station, and he looks after me by cooking meals for me, and he always tells me the truth, which means that he loves me.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
We are accustomed to live in hopes of good weather, a good harvest, a nice love-affair, hopes of becoming rich or getting the office of chief of police, but I've never noticed anyone hoping to get wiser. We say to ourselves: it'll be better under a new tsar, and in two hundred years it'll still be better, and nobody tries to make this good time come tomorrow. On the whole, life gets more and more complex every day and moves on its own sweet will, and people get more and more stupid, and get isolated from life in ever-increasing numbers.
Anton Chekhov
If the idea of loving those whom you have been taught to recognize as your enemies is too overwhelming, consider more deeply the observation that we are all much more alike than we are unalike.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
To defeat a monster, you have to be twice as monstrous. To love a monster, you have to share your soul.
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
We must not be frightened nor cajoled into accepting evil as deliverance from evil. We must go on struggling to be human, though monsters of abstraction police and threaten us. Reclaim now, now renew the vision of a human world where godliness is possible and man is neither gook nigger honkey wop nor kike but man permitted to be man.
Robert Hayden (Collected Poems)
Discourse and critical thinking are essential tools when it comes to securing progress in a democratic society. But in the end, unity and engaged participation are what make it happen.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
In my head this cruel unspeakable truth: that we battled and we cursed and we spilled each other’s blood, we relished our taste of hell and strangled heaven’s love.
Aberjhani (Visions of a Skylark Dressed in Black)
Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.
Aberjhani (Illuminated Corners: Collected Essays and Articles Volume I.)
Look, words are like the air: they belong to everybody. Words are not the problem; it's the tone, the context, where those words are aimed, and in whose company they are uttered. Of course murderers and victims use the same words, but I never read the words utopia, or beauty, or tenderness in police descriptions. Do you know that the Argentinean dictatorship burnt The Little Prince ? And I think they were right to do so, not because I do not love The Little Prince , but because the book is so full of tenderness that it would harm any dictatorship.
Juan Gelman
You are told to love your neighbour as yourself. How do you love yourself? When I look into my own mind, I find that I do not love myself by thinking myself a dear old chap or having affectionate feelings. I do not think that I love myself because I am particularly good, but just because I am myself and quite apart from my character. I might detest something which I have done. Nevertheless, I do not cease to love myself. In other words, that definite distinction that Christians make between hating sin and loving the sinner is one that you have been making in your own case since you were born. You dislike what you have done, but you don't cease to love yourself. You may even think that you ought to be hanged. You may even think that you ought to go to the Police and own up and be hanged. Love is not affectionate feeling, but a steady wish for the loved person's ultimate good as far as it can be obtained.
C.S. Lewis
All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.
W.H. Auden
Humanity is not without answers or solutions regarding how to liberate itself from scenarios that invariably end with mass exterminations. Tools such as compassion, trust, empathy, love, and ethical discernment are already in our possession. The next sensible step would be to use them.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
Peace is not so much a political mandate as it is a shared state of consciousness that remains elevated and intact only to the degree that those who value it volunteer their existence as living examples of the same... Peace ends with the unraveling of individual hope and the emergence of the will to worship violence as a healer of private and social dis-ease.
Aberjhani (The American Poet Who Went Home Again)
It’s better that you leave her alone,” she said. “There isn’t just water under your bridge, there’s maggots and shit and dead bodies. Now, get the fuck out of my house before I call the police.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Black people love their children with a kind of obsession. You are all we have, and you come to us endangered. I think we would like to kill you ourselves before seeing you killed by the streets that America made. That is a philosophy of the disembodied, of a people who control nothing, who can protect nothing, who are made to fear not just the criminals among them but the police who lord over them with all the moral authority of a protection racket.
Ta-Nehisi Coates (Between the World and Me)
That made love—not grace—the magic ingredient. Then a new thought hit her. Perhaps love was grace. A shiver went up her spine. What did that make anger? The antithesis of grace?
Penelope Marzec (A Rush of Light)
And so, as the mob backs away to give them space... as the riot police holster their weapons, standing down, and as Risa takes the podium, calming the crowd with a voice as soothing as a sonata, Connor Lassiter holds his family like he'll never let them go.
Neal Shusterman (UnDivided (Unwind, #4))
Man is by nature a curious animal. You can hide the truth from him temporarily, but not for ever.
Teodor Flonta (A Luminous Future)
The cliche is that misery loves company. Another is that there is fellowship among thieves. But thieves do not seek the consoling presence of the fellowship of police officers. Sinful misery does not love the company of purity.
R.C. Sproul (The Holiness of God)
As a woman, my body is scrutinized, policed, and treated as a public commodity. As a fat woman, my body is also lampooned, openly reviled, and associated with moral and intellectual failure. My body limits my job prospects, access to medical care and fair trials, and – the one thing Hollywood movies and Internet trolls most agree on – my ability to be loved. So the subtext, when a thin person asks a fat person, ‘Where do you get your confidence?’ is, ‘You must be some sort of alien because if I looked like you, I would definitely throw myself into the sea.
Lindy West (Shrill: Notes from a Loud Woman)
My life had gone to bits and I was so unrecognizable to myself that I probably couldn't have picked me out of a police lineup.
Elizabeth Gilbert (Eat, Pray, Love)
Because the mind is a fragile thing,” I say once again. “It’s easier to pretend the words you hear are just rumors or lies. It’s not so easy to ignore something you can see. And the sheriff has plenty he doesn’t want anyone to see.
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?" "I might ask the same of you," I replied. "I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?" "Do writers have a right to strike? That would be like the police or the firemen walking out." "Or the college professors." "Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed." "I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." "And how proud would you be when people started dying like flies?" I demanded. "They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" "In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." "Neither one very pleasant, I expect," I suggested. "No," said Castle the elder. "For the love of God, both of you, please keep writing!
Kurt Vonnegut Jr. (Cat's Cradle)
It is the fate of great achievements, born from a way of life that sets truth before security, to be gobbled up by you and excreted in the form of shit. For centuries great, brave, lonely men have been telling you what to do. Time and again you have corrupted, diminished and demolished their teachings; time and again you have been captivated by their weakest points, taken not the great truth, but some trifling error as your guiding principal. This, little man, is what you have done with Christianity, with the doctrine of sovereign people, with socialism, with everything you touch. Why, you ask, do you do this? I don't believe you really want an answer. When you hear the truth you'll cry bloody murder, or commit it. … You had your choice between soaring to superhuman heights with Nietzsche and sinking into subhuman depths with Hitler. You shouted Heil! Heil! and chose the subhuman. You had the choice between Lenin's truly democratic constitution and Stalin's dictatorship. You chose Stalin's dictatorship. You had your choice between Freud's elucidation of the sexual core of your psychic disorders and his theory of cultural adaptation. You dropped the theory of sexuality and chose his theory of cultural adaptation, which left you hanging in mid-air. You had your choice between Jesus and his majestic simplicity and Paul with his celibacy for priests and life-long compulsory marriage for yourself. You chose the celibacy and compulsory marriage and forgot the simplicity of Jesus' mother, who bore her child for love and love alone. You had your choice between Marx's insight into the productivity of your living labor power, which alone creates the value of commodities and the idea of the state. You forgot the living energy of your labor and chose the idea of the state. In the French Revolution, you had your choice between the cruel Robespierre and the great Danton. You chose cruelty and sent greatness and goodness to the guillotine. In Germany you had your choice between Goring and Himmler on the one hand and Liebknecht, Landau, and Muhsam on the other. You made Himmler your police chief and murdered your great friends. You had your choice between Julius Streicher and Walter Rathenau. You murdered Rathenau. You had your choice between Lodge and Wilson. You murdered Wilson. You had your choice between the cruel Inquisition and Galileo's truth. You tortured and humiliated the great Galileo, from whose inventions you are still benefiting, and now, in the twentieth century, you have brought the methods of the Inquisition to a new flowering. … Every one of your acts of smallness and meanness throws light on the boundless wretchedness of the human animal. 'Why so tragic?' you ask. 'Do you feel responsible for all evil?' With remarks like that you condemn yourself. If, little man among millions, you were to shoulder the barest fraction of your responsibility, the world would be a very different place. Your great friends wouldn't perish, struck down by your smallness.
Wilhelm Reich (Listen, Little Man!)
Darling Daddy, This is Rose. So flames went all up the kitchen wall. Saffron called the fire brigade and the police came too to see if it was a trick and the police woman said to Saffron Here You Are Again because of when I got lost having my glasses checked. But I was with Tom whose grandmother is a witch on top of the highest place in town. Love, Rose.
Hilary McKay (Indigo's Star (Casson Family, #2))
My parents were so old-fashioned in their attitude to sex that I would rather get in trouble with the police or at school because at least I would be punished less.
Clive Worth
Unhand me,” Grandfather barks, “you badge- bunny of uncivil justice.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
Do you like being a cop?" "I love it, when it doesn't suck, sir.
Edward Conlon (Blue Blood by Conlon, Edward (2004) Paperback)
Mallory, I lo—" "Wait!" This was from Amy, and she looked at Mallory. "I'm sorry, but don't you think you should tell him about the car before he finishes that sentence?" "No," Mallory said, giving Amy the evil eye. She wanted the rest of Ty's sentence, dammit! Ty frowned. "What's wrong with the Shelby?" "Nothing," Mallory said quickly. "Nothing," Amy agreed. "Except for the dinged door where she parked too close to the mailbox." "Oh my God," Mallory said to her. "What are you, the car police?" "The classic car police," Amy said smugly. "You parked the Shelby on the street?" Ty asked Mallory incredulously. She went brows-up. "Okay," he said, lifting his hands. "It's okay. Never mind about the car.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
For a detective or street police, the only real satisfaction is the work itself; when a cop spends more and more time getting aggravated with the details, he's finished. The attitude of co-workers, the indifference of superiors, the poor quality of the equipment - all of it pales if you still love the job; all of it matters if you don't.
David Simon (Homicide: A Year on the Killing Streets)
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
Sy Safransky
What is my perfect crime? I break into Tiffany's at midnight. Do I go for the vault? No, I go for the chandelier. It's priceless. As I'm taking it down, a woman catches me. She tells me to stop. It's her father's business. She's Tiffany. I say no. We make love all night. In the morning, the cops come and I escape in one of their uniforms. I tell her to meet me in Mexico, but I go to Canada. I don't trust her. Besides, I like the cold. Thirty years later, I get a postcard. I have a son and he's the chief of police. This is where the story gets interesting. I tell Tiffany to meet me by the Trocadero in Paris. She's been waiting for me all these years. She's never taken another lover. I don't care. I don't show up. I go to Berlin. That's where I stashed the chandelier.
Dwight Schrute
I don't like this." "I know you don't, my little spaetzel. But I am too worn out to run from both the police and your murderous twin, and Damian's looking peaky, plus Christian did apologize for trying to kill us earlier." "I wasn't talking about that. It's your lamentable habit of using completely unsuitable love names for me that gives me grief," Adrian groused. "I am not a lambypie, nor am I a spaetzel.
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
Simple shifts in points of view can open doors to expansions of consciousness as easily as rigid dispositions can close hearts and minds to such elevated awareness. It generally depends on whether you allow fear and violence to rule your actions or whether you give wisdom, courage, and compassion the authority to do so.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
So, everything that’s happened, that’s just the way life is, and it’s never going to be the way you think you want it. I’m not embarrassed about my brother, but I just don’t want to relive it, because people ask, “Oh, where’s your brother, what’s he doing?” and I have to say I don’t know, I haven’t seen him in over 30 years.
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
Borderline means you’re one of those girls… …who walk around wearing long sleeves in the summer because you’ve carved up your forearms over your boyfriend. You make pathetic suicidal gestures and write bad poetry about them, listen to Ani DiFranco albums on endless repeat, end up in the emergency room for overdoses, scare off boyfriends by insisting they tell you that they love you five hundred times a day and hacking into their email to make sure they’re not lying, have a police record for shoplifting, and your tooth enamel is eroded from purging. You’ve had five addresses and eight jobs in three years, your friends are avoiding your phone calls, you’re questioning your sexuality, and the credit card companies are after you. It took a lot of years to admit that I was exactly that girl, and that the diagnostic criteria for the disorder were essentially an outline of my life.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
There is a lot of room for a meaning inside a "no" spoken in the tremendous logic of a refused order of the world. Poetry's no can protect a potential yes--or more precisely, poetry's no is the one that can protect the hell yeah, or every hell yeah's variations. In this way, every poem against the police is also and always a guardian of love for the world.
Anne Boyer (A Handbook of Disappointed Fate)
I love you.” Jack focused on her face, watching her pupils dilate in reaction to his words. “I love you and I’m staying here in Elliott. I’m quitting undercover work and maybe the police force altogether. We’ll do whatever you want. Date me. Move in with me. Marry me. Make me beg. I don’t care.” He pressed a kiss against her mouth with a sigh. “Whatever you want.
Robin Covington
Contra la policía/Against the Police My entire Oeuvre is against the police If I write a Love poem it’s against the police And if I sing the nakedness of bodies I sing against the police And if I make this Earth a metaphor I make a metaphor against the police If I speak wildly in my poems I speak against the police And if I manage to create a poem it’s against the police I haven’t written a single word, a verse, a stanza that isn’t against the police All my prose is against the police My entire Oeuvre Including this poem My whole Oeuvre Is against the police.
Miguel James
Why is it deemed justifiable and appropriate for cops/police officers to kill other cops (friendly–fire) and citizens? Why do cops kill? Are they not taught to maim or slow down someone running or reaching for a weapon? If not, why not? Why do cops kill first and ask questions last? Why are police officers being military trained? What can we as citizens, taxpayers, and voters do to stop these killings and beatings of unarmed people? Why do we let this continue? How many more must die or get beat up before we realize something is wrong and needs to be changed? Will you, a friend, or a family member have to be killed or beaten by a cop before we realize that things have to change? Who's here to protect us from the cops when they decide to use excessive force, shoot multiple shells, and/or murder us?
Obiora Embry (Expanding Horizons Through Creative Expressions)
And somewhere out there, in the river of addicts, alcoholics, wife beaters, doormats, overeducated legalized thieves, fascist police, and bitter rivalries— someone told me it’s a good city, and I don’t know what’s more frightening
Phil Volatile (White Wedding Lies, and Discontent: An American Love Story)
Everything I have ever done I’ve done from a place of love. If I don’t punish you, the world will punish you even worse. The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
Apparently the police were hot on the trail of the Tamiami Butcher. There were no specifics available, but Captain Matthews got a lovely sound bite. He made it seem like he would personally make the arrest as soon as he finished his coffee.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
Fear of seeing a police car pull into the drive. Fear of falling asleep at night. Fear of not falling asleep. Fear of the past rising up. Fear of the present taking flight. Fear of the telephone that rings in the dead of night. Fear of electrical storms. Fear of the cleaning woman who has a spot on her cheek! Fear of dogs I've been told won't bite. Fear of anxiety! Fear of having to identify the body of a dead friend. Fear of running out of money. Fear of having too much, though people will not believe this. Fear of psychological profiles. Fear of being late and fear of arriving before anyone else. Fear of my children's handwriting on envelopes. Fear they'll die before I do, and I'll feel guilty. Fear of having to live with my mother in her old age, and mine. Fear of confusion. Fear this day will end on an unhappy note. Fear of waking up to find you gone. Fear of not loving and fear of not loving enough. Fear that what I love will prove lethal to those I love. Fear of death. Fear of living too long. Fear of death. I've said that.
Raymond Carver
The beginning of revolutions is psychologically strikingly akin to that of certain relationships: the stress on unity, the sense of omnipotence, the desire to eliminate secrets (with the fear of the opposite soon leading to lover's paranoia and the creation of a secret police).
Alain de Botton (Essays in Love)
Rappers, as a class, are not engaged in anything criminal. They're musicians. Some rappers and friends of rappers commit crimes. Some bus drivers commit crimes. Some accountants commit crimes. But there aren't task forces devoted to bus drivers or accountants. Bus drivers don't have to work under the preemptive suspicion of law enforcement. The difference is obvious, of course: Rappers are young black men telling stories that the police, among others, don't want to hear. Rappers tend to come from places where police are accustomed to treating everybody like a suspect. The general style of rappers is offensive to a lot of people. But being offensive is not acrime, at least not one that's on the books. The fact that law enforcement treats rap like organized crime tells you a lot about just how deeply rap offends some people--they'd love for rap itself to be a crime, but until they get that law passed, they come after us however they can.
Jay-Z (Decoded)
Absolutely pathetic.” I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?” “Lucinda flirting with couriers. Pathetic.” Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing. “I’m nice to him.” “You? Nice?” I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.” “Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.” He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window. “She’s got a few lovely things about her, I suppose.” I raise a finger and enunciate the words crisply: “Human resources.” He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you. We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
Sally Thorne (The Hating Game)
Where is your false, your treacherous, and cursed wife?" "She's gone forrard to the Police Office," returns Mr Bucket. "You'll see her there, my dear." "I would like to kiss her!" exclaims Mademoiselle Hortense, panting tigress-like. "You'd bite her, I suspect," says Mr Bucket. "I would!" making her eyes very large. "I would love to tear her, limb from limb." "Bless you, darling," says Mr Bucket, with the greatest composure; "I'm fully prepared to hear that. Your sex have such a surprising animosity against one another, when you do differ.
Charles Dickens (Bleak House)
Lucy began cutting her sausage into rounds. “I can’t believe Christmas is almost upon us,” she mentioned. “It’ll be a hard Christmas for many,” James said. “A dark Christmas for all.” “That’s why it’s good to remember that we have the Light,” Lucy said softly. James smiled at her. “Right you are, Lucy. Right you are.
Sarah Brazytis (Through the Darkness (Lighten Our Darkness #2.5))
The misconception of equating ease of life with “passing” must be dismantled in our culture. The work begins by each of us recognizing that cis people are not more valuable or legitimate and that trans people who blend as cis are not more valuable or legitimate. We must recognize, discuss, and dismantle this hierarchy that polices bodies and values certain ones over others. We must recognize that we all have different experiences of oppression and privilege, and I recognize that my ability to blend as cis is one conditional privilege that does not negate the fact that I experience the world as a trans woman (with my own fears, insecurities, and body-image issues) no matter how attractive people may think I am.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
Last night I thought I kissed the loneliness from out your belly button. I thought I did, but later you sat up, all bones and restless hands, and told me there is a knot in your body that I cannot undo. I never know what to say to these things. “It’s okay.” “Come back to bed.” “Please don’t go away again.” Sometimes you are gone for days at a time and it is all I can do not to call the police, file a missing person’s report, even though you are right there, still sleeping next to me in bed. But your eyes are like an empty house in winter: lights left on to scare away intruders. Except in this case I am the intruder and you are already locked up so tight that no one could possibly jimmy their way in. Last night I thought I gave you a reason not to be so sad when I held your body like a high note and we both trembled from the effort. Some people, though, are sad against all reason, all sensibility, all love. I know better now. I know what to say to the things you admit to me in the dark, all bones and restless hands. “It’s okay.” “You can stay in bed.” “Please come back to me again.
Donna-Marie Riley
Who is the writer here? YOU ARE. Whose book is it? YOUR BOOK. There are no writing police. No one is going to arrest you if you write a teen vampire novel post Twilight. No one is going to send you off to a desert island to live a wretched life of worm eating and regret because your book includes things that could be seen as cliché.
Rachel Aaron (2,000 to 10,000: How to Write Faster, Write Better, and Write More of What You Love)
Safety is, I believe, an inherently classed, raced, and gendered experience that frequently runs the risk of being used for regressive ends—ironically, for restricting the freedoms of the vulnerable, those who are never really safe. Often, we see the call for safety actually reinforce the power of oppressive institutions, like the police and the prison system, in our lives. When we choose safety over liberation, our movements fail.
Kai Cheng Thom (I Hope We Choose Love: A Trans Girl's Notes from the End of the World)
There is an expectation that we can talk about sins but no one must be identified as a sinner: newspapers love to describe words or deeds as “racially charged” even in those cases when it would be more honest to say “racist”; we agree that there is rampant misogyny, but misogynists are nowhere to be found; homophobia is a problem, but no one is homophobic. One cumulative effect of this policed language is that when someone dares to point out something as obvious as white privilege, it is seen as unduly provocative. Marginalized voices in America have fewer and fewer avenues to speak plainly about what they suffer; the effect of this enforced civility is that those voices are falsified or blocked entirely from the discourse.
Teju Cole (Known and Strange Things: Essays)
The Mania Speaks You clumsy bootlegger. Little daffodil. I watered you with an ocean and you plucked one little vein? Downed a couple bottles of pills and got yourself carted off to the ER? I gifted you the will of gunpowder, a matchstick tongue, and all you managed was a shredded sweater and a police warning? You should be legend by now. Girl in an orange jumpsuit, a headline. I built you from the purest napalm, fed you wine and bourbon. Preened you in the dark, hammered lullabies into your thin skull. I painted over the walls, wrote the poems. I shook your goddamn boots. Now you want out? Think you’ll wrestle me out of you with prescriptions? A good man’s good love and some breathing exercises? You think I can’t tame that? I always come home. Always. Ravenous. Loaded. You know better than anybody: I’m bigger than God.
Jeanann Verlee (Said The Manic To The Muse)
One person cannot change the world. But one person can strike terror into multitudes. —Robert Evans Any demon is capable of cruelty, but only an angel is majestic enough to rain down vengeance for the innocent. —Marcus Evans Little eyes see. Little eyes learn. Be a good example for all the little eyes watching you. They’re everywhere. —Jasmine Evans The wicked can fake nobility, just as the damned can fake innocence. But only the truth will rise from the ashes when we all start to burn. —Victoria Evans A wise man knows when the war is lost, and will understand retreat is the only way to save lives. A foolish man will condemn all his followers to death because of his pride. —Robert Evans If hatred didn’t exist, love wouldn’t either, for one is formed by the other. I love and hate this town. —Marcus Evans I believe the souls of the wrongfully persecuted often haunt our world, bringing the same grief they feel from beyond the grave. —Jasmine Evans Never mock or harm the passionate, for they are the fiercest with their wrath. —Victoria Evans
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
He realized that all men were like this; that each person was to himself one alone. One oneness, a unit in a society, but always afraid. Like here, standing. If he should scream, if he should holler for help, would it matter? Blackness could come swiftly, swallowing; in one titanically freezing moment all would be concluded. Long before dawn, long before police with flashlights might probe the dark, disturbed pathway, long before men with trembling brains could rustle down the pebbles to his help. Even if they were within five hundred yards of him now, and help certainly was, in three seconds a dark tide could rise to take all ten years from him and— The essential impact of life’s loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family’s love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
Ray Bradbury (Dandelion Wine)
Smiley himself was one of those solitaires who seem to have come into the world fully educated at the age of eighteen. Obscurity was his nature, as well as his profession. The byways of espionage are not populated by the brash and colourful adventurers of fiction. A man who, like Smiley, has lived and worked for years among his country's enemies learns only one prayer: that he may never, never be noticed. Assimilation is his highest aim, he learns to love the crowds who pass him in the street without a glance; he clings to them for his anonimity and his safety. His fear makes him servile - he could embrace the shoppers who jostle him in their impatience, and force him from the pavement. He could adore the officials, the police, the bus conductors, for the terse indifference of their attitudes. (ch. 9)
John le Carré (A Murder of Quality (George Smiley, #2))
In Shivaite tradition, the god's companions are described as a troupe of freakish, adventurous, delinquent and wild young people, who prowl in the night, shouting in the storm, singing, dancing and ceaselessly playing outrageous tricks on sages and gods. They are called Ganas, the "Vagabonds", corresponding to the Cretan Korybantes and the Celtic Korrigans (fairies' sons). Like the Sileni and Satyrs, some of them have goats' or birds' feet. The Ganas mock the rules of ethics and social order. They personify the joy of living, courage and imagination, which are all youthful values. They live in harmony with nature and oppose the destructive ambition of the city and the deceitful moralism which both hides and expresses it. These delinquents of heaven are always there to restore true values and to assist the "god-mad" who are persecuted and mocked by the powerful. They personify everything which is feared by and displeases bourgeois society, and which is contrary to the good morale of a well-policed city and its palliative concepts.
Alain Daniélou (Gods of Love and Ecstasy: The Traditions of Shiva and Dionysus)
He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.
Laney Smith (Lock Creek: One Year's Time)
Blaisedell, the poet, had said to him, 'You love beer so much. I'll bet some day you'll go in and order a beer milk shake.' It was a simple piece of foolery but it had bothered Doc ever since. He wondered what a beer milk shake would taste like. The idea gagged him but he couldn't let it alone. It cropped up every time he had a glass of beer. Would it curdle the milk? Would you add sugar? It was like a shrimp ice cream. Once the thing got into your head you couldn't forget it...If a man ordered a beer milk shake, he thought, he'd better do it in a town where he wasn't known. But then, a man with a beard, ordering a beer milk shake in a town where he wasn't known--they might call the police.
John Steinbeck (Cannery Row (Cannery Row, #1))
Good-girl-gone-queer Lindsay Lohan, divorced single mother Britney Spears, Caitlyn Jenner with her sultry poses, Kim Kardashian having the gall to show up on the cover of Vogue with her black husband: All of them are tied to the tracks and gleefully run over, less for what they've done than for the threat they pose to the idea that female sexuality fits within a familiar and safe pattern. If control over women's bodies were the sole point of the trainwreck, that would be terrifying enough. But it's only the beginning: Shame and fear are used to police pretty much every aspect of being female. After you've told someone what to do with her body, you need to tell her what to do with her mind.
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
You know what you need?” “What?” “You need to think about what a badass bald man would do in this situation” “There are no badass bald men. By definition.” “What about Dwight D. Eisenhower?” Carlos suggested. “President Eisenhower?” “Doesn’t he qualify as a badass?” Carlos insisted. “Look, he may have been president, but he doesn’t exactly come to people’s minds when you ask them to think of a badass.” “All right. How about Kojak?” Carlos asked. “That police detective show with Telly Savalas?” Sammy asked. “Yeah, Kojak. He was a badass. Always cool under pressure.” “All right,” Sammy replied. “Let’s just say, for the sake of argument, that Kojak was a bald badass. So what?’ “So you have to imagine how Kojak would deal with this situation we have in front of us. He wouldn’t be worried about whether this girl digs bald guys. He would just walk right up to her, knowing that he’s a badass and just take care of business. You see, it’s all in the delivery.” “The delivery?” “Yeah, the execution
Zack Love
But man is a frivolous and incongruous creature, and perhaps, like a chess player, loves the process of the game, not the end of it. And who knows (there is no saying with certainty), perhaps the only goal on earth to which mankind is striving lies in this incessant process of attaining, in other words, in life itself, and not in the thing to be attained, which must always be expressed as a formula, as positive as twice two makes four, and such positiveness is not life, gentlemen, but is the beginning of death. Anyway, man has always been afraid of this mathematical certainty, and I am afraid of it now. Granted that man does nothing but seek that mathematical certainty, he traverses oceans, sacrifices his life in the quest, but to succeed, really to find it, dreads, I assure you. He feels that when he has found it there will be nothing for him to look for. When workmen have finished their work they do at least receive their pay, they go to the tavern, then they are taken to the police-station–and there is occupation for a week. But where can man go? Anyway, one can observe a certain awkwardness about him when he has attained such objects. He loves the process of attaining, but does not quite like to have attained, and that, of course, is very absurd. In fact, man is a comical creature; there seems to be a kind of jest in it all. But yet mathematical certainty is after all, something insufferable. Twice two makes four seems to me simply a piece of insolence. Twice two makes four is a pert coxcomb who stands with arms akimbo barring your path and spitting. I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Culture can only be produced, it can only be created—not conserved, not saved or rescued. Culture arises without our really being aware of it; in the deepest sense culture is innocent and unconscious. When an Egyptian potter turned a pot on the wheel, he didn't sit there thinking that now he was producing Egyptian Culture—he was working for a living. That what he made was also lovely, is due to his professional skill—but also to something extra which came of itself, like love. That can't be rescued either, when it ends. It comes and goes of itself. Neither culture nor love can be saved, not even by the police. —"The Traitor" (1961)
Jens Bjørneboe
I think the shooter is Kevin Burns. I know him pretty well. Maybe I can talk him down." "Are you nuts? He’s crazy. Everyone knows he’s a lunatic. No one can talk him down. Get out of there!" "I can’t sit around and do nothing. I have to do something. Remember what Mom and Dad told us after Father Gerry? If you have a chance to save or protect innocent people, you have to make that sacrifice. I won’t let another predator get the best of me." "That’s not what they meant, you idiot! Get the hell out of there and let the police handle it. I’m sure they’re on their way!" "If anything happens to me, I want you to know you’re the best little brother a guy could hope for, squirt. Take care. I love you." "I love you too. Please don’t do anything stupid." "We’re going to get out of this together. Understand? We’re best brothers, forever." "Forever, bro . . .
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
War -- is a last ditch moral nightmare. People begin worshiping a mysterious slouching beast, following after, bowing down, offering gifts, making much of zero; and worse. Love of death, idolatry, fear of life; that roughshod trek of war and warmakers throughout the world, hand in hand with death. Long live death! They wouldn't worship it if they weren't in love. Or if they weren't in fear. The second being a state of devouring, at least, as the first. I think the clue is the second masquerading as the first -- just as the beast is the ape of god; to do some thing successfully, you have to, above all, hide what your up to. In this way fear can ape love. Death can demand a tribute owed to life, the ape can play God. Such reflections are of course ill at ease by some: those to whom the state is a given, the church is a given, Western culture a given, war a given, consumerism a given, paying taxes a given. All the neat slots of existence into which one fits, birth to death and every point in between. Nothing to be created, no one to be responsible to, nothing to risk, no objections to lodge. Life is a mechanical horizontal sidewalk, of the kind you sometimes ride at airports between buildings. One is carried along, a zonked spectator... Every nation-state tends towards the imperial -- that is the point. Through banks, armies, secret police propaganda courts and jails, treaties, taxes, laws and orders, myths of civil obedience, assumptions of civic virtue at the top. Still it should be said of the political left, we expect something better. And correctly. We put more trust in those who show a measure of compassion, who denounce the hideous social arrangements that make war inevitable and human desire omnipresent; which fosters corporate selfishness, panders to appetites and disorder, waste the earth.
Daniel Berrigan
It is ironic, in the manner of a dystopian nightmare, that an advanced capitalist empire which is founded on genocide and slavery, which still functions as the global police, which has an armed population, which routinely violates international human rights, which has the largest known military industrial complex in the world, which is the world’s largest producer of pornography, has also produced a saccharine ideology in which ‘positive thinking’ functions as a form of psychological gentrification. And it is not insignificant that the neoliberal lie that one is 110% responsible for one’s life—first powerfully encapsulated by the ‘alternative’ conservative thinker Louise Hay, and more recently echoed by Eckhart Tolle, author of The Power of Now (1997/2005)—is directed at women. Today, gendered victim-blaming has become a form of upwardly mobile common sense ‘wisdom’. Now victimblaming is expressed by voices that sound soothing, wise, calm, above all, loving.
Abigail Bray (Misogyny Re-Loaded)
Through Jimi Hendrix's music you can almost see the assassinations of President John F. Kennedy and of Martin Luther King Junior, the beginnings of the Berlin Wall, Yuri Gagarin in space, Fidel Castro and Cuba, the debut of Spiderman, Martin Luther King Junior’s ‘I Have a Dream’ speech, Ford Mustang cars, anti-Vietnam protests, Mary Quant designing the mini-skirt, Indira Gandhi becoming the Prime Minister of India, four black students sitting down at a whites-only lunch counter in Greensboro North Carolina, President Johnson pushing the Civil Rights Act, flower children growing their hair long and practicing free love, USA-funded IRA blowing up innocent civilians on the streets and in the pubs of Great Britain, Napalm bombs being dropped on the lush and carpeted fields of Vietnam, a youth-driven cultural revolution in Swinging London, police using tear gas and billy-clubs to break up protests in Chicago, Mods and Rockers battling on Brighton Beach, Native Americans given the right to vote in their own country, the United Kingdom abolishing the death penalty, and the charismatic Argentinean Marxist revolutionary Che Guevara. It’s all in Jimi’s absurd and delirious guitar riffs.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
The year was 1952.” I clear my throat and look down at my paper. “It was summer, and Frank Sinatra was on the radio. Lana Turner and Ava Gardner were the starlets of the day. Stormy was eighteen. She was in the marching band, she was voted Best Legs, and she always had a date on Saturday night. On this particular night, she was on a date with a boy named Walt. On a dare, she went skinny-dipping in the town lake. Stormy never could turn down a dare.” Mr. Perelli laughs and says, “That’s right, she never could.” Other people murmur in agreement, “She never could.” “A farmer called the police, and when they shined their lights on the lake, Stormy told them to turn around before she would come out. She got a ride home in a police car that night.” “Not the first time or the last,” someone calls out, and everyone laughs, and I can feel my shoulders start to relax. “Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Matchevici answered, “I don’t wish to remain alive and be ashamed to look in a mirror, because I will see the face of a traitor. I cannot accept such a condition. I prefer to die.” The officer of the secret police shook Matchevici’s hand and said, “I congratulate you. I didn’t expect any other answer from you. But I would like to make another proposal. Some of the prisoners have become our informers. They claim to be Commu­nist and they are denouncing you. They play a double role. We have no confidence in them. We would like to know in what measure they are sincere. Toward you they are traitors who are doing you much harm, informing us about your words and deeds. I understand that you don’t want to betray your comrades. But give us information about those who oppose you so you will save your life!” Matchevici answered, as promptly as the first time, “I am a disciple of Christ and He has taught us to love even our enemies. The men who betray us do us much harm but I cannot reward evil with evil. I cannot give information even against them. I pity them. I pray for them. I don’t wish to have any connection with the Communists.” Matche­vici came back from the discussion with the political officer and died in the same cell I was in. I saw him die—he was praising God. Love conquered even the natural thirst for life.
Richard Wurmbrand (Tortured for Christ)
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
Am început să-i dezgolesc, încet și fin, un umăr, sărutându-l afectuos. Îmbătat cu parfumul ei dulce de vanilie, am coborât cu gura peste brațul acoperit de mâneca largă a rochiei; i-am suflecat-o și... tresăltă. Se simțea stânjenită și nu înțelegeam de ce, pentru că o vedeam perfectă. Am aprins niște lumânări și am închis lumina, pentru a-i oferi un confort. Am dezgolit-o domol. Îmi plăcea s-o ating tandru, cu buricul degetelor, să simtă că e cea mai prețioasă ființă de pe pământ. Totuși, când ochii mei s-au obișnuit cu lumina discretă a lumânărilor, am observat tăieturi pe brațele sale. Erau atât de multe, încât acopereau fiecare centimetru de piele. Aici nu era vorba despre un accident, ci despre o muncă realizată cu atenție și cu premeditare. M-a cuprins un profund sentiment de compasiune, ce mi-a inhibat dorința sexuală. Am întrebat-o cine îi făcuse asta și tăcu. Ridică din umeri, fără să-i coboare - poate în semn de alint amestecat cu teamă – apoi mi-a mângâiat obrazul. Continua să mă seducă, am închis ochii și, dezmierdându-i brațele, simțeam crestăturile cicatrizate, paradoxal, ca pe niște canini ieșiți de sub piele, gata-gata să muște din gingășia gesturilor mele. Ca un orb, urmăream cu degetele fine harta durerii, marcată pe pielea sa. Drumul spre sufletul ei era anevoios.
Carmen Stoian (Misterul Ivorei)
The conundrum of the twenty-first (century) is that with the best intentions of color blindness, and laws passed in this spirit, we still carry instincts and reactions inherited from our environments and embedded in our being below the level of conscious decision. There is a color line in our heads, and while we could see its effects we couldn’t name it until now. But john powell is also steeped in a new science of “implicit bias,” which gives us a way, finally, even to address this head on. It reveals a challenge that is human in nature, though it can be supported and hastened by policies to create new experiences, which over time create new instincts and lay chemical and physical pathways. This is a helpfully unromantic way to think about what we mean when we aspire, longingly, to a lasting change of heart. And john powell and others are bringing training methodologies based on the new science to city governments and police forces and schools. What we’re finding now in the last 30 years is that much of the work, in terms of our cognitive and emotional response to the world, happens at the unconscious level.
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
Imagine this: A world where the quality of your life is not determined by how much money you have. You do not have to sell your labour to survive. Labour is not tied to capitalism, profit or wage. Borders do not exist; we are free to move without consequence. The nuclear family does not exist; children are raised collectively; reproduction takes on new meanings. In this world, the way we carry out dull domestic labour is transformed and nobody is forced to rely on their partner economically to survive. The principles of transformative justice are used to rectify harm. Critical and comprehensive sex education exists for all from an early age. We are liberated from the gender binary’s strangling grip and the demands it places on our bodies. Sex work does not exist because work does not exist. Education and transport are free, from cradle to grave. We are forced to reckon with and rectify histories of imperialism, colonial exploitation, and warfare collectively. We have freedom to, not just freedom from. Specialist mental health services and community care are integral to our societies. There is no “state” as we know it; nobody dies in “suspicious circumstances” at its hands; no person has to navigate sexism, racism, ableism or homophobia to survive. Detention centres do not exist. Prisons do not exist, nor do the police. The military and their weapons are disbanded across nations. Resources are reorganised to adequately address climate catastrophe. No person is without a home or loving community. We love one another, without possession or exploitation or extraction. We all have enough to eat well due to redistribution of wealth and resource. We all have the means and the environment to make art, if we so wish. All cultural gatekeepers are destroyed. Now imagine this vision not as utopian, but as something well within our reach.
Lola Olufemi (Feminism, Interrupted: Disrupting Power)
No one wanted the job. What had seemed one of the least challenging tasks facing Franklin D. Roosevelt as newly elected president had, by June 1933, become one of the most intransigent. As ambas-sadorial posts went, Berlin should have been a plum—not London or Paris, surely, but still one of the great capitals of Europe, and at the center of a country going through revolutionary change under the leadership of its newly appointed chancellor, Adolf Hitler. Depending on one’s point of view, Germany was experiencing a great revival or a savage darkening. Upon Hitler’s ascent, the country had undergone a brutal spasm of state- condoned violence. Hitler’s brown- shirted paramilitary army, the Sturmabteilung, or SA—the Storm Troopers—had gone wild, arresting, beating, and in some cases murdering communists, socialists, and Jews. Storm Troopers established impromptu prisons and torture stations in basements, sheds, and other structures. Berlin alone had fi fty of these so- called bunkers. Tens of thousands of people were arrested and placed in “protective custody”— Schutzhaft—a risible euphemism. An esti-mated fi ve hundred to seven hundred prisoners died in custody; others endured “mock drownings and hangings,” according to a police affi davit. One prison near Tempelhof Airport became especially no-torious: Columbia House, not to be confused with a sleekly modern new building at the heart of Berlin called Columbus House. The up-heaval prompted one Jewish leader, Rabbi Stephen S. Wise of New York, to tell a friend, “the frontiers of civilization have been crossed.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
There was nothing you could be sure about, it was all lies, and it was all done to mess with minds because the control and the power trip was so important to them, as well as it being necessary in terms of screwing up anything you might remember from an evidential perspective. They would also build up your hopes, in terms of any tiny thing you did like or were less scared of, so I'd be told that it would be a nice night because Uncle Andrew would be coming, but then it wouldn't be him. There would be someone else There would be someone else who I was told was my Uncle Andrew as he was raping me. Sometimes, this other person would have a mask on but I would know that it wasn't really him. They would be the wrong height or the wrong weight or, sometimes, even obviously a woman. There were occasions when I would be told to call the person Uncle Andrew and then when I did, they would ask me why I was doing that. Sometimes he would be there, too, but that was rare. Was it Satanic? I don't know. Personally I don't believe in God or Satan or any of those things, but abusers use whatever they can to silence children because if you go to the police and say something about Satan, you are so much less likely to be believed. I personally think they were just a group of likeminded people who had no beliefs other than that they wanted to get satisfaction out of abusing children and it's as simple and horrible as that. My uncle certainly doesn't have any satanic beliefs — he just thinks that he loves children and is allowed to get sexual satisfaction from them. Why is there sex involved if it is just about Satan? Why does it always come down to them getting off? No matter what they do that's all it is, whether masturbation or penetration or humiliation, that's what it's about. I encountered people who just liked to humiliate — they wouldn't allow you to go to the bathroom, you would be given drink after drink, fizzy drinks, whatever, so you ended up absolutely desperate and that's where they got off — that's when they started to masturbate themselves, as you stood there peeing yourself. That was just awful, so humiliating. Where is God or Satan in that? (her Uncle was convicted for abusing her and jailed)
Laurie Matthew (Groomed)
Joe was the only constant thing in my life. And I loved him like a brother. But that phrase has a very precise meaning. A lot of those stock sayings do. Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming? I loved Joe like a brother, which meant a lot of things in our family. The truth was I never knew for sure if I loved him or not. And he never knew for sure if he loved me or not, either. We were only two years apart, but he was born in the fifties and I was born in the sixties. That seemed to make a lot more than two years’ worth of a difference to us. And like any pair of brothers two years apart, we irritated the hell out of each other. We fought and bickered and sullenly waited to grow up and get out from under. Most of those sixteen years, we didn’t know if we loved each other or hated each other. But we had the thing that army families have. Your family was your unit. The men on the bases were taught total loyalty to their units. It was the most fundamental thing in their lives. The boys copied them. They translated that same intense loyalty onto their families. So time to time you might hate your brother, but you didn’t let anybody mess with him. That was what we had, Joe and I. We had that unconditional loyalty. We stood back to back in every new schoolyard and punched our way out of trouble together. I watched out for him, and he watched out for me, like brothers did. For sixteen years. Not much of a normal childhood, but it was the only childhood I was ever going to get. And Joe was just about the beginning and end of it. And now somebody had killed him. I sat there in the back of the police Chevrolet listening to a tiny voice in my head asking me what the hell I was going to do about that.
Lee Child (Killing Floor (Jack Reacher, #1))
[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
One of the great divides, I think, between people who date a lot and people who date never is that people who date never don’t understand putting up with “fine.” I can’t begin to conceive of why anybody would voluntarily spend great chunks of her free time dedicated to someone she doesn’t adore, because I never do that. My dater friends, on the other hand, do this all the time. I know this because I’m the one they meet up with after, and I’m the one who has to try to understand why my otherwise brilliant friends keep hanging out with people about whom they only have bad (or very, very mediocre) things to say. A person who has spent her life planning her free time based only on herself, and the friends she knows she loves, can’t understand this. Why would I want to go out to dinner and a movie with someone I’m not completely crazy about when I already know how much I like eating dinner and watching a movie by myself, or with Rylee? Getting someone else involved means I have to put on a nicer outfit and stress out about the way I look chewing my food. If I’m going to have to consider my chewing face, I only want to do it for someone I think I might be able to really like. I know that might make it harder for me. I know there is a possibility—a very little one, though, that I have a hard time really believing in—that chemistry can grow where there wasn’t any to begin with. I know that if I don’t put myself out there, I won’t just answer my door someday to find my perfect spouse waiting on the other side of the stoop. AND I know that if that did happen, I should probably call the police.
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-" Ivy:"Thank you. Thank you for risking your life. Thank you for saving me." "That's not what I wanted! Gratitude is the last thing I-" "Well, let me tell you what I want, Honesty." "When haven't I been honest? When?" "I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will." "So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?" "That's usually why people blackmail." "You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on." "Why didn't you tell me this before? You should have told me this before." "You weren't telling me things, either." "I was trying to protect you!" "What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you." "Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!" "You fell in love with me?" "Love you, Will." "Love you, Ivy.
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.
Richard Wurmbrand (The Midnight Bride)