Poison Apple Quotes

This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weather’s been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damut’s boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.

Grow the lawn and mow the lawn always keep the TV on, brush your teeth and kill the germs, poison apples, poison worms.

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.

I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe; I told it not, my wrath did grow. And I water'd it in fears, Night & morning with my tears; And I sunnéd it with smiles And with soft deceitful wiles. And it grew both day and night, Till it bore an apple bright; And my foe beheld it shine, And he knew that it was mine, And into my garden stole, When the night had veil'd the pole: In the morning glad I see My foe outstretch'd beneath the tree.

When you're five and you hurt, you make a big noise in the world. At ten you whimper. But by the time you make fifteen you begin to eat the poisoned apples that grow on your own inner tree of pain.

The greatest enemy of hunger for God is not poison but apple pie. It is not the banquet of the wicked that dulls our appetite for heaven, but endless nibbling at the table of the world. It is not the X-rated video, but the prime-time dribble of triviality we drink in every night.

Villains were wonderful. They got to be cruel and selfish, to preen in front of mirrors and poison apples, and trap girls on mountains of glass. They indulged all their worst impulses, revenged themselves for the least offense, and took every last thing they wanted. And sure, they wound up in barrels studded with nails, or dancing in iron shoes heated by fire, not just dead, but disgraced and screaming. But before they got what was coming to them, they got to be the fairest in all the land.

Everyone thinks of them in terms of poisoned apples and glass coffins, and forgets that they represent girls who walked into dark forests and remade them into their own reflections.

I believe that the world isn't always what we can see...I believe there are secrets in the woods. And I believe that goodness wins out...So, if someone's changed overnight - by witch curse or poison apple or were-turtle - you have to show them what's good. You show them love. That works a surprising amount of the time.

And Tiffany knew that if a witch started thinking of anyone as "just" anything, that would be the first step on a well-worn path that could lead to, oh, to poisoned apples, spinning wheels, and a too-small stove... and to pain, and terror, and horror and the darkness.

You’ve always been the hunger at the heart of me, Red—my teeth, my claws, my poisoned apple.

Every plant is an individual. Wrong again. We are not individuals at all, we are all connected. We are individuals the way each blossom on an apple tree is an individual.

But here's a great thing about stories: they can be retold.

How stupid that all I have to do is grow two squishy lumps and suddenly I'm man's best friend

You can lose your way anywhere.

Nature Lesson The dress code says we must cover ourselves in ample pants, skirts that reach well below our lascivious knees, polos buttoned over the rim of the canyon, a glimpse of which can send a boy plunging to such depths he may never climb back up to algebra. We say that if a hiker strays off the path, trips, and winds up crippled, is it really the canyon's fault?

Maybe there aren’t any happily ever afters, or white knights who ride in on valiant steeds to save the day. Maybe, in real life, Prince Charming isn’t always perfect – he’s just as flawed as everyone else in the tale. And that princess, alone in her tower? She’s not perfect either. Birds don’t braid her hair every morning, she can’t serenade wild forest creatures into servitude, and she doesn’t even own a ball gown. But she’s also smart enough to know not to accept poisoned apples from strangers, or prick her finger on deadly spindles. She doesn’t wait around for a prince to charge in and slay the dragon. Maybe she saves herself and in the end, rides off into her own goddamned sunset.

If you find the dividing line between fairy tales and reality, let me know. In my mind, the two run together, even though the intersections aren't always obvious. The girl sitting quietly in class or waiting for the bus or roaming the mall doesn't want anyone to know, or doesn't know how to tell anyone, that she is locked in a tower. Maybe she's a prisoner of a story she's heard all her life- that fairest means best, or that bruises prove she is worthy of love.

No need for a bunch of trees. You can lose your way anywhere.

Not foliage green, but of a fusk colour, Not branches smooth, but gnarled and intertangled not apple-tress were there, but thorns with poison.

I believe that the world isn’t always what we can see,” he said. “I believe there are secrets in the woods. And I believe that goodness wins out.” He gave Hazel a serious look. “So, if someone’s changed overnight—by witch curse or poison apple or were-turtle—you have to show them what’s good. You show them love. That works a surprising amount of the time. And if that doesn’t save them, they’re not worth saving.

I should warn you, Edie. I’m not the prince in this fairy tale. I’m the villain. The poisonous apple, the flame-breathing monster.

Rubenesque: the word for masterpiece curves. Screw you, unsalted rice cakes.

Love is a soft thing. It smells like woodsmoke and sounds like rain. It tastes like sugared apples. It costs nothing to give yet is more precious than a sea of diamonds.

For my own part, my constant prayer is that I may know the worst of my case, whatever the knowledge may cost me. I know that an accurate estimate of my own heart can never be otherwise than lowering to my self-esteem; but God forbid that I should be spared the humiliation which springs from the truth! The sweet red apples of self-esteem are deadly poison; who would wish to be destroyed thereby? The bitter fruits of self-knowledge are always healthful, especially if washed down with the waters of repentance, and sweetened with a draught from the wells of salvation; he who loves his own soul will not despise them.

What the miller's daughter should have said from the start or at any point down the line is, no.

And those women were sneaky. They understood that including fantastical elements in their tales- golden eggs, signing harps, talking frogs- worked to mask a deeper purpose....it made the stories look on the surface like 'a mere bubble of nonsense' within which it was possible to 'utter harsh truths, to say what you dare' about the state of women's lives. Because they were just stories, right? Harmless little fantasies?

think of the prequels like snap shots of a magical land you're about to visit soon. I like to think of them as poisoned apples…once you taste them, you’ll never see fairy tales in the same light again.

The glass bottle does not know its own contents. It has no idea whether it is a vessel for the most delicious apple cider, a lovingly crafted wine, or a bitter poison.

I’ll finish your fairy tale. You forgot to mention the snake. In the story the apple poisons the snake, and Eve packs her books and moves out of paradise. The End.

The only thing fairytales have taught us is the slipper doesn't always fit, the kiss won't always wake you, and the prince won't always fight for you. However, one thing that rings true, the apple will ALWAYS be poisoned.

Gingerbread I knew I had to get out of there before the icing cracked and they discovered that I'm burnt around the edges, doughy in the center, that what they thought was sugar is salt. If I was a good girl, if I could satisfy their cravings, if every dream in my misshapen head didn't bite, I might have stayed at the table. Wouldn't you run, too, from such voracious love?

Save the sugar for some other girl. This one’s had it up to here with people in general.

If the devil decided to run for President, do you think he/she would put on their horns and wicked grin, or a suit with an angelic smile? If the wicked witch stayed green and ugly, would she have been able to give Snow White a poisoned apple? And if the Big Bad Wolf had not disguised himself as an old granny, would he have been able to lure Little Red Riding Hood into the house to eat her? And if a drug dealer wanted to seduce some school kids to get on his drugs, would he act like a greedy businessman — or a caring friend? Salt and sugar look exactly the same but taste very different. We live in a world of illusions, one filled with Luciferians acting like righteous men, and righteous men condemned as criminals.

maybe the apple was actually a cock and maybe eve wanted it because adam was too busy, self-absorbed, and distracted to fuck her? maybe the original sin was a man taking a woman for granted • i’ve always liked serpents

There are two apples, one is green and the other is red. Which apple would the wise man choose? The answer is: I’ll take the one you didn’t choose. You see, you are the fool here, because I poisoned the first apple!

Gripping his hand, she shook. “The name’s Neve, not damsel in distress.

Once there was a girl who longed to be brave enough to stick her finger down her throat, to measure herself by the teaspoon, to shrink to the size of a serving. Once

When God gives you a present, a power, a talent, the Devil also hands you a poisoned apple, so as not to be outdone.

You’ve always been the hunger at the heart of me, Red—my teeth, my claws, my poisoned apple. Under the spreading chestnut tree, I made you and you made me.

Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.

But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad. "And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.

hating people is like a poisoned apple. The more you hated them , the faster the poisons spread.

She’s a poker player’s wet dream. Sorry, sweetheart, you can’t bluff for anything.

Now when I was fifteen, oh I knew it was over The road to enchantment was not mine to take Cause lower calf, upper arm should be half what they are I was breaking the laws that the signmakers made. And all I could eat was the poisonous apple And that's not a story I was meant to survive I was all out of choices, but the woman of voices She turned round the corner with music around her, She gave me the language that keeps me alive

Every night before bed, her mother had told her a story that should have been frightening: Scary Evil Queen. Huntsman ordered to cut out her heart. Lost in dark woods with grabby trees. Dwarves, dwarves, more dwarves. Old peddler lady giving her a strangling ribbon. Old peddler lady giving her a poisoned comb. Old peddler lady giving her a poisoned apple. Crunch. Gasp. Faint (beautifully). Dead sleep. Cold glass coffin. Empty dreams. Then… kiss. Wake. Prince! Cheering dwarves. Huge choreographed dance number. Happily Ever After.

You expect me to believe you're a witch? A broom riding, cauldron stirring, poison apple witch? Witches are Fae, Angelina," Dasan mocked. "No, you creeper, witches are not Fae. Maybe some are, but there are mortals who practice witchcraft, and I'm one of them!" Angelina almost spit the words at him. "And we don't ride brooms, get real! How Hans Christian Anderson are you, anyway? As for poison apples, you'll be lucky to not get served one in your lifetime! I mean, you and your buddy here turn into giant... what are you... dogs... but you can't believe in a little earth magic? Grow up!" "See, this is the kind of conversation that would crop up on like a third or fourth date," I chimed in, unable to help myself. -told by Finley in The Sacred Oath

If she had known who was a perfect match for Karen/Kelly, she wouldn’t put cake on her plate, but instead add poison to her coffee.

She glanced outside at the sky, filled with clouds and smog. All the pollution, all that hell—even the stars didn’t stand a chance.

lettuce

who all are former villains. How do you like them poison apples?

Sage is a poison apple. Too pretty for her own good, but could kill you with one single bite. Even at the thought of that, I’m still ready to sink my teeth into her.

I've drank her wine - intoxication. Her taste lingers on my tongue And yours And his And hers. She gifts her fruit to all. And like the poisonous apple, Those who indulge Never leave.

And I remember thinking that all these stories started off sounding like the old fairy tales Mom and Dad used to tell me, and instead of witches putting kids in ovens and evil queens conjuring poisoned apples, the fathers and husbands were the monsters doing the unspeakable things to their families, and these stories all ended without anyone saving anybody.

What would you think of a man who not only kept an arsenal in his home, but was collecting at enormous financial sacrifice a second arsenal to protect the first one? What would you say if this man so frightened his neighbors that they in turn were collecting weapons to protect themselves from him? What if this man spent ten times as much money on his expensive weapons as he did on the education of his children? What if one of his children criticized his hobby and he called that child a traitor and a bum and disowned it? And he took another child who had obeyed him faithfully and armed that child and sent it out into the world to attack neighbors? What would you say about a man who introduces poisons into the water he drinks and the air he breathes? What if this man not only is feuding with the people on his block but involves himself in the quarrels of others in distant parts of the city and even in the suburbs? Such a man would clearly be a paranoid schizophrenic, Mr. Flanagan, with homicidal tendencies.

I was scared—with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I’d ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You’re no longer afraid of the things you had absolute faith in as a child: that you’d die in convulsions from inhaling the gas from a shattered lightbulb, that chewing apple pips brought on death by cyanide poisoning, or that a circus dwarf had actually bounced off a trampoline into the mouth of a hungry hippo. You stop believing in the things my uncle believed in. Even if your mind wants to go there, it has lost the nimbleness needed to make the leap. That magic gets kicked out of you, churched out, shamed out—or worse, you steal it from yourself. It gets embarrassed out of you by the kids who run the same stretch of streets and grown-ups who say it’s time to put away childish things. By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you’d grow up to be.

The Anorexic Eats a Salad Mountains rise, fall, rise again. Stars complete their slow trek into oblivion. A snail tours the length of China’s Great Wall twice. All those pesky cancers—cured. Somewhere in Lower Manhattan, a barista finally smiles. Roundworms evolve into ovals. Flatworms get chesty. Molasses, a tortoise, and sedimentation run the fifty-yard dash. Results pending. Temps plunge in hell. The devil waxes his skis. She has almost made it through her first bite.

All Souls’ Eve, when the spirits of the dead will come back to the living, dressed as ballerinas and Coke bottles and spacemen and Mickey Mice, and the living will give them candy to keep them from turning vicious. I can still taste that festival: the tart air, caramel in the mouth, the hope at the door, the belief in something for nothing all children take for granted. They won’t get homemade popcorn balls any more, though, or apples: rumors of razor blades abound, and the possibility of poison. Even by the time of my own children, we worried about the apples. There’s too much loose malice blowing around. In Mexico they do this festival the right way, with no disguises. Bright candy skulls, family picnics on the graves, a plate set for each individual guest, a candle for the soul. Everyone goes away happy, including the dead. We’ve rejected that easy flow between dimensions: we want the dead unmentionable, we refuse to name them, we refuse to feed them. Our dead as a result are thinner, grayer, harder to hear, and hungrier.

Inferno: Canto XIII Not yet had Nessus reached the other side, When we had put ourselves within a wood, That was not marked by any path whatever. Not foliage green, but of a dusky colour, Not branches smooth, but gnarled and intertangled, Not apple-trees were there, but thorns with poison. Such tangled thickets have not, nor so dense, Those savage wild beasts, that in hatred hold 'Twixt Cecina and Corneto the tilled places. There do the hideous Harpies make their nests, Who chased the Trojans from the Strophades, With sad announcement of impending doom; Broad wings have they, and necks and faces human, And feet with claws, and their great bellies fledged; They make laments upon the wondrous trees.

She slept deeply the night before—fairy tale–princess sleep, poisoned-apple sleep

You took so long I got bored.” She widened her smile, teeth showing. “Next time freshen up quicker, princess.

Daughters aren’t trash you can toss away, Dad. I had to deal with the mess you left.

As she’d walked along this street, a million stars stretched across an indigo canvas, holding all the freedom she’d yearned for every night.

A mirror that witnessed death was as dear to me as a poisoned apple that steals breath.

beSt frenDS.

I am pinewood / chest pains / poisoned apples / dog-eared pages / and I am the switchblade / in the back pocket of your baby blue jeans / sharp and made for hunting.

This is a poisoned apple, but I can’t stop humping the tree.

You can't blame her for liking yoga. It's just a weakness that all white chicks have.

You’re a bad apple, Millie. We don’t want you poisoning our lives anymore.

With Nicasia by his side, Cardan drew others to him until he formed a malicious little foursome who prowled the isles of Elfhame looking for trouble. They unravelled precious tapestries and set fire to part of the Crooked Forest. They made their instructors at the palace school weep and made courtiers terrified to cross them. Valerian, who loved cruelty the way some Folk loved poetry. Locke, who had a whole empty house for them to run amok in, along with an endless appetite for merriment. Nicasia, whose contempt for the land made her eager to have all of Elfhame kiss her slipper. And Cardan, who modelled himself on his eldest brother and learned how to use his status to make Folk scrape and grovel and bow and beg, who delighted in being a villain. Villains were wonderful. They got to be cruel and selfish, to preen in front of mirrors and poison apples, and trap girls on mountains of glass. They indulged all their worst impulses, revenged themselves for the least offense, and took every last thing they wanted. And sure, they wound up in barrels studded with nails, or dancing in iron shoes heated by fire, not just dead, but disgraced and screaming. But before they got what was coming to them, they got to be the fairest in the land.

Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.

So, Granger, how ready are you for food-poisoning?" "I've been dry heaving all day in preparation." "Damn, it's just like you and O.W.L.'s all over again, isn't it?" "There was much less vomiting with the exams, I think.

However, this bottle was not marked 'poison,' so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very

Villains were wonderful. They got to be cruel and selfish, to preen in front of mirrors and poison apples, and trap girls on mountains of glass. They indulged all their worst impulses, revenged themselves for the least offense, and took every last thing they wanted. And sure, they wound up in barrels studded with nails, or dancing in iron shoes heated by fire, not just dead, but disgraced and screaming. But before they got what was coming to them, they got to be the fairest in all the land.

Just in time, Evie,” Selena said. “I’ve got everything ready.” I surveyed the outdoor table, immaculately set with nice silver and crisp napkins. Covered dishes steamed with mouthwatering aromas. “We’re having quail, asparagus, and mushroom risotto. Hot apple cobbler for dessert.” I smiled thinly. Martha Stewart called, wants her shtick back. “Can I help?” Jackson snorted. And Selena play-slapped his chest, like he was her mischievous boyfriend. At that, the initial mrowr pfft pfft I’d felt transformed into I will cut a bitch.

An obsession, a mania, Lib supposed it could be called. A sickness of the mind. Hysteria, as that awful doctor had named it? Anna reminded Lib of a princess under a spell in a fairy tale. What could restore the girl to ordinary life? Not a prince. A magical herb from the world's end? Some shock to jolt a poisoned bite of apple out of her throat? No, something simple as a breath of air: reason. What if Lib shook the girl awake this very minute and said, Come to your senses! But that was part of the definition of madness, Lib supposed, the refusal to accept that one was mad. Standish's wards were full of such people. Besides, could children ever be considered quite of sound mind? Seven was counted the age of reason, but Lib's sense of seven-year-olds was that they still brimmed over with imagination. Children lived to play. Of course they could be put to work, but in spare moments they took their games as seriously as lunatics did their delusions. Like small gods, children formed their miniature worlds out of clay, or even just words. To them, the truth was never simple. But Anna was eleven, which was a far cry from seven, Lib argued with herself. Other eleven-year-olds knew when they'd eaten and when they hadn't; they were old enough to tell make-believe from fact. There was something very different about - very wrong with - Anna O'Donnell.

Joy always overcooked chicken. She had a terror of salmonella […] She put her fingertips to her hairline. She was sweating. Food poisoning? Savannah’s roast chicken had been so wonderfully tender! Was this the price you had to pay for tender chicken? It was too high a price!

Which story are you going to tell us tonight, Mother?" Tootless asked. "One that is very close to my heart," Red said. "It's called 'Beautiful and Brilliant Little Blue Riding Hood'." Just hearing the title made the Lost Boys excitedly clap. "Is it a good story, Mum? Slightly asked. "It's the best story you'll ever hear," Red said. "Does Little Blue die in the end like Cinderella, Snow White, Sleeping Beauty, and Rapunzel?" Curly asked. "I just want to know before I get attached." "Those were such sad stories," Nibs said, and shook his head. "I can't believe poor Cinderella slipped while running down the stairs at midnight, or that Snow White choked on the poisoned apple, or when Sleeping Beauty awoke, she discovered the spindle had given her a staph infection." "Poor, poor princesses," the Lost twins sniffled. "Well, these stories are supposed to teach us valuable lessons," Red said. "Never run down stairs, always chew your food, and see a doctor if your skin is punctured by rusty metal." "Is there a lesson in the story of 'Beautiful and Brilliant Little Blue Riding Hood'?" Slightly asked. "You'll have to wait to find out," she teased.

Apple and went on to be a partner in the venture firm Sequoia Capital with Don Valentine) repudiated it by complaining that his reporting had been “siphoned, filtered, and poisoned with gossipy benzene by an editor in New York whose regular task was to chronicle the wayward world of rock-and-roll music.

Prunus persica: peach. While the fruit of this plant is juicy and sweet, the seed-like the seeds of cherries, apples, plums and apricots-is full of poison. Yes, that pit you throw out is a little woody ball packed with cyanide. The Seed Moral of this story? Be careful of what's at the center-yours or anyone else's.

Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.

When you’re five and you hurt, you make a big noise unto the world. At ten you whimper. But by the time you make fifteen you begin to eat the poisoned apples that grow on your own inner tree of pain. It’s the Western Way of Enlightenment. You begin to cram your fists into your mouth to stifle the screams. You bleed on the inside.

Many had been raped and most of these rape victims had fallen prey to male members of their own family, usually their own fathers. Unmarried women who became pregnant as a result of these rapes were murdered as soon as their condition was discovered to wash away the disgrace and keep the scandal hidden. In some cases the murderer was the rapist himself. Some victims were deliberately poisoned with the pesticides that were used to spray the apple trees in that region famous for its apple production. The death certificate would read: “Death from natural causes.” No doctor was required to obtain a death certificate for these women. Witnesses were sufficient.

The child affixes one of her little pictures to my refrigerator. She asks, Can you detect the radiation? There is a house, one tree, and grass in dark slashes. A sun shining. Beneath, in her child letters, she has written Chernobyl. At kindergarten they must be having nuclear energy week. One could look at the picture and say everything is in order. No, I say, I cannot see the radiation. The radiation poison, she says, sits inside the apple and the apple looks pretty. Then singsongs, Bury the apple and bury the shovel that buried the apple and put the apple-burier person in a closet forever. We are both thinking Then bury the burier. Both thinking of her picture with no people. The poison sits inside the people and the people still look pretty, she says.

No one has been able to aggregate more intention data on what consumers like than Google. Google not only sees you coming, but sees where you’re going. When homicide investigators arrive at a crime scene and there is a suspect—almost always the spouse—they check the suspect’s search history for suspicious Google queries (like “how to poison your husband”). I suspect we’re going to find that U.S. agencies have been mining Google to understand the intentions of more than some shopper thinking about detergent, but cells looking for fertilizer to build bombs. Google controls a massive amount of behavioral data. However, the individual identities of users have to be anonymized and, to the best of our knowledge, grouped. People are not comfortable with their name and picture next to a list of all the things they have typed into the Google query box. And for good reasons. Take a moment to imagine your picture and your name above everything you have typed into that Google search box. You’ve no doubt typed in some crazy shit that you would rather other people not know. So, Google has to aggregate this data, and can only say that people of this age or people of this cohort, on average, type in these sorts of things into their Google search box. Google still has a massive amount of data it can connect, if not to specific identities, to specific groups.

During Snow White's story, her mother had somehow survived sharing a castle with the Greatest Evil the World Has Ever Known and come out of it not only okay but Happily Ever After. What advice would her mother give? Apple knew because Snow White had cross-stitched the words on a pillow and propped it up in the informal receiving room: When Life Is All Dark Woods And Poisoned Apples, Remember You Have Friends. Snow White had stitched messages on other pillows, too, such as: Squirrels Will Never Let You Down, Unless They're Hibernating; There Are Always Birds; Nature Loves A Broom; Love Is Knowing A rabbit Needs You; Hugs Are How It's Done; Double Hugs Are For The Grumpy; Trees And Dogs Are Happy, So Start Barking; and others. Honestly, it was hard to find a sofa in the enormous White Castle that didn't sport a cross-stitched pillow. But the "Remember You Have Friends" one offered the most insight to Apple at the moment.

Stories of the Street" The stories of the street are mine, the Spanish voices laugh. The Cadillacs go creeping now through the night and the poison gas, And I lean from my window sill in this old hotel I chose, Yes one hand on my suicide, one hand on the rose. I know you've heard it's over now and war must surely come, The cities they are broke in half and the middle men are gone. But let me ask you one more time, O children of the dusk, All these hunters who are shrieking now oh do they speak for us? And where do all these highways go, now that we are free? Why are the armies marching still that were coming home to me? O lady with your legs so fine O stranger at your wheel, You are locked into your suffering and your pleasures are the seal. The age of lust is giving birth, and both the parents ask The nurse to tell them fairy tales on both sides of the glass. And now the infant with his cord is hauled in like a kite, And one eye filled with blueprints, one eye filled with night. O come with me my little one, we will find that farm And grow us grass and apples there and keep all the animals warm. And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. With one hand on the hexagram and one hand on the girl I balance on a wishing well that all men call the world. We are so small between the stars, so large against the sky, And lost among the subway crowds I try to catch your eye.

I was worried about you, Ivy-Divy. You slept like you were a Disney princess who ate a rotten apple.” I arched a brow as I scratched the kitten above its tail. “I think you mean a poisoned apple.” “Whatever. Same difference. Prince Charming over there couldn’t wake you with a kiss,” he said. “That’s all I know.” “You’re going to need more than a Prince Charming to wake you when I knock your ass unconscious,” Ren said with little heat behind the threat, watching Dixon as he curled into a little ball and promptly went to sleep.

I should warn you, Edie. I’m not the prince in this fairy tale. I’m the villain. The poisonous apple, the flame-breathing monster.” “Good. I always enjoyed the broken in the fairy tales better. The apple always looked shinier because I knew it could destroy me. The villain was just damaged and misunderstood, and the monster…” I leaned on my tiptoes, biting the tip of his ear, just barely reaching his impossible height. “I always kept the door to my closet a little ajar as a kid to make sure it could come out in case it wanted to play.

These minor, natural flaws did not explain why hers was but the deceptive beauty of the poisoned apple. It was not merely that she was shallow, a creature of simple malice: within her tiny skull a storm raged, hectic, vicious and vengeful. The depths of her character were murky and she herself, had she made the attempt, would struggle to rationalise her behaviour. In morals she was well-versed, for they had been imparted to her through fables as a young child, yet she could find no trace of villainy in her own actions. In her skewed world-view she was set apart.

Gran had made him suffer through many terrible things in the name of ridding his body of the poison. The first day, in addition to the rotten apple brew she made him guzzle by the jugful, she'd forced him to stand for twenty minutes under the spray of an icy waterfall, then bathe in a tub of boiled milk. On the second day she'd wrapped a chicken gizzard around his neck, stuck a lump of charcoal under his tongue, and made him say the alphabet backward. "What was the alphabet part for?" he'd asked after he finally reached a. "Nothing," Gran had chortled. "I just wanted to hear you say it." Gran delighted in torturing him.

Once we went to a family picnic back when my mother was still speaking to her family. We ate hot dogs and hamburgers that my mom’s dad cooked on the grill, and my mom’s stepmom, a woman she insisted was evil but seemed nice enough to me. She made apple pie for dessert. We ate big, warm slices with rivers of vanilla ice cream melting into the crust. The pie made me feel good inside: warm and full and happy. Then my mom said her stepmom probably made those pies from poisoned apples, and I spent the rest of the night thinking of Snow White eating the poisoned apple and sleeping for years. I was afraid to go to sleep that night.

John Piper:“The greatest enemy of hunger for God is not poison but apple pie. It is not the banquet of the wicked that dulls our appetite for heaven, but endless nibbling at the table of the world. It is not the X-rated video, but the prime-time dribble of triviality we drink in every night. For all the ill that Satan can do, when God describes what keeps us from the banquet table of his love, it is a piece of land, a yoke of oxen, and a wife (Luke 14:18-20). The greatest adversary of love to God is not his enemies but his gifts. And the most deadly appetites are not for the poison of evil, but for the simple pleasures of earth. For when these replace an appetite for God himself, the idolatry is scarcely recognizable, and almost incurable” (A Hunger for God [Wheaton:Crossway, 1997], 14). “Open wide your mouth and I will fill it.

At the trial in March 1952, Turing pled guilty, though he made clear he felt no remorse. Max Newman appeared as a character witness. Convicted and stripped of his security clearance,VI Turing was offered a choice: imprisonment or probation contingent on receiving hormone treatments via injections of a synthetic estrogen designed to curb his sexual desires, as if he were a chemically controlled machine. He chose the latter, which he endured for a year. Turing at first seemed to take it all in stride, but on June 7, 1954, he committed suicide by biting into an apple he had laced with cyanide. His friends noted that he had always been fascinated by the scene in Snow White in which the Wicked Queen dips an apple into a poisonous brew. He was found in his bed with froth around his mouth, cyanide in his system, and a half-eaten apple by his side. Was that something a machine would have done?

Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.

I stopped and questioned her, asked her what was wrong. “I dearly loved my master, son,” she said. “You should have hated him,” I said. “He gave me several sons,” she said, “and because I loved my sons I learned to love their father though I hated him too.” “I too have become acquainted with ambivalence,” I said. “That’s why I’m here.” “What’s that?” “Nothing, a word that doesn’t explain it. Why do you moan?” “I moan this way ’cause he’s dead,” she said. “Then tell me, who is that laughing upstairs?” “Them’s my sons. They glad.” “Yes, I can understand that too,” I said. “I laughs too, but I moans too. He promised to set us free but he never could bring hisself to do it. Still I loved him …” “Loved him? You mean …?” “Oh yes, but I loved something else even more.” “What more?” “Freedom.” “Freedom,” I said. “Maybe freedom lies in hating.” “Naw, son, it’s in loving. I loved him and give him the poison and he withered away like a frost-bit apple. Them boys woulda tore him to pieces with they homemade knives.” “A mistake was made somewhere,” I said, “I’m confused.

But believe me, Henry. You’re not the first Snow White I’ve seen, and you probably won’t be the last. You’ll do what you can with the resources you have, and you’ll serve your story by trying to save me.” Sloane dropped her head again. “I should be trying to save you. That would subvert the narrative. But instead here we are, you saving me, or dying in the process. Dying is a lot more likely.” “Only if you take things at face value,” I said. “I’m not going to eat anything you hand me, drink anything you’ve touched, borrow your comb, or put on any of your rings. You know what I will do?” “What?” asked Sloane, not sounding as if she believed that the answer could matter in the slightest. “I’ll shoot you in your goddamn head if I really and truly feel that you’ve become a danger to yourself and others. And then I’ll take your body down to the folks in Agricultural and ask them to use you to fertilize an apple tree. And when you’ve grown to a lovely size and started bearing fruit, I will sit underneath you and not eat a single one of your inevitably poisoned apples.” Sloane glanced at me through her hair, and for a moment I actually saw a wisp of a smile on her face. “You’d do that for me?” she asked.

Most of the garden was devoted to the usual things- lettuces, onions, cabbage, and eggplant- ordinary ingredients for good, honest meals. But then there were the chef's other plants, the ones that made the cooks cross themselves and kiss their thumbnails whenever they were forced to handle them. Take love apples, to start with. Their poisonous reputation was as well known as that of hemlock, and the cooks protested loudly the day the chef put in his seedlings. What if their roots contaminated the onions? What if their fumes caused swoons or fits? What if the odd, tangy smell of their leaves attracted disgruntled ghosts from the nearby dungeons? It took repeated assurances, the installation of a wire enclosure, and the fact that nothing catastrophic followed their planting to keep the staff from uprooting the love apples behind the chef's back. Even so, one cook quit, and another developed a twitchy eye and started nipping at the cooking sherry. After the love apples, the chef put in beans- another rarity from the New World- and then potatoes. Once, he tried something he called maize, but the plants failed, so instead he bought sacks of dried maize from an unknown source. In a giant stone mortar, he ground the dried maize down to a coarse yellow meal from which he made one of his exotic specialties- polenta.

I am not a Goddess. I am the face of them All, the embodiment of many. I will burn your village to the ground wearing pants. Nourish your soil and scatter new seeds in a skirt that lifts in the breeze. Strike like lightening and change everything you thought you knew. Scorch you and replenish your reservoir. Sing until you weep with joy. I will leave you poetry on your pillow beside a bottle of hemlock. Feed you til' your belly is full. Devour your ego and spit out your falsities in front of you. Steal your favourite things. I will lead you into temptation. Be the ugliest hag you ever did see. Awaken you from your slumber. Hand you a poisoned apple. Light a candle in your darkness. Weave you a dream. Bow at your feet and kiss the ground you walk upon. I will love you like you've never felt love before. Take your breath away with my beauty. Call your demons into the Light and watch them bury you. Make you tremble in ecstasy. I'll answer your prayers. Shake you til' you scream. Retrieve you from the deep. Carry your manifestations inside of me and birth them into Being. Be the wind in your sails. The blood on your sheets. The wish granted from the wild dandelion wheel. The snake in the grass. Tufts of idle time. I will disappear suddenly, wait until you ache for me, and reemerge as if I had never gone. I am not a Goddess. I am the face of them All, the embodiment of many.

Turing was offered a choice: imprisonment or probation contingent on receiving hormone treatments via injections of a synthetic estrogen designed to curb his sexual desires, as if he were a chemically controlled machine. He chose the latter, which he endured for a year. Turing at first seemed to take it all in stride, but on June 7, 1954, he committed suicide by biting into an apple he had laced with cyanide. His friends noted that he had always been fascinated by the scene in Snow White in which the Wicked Queen dips an apple into a poisonous brew. He was found in his bed with froth around his mouth, cyanide in his system, and a half-eaten apple by his side. Was that something a machine would have done? I. Stirling’s formula, which approximates the value of the factorial of a number. II. The display and explanations of the Mark I at Harvard’s science center made no mention of Grace Hopper nor pictured any women until 2014, when the display was revised to highlight her role and that of the programmers. III. Von Neumann was successful in this. The plutonium implosion design would result in the first detonation of an atomic device, the Trinity test, in July 1945 near Alamogordo, New Mexico, and it would be used for the bomb that was dropped on Nagasaki on August 9, 1945, three days after the uranium bomb was used on Hiroshima. With his hatred of both the Nazis and the Russian-backed communists, von Neumann became a vocal proponent of atomic weaponry.

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

...Me, I do not want to go to no suburbans not even Brooklyn. But Joyce wants to integrate. She says America has got two cultures, which should not he divided as they now is, so let's leave Harlem." "Don't you agree that Joyce is right?" "White is right," said Simple, "so I have always heard. But I never did believe it. White folks do so much wrong! Not only do they mistreat me, but they mistreats themselves. Right now, all they got their minds on is shooting off rockets and sending up atom bombs and poisoning the air and fighting wars and Jim Crowing the universe." "Why do you say 'Jim Crowing the universe'?" "Because I have not heard tell of no Negro astronaughts nowhere in space yet. This is serious, because if one of them white Southerners gets to the moon first, COLORED NOT ADMITTED signs will go up all over heaven as sure as God made little green apples, and Dixiecrats will be asking the man in the moon, 'Do you want your daughter to marry a Nigra?' Meanwhile, the N.A.A.C.P. will have to go to the Supreme Court, as usual, to get an edict for Negroes to even set foot on the moon. By that time, Roy Wilkins will be too old to make the trip, and me, too." "But perhaps the Freedom Riders will go into orbit on their own," I said. "Or Harlem might vote Adam Powell into the Moon Congress.'' "One thing I know," said Simple, "is that Martin Luther King will pray himself up there. The moon must be a halfway stop on the way to Glory, and King will probably be arrested. I wonder if them Southerners will take police dogs to the moon?

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

Jon,” she was saying to the boy across the table from her. “I am in so much pain from stubbing my toe! I need aspirin.” “What’s aspirin?” asked the boy, sounding panicked. He was obviously Nephilim, through and through and through. Magnus could tell without seeing his runes. In fact, he was prepared to bet the boy was a Cartwright. Magnus had known several Cartwrights through the centuries. The Cartwrights all had such distressingly thick necks. “You buy it in a pharmacy,” said the girl. “No, don’t tell me, you don’t know what a pharmacy is either. Have you ever left Idris in your whole life?” “Yes!” said Jon, possibly Cartwright. “On many demon-hunting missions. And once Mama and Papa took me to the beach in France!” “Amazing,” said the girl. “I mean that. I’m going to explain all of modern medicine to you.” “Please don’t do that, Marisol,” said Jon. “I did not feel good after you explained appendectomies. I couldn’t eat.” Marisol made a face at her plate. “So what you’re saying is, I did you a huge favor.” “I like to eat,” said Jon sadly. “Right,” said Marisol. “So, I don’t explain modern medicine to you, and then a medical emergency occurs to me. It could be solved with the application of a little first aid, but you don’t know that, and so I die. I die at your feet. Is that what you want, Jon?” “No,” said Jon. “What’s first aid? Is there a . . . second aid?” “I can’t believe you’re going to let me die when my death could so easily be avoided, if you had just listened,” Marisol went on mercilessly. “Okay, okay! I’ll listen.” “Great. Get me some juice, because I’ll be talking for a while. I’m still very hurt that you even considered letting me die,” Marisol added as Jon scrambled up and made for the side of the room where the unappetizing food and potentially poisonous drinks were laid out. “I thought Shadowhunters had a mandate to protect mundanes!” Marisol shouted after him. “Not orange juice. I want apple juice!

Paris finally woke me up from the poison apple spell that lifetimes of self-rejection had put me under, causing me to desperately search for authentic love

Car accident, drug overdose, drowning, a bout of fatal food poisoning, choking on an apple, choking on a cookie, choking on a vegan hot dog, choking on a non-vegan hot dog, every illness it was possible for you to catch or contract . . . You have died in every way you can, at any time you could.

When you’re five and you hurt, you make a big noise unto the world. At ten you whimper. But by the time you make fifteen you begin to eat the poisoned apples that grow on your own inner tree of pain. It’s the Western Way of Enlightenment. You begin to cram your fists into your mouth to stifle the screams. You bleed on the inside.

The stories tended to give your three chances for these sorts of things. Three nights of revelry before your carriage turned into a gourd. Three questions to ask the wolf before he showed his teeth. Three bites of an apple before you ate the poison in it. I could mete out my three chances carefully, savoring them like caramels; I could suck on them and spit them out again into my hand. Even the imagining of it felt thrilling and tasted sweet.

a pomegranate falls she rolls away and towards her roots from the age of 5 to fifteen from the man to the mother. she is the misery her mother delivered her through. she combes her fingers through the unuttered spite her mother braided into her hair. [the threads and bows represent the childhood she herself had been bereft of.] my dear, you are the apple that you eat and spit back out. your limp body is draped in the hereditary suffering of the second sex, it is engraved into the walls of your insides; it poisons your heart, distorts your self perception, as god calls it girlhood, with the malevolent mockery of your father.

I was warned unresolved trauma could fester inside like a rotten apple, sprouting poisonous spores that grew veined and thorny, drilling deep down only to surface further along in ugly and unexpected ways. I approached each new emotion cautiously as though I were entering a dim and unfamiliar room, one tentative foot feeling in the dark, the ever-present sense of something lurking in the shadows, waiting to lunge at me. In my present state, it seemed unfathomable that I could function at all, yet somehow I managed.

Wholesomeness might as well have been a poisoned apple, a Halloween Snickers bar with a razor in its nougat center. I couldn't trust so many people absent from the warm blanket of irony. It was more comfortable to believe this was insidious.

You don’t like Easton.” “I didn’t like you either. Then I did, for a while. Opinions change. Constantly.” Something weird and unwelcome happened in my chest when she said that. Candy apple dipped with poison. Good news: She liked me. Bad news: I’d fucked it up.

Life will break you. Life will make you. As we walk along this tide, sometimes our hearts get too entangled in the pit fire of wants, we don't even know what we seek in the mirage of our apparent want. We dress up in smiles everyday and every hour but never do we hold on to our laughters. Exceptions are there, of course. But I have realised that most of us often fall into this wound's kiss and fly off to our cocoon of solitude, to stay more safe in the comfort of not getting hurt. But is it really safe, to not feel? Is not getting hurt a part of feeling or experiencing life too? Doesn't our own wall of Solitude break us too with a yearning of our heart that wants to connect, to love, to grow? You have to love. You have to feel. That's the reason you are here on earth. You are here to risk your heart, after all you risked your soul to come onto this voyage in this spectrum of Unknown. You are here to be swallowed up, to save yourself with the poison of Love. And when you find yourself broken, or betrayed, or left, or hurt, or death brushes near, then burn and be born of its ashes! And once in a while sit by an apple tree and as you watch the apples falling in heaps, remember how many of them are wasting their sweetness, just like that. Garner that Life, where you can tell yourself that you tasted as many as you could.

i thought all apples were poisoned until you showed me an orchard

The greatest enemy of hunger for God is not poison but apple pie. It is not the banquet of the wicked that dulls our appetite for heaven, but endless nibbling at the table of the world. It is not the X-rated video, but the prime-time dribble of triviality we drink in every night. For all the ill that Satan can do, when God describes what keeps us from the banquet table of his love, it is a piece of land, a yoke of oxen, and a wife. The greatest adversary of love to God is not his enemies but his gifts. And the most deadly appetites are not for the poison of evil, but for the simple pleasures of earth. For when these replace an appetite for God himself, the idolatry is scarcely recognizable, and almost incurable. Jesus said some people hear the word of God, and a desire for God is awakened in their hearts. But then, “as they go on their way they are choked with worries and riches and pleasures of this life.” In another place he said, “The desires for other things enter in and choke the word, and it becomes unfruitful.” “The pleasures of this life” and “the desires for other things”—these are not evil in themselves. These are not vices. These are gifts of God. They are your basic meat and potatoes and coffee and gardening and reading and decorating and traveling and investing and TV-watching and Internet-surfing and shopping and exercising and collecting and talking. And all of them can become deadly substitutes for God.

Little dove, remember: when they want a bite of your apple, do not be afraid to give them a taste of your poison.

The rotten fruit… The rotten fruit be of the same rotten spirit of the soul that has thrown themselves to the burning pit to be destroyed. As the rotten tree gives of the rotten sour fruits what can you possibly do with bad luck of bad food. The fortune of the futures for told in the roots of the trees that communicate with the earth. To give the language of Mother Earth power to speak to every living thing a purpose tomorrow. The rotten fruit be of the destruction of the planet that causes the confusion of the concern to whatever the wars are about. When you have a bad apple, you don’t leave it in the bunch. The rot spreads quickly. If you don’t separate them from the rest. As it starts the decomposition process of returning to the soil. See the rotten fruit have the purpose of the leaves, the trees as well as the roots. However, the rot be spread of the disease to the sickly of saplings it becomes of the poison ivy. I be lying if I said I didn’t think it was deserved. It just wasn’t of my doing. The rotten fruit is not of my core of character it be of yours though. Clearly, I can prove it. I will throw a pebble into the population of many people you have hurt. As the apple doesn’t fall far from the tree now does it. A lot to be said about rotten fruit don’t you think. Now you may speculate on what it all means.

Car accident, drug overdose, drowning, a bout of fatal food poisoning, choking on an apple, choking on a cookie, choking on a vegan hot dog, choking on a non-vegan hot dog, every illness it was possible for you to catch or contract

She’s Eve holding out the poisonous apple. I can’t resist her. I don’t want to resist her, but she’s always enticed me, only to leave me hanging when another guy comes along.

You are the most addictive poison I’ve ever had. I didn’t take a bite of the apple. I fucking swallowed it whole.

You remember I promised you infiltration from my very first letter—dared you to be infected by me. I couldn't know, then—I couldn't, and nor could you—how thoroughly you were already inside me, shielding me from the future. You've always been the hunger at the heart of me, Red—my teeth, my claws, my poisoned apple. Under the spreading chestnut tree, I made you and you made me.

Once upon a time, tales of witches were dark and scary. They spoke of ugly old women doing evil things. Putting children into ovens. Cursing the young and pure with poisoned apples. The world had found witches in ordinary women. Women who talked back to their husbands, helped others with medicine and advice. Women who didn’t want to get married or have children or embark on a life of drudgery for others. This wasn’t witch-finding, of course. It was misogyny. It used the old stories as excuses. And none of it came close to naming true witchery.

Time to make herself scarce because, hell, she didn’t want to pass that thunderhead on her way out.

Aggression like this demanded slinging the first punch in a bar brawl, firing rounds at a range, or setting a car on fire.

Harsh, bitter laughs exploded from her like shrapnel, and she didn’t care who was cut in the process.

As the sky faded to night, her anger dissipated—but not in a healing way, just dulled, like forged iron sizzling in a cold pail of water.

Hair-braiding salons and mystic shops littered the block, but she didn’t need a psychic to predict her cards read “royally screwed.

Shards flew everywhere, slicing her hands, her forearm, and cascading to the floor like snow glistening on a winter morning.

Japanese researchers blindfolded a group of students and told them their right arms were being rubbed with a poison ivy plant. Afterward, all 13 of the students’ arms reacted with the classic symptoms of poison ivy: itching, boils, and redness. Not surprising until you find out that the plant used for the study wasn’t poison ivy at all, just a harmless shrub. The students’ beliefs were actually strong enough to create the biological effects of poison ivy, even though no such plant had touched them. Then, on the students’ other arm, the researchers rubbed actual poison ivy, but told them it was a harmless plant. Even though all 13 students were highly allergic, only two of them broke out into the poison ivy rash!

Stop it. He’s just human. Just a man. But that was the thing. Elder wasn’t just a man. He was more than human. He’d transcended into fantasy. He was the beast locked in a castle. He was the hero battling inner demons. He was more than just mortal because he’d already done so much more than any other roguish storybook prince would do. He’d rescued me. He’d awakened me. He’d kissed me awake like Sleeping Beauty and removed the poisoned apple from my soul like Snow White. He was my happily ever after. I

All the royal tales got their own special festivals. In honor of the Sleeping Beauty tale, Ever After High held the yearly Beauty Sleep Festival. Everyone put on their pajamas and lay down on their beds, and a magical sleep spell rained over the castle, putting them into a restful slumber for two days. Briar rolled her eyes. "I'd prefer my story got a dance festival with some kicky music and a chocolate fountain." "It's kind of like a massive slumber party, so that's cool," said Ashlynn. "Kinda," said Briar. "But the best part of a slumber party isn't the part where you're unconscious. I'm already facing a hundred years of sleep. Worst. Festival. Ever." "You recall that the royal festival for the Cinderella story is basically just an excuse to get the students to clean the high school," said Ashlynn. Briar laughed, putting her arm around Ashlynn. "That's true! But at least your Spring Cleaning Festival ends with a Ball." Apple always enjoyed the Apple Festival in her story's honor- so many pies and turnovers and breads, and none of them poisoned. The whole school smelled of cinnamon and nutmeg for days. The Spring Cleaning Festival was an excellent opportunity to clean out her sock drawer and then wear a ball gown and dance till midnight. The Little Mermaid Festival took place every summer at Looking Glass Beach with swimming, beach volleyball, and a clam dig.

She looked at herself in the smoky elevator mirror. Her mother always said she had the face of an angel: almond-shaped blue eyes, long dark lashes, a small nose dusted with freckles, and God's imprint, a dimple on the side of her mouth. The reflection staring back at her looked more like Snow White just after she realized she'd eaten the poisoned apple.

I gave you passion. you left me with poetry

When you’re in your twenties and get soaking wet, you look sexy. When you’re in your fifties and get soaking wet, you look like you should be offering someone a poison apple.

Girls can be lost, but they can never purposely wander, and I knew that, learned it from years of caution embedded in everything I saw and read, but I did it anyway. When boys wander alone they grow into men; they learn things about themselves, discover that they're strong and independent. When girls wander alone they're lured by witches to eat poison apples or get caught and ravaged by bandits.

In Muggle fairy tales, magic tends to lie at the root of the hero or heroine’s troubles – the wicked witch has poisoned the apple, or put the princess into a hundred years’ sleep, or turned the prince into a hideous beast.

According to the Ashmole Bestiary, it is also an animal of mass destruction: It is the most poisonous of all poisonous creatures. Others kill one at a time; this creature kills several at once. For if it crawls into a tree all the apples are infected with its poison, and those that eat them die. In the same way, if it falls in a well, the water will poison those who drink it.

As he thus spoke the good little dwarfs were full of sympathy for him, and gave him the coffin. Then the prince called his servants, and the coffin was placed on their shoulders, and they carried it away, followed by the king's son, who watched it carefully. Now it happened that one of them made a false step and stumbled. This shook the coffin, and caused the poisoned piece of apple which Snow-white had bitten to roll out of her mouth. A little while after she suddenly opened her eyes, lifted up the coffin-lid, raised herself and was again alive.

Steele and other scientists investigating half-eaten acorns have found that an acorn has more fats, which squirrels like, in its top half, and in its bottom half, around the embryo, there are more tannins, which squirrels dislike. Tannins—the same chemicals that make wines “dry”—are poisonous in high concentrations. They are a mainstay of plant chemical warfare, used by everything from apples to persimmons. That feeling of all the moisture being sucked out of your mouth when you bite into an acorn or an unripe apple comes from the tannins you’ve just released, which act as molecular vacuum cleaners, hoovering up all the proteins that make your saliva feel slippery. Unlike squirrels, humans can’t eat acorns without processing the tannins.

I focus my attention on the cloth and I can breathe evenly again until the panic dissipates. There's a velvet blue-green, reminding me of the lake at dusk. I find an amazing, fantastical fabric embroidered with moths and butterflies and ferns and flowers. I lift it up, and underneath is a bolt of beautiful fog-gray cloth that ripples like smoke. They're so very pretty. The kind of fabrics that princesses in fairy tales wear. Of course, Taryn is right about stories. Bad things happen to those princesses. They are pricked with thorns, poisoned by apples, married to their own fathers. They have their hands cut off and their brothers turned in to swans, their loves chopped up and planted in basil pots. They vomit up diamonds. When they walk, it feels as though they're walking on knives. They still manage to look nice.

Sometimes I woke with the remnants of her taste in my mouth, half convinced I’d actually buried my tongue in her undoubtedly pretty pussy. Fuck, I hadn’t seen an inch of that legendary body yet, much less touched her. Oh, but I would, even if it took a poisoned apple.

Life will break you. Life will make you. As we walk along this tide, sometimes our hearts get too entangled in the pit fire of wants, we don't even know what we seek in the mirage of our apparent want. We dress up in smiles everyday and every hour but never do we hold on to our laughters. Exceptions are there, of course. But I have realised that most of us often fall into this wound's kiss and fly off to our cocoon of solitude, to stay more safe in the comfort of not getting hurt. But is it really safe, to not feel? Is not getting hurt a part of feeling or experiencing life too? Doesn't our own wall of Solitude break us too with a yearning of our heart that wants to connect, to love, to grow? You have to love. You have to feel. That's the reason you are here on earth. You are here to risk your heart, after all you risked your soul to come onto this voyage in this spectrum of Unknown. You are here to be swallowed up, to save yourself with the poison of Love. And when you find yourself broken, or betrayed, or left, or hurt, or death brushes near, then burn and be born of its ashes! And once in a while sit by an apple tree and as you watch the apples falling in heaps, remember how many of them are wasting their sweetness, just like that. Garner that Life, where you can tell yourself that you tasted as many as you could. Love & Light, always Life will break you. Life will make you. As we walk along this tide, sometimes our hearts get too entangled in the pit fire of wants, we don't even know what we seek in the mirage of our apparent want. We dress up in smiles everyday and every hour but never do we hold on to our laughters. Exceptions are there, of course. But I have realised that most of us often fall into this wound's kiss and fly off to our cocoon of solitude, to stay more safe in the comfort of not getting hurt. But is it really safe, to not feel? Is not getting hurt a part of feeling or experiencing life too? Doesn't our own wall of Solitude break us too with a yearning of our heart that wants to connect, to love, to grow? You have to love. You have to feel. That's the reason you are here on earth. You are here to risk your heart, after all you risked your soul to come onto this voyage in this spectrum of Unknown. You are here to be swallowed up, to save yourself with the poison of Love. And when you find yourself broken, or betrayed, or left, or hurt, or death brushes near, then burn and be born of its ashes! And once in a while sit by an apple tree and as you watch the apples falling in heaps, remember how many of them are wasting their sweetness, just like that. Garner that Life, where you can tell yourself that you tasted as many as you could.

The email alarmed Ive and Dye. They feared that the message Chaudhri sent could be interpreted to mean that Apple’s best days had passed. Its river had run dry. It was one thing for outsiders to say that the company was no longer innovative, but another thing altogether for that critique to come from someone who had helped birth multitouch technology for the iPhone. They worried it would poison morale and moved to contain the damage. Shortly after the email, Dye fired Chaudhri. The move had crushing financial ramifications. Chaudhri would no longer receive his shares. Stung, he complained to friends about the dismissal, telling them that Ive and Dye misunderstood his comment about the river. He explained to those people that the email was a personal reflection on his own lack of joy, not a comment on Apple.

We are becoming used to simple solutions for all our problems. It is logical and reasonable for people to expect an easy fix for dog behavior issues, based on a simple and intuitive explanation. This is the poisoned apple that is so attractive to carers of troubled dogs.

two hands making an offering that can be interpreted three different ways: an apple of knowledge, the poison of a stepmother—or the right way, the secret way, which is a monument to the rebellion of teenage fantasy.

You are going to give us man lessons.”   Ariana let out a sharp bark of laughter, her eyes twinkling. “Him? Are you kidding? He’s going to give us man lessons?”   “We don’t need to look super convincing as men close up,” Kyra said. “We just need to give the impression of men Fred’s taken into his service. If you saw a potion bottle with a red stamp on it, your brain would make you think it was a red skull, and you’d think it was dangerous even if the stamp was actually a grinning squirrel.” Kyra looked at Fred skeptically. “I’m sure Fred can give us a few tips, at least, of how to act like men.”   “Hey! I am more than capable of giving man lessons.” Fred smiled broadly at Kyra. “What do you want to know?”   “For one thing, we need to know how to walk.”   “No problem. I’ve been walking most of my life.” Fred held up a hand. “Stop and watch.”   The girls leaned up against an apple tree with Rosie at their feet.   “First, you aren’t just acting like any kind of men; you’re going to be especially manly men. I picked you up to work for me, after all, and I wouldn’t choose just any men for that sort of thing. I need men who can fight and lift heavy things. You might want to spit occasionally.”   “Why?”   “It helps keep you from looking too smart. Now, because you are so manly, it naturally follows that you have large upper-arm muscles. Huge muscles, really. The way you let people know this is by slightly bending your elbows and holding your arms out from your body, like your muscles are so big they’re getting in the way.”   Kyra and Ariana bent their elbows and pushed their arms a couple of inches away from their bodies.   The edges of Fred’s lips quirked as though he was trying to restrain a smile. “Then you need to let them know that not only are you muscular, you’re confident of your abilities in all areas. You accomplish this by swaggering when you walk. Langley, stay.” He pointed for the dog to sit next to the girls.   Fred sauntered away from them under the lacey white boughs of the trees in a masculine strut.   “Your turn.”   The girls copied Fred’s walk while he stood back and watched.   “A little less hip swinging, Kyra.”   “I’m not—”   “And don’t walk so close together. Imagine there’s at least one invisible guy between you at all times.”   Ariana leaned over and whispered in Kyra’s ear. “He wants us to imagine him between us. Guys are so weird.”   “Men don’t whisper, but if you have to do it, at least do it the right way.”   Ariana and Kyra stopped walking and turned back to Fred.   “If you find you need to whisper, you don’t get up close to the other person and lean into their ear. Stay where you are, a person’s-width apart, and put a hand up on the far side of your face like a shield.” He demonstrated with his hand out straight from one side of his face. “Then turn your head slightly to the other person and say what you need to say.”   The girls exchanged a look.   “No ‘best friends’ glances at each other like that, either. Or ‘dears’ and ‘darlings.’ Men insult each other every chance they get.”   “Men don’t have best friends?” Kyra asked.   “You’d only know it by the ferocity of the insults. If a guy’s your really good pal, you let him have it at every opportunity.”   “Got it, fathead,” Ariana said.   “Perfect.” Fred plucked two blossoms from the tree above him and tucked one behind each girl’s ear, then grabbed another and tucked it behind his own ear. “You have officially completed man lessons. Now that you know how to act like manly men, what’s the plan?

Her sisters. Who were watching, who came when she called. They stand above her like a matched pair of Old Testament angels, the kind with flaming swords and vengeful hearts. Stories spin through Agne’s head again, except this time she isn’t thinking of the dead mothers or their lost daughters. She’s thinking about the witches—the women who dispensed the glass slippers and the curses and poison apples, who wrecked their wills on the world and damned the consequences.

Sometimes you peel back the skin And there’s nothing but the sting I’d pin that heart of yours to my chest That is of course, if you had one at all I cracked my rib cage right open to fit you in You’re clawing up my legs But baby, I’ll never let you in You can’t trick me you snake You can’t lure me with that serpent’s tongue I’ll roast you with that apple in your mouth I’ll wipe my lips with the blood of your false regret Tell me another pretty lie Your words are rotting, the putrid smell of distain lingers I’ve destroyed everything you’ve ever touched I’m burning myself clean, exorcising every memory Bodies once entwined. Tell me one last pretty tale Lie steady, I swear it wont hurt a bit Truth like poison, love like venom

I’m not some damsel in distress you can just swoop off her feet and save, Prince Charming. I’m lost in a world so dark you wouldn’t be able to find the light of day again. But make no mistake, you’re the poisonous apple in this fairytale, Slate." "Fuck your fairytale. I just want you. I’ll make my own God damn happily ever after. But you’re the one who is mistaken. You’ll be at the end of that story, beautiful. You either come willingly or you force me into the dark after you. It doesn’t matter to me, because either way, I’ll find you.

It isn't easy, being a wicked stepfather. There are no guidelines. Western literature is filled with tips on how to become a wicked stepmother. Give your stepkid a poison apple. Make her clean the chimney while your daughters go to the ball. Ditch them in a forest and make them find their way home with bread crumbs. Stepfathers don't get an instruction manual. They have to learn to be wicked on their own.

My father always told me to never outgrow my belief in faith and fairy tales, but fear has a way of darkening one’s vision, and so I’d lost of the beauty God displayed through magical stories. Not so much the glass slippers or the poisoned apples, but the deeper truths. The light overcoming darkness. The rewards of perseverance. The beauty that can come through trials of thorns or battles or even sleeping death. I’d forgotten that imagination gives me so much more than the ability to fall into the world of a book. It motivates my dreams, inspires remarkable love, and helps me see beyond this world to a greater one (pp. 249-250).

Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me. I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste. I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria. I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country. The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.

As we passed through one of the gardens--most of the plants were held away from us by a mesh fence that had a current running through it, I noted--Yssa spoke from behind me, with a tone of controlled fear. “Pary.” I turned back to see a large beetle, almost as long as my palm, crawling on Akos’s cheek. Its wings had bright blue markings, and its antennae were bright, searching. There was another one on his throat, and a third on his arm. “Stay still,” Yssa told him. “Everyone else step back from him.” “Shit,” Pary said. “I take it these insects are poisonous,” Akos said. His Adam’s apple bobbed with a particularly hard swallow. “Very,” Yssa said. “We keep them here because they are very bright when they fly.” “And they avoid anything that is a particularly strong conduit for the current,” Pary added. “Like…people. Most people.” Akos’s eyes closed.

I take it these insects are poisonous,” Akos said. His Adam’s apple bobbed with a particularly hard swallow. “Very,” Yssa said. “We keep them here because they are very bright when they fly.” “And they avoid anything that is a particularly strong conduit for the current,” Pary added. “Like…people. Most people.” Akos’s eyes closed. Frowning a little, I stepped forward. Pary grabbed my arm to stop me, but he couldn’t stand to touch me; his grip slipped, and I kept walking. Inching closer, and closer, until I was right in front of Akos, his warm breath against my temple. I lifted a hand to hover over the beetle on his face, and, for the first time, thought of my currentgift as something that might protect instead of injure. A single black tendril unfurled from my fingers--obeying me, obeying me--and jabbed the beetle in the back. The light inside it flaring to life, it darted away from him, and the others went with it. Akos’s eyes opened. We stared at each other, not touching, but close enough that I could see the freckles on his eyelids. “Okay?” I said. He nodded. “Stay close to me, then,” I said. “But don’t touch my skin, or you’ll turn us both into poisonous insect magnets.” As I turned around, I made eye contact with Sifa. She was giving me an odd look, almost like I had just struck her. I felt Akos behind me, staying close. He pinched my shirt between two fingers, right over the middle of my back. “Well,” Eijeh said. “That was exciting.” It was the sort of thing Ryzek might have said. “Shut up,” I replied, automatically

The peach siding created a gorgeous contrast to the stucco walls and the dark-brown roof tiles—a fairytale house in a fairytale suburban neighborhood. She rolled her eyes. Too bad life had been anything but.

Blonde hair drawn into a no-nonsense bun, her new manicure the deep red of fresh blood, she’d even donned a blouse and slacks for the occasion, something Neve had forgotten Veronica owned.

Don’t worry. I don’t plan on making homelessness my career.

The Cottage Diner’s homey lights glowed onto black asphalt which just sucked up the beams to spit out more shadows.

There are many poisons that will induce madness but none perhaps quite so effective as love. Sister Apple carried a hundred antidotes but she had drunk that particular draught of her own free will, knowing there was no cure.

We can’t rest on our past successes. We can’t be satisfied with what we did back then. We always, always have to be pushing forward to what is in front of us. And in doing that, we make ourselves an appreciating asset instead of a depreciating one, living off of our past successes. Success can be its own obstacle if we’re not careful. Too many of us hold on to our past wins at the expense of future wins. If you’re dwelling in the past—even the really good stuff about your past—there is no way you’ll ever make any progress in your life. It’s like eating half an apple and thinking you’ll save the rest for later. The more time that goes by, the less appealing the apple looks. Stale success is like a browned apple. What served us today won’t necessarily serve us tomorrow. What was nourishing yesterday becomes poisonous if we’re always stashing it away, saving it for later.

Let me take your plate." Reid's voice startles me badly enough that I jump and apple juice sloshes over the side of my cup. I narrow my eyes. "What?" "Your fruit plate. Its empty." I snort. "Why? Planning on poisoning it when I'm not looking?" "Well, its empty so that wouldn't be very effective." My eyes narrow further. They are slits and I'm pissed. "Did you seriously walk all the way over here just to take my fruit plate?" Reid's lips thin into a line and he runs his hand through the wild tuft of hair on his head, thumb brushing over the shaved sides. "Yeah. That and..." He glances over at Riya who is doing a terrible job at attempting not to eavesdrop and Will, who is not pretending at all.

So, if someone's changed overnight -- by witch curse or poison apple or were-turtle -- you have to show them what's good. You show them love. That works a surprising amount of the time. And if that doesn't save them, they're not worth saving.

If I wanted to poison you I would have used an apple

be mindful of the apples people try to offer you. some will be perfectly delicious, but others may be laced with poison. try not to settle for their toxicity just because you’re starving & you think there’s nothing better out there for you. the pain you will have to endure isn’t worth it. go on—explore new orchards, & don’t be afraid to be picky about it. you, my dear, deserve only the sweetest things life has to offer.

You’re a bad apple, Millie. We don’t want you poisoning our lives anymore. Do you know what it feels like for your parents to call you a poisoned apple? It doesn’t feel great. Yet, no matter how much they pushed me away, I still craved their support. I loved them, and more than anything, I wanted them to see I had changed from the girl I used to be.

Do you know what it feels like for your parents to call you a poisoned apple? It doesn’t feel great. Yet, no matter how much they pushed me away, I still craved their support. I loved them, and more than anything, I wanted them to see I had changed from the girl I used to be.

What if I am dead?' 'Sorry?' 'I mean, in another life. There must be other lives in which I died before today.' Mrs. Elm looked intrigued. 'Isn't that what you wanted?' 'Well, yes, but—' 'You have died an infinite number of times before today, yes. Car accident, drug overdose, drowning, a bout of fatal food poisoning, choking on an apple, choking on a cookie, choking on a vegan hot dog, choking on a non-vegan hot dog, every illness it was possible for you to catch or contract...You have died in every way you can, at any time you could.' 'So, I could open a book and just die?' 'No. Not instantaneously. As with Voltaire, the only lives available here are, well, lives. I mean, you could die in that life, but you won't have died before you enter the life because this Midnight Library is not one of ghosts. It is not a library of corpses. It is a library of possibility. And death is the opposite of possibility. Understand?

I’m the spindle lover boys prick their fingers on. I leave them comatose with only the memory of my touch. I’m not the princess. I’m the rotten apple. The poison made to demolish happily ever afters. I’m no good for him, for anyone.

It’s a gift to be a witch,” a woman’s voice said. Her accent placed her in the rural South. “You can’t be selfish with this gift, or it will sour and poison you. No, I was wrong to call it a gift. It’s a responsibility. If you’re chosen, you must respond. It’s the rooster’s job to wake you when the sun rises, and the honeybee has to spread pollen, or the apple trees won’t fruit. Same thing with us witches. We’re a quiet part of the working of the world.

It is said that disappointment poisons the heart, turning it cold and bitter. The more wounds we bear, the easier it becomes to close ourselves off.

you’re the poisonous apple